Nfocus October 2023

Visit with five Nashville Design Week makers and artists, Design tour New York Fashion Week, and celebrate King Jewelers’ 15 years

BRIGHT NIGHT

JOIN US FOR NASHVILLE'S MOST VIVID BENEFIT.

THURSDAY, OCTOBER 26

AT THE PARTHENON

BRIGHT NIGHT is a sensory exploration of renowned visual artist Duncan McDaniel’s new Parthenon exhibit. Immerse you in an evening of color and culinary excellence – all while helping support Centennial Park Conservancy’s many free community programs.

LIMITED TICKETS ON SALE NOW: CONSERVANCYONLINE.COM/BRIGHTNIGHT

BRIGHT NIGHT FEATURES:

• Visual Artistry from Duncan McDaniel

• Craft Cocktail Bar from Celebrity Mixologist Rob Floyd

• Culinary Delights from Molly Martin of Juniper Green

• Plus a few surprises

SPONSORED BY:

Proceeds from Bright Night benefit Centennial Park Conservancy, the nonprofit organization working with Metro Parks to sustain the vibrancy of Nashville's central park.

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Designed for Good

A celebration of the grand design

Design is contextual, encompassing both the tangible and the ethereal. Biomorphic design plays a part in everyday life as humans work to construct our world by mimicking that which we experience in nature. Design also plays a role in the commonality of our lives — from the clothes we wear and buildings we inhabit, to the look and feel of our favorite spatula. We see design in the seemingly random as we watch a flock of starlings fly at dusk or in the magical combination of notes that make our favorite song.

In this issue, we explore a variety of mediums as Nfocus sits down with makers and artists who live their lives in the world of design. The WanderLust Girls spirit us away to NYC for New York Fashion Week, while Whitney Clay takes us inside the new Joe Muer Seafood — a beloved Detroit-based restaurant with its first outpost outside of Motor City. Designed communities are nothing new, but Alys Beach was specifically arranged to stimulate harmony and relaxation in both residents and visitors. The heritage and legacy of King Jewelers is a true American tale, so this month Nfocus honors and celebrates the 15th anniversary of the brand’s Nashville location.

As events return for the fall and winter season, we attend the Tennessee Waltz Patrons Party, Sunset Safari, Chukkers for Charity and many more. We were honored to join hands once again with our sister publication, the Nashville Post, in a lunch to celebrate their latest class of Most Powerful Women and raise a glass to this year’s Nfocus Model Behavior honorees. Finally, we take a glimpse inside the Heritage Ball Patrons Party as The Heritage Foundation of Williamson County celebrates the event’s 50th year.

Naturally occurring patterns — like honeycomb or the logarithmic spirals of shells — have fascinated mathematicians, scientists, theologians and artists for centuries. Their existence has been theorized to suggest a perfection in the order of the universe as they conceivably spiral into infinity. Design pushes us to bend our own limitations while providing a platform for individuality. While perception is subjective — and many would argue that not all design is good design — natural machinations seem to fascinate us, bringing us closer to our humanity while inspiring well-devised forms and styles.

BY JANET KURTZ

Editorial founding editor

Herbert Fox, Jr.

editor-in-chief

Janet Kurtz

managing editor

Karin Mathis

contributing editor

Jack Silverman

social correspondent

Gloria Houghland

contributors

Emily Bache, Abigail Breslin, Bentley Caldwell, Whitney Clay, Melissa Corbin, Amos Gott, Carson Love, Carl Mathis, Sandra Nelson

Nancy Vienneau

Art art director

Christie Passarello

senior photographer

Eric England

staff photographer

Angelina Castillo

contributing photographers

Michael Scott Evans, Lorenzo Huerta, Hamilton Matthew Masters

graphic designers

Sandi Harrison, Mary Louise Meadors, Tracey Starck

Marketing events and marketing director

Olivia Moye Britton

marketing and promotions manager

Robin Fomusa

Advertising publisher

Jennifer Trsinar Jezewski

advertising solutions consultants

Teresa Birdsong, Maddy Fraiche, Michael Jezewski, Carla Mathis, Allie Muirhead, Heather Cantrell Mullins, Niki Tyree, Alissa Wetzel, Keith Wright

associate account executive

Kailey Idziak

sales operations manager

Chelon Hasty

advertising solutions associates

Audry Houle, Jack Stejskal

Circulation

circulation manager

Gary Minnis

Business president

Mike Smith

chief financial officer

Todd Patton

IT director

John Schaeffer

Owner

Bill

Janet moved to Nashville 25 years ago. She is an avid reader, traveler and collector of fountain pens, and she lives in downtown Nashville with her husband, Ron, and their dog, Julep. Email her at jkurtz@nfocusmagazine.com or follow her on Instagram @musiccitytraveler

Storied Scents

The co-founders behind the fragrances at Ranger Station

Steve and Jordan Soderholm are the husbandand-wife duo behind Ranger Station, a Nashvillebased fragrance studio established in 2015.

Jordan, a fashion major, and Steve, a musician, crossed paths while studying at Belmont University. While both went on to fulfill childhood dreams in the fashion and music industries, the pair eventually found themselves in an even more creative — if unexpected — space than they had dreamed.

The Basics

Names: Steve & Jordan Soderholm

Co-Founder and…

Steve: Perfumer

Jordan: Chief Growth Officer

Hometown: Steve: Minneapolis

When not on the road as a drummer, Steve loved having friends over and always burned candles; he felt it set the tone for an incredible night with friends. On a whim one day — when he ran out of candles and had more time than money — Steve tried his hand at making his own. Finding a process that ignited his creativity, Steve fell in love with fragrance and “olfactory storytelling.”

Jordan: Knoxville

Zip Code: 37209

Years in Nashville: 14

Number of Candles in Your Home: There’s truly no telling. We’re always burning our favorites when we have people over, or we’re testing new ones!

Steve and Jordan built Ranger Station from an unexpected dream and a simple, original idea: one candle, poured into one reusable cocktail glass. Today, the Soderholms will pour the scent — if you pour the spirit — and this model allows customers to appreciate their own “cheers” moments with friends.

BY KARIN MATHIS

PHOTOGRAPH BY ANGELINA CASTILLO

What did you initially want to be when you grew up?

J: I wanted to be in fashion, and Steve wanted to be a drummer.

How did you go about learning the craft of scent blending and “olfactory storytelling?”

S: Trial and — let’s be honest — mostly error in the beginning. I am a self-taught perfumer, and I have no classical training. This has been a huge benefit because I’ve never been constrained by the guardrails of what “should” and “shouldn’t” work; I’ve probably made scents that — in theory — should not have worked at all, which turned out incredibly well.

I’ve discovered that different raw materials evoke certain emotions, transporting us to different places. Once I have chosen the raw materials, it’s all about getting those facets to play nice with each other within the story I want the fragrance to tell.

What’s your favorite unexpected scent to use?

S: My favorite materials are woods and musks — they have a warm, dark character — but recently, I’ve been creating features like ‘The DARK’ with pink peppercorn. Somehow, it’s simultaneously smokey, sharp and bright, and I have never found anything like it.

Is there any part of Ranger Station’s storefront experience you’re particularly proud of?

J: We want the experience to be inspiring, warm and welcoming. Our product speaks for itself, so I wanted the space to be very product-forward, but Ranger Station is — to us — an extension of our home as well. When people come to visit our house, we tell them to sit down as we mix them a cocktail.

Similarly, we wanted a space where people feel comfortable, like they could sit down and stay a while. Customers experience our scents — organized from freshest to darkest — at a scent bar in the middle of the room, though it can move to become a working bar during events.

What’s your favorite restaurant in town or favorite go-to place for a night out?

J: When we have a night out, we always go to the bar at City House. We love the bartenders there and the new things they pour! City House feels like a place you can come as you are — whether it’s after a long week or for a big celebration with friends.

S: Shout-out to Ramy and Camille at the City House Bar! Camille commented on a fragrance I was testing once and has since become one of our testers. When we go to City House, I usually bring them something new that I’m working on.

What does the future hold for Ranger Station?

J: Expect us to lean into our musical roots more — whether that’s through more musician partnerships or musical experiences that we put together. And we definitely want more in-person touchpoints, whether that looks like more retail stores or new ways to experience Ranger Station in the future.

What else do you love to discuss?

S: The science behind smell! In a lot of ways, this can be a person’s strongest sense. Of all five sensory faculties, smell is the only one tied directly to a brain’s centers of memory, experience and emotion. Brains don’t have to process much when we smell, which is why this sense has a crucial part in creating and remembering experiences.

When we walk into a room, the smell is the first thing our brain notices — whether we are conscious of that or not. The fragrance sets the tone for the whole experience that we have in a place, and scented experiences will truly be more fully remembered.

What legacy would you like to leave in this community?

S: “Die with memories, not dreams.” Ranger Station facilitates the creation of vivid and incredible memories in daily life, so we want to be known as storytellers.

Brandon Jenkins 615.642.9992

Motor City Moves to Nashville

A tradition of excellence continues at Joe Muer Seafood

Inside the newly opened Joe Muer Seafood in Capitol View, there are no nautical blue anchors painted on the walls, no fishermen’s nets hanging from the ceiling and not a single piece of art proclaiming: “Life’s a Beach.” Instead, Joe Muer Seafood offers nearly a century’s worth of chic ambience, refined service and the freshest of fine cuisine — transposed from Detroit to Nashville. The staff take great pride in the restaurant’s classic style, striving for each guest to experience Joe Muer’s iconic legacy.

The decor is elegant as well. Contemporary brass chandeliers hang from soaring ceilings exposing painted ductwork. The floors are the Detroit restaurant brand’s signature black and white tile. Luxe red velvet banquettes and drapes add a pop of color, and the latter are used to partition off sections of the 12,000-square-foot space. Alternating accent walls of whitewashed brick and red lacquer add interest. A polished baby grand piano acts as a focal point from its perch on a centrally located raised platform. There is live music daily, and — when there’s not — the ebony Yamaha can double as a player piano.

Rosalie Vicari, chief operating officer and co-owner, with her husband, of the Joe Vicari Restaurant Group, worked with Chicago-based interior designer Anne Faherty and architect Robert Hoida, a principal at OX Studio out of Ann Arbor, Michigan, to create Joe Muer Nashville.

Rosalie has fond memories of the legendary Detroit brand that opened in 1929. “As a young girl, I grew up going to the original Joe Muer with my family. That was our Friday night out to dinner. We got dressed up, and we went there … So when [the Vicari Restaurant Group] acquired the brand in 2011, we really made a conscious effort that we wanted to elevate it. It was a lovely brand as it was, but it was an older brand; we just wanted to take it and elevate it.”

Joe and Rosalie visited Nashville nine years ago when they attended the Country Music Awards with friends. A music lover, Joe saw the growth potential here and thought it would be the perfect place for Joe Muer — the first outside of Michigan. After he visited the Capitol View location, the timing seemed right.

BY WHITNEY CLAY PHOTOGRAPHS BY ANGELINA CASTILLO

LIVING LARGE

FRESH FOCUS

Nowadays, when fish can be flown in daily, there’s no reason it can’t be fresh — even in landlocked Nashville. Thanks to longstanding partnerships with many seafood houses, fish is flown in from places such as Boston, the Gulf Coast of Florida and Hawaii, depending on what’s in season. “And we will never buy fish out of season,” adds Rosalie, “because that means that it’s frozen.”

Menu highlights include crab-stuffed Atlantic flounder and lobster pot pie with Irish spoon bread. The Dover sole — noted as a Muer tradition on the menu — is deboned tableside, complemented with a sauce of grapes, pine nuts, capers, parsley, artichokes and tomatoes, and served with braised leeks.

OTHER OPTIONS

There’s more than just fish and seafood on the menu. There is Maple Leaf Farms roast duck and an 8-ounce and 10-ounce Chairman’s Reserve filet mignon. For those who’d rather not have to choose, there’s Joe Muer Surf & Turf. The kitchen is overseen by Master Chef Daniel Scannell and Chef Jim Oppat. Right now, the restaurant is open only for dinner but may — in the future — offer brunch. Complimentary parking is offered at two nearby garages, and valet parking is available.

"The smallest restaurant in the Joe Vicari Restaurant Group seats 180 guests," says Rosalie, continuing: “It’s kind of the equation that we use — to just take this bigger space, create this beautiful bar and lounge area in the center of it, and then create these pockets of intimate dining throughout the restaurant.” The Nashville location seats about 325, including 40 to 50 guests in each of the two private rooms, 20 at the bar and 80 on the patio. Despite its size, the space feels warm and inviting.

His Style

Falling for fall

The crisp breeze through the auburn- and orange-colored trees, the crunching of leaves on the ground, and pumpkin spice everything — everywhere — can only mean one thing: Layering season is upon us!

With fall weather comes fall fashion! This is the most wonderful time of the year in menswear. Why? Because we get to layer and truly peacock with our wardrobe. Here are four items you need to help you strut your stuff this fall.

Boots

The dip in temperature beckons us to explore. For that, you’re going to need a boot that can withstand the rigors of the fall elements or, at least, the corridors of Nissan Stadium during Titans games — yikes. I suggest you splurge a little and get a nice pair of leather boots.

A good pair of leather boots will cost you between $300 and $600, whereas a stellar pair is a bit of an investment at $600-plus. Nothing compares to the comfort and quality of a pair of high-end leather boots. Trust me, they pay dividends for years to come.

Denim

I cannot stress enough the importance of denim in a man’s wardrobe. Last month, I talked about jeans. This month, I’m throwing jackets and shirts into the mix. A good denim jacket or shirt is a fall staple, and it’s a workhorse in my wardrobe.

Dress up the jacket with a tie, button-up and dress pant for a different take on business casual, or sub in a denim shirt with your suit, instead of your typical dress shirt. The sky’s the limit!

Sweaters, Hoodies

Another big component of layering season is lightweight sweaters and hoodies. These are great pieces to toss on for crisp fall mornings or brisk autumn evenings. Personally, I opt for merino wool or cashmere: Both are lightweight, buttery soft and unbelievably comfortable. You’ll want to give yourself a hug!

Jackets

Fall is not yet time to throw on the down parka, but it’s a little too chilly to go without what we call a “third piece.” This is where jackets reign supreme! Play with different fabrics here — like waxed canvas or corduroy — or go more premium with a suede or leather jacket. Layer your jacket with your favorite hoodie to keep you warm without the bulk.

This fall, remember, gents: Be bold, be brave and — most importantly — be 100 percent you! Until next time.

BY BENTLEY CALDWELL

Bentley Caldwell is a Nashville-based men’s personal stylist who helps guys up their style and confidence and take the guesswork out of dressing themselves. Have a fashion or styling question? Visit his website: BentleyCaldwellStyling.com or follow him on Instagram @bentleycaldwell

Her Style

Fall spice

The fall-spiced candles have been lit, the pumpkin spice drinks have been poured, and even the leaves on the trees are celebrating the season with their changing hues. October is finally upon us, which means fall fashion is in full swing. What better time to highlight some of this season’s top trends?

Allow me to first slap a “warning label” on all information surrounding trends: Not all trends are for everyone, and there should never be any pressure to adapt one into your wardrobe. One of the beautiful things about fashion trends is that — if you don’t resonate with any this season — there’s always a fresh batch right around the corner like clockwork. Please don’t feel the need to incorporate trends you don’t love!

I tend to follow a rule of thumb when identifying trends, asking myself: Can it be spotted on runways three or more times? Don’t worry; I’ve done that homework for you. Let’s check out three trends that covered the fall 2023 runways:

Red

Let’s kick things off in a bright and bold way! Cherry red is undoubtedly the hot color for the fall and winter seasons this year. Go all-in by trying a monochromatic ensemble, or just dip your toe by adding pops of red through accessorizing.

Honorable mention when it comes to trending colors: butter yellow. Trend forecasters must have been hungry this year!

Corporate-Core

Has the pendulum swung back after a few years of workfrom-home chic? With tailored suits, bold overcoats, deconstructed blazers and fashion-forward loafers, runways seem to lead straight to the corner office.

Off-the-Shoulder

I’m not normally one to name a neckline as a trend, but if you look around at some of your favorite brands and retailers, it’s hard to deny the presence of off-the-shoulder cuts! I am a fan of how wearable this one is; it can be flattering on a wide variety of body types.

Whether you’re excited to incorporate new trends into your wardrobe — or prefer to wave as they pass by — fashion trends are an important part of our culture and help illustrate our moment in history. Plus, I think noticing them is a fun way to be both in the moment and in the know. With that, happy trend-spotting!

BY CARSON LOVE

Carson Love is a wardrobe & personal stylist based in Nashville. Her main goal is to help clients present and feel like their best selves, so they are ready for whatever life brings them. Find her online: CarsonLove.com or follow her on Instagram @carsonmlove

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BY DESIGN

A profile of Nashville Design Week artists and makers

Nashville Design Week returns this year to celebrate the brightest creatives within Nashville’s society of producers and innovators. The citywide, weeklong event will include studio visits and a host of discussions about the state of the industry in hopes of growing Nashville’s thriving design community. As the week’s lineup will be open to the public, everyone from a Swiss-trained watchmaker to a self-taught muralist will be on the lookout and ready for inspiration. We sat down with five of the makers to talk design and inspiration.

BY MELISSA CORBIN PHOTOGRAPHS BY ANGELINA CASTILLO AND ERIC ENGLAND

PATRICK HAYES

If you’ve dined at one of Chef Sean Brock’s restaurants, you are liable to recognize Patrick Hayes’ Aberdeen Studio custom furniture and cabinetry designs — about which the renowned chef says, “Aberdeen Studio is as good as it gets. They are the first team I contact when I dream up something wild. Patrick and his team always overachieve and do it with humility."

Sean isn’t alone in his sentiments. From The Hermitage Hotel — a historic icon of Nashville — to New Frontier Tiny Homes, the founder and lead designer of Aberdeen Studio is a highly trusted fabricator. About his artform, Patrick says: “It is the perfect intersection, in my opinion, of function and art.”

The native Californian moved to Nashville 10 years ago but remembers himself — even as a child — tinkering on things in his parent’s garage. Through the years, the self-taught designer says that he believes in surrounding himself “with people who are more talented than me, to learn from and to grow alongside,” and tends to focus on what’s in front of him at the moment. While you won’t find Patrick in the shop much anymore, he explains that he relies “heavily on our team of craftspeople to bring our ideas to life. I've learned from my peers, and I am inspired by those that came before me.”

What’s more, you won’t find standard offerings within the Aberdeen Studio; all designs are made to order. Think clean, sleek lines and understated elegance made from sustainable resources. Aberdeen Studio’s site states, “We believe that furniture should be made to last, with an extreme attention to detail and with as little impact on the environment as possible.”

While Aberdeen Studio has hosted previous Nashville Design Week events, the program sponsor

is “looking forward most to seeing what others come up with, and how they build upon what people have done in years past.” Where the Nashville design community as a whole is concerned, Patrick says that he would “love to see more local, smaller firms with unique identities popping up” and for local partnerships to flourish within Music City.

Still, as unique as Aberdeen Studio’s designs are, Patrick enjoys collecting the works of those he admires. He is particularly fond of the Børge Mogensen Model 2212 Sofa that he collected, and on his wish list is furniture from George Nakashima Woodworkers. When asked what kind of Nakashima piece, Patrick said with a wink, “I’m not picky. I’d take anything.”

As the makers of bespoke furniture, custom millwork and fabrications for residential and commercial spaces alike, the small, focused team at Aberdeen Studio says, “Let’s create something beautiful.”

Keep up with Patrick’s work at AberdeenStudio.co and on Instagram @AberdeenStudio.

John Clayton, Neal Clayton, Amy Jackson Smith, Chip Wilkison, Emily Stewart Lamb, John White, Grace Clayton, Murray Clayton, Sheila Reuther

seasons change, so do your home needs. We

CYMONE WILDER

Consider this a PSA: If you share a cool lettering design you find on social media, do not pass go without crediting its creator. Artists like Cymone Wilder will thank you ever so much. By day, Cymone is the Senior Art Director for Global Brand Creative at Amazon Web Services. By night — and all the other times in between — she’s a muralist and a lettering artist, collaborating with household names like Netflix and New Belgium.

The eye behind the beauty on the side of Nelson’s Greenbrier Distillery, Cymone has been involved with Nashville Design Week for years as a panelist and community artist. She debuts this year as a programming content curator, so — if you plan to attend this year — you’re likely to find the talented Cymone at the back of the room, ready to lend a helping hand.

She spent her high school years during the Tumblr era — when graphic tees, posters and other forms of artwork started showing up en masse. Cymone remembers thinking, “Yeah, I really want to do what these people are doing.” Although the artist went to school for graphic design, she admits that most of her education came from platforms such as YouTube, and later from “being pushed into the deep end at my first job.”

Going with the flow is Cymone’s strategy, and she looks to accomplish a lot: “to build stronger connections with people in Nashville — especially in black creative circles — and to continue providing support to creatives coming up behind me via mentorship, job opportunities, and donations of tools and supplies.”

Voices like Cymone’s have positively influenced Nashville Design Week. “I think Nashville is packed with a lot of incredible talent,” she says, “but businesses and other programs and opportunities tend to highlight the same folks over and over again. So, I’m especially excited that Nashville Design Week makes a concerted effort each year to highlight diverse and hidden voices.”

Still, just as Cymone has become a center of influence within Nashville’s design community, she finds her peers to be her personal muses. Take Clarksville artist Lorenzo Swinton, otherwise known as Mr. Trombone. Cymone — who played trombone growing up — remembers: “I first saw his work at the closing party at Nashville Design Week last year and was instantly addicted. So, when I saw the piece go up for sale, I knew I had to have it. It perfectly represents the intersection of the things I love, and it’s a beautiful pop of excitement in my home.” She also says that she’d count herself lucky to acquire an original Gordon Parks photo.

If you’ve found yourself enamored with Cymone’s work, head over to SimonAndMoose.com, or keep up with her on Instagram @SimonAndMoose

WOKE3

Humans have felt compelled to leave their mark since the beginning of their existence. From cave drawings to what is today known as graffiti — complete with the artist’s tag — the artform has evolved into beautifully composed murals. These designs all have one thing in common, though: They are meant to tell a story. Woke3 — a muralist and studio artist — attests to the power of storytelling in this tradition, saying, “The larger the mural is, the easier it is to see; the greater the impact on the people of the community, on culture, and on our [collective] existence.”

Born and raised in Nashville, the artist — formerly known as Sleep2 — says that the design

world wasn’t necessarily his childhood dream: “It wasn’t always a thought. It just happened. I’m not surprised; I’ve always loved doing graffiti.”

He actually felt the call while painting his first train — like the art you might see chugging past while you wait at a railroad crossing. “When I was writing Sleep2, mostly in high school, I was doing mostly ‘illegal’ graffiti art. When I wanted to start getting paid, I needed a different name. So,” he explained, “I started writing Woke3. Woke is my third name, and Sleep was my second.”

While he was self-taught for about six years, he studied art at Tennessee State University and has become one of the city’s most recognized muralists. If you’ve ever driven up Clarksville Pike and seen the phrase, “Freedom is not a destination, it’s a journey,” that is Woke3’s heartwarming work, Family Matters — a collaboration with The Norf Art Collective and lead artist Doughjoe.

In 2020, Woke3 depicted the meaningful work of the Tennessee Immigrant & Refugee Rights Coalition on their Ezell Road building.

These are just two shining examples of why he rightfully takes pride in his “ability to make people feel connected, appreciated, respected and completely submerged in my artworks.” The community upholds Woke3’s work as “inclusive, diverse, and having the ability to show how no one thing is greater than another,” he says — encapsulating his primary intentions.

If you want to feel the love of his art, you can find him at this year’s Nashville Design Week. “The ideas and people make it worth returning each year. I’m looking forward to meeting more people,” he says.

Connect with Woke3 at WokeThree.com and on Instagram @Woke3

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CAMERON WEISS

Whether organizing activities or regulating agricultural cycles, time has always been a product of the human imagination, and the knowledge of timekeeping has long been imperative to society. Even today, how lost would you be without a mobile phone, where a clock is standard issue?

Cameron Weiss might contest that the watch is, in fact, the original mobile device, but not just any watch will do. As the master watchmaker of Weiss Watchmaking Company, the craftsmanship that goes into each of Cameron’s timepieces make these stand-alone works of art.

The Southern Californian’s introduction to design came through a childhood full of LEGOs and Erector Sets. Cameron’s fabrication fascination would eventually evolve into a lifelong quest — creating watches for people to wear.

As a Swiss-trained, certified master watchmaker, the founder of Weiss Watchmaking Company graduated from Miami’s Nicolas G. Hayek Watchmaking School and received training at prestigious Swiss watch companies Audemars Piguet and Vacheron Constantin, before founding his company in 2013.

In 2018, Cameron launched the popular podcast, “Watch & Listen” with Matt Farrah which was followed by his solo series in 2023: “The Watchmaker’s Workshop.” Each component of a Weiss watch’s design is hand-drawn, engineered and tested, and made by hand. These timepieces aren’t merely intended as special occasion accessories; Weiss watches are made for “everyday adventures.” Indeed, Cameron’s attention to detail is the crowning jewel of his watches.

Cameron will join a panel of seven — all masters of their respective crafts — for this year’s Nashville Design Week, and the innovators will discuss growing and thriving in Nashville as craftspeople. The watchmaker senses a growing interest in Nashville’s creative trades from a global perspective and is excited for future opportunities.

It’s not all ticking timepieces in Cameron’s world of design: Woodworking and restoration of classic cars are other out-of-the-box ways he satiates his creative energy. His collection of other mediums includes a table and chair from unform studio’s “drip collection,” and a piece from local artist Devin Drake is on his wish list.

Learn more about watchmaking via Cameron’s YouTube series, "The Watchmaker's Workshop,” or discover more about Weiss Watch Company at WeissWatchCompany.com

HANNAH SELLERS TERRY

If you head to Fall Creek Falls to see the changing leaves this autumn, treat yourself to an overnight stay at the beautifully renovated Lodge at Fall Creek Falls. The Lodge is a shining example of how ESa — a renowned architecture design firm — has left its mark on Middle Tennessee. It’s projects like these that draw top talent into the firm’s fold — talent such as Hannah Sellers Terry, a design manager for ESa.

Hannah grew up in Madisonville, Kentucky, but — on a trip to New Orleans — the European and Creole styles of architecture sparked her initial interest in the medium. “I knew I'd be in the design industry in some way,” she said. Even an invitation to a friends’ house meant an opportunity to further her earliest design studies.

Hannah eventually earned her M.Arch — a master's degree in architecture — from the University of Kentucky, and she moved to Nashville eight years ago and worked for various firms before joining the ESa team. While her work ranges from architectural and interior design to an at-home studio practice, Hannah’s approach is “to give attention to the unintentional and leave space to connect the viewer to their built surroundings; exploring themes of balance, weight, and familiarity.”

As her studio work focuses on acrylic paintings, painted textiles and both indoor and outdoor murals, Hannah’s Instagram illustrates her joyful style expressed in every color imaginable. She loves working with commissioned clients, because — by getting to know them — she’s able to utilize details of their life to personalize designs. For example, a co-owner of DraftKings commissioned Hannah to custom-paint Nike Air Jordans for display in their child’s room. This piece is one she’s most proud of because “I like to think they look up at these dope shoes while they’re doing their math homework and get inspired to go out and do something creative.” For Hannah, that idea serves as creative motivation.

When searching for personal inspiration, Hannah says that, from wallpaper to design finishes, Nashville firm New Hat Projects “can do no wrong!” Through a much wider lens, the city of Nashville in and of itself consistently charms her imagination. With the influx of new, innovative minds, Hannah believes the growing population offers hope for, “more architecture, more people, and more art!”

At this year’s Nashville Design Week, you may spot Hannah at some of the various panel discussions, searching for new sources of influence. She explains, “I love hearing what inspires them, particularly when designers from different areas come together to discuss the same topic in different ways.”

To commission Hannah for your own source of inspiration, visit her at HnnhSllrs.com or find her on Instagram at @Hnnh__Trry

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Oh! Alys

Design and conservation are a central focus at Alys Beach

For nearly the past 20 years, visitors to 30A have been captivated by the beauty and design of Alys Beach. This Gulf Coast community in North Florida seamlessly combines design aesthetics with a strong focus on conservation, attracting vacationers and year-round residents to the area’s sugar-white sands and emerald waters. As many have discovered, Alys Beach offers more than just a weeklong beach getaway; it offers a lifestyle that seems plucked from a utopian dream.

In the Beginning

Alys and Elton Stephens, avid Gulf Coast beachgoers, felt a deep connection to the tranquil 30A area. While they permanently resided in Birmingham, the couple — like many others — were drawn to the clear waters and white sands of Seagrove Beach. One day, during a leisurely drive, they stumbled upon a 158-acre parcel of land up for auction. Legend has it that due to their love for the area, they impulsively placed a bid — and emerged victorious. Thus began the vision for Alys Beach. It would take approximately 25 years for construction to commence on the community that would soon become synonymous with paradise.

By Design

The dream of Alys Beach was brought to life by New Urbanist master planners DPZ CoDesign, formerly known as Duany Plater-Zyberk, who brought on Khoury-Vogt Architects to shepherd the design code and master plan. With a focus on sustainability, the group was intent on a walkable community. Thus, KVA crafted artistic streetscapes adorned with public art and sculptures for both visitors and residents to enjoy as they journeyed to the beach or explored the shops and restaurants within the community. The distinctive appearance of Alys Beach was meticulously planned before the first shovel touched the ground. The architectural and design elements of each dwelling in the community draw inspiration from Bermudan and Guatemalan homes. The signature Bermudan white roofs, designed to reflect the sun’s heat away from the homes, contrast beautifully against the clear blue skies. With their stark white exteriors, many visitors also find a resemblance to Santorini, Greece.

The predominant structures within Alys Beach are the villas. These exquisite single-family homes evoke the idyllic ambiance of the treelined streets of Main Street, U.S.A, while trading magnificent maples for live oaks. The remarkable compounds and courtyard homes — though more exclusive — offer a refined environment with indoor and outdoor spaces. What makes Alys Beach truly unique is that each structure is constructed with FORTIFIED for Safer Living® methods, an insurance industry certification developed by the Institute for Business and Home Safety. In a hurricane-prone area, these homes surpass standard building codes, providing additional wall reinforcement and fireproof materials.

continued on page 44

T. LEWIS REAL ESTATE & DESIGN LLC

Green Space

While structural design was a central aspect of the community’s planning, green space played an equally vital role in the overall concept. Beautiful pocket-parks adorn the community, providing year-round enjoyment for both residents and visitors. The park designs seamlessly complement the artistic shared spaces, often serving as pleasant surprises for those less familiar with the area. Additionally, a 20-acre land preserve offers an escape from the expected. This protected green space was never intended for development and remains a promise of preservation to the community. Guests can bike and explore walking trails while basking in the green canopy of trees as the sun filters through.

Additional eco-friendly measures — such as hand-set cobblestone streets over deep layers of gravel, facilitating rainwater filtration into the water table — have been implemented. Furthermore, most of the plants in Alys Beach are native species, requiring minimal to no maintenance. Homes and amenities are built to capitalize on the Gulf breezes in much the same way as buildings in Bermuda. Cross-ventilation is incorporated into the garden walls, stairwells, courtyards, and zaguans — extended, covered entryways that often act as outdoor rooms. Caliza Pool & Restaurant and the Beach Club, for instance, are entirely open-air, with verandas and courtyards with built-in shade, open “windows” and elliptical cutouts for cross-breezes.

continued on page 46

The Future

Alys Beach continues to witness a strong interest in new homes: the community will soon welcome The Della, a mixed-use condominium designed by architects Moule & Polyzoides, at the northern end of the Town Center Amphitheatre. Additionally, construction has begun on the final two mixed-use condominiums to complete the northern Town Center area around the Amphitheatre: The Dannelly and The Varian, both designed by Michael G. Imber Architects. Both structures will feature 18 total residences, located above a first-floor restaurant — in The Dannelly’s case — or above three retail spaces at The Varian’s ground level. Amenities like these have been on the rise as residents have clamored for more dining and shopping options within the community.

In alignment with the community’s spirit, town leaders established the Alys Gazette. Resembling the small-town papers that have become scarce, the Alys Gazette spotlights the events and personalities of Alys Beach. Unique Alys Beach events include Alys Beach Crafted, Alys in Winter Wonderland, and the immensely popular Digital Graffiti. This weekend-long juried festival celebrates original works of digital and projection art — displayed on the community’s white walls throughout the event.

As the Alys Beach community continues to evolve, there is a deep care and respect in preserving the natural setting for future generations.

BY JANET KURTZ PHOTOGRAPHS CONTRIBUTED BY ALYS BEACH

SPARKLING DIAMOND

King Jewelers celebrates 15 years in Music City

The story of King Jewelers began long before the first display case of sparkling gemstones — with brand names like Buccellati, Kwiat, Pasquale Bruni and more — arrived in Nashville. The legend of King Jewelers began as most stories in this country do — as an American tale. In 1898, young Belarusian Louis King set out on a ship to cross the Atlantic. He was one of thousands with the same dream — to start a new life of prosperity in America. Upon arrival, Louis — like so many others — found work in a factory during the day; in the evenings, he worked a second job repairing watches.

continued on page 50

Not long after Louis’s immigration, the Gold Rush took hold, and Louis seized the opportunity, moving the King family to Salt Lake City, where he opened King & Co. The business — a fully stocked mining and trading post — prospered. After years of purchasing gold and gemstones from miners, Louis transitioned the business to specialize in jewelry, finally settling in the heart of Salt Lake City in 1912 and opening King Jewelers. The company grew as each generation took over, adding wholesale gemstones and custom jewelry designs to the business.

Fifth-generation jeweler David King began his professional career in high finance. While visiting his parents in Miami in Sept. 2001, he had intended to travel back to his New York City home on Sept. 12. After the events of that fateful Tuesday, David decided to move back to Miami and join his father in the family business. After a visit to Nashville, David recognized an opportunity and opened King Jewelers Nashville in 2008.

This year marks the 15th anniversary of King Jewelers’ arrival in Nashville. Throughout the last decade-and-a-half, David and the team have worked to bring a new level of art and jewelry design to Nashville. One service that is particularly fulfilling for the team is helping their customers design jewelry for celebrations or significant milestones in their lives. Each custom piece is made with the wearer’s style in mind. The team works with

their customers every step of the way as they design and build the perfect, timeless piece of jewelry. In addition, David inherited vintage molds, which gives the business a leg-up on recreating pieces from the past. “We are in the celebration business. Helping customers create just the right piece for the moment is always rewarding,” said David.

In addition to making custom pieces, King Jewelers works with top brands throughout America and Europe. The store also carries an extensive collection of new and vintage watches and timepieces. While they have helped countless customers upgrade to just the right watch, King Jewelers has also helped many begin — and make additions to — extensive collections.

This fall, they plan to expand their Nashville footprint with an IWC watch boutique location in The Mall at Green Hills, exclusively offering luxury Swiss watches by IWC Schaffhausen. When asked about the future of King Jewelers, David said, “I hope it is the same. We want to be the trusted brand that is known as a trendsetter; we are a family business that is in it for the long haul. I take a lot of pride in bringing this brand [to Nashville] and in doing something special for the city.”

BY JANET KURTZ PHOTOGRAPHS BY ERIC ENGLAND

NEW YORK FASHION WEEK

Designers to watch

Twice a year, the fashion-industry elite flock to NYC to see the latest and greatest designs at New York Fashion Week. The city is abuzz with models, photographers, magazine editors, stylists and celebrities. With runways and presentations all over Manhattan, the WanderLust Girls strapped on their stilettos and got Nfocus the inside scoop.

BY WANDERLUST GIRLS | EMILY BACHE & ABIGAIL BRESLIN

831MINHLE

South Carolina-based designer Minh Le showcased her boldly colorful and elegant collection — 831MINHLE — with a playful presentation. As we strolled into a speakeasy in “sceney” Tribeca, the location’s vibrant decor and whimsical patterns set the stage for a joyful fashion experience. Stylish attendees sipped on pink cocktails and moseyed amongst garments, as getting a close-up look at designs is a perk of fashion week presentations.

Minh reinvented classic shapes such as a trendy vest paired with a voluminous tulle skirt, a column dress with oversized rosettes, and a truly high-fashion halter top with a structured skirt. Be on the lookout for exaggerated floral accents for spring 2024!

PHOTOGRAPHS BY ALEX KOROLKOVAS

SIXDO

Vietnamese brand SIXDO — designed by Do Manh Cuong — made a remarkably memorable entrance to New York Fashion Week. Street-style photographers outside of Spring Studios were in a frenzy capturing avant-garde attendees, and the front row was filled with notable names wearing radiant pieces from his last collection. As the lights dimmed, we could feel the anticipation building.

Maximalism was on full display, thanks to oversized floral appliqués, billowing silhouettes and polka dot pandemonium. Black, white and pink looks strutted the runway as guests gasped. Fashion photographer Nigel Barker was overhead commenting, “That was reminiscent of vintage Chanel.” In 2024, SIXDO is launching retail spaces in New York, Los Angeles, Las Vegas and Miami, and we truly cannot wait to get our hands on these designs.

continued on page 56

PHOTOGRAPHS BY KIENGCAN

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CAVANAGH BAKER

Cavanagh Baker beautifully represented Nashville-based designers at New York Fashion Week. We hailed a cab and hustled over to the Lower East Side for the presentation of her Spring/Summer 2024 collection. The space featured vintage vignettes that contrasted the models’ glamour.

Baker highlighted high-shine fabrics and romantic details, and metallic moments could be found around every corner. Our ultimate favorite was a glistening hooded gown — a guaranteed showstopper for red carpets and galas.

PHOTOGRAPHS BY ASTRA MARINA / BFA

Left to Right:

Upper: John Tumminello, Sylvia Rapoport

Middle: Neil Krugman, Trish Lindler, Jim Munro, Marian Ott, Craig Philip, Shirley and Stuart Speyer, Eric Cook, Denise Cummins

Lower: Trish Munro, Nancy Peterson Hearn, Ruthie Keene

Full Circle

The Centennial Park Conservancy makes change for good

As Nashville has evolved over the years, so have many of its precious treasures. While change can be uncomfortable, it is tantamount to growth. Such is the case with Centennial Park Conservancy, the nonprofit that works in partnership with Nashville’s Metro Parks to support Centennial Park and the Parthenon.

Centennial Park Conservancy has always been one step ahead when it comes to pivotal changes in Music City. In 1985, this group — thinking outside of the box — spearheaded a campaign, commissioning artist Alan LeQuire to create a 42-foot-tall statue of Athena inside the Parthenon. Nickels and dimes were collected by school children and adult visitors to pay for the statue. Upon completion of this project in 1989, the group became the Parthenon Patrons Foundation, with a focus on supporting Nashville’s landmark museum. In 2005, the organization's mission and scope were expanded to include Centennial Park, and underwent a name change to Friends of Centennial Park and the Parthenon. Today, they continue to preserve, sustain and vastly improve the entirety of Nashville’s own “people’s park.”

The signature fundraiser for the Conservancy for the past 12 years had been the ultra-chic black-tie Conservancy Gala, held at the Parthenon. In 2022, the leadership team and board decided to sunset the gala, and the social community was more than a little curious about what would be next for the organization. Instead of solely relying on event-based fundraising to bring the community together, the Conservancy pivoted to embrace a more thoughtful, relational, donor-centric model of fundraising.

One result of this new approach is the launch of the Centennial Circle, a membership-based affinity group for those who commit to making a transformational, multiyear financial commitment to the organization. This foundational support gives the Conservancy the ability to be nimble, ensuring stronger year-over-year stability for their vital programming.

The team at the Conservancy — led by President John Tumminello, VP of Development and Park Partnerships Justin Tam, and Senior Director of Donor Engagement Wendy Buntin — has been collaborating with dedicated volunteers to support this initiative. Currently, there are 20 Founding Members who are eager to propel Centennial Park Conservancy forward, and they encourage others to join. This development highlights the ongoing discussions taking place in nonprofit board rooms on how to adapt and thrive in Nashville's changing philanthropic landscape.

Centennial Park Conservancy Board Chair Neil Krugman says: “Centennial Park is one of Nashville’s vital organs. Keeping it sustained, maintained and improved is one of the most impactful things we can do.” As sentiments like Neil’s demonstrate, this group of forward-thinking philanthropists is ensuring that park revitalization efforts continue and that vital community programs — Parthenon exhibits, Musicians Corner, Kidsville, Nashville Earth Day Festival and more — remain accessible to all. To learn more about the Centennial Circle, please visit ConservancyOnline.com

BY GLORIA HOUGHLAND PHOTOGRAPH BY ERIC ENGLAND

The Picnic Cafe

Celebrating 40 years of a Nashville classic, built on chicken salad and lots of love

Patterned in bright whites, dark blues and sunny yellow accents, The Picnic Cafe has consistently drawn crowds for its daily, scratch-made Southern fare, served with a side of gracious hospitality. For 40 years, diners have lined up for specialties such as scooped chicken salad over fresh greens, cold cucumber-cream cheese sandwiches, frozen strawberry salad, cheddar wafers and corn light muffins. For its dedication to classics that Nashvillians have loved for ages, The Picnic has garnered broad appeal and loyal followings, ranging from the Ladies who Lunch to the retired men of The Coffee Club. For founder Kathy Bonnet, seeing “her first baby” celebrate this milestone has left her feeling amazed, grateful and a little wistful.

“It was 1983. I was a teacher at the time and looking for something different. My own. And I had this persistent idea, that I could make sandwiches and sell them door-to-door,” says Kathy. “That was something you could try back then. I had $250 to get it started. That was all! So I filled a basket with chicken salad and pimento cheese sandwiches and headed out on my rounds.”

continued on page 62

From Music Row to Hillsboro Village to parts of Belle Meade, she was met with enthusiastic response, satisfying hungry executives, retailers and hair salon clients, awaiting their ‘do to set, heads under the dryer. Word of mouth, she’ll attest, is the best advertisement, and Kathy got rave reviews for her sandwiches — foremost, her chicken salad. It became her signature. Business grew rapidly, and when she was offered four tables inside the Belle Meade Drug Store, the Nashville native reached a turning point: The Picnic had a brick-and-mortar place to hang its shingle.

“I was told I’d have to share those tables with The Coffee Club, which concerned me at the time. But those guys turned out to be some of my greatest supporters,” Kathy recalls. Members of that men’s group included Paul Harmon, grandfather of the renowned artist of the same name. “His wife had a great influence on young Paul,” says Kathy.

The drug store was home for 24 years — with no lease — followed by 16 years at a nearby laundromat, which Kathy transformed into the cafe in a brief and jam-packed three-month turnaround. In 2022, she learned that her lease there would not be renewed, and this gave her pause.

“It was a huge decision to move forward,” she said. “But I have 33 employees to think about. Some have been with us for almost 20 years. And, there are my customers, whom I love. I’ve followed families over four generations. This is a community.”

The new place, situated near 360 Bistro at the Hwy 70/100 split, is busier than ever. Dining in? Place your order on one side and take your place at one of the cheerful tables in the dining room or outside on the spacious patio. On the other side is the self-serve area, replete with Picnic favorites packaged to grab and go: sweet rolls, sausage-egg casseroles, green beans, whipped potatoes, apricot salads, gallons of the famous Picnic Tea Punch and, of course, chicken salad sandwiches.

“Chicken salad is the real hero,” she says. “We make 250 to 300 pounds every day.” What makes it so special? Kathy shares a tip. She uses all white-meat chicken and steams it. Finely chopped eggs, celery and Hellman’s mayonnaise also go into the recipe.

Her kitchen bustles and hums, the staff all working at their appointed tasks: folding ingredients into the chicken salad, packaging potato salad, piping deviled eggs, marinating broccoli in sweet-sour dressing, separating doilies to line the wicker trays for break-

fast and luncheon plates — another Picnic signature.

“We are a well-oiled machine! I’d have to say that consistency is another part of our success,” notes Kathy. “You can count on everything being prepared according to the recipes we’ve fine-tuned all these years. I am detail-oriented; every plate must be properly garnished. I think I’m one of the few places still using doilies! Bury me in doilies!”

It’s the comfort of the familiar, tried-and-true Southern classics — done “just so” — that has kept customers following Kathy Bonnet for four decades. They relish the food and drink, to be sure. They love seeing staff who know their name and dining preferences. And, it gladdens them to be greeted by Kathy personally. In a sense, The Picnic Cafe & Party Catering captures a genteel moment in time, but — Kathy asserts — it is also timeless.

Does Kathy have any thoughts about the future?

“It’s hard to say. But my mom worked with us making tuna salad and tea punch until she was 92 years old,” she says. “Maybe you’ll see me here, 20 years from now, still separating doilies!”

BY NANCY VIENNEAU PHOTOGRAPHS BY ERIC ENGLAND

APPAREL APPEAL

Honors brand brings new fit and function to women’s golf apparel

For years, women athletes and weekend warriors have been searching for an evolution in female sports apparel. From uncomfortable tops to golf skorts that just did not fit right, the landscape was bleak. While men have seamlessly made the transitions from boardroom to a round of golf or course to clubhouse, women golfers — whose number has grown recently — were often left feeling like an afterthought. Enter Honors: the new golf apparel designed for women, by women.

Founders Amy Anderson, Huntley Rodes and Jenna Walter were frustrated with the apparel choices available for them and decided to change the narrative, offering more functional — and more fashionable — work and golf attire for women. On the brand’s origins, Jenna says, “We first got together to play a round about two years ago. As a lifelong golfer — and someone who has moved around quite a bit — it was exciting to have the opportunity to play with Amy and Huntley. We collectively felt we all had on outfits that we didn't love and that didn't match our aesthetics. Afterward, over pizza and beers, the three of us quickly decided we were excited to do something about it.”

continued on page 66

Over the past several years, the number of women playing the sport has continued to rise. According to a 2022 report from National Golf Foundation, the nationwide number of female golfers has increased to 6.4 million — or 25 percent of players — up from 15 percent in 2019. Reasons for this rise in women and minority golfers are varied, but it seems largely due to the increased availability and accessibility in juniors’ programs, as well as more approachable price-points for equipment.

Conversely, the technology behind women’s golf apparel has largely remained unchanged. “Shrinking and pinking” — the antiquated practice of making men’s clothes smaller and in stereotypically feminine colors — persists within many sports, including golf.

“Our top aesthetic priorities are clean, effortless lines, and that the collection is truly designed to fit women’s bodies," says Amy. "Everything was endlessly wear-tested, both athletically and for comfort. We used top performance fabrics in a muted and neutral color palette."

Drawing inspiration from stylish ‘60s-era golfers — and from minimalist style icons like Katherine Hepburn, Carolyn BessetteKennedy and more — Honors marries modern sophistication with functionality. Each piece is made with UPF 40 sweat-wicking fabrics, offering protection from UV rays and four-way stretch in an elegant palette of black, navy, cream and sand. A focus group

of women tested and offered feedback to ensure the line offers not just style but also peak performance and ease of motion. Additionally, the garments are wrinkle-free, allowing for worry-free travel.

Honors offers high-waisted pull-on shorts, skorts and pants — all easy to coordinate within the line or pair with one’s own pieces. The collection includes polos, crewneck tops, mock-neck zip pullovers as well, and rounding out the lineup is an elegant double-breasted blazer that’s offered in three colors. Embroidered in the blazer’s lining is the phrase, “My other jacket is green” — a cheeky nod to the famous Green Jacket worn by champions of the Masters Tournament.

“We have been overwhelmed by the positive feedback that we've received from customers — golfers and non-golfers alike — who have been looking for new pieces to add to their wardrobe, either for golf or the sport of life,” notes Huntley. “We’re excited to continue to expand our offering this fall and also to be hosting a series of pop-ups called Honors Hours across the country in the coming months.”

Honors — as well as the dates and locations for their Honors Hours popups — can be found at WearHonors.com, and on their Instagram @WearHonors

BY JANET KURTZ PHOTOGRAPHS BY ERIC ENGLAND AND COURTESY OF HONORS

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I Remember the Night

The Tennessee Waltz Patrons Party dazzles and celebrates 30 years

For years, the Tennessee State Museum has been a bastion of knowledge and a sanctuary for artists and thinkers from around the state. Thirty years ago — in an effort to help raise funds for the museum — the Tennessee Waltz was created. For the first year of the event, a starstudded lineup of performers took the stage: Lyle Lovett, Alison Krauss, Olivia Newton-John and more. Now at a new address and state-of-the-art facility, the Tennessee Waltz and Tennessee State Museum are still going strong.

Guests gathered in the lobby of The Hermitage Hotel to celebrate the Tennessee Waltz Patrons Party. The event gathers a wide range of Tennesseans — from politicians to historians — all of whom are passionate about the preservation and interpretation of objects relating to Tennessee. Chairs Bo and Nicole Watson were on hand to greet guests; passionate philanthropists and arts supporters, the couple are longtime patrons and advocates of the museum. Additionally, co-chairs Cheryl McKissack Daniel and Austin Pennington – both members and supporters of the museum — lent their expertise and advice to the patron-centric event.

After sipping cocktails, enjoying passed hors d’oeuvres and perusing the silent auction tables, guests made their way into the newly renovated Grand Ballroom for dinner. The neutral palette of the room coordinated beautifully with soft silver tablecloths and stunning centerpieces. Chef Kelsi Armijo — who oversees the kitchens of The Hermitage Hotel — prepared an incredible dinner that was served in the beautiful setting. The menu of a summer tomato salad followed by a duo entrée of filet and crab cake was the perfect palate-teaser for the coming elegance of September’s Tennessee Waltz.

BY JANET KURTZ PHOTOGRAPHS BY ERIC ENGLAND

Nicole and Bo Watson, Cheryl McKissack Daniel and Sam Daniel

Geary Leathers, Morel Enoch

Fulvio Calvi, Leatrice McKissack, Rosanne Calvi

Anand and Dee Patel

Nicole Nomany, Debbie Shaw, Jim Hoobler

Susan Falk, Liz and Karl Sillay, Bob Falk

Charlie Clark, Spencer Bowers, Jake Tudor, Parker Bedwell

Empowered Women Empower Women

Courage abounds at the 2023 Most Powerful Women luncheon

Women from every professional field across the city came together to celebrate community luminaries and support each other at the 2023 Most Powerful Women luncheon, featuring Model Behavior. Launched in 2011 by our sister publication, the Nashville Post, this luncheon series convenes female leaders from all corners of Middle Tennessee’s economy to share their stories of growth and success with peers and future community leaders. Guests chatted and bid on silent auction items generously donated by Nfocus’ diverse group of Model Behavior honorees, in support of each of the nonprofits the honorees represented.

After moving into City Winery’s main space, guests enjoyed a lunch of grilled chicken atop a rainbow quinoa salad while Nashville Post’s editor-in-chief Stephen Elliott welcomed everyone to the event. Janet Kurtz, editor-in-chief of Nfocus recognized 2023’s Model Behavior honorees, and the Most Powerful Women panelists took their seats onstage, alongside moderator and journalist Vicki Yates. This year’s class of Most Powerful Women included Adrienne Battle, director of Metro Nashville Public Schools; Deana Ivey, president and CEO of Nashville Convention & Visitors Corp; Candice Lee, Vanderbilt University’s athletics director and vice chancellor of Athletics and University Affairs; and Jennifer Turner, president and CEO of Tennessee Performing Arts Center.

The four community leaders discussed what led them to their current roles, the people that helped them along the way, the qualities — whether learned or intrinsic — that a person must possess to be a good leader, and more. Though their careers and skill sets may vary, the one thing that unites them is their commitment to serving others. Everyone received a well-stocked gift bag to take with them before heading back to the office, though VIPs lingered to sip champagne and enjoy the fantastic company a while longer before departing.

BY KARIN MATHIS

PHOTOGRAPHS BY HAMILTON MATTHEW MASTERS

Vicki Yates, Deana Ivey, Jennifer Turner, Adrienne Battle, Candice Lee Dee Patel, Alicia Davis, Denise Cummins, Christie Wilson

Johari Matthews, Burkley Allen, Karen Johnson Kyshona Armstrong, Susan Hamilton

Jennifer Turner, Mike Smith

Linda Hummell, Trey Lipman, Sharon Pigott, Gail Greil

Kaylie P. Married on 10/04/2021

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Pretty in Pink

Sunset Safari supports conservation with Tickled Pink theme

The theme of this year’s Sunset Safari, Tickled Pink, could not have been more perfect. In fact, patrons of this annual wildlife-meets-nightlife fundraiser for the Nashville Zoo found ample reason to be head-over-heels happy as they “flamingled” in the VIP tent and on Festival Field.

Guests were greeted by a chorus line of pink flamingos and the happy bleating of goats upon arrival. The evening’s signature drink was a strawberry Pink Flamingo Margarita, and the passed apps were pink pickled stuffed eggs. It seemed everyone got into the spirit of the night by wearing animal prints and shades of Barbie’s favorite pastel.

The Music City Sound played a multigenerational set, so waiting in the quick-moving lines for tastes of Nashville’s eateries felt like a true pleasure. So many restaurants were represented at this fun festival that you could not possibly eat everything — but that didn’t stop curious foodies from trying. A silent auction was added to this year’s event, and patrons perused one-of-a-kind jewelry, presented by Rare Gems of India.

It would not be Sunset Safari if the animal ambassadors did not emerge to greet their fans. To everyone’s delight, Benedict Cumberbunny — a white Flemish Giant rabbit — made a repeat appearance. A Palawan binturong named Willow — the first female of the species to be born in the U.S. — attracted quite a gathering of fans. The attentive zoo staff was on-hand to educate the revelers, introducing the ambassadors to all, and Nashville Zoo President and CEO Rick Schwartz announced the Zoo’s newest addition: a clouded leopard kitten who had been born the previous night.

There is no doubt that the Nashville Zoo is tons of fun and a great place to see fascinating animals, but a lot of serious conservation work happens behind the scenes. Their experienced staff is actively involved in research, habitat protection, breeding programs and education initiatives both around the globe and in our own backyard. Our zoo has made great progress in not only the preservation of endangered species but also in safeguarding habitats, and funds raised through Sunset Safari go to support those conservation programs and their vital work.

BY GLORIA HOUGHLAND PHOTOGRAPHS BY ANGELINA CASTILLO

Mary Katherine Ezell, Kim Ezell, Martha Ezell, Heather Flener, Virginia Briley

Mike Hill, Abby Hardee Martha and Mark Ezell

Steve and Laurie Eskind

Jimmy and Jamie Granbery, Susan and Chris Holmes

Nora and Kent Kirby

Will Cheek and Jo Ann Catignani

Patrick and Valerie Canning, Nancy White, Sue and Tom Jellison

Milton White, Liz Sillay

Stuart and Shirley Speyer

Sam Fisher, Callie Durham

Amy Sheehan, Abby Sheehan, Dan Sheehan

Laura Pnewski, Nathan Pyle, Melissa Gabriel, Rob Arreola

Christy and Rick Womack, Olivia Doak, David Parsons

Diane and J.L. Holloway

Willow — a Palawan binturong

Larry and Mary Wieck, Ed Goodrich

in the United States will develop breast cancer in her lifetime

Men in the Nashville Community are stepping up to help

By putting the power of pink into action to raise awareness and funds, Nashville Men Wear Pink ambassadors are investing in the American Cancer Society mission to save lives from breast cancer.

Support their efforts. Learn more about Men Wear Pink and the American Cancer Society by visiting

http://www.menwearpink.org/nashvilletn

It’s 5 O’Clock Somewhere

Chukkers for Charity offers patrons a passport to paradise

Clouds scudded across a temperate breeze, and as guests checked into Riverview Farm’s island escape, all were given a lei for an immersive experience at this year’s Chukkers for Charity.

Field-side cabanas were designed with the “passport to paradise” theme in mind, and tropical rock — heavily favoring the rum-soaked ballads of Jimmy Buffett — drifted through the air. Guests enjoyed the signature cocktail — a Polo Paloma — as Saddle Up! riders and Rochelle Center participants presented the flags, and Dan O’Callaghan belted a wonderful rendition of “The Star-Spangled Banner.”

The two teams — representing Ironhorse Farms and Colonial Hill Farm — met on the pitch and gave a good show to the cheering crowds on both sides of the long field. The patrons’ side was lined with cabanas reserved by companies and families, and each one was full of well-dressed polo fans and donors happy to be supporting the goals of two beloved area nonprofits.

At halftime, everyone poured onto the field for the traditional divot stomp, helping smooth out the field again before the second half. While folks were busy stomping, kiddos lined up for the most competitive part of the day: the Stick-horse Race. Afterward, ice cream sandwiches — a welcome treat in the hot afternoon sun — were passed around, and stick-horse rivalries were all but forgotten.

The ponies and riders strode out onto the pitch once again for the second half — the last three chukkers of the match. Team Colonial Hill Farm, represented by players Orrin Ingram, Wes Finlayson, Armando Huerta and Aaron Barrett, came out on top to claim the trophy.

Wesley Uys, playing for Ironhorse Farms, received the Most Valuable Player Award. The real winners, though, are the children and adults who are part of the programs at Rochelle Center and Saddle Up! and benefit from this beloved event, which has raised over $2.6 million in its history.

BY KARIN MATHIS PHOTOGRAPHS BY ANGELINA CASTILLO AND PEYTON HOGE

Bill and Linda Andrews, Ames Krebs

Co-chairs Falon Veit Scott and Nina Lindley Sean and Liz McDougal

Kenya Littlejohn, Damien Hodge

Orrin Ingram, Armando Huerta, Wes Finlayson, Aaron Barrett

Molly and Ryan Brinkmann, Doug and Kristina Campbell

Rochelle Center participants, Saddle Up! riders and volunteers

Jerresa Lewis, Kelly Crockett

Michelle Coffee, Jordan Hill

Hank and Dawn Edwards, David Allen, Wesley and Michelle Nealy

Kim and Jeff Leeper

Marshall Eakin and Michelle Beatty-Eakin

Chuck and JoEllen McDowell, Eleanor and Tom Warriner Crispin and John Menefee, Co-chair Nina Lindley

Andrea and Rick Carlton

Damon Byrd, Jake Byrd, William Van Orsdel

Building S.T.E.A.M.

20 years of Hopes & Dreams from Moves & Grooves

Rounding out an event-heavy day, students and friends gathered at OZ Arts for Moves & Grooves’ black-tie Hopes & Dreams Scholarship Gala. The evening was created as a way to provide access and opportunities for the underserved youth in our community. Guests strolled across the red carpet, enjoyed cocktails and happily caught up with others before Anna Marie, mistress of ceremonies and radio host for Mix 92.9, asked all to take their seats.

As they celebrated their milestone 20th anniversary, the program began with an early fall salad. Dinner by South Fork Catering Co. was a delicious choice between a lemon-garlic chicken breast and a grilled summer vegetable stack, and a light lemon cheesecake rounded out the meal.

Hal Cato, Dell Oliver and Maya Bugg presented the evening’s community impact honorees with the 2023 Youth Justice, Unsung Hero and Catalyst Awards. Michelle Gaskin and Charlandra Watson then took the stage to present the inaugural Moves & Grooves Alumni Scholarship — a total of $20,000 — to three young women who embody the “6 Moves & Grooves Standards” of confidence and courtesy.

Moves & Grooves — a testament to the idea of empowering youths to discover their potential through academic achievement and the arts — is a safe after-school space. Since its beginnings in 2002, the organization has reached over 6,000 students. The nonprofit “provides year-round dance, music and S.T.E.A.M. (Science, Technology, Engineering, Arts and Math) services five days per week — free of charge — within five Metro Nashville Public Schools.”

Moves & Grooves provides safety, a positive challenge, mentorship and guidance, so guests raised their glasses, toasting excellence, service beyond self, and the Hopes & Dreams Capital Project: Nashville’s first-of-its-kind Youth Arts and Innovation Community Center, which is gaining momentum as initiatives work to raise the necessary $10 million.

BY KARIN MATHIS PHOTOGRAPHS BY MICHAEL SCOTT EVANS

Chase and Maegan Manning

Travis Bradley, Mollie Sansone, Nick Mullikin

Ray Mariner, Raffaella Braun Mariner, Jim Robert

Joy Styles, Michelle Brown, Johari Matthews

John Faison, Maya Bugg, Charlandra Watson, Michael Charland

Robert Sherrill, Emerald Mitchell, Sylvia Rapoport

WHEN IT COMES TO ANTIQUES AND GARDEN SHOWS, THIS ONE IS A MASTERPIECE.

34TH ANNUAL Antiques & Garden Show of Nashville

A celebration of fine antiques, landscaped gardens and horticultural events.

JAN. 12–14, 2024 | MUSIC CITY CENTER, NASHVILLE, TENN. ANTIQUESANDGARDENSHOW.COM

Feeling SEEN

The 31st annual Mad Hatter benefits Nashville’s Sexual Assault Center

According to the CDC, over half of American women and nearly 1 in 3 men have experienced sexual violence. The numbers are just as alarming for children: 1 in 4 girls and 1 in 13 boys. Such a traumatic event can have life-long effects — both physically and emotionally.

When the Sexual Assault Center (SAC) first opened its Nashville doors in 1978 — combatting an epidemic which knows no bounds — the nonprofit had a vision that would humanize such horrific statistics: “To provide healing for children, adults and families affected by sexual assault and to end sexual violence through counseling, education and advocacy.” That vision continues to thrive, thanks to the support of its Middle Tennessee community.

The Sexual Assault Center held its signature event — the 31st Annual Mad Hatter — at The Joseph in downtown Nashville. Along with a silent auction and passed hors d’oeuvres and sips, a celebration was in full force. Attendees were encouraged to don their favorite lid, chapeau, fascinator and the like. From a top hat resembling a teacup to a DIY creation that included lights, not even the Mad Hatter himself could squelch the imagination of this year’s celebrants.

Throughout the event, one special creation was presented as an immersive experience: SEEN. In their own voices, survivors told their individual healing journeys in a short film. These stories are part of a collection of 18 portraits and are included in the project’s eponymous book, created by Nashville photographer Dan Heller. “SEEN shows survivors — not as statistics or victims — but as fully empowered, in control, telling their own stories,” Dan told attendees during the exhibit. You can purchase a copy of SEEN — 100% of the proceeds go to benefit SAC — at SeenSurvivors.com

During opening remarks, co-chair Cameron Simmons said, “A woman’s autonomy to make their own decisions” is what compelled her to want to make a difference by becoming this year’s co-chair. Cameron’s counterpart, co-chair Nealy Glenn, agreed while adding, “This is where I want to be.”

BY MELISSA CORBIN PHOTOGRAPHS BY ERIC ENGLAND

Clarence Edward, Emmanuel LeGrair

Emily Falvey, Lauren Casamassima, Kevin Osterhaus Co-chairs Nealy Glenn and Cameron Simmons

Nidhi Gupta, Stefany Bonfield, Josephine VanDevender Ward

Dan Heller, Rachel Freeman

Katie Marchetti, Bob Freeman, Jeanne and Gino Marchetti

Amanda Weeks-Geveden, David and Co-chair Cameron Simmons, Amy Delaplain

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WellPreserved

The Heritage Ball Patrons Party raises the bar for preservation

Fifty years ago, a group of preservation-minded advocates gathered to create the very first Heritage Ball, benefiting the Heritage Foundation of Middle Tennessee. Today, the Heritage Ball is Williamson County’s longest-running black-tie gala and supports their mission: “to preserve and share regional history, local historic places and signature events that carry on our community traditions and cultural heritage through fundraising, research, advocacy, education, preservation and community engagement.”

The luminous trio of co-chairs — Calvin & Marilyn LeHew and Sondra Morris — chose to elevate this year’s patrons party, holding a seated dinner with full silent and live auctions. The goal was to make space for legacy presentations at the Heritage Ball. Guests gathered in the bucolic setting of Southall; as attendees mingled and enjoyed cocktails, they also visited the silent auction lots and tried on stunning jewelry from jewelry sponsor Graff.

The already stunning event space — featuring individual drop lights, reminiscent of a starry night — was elevated by the design choices of the ever-creative Amos Gott. Guests were treated to the best of Southall’s offerings. The menu was composed of a starting dish of sweet corn tart with organic lettuces, followed by organic chicken breast with peach demi-glace, and finished with an apple crumb tart.

As guests dined, Heritage Foundation President Bari Beasley took the stage, and she expressed how humbling and exciting it has been to watch the organization grow over the years. She also asked those in the room to continue to support both the organization and those who work tirelessly to preserve the history and heritage of Williamson County for future generations. After dinner, a lively auction led by Pat Rogers commenced, and guests were able to bid on incredible trips and experiences as well as a 2023 GMC Yukon Denali XL with Reserve Package — donated by official automotive sponsor Reiselman Motor Company. The highlight of the evening was the announcement of Senator Bill and Tracy Frist as the winners of the Patron Award. The evening left many eagerly anticipating the Heritage Ball.

BY JANET KURTZ PHOTOGRAPHS BY LORENZO HUERTA

Debi Wheeler, Susan and Ken Whitaker, Marty Ligon

Bo and Debbie Segers, Erin and Matt Miller Travis Wright, Jen Nichols, Adam Sansiveri, Kendall Brown

Bethnie Hemphill, Bari Beasley

Co-chairs Marilyn LeHew, Sondra Morris, Calvin LeHew

Steve and Keri Sukut

Miwon and Peter Halt, Mike and Lauren Murphy

Stephanie Farmer, Jonathan and Nancy Smith

Invitation Only

Celebrating the design of celebrations

As we celebrate 30 years of Nfocus, we have asked our friends in the community — many of whom have been with us since the beginning — to tell their story in their own words. Throughout the year, readers will hear from those who have graced our pages and supported our stories.

This month, we reached out to a dear friend of Nfocus, Amos Gott, to discuss 30 years of event design, social media’s impact, and the resources available for planners in Nashville.

Nashvillians know how to throw a party. Whether it’s an intimate dinner for ten or the inimitable Swan Ball, a tremendous amount of time and effort goes into ensuring each detail is perfect. In the last 30 years, the design of events has — as with everything — evolved. Gone are the days of big hair and the leg-of-mutton sleeves of the ’90s. Today, gowns are chicer and more streamlined, even some with more ’70s influences in their cut and color. From the role technology now plays in events to the availability of resources, event design has changed dramatically.

Many factors make up the modern-day event. While the core elements of a soirée remain the same — date, type of event, theme — the design and execution of said event are wildly different than they were 30 years ago. The first and most dramatic change we have seen in the last three decades has been advances in and integration of technology. In the most anticipated ways, technology has made registration and check-in for events a largely seamless process; however, technology has also aided in adding to the “wow” factor for larger events. The 2017 Symphony Ball’s theme was “Fly Me to the Moon,” and — over the course of dinner — we projected a moonrise. For the 2023 Ballet Ball — which celebrated the seasons — we created an immersive sensory experience, complete with birdsong as guests found their seats and with projections of trees that changed color and hue as the seasons changed throughout dinner. Even event planning itself has evolved: Designers use programs and platforms to show a client how their space will look, before the first napkin is ordered.

Social media has had a separate impact. Everyone — from the bride to her mother to the vendor — is looking for the next photo to post on social media. We live our lives online, and the right photo is what tells the story, particularly on Instagram, where people look more than read. Venues also have agency in this trend; many event spaces in town work to keep their location updated — not only because they are working to attract future clients, but because photos will be taken and shared on social media. I appreciate the venues’ willingness to change and keep up on their look but also find it genius to realize that — after a while — photos start blending together with the same wallpaper in the background, so they understand that it is time to update.

I love looking back at photos from events I did long ago: I tend to design with longevity in mind. Just because you incorporate trends doesn’t mean your event can't be timeless. That doesn’t mean you’d do it in exactly the same way today, but that you’ll still love what we did. Colors certainly evolve over the years; the blush and white wedding trend is finally evolving into more color, and I couldn't be more excited about that. Color is one of the ways to make your event stand out from others. Remember the “blush and bashful” of 1989? Well, we still say that today, and we still use that color scheme. While a white and blush palette will never go out of style, though, current hues or seasonal tones can make an event a little more unique.

I can’t wait to see what the future holds for event design. Over the years, designers have had the opportunity to work alongside some astoundingly generous co-chairs and others who similarly give their time, talent and treasure to support the community. It has been humbling to contribute our skills and support the work done by incredible nonprofit organizations.

BY AMOS GOTT PHOTOGRAPHS FROM NFOCUS ARCHIVES

Priscilla “Margo” Kaestner and David Lombardi met on a dating app in Nashville while he was visiting from California, and they had their first date at the trendy Red Phone Booth in January 2021. After dating for over a year, David proposed in April 2022 in Prague, Czech Republic, where he had spent childhood summers with his maternal grandparents; his mother was born and lived there until marrying David’s father and immigrating to the U.S. David popped the question on the rooftop of the Aria Hotel, overlooking Prague’s Old Town.

The couple married in May in Stanford Chapel at First Presbyterian Church of Nashville, where the bride’s parents were married 31 years earlier. Dr. Ryan Moore officiated, Rhonda Swanson played the organ, and a bagpiper led the recession.

Margo wore a bespoke Olia Zavozina dress with pearl earrings and a pearl comb by Hazen & Co. She

Priscilla Maurine Kaestner Marries David Matthew Lombardi

carried a bouquet of lilies of the valley — her grandmother’s favorite flower — and bridesmaids donned LulaKate dresses in French blue. David sported a blue suit by Suitsupply, and groomsmen wore navy blazers with gray slacks.

The bride’s parents hosted a garden reception at their farm in Franklin, following the midmorning wedding. East Nashville’s Ostara Gardens designed all the florals, including white peonies, garden roses and peach stock in blue and white ginger jars, silver cups and terra-cotta pots.

Emily Frith of Corner Market Catering Company provided a luncheon. Hors d’oeuvres were sweet potato biscuits with country ham, cucumber sandwiches and gougères. Various stations offered shrimp and grits, a Southern biscuit bar with jams and fried chicken, and quiche with green berry salad. Triple Crown Bakery made the lemon and

blueberry cake, ensemble Viva La Strings played during the reception, and Jay Joyner planned the event. Joyner & Hogan Printers designed and printed the invitation suite.

The newlyweds honeymooned in Africa, where they went on safari in Tanzania and enjoyed the beaches of Zanzibar. They live in Bellevue, where the bride — a graduate of Auburn University with an MBA from Lipscomb University — is the Merchandising Promotions Supervisor at Tractor Supply Company. The groom — a staff writer covering the San Francisco 49ers for The Athletic — is a graduate of Stanford University with an MS in Broadcast Journalism from Boston University. Parents are Susan and Todd Kaestner of Franklin, and Monika and Allan Lombardi of Visalia, California.

BY SANDRA NELSON

Chattanooga Tent Company was founded in 1934 with the philosophy of placing customer satisfaction as the highest priority. This philosophy continues to guide the three generations of Holland family members that currently serve our customers.

Chattanooga Tent Company has been helping fulfill the needs of the special events industry, wedding and party planners, festival organizers, and sporting event directors across the country.

As one of the best tent companies in the Southeast and with our new expanded o ce in Nashville, we have been dedicated to the value of innovation throughout our history to improve and expand our service capabilities in Nashville and beyond.

OCTOBER

MARK YOUR CALENDARS FOR THESE UPCOMING EVENTS

7

Always an elegant evening, the Heritage Ball celebrates the outstanding work of the Heritage Foundation of Williamson County and serves as its largest annual fundraising event for future preservation efforts. This year, Heritage Ball reaches an extraordinary milestone: 50 years of black-tie fundraising. Support the Heritage Foundation as they pave the way for a future where preservation, education and advocacy continue to inspire and unite us all. WilliamsonHeritage.org

AUTHORS IN THE ROUND

Authors in the Round, which moves venues to the Country Music Hall of Fame this year, is a special dinner that annually provides vital funding for Humanities Tennessee’s Southern Festival of Books.

Forty of the festival’s 150 authors will participate in Authors in the Round: one seated at every table to provide an intimate dinner party experience among 400 fans of the written word. Participation in this dinner ensures that Humanities Tennessee may continue to present the festival at no charge. HumanitiesTennessee.org

SUNDAY IN THE PARK

OCT.

Don’t miss one of Nashville’s most beloved and eagerly anticipated traditions: The 34th annual Sunday in the Park — a fundraiser for Friends of Warner Parks — allows for the preservation and protection of Percy and Edwin Warner Parks, one of the largest urban parks in the United States with 3,195 acres of natural forest. Sunday in the Park 2023 will be held at Ridge Field in Edwin Warner Park and chaired by Jodi Banks and Amy Richards. WarnerParks.org

OCT.

Changing lives through education, training and employment, Goodwill Industries of Middle Tennessee’s vision is that “All people have the opportunity to reach their full potential.” During a luncheon at Music City Center, Goodwill Industries celebrates those who help advance Goodwill’s mission — employees, clients and community partners — with Impact Awards, honoring success through perseverance and the power of work. GiveIt2Goodwill.org

OTHER NOTEWORTHY EVENTS

Oct. 1: Fall for Cheekwood (Cheekwood)

Oct. 12: Ballet Ball Ladies’ and Gentlemen’s Event (Nashville Ballet)

Oct. 18: Rally in the Round (Rally Foundation for Childhood Cancer Research)

Become part of the art! Bright Night is a sensory exploration of renowned visual artist Duncan McDaniel’s Parthenon exhibit, Fountain. This inaugural benefit will immerse guests in an evening of color and culinary excellence — all while supporting the free programs provided throughout the year by Centennial Park Conservancy. Inspired by the playful and colorful nature of Duncan’s body of work, your brightest cocktail attire and most creative fashion is requested to make this night a truly immersive experience. Bright Night includes culinary delights by Juniper Green, cocktails curated by celebrity mixologist Rob Floyd, and a few surprises. ConservancyOnline.com

Oct. 21: Once in a Blue Moon (Land Trust for Tennessee)

Oct. 23: The Bug Ball (The Theater Bug)

Oct. 25: Cause for Paws (Nashville Humane Association)

Oct. 26: A Halloween Masquerade Ball (The Broadway Dreams Foundation)

Oct. 27: All In for Hygiene (Community Resource Center)

For a full listing of upcoming events, visit calendar.nfocusmagazine.com

HERITAGE BALL

IMPACT AWARDS 2023

BRIGHT NIGHTS

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Davis-Kidd Booksellers

A unique magic, lost to time and e-commerce

In this age of two-days-or-less shipping and instant ebooks, it can sometimes feel as though bookstore browsing is a thing of the past, but the best independent booksellers provide a sense of community that virtually no other retailer can o er. For over 30 years, Davis-Kidd Booksellers was a haven to Nashvillians who loved not only books, but learning and sharing ideas. Everywhere one looked in Davis-Kidd, there were people drawn by the common love of stories, ideas, words — the ties that bind a city’s intellectual life.

The independent book haven was founded in October 1980 by Nashvillians Karen Davis and Thelma Kidd — first at the lower end of a much smaller Green Hills Mall, then relocated to an airy space in Grace’s Plaza — and embodied a time before e-commerce giants. DavisKidd’s central staircase was wide and grand, and — as you ascended — you rose into the natural light filling it.

“The physical space,” Thelma Kidd recalled to the Nashville Scene in a November 2010 article, “was wonderful — those two floors above ground. True, it wasn’t as easy to merchandise. We paid for all that air and light, but it was worth it, because we created an environment where people wanted to spend time.” At the beloved institution’s closing in December of the same year, its founders went on to pursue other ventures; for Thelma, this took the shape of a life-coaching career; for Karen, this meant moving into the travel business.

Today, the purveyors at Novelette Booksellers, Parnassus Books and The Bookshop Nashville carry on the torch lit by Davis-Kidd Booksellers, and these independent bookstores are bolstered by Humanities Tennessee and their programs: Student Reader Day, Chapter 16, and the annual Southern Festival of Books each autumn.

PHOTOGRAPHS COURTESY OF METRO ARCHIVES/NASHVILLE PUBLIC LIBRARY