2015 Emmy® Almanac Digital

The National Academy of Television Arts & Sciences

Emmy速 Almanac | 2015 Edition

Emmy Almanac 速

2015 Edition

Daytime | Sports | News & Documentary | Technology & Engineering

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Contents 6 Letter from the President 8 Letter from the Chair

The 2015 Awards Season 14 42nd Annual Daytime Emmy Awards 34 42nd Annual Daytime Creative Arts Emmy Awards

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82 The 66th Annual Technology & Engineering Emmy速 Awards 96 The 36th Annual Sports Emmy Awards 速

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106 The 35th Annual News & Documentary Emmy速 Awards

NATAS Lifetime Honorees 30 Crafts Lifetime Achievement Mike Gargiulo 56 Daytime Lifetime Achievement Betty White 86 Technology & Engineering Lifetime Achievement Kazuo Hirai 104 Sports Lifetime Achievement George Bodenheimer 112 News & Documentary Lifetime Achievement William Small

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Contents 64 80

NATAS Chapters 114 NATAS Coast to Coast

116 Boston/New England 117 Chicago/Midwest 118 Heartland 119 Lone Star 120 Lower Great Lakes

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121 Michigan 122 Mid-America 123 Mid-Atlantic 124 Nashville/Midsouth 125 National Capital Chesapeake Bay

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126 New York

Features

58 Versace Fashion on the Red Carpet 64 Heather Tom 70 Dr. Oz Want the key to good health? Be prepared to take the answer lying down.

76 Eileen Davidson She’s on Daytime and Prime Time... and having the time of her life.

78 General Hospital

A power trio of Emmy winners has turned GH in to the ER of choice for Daytime viewers.

80 Days of Our Lives turns 50

Five decades in, Days of Our Lives may just be hitting its stride.

90 Early TV technology

127 Northwest 128 Ohio Valley 129 Pacific Southwest 130 Rocky Mountain/ Southwest 131 San Francisco Northern California 132 Southeast 133 Suncoast 134 Upper Midwest

Before flatscreens, dvr’s and mobile viewing, there was “the Tube.” Literally.

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From the President Welcome to the Emmy Almanac, 2015 Edition! It is my honor, as the newlyelected President of The National Academy of Television Arts and Sciences (NATAS), to give you an inside look into what lies here in the pages ahead.

Did you know that in addition to the Daytime Emmy® Awards there are also Sports Emmy® Awards, News & Documentary Emmy® Awards and Technology & Engineering Emmy® Awards? That we have 19 Chapters across the country that give out regional awards?

Let’s start with the Daytime Emmy® Awards which this year is being televised, live, on Pop on April 26th, 2015, from the historic Warner Bros.

Studios Lot Stage 16, where many famous films such as “Casablanca” and “Jurassic Park” were filmed. There are a total of 85 categories that cover everything from daytime dramas, to courtroom shows, cooking, talk shows, children’s programming, animation, promos, travel, entertainment news, performers, hosts, anchors – it’s the most diverse awards show in the world!

Next up is our Sports Emmy® Awards at Lincoln Center in New York City where we honor more than 190 nominees in 40 categories. This year we are honoring one of the guiding-lights of ESPN, its former President, George Bodenheimer, with our Lifetime Achievement Award.

We recently held our Technology & Engineering Emmy® Awards, with our sister organization, the Television Academy, coinciding with the annual Consumer Electronics Show (CES) in Las Vegas, Nevada.

Companies such as Apple, Microsoft, Canon, Netflix, Google, TiVo and many others were honored for the pioneering work in bringing television to us in more devices then we can keep up with.

Every autumn, we present our News & Documentary Emmy® Awards, again, at Lincoln Center. Whether a nightly newscast, an investigative special or breaking news, these are the stories we tune in to learn from, and to be better informed in this rapidly changing world. Last year, we honoredWilliam J. (Bill) Small, former CBS Washington Bureau Chief, who helped mold the careers of some of our great news men and women such as Dan Rather, Bob Schieffer, Diane Sawyer, Lesley Stahl, Bill Moyers and many others.

In the pages ahead you will find out more about this great organization and all about our 19 chapters. It is with great pride that I welcome you to the world of NATAS...Enjoy!

Bob Mauro President The National Academy of Television Arts & Sciences

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AND YOU THOUGHT THE CHEERS WERE LOUD ON PARADE DAY! The 88th Annual Macy’s Thanksgiving Day Parade® team whoops, hollers and applauds our talented crew on their Daytime Emmy® Nominations!

DIRECTOR GARY HALVORSON

SOUND MIXING EDWARD J. GREENE, STEVE SINGER - PRODUCTION MIXERS CHRIS ACKER, JIM VANBERGEN - AUDIO ENGINEERS AL THEURER - MUSIC MIXER DICK MAITLAND - SOUND EFFECTS MIXER

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From the Chair It is my pleasure to be serving as the Chairman of The National Academy of Television Arts & Sciences Board of Trustees. Each and every day impresses upon me the privilege it is to hold this position and I feel both proud and honored. Of course, I am keenly aware of the great responsibility that comes with the office and our commitment of recognizing excellence in the television industry. Good fortune alone has not made the National Academy of Television the highly regarded institution it is today; that has only come through the foresight, planning and flawless execution of our objectives.

The changes occurring in our industry landscape are the subject of both the professional and consumer press; they are tectonic: the diversity of distribution platforms, new business models for funding creation and distribution of content continue to multiply. It is an exciting time of change. The lessons of our predecessors tell us that innovation, hard work and anticipating change, and indeed some luck, will be needed to successfully navigate this new landscape of “anytime, anywhere TV.” I am pleased to report that The National Academy of Television Arts & Sciences is strong, vibrant and ready for the challenges and opportunities of the next “golden age” of television will bring.

NATAS is entrusted with four major national ceremonies: Daytime Emmy® Awards, Sports Emmy® Awards, News & Documentary Emmy® Awards and Technology & Engineering Emmy® Awards. Eligibility for our national awards requires a program entry be available to more than 50% of the US television market. Special recognition awards are presented such as Lifetime Achievement Awards in all four national programs in addition to our Trustee’s Award, our highest honor to a company or individual for a career that changes the very nature of television. We are especially honored this year to be awarding our Daytime Lifetime Achievement Award to the indefatigable, Ms. Betty White. Later this year, our Trustees Award will be presented to the President and CEO of Univision, Mr. Randy Falco, for his leadership in the monumental growth of “Spanish-Language” television in America.

Our core and our strength as an organization are our nineteen regional NATAS Chapters across the country and the thousands of members dedicated to serving. Diverse by the nature of our country itself, each chapter conducts its own regional awards programs television excellence in local market television. Chapter members are involved in a wide array of services and activities, including television career guidance, education, community campaigns, scholarships, youth development, seminars and forums.

This program will not only serve as a window into NATAS, its programs and chapters, but it will also serve as the official program of the 42nd Annual Daytime Emmy Awards which will be televised, live, from the historic Warner Bros. Studios on the Pop Television Network on April 26, 2015.

On behalf of our Board of Trustees, the Executive Committee, our staff of the national office and all those who across the country who contribute and work to make NATAS what we are and what we will be, I welcome you to the world of NATAS and look forward to many more years of rewarding excellence in television!

Charles L. Dages Chairman Board of Trustees The National Academy of Television Arts & Sciences

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The National Academy of Television Arts & Sciences A Non-profit Association Dedicated to the Advancement of Television

EXECUTIVE COMMITTEE Charles L. Dages Chair

Bob Mauro President

Barbara Williams Perry 1st Vice Chair

Alison Gibson 2nd Vice Chair

Jamie Jensen Secretary

Terry D. Peterson Treasurer

Chair’s Representatives Harold Crump, Jim McKenna, N.J. Burkett

Presidents’ Representative Dick Splitstone Malachy Wienges Chairman Emeritus

BOARD OF TRUSTEES Phillip L. Bell David Bennett Susan Buehler NJ Burkett Julie Coan Dominic Dezzutti Jim Disch MaryEllen Eagelston

Chuck Emmert Evelyn Escamilla Linda Giannecchini Alison Gibson Paul Gluck Pam Grimes Robert Hammer Bruce Harlan

Les Heintz Martha C. Kattan Jim Kirchherr Joe Koskovics Jeffrey Kramer Scott LaPlante Peter Levy Roger Lyons

Danielle Mannion John Mays Lisa D. Olken Terry O’Reilly Ellen Pryor Chip Richards Jerry Rimmer Michael Rodriguez

Denise Rover Tom Schnecke Marvin Scott Jim Timmerman Roger Vertrees Angie Weidinger Cynthia Zeiden

National Awards Committee Linda Giannecchini - Chair Ken Aagaard Harriet Abraham

Bob Adloch David Burt Chiqui Cartagena

Kevin Cokely Mark Dissin Seth Haberman

Charlie Jablonski Laura Mandel Jerry Romano

National Committee Chairpersons Administration Geneva M. Brignolo & Diane Bevins Audit and Corporate Governance Terry Peterson Career Development John Hammond

Communications and Publicity Laura Mandel Education Danielle Mannion Engineering Achievement Robert Seidel

Finance Alison Gibson Foundation Chuck Dages Impactful Technologies Evelyn Escamilla Innovations and Initiatives Marcus Riley

Legal David M. Ephraim Marketing Tim Egan Membership Jason Anderson Moving Forward – Daytime Awards Denise Rover

National Awards Linda Giannecchini Programs Cynthia Zeiden Public Relations Roger Lyons

Rules Joe Koskovics Scholarship Adam Sharp Website and Social Media Doug Mummert Strategic Planning Julie Lucas

The Staff of the National Academy of Television Arts & Sciences Paul G Pillitteri SVP, PR & Communications David Michaels SVP, Daytime & Events

David Winn SVP, News & Documentary Stephen J Ulrich, SVP, Sports Brent Stanton Executive Director, Daytime

Stephen Head Director, Sports Christine Chin Director, News & Documentary

For Daytime Creative Arts Production: Stephen J Ulrich Producer Paul G Pillitteri Stage Manager

Randy West, Announcer

Percussion - David Hammett Electric Guitar - Shin Kawasaki Bass Guitar - Aaron Solomon

Delroy Binger Director, IT Services Robert Lazo Director, Chapter Relations Luke Smith Director, Awards Services

Barbara Baker Office Manager Don Demaio Graphics

SPECIAL THANKS Music Provided by “The Remotes” Violin - Sean Aldas Trumpet - Meggie Malloy Trombone - Matt Dzugan Woodwinds - R.W. Enoch Keyboards - Caleb Nelson Keyboards - John Zitzman Drums - Jeff Page

Staff: Delroy Binger, Stephen Head, David Michaels, Luke Smith, Brent Stanton

Program Guide: Jeff Reisman, Danny Schreiber, Paul G Pillitteri, Original music composed David Michaels, David Winn, and arranged by Caleb Nelson Stephen J Ulrich, Michael Fairman, Emmy Presenters: Remy Markowski Fernando Duran, Georgie Guinane The Accounting Firm of Lutz & Carr, Inc. – Don Shaefitz, Partner, Chris Bellando, Shari Ferrara

Audiences Unlimited – Angela O’Brien, & Staff Val & Mike and the Staff of Off the Wall Productions, Inc. (Talent Lounge & Gift Bags) A very special thank you to the hundreds of Daytime Emmy Award Judges who gave of their time and talent to honor the best in Daytime television in 2014.

Additional Thanks for the Daytime Emmy Awards at the Warner Bros. Studios Warner Bros Studios Hillary Harris, Executive Producer, Warner Bros.

Special Events Nicole Elliott Producer, Warner Bros. Special Events

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Mary Harris Producer, Warner Bros.

Special Events Kathryn Sweeney Event Coordinator, Warner Bros.

Special Events

Bivi Garcia Event Coordinator, Warner Bros.

Special Events Revolino Gharibian Logistics, Warner Bros.

Special Events

PRODUCTION Michael Levitt Productions Michel Levitt Executive Producer Gary Tellalian Executive Producer Mike Rothman, Executive Producer

Joe DeMaio Director Paul Flattery Producer Frank Santopadre Producer Michelle Letarte Executive In Charge of Production

Robin Reinhardt, Talent Producer Steve Bass Production Designer Allen Branton, Lighting Designer

Emmy Almanac | 2015 Edition

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FOR FX GROUP

Kristian Krempel President & Publisher Remy Mackowski Editor-in-Chief Angela Krempel Vice President Operations Laurie Stoddard Bailey Office Manager Frank G. Fernandez General Counsel Bryan Silver Sr. Advertising Sales/ Project Manager Advertising Sales Steve Blakemore Jake Groeschen Blair Hall Jeanette Rohrhoff Joseph Duhamel Creative Director James Denny Art Director Scot Shuman Internet & Technical Services Special Thanks FX Group would like to extend a special “Thank You” to following people for their contribution and support: Professional Sports Publications, Tampa Media Group/Tampa Tribune, and Sharon Singer.

FOR THE NATIONAL ACADEMY OF TELEVISION ARTS & SCIENCES Chuck Dages Bob Mauro Malachy Wienges Paul Pillitteri Danny Schreiber Jeff Reisman

Chairman President Chair Emeritus Administrative & Information Officer Advertising Sales Advertising Sales

Contributing Writers Ryan Salazar, Michael Fairman, Cheryl Crowly, Howard Lukk, Heather Tom, Eileen Davidson, Jonathan Pannaman, Susan Reed, Mitch Rymanowski, Ed Sherman, Richard Welsh Front Cover Artwork James Denny © 2015 National Academy of Television & Arts Sciences/FX Official Photographer for the Daytime Emmy® Awards Marc Bryan-Brown www.bryan-brown.com Photo Credits Ed McGowan/PlainJoe Studios, Jason Kashiwagi of Michael Einfeld Mgmt, Sony Pictures Television, Lorenzo Bevilaqua, Frederick M. Brown, Marc Bryan-Brown, CBS Photo Archive, Mark Davis, Disney ABC Television Group, Disney Junior, Mike Ehrmann, Jeff Gross, Getty Images Entertainment, Hulton Archive, Film Magic, Peter Kramer, LIFE Images Collection, Ronald Modra, National Geographic, NBC, Ben Rose, Sports Illustrated Collection, David Steele, Mathew Stockman, Universal Images Group, Craig Sjodin, Denice Duff, ESPN, Hutchins Photo, JPI Studios, Danya Morrison, Kelly Shew, NATAS The Official 2015 Annual Emmy® Almanac Awards program book is published by FX Group, 202 S. Parker Street, Suite 100. Tampa, FL 33606, and produced in association with the National Academy of Television Arts & Sciences, 1697 Broadway, Suite 404 New York, NY 10019. All rights reserved. No part of the publication may be reproduced, stored in a retrieval system, transmitted in any form, by means electronically, mechanically, photocopying, or otherwise, and no article or photography can be printed without the written consent of the publisher. Reproduction in whole or part without written consent is forbidden. The National Academy of Television Arts & Sciences and FX assume no responsibility for statements made by advertisers; the quality, deliverability of products, or services advertised; or positioning of advertising.

Daytime Emmy® Awards is a registered trademark of the National Academy of Television Arts & Sciences Inc. The Emmy® Award design is a trademark and service mark registered in the United States Patent and Trademark Office and may not be reproduced without permission. © 2015 The National Academy of Television Arts & Sciences. All rights reserved.

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The 42nd Annual

Daytime Emmy Awards ®

On behalf of everyone at The National Academy of Television Arts & Sciences (NATAS), I would like to welcome you to the 42nd annual Daytime Emmy® Awards!

This is a milestone year for the Daytime Emmy® Awards. Our new partnership with POP is very exciting and we are proud to lead them into May sweeps with our live broadcast. POP’s devotion to fans and to Daytime make them a perfect partner and with the beautiful, Tyra Banks as our host, it promises to be quite a show.

To add to this new exciting presentation, we have decided to bring back the Hollywood glamour by presenting our broadcast live from Stage 16 on the historic Warner Bros. lot – with a very special red carpet on the iconic New York Street and a cocktail reception on Brownstone Street. The Special Events David Michaels team at WB, headed by Hillary Harris, is creating a magical atmosphere for Senior Vice President, us in Studio Lot #16 and it will be a evening like nothing in recent Daytime Daytime Emmy® Awards and Events Emmy Award history. In addition, not to be outdone, we’ve moved our The National Academy of Daytime Creative Arts gala from downtown LA to the beautiful Universal Television Arts & Sciences Hilton this year, where two of television’s most famous personalities, Florence Henderson and Alex Trebek, promise a grand gala to honor the crafts behind the scenes of daytime television.

Under the leadership of our new Chairman, Chuck Dates and our new President, Bob Mauro, the Daytime Emmy® Awards and NATAS is rising to new heights. We have found the perfect producer in Michael Levitt who understands Daytime and is producing an innovative and beautiful show. As always, many thanks go out to our National Awards Committee and its Chair, Linda Giannecchini.

Again, this year, we embrace all the Daytime Genres – Daytime Dramas, Games Shows, Talk Shows, Children’s, Animation, Culinary, Court, Lifestyle, Travel, Morning Shows, New Approaches, Promos and all the crafts that make these shows possible. We have added a category for Performers in New Approaches Drama Series and brought back Guest Performer in a Daytime Drama. We continue making history with our Spanish Language categories.

It is always exciting when the Daytime community gathers in one room for our two wonderful Daytime Awards evenings. On behalf of Brent Stanton, Luke Smith and I, we congratulate all of our nominees, and thank all of the people at the shows who worked with us over the last six months to get everyone entered and here tonight. We would also like to give some special thanks to all of our wonderful judges who took the time to support and vote for their peers. Additional special thanks to all of our presenters for being part of these exciting shows.

Enjoy the show and thank you all for your creativity, enthusiasm and constant support of The National Academy of Television Arts & Sciences and the Daytime Emmy® Awards.

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The 42nd Annual Daytime Emmy Award Craft Nominees ®

Outstanding Drama Series Writing Team

Outstanding Drama Series Directing Team

Outstanding Casting for a Drama Series

The Bold and the Beautiful CBS Head Writer: Bradley Bell Co-Head Writer: Michael Minnis Writers: Rex M. Best, Shannon Bradley, Adam Dusevoir, Tracey Ann Kelly, Patrick Mulcahey, Jack F. Smith, Michele Val Jean

The Bold and the Beautiful CBS Directors: Jennifer Howard, Deveney Kelly, Cynthia J. Popp, David Shaughnessy, Michael Stich Associate Directors: Clyde Kaplan, Jennifer Scott Christenson, Catherine Sedwick, Steve Wacker Stage Managers: Doug Hayden, Lisa Winther-Huston, Laura Yale Production Associates: Robin Harvey, Lori Staffier

Judy Blye Wilson, CSA The Young and the Restless CBS

Days of Our Lives NBC Head Writers: Gary Tomlin, Christopher Whitesell Script Editor: Fran Myers Breakdown Writers: Lorraine Broderick, Rick Draughon, Christopher Dunn, Ryan Quan, Dave Ryan Script Writers: David Cherrill, Carolyn Culliton, Richard Culliton, Jeanne Marie Ford, Janet Iacobuzio, Melissa Salmons General Hospital ABC Head Writer: Ron Carlivati Writers: Anna Theresa Cascio, Elizabeth Korte, Daniel James O’Connor, Chris Van Etten Script Writers: Suzanne Flynn, Kate Hall, Elizabeth Page, Katherine Schock, Scott Sickles The Young and the Restless CBS Head Writers: Shelly Altman, Jean Passanante Script Editor: Brent Boyd Co-Head Writer: Tracey Thomson Writers: Amanda Beall, Jeff Beldner, Michael Conforti, Susan Dansby, Janice Ferri Esser, Lucky Gold, Beth Milstein, Anne Schoettle, Lisa Seidman, Natalie Minardi Slater

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Days of Our Lives NBC Directors: Albert Alarr, Grant Johnson, Herbert Stein, Steven Williford Associate Directors: Michael Fiamingo, Tina Keller, Joseph Lumer, Jenee Muyeau, Zoli Osaze, Lugh Powers Stage Managers: Fran Bellini DeSimone, Stuart Howard Production Associates: Brenda Glazer, Holly Metts, Sara Peterson, Lucy Yalenian General Hospital ABC Directors: Larry Carpenter, William Ludel, Scott McKinsey, Penny Pengra, Frank Valentini, Phideaux Xavier Associate Directors: Christine Cooper, Peter Fillmore, Paul Glass, Dave MacLeod, Christine Magarian Ucar, Denise Van Cleave Stage Managers: Crystal Craft, Craig McManus Production Associates: Jillian Dedote, Marika Kushel, Allison Reames The Young and the Restless CBS Directors: Casey Childs, Michael Eilbaum, Sally McDonald, Conal O’Brien, Owen Renfroe Associate Directors: Danny Cahn, Robbin Phillips Stage Managers: Tom McDermott, Herb Weaver Production Associates: Ericka Chavez, Vanessa Nolans, Nancy Ortenberg

Marnie Saitta, CSA Days of Our Lives NBC Mark Teschner, CSA General Hospital ABC

Outstanding Art Direction/ Set Decoration/Scenic Design for a Drama Series The Bold and the Beautiful CBS Production Designer: Jack Forrestel Art Director: Fabrice Kenwood Set Decorators: Joe Bevaqua, Charlotte Garnell Days of Our Lives NBC Production Designer: Dan Olexiewicz Art Director: Tom Early Set Decorator: Danielle Mullen General Hospital ABC Production Designer: Chip Dox Art Director: Andrew Evashchen Set Decorator: Jennifer Elliott The Young and the Restless CBS Production Designer: David Hoffman Art Director: Jennifer Savala Set Decorators: Fred Cooper, Jennifer Haybach, Jennifer Herwitt

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The 42nd Annual Daytime Emmy Award Craft Nominees ®

Outstanding Lighting Direction for a Drama Series

Outstanding Multiple Camera Editing for a Drama Series

The Bold and the Beautiful CBS Lighting Director: Phil Callan Lighting Designer: Patrick Cunniff

The Bold and the Beautiful CBS Editors: Brian Bagwell, Marc Beruti, Marika Kushel, Chad Mochrie, Anthony Pascarelli

General Hospital ABC Lighting Designers: Robert Bessoir, Vincent Steib

Days of Our Lives NBC Supervising Editor: Lugh Powers Editors: Michael Fiamingo, Judie Henninger, Tina Keller, Christopher Lewis, Joseph Lumer, Jenée Muyea, Zoli Osaze

The Young and the Restless CBS Lighting Directors: William Roberts, Ray Thompson

Outstanding Technical Team for a Drama Series The Bold and the Beautiful CBS Technical Director: Jim Dray Camera Operators: Dean Lamont, Ted Morales, Gordon Sweeney Video Control: Roberto Bosio, Scha Jani Days of Our Lives NBC Technical Directors: Mike Caruso, Jay O’Neill Electronic Cameras: Steve Clark, Barbara Langdon, John Sizemore, Mark Warshaw Senior Video Control: Alexis Hanson General Hospital ABC Technical Directors: Chuck Abate, Kevin Carr Camera Operators: Craig Camou, Dale Carlson, Dean Cosanella, DJ Diomedes, Barbara Langdon Senior Video Control: Antonio Simone The Young and the Restless CBS Technical Director: Tracy Lawrence Camera Operators: John Bromberek, Luis Godinez, Jr., Kai Kim Video Control: Robert Bosio, Scha Jani

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General Hospital ABC Senior Editor: Peter Fillmore Editors: Christine Cooper, David Gonzalez, Christine Magarian Ucar, Denise Van Cleave The Young and the Restless CBS Supervising Editor: Danny Cahn Editors: Derek Berlatsky, Rafael Gertel, Andrew Hachem

Outstanding Live and Direct to Tape Sound Mixing for a Drama Series The Bold and the Beautiful CBS Production Mixer: Aaron Lepley Post-Production Mixer: Danny Lecuna Re-Recording Mixer: Brian Connell Sound Effects Mixer: Jerry Martz Boom Operators: Brian Cuneen, Dave Golba, Tom Luth, Stan Sweeney Days of Our Lives NBC Production Mixer: Roger Cortes Pre-Production Mixers: Michael Fiamingo, Jenee Muyeau Post-Production Mixers: Lugh Powers, Christopher Lewis, Joe Lumer, Zoli Ozase Boom Operators: Stu Rudolf, Harry Young General Hospital ABC Production Mixer: Christopher Banninger Post-Production Mixers: Nick Marcus, Donald Smith Music Mixers: Paul Glass, Dave MacLeod Boom Operators: Chris Tyson, Alan Zema

The Young and the Restless CBS Production Mixer: Tommy Persson Post-Production Mixer: Dean Johnson Boom Operators: Ricky Alverez, Mark Beckley, Mark Mooney, Denise Palm Stones

Outstanding Music Direction and Composition for a Drama Series The Bold and the Beautiful CBS Music Supervisor: Lothar Struff Composers: Jack Allocco, Bradley Bell, David Kurtz, John Nordstrom Days of Our Lives NBC Music Supervisors: Paul Antonelli, Stephen Reinhardt Composers: Ken Corday, D. Brent Nelson General Hospital ABC Music Supervisor/Composer: Paul Glass, Music Director: Dave MacLeod Composers: Kurt Biederwolf, Steven E. Hopkins, Matt McGuire, Bobby Summerfield The Young and the Restless CBS Music Supervisor/Composer: Ron Cates Music Supervisor: Paul Antonelli Composers: Sharon Farber, Brad Hatfield, Rick Krizman, Dominic Messinger, Gaye Tolan Hatfield

Outstanding Original Song – Drama “Hands of Time” The Bold and the Beautiful, CBS Bradley Bell, Anthony Ferrari, Casey Kasprzyk, Composers & Lyricists “Just Breathe” The Young and the Restless, CBS Joshua Arreguin, Julie Carmona Young, Addie Hamilton, Marty Medriano, Composers & Lyricists “Little Things” General Hospital, ABC Nikola Bedingfield, Eve Nelson, Composers & Lyricists “Reaching” General Hospital, ABC Robert Hartry, Composer & Lyricist

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Your Family at Š2015 E! Entertainment Television, LLC.

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The 42nd Annual Daytime Emmy Award Craft Nominees ®

Outstanding Costume Design for a Drama Series

Outstanding Makeup for a Drama Series

Outstanding Individual Achievement in Animation

The Bold and the Beautiful CBS Costume Designer: Glenda Maddox

The Bold and the Beautiful CBS Key Makeup Artist: Christine Lai-Johnson Makeup Artists: Leilani Baker, Allyson Carey, Chris Escobosa, Toby Lamm

MICHAEL GRANBERRY, Lead Animator Tumble Leaf Amazon Instant Video

Days of Our Lives NBC Costume Designer: Richard Bloore General Hospital ABC Costume Designer: Shawn Reeves The Young and the Restless CBS Costume Designer: Mary Iannelli

Outstanding Hairstyling for a Drama Series The Bold and the Beautiful CBS Key Hairstylist: Michele Arvizo Hairstylists: Cora Diggins, Adriana Lucio, Brittany Madrigal Days of Our Lives NBC Key Hairstylist Margie Puga Hairstylists Bia Iftikhar, Armando Licon, Aubrey Marie, General Hospital ABC Hairstylists: Anzhela Adzhiyan, Nicole Moore, Linda Osgood, Lauran Rizzuto The Young and the Restless CBS Head Hairstylist: George Guzman Hairstylists: Shannon Bradberry, Gwen Huyen Tran, Adriana Lucio, Regina Rodriguez

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Days of Our Lives NBC Head Makeup Artist: Nick Schillace Makeup Artists: Deidre Decker, Jeremy Swan, Nina Wells General Hospital ABC Head Makeup Artist: Donna Messina Makeup Artists: Angela Ackley, Caitlin Davison, Tamar Papirian, Bobbie Roberts The Young and the Restless CBS Key Makeup Artist: Patti Denney Makeup Artists: Robert Bolger, Kathy Jones, Marlene Mason, Kelsey McGraw, Laura Schaffer

Outstanding Casting for an Animated Series or Special Ania O’Hare All Hail King Julien, Netflix

WINNERS

DREW HODGES, Character Designer Tumble Leaf Amazon Instant Video MÅRTEN JÖNMARK, Storyboard Artist Peter Rabbit Nickelodeon JASON KOLOWSKI, Production Designer Tumble Leaf Amazon Instant Video JAIRO LIZARAZU, Background Layout Designer Disney Jake and the Never Land Pirates Disney Jr. ROBYN YANNOUKOS, Colorist Tumble Leaf Amazon Instant Video

Outstanding Writing in a Preschool Animated Program

Abbie D’Andrea Brian Mathias Disney Jake and the Never Land Pirates, Disney Jr.

Daniel Tiger’s Neighborhood PBS Executive Producer/Creator/Writer/ Story Editor: Angela C. Santomero Head Writer: Becky Friedman Writers: Jennifer Hamburg, Wendy Harris

Meredith Layne, CSA Sarah Noonan, CSA Gene Vassilaros, CSA Sanjay & Craig, Nickelodeon

Dinosaur Train PBS Writers: Elise Allen, Craig Bartlett, Joe Purdy

Meredith Layne, CSA Sarah Noonan, CSA Gene Vassilaros, CSA Teenage Mutant Ninja Turtles, Nickelodeon

Disney Doc McStuffins Disney Jr. Executive Producer/Story Editor/Creator Chris Nee Writers: Kerri Grant, Kent Redeker

Shannon Reed, Casting Director Sarah Noonan, CSA Gene Vassilaros, CSA The Legend of Korra, Nickelodeon

Peg+Cat PBS Head Writer: Billy Lopez Writers: Billy Aronson, Kevin Del Aguila, Dustin Ferrer

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Behi nd ever ywor d andi nt ent i on, t her e’ s aneven gr eat erst or y.

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The 42nd Annual Daytime Emmy Award Craft Nominees ®

Outstanding Writing in an Animated Program

Outstanding Writing Special Class

Cyberchase PBS Head Writer: George Arthur Bloom Writers: Adam Rudman, Allan Neuwirth Story Editor: Ellen Doherty

Born to Explore with Richard Wiese SYNDICATED Writers: Andrew Ames, Mercedes Ildefonso Velgot

Lost Treasure Hunt American Public Television Writers: David Rosenberg, Matt Davis Head of Story: Richard Bazley Star Wars: The Clone Wars Netflix Writer: Christian Taylor WordGirl PBS Creative Supervisor: Jack Ferraiolo Head Writers: Tom Martin, Grant Moran Writers: Eric Ledgin, Justin Shanes

Outstanding Writing in a Children’s or Pre-School Children’s Series Odd Squad PBS Head Writer: Tim McKeon Writers: Alexandra Fox, Ron Holsey, Rachel Lewis, Adam Peltzman, Guy Toubes Story Editor: Mark De Angelis Sesame Street PBS Head Writer: Joey Mazzarino Writers: Molly Boylan, Annie Evans, Christine Ferraro, Michael Goldberg, Emily Kingsley, Luis Santeiro, Ed Valentine, Belinda Ward, John Weidman Spooksville Discovery Family Channel Head Writer: Jim Krieg Writers: Ernie Altbacker, Dan Angel, William Brown, Nicole Dubuc, Harold Hayes, Mitch Watson, Craig Phillips

The Ellen DeGeneres Show SYNDICATED Co-Head Writers: Jason Gelles, Lauren Pomerantz Head Writer: Kevin A. Leman II Writers: Jamie Brunton, Ellen DeGeneres, Travis Helwig, Amy Rhodes, Gil Rief, Troy Thomas, Adam Yenser The Henry Ford’s Innovation Nation CBS Head Writer: Jim Lichtenstein Writers: Stephanie Himango, John Murphy The Talk CBS Writers: Andrea Levin, John Redmann, Anjie Taylor

Outstanding Directing in an Animated Program All Hail King Julien Netflix Director: Christo Stamboliev Peter Rabbit Nickelodeon Supervising Director: David McCamley Episodic Director: Dino Athanassiou Animation Director: Maurizio Parimbelli Silent YouTube.com Directors: Limbert Fabian, Brandon Oldenburg

Outstanding Directing in a Children’s or Pre-School Children’s Series Annedroids Amazon Instant Video Director: J.J. Johnson Dino Dan: Trek’s Adventures Nickeodeon Director: J.J. Johnson Odd Squad PBS Director: J.J. Johnson R.L. Stine’s The Haunting Hour The Series Discovery Family Channel Directors: Neill Fearnley, Ken Friss, Allan Harmon, James Head, Jon Rosenbaum

Outstanding Directing in a Lifestyle/Culinary/ Travel Program A Chef’s Life PBS Director: Cynthia Hill Giada At Home Food Network Director: Anne Fox Real Girl’s Kitchen Cooking Channel Director: Timothy McOsker

Star Wars: The Clone Wars Netflix Supervising Director: Dave Filoni Directors: Kyle Dunlevy, Brian Kalin O’Connell, Danny Keller, Steward Lee, Bosco Ng Wild Kratts PBS Directors: Chris Kratt, Martin Kratt Co-Director: Chris Roy

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The 42nd Annual Daytime Emmy Award Craft Nominees ®

Outstanding Directing in a Talk Show/Entertainment News or Morning Program CBS This Morning CBS Director: Randi Clarke Lennon Associate Directors: Debra Dias, Ken Einhorn, Shanta Fripp, Christopher George, Katlyn McBrearty, Meghan Morris, Nikki Rabago, Kelly Volz The Dr. Oz Show SYNDICATED Director: Scot Titelbaum Associate Director: Debra Mackrell The Ellen DeGeneres Show SYNDICATED Director: Liz Patrick Associate Directors: Diana Horn, Huck Hackstedt, John Zook The Meredith Vieira Show SYNDICATED Director: Adam Heydt Associate Director: Sarah Tannor Steve Harvey SYNDICATED Director: Joe Terry Associate Director: Diane M. Stroud

Outstanding Directing in a Game Show Jeopardy!

SYNDICATED Director: Kevin McCarthy Let’s Make a Deal CBS Director: Lenn Goodside THE CHASE Game Show Network Director: Hal Grant 24

Outstanding Directing Special Class

Outstanding Main Title and Graphic Design

88th Annual Macy’s Thanksgiving Day Parade NBC Director: Gary Halvorson

Joni Table Talk Daystar Television Network Art Director: Stephen Nanney Graphic Artists: David Farmer, Rebecca Megyesi, Candelaria Vidana

Central American Games ESPN Desportes Director: Alejandra Gonzalez Anaya Broadcast Director: Ryan Polito Associate Director: Anabel Cantú Disney Parks Frozen Christmas Celebration ABC Director: Gary Halvorson

Outstanding Art Direction/Set Decoration/Scenic Design R.L. Stine’s The Haunting Hour The Series Discovery Family Channel Production Designer: Teresa Weston Art Director: Michael Corrado Set Decorator: Josh Plaw Sesame Street PBS Set Designer: Bob Phillips Prop Builders: Will Krause, Pete Ortiz Prop Coordinator: Keith Olson Spooksville Discovery Family Channel Production Designer: Tink Art Director: Alyssa King Set Decorator: Terry Lewis The Kitchen Food Network Production Designer: John Casey Art Director: Jed Holtz Set Decorators: Tamara Dilworth, Yonatan Gonzales, Sacha Ingber, Jessica Langley, Molly Maguire, Margaret Ward

The Mind of a Chef PBS Creative Director - Graphics: Adam Lupsha Animator: Dan de Graaf Character Design: Mike Houston Peg+Cat PBS Creative Director - Graphics: Jennifer Oxley Director - Graphics: Billy Aronson Director: Cory Bobiak Storyboard Artist: Christopher Jammal Lead Character Animator: Zachary Decktor Victory Garden’s Edible Feast PBS Graphics Producer: Daniel Klein Graphic Artist: Mirra Fine Wallykazam!

Nickelodeon Supervising Producer: Dave Palmer Animation Supervisor: Dennis Shelby Animator: Arut Tantasirin Art Directors: Jennifer Taylor, Jeff Tucker Storyboard Artist: David Van Tuyle

Outstanding Lighting Direction Central American Games ESPN Desportes Lighting Designer: David Grill Lighting Director: Paul Sonnleitner, Robert Peterson Projection Designers: Patrice Bouqueniaux, Randy Gonzalez, Carlos Navarrete-Patiño The Ellen DeGeneres Show SYNDICATED Lighting Director: Marisa Davis Rachael Ray SYNDICATED Lighting Designers: Alan Blacher, Mitchell Bogard Sesame Street PBS Lighting Designer: Dan Kelley Wheel of Fortune SYNDICATED Lighting Designer: Jeff Engel

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The 42nd Annual Daytime Emmy Award Craft Nominees ®

Outstanding Technical Team CBS This Morning CBS Technical Directors: Louis Fernandez, Fountain Jones Video: Kevin Fox, Gary Schaub Camera Operators: Steve Ancona, Maximillian Avans, Nancy Baron, Scott Blass, Gregory Bracco, Dave Cabano, Mary Cody, Tom Durkin, Orin Frank, Shanta Fripp, Joe Gallucci, Pat Gillen, George Graffeo, Jared Hanna, Rick Jefferson, Larry Jones, Aaron Judell, Randi Lennon, Joe Marcus, Lee McGuffey, Anthony Mirante, Dave Morris, Brian Mullen, Mike Mullen, Bill Naeder, Doug Neil, Mary Neubig, Nick Pancamo, Anthony Planes, Patricia Riccardella, Julio Rivera, Al Schatz, Douglas Senger, Ken Smith, Greg Sovich, Claus Stuhlweissenburg, Matt Suss Good Morning America ABC Technical Director: Robert McQueen Video Engineering: Mike D’Errico Broadcast Engineers: Pat Burke, Mike Casio, Brian Russo Senior Video: Gene Gallagher Camera Operators: Peter Abraham, John Anello, Thomas Belfiore, Brendan Chase, Robert Chin, Frank Cocchia, David Dainoff, Duane Dowdy, Reginald Drakeford, Eric Espeut III, Gerry Ferrara, Mary Flood, Francis Forsyth, Alexander Fraga, Henry Fraga, Robert Gallipoli, Julia Gatti, Anthony Greer, Daniel Hart, Randy Jackson, Justin Johansky, Michael Joyce, Adam Keith, Eugene Kelly, Charles Kempf, Hardy Kluender, Daniel Levine, Martin Maloney, Mary McIlwain, George Montanez, Matthew Muro, Michael Perez, Mike Randazzo, Henry Rice, Frank Scalera, Kevin Schadow, Scott Snyder, Edmund Sperry, Walter Tate, Lloyd Torres, Andre Yoder-Harris Jeopardy!

SYNDICATED Technical Director: Robert Ennis, Jr. Camera Operators: Marc Hunter, David Irete, Ray Reynolds, Jeff Schuster, Mike Tribble Video Control: Gary Taillon

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Sesame Street PBS Technical Director: Tom Guadarrama Senior Video: Jim Meek Camera Operators: Frank Biondo, Shaun Harkins, Anthony Lenzo, Pat Minietta Steve Harvey SYNDICATED Technical Director: Roberto Rios Camera Operators: Michael Frehe, Clark Gray, Alonzo Martinez, Richard Mort, Patrick Rondou, Tommie Skinner, Dimitrios Tianis, Noel Torres Video Control: James Kogut

Outstanding Multiple Camera Editing The Ellen DeGeneres Show SYNDICATED Supervising Editor: James Belz Senior Editors: John Binninger, John Rantz Editors: Gabriel Almanza, Austin Hepp, Jon Tatum Sesame Street PBS Supervising Editor: Todd James Editors: Jesse Averna, John Tierney

Outstanding Single Camera Photography

The Talk CBS Editors: Dana Delametter, David Katz

A Chef’s Life PBS Director of Photography: Rex Miller Cameras: Blaire Johnson, Josh Woll

The View ABC Editor: Rich Provost

Gortimer Gibbon’s Life on Normal Street Amazon Instant Video Director of Photography: Eduardo Enrique Mayén The Mind of a Chef PBS Directors of Photography: Jeremy Leach, Ian McGlocklin, Ethan Mills

Outstanding Single Camera Editing The Henry Ford’s Innovation Nation CBS Senior Editor: C. Andrew Hall Editor: Stephen Lambert The Mind of a Chef PBS Editors: Mustafa Bhagat, Angie Dix, Jon Philpot MTV’s Got Your 6 MTV Lead Editor: James Cude Editors: Tara Anaise, Sasha Dylan Bell, Tom Maroney

Outstanding Live and Direct to Tape Sound Mixing Let’s Make a Deal CBS Production Mixer: Mike Mazzetti Pre-Production Mixers: John Protzko, Brad Spurr Post-Production Mixers: Dustin Belanger, Adam Rottenstein Music Mixer: Cat Gray Music & Sound Effects Mixer: Brian Teed Steve Harvey SYNDICATED Production Mixer: Jim Slanger The Ellen DeGeneres Show SYNDICATED Production Mixer: Terry Fountain Audio Engineer: Dirk Sciarrotta The Price Is Right CBS Production Mixer: Edward J. Greene CAS House Production Mixer: Brian Rushing Music Playback Mixer: Nancy Perry Post Production Mixers: Jennifer M. Fah, Frankie Le Nguyen, Nicole M. Katz

Odd Squad PBS Editors: Jennifer Essex-Chew, Courtney Goldman

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Outstanding Sound Mixing – Live Action 88th Annual Macy’s Thanksgiving Day Parade NBC Downtown Production Mixer: Edward J. Greene, CAS Uptown Production Mixer: Steve Singer 34th Street Production Mixer: Jim Vanbergen Audio Engineering: Chris Acker Music Playback Mixer: Al Theurer Sound Effects Mixer: Dick Maitland The Aquabats! Super Show!

Hub Network Sound Design and Re-Recording Mixer: Blaine Stewart Born to Explore with Richard Wiese SYNDICATED Production Mixer: Hunt Beaty Re-Recording Mixers: Bill Cavanaugh, Cory Choy, Robin Shore Central American Games ESPN Desportes Production Mixer: Patrick Baltzell Senior Audio: Al Centrella

Outstanding Sound Mixing – Animation The Legend of Korra Nickelodeon Production Mixers: Justin Brinsfield, Matt Corey, Manny Grijalva Re-Recording Mixer: Adrian Ordonez Foley Mixer: Aran Tanchum Kung Fu Panda: Legends of Awesomeness Nickelodeon Production Mixers: Justin Brinsfield, Matt Corey Re-Recording Mixer: Thomas J Maydeck C.A.S. SFX Mixer: Rob McIntyre Foley Mixer: Roberto Dominguez Alegria Silent Netflix Re-Recording Mixer: Jurgen Scharpf Star Wars: The Clone Wars Netflix Production Mixer: Cameron Davis Re-Recording Mixer: David Acord Foley Mixer: Frank Rinella Scoring Mixer: Mark Evans

Teenage Mutant Ninja Turtles Nickelodeon Production Mixers: Justin Brinsfield, Matt Corey Re-Recording Mixer: D.J. Lynch SFX Mixer: Jeff Shiffman

Outstanding Sound Editing – Live Action Odd Squad PBS Sound Effects Designers: P. Jason MacNeil, James Robinson, Earl Torno, Bill Turchinetz Dialogue Editor: John D. Smith Foley Recordist: Dave Yonson Foley Artist: Virginia Storey R.L. Stine’s The Haunting Hour The Series Discovery Family Channel Sound Designer: Jeff Jackman Dialogue Editor: Roger Morris Backgrounds Editor: Angelo Nicoloyannis Foley Editor: Rick Senechal Sesame Street PBS Supervising Sound Editors: Michael Barrett, Chris Prinzivalli Supervising Music Editor: Michael Croiter Music Editor: Jorge Muelle Sound Editor: Chris Sassano Sound Effects Editor: Dick Maitland

Outstanding Sound Editing – Animation Kung Fu Panda: Legends of Awesomeness Nickelodeon Supervising Sound Editor: Gary Falcone Sound Designers: Rob McIntyre, Marc Schmidt Supervising Music Editors: Jeremy Zuckerman, Benjamin Wynn Supervising Dialogue Editor: Anna Adams Sound Effects Editors: Andrew Ing, Thomas J Maydeck C.A.S. Foley Editor: Roberto Dominguez Alegria Foley Artist: Cynthia Merrill Silent Netflix Sound Editor: Steve Boeddeker

Star Wars: The Clone Wars Netflix Supervising Sound Editor: Matthew Wood Sound Designer: David Acord Music Editor: Dean Menta Sound Editors: Jeremy Bowker, Steve Slanec Foley Editors: Andrea Gard, Kevin Sellers Foley Artists: Dennie Thorpe, Jana Vance

Outstanding Music Direction and Composition Born to Explore with Richard Wiese SYNDICATED Composer: Max Surla Disney Sofia the First Disney Jr. Composer: Kevin Kliesch Peg+Cat PBS Music Director: J. Walter Hawkes Music Supervisor: Steven Rebollido Composers: Martin Erskine, D.D. Jackson Silent Netflix Composer: John Hunter Star Wars: The Clone Wars Netflix Composer: Kevin Kiner The Tom & Jerry Show Cartoon Network Composer: David Ricard

Outstanding Original Song ”Holiday Ride” Bubble Guppies, Nickelodeon Michelle R. Lewis, Michael Dennis Smith, Composers & Lyricists “Jollywood Spa Song” Disney 7D, DisneyXD Parry Gripp, Composer Paul Rugg, Lyricist “Just Keep Swimming” Steal the Show, COZI TV Zoey Engelbert, Composer & Lyricist Jim Peterik, Composer & Lyricist Ariel Engelbert, Composer Eli Engelbert, Composer

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The 42nd Annual Daytime Emmy Award Craft Nominees ®

“Power of Yet” Sesame Street, PBS Bill Sherman, Composer Joey Mazzarino, Lyricist “Raise Your Hand” Sesame Street, PBS Alex Lacamoire, Bill Sherman, Composers Belinda Ward, Lyricist “Use Your Light” Peg+Cat, PBS Larry Hochman, Composer Billy Aronson, Lyricist

Outstanding Original Song – Main Title and Promo “Who’s da King” All Hail King Julien Netflix Will Fuller, Alex Geringas, Composers & Lyricists “7D Main Title Song” Disney 7D DisneyXD Parry Gripp, Composer Tom Ruegger, Composer “Dora And Friends: Into The City! Theme Song” Dora and Friends: Into the City!

Nickelodeon Matthew Gerrard, Elizabeth Ashley Saunig, Composers and Lyricists

Outstanding Costume Design/Styling The Ellen DeGeneres Show SYNDICATED Key Costumer: Brooke Weller Wardrobe Supervisor: Maggie Kaiser Costume Designer: Kellen Richards R.L. Stine’s The Haunting Hour The Series Discovery Family Channel Costume Designers: Farnaz KhakiSadigh, Natalie Simon

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Sesame Street PBS Costume Designer/Live Actors: Brian Hemesath, Jared Leese Costume Designer/Muppets: Erin Slattery Black, Elizabeth Hara, Liz Hara, Michelle Hickey, John Douglas James, Rollie Krewson, Sarah Lafferty, Lara Mclean, Anney Ozar, Connie Peterson, Jane Pien, Sarah Schoening, Polly Smith, Jason Weber The Talk CBS Costume Supervisor: Cara Giannini Costume Stylists: Tiffany Feller, Natalie Foroutan, Kristen Greven, Julie Meinhart

Outstanding Hairstyling Odd Squad PBS Key Hairstylist: Patricia Cuthbert The Real SYNDICATED Head Hairstylist: Robbi Rogers Hairstylists: Kya Bilal, Alyson Black-Barrie, Ray Dodson, Adriana Tesler, Noogie Thai The Talk CBS Hairstylists: Gina Bonacquisti, Cheryl Eckert, Vicki Mynes, Michael Ward, Soo Jin Yoon The View ABC Head Hairstylist: Rosa Amoedo Hairstylists: Yancy Edwards, Bryant Renfroe, Sabina Rojas

Outstanding Makeup Green Screen Adventures MeTV Makeup Artists: Jessica Carleton, Scott Gryder The Real SYNDICATED Head Makeup Artist: Sarah Hall Makeup Artists: Pam Farmer, Motoko Honjo Clayton, Eva Kim, Uzmee Krakovszki, Terrell Mullin The Talk CBS Makeup Artists: Jude Alcala, Stephanie Cozart Burton, Michelle Duario, Dell McDonald, Ann-Marie Oliver

Outstanding Stunt Coordination The Bold and the Beautiful CBS Stunt Coordinator: Mike Cassidy The Bold and the Beautiful CBS Stunt Coordinator: Mickey Cassidy Spooksville Discovery Family Channel Stunt Coordinator: Brett Armstrong The Aquabats! Super Show!

Hub Network Stunt Coordinator: Braxton McAllister

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Michael Gargiulo Crafts EmmyÂŽ Lifetime Achievement Award

Michael Gargiulo was born and raised in Coney Island and lived above his father’s restaurant, where bands and variety talent appeared regularly. Down the block, was a strip joint and a side show. It seemed only fitting that a career in showbiz was in his making!

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greatlakesbay Tucked in the heart of Pure Michigan KU C RNCEG Æ’NNGF YKVJ creativity and stage presence.

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Or under the spotlight at a nostalgic community theatre.

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Clockwise from top left: Michael Gargiulo shaking hands with President Gerald Ford; chatting with Gwen Verdan; an image from 1996; seated with Larry Hagman and Linda Gray; having tea with Willard Scott; discussing the broadcast of the 1972 Thanksgiving Day Parade, and hanging with Tom Selleck on the set of Magnum P.I.

In 1954, Gargiulo was hired by WNBC as a staff director and did most of the local shows in New York until 1959 when NBC selected him to join a State Department project to build a television studio in Moscow and introduce color television to the Russian people during a cultural exchange. It was in this studio that Nikita Khrushchev and Richard Nixon had their famous “kitchen debate,” which Mike recorded and rushed back to NBC, which shared them with CBS and ABC within hours... the start, perhaps, of modern-day, televised political debates.

Back in New York, he did a takeoff of an American staple, renamed, “The Ruble is Right,” which was his friend Bob Stewart’s show. It received a very positive review in The New York Times.

Mark Goodson read about it and it 32

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Igor Moiseyev contemporary dance company, hosted by Orson Welles.

Gargiulo has also become legendary in his producing and directing of the was the start of Mike’s game show Tournament of Roses and Thanksgiving career. He did a pilot for “Password” Day Parades plus variety specials and went on to produce and direct for CBS, including the New Year’s the show for many years to come. At Eve celebration for more than 30 Goodson-Todman, he also directed years. He recently directed “An “Match Game,” “I’ve Got a Secret,” “To Tell the Truth,” and “The Price is Right.” American Portrait,” a series of one minute spots, honoring someone In 1969, Mike joined Bob Stewart Productions to direct “Jackpot” on NBC, who contributed to the fabric of our society. For two years, every weekday and later, the “$10,000 Pyramid.” evening, one American was honored, During this career, Michael for one minute, coast to coast.

Gargiulo also had a flair for variety shows, which became the vogue in Gargiulo has accrued 31 nominations and 9 Emmy Awards in his storied the early 1960’s. Victor Borge hired career. He notes that none of this him to direct his music and comedy would be possible without the support special featuring the jazz version of his wife of over half a century, of “Peter and the Wolf.” He also returned to Russia for “The Leningrad Dorothy and his children, daughter Susan at Nickelodeon, and son Michael, Ice Show,” and later to Las Vegas for an anchor at WNBC in New York. a second NBC special featuring the

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The 42nd Annual Daytime Emmy Award Nominees ®

Outstanding Drama series The Bold and the Beautiful CBS

Executive Producer: Bradley Bell Supervising Producers: Rhonda Friedman, Casey Kasprzyk, Edward J. Scott Coordinating Producer: Mark Pinciotti Producers: Colleen Bell, Cynthia J. Popp

Days of Our Lives NBC

Executive Producer: Ken Corday Co-Executive Producers: Lisa De Cazotte, Greg Meng Senior Coordinating Producer: Janet Spellman-Drucker Coordinating Producer: Randy Dugan Producer: Albert Alarr

General Hospital ABC

Executive Producer: Frank Valentini Coordinating Producer: Jennifer Whittaker-Brogdon Producers: Mercer Barrows, Michelle Henry, Mary Kelly Weir

The Young and the Restless CBS

Executive Producer: Jill Farren Phelps Supervising Producers: John Fisher, Tony Morina Coordinating Producer: Matthew J. Olsen Producer: Mary O’Leary

Outstanding New Approaches Drama Series Anacostia YouTube.com

Executive Producer: Anthony Anderson Co-Executive Producer: Martha Byrne Producers: Marion Akpan, Christopher Bair, Tamieka Chavis, Kelvin Cook, Tia Dae, Pasha Diallo, India Doy-Young, Antonio Harrison Jr., Kena Hodges, Cynthia James-Bennett, William Lash, Melan Perez, Rolfini Whidbee Line Producers: Lora Lee, Jamie Misiak, Alexis Robinson Smith Consulting Producers: Harold Jackson III, Anne Wells Auer, Nicole Whitmire

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The Bay The Series Blip

Executive Producers: Kristos Andrews, Gregori J. Martin Supervising Producer: Nadine Aronson Coordinating Producer: Carol C. Hedgepeth Producers: Anthony Aquilino, Braxton Davis, Devin DeVasquez, Mary Beth Evans, Celeste Fianna, Jade Harlow, Lilly Melgar, Ronn Moss, Eric Nelsen, Sainty Nelsen, Jared Safier, Derrell Whitt, Salvatore V. Zannino

Beacon Hill the Series www.beaconhilltheseries.com

Executive Producer: Crystal Chappell Co-Executive Producer: Christa Morris Supervising Producer: Hillary B. Smith Producers: Ricky Paull Goldin, Jessica Hill, Linda Hill

East Los High Hulu

Executive Producers: Emiliano Calemzuk, Katie Elmore, Mauricio Mota, Carlos Portugal, Mark Warsaw Co-Executive Producers: Kathleen Bedoya, Troy Combs, Carlos Reza Consulting Producer: Alberto Barboza

Outstanding Pre-School Children’s Series Dino Dan: Trek’s Adventures Nickelodeon

Executive Producers: J.J. Johnson, Blair Powers Co-Executive Producer: Christin Simms Producer: Matthew J.R. Bishop

Sesame Street PBS

Executive Producer: Carol-Lynn Parente Supervising Producer: Nadine Zylstra Senior Producer: Benjamin Lehmann Coordinating Producer: April Coleman Producer: Mindy Fila Line Producer: Stephanie Longardo

Outstanding Children’s Series Made in Hollywood: Teen Edition SYNDICATED

Executive Producer: Cleveland O’Neal III Supervising Producer: Carole Mar Producer: Todd Szuch Co-Producer: Josh Neufeld

Odd Squad PBS

Executive Producers: J.J. Johnson, Tim McKeon, Blair Powers, Paul Siefken Co-Executive Producer: Adam Peltzman Producers: Matthew J.R. Bishop, Georgina Lopez Creative Producer: Mark DeAngelis Consulting Producer: Emily Helfgot

R.L. Stine’s The Haunting Hour: The Series Discovery Family Channel

Executive Producers: Dan Angel, Kim Arnott, Billy Brown, Harvey Kahn Supervising Producers: Dawn Knight, Mandy Spencer-Phillips Co-Executive Producers: Ted Biaselli, Allen Lewis, Margaret Loesch, Juliet Smith, Jane Stine, Joan Waricha, Marnie Young

Spooksville Discovery Family Channel

Executive Producers: Harvey Kahn, Jane Startz, Allen Lewis, Christopher Pike, Jillian Share, Gary Shaw Co-Executive Producers: Donna Ebbs, Kane Lee, Marnie Termuende, Marnie Young Supervising Producers: Dawn Knight, Jim Krieg, Michelle Samuels Consulting Producers: Dan Angel, Billy Brown

The Wildlife Docs SYNDICATED

Executive Producers: Jeff Androsky, Scott Helmstedter, Dave Morgan, Eric S. Rollman, Carol Sherman Supervising Producer: Christine Blake Co-Executive Producer: Peter Sniderman

Yo Gabba Gabba!

Nickelodeon

Co-Executive Producers: Christian Jacobs, Scott Schultz

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EVERYONE

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The 42nd Annual Daytime Emmy Award Nominees ®

Outstanding Pre-School Children’s Animated Program Peg+Cat PBS

Executive Producers: Jennifer Oxley, Billy Aronson, Vince Commisso, Kevin Morrison Supervising Producers: Tanya Green, Alia Nakashima Producers: Jaclynn Demas, Steven Rebollido Animation Producers: Brett Hall, Robert Powers Line Producer: Jennifer Bradley

Tumble Leaf Amazon Instant Video

Executive Producers: Kelli Bixler, Drew Hodges Co-Executive Producer: Alice Wilder, Ed. D. Producers: Jodi Downs, Genevieve Ledoux Line Producer: Tricia Gum

VeggieTales in the House Netflix

Executive Producer: Doug TenNapel Supervising Producers: Randy Dormans, Chris Neuhahn Line Producer: Rachel Curet

Outstanding Children’s Animated Program All Hail King Julien Netflix

Executive Producers: Bret Haaland, Mitch Watson Supervising Producers: Randy Dormans, Nick Filippi, Chris Neuhahn Producer: Katie Ely

Arthur PBS

Executive Producers: Marc Brown, Vince Commisso, Carol Greenwald Supervising Producer: Tanya Green Senior Producer: Tolon Brown Coordinating Producers: Paul Higgins , Melissa Berg Producer/ Director: Greg Bailey Producers: Christine Davis, Paula Potts

The Fairly OddParents Nickelodeon

Executive Producer: Butch Hartman Supervising Producer: George Goodchild Producers: Ray DeLaurentis, Randy Saba

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Sanjay & Craig Nickelodeon

Executive Producers: Will McRobb, Chris Viscardi Co-Executive Producers: Jim Dirschberger, Jay Howell Supervising Producer: Thurop Van Orman Producer: Lisa Thibault Woods

Outstanding Special Class Animated Program Disney Phineas and Ferb Save Summer DisneyXD Executive Producers: Swampy Marsh, Dan Povenmire Producer: Robert F. Hughes Line Producer: Natasha Kopp

Silent YouTube.com

Executive Producers: William Joyce, Vince Voron Producers: Lampton Enochs, Trish Farnsworth-Smith, Angus McGilpin

Star Wars: The Clone Wars Netflix

Executive Producer: George Lucas Supervising Director: Dave Filoni Producer: Cary Silver Line Producer: Athena Portillo

Outstanding Culinary Program Barefoot Contessa: Back to Basics Food Network Executive Producer: Rachel Purnell Supervising Producer: Olivia Ball Line Producers: Luke Boyle, Carl Green

Guy’s Big Bite Food Network

Executive Producer: Mark Dissin

Martha Bakes PBS

Executive Producers: Martha Stewart, Kimberly Miller-Olko, Lisa Wagner Coordinating Producer: Greta Anthony Line Producers: Calia Brencsons-Van Dyk, Jim Brennan

The Mind of a Chef PBS

Executive Producers: Anthony Bourdain, Joe Caterini, Christopher Collins, Lydia Tenaglia Co-Executive Producer: Michael Steed Series Producer: Jared Andrukanis Producers: Alexandra Chaden, Anna Chai, Jonathan Cianfrani, Mo Fallon My Grandmother’s Ravioli Cooking Channel Executive Producers: Margery Baker Riker, Gideon Evans, Hal Gessner, Mo Rocca Supervising Producers: Emily M. Bernstein Producers: Rey Amaya, Bronwen Epstein, Henry Tenney

Outstanding Game Show Family Feud SYNDICATED

Executive Producers: Gaby Johnston, Jennifer Mullin Supervising Producers: Kristin Bjorklund, Sara Dansby, Brian Hawley Coordinating Producer: Jim Roush Line Producer: Julio Alva Consulting Producer: Rushion McDonald

Jeopardy!

SYNDICATED

Executive Producer: Harry Friedman Supervising Producers: Lisa Broffman, Rocky Schmidt Senior Producer: Deb Dittmann Coordinating Producer: Bob Sofia Producers: Brett Schneider, Maggie Speak Editorial Producer: Billy Wisse

The Price Is Right CBS

Executive Producers: Mike Richards, Jennifer Mullin Co-Executive Producer: Evelyn Warfel Coordinating Producer: Gina Edwards Nyman Producer: Adam Sandler Co-Producers: Stan Blits, Sue MacIntyre Game Producer: Chris Donnan Prize Producers: Eric Mills, Vanessa Voss Show Producers: Megan Fraher, Trevor Rogas Consulting Producer: Tracy Verna Soiseth

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Outstanding Legal/Courtroom Program Divorce Court SYNDICATED

Executive Producer: Lou Denning Co-Executive Producer: Belinda Jackson Senior Producers: Deborah Alpert, Margot Foley, Dmitry Gilot, Jeffrey Pitts Producers: Chantay Brown, Deserie Davenport-Walker, Andy Hirsch, Lesia Minor, Alan Stein Line Producer: Jeannine Sullivan Host: Judge Lynn Toler Co-Host: Joe Catalano

Judge Judy SYNDICATED

Executive Producer: Randy Douthit Supervising Producer: Victoria Jenest Coordinating Producers: Kirk Leins, Christopher Thomas Senior Producers: Cybil Jordan-Malachi, Shannon Weber-Arellano Producers: Christy Copeland, Gina Madrid, Alex Martinez, Matt Pomfret, Julie Turner Host: Judge Judy Sheindlin

The People’s Court SYNDICATED

Executive Producers: Stu Billett, David Scott Supervising Producer: Philip Vandervort Senior Producer: Michele Eppolito Producers: Liz Marley, Theresa Milana, Kathryn Posch Segment Producers: Heather Andrews Harkins, Katie Ferguson, Monique Gallo, Laura Malara-Rud, Lori Mooney, Kristi Nizzo Host: Judge Marilyn Milian Co-Hosts: Curt Chaplin, Harvey Levin, Douglas McIntosh

Outstanding Lifestyle Program Flea Market Flip HGTV

Executive Producers: Roy Bank, Susan Seide, Lara Spencer Co-Executive Producer: Vince D’Orazi Senior Producer: Kirstie Field Line Producer: Marianne Shanley

Home Made Simple OWN

Executive Producers: Carl Buehl, Rob Eric, Gerrit Folsom, Steve Longo, Dawn Stroupe, Michael Williams Supervising Producers: Jordan Bogdonavage, Stan Dembecki, Steve Joachim, Robert Mancini, Thomas O’Brien, Tina Weiss Producers: Peter Alexander, Adria Castillo, Belinda Eagan, Tracey Finley, Taylor Garbutt, Janet Lee, Tanya McRae, Courtney Sanders

This Old House PBS

Executive Producer: Deborah Hood Producer: Jo Walker-Sagar Segment Producer: Alyssa Gantz

Outstanding Travel Program Born to Explore with Richard Wiese SYNDICATED Executive Producers: Mercedes Ildefonso Velgot, Dave Morgan, Richard Wiese Co-Executive Producers: Andrew Ames, Pete Sniderman

Curious Traveler SYNDICATED

Executive Producer: Christine van Blokland Producer: David Zelski

Rock the Park The CW

Tapping IN: The Happiest People and Places on the Planet SYNDICATED

Executive Producer: Linda Swain Coordinating Producer: Gillian Swain

Executive Producers: Shannon Keenan Demers, Colleen Needles Steward Co-Executive Producers: Chad Gajadhar, Heidi Ruen, Jack Steward Line Producer: Erin Anzalone

Outstanding Morning Program

Executive Producer: Rand Morrison Senior Producers: Gavin Boyle, Amy Rosner, Jason Sacca Producers: Sari Aviv, Jon Carras, John D’Amelio, Kate D’Arcy, Patricia Finnegan, Ed Forgotson, Alan Golds, Peter Goodman, John Goodwin, Mark Hudspeth, Nathan James, Jay Kernis, Young Kim, Sara Kugel, Anthony Laudato, Kay M. Lim, Robbyn McFadden, Amol Mhatre, Meggie Miao, David Morgan, Reid Orvedahl, Ramon Parkins, Mary Raffalli, David Rothman, Bernard Rozenberg, Ayesha Siddiqi,

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CBS Sunday Morning CBS

Douglas Smith, Patty Smith, Dustin Stephens, Mary Lou Teel, Amy Wall, Amiel Weisfogel Producer/Editors: Lauren Barnello, David Bhagat, Chad Cardin, Joseph Frandino, Ed Givnish, Shilpi Gupta, Remington Korper, Mike Levine, Maria Nicoletti, George Pozderec, Carol A Ross, David Small Producers Visual Arts: John Molloy, Jessica Frank Editorial Producer: Cathy L Lewis Producer/Director: Nora Gerard Producer/Writer: Tom Harris

Field Producers: Henry Bautista, Mike Hernandez Planning Producer: Robin Sanders Producer Visual Arts: Bob Pook Anchor: Charles Osgood Correspondents: Serena Altschul, Rita Braver, Lee Cowan, Bill Geist, Anthony Mason, Jane Pauley, Mo Rocca, Tracy Smith, Susan Spencer, Martha Teichner Contributing Correspondent: David Turecamo Contributing Commentators: Nancy Giles, David Pogue, Faith Salie, Ben Stein Film Critic: David Edelstein

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The 42nd Annual Daytime Emmy Award Nominees ®

Good Morning America ABC Anchors: Robin Roberts, George Stephanopoulos, Lara Spencer, Amy Robach, Ginger Zee, Michael Strahan Dan Harris, Bianna Golodryga, Paula Faris, Ron Claiborne, Sara Haines, Rob Marciano Correspondents: Gio Benitez, Linsey Davis, Linzie Janis, Reena Ninan, TJ Holmes, Juju Chang, Cecilia Vega, Abbie Boudreau, Nick Watt, David Wright, Aditi Roy, Lama Hasan, Matt Gutman, Steve Osunsami , Alex Perez, Clayton Sandell, Ryan Owens, Neal Karlinsky, Dan Abrams, Dr. Richard Besser, Brian Ross, Jon Karl, Martha Raddatz, Pierre Thomas, Jim Avila, David Kerley Senior Medical Contributor: Jennifer Ashton Senior Executive Producers: Tom Cibrowski, Michael Corn Executive Producers: Chris Vlasto, Rachel Miskowiec Executive Editorial Producer: Santina Leuci Director/Producers: Lily Olszewski, Jeff Winn Senior Broadcast Producers: Margo Baumgart, John Ferracane, Denise Rehrig Senior Producers: Sandra Aiken, Tracey Marx Bernstein, Chris Donovan, Angela Ellis, Seth Fenton, Alberto Orso, Sarah Ruth, Kristin Sebastian, Simone Swink, Vanessa Weber, Maureen White, Alison Gazan Senior Producer, Special Projects: Morgan Zalkin News Senior Producer: Kenneth Kneeland Senior Producer, Washington: Sarah Baker Senior Producers, Los Angeles: David Herndon, Michael Kreisel Senior Editorial Producer: Mark Robertson Deputy Editorial Producer: Justin Weaver Coordinating Producers: Cathy Becker, Sam Brooks, Carolyn Durand, Ross Eichenholz, Elena GenovesePicard, Karen Leo, Melissa Lustrin, Yoni Mintz, Brian O’Keefe, Sabrina Parise, Margaret Pergler, Coordinating Producer / Senior Book Producer: Patty Neger News Coordinating Producers: Lourdes Leahy, Ronnie Reiss

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Producers: Joanne Amato, Jesus Ayala, Taylor Behrendt, Bryce Beloff, Clark Bentson, Tara Berardi, Rachael Berman, Michael Bickal, Brandon Bodow, Carlos Boettcher, Kristopher Campbell, Katherine Carroll, Brandon Chase, Tina Chen, Jessica Church, Suzan Clarke, Stephan Cohen, Michael Conte, Kirstyn Crawford, Bill Cunningham, Lawrence Dechant, Patrick Doherty, Stefan Doyno, Elizabeth Drew, Ali Dukakis, Rawan Eewshah, Frank Elaridi, Monica Escobedo, Caitlin Fallon, Jilian Fama, Andy Fies, Kaitlyn Folmer, Shaun Francis, Joanne Fuchs, Mosheh Gains, Kristen Gallagher, Cliff Gelb, Matt German, Rashid Haddou, Kelly Hagan, Jennifer Harrison, Brian Hartman, Josh Haskell, Angus Hines, Matt Hosford, Joshua Hoyos, KC Ifeanyi, John Kapetaneas, Katie Kastens, Ilana Katz, Cole Kazdin, Amanda Keegan, Bryan Keinz, Allison Kenworthy, Erin Keohane, Katie Kindelan, Matt Knox, Ben Krolowitz, Sarah Kunin, Cody LaGrow, Roger Lee, Sandra Lee, Danielle Librizzo, Jeffrey Lowe, Beth Loyd, Whitney Lloyd, Alex Marino, Christene Martin, Greg McCown, Matthew McGarry, Rich McHugh, Kelly McKelvey, Bonnie McLean, Kevin McMillen, Wendy McNeal, Nehemiah Mekonnen, Sarah Messer, David Meyers, Shardé Miller, Sonny Mullen, Eliza Murphy, Phoebe Natanson, Bruno Nota, Emily O’Donnell, Bethany Owings, Felicia Patinkin, Sabrina Peduto, Jennifer Pereira, Stephanie Petchers, Mary Pflum, Nia Phillips, George Pilla, Claire Pires, Jessica Polizzi, Bartley Price, Kim Randolph, Daisha Riley, Kaitlin Rodriguez, Bruno Roeber, Art Rubalcava, Robert Rudman, Michael Ryan, James Scholz, Katherine Scoones, Lauren Sher, Faryn Shiro, Scott Shulman, Natasha Singh, Liz Sintay, Jordan Smith, Deana Speck, Andrew Springer, Emily Stanitz, Briana Stewart, Cari Strassberg, Gina Sunseri, Mallory Thompson, Seniboye Tienabeso, Carissa Tjia, Thea Trachtenberg, Stefanie Tuder, Doug Vollmayer, James Wang, Robyn Weil, Ariella Weintraub, Anna Wild, Toni Wilson, Gary Wynn, Derick Yanehiro, Suzanne Yeo

Producer / Editors: Cameron Brock, Jennifer Chambers, Cliff DeGray, Gerald Mahoney, Robert McLaughlin, Judd Parson, Norberto Petrello, Jeremy Phillips, Cybele Policastro, Mike Proser, Daniel A. Recalde Producer/Writers: Maryalice Aymong, Anna Boyd, Grainne Byrne, Jacqueline Calayag, Ellen Carl, Alisha Davis, Chris Elam, Mitch Gallob, Raquel Hecker, Debbie Humes, Cherry Key, Edmund Levin, Brett Levy, Ariel Mandell, Teri Mariani, Michael Milhaven, Dennis Murray, Adriana Pratt, Jennifer Sawyer, Molly Shaker, Jack Sheahan, Alice Shinas, Laura Zaccaro Entertainment Producer: Emily Gertler Segment Producers: Jaclyn Aronson, Courtney Condron, Katie Conway, Michael Del Moro, Ali Ehrlich, Sabina Ghebremedhin, Eric Jones, Mi Seon Lee, Jennifer Leong, Shah Rahmanzadeh, John Santucci, Lisa Sivertsen, Jim Vojtech, Will Ganss, Henderson Hewes, Jasmin Pettaway, Elsie Swank Meteorologist Producers: Max Golembo, Melissa Griffin, Daniel Manzo, Gerard McNiff, Dan Peck, Brian Spates, Samantha Wnek Operations Producers: Julie Amar, Antoinette Dean, Kyle Morris Robert Dominguez, Matt Jakl, Maria Stefanopoulos, Kim Supsak, Larry Peterson, Cameron Jones

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Executive Producer: Don Nash Co-Executive Producers: Tammy Filler, Tom Mazzarelli Senior Producers: Audrey Beles Kolina, Pete Breen, Krista Brunson, Matt Carluccio, Christine Cataldi, Sigi De Vos, Scott Foster, Debbie Kosofsky, Joanne LaMarca, Elizabeth Leist, Jaclyn Levin, Mary Alice O’Rourke, Lexi Rudolph, Steve Thode, Matt Zimmerman Supervising Producers: Neal Carter, Jamie Zozzaro Coordinating Producers: Roberto Bailey, Minah Kathuria, Adam Miller, Meredith Reis Producers: Richard Adams, Jacqueline Agnolet, Rachel Alves DeLima, Christine Archer, Brittany Auger, Amanda Avery, Rupert Barker, Jayme Baron, Chapman Bell, Allison Berger, Emily Berk, Joanna Billington, Lindsay Bomnin, Rich Bonnabeau, Susan Bowser, Katharine Buckley, Kerry Byrnes, Jared Carullo, Cate Cetta, Heidi Chapman, Evan Chevrier, Laura Chicchetti, Lete Childs, Robert Ciridon, Sarah Clagett, Brian Cohen, Jared Crawford, Amy Danford, Durrell Dawson, Stephen DiDio, Katie Distler, Colleen Dudgeon, Mary Ellen Duffy,

Today Show NBC

Victoria Duncan, Melissa Dunlop, Tracy Elrod, Cecilia Fang, Rana Farhat, Donna Farizan, Rainy Farrell, Yael Federbush, Erin Feeney, Vivian Fel Solomon, Alex Ficquette, Tammy Fine, Brooke Fraser, Tony Freinberg, Liz Fulton, James Gaines, Feliciano Gar cia, Rob George, Christine Giardina, Emily Goldberg, Andrew Goldstein, Elizabeth GonzalezLaskie, Doug Gould, Matthew Greenfield, Erica Grody-Levens, Julie Gurovitsch, Kylie Haoues, Bill Hatfield, Brittany Haviland, Sarah Heidarpour, Eric Hill, Clare Hiler, Courtney Hindle, Jane Marie Hitch, Deb Huberman, Emil Gerard Jablonski, Eric Jackson, Melanie Jackson, Joshua Janiak, Kristen Jantonio, Meredith Kennedy, Evan Klupt, Megan Kopf, Marc Koslow, Candace Kuo, Charisse Larado, Michele Leone, Jennifer Long, Patricia Luchsinger, Paul Manson, Zoe Marcus, Carol Marquis, Melea McCreary, Carter McKay, Lee Miller, Richard Minner, David Naggiar, Jarrod Nelson, Donna Nicholls, Ugonna Okpalaoka, Jackie Olensky, Wesley Oliver, Molly Palmer, Avni Patel, Max Paul, Chemene Pelzer, Pharra Perry, Sara Pines, Emily Pinto, Robert Powell, Ariella Prince, Sean Reis, Gil Reisfield, Ric

Romo, Sarah Rosefeldt, Vanessa Rowson, Madeline Rullo, Katie Ryan, Colleen Sanvido, Katerina Sardi, Rebekah Schoenfeld, Brittany Schreiber, Rekha Shetty, Amanda Sidman, Lauren Specter, Michael Spishock, Stephanie Siegel, Robin Sindler, Lindsay Sobel-Dyner, Amanda Starnes, Karen Trosset, Donald Tsouhnikas, Joshua Paul Underwood-Davis, Curtis Vogel, Josh Weiner, Ian Wenger, Lea Whitener, Lauren Wilson, Grace Yavana, Alicia Ybarbo, Kerri Zimmer, Mary Ann Zoellner Anchors: Carson Daly, Willie Geist, Savannah Guthrie, Tamron Hall, Matt Lauer, Natalie Morales, Al Roker Hosts: Kathie Lee Gifford, Hoda Kotb Correspondents: Peter Alexander, Jenna Bush Hager, Bob Dotson, Dylan Dreyer, Erica Hill, Lester Holt, Craig Melvin, Sheinelle Jones, Jeff Rossen, Kate Snow, Jenna Wolfe Chief Medical Editor: Dr. Nancy Snyderman

Outstanding Morning Program in Spanish / Programa Matutino Sobresaliente en Español Cafe CNN CNN en Espanol

Executive Producer: David Gamez Senior Producers: Angeles Font, Gina Sandoval Producers: Humberto Camacho, Linette Colon Hernandez, Miguel Escalona, Ana Melgar, Carolina Melo, Andres Ovalle, Carloo Mauricio Perez, Elizabeth Perez, Norman Powell, Bertha Ramos, Ricardo Rodriguez, Maria Salmon Content Producers: Carlos Christen, Eddie Cortes, Lorenzo Espinoza, William Hernandez, Patricia Mendez Directors of Newsgathering: Benjamin Fernandez, Robert Lenz Director: Alberto Perez Writers: Yemille Castejon, William Echeverria, Jennifer Landwehr Anchors: Carlos Montero, Alejandra Oraa, Glenda Umana Correspondents: Marisa Azaret, Samuel Burke, Diego Laje, Jose Levy

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Despierta America Univision

Executive Producer: Luz Maria Doria General Producer: Victor Santiago Line Producer: Pedro Rosario Senior Line Producer: Conchi Alfonso Special Projects Producers: Carmen Herrera, Linnet Martinez, Karina Rosendo Supervising Producers: Gilcia Marquez, Aura Subuyuj, Maria Valdez Producers: Mike Abay, Yoly Arocha-Mayor, David Canton, Juan Jose Cardona, Andrea Chediak, Melissa Costello, Jorge Curbelo, Marlen Diaz, Carlen Espinosa, Luis Fabian, Francisco Gonzalez, Alejandra Isabel, Ivanhoe Jaramillo, Marcela Libreros, Claudia Marquez, Angel Meneces, Estrella Morejon, Monica Posada, Rafael Rios, Jessica Rodriguez, Marianela Rodriguez, Venessa Rojas, Carlos Sanz, Lesley Vega Producer/Writers: Francisco Arboli, Carlos Prieto Co-Hosts: Ximena Cordoba, Ana Patricia Gonzalez, Johnny Lozada, Karla Martinez, Satcha Pretto, Paul Stanley, Alan Tacher Correspondents: Paola Gutierrez, Maria Teresa Interiano, Orlando Segura, William Valdes

Un Nuevo Día Telemundo

Senior Executive Producers: Alina Falcón, Maria López-Alvarez Executive Producer: Maria García-Márquez Supervisor Producer: Aidé Devis Supervisor Line Producer: Sylmarie Vazquez-Pérez Line Producers: Trenzado Lourdes, Jorge Torres-Sojo Creative Producer: Magda Rodríguez Producers: Alex Aguiar, Fernando Almanzar, Carlos Alzate, Lina Bidot, Alejandro Cacho, Christine Catrillón, María Cepeda, Liza Cereso, Sheila Colón, Johan Gonzalez, Manuela Guardia, Francisco Haro, Andrea Jaime, Marcelo Maselli, Moraima Pérez, Angel Román, Manfredo Schmidt, Patricia Sena, Paloma Veloz Producer/Writer: Javier Soto-George Writer: Eugenia Betancur Director: Jose Corzo Hosts: Ana María Canseco, Rashel Díaz, Adamari López, Daniel Sarcos, Diego Schoening Co-Host: James Tahhan Correspondents: Verónica Albornoz, Francisco Cáceres, Azucena Cierco, María Del Carmen Gonzalez, Karina Monroy, Camilo Montoya, Mario Perea

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The 42nd Annual Daytime Emmy Award Nominees ®

Outstanding Talk Show / Informative The Chew ABC

Executive Producers: Gordon Elliott, Mark Schneider Senior Supervising Producer: Aimee Rosen-Householder Supervising Producer: Paul F. Starke Senior Producers: Ashley Archer, Maggie Barnes, Jevon Bruh, Anthony Underwood Producers: Vaia Abatzis, Laurie Ciaffaglione, Bradley Deck, Todd Garrin, Suzanne Glickstein, William Herlihy, Becky Horvath, Kelly Martin, Kevin Mendlin, Jacqueline Rothong, Bjoern Stejskal, Jennifer Stryker, Ai Takami, John Tumino, Lawrence Weibman, Zeke Williams Supervising Field Producer: Daniel Flanagan

The Dr. Oz Show SYNDICATED

Executive Producers: Mindy Borman, Amy Chiaro Co-Executive Producer: Laurie J. Rich Consulting Producer: Rob Dauber Senior Supervising Producers: Eric Beesemyer, Stacy Rader Supervising Producers: Cali Alpert, Andrea D’Ambrosio, Kathy Gulinello, Dr. Mehmet Oz, Stefanie Schwartz, Susan Wagner, Michele Wasserman Senior Producers: James Avenell, John Filimon, Lindsey Kotler, Stacy Rollins Producers: Christine Byun, Andrea Chessler, Kirk Fernandes, Julia Fought, Nicole Giambrone, Brooke Jacobsen, Ali Perry, Nicole Romanella, Scott Starr, Ann Varney, Maggie Zeltner Line Producer: Jon Coniglio

The Kitchen Food Network

Executive Producers: Beth Burke, Blake Swerdloff, David Cook Co-Executive Producer: Deb Savo Senior Producers: Laurie Buck, Christina Deyo, Candice Lombardi Producers: Erika Heymann, Elias Holtz, Wes Martin, Krista Ruane Line Producer: Kate Rohmann

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Steve Harvey SYNDICATED

The Talk CBS

Executive Producers: Alex Duda, Steve Harvey, Rushion McDonald Co-Executive Producer: Jason Kurtz Senior Supervising Producer: Kareen Gunning Senior Consulting Producer: Chris Lamson Supervising Producers: Kevin Boyer, Kevin Burke, Kim Gagne, Nicole Petreshock Senior Producers: Tracey La’Stell Slates, Sushupti Yalamanchili Producers: Michelle Barnard, Kevin Hurley, Leah Kaplan-Kohn, Melinda Leonas, Julie Maddox, Jaime Mui, Suzie Munson, Brooke Turner, Nancy Vaden Segment Producers: Trizonna McClendon, Austin Mills, Nik Robinson Field Producers: Ali Galante, Jock Hedblade, Anneke Mills Line Producer: Jonna Walsh

Executive Producers: Sara Gilbert, John Redmann Co-Executive Producers: Heather Gray, Kristin Matthews Senior Supervising Producer: Kevin Hamburger Supervising Producers: Derek Che, Steve Cunniff, Glenn Meehan, Mike Parente, Anjie Taylor Senior Producer: Lauren Danza Producers: Ivy Alexenburg, Kelli Cardiff, Daphne Carr, Dierdre Dod, Jen Furmaniak, Rachel Goldman, Sarah Horne Cook, Masumi Ideta, Jody Jennings, Courtney Knapp, Andrea Levin, Adam Mitropoulos, Marc Anthony Nicolas, Becky Orenstein, Megan O’Toole, Matt Silverstein, Julie Taylor, Daniel James Verdugo, Marley Wittuck Line Producer: Joe Colicelli

Outstanding Talk Show / Entertainment

The Wendy Williams Show SYNDICATED

The Ellen DeGeneres Show SYNDICATED

Executive Producers: Ellen DeGeneres, Mary Connelly, Ed Glavin, Andy Lassner Co-Executive Producers: Melissa Geiger Schrift, Kevin A. Leman II, Jonathan Norman, Derek Westervelt Supervising Producer: Kara Hogan Leonardo Coordinating Producer: Ross Williams Senior Producers: Corey Palent, Ellen Rocamora, Matthew Wright, Andrew Zenor Producers: Lori Blackman, Jamie Brunton, Alissa Cote, Christopher Cucci, Jason Gelles, Claudia Gharibian, Tracy Gold, Travis Helwig, Suzanne Luna, Liz Patrick, Aaron Pinkston, Lauren Pomerantz, Korey Provencher, Amy Rhodes, Gil Rief, Hilary Robe, Troy Thomas, Adam Yenser Line Producer: Nicole Collins

Live! with Kelly and Michael SYNDICATED

Executive Producer: Michael Gelman Coordinating Producer: David Mullen Producers: Joni Cohen Zlotowitz, Christine Composto, Dana Dodge, Scott Eason, Seth Gronquist, Deborah Koenig Raptis, Cindy MacDonald, Donna Morris Bass, John Ogle, Mariann Sabol Nieves, Jan Schillay, Elyssa Shapiro, Delores Spruell Jackson, Ann Marie Williams Gray

Executive Producers: Wendy WilliamsHunter, Kevin Hunter, David Perler Co-Executive Producer: Jason Gabel Senior Supervising Producer: Suzanne Bass Supervising Producer: Talia Parkinson-Jones Coordinating Producer: Matt Uzzle Senior Producers: Joelle DawsonCalia, Joanna Jordan, Liza Persky, Emily Rothschild Producers: Norman Baker, Dan Fitzpatrick, Noel Gonzalez, Tania Hryckowian, Marco Khare, Melissa Posy, Ryan Topley, Monique Taylor, Tristan Zimmerman Line Producer: Ray Noia

Outstanding Entertainment Program in Spanish / Programa Sobresaliente de Entretenimiento en Español Destinos CNN en Espanol

Executive Producer: Sheri England Producer/Writer: Natali Monterrosa Anchor/Writer: Claudia Palacios

Dra. Azaret CNN en Espanol

Executive Producer: Sheri England Producer /Writer: Natali Monterrosa Anchor /Writer: Marisa Azaret

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WBTV

WARNER BROS. TELEVISION GROUP

PROUDLY CONGRATULATES OUR NOMINEES FOR THE 42ND ANNUAL DAYTIME EMMY AWARDS ®

OUTSTANDING TALK SHOW/ENTERTAINMENT

OUTSTANDING LEGAL/COURTROOM PROGRAM

OUTSTANDING NEW APPROACHES — ENHANCEMENT TO A DAYTIME PROGRAM OR SERIES OUTSTANDING DIRECTING IN A TALK SHOW/ ENTERTAINMENT NEWS OR MORNING PROGRAM OUTSTANDING WRITING SPECIAL CLASS OUTSTANDING PROMOTIONAL ANNOUNCEMENT — EPISODIC

OUTSTANDING MAKEUP OUTSTANDING HAIRSTYLING

“1,800th Show”

OUTSTANDING PROMOTIONAL ANNOUNCEMENT — EPISODIC “Season 12 Premiere”

OUTSTANDING LIGHTING DIRECTION OUTSTANDING MULTIPLE CAMERA EDITING OUTSTANDING LIVE AND DIRECT TO TAPE SOUND MIXING

OUTSTANDING SPECIAL CLASS — SHORT FORMAT DAYTIME PROGRAM “Stamina”

OUTSTANDING COSTUME DESIGN/STYLING

OUTSTANDING ENTERTAINMENT NEWS PROGRAM

OUTSTANDING MUSIC DIRECTION AND COMPOSITION

TM & © 2015 WBEI. ALL RIGHTS RESERVED. Emmy Almanac | 2015 Edition 45

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El Gordo y la Flaca Univision

Executive Producer: Mariela Cardona General Producer: Carlos Medina Producer Supervisor: Osmani Garcia Senior Producer: Betty Miranda Producers: Enrique Albis, Adela Cardoso, Eduardo Garcia, Patricia Kaplan, Adriana Lalinde, Indiana Leyton, Luis Medina, Jennifer O’Neill, Oscar Petit, Tony Somoza Segment Producer: Daniela Mavares Writer: Arturo Alvarez Producer / Correspondents: Elizabeth Curiel, Jessica Maldonado, Gelena Solano, Hiram Vega

Outstanding Entertainment News Program Access Hollywood NBC

Executive Producer: Rob K. Silverstein Senior Producers: Claudia D. Eaton, Michael Marson Supervising Producers: Adam Jordan, Ryan Patterson Coordinating Producer: John Butler Producers: Tara Bernie, Chris Conte, Tony DeFranco, Nancy Derderian Potts, Jeneine Doucette, Christine Fahey, Whitney Frink, Stephen Harding, Nancy Harrison, Terri MacLeod, Scott Mantz, Julie McGovern, Susan Moore, Stephanie Murphy, Leigh Oblinger, Cara Petry, Anthony Ramos, Rebecca Ray, Joe Ricciardi, Buddy Singer, Michael Soares, Sharon Spaeth, Diana Spiro, Genevieve Wong Host: Billy Bush Weekend Co-Anchor & Correspondent: Shaun Robinson Correspondents: Liz Hernandez, Kit Hoover

E! News E! Entertainment

Executive Producer: Jennifer Lavin Executive in Charge of News: Lisa Kridos President, Network Strategy & E! News: Cyndi McClellan Executive Entertainment Director: Dina Sansing Chief News Correspondent: Melanie Bromley Senior News Associate: Senta Scarborough Senior Managing Correspondent: Melanie Bromley Supervising Producers: Amy Bel Bruno, Cara Haladey, Maureen Heaton Line Producers: Jackie Burke, Rebekah Ingraham Senior Producer: Lee Schneller Producers: Greg Altman, Courtney Andrews, George Bovenizer, Traci Buchholz, James Chairman, Josh David, Herbert Eaford, Shannon Hall, Hal Isaacson, Seth 46

Kingsley, Kelly Kursten, Kaitlin Legg, Will Marfuggi, Cassie Maynard, Vanessa McDonald, Jennifer Muscato, Preston Ngo, Jeremy Thomas, Clark Pingree, Katie Rhames, Lesley Robins, Farrell Roth, Jeaneen Russell, Leah Sanders, Allyson Thompson, Mike Wilber, Lova Yazdani Senior Segment Producer: Noelia Murphy Segment Producers: Kathryn Eisman, Linda Kim, Athenia Veliz-Dunn Hosts: Terrence Jenkins, Giuliana Rancic Co-Hosts: Jason Kennedy, Catt Sadler Correspondents: Ken Baker, Kristin Dos Santos, Alexandra Fedotowsky, Jesse Giddings, Marc Malkin, Alicia Quarles, Zanna Roberts Rassi

Entertainment Tonight CBS

Executive Producer: Brad Bessey Senior Producers: Liz Applegate, Chris Clark, Eliza Cost, Leslie Kawaguchi, Erik Photenhauer, Ray Slaboda, Bonnie Tiegel Senior Supervising Producers: Bridgette Jones, Mylin Watkins Supervising Producers: Ron Glines, Carolyn Greenspan-Rosen, John Kosinski, Whitney Nevill-Wallace, Steve Noble, Amy Purnell, Dan Schanks, Joe Siyam, Jama Suchomel Coordinating Producers: Jen Antonelli, Michael De Lazzer, Ben Wallace Segment Producers: Elise Backus, Tracie De La Rosa, Kevin Gershan, Becky Levitt, Bruce MacCallum, Haig Mackey, Escobar Romeo Co-Hosts: Kevin Frazier, Nancy O’Dell Correspondents: Brooke Anderson, Nischelle Turner

Extra SYNDICATED

Senior Executive Producer: Lisa Gregorisch-Dempsey Executive Producers: Theresa Coffino, Jeremy Spiegel New York Bureau Chief: Marie Hickey Senior Broadcasting Producer: Seth Katz Senior Supervising Producers: Scott Eldridge, Matt Ferrell, Mike Miller Supervising Producer: Steve Weiser Executive Coordinating Producer: Tommy Post Managing Editor: Fatana Nawabi Senior Assignment Editor: Chris Liss Senior Coordinating Producer: Scott Jones Senior Producers: Jen Aguillon, Yvette Corporon, David Geha, Reed Grinsell, Omar Lugones, Terry Murphy, Larry Stern, Steve Sunshine, Adam Weissler Segment Producers: Darius Brown, Kevin Keefer, Sharon Levin-Grabow, Stefan Richardson, Sarah Rickert Francesca Scarpaci, Jody Weintraub Field Producers: Kelly Ankowitz, Carlo DeSantis, Mark Mottern

Visual Producer: Antonio Carrasco Hosts: Tracey Edmonds, Mario Lopez, Maria Menounos, Charissa Thompson Correspondents: Hilaria Baldwin, AJ Calloway, Michael Corbett, Jerry Penacoli Weekend Co-Host/Correspondent: Renee Bargh

The Insider CBS

Executive Producers: Brad Bessey, Monique Chenault Correspondents: Keltie Knight, Michael Yo Senior Supervising Producers: Bridgette Jones, Mylin Watkins Supervising Producers: Carolyn GreenspanRosen, Whitney Nevill-Wallace, Amy Purnell, Joe Siyam, Ben Stelle, Jama Suchomel, Earnest Winborne Senior Producers: Liz Applegate, Felidette Blasucci, Eliza Cost, Ron Glines, Erik Photenhauer, Bonnie Tiegel, Jeffrey Wilson Segment Producers: Stacey Chamberlain, Romeo Escobar, David Gardner, Kevin Gershan, Bryant Huddleston, Michael Kettering, Ryan Neary, Mark Nobel, Suzanne Stephens, Kelsey Tlush, Tom Weitzel Co-Hosts: Louis Aguirre, Thea Andrews Correspondent: Lloyd Boston

Outstanding Special Class Series Got Your 6 MTV

Executive Producers: Kim Kantner, Kelly McPherson, Jonathan Mussman, Jackie Phillips, Emre Sahin, Dave Sirulnick, Sarah Wetherbee Line Producer: Leanne Mucci

The Henry Ford’s Innovation Nation CBS Executive Producers: Bryan Curb, David Doyle, Dave Morgan Co-Executive Producers: Jim Lichtenstein, Pete Sniderman Producers: Stephanie Himango, John Murphy Line Producer: Jane Bloom

Intelligence for Your Life SYNDICATED

Executive Producers: John Tesh, Connie Sellecca, Gib Gerard

XPLORATION EARTH 2050 SYNDICATED

Executive Producer: Steve Rotfeld Producer: Vince Sherry

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Emmy Almanac | 2015 Edition

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The 42nd Annual Daytime Emmy Award Nominees ®

Outstanding Special Class Special E! Breaking News: Joan Rivers E! Entertainment

Executive Producer: Jennifer Lavin Executive in Charge of News: Lisa Kridos President, Network Strategy & E! News:: Cyndi McClellan Executive Entertainment Director: Dina Sansing Chief News Correspondent: Melanie Bromley Senior News Associate: Senta Scarborough Senior Managing Correspondent: Melanie Bromley Supervising Producers: Amy Bel Bruno, Cara Haladey, Maureen Heaton Line Producers: Jackie Burke, Rebekah Ingraham Senior Producer: Lee Schneller Producers: Greg Altman, Courtney Andrews, George Bovenizer, Traci Buchholz, James Chairman, Josh David, Herbert Eaford, Shannon Hall, Hal Isaacson, Seth Kingsley, Kelly Kursten, Kaitlin Legg, Will Marfuggi, Cassie Maynard, Vanessa McDonald, Jennifer Muscato, Preston Ngo, Jeremy Thomas, Clark Pingree, Katie Rhames, Lesley Robins, Farrell Roth, Jeaneen Russell, Leah Sanders, Allyson Thompson, Mike Wilber, Lova Yazdani Senior Segment Producer: Noelia Murphy Segment Producers: Kathryn Eisman, Linda Kim, Athenia Veliz-Dunn Hosts: Terrence Jenkins, Giuliana Rancic Co-Hosts: Jason Kennedy, Catt Sadler Correspondents: Ken Baker, Kristin Dos Santos, Alexandra Fedotowsky, Jesse Giddings, Marc Malkin, Alicia Quarles, Zanna Roberts Rassi

Laverne Cox Presents: The T Word MTV

Coordinating Producer: Leanne Mucci Executive Producers: Laverne Cox, Marshall Eisen, Betsy Forhan, Stephen Friedman, Michael Hirschorn, Cheryl Horner Sirulnick, Ryan Kroft, Chris McCarthy, Eric Miclette, Jonathan Mussman, Wendy Roth Producers: Casey Acierno, Noopur Agarwal, Mariana Agathoklis, Ronnie Cho, Ruth Cleary, Rich Ferraro, Tom Fishman, Stephanie Perez, Mike Stafford, Charles Thornton Line Producers: Marcie Baeza, Pamela Wagner

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Taco Trip Cooking Channel

Executive Producers: Jim Berger, Art Edwards, Scott Feeley, Duke Hartman, Sonny Hutchison Co-Executive Producer: Matt Walker Producers: Sean McLaughlin, Michelle Woodford Line Producer: Leslie Wilson

Thanksgiving at Bobby’s Food Network

Executive Producers: Bobby Flay, Kim Martin, Kirsty Nordal Supervising Producer: Jennifer Givner Line Producers: Rebecca Bregman, Jacqueline Regts

Outstanding Special Class – Short Format Daytime Program Make Your Mark: Judy Adams Disney Channel

SVP Marketing & Creative: Richard Loomis Vice President, Marketing & Creative: Ron Pomerantz Producers: Cindy Bradeen, Art Spigel Creative Director: Siobhan Murphy

Make Your Mark: Osama Disney Channel

SVP/CMO, DCWW Marketing & Creative: Richard Loomis Vice President, Marketing & Creative: Ron Pomerantz Producers: Cindy Bradeen, Art Spigel Creative Director: Siobhan Murphy

Shazam – Stamina Cartoon Network

Executive Producer: Sam Register Producer: Ben Jones Producer/Director: Jessica Borutski Writer: Jim Krieg

True Champions: Depression HealthiNation

Executive Producer: Brendan Anderer Producer: Jacquelyn Lobel

Unlimited YouTube.com

Executive Producers: Colleen O’Donnell, Shawn Lacy Producer: Jonathan Wang Director: Matt Dilmore Writers: Benj Pasek, Justin Paul

Outstanding New Approaches – Enhancement to a Daytime Program or Series The Ellen DeGeneres Show SYNDICATED

Executive Producers: Ellen DeGeneres, Mary Connelly, Ed Glavin, Andy Lassner Senior Digital Producer: Daniel Leary Digital Producer: Brian Garrity Digital Associate Producer: Ronni Saxon New Media Coordinators: Mariah Maull, Ericha Richards, Coralee Trigger Web Producer: Aly Ruiz-Vogel

Peg+Cat PBS

Executive Producers: Jennifer Oxley, Billy Aronson VP Broadcast and Digital Media: Paul Siefken Supervising Producer: Alia Nakashima Producer: Jaclynn Demas Web Producers: Cathy Droz, Dave Peth, Dave Schlafman Digital Producer: Kendra Mattozzi Production Manager: Christopher Loggins Sesame Street: Words Are Here, There And Everywhere PBS Executive Producer: Carol-Lynn Parente Supervising Producer: Melissa Dino Coordinating Producer: April Coleman Senior Producer: Tina Moglia Co-Producer: Jane Lee Digital Producer: Kristin Cook Technical Director: Joseph Robinson

Outstanding New Approaches – Original Daytime Program or Series Design Squad PBS

Vice President for Children’s Media and Educational Programming: Brigid Sullivan Executive Producers: Marisa Wolsky, Bill Shribman Senior Executive Producer: Kate Taylor Producers: Geoff Adams, Melissa Carlson, Marcy Gunther, Eric Handler, Dave Peth Designers: Stefan Mallette, Tara Taylor Web Developers: Bharat Battu, Kit Buckley, Caz Downing-Bryant, Kal Gieber, Catherine Maldonado, Tacita Morway, Michael Steadman Performers: Nate Ball, Deysi Melgar

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Š2015 Sony Pictures Television Inc. All Rights Reserved.

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The 42nd Annual Daytime Emmy Award Nominees ®

Lost Treasure Hunt American Public Television

Executive Producer: Matt Davis Producer: Julie Moskowitz Co-Producers: David Rosenberg, James Williams Director: Richard Bazley Co-Director: Roque Ballesteros Animation Director: Alan Lau Art Director: Roman Laney Music: Chance Thomas Editor: Nolan Southerland Digital Producers: Jessica Battle, Paul Goodenough, Carmen Lee, James Pearce

PLUM LANDING PBS

Executive Producers: Ellen DeGeneres, Mary Connelly, Ed Glavin, Andy Lassner President, Studio City: Joe Tamanini Chief Creative Officer, Studio City: Stu Weiss Vice President - Creative, Studio City: Dudley Beene SVP, Marketing Warner Brothers Worldwide Television Marketing: Blake Bryant Vice President, Warner Brothers Worldwide Television: Tim RC Anderson Creative Director, Warner Brothers Worldwide Television Marketing: Jared Stone Creative Director: Steve Roberts Graphics Artist: Andersan Saakvitne Editor: Sarah Kotzman Audio Mixers: Brian Peters, Randy Swansen

Vice President for Children’s Media and Educational Programming: Brigid Sullivan Senior Executive Producers: Kate Taylor, Bill Shribman Executive Producers: Marisa Wolsky, Tina Ouellette Producer: Melissa Carlson Producer/Director/Camera/Editor: Geoff Adams, Neal Duffy Creative Director: Bruce Alcock Creative Producer/Head Writer: Kathy Waugh Writer: Gentry Menzel Director: Denny Lu Designers: Stefan Mallette, Dan Nolan, Tara Taylorr Project Directors: Jessica Andrews, Blyth Lord Editors: Angélica Allende Brisk, Ian McFarland Web Developers: Bharat Battu, Dennis Biron, Kit Buckley, Kal Gieber, Kevin Lesniewicz

Executive Producers: Mary Connelly, Ellen DeGeneres, Ed Glavin, Andy Lassner President, Studio City: Joe Tamanini Chief Creative Officer, Studio City: Stu Weiss SVP, Marketing Warner Brothers Worldwide Television Marketing: Blake Bryant Vice President, Warner Brothers Worldwide Television: Tim RC Anderson Creative Director, Warner Brothers Worldwide Television Marketing: Jared Stone Creative Director: Steve Roberts Editors: Matthew Fallabel, Miriam Hughes Graphics Artists: Thomas Fletcher, Kris Waterman Audio Mixer: Todd Heathcote

Outstanding Promotional Announcement – Episodic

The Fidel Castro Tapes PBS

Al Capone: Icon PBS

Senior Vice President, Marketing & Communications: Lesli Rotenberg VP, Content Marketing & Audience Development, PBS : James Dreesen Director of Production, PBS: Jared Traver Writer/Producer, PBS: Michael Huddleston Marketing Assistant, PBS: Anna Sherman Senior Creative Editor, Interface Media Group: Tony Black Director of Creative Editing, Interface Media Group: Bill Davis Senior Creative Editor/Motion Designer, Interface Media Group: Rob Reinders Director of Audio, Interface Media Group: Dennis Jacobson

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The Ellen DeGeneres Show: 1800th Show SYNDICATED

The Ellen DeGeneres Show: Season 12 Premiere SYNDICATED

Senior Vice President, Marketing & Communications: Lesli Rotenberg VP, Content Marketing & Audience Development, PBS: James Dreesen Director of Production, PBS: Jared Traver Creative Editor, Interface Media Group: Jonathan Ginsberg Sound Designer, Interface Media Group: George Morris

The Roosevelts: An Intimate History Extraordinary Accomplishments PBS Senior Vice President, Marketing & Communications: Lesli Rotenberg VP, Content Marketing & Audience Development, PBS: James Dreesen Writer/Director, PBS: Eric Yeater Senior Vice President, Marketing & Communications: Lesli Rotenberg Director, Content Marketing Strategy: Sloan Carroll Director of Production, PBS: Jared Traver Senior Director, Primetime Strategy & Advertising PBS: Jennifer Allen Creative Director, PBS: Derrick Chamle Creative Director, PBS: David Wilder Editor, Interface Media Group: Bill Davis Sound Designer, Interface Media Group: Dennis Jacobsen Writer, Purview Media Productions: Laurie Wiggins

Outstanding Promotional Announcement – Institutional Jake and the Neverland Pirates and Sofia the First Power of Doing Good Disney Jr. Senior Vice President and Chief Marketing Officer: Richard Loomis VP Marketing & Creative: Kristin Moss Creative Director: Stephanie Long Associate Writer/Producer: Katherine Shearon Art Director: Debra Bernard Creative Director: Sarah Hamilton Executive Producer: Rebecca Brower

Look Different - What Up, Bin Laden?

MTV

Executive Producers: Noopur Agarwal, Ronnie Cho, Stephen Friedman, Jason Rzepka EVP Marketing & Creative, MTV: Tina Exarhos SVP, On-Air Promos, MTV: Amy Campbell VP, Marketing Strategy On-Air Promos, MTV: Lauren Epstein Producers: Casey Acierno, Mariana Agathoklis, Stephanie Perez, Amy Vadnais, Dzifa Yador Creative Director: Sophia Cranshaw Director: Sophia Cranshaw Writers: JaSaun Buckner, Desmond Williams Director of Photography: Jon Hokanson Original Music: Drew Yowell Editor: Gala Verdugo Audio Engineer: Dave Hnatiuk

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The 42nd Annual Daytime Emmy Award Nominees ®

Nickelodeon’s Black History Month Promotional Campaign Nickelodeon Senior Vice President, Creative DirectorBrand Design: Matthew Duntemann VP, Creative: Anthony Gelsomino VP, Creative Strategy & Editorial: Laura Lundgren Director, Short Form Assignment: Michael Tenney Director of Production: Sarah Jackson Senior Writer/Producers: Devin Melillo, Dennis Shinners Line Producer: Amy Heiss Writer: Andrew Flores Art Director: Kristen Williams Graphics Manager: Alessandra Sutera Illustrator: Josh Cochran Executive Producer, Cause & Effect: Jason Zemlicka Director, Cause & Effect: Jamie Hubbard Supervising Producer, Cause & Effect: Sean Patrick Kelly

PBS 2014 Preview Campaign, “Drama”, “News”, “Science” PBS

Senior Vice President, Marketing & Communications: Lesli Rotenberg Senior Director, Primetime Strategy & Advertising, PBS : Jennifer Allen Creative Director, PBS: Derrick Chamlee Director of Production, PBS : Jared Traver Producer, PBS: Kenitra Ford Senior Editor, Image Factory DC : Dan Cooper Senior Editor/Creative Director, DC Collective: Thuy Dinh Sound Designer/Mixer, Sonichead : Jeff Mullen Senior Sound Designer/Mixer, Clean Cuts Music & Sound Design: Harry Evans

Outstanding Lead Actor in a Drama Series ANTHONY GEARY, as Luke Spencer General Hospital ABC

CHRISTIAN LEBLANC, as Michael Baldwin

The Young and the Restless CBS

BILLY MILLER, as Billy Abbott The Young and the Restless, CBS

JASON THOMPSON, as Dr Patrick Drake General Hospital, ABC

Outstanding Younger Actress in a Drama Series KRISTEN ALDERSON, as Kiki Jerome General Hospital, ABC

CAMILA BANUS, as Gabi Hernandez Days of Our Lives, NBC

HUNTER KING, as Summer Newman The Young and the Restless, CBS

HALEY PULLOS, as Molly Lansing Davis General Hospital, ABC

Outstanding Supporting Actress in a Drama Series

Outstanding Younger Actor in a Drama Series

LINSEY GODFREY, as, Caroline Spencer Forrester

BRYAN CRAIG, as Morgan Corinthos

AMELIA HEINLE, as Victoria Newman

MAX EHRICH, as Fenmore Baldwin

ELIZABETH HENDRICKSON, as Chloe Fisher

TEQUAN RICHMOND, as TJ Ashford

The Bold and the Beautiful, CBS

The Young and the Restless, CBS

The Young and the Restless, CBS

FINOLA HUGHES, as Anna Devane General Hospital, ABC

LISA LOCICERO, as Olivia Falconeri General Hospital, ABC

General Hospital, ABC

The Young and the Restless, CBS General Hospital, ABC

FREDDIE SMITH, as Sonny Kiriakis Days of Our Lives, NBC

Outstanding Special Guest Performer in a Drama Series

Outstanding Supporting Actor in a Drama Series

MEREDITH BAXTER, as Maureen

SCOTT CLIFTON, as Liam Spencer

SALLY KELLERMAN, as Constance The Young and the Restless, CBS

Outstanding Lead Actress in a Drama Series

The Bold and the Beautiful, CBS

CHAD DUELL, as Michael Corinthos

DONNA MILLS, as Madeline Reeves

General Hospital, ABC

General Hospital, ABC

PEGGY MCCAY, as Caroline Brady

KRISTOFF ST. JOHN, as Neil Winters

LINDA ELENA TOVAR, as Rosalie Martinez

Days of Our Lives, NBC

ALISON SWEENEY, as Sami Brady DiMera Days of Our Lives, NBC

GINA TOGNONI, as Phyllis Newman The Young and the Restless CBS

The Young and the Restless, CBS

JACOB YOUNG, as Rick Forrester The Bold and the Beautiful, CBS

The Young and the Restless, CBS

General Hospital, ABC

FRED WILLARD, as John Forrester The Bold and the Beautiful, CBS

RAY WISE, as Ian Ward

The Young and the Restless, CBS

MAURA WEST, as Ava Jerome General Hospital ABC

LAURA WRIGHT, as Carly Corinthos General Hospital ABC

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The 42nd Annual Daytime Emmy Award Nominees ®

Outstanding Performer in a New Approaches Drama Series

Outstanding Performer in an Animated Program

SARAH BROWN, as Katherine Wesley

DANNY JACOBS, as King Julien

Beacon Hill the Series, www.beaconhilltheseries.com

MARTHA BYRNE, as Alexis Jordan / Joanne Edwards Anacostia, YouTube.com

ANDREA EVANS, as Vivian Price DeVanity, www.devanity.com

ALICIA MINSHEW, as Sara Preston Beacon Hill the Series www.beaconhilltheseries.com

VANNESSA VASQUEZ, as Camila Barrios East Los High, Hulu

TODD NEWTON, Host

Family Game Night, Discovery Family Channel

PAT SAJAK, Host

All Hail King Julien, Netflix

Wheel of Fortune, SYNDICATED

CHRISTOPHER LLOYD, as Hacker

Outstanding Lifestyle/Travel/Children’s Series Host

Cyberchase, PBS

DICK VAN DYKE, as Captain Goof Beard

Disney Mickey Mouse Clubhouse, Disney Jr.

MEGAN MULLALLY, as Miss Nettle Disney Sofia the First, Disney Jr.

MARK HAMILL, as Darth Bane

Star Wars: The Clone Wars, Netflix

JONATHAN BIRD, Host

Jonathan Bird’s Blue World, PBS

JEFF CORWIN, Host

Ocean Mysteries with Jeff Corwin, SYNDICATED

PHILIPPE COUSTEAU, Host

Outstanding Culinary Host

XPLORATION AWESOME PLANET, SYNDICATED

DANNY BOOME, Host

BRANDON MCMILLAN, Host

DANIELLE VEGA, as Ceci Camayo

Good Food America, Z Living

Outstanding Performer in a Children’s or Pre-School Children’s Series

Barefoot Contessa: Back to Basics, Food Network

Born to Explore with Richard Wiese, SYNDICATED

BOBBY FLAY, Host

LESLIE CARRARA-RUDOLPH, as Abby Cadaby

Bobby Flay’s Barbecue Addiction, Food Network

Outstanding Informative Talk Show Host

EDWARD LEE & MAGNUS NILSSON, Co-Hosts

MARIO BATALI, CARLA HALL, CLINTON KELLY, DAPHNE OZ, MICHAEL SYMON, Hosts

East Los High, Hulu

Sesame Street, PBS

JESSICA CARLETON, as Lion Chicken - Land Shark - Chipmunk Green Screen Adventures, MeTV

MASON COOK, as Bo

R.L. Stine’s The Haunting Hour The Series Discovery Family Channel

MARGOT KIDDER, as Mrs. Worthington

R.L. Stine’s The Haunting Hour The Series Discovery Family Channel

JOEY MAZZARINO, as Murray, Fiverine, and Only-One-Cannoli Sesame Street, PBS

INA GARTEN, Host

The Mind of a Chef, PBS

MARTHA STEWART, Host Martha Bakes, PBS

Outstanding Daytime Talent in a Spanish Language Program / Talento Sobresaliente en un Programa Diurno en Español CARLOS CALDERON, Correspondent El Gordo y la Flaca, Univision

TANYA CHARRY, Correspondent

Lucky Dog, CBS

RICHARD WIESE, Host

The Chew, ABC

DR. MEHMET OZ, Host

The Dr. Oz Show, SYNDICATED

STEVE HARVEY, Host

Steve Harvey, SYNDICATED

Outstanding Entertainment Talk Show Host KELLY RIPA, MICHAEL STRAHAN, Hosts

El Gordo y la Flaca, Univision

Live! with Kelly and Michael, SYNDICATED

RAUL DE MOLINA, Co-Host

JULIE CHEN, SARA GILBERT, SHARON OSBOURNE, AISHA TYLER, SHERYL UNDERWOOD, Co-Hosts

El Gordo y la Flaca, Univision

Outstanding Game Show Host CRAIG FERGUSON, Host

Celebrity Name Game, SYNDICATED

The Talk, CBS

WENDY WILLIAMS, Host

The Wendy Williams Show, SYNDICATED

STEVE HARVEY, Host

Family Feud, SYNDICATED

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@vossworld

www.vosswater.com Emmy Almanac | 2015 Edition

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Daytime Emmy速 Lifetime Achievement Award

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The Golden Girl with the Glittering Career Betty White has had a legendary career that has spanned more than 70 years. Along with her seven Emmy Awards, she has created unforgettable roles in television and film, authored eight books and won numerous awards, including those for her lifelong work for animal welfare.

White’s first comedy series, “Life with Elizabeth,” brought her first Emmy Award in 1952, followed by a daily NBC talk/variety show called “The Betty White Show.” She was a recurring regular with over 70 appearances on “The Tonight Show with Jack Paar,” and appeared on “The Merv Griffin Show” and “The Tonight Show with Johnny Carson.” She also subbed as host on all three talk shows. White was a regular with Vicki Lawrence on “Mama’s Family,” as her sister Ellen, a role she created with the rest of the company on “The Carol Burnett Show.”

Her recurring role as “Happy Homemaker” Sue Ann Nivens in the classic series “The Mary Tyler Moore Show” brought two Emmys for Best Supporting Actress in 1974-75 and 1975-76. She received her fourth Emmy for Best Daytime Game Show Host for “Just Men.” Nominated seven times for Best Actress in a Comedy Series for her role as Rose Nylund in “The Golden Girls,” White won the Emmy the first season in 1985, and later appeared in the spin-off “The Golden Palace” for one season. She earned her next Emmy Award as Best Guest Actress in a Comedy Series on “The John Larroquette Show.”

White was nominated for an Emmy in 2011 for her portrayal of “Elka,” the snarky but lovable caretaker on the TV Land series “Hot in Cleveland,”

She in which she stars to back years. has created backWhite’s alongside Valerie awards unforgettable are numerous, Bertinelli, Jane Leeves include roles in television and and Wendie the Career fi , th e Achievement Malick. Betty also won in eight books and won Award back-to2009 from back Screen e w , the Television Actors Guild Critics including those for Association, Awards for Outstanding a Lifetime her lifelong work Achievement Performance Award for animal by the Jane Goodall by a Female in a Comedy Institute in 2009, the welfare. Screen Series in 2011 and Actors Guild Life 2012. In addition, Betty won a 2015 People’s Choice Award for Favorite TV Icon.

When she hosted NBC’s “Saturday Night Live” in 2010, it was one of the highest-rated episodes in the show’s history, and earned her an Emmy Award for Guest Actress in a Comedy Series.

Betty hosted the New Year’s Day Tournament of Roses Parade for 20 years, and the Macy’s Thanksgiving Day Parade for 10 years. Her bigscreen credits include the Warner Brothers hit “The Proposal,” with Sandra Bullock and Ryan Reynolds, as well as “You Again,” “Bringing Down the House,” “The Story of Us,” “Lake Placid” and “Hard Rain.”

The most recent of her eight books include “If You Ask Me (And of Course You Won’t),” released in May, 2011 which earned Betty a Grammy Award. “Betty & Friends: My Life at the Zoo,” was released in November, 2011. Betty has also been named the world’s Most Trusted Celebrity according to Reuters in

Achievement Award in 2010, and a Lifetime Achievement Award in Acting in 2010 from the American Women in Radio and Television. She was voted AP Entertainer of the Year in 2010, and was given the Lifetime Achievement Award in addition to being inducted into the Broadcasting and Cable Hall of Fame in 2011.

A passionate supporter of animal health and welfare, White was recently named Chairman of the Greater Los Angeles Zoo Association, has served on the board since 1974 and as a Zoo Commissioner for eight years. In 2006, White was honored by the City of Los Angeles at the Los Angeles Zoo as “Ambassador to the Animals” for her lifelong work for animal welfare. Betty also serves as President Emeritus of Morris Animal Foundation and has been a trustee since 1971.

She was married for 18 years to Allen Ludden, host of the game show “Password,” until his death in 1981. Betty resides in California with her golden retriever, Pontiac.

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SANTO VERSACE Career & Professional Life In 1968 Santo graduated from the University of Messina with a degree in economics. He began working first as a banker in Reggio Calabria for Credito Italiano and later as a high school teacher of economics and geography. In 1972, he completed his military service as an officer in the “Genova Cavalleria.” Upon completion of his service, Santo opened his own accounting office in both Reggio Calabria and Milan.

In 1976 he moved permanently to Milan where he began working fulltime with his brother. Gianni Versace Spa was founded in 1977, with Santo Versace as CEO until 2004. Santo played a leading role in the success of

the

Versace

brand

by

focusing

on

communication,

organization, productivity, and quality. He oversaw all areas of the business—including sales, distribution, production and finance—and quickly became one of the

industry’s

leading

and

most

well-

respected business people.

In 1998, Santo was appointed president of the Italian Fashion Chamber where he served from 1998–1999.

Since 1998 he is a shareholder of Viola Reggio Calabria Basketball. From June 1998 to October

Betty White.indd 58

The Emmy’s salutes

1999 was “President of the National Chamber

Santo Versace for

of Italian Fashion.” He is Chairman of Operation

his contribution to

Smile Italy Onlus, an association of doctors and

elegant fashion on

volunteers who deals with children with facial

the red carpet.

deformities in 70 countries around the world.

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In Hollywood, Your Age Is Personal...

Your Secret Is Safe With Us

to scan a l reve

onelifevest.com go to:http://www.fxm-group.com/olv-presenting http://www.fxm-group.com/olv-presenting to reveal the secret

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SANTO VERSACE Celebrate the timeless beauty of Versace through the grace and elegance of design and fashion, on the Red Carpet. We salute the designer who transcends time in his vision of exquisite glamour.

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Photography: Danya Morrison. Makeup: Kelly Shew

Heather Tom Butterflies flutter in my stomach. I enter the control booth for stage 31 at CBS Television city. It’s a familiar place, I feel comfortable here.

This is where I’ve worked for the last 8 years on “The Bold and the Beautiful.” So why does the atmosphere suddenly seem strangely foreign? Today is different from all the rest. It’s my first day of work.

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Heather Tom

Cindy Popp, one of our directors on the “The Bold and the Beautiful” and the person I’ve been shadowing for the last five months, asks me if I’ve sat in The Chair.

“No, not yet,” I say.

“Well, you should, just to get a feel for it,” she replies.

“Ok.” And I sit. In. The Chair.

Alright then, I think, I’m in The Chair.

I see the monitors, each camera with its own feed. Here’s the talk back button that will send my voice to the floor. Here’s the light that will illuminate my script. Ok, I can do this.

The morning flies by. I block with the actors— *&$%! These are my actors!

It’s amazing how much support I feel from everyone who works here. Over the last week there wasn’t a single person who hadn’t come up to me to ask if there was any way they could help to make this day easier.

“Are you nervous?” they would ask.

I’d play it cool, “A little,” I’d say.

“We’re so excited for you!”

And they are. I can feel it. They have my back, and I am grateful for it. I have known many of them for most of my life. Actors come and go in this genre, but the crew on these daytime shows, is pretty much a constant. They know me.

They have watched me grow up. They have seen me at my best, and my most vulnerable. It’s my first day of work and they are proud of me; proud that I have come to this place on their watch. I’ve always thought of myself as one of the crew and, today, I am.

I’m back in The Chair. It’s my turn.

We move fast. Speed is the name of the game these days.

I push the talk back button.

“Good morning everyone! Ok, let’s start! Thorsten, you and Linsey are against the desk and you start in a kiss.

Linsey can you kiss downstage?”

Well, I think, that at least sound like I might know what I’m doing. At least I’ve got my lines down.

“Is this what you want, Heather?”

64

Teddy, our camera three operator asks.

“Yes, slide right across the drafting table to reveal them.”

“You need to tighten up that shot,” Edward Scott barks from the producer’s chair behind me.

Right. Got it.

I say to John, who is on camera one, “can you tighten it up? I don’t want to see any of Thorsten in the shot.”

We continue to rehearse.

“I think she needs to fight for him more.” I turn to Edward to see if he agrees.

“Yeah, tell her” I push the talk back button again.

“Hey, Linsey, fight for your mandefend him. You’re in the power position here.”

“Ok, great. Let’s shoot it.”

“Opening positions.”

“Roll cameras.”

“Speed.”

“And, action!”

Scene one is done. On to the next.

No time to pat myself on the back, there’s no room in the budget for that. Next item.

The scenes fly by. Speed is the name of the game. But they still have to be good, right? They still have to be something we can be proud of. Not so long ago, we didn’t have to move at such a pace. We used to only shoot one show a day, now we shoot two. Scenes could be shot over and over again.

Notes could be given after the first take instead of after rehearsal.

I remember I used to get so upset when I would get a note after a rehearsal.

Well, you haven’t seen how I’m going to do it yet, I would think. Give me a shot at it and then give me your input. Those days are long gone and, gladly, so is that part of my ego.

As crazy as it sounds, there are positives to moving so fast. For one thing, you don’t have time to get in your own way. You better jump with both feet and make a big choice or you’re going to be left behind. That kind of work can be really exciting for an actor. It gives you a certain freedom. It forces you to commit. Personally I thrive on it. I love the challenge. Fifty, sixty, seventy pages of dialogue? Bring it on.

Back in The Chair, the note works well. The scenes get a shot of energy that they might not have had. I feel good. It’s a good first step.

My block of scenes are finished. My first day on this side of the camera is over. I stand up from The Chair. I look to Edward for some kind of reaction. He nods, “good job,” he says.

And, suddenly, I’m fifteen years old.

It’s another first day of work. A different set. A different show. Same butterflies. Edward Scott walks toward me. I had just finished my first scenes as Victoria Newman on “The Young and the Restless.”

“Good job,” he says, and he points his finger at me, “know your lines, be prepared, and watch these people, they know what they’re doing.” It was the best advice I could have been given. I did watch.

I wanted to learn.

Every script was like a gift. I had no idea how lucky I was that Bill Bell was writing them. I couldn’t wait to see what happened next.

I was hooked. I loved it from the word go.

And there were teachers everywhere. My first scenes were

[This] kind of work can be really exciting for an actor. I love the challenge.

Fifty, sixty, seventy pages of dialogue?

Bring it on.

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with Eric Braeden. He taught me to think on my feet, to stay in the scene no matter what happened and see where it would take me. Melody Thomas Scott taught me to keep my emotions raw and available. She also taught me how to drop a tear like a pro. “Downstage eye or upstage?” she would ask. Downstage of course, always downstage.

Later, in New York, Erika Slezak taught me what a real matriarch looked like. A diva—and I mean that in the best sense of the word—who backed up her talent with grace and dignity.

Back in Los Angeles, the same building as before, but a different side of the hall, Susan Flannery taught me to take no prisoners; to act without restraint.

She knew how to find the meat in a scene, to discover the conflict, even if there didn’t appear to be one. I’ve had so many teachers, too many to list.

They taught me that I have to defend my character. I have to protect her integrity. I have to love her even when I don’t like her, even when I don’t agree with what she is doing. She is my best friend. She is my family.

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life is what I know. It’s normal. Although, truth be told, I never dreamed that I would be doing this for so long. When I signed my first three year contract I couldn’t imagine how I would get through three long years. I would look at the other actors who had already been on the show for five or ten or twenty years and I would think, ten years!

How is it possible to do anything for so long? Of course, time is relative when you’re fifteen.

When I first started, I was such a strange combination of professionalism and naivety; totally capable of taking care of business and yet to a large extent sheltered. My first kiss was on camera.

Awkward for me, yes, but probably nothing compared to my poor co-star who was ten years my senior. Everyone always commented on how mature I seemed. But now when they pull up some ancient tape from so many years ago, all I see is a baby. It’s crazy to think that so much of my life exists somewhere on miles and miles of tape.

Now, of course it’s all digital. No more three quarter inch tapes to rewind and watch again. I wonder how many gigs I occupy.

Of course there are plenty of challenges that come along with growing up on camera. I can’t say that being fifteen in the public eye is easy.

Thankfully, I did so before the advent of social media. I can only imagine what it would have done to my fifteen year old self to log on to twitter or Facebook only to see some mean anonymous post commenting on my performance or worse, my appearance.

I do go online now to see what people have to say about me and the character, but I probably shouldn’t.

Or at least, I should try not to care so much. I’m like an actor in a play who

reads his own reviews; a dangerous practice and probably ill advised, but somewhat irresistible. The thing is, actors, probably more than any other breed, really need to be liked—really really liked. So on to the message boards I go to read my own reviews. I certainly have a thicker skin than when I was younger, but not by much. The positive comments bring me joy, relief, validation. The negative comments sting, they hurt. They make me want to write back so that people will know that there is a real person on the other side of that post. But I never do.

I’m lucky that I’m dealing with this kind of feedback at this time in my life, at this time in my career.

Negative comments may hurt my feelings, but they don’t destroy me.

To that fifteen year girl, they would have been devastating. At that time, I was nothing but a raw nerve; swirling with emotions and insecurities. Body issues are normal for girls at that age.

Now imagine what it’s like to have strangers commenting on how you look. People would tell me how much thinner I looked in real life. I knew this was meant as a compliment, but to my fifteen year old ears, all I heard was: you look fat on TV. How we look is without a doubt a big part of our job. How much of it is expected by our employers or is self-imposed is up for debate. I had to come to terms early on that I was never going to be a waif or a six foot tall super model. I still wrestle with that one.

Often I find myself trying on a dress only to look in the mirror and say, “nope, still not a six foot tall super model!” I have come to embrace and love my curves. I have boobs and hips. Thankfully I have a butt that is actually my own, because let’s be honest, no matter what anyone says, that’s still something you can’t really buy in this town.

I’m not a size zero or even a size two. I still haven’t lost the last six pounds of baby weight. Not wearing a bra is not a viable option anymore, but I feel sexier and more secure than I ever did when I was younger. Then love scenes or wearing bathing suits

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I love this genre. I love the stakes ... every day is life or death and nothing less. We love, we fight, we fight for love!

work in a genre where I can age and still be considered viable, sexy, current.

A quarter of a century of love and loss.

Twenty five years of cheating spouses and corporate takeovers. Of miscarriages and births that never happen in a hospital and certainly were such a source of anxiety and never with the benefit stress. Now I say, bring on the panties! of an epidural. Twenty Sure I spent last week doing ten five years of long lost thousand lunges and I’ve been living sons and evil twins. on kale salads and steamed chicken, Twenty five years of but it’s worth it just to walk on to the funerals for people set and feel good and confident. who aren’t really dead True staying fit is now a full time job. and, of course, twenty Eating healthy has to be a way of life. five years of weddings.

Crash dieting for a week isn’t going And more weddings. to cut it. Trust me I’ve tried it. Losing And one more for luck. weight or even trying to maintain gets Because this time it’s for real. This time harder and harder, and, truth be told, it’s for always. This time it’s destiny.

I really hate going to the gym. But I I have to say, daytime has thoroughly found that I love to ride my bike and ruined weddings for me. I’m convinced trail run. Yoga and dance classes make that it took me thirteen years to marry me happy. I get bored easily, but there my husband because I just couldn’t is nothing boring about watching the bear the thought of having to get sun come up as you’re swimming through another wedding. Hours and in the Ocean. There’s nothing better hours in a tight white dress that you’re than strapping my 35 pound two not allowed to sit down in, or eat in and year old on my back and hiking in forget about going to the bathroom. the Angeles national forest with my The endless ceremony in which my husband and dogs. Baby boot camp I maid of honor is also my arch enemy call it! I look out over the mountains followed by a reception populated by to the ocean and I think, this is my former lovers and guests that I either religion, this is my church. And, boy! don’t know or don’t like. No, that did Am I lucky to live in California! not sound like my idea of a good time.

Fifteen seems like a long time ago. It Not to mention the fact that I’ve said was, in fact, a long time ago. Twenty five so many vows to various people over years to be exact. That’s right! Do the the years that surely, if I wrote my math! I’m going to be forty, although I own, I would end up plagiarizing some keep trying to redo the equation. I keep past episode. I could easily visualize a thinking, this just can’t be right! How scenario in which I pledged my life to did I get to be forty? my husband in a gut wrenching heart The fact that I have been doing felt vow only to have someone stand up this for a quarter of a century seems and say, “hey, didn’t you say the same impossible and I’m still trying to thing to so and so in 1993?” And then, figure out how I got so lucky. I’ve been of course, the wedding would be off, incredibly fortunate to have been a and I would melt into a puddle of tears. working actor for such a period of It turns out, in real life the ceremony time—it’s somewhat unheard of in doesn’t take 10 hours. Huge sordid this business—and I’m doubly lucky to secrets don’t generally get revealed.

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No one gets shot or maimed.

Spouses don’t show up from the dead and nine times out of ten the bride is not related to the groom!

Oddly enough, the real experience is quite pleasant, dare I say romantic, and well, awesome. Go figure!

I love this genre. I love the stakes.

I love that every day is something different; every day is life or death and nothing less. We love, we fight, we fight for love! Brad Bell taught me that every scene is a love scene, and that it’s never more heartbreaking when an opportunity to love is missed.

I love that I have had a hand in creating a character that has a life of her own. She lives and breathes. She has a past, a history; and she has a future, a next generation. For millions of people around the world she is a daily presence in their lives. They love her and hate her, but she is real to them as she is real to me. When I put on her clothes, her shoes, I feel such a guilty pleasure. This is my chance to sink into her life and leave my own behind for a while. This is my chance to be fabulously wealthy, lustfully wooed, horribly betrayed and loved beyond reason, all in one afternoon. Honestly, what could be better than that?

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Dr.Oz As a young doctor I understood that sleep deprivation was an unavoidable fact of life, but little did I know that nearly 30 years later, my TV work schedule would be on par with that non-stop pace. From predawn wake-ups, early morning call times and afternoon editorial meetings, to primetime interviews and global travel, my days are as full as they’ve ever been. I’m sure it’s something you can relate to – between coast-to-coast calls, jetting across time zones, and inevitable travel delays, the common refrain “I’ll sleep when I’m dead” starts to feel like a selffulfilling prophesy. But there is one huge difference for me today, no matter how action-packed the day.

I now have a set in stone, nonnegotiable rule for my health: I insist on getting a good night’s sleep.

This season I partnered with the nation’s top sleep experts on an eye-

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opening show - The Dr. Oz Show AfterHours Sleep Clinic - to see just how widespread America’s sleep crisis really is. A staggering 20 million night owls from across the country reached out to us for advice about sleep. That astonishing number is why getting Americans back to bed has become one of my top priorities.

The simple problem is that we don’t appreciate how vitally important sleep is to well-being. (If your motto is “sleep is for the weak,” yes, I’m looking at you). I’m not just talking about feeling groggy in your morning meeting. Here’s what has me as a doctor on high alert: the insidious effects that lack of sleep has on your health, your weight, and ultimately, your vitality.

Consider these issues: Poor sleep throws your hormones out of whack and brings your immune system to its knees. It messes with your mood and it mangles your memory. And yes, it can most definitely lead to weight gain. Even more ominous, lack of sleep is now linked to nearly every one of the diseases we fear most, from heart disease and stroke, to obesity and diabetes, even certain cancers. One recent study found that skimping on sleep significantly increases colon cancer risk. And another reported that women who snooze for less than seven hours are at a higher risk of developing more aggressive breast cancers.

All of this begs the question: How can you get more sleep? Here’s where to start: Make sleep a priority, a non-negotiable part of your schedule. How do I do it? I set a sleep curfew. I know – it’s been years since you had one, but I’ve found a sleep curfew essential to breaking the cycle of getting to bed too late. In fact, I set an alarm on my phone for an hour before bedtime as a gentle reminder to settle down for sleep.

But when it comes to actually heading off to bed, I don’t care how many times you’ve heard this – get the

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Power Snack Foods

When it comes to snacking, convenience is only one part of the equation.

The second part is choosing the foods that are guaranteed to keep you full and focused throughout the day. That’s why I’m constantly scouring the literature for the latest research on foods that will give your body the biggest health bang for your buck. Here are my top picks:

Hardboiled eggs

Sure, it sounds simple, but each egg packs a protein punch that will keep you satiated through morning meetings, plus it’s loaded with B vitamins to give your energy a boost as well. Worried about cholesterol? There’s no need to be – thanks to a slew of research, eggs have been vindicated and are now fully welcomed into a healthy diet.

Popcorn

No, not the butter- and salt-drenched bites you get at the movie theater – I’m talking about the air-popped stuff. For those of us who have trouble with portion control, popcorn’s perfect, with three cups coming in under 100 calories, plus a s o fi e to he fi ou u ew esea ch shows that i c easi fi e intake by 7 grams a day is associated with a reduction of stroke risk). But don’t worry – I’m not suggesting you eat it plain. Dress it up with a drizzle of olive oil and spices, or my personal favorite – nutritional yeast.

Nuts

he t uth is ou a e fi e without uts c ose at ha he e my go-to power snack, and a quick glance at the latest research makes it pretty clear why. In a nutshell, these mighty morsels help keep many of our number one killers at bay – including heart disease and cancer. They a a so i e ou ai a oost o e stu ou that a i ust wa ut halves to your daily diet was associated with improved cognitive function) a he with wei ht oss stu ies ha e show that ut eate s t ica weight less than those who skip the snack).

smartphone out of the bedroom. Digital connectivity is not only severing our real life connections, it’s sabotaging our sleep and causing damage that carries over into your work life. One study in mid- to high-level managers found that late-night smartphone users slept less, and as a result, were less productive at work the next day. The underlying culprit here is clear: the bright light from smartphones, laptops,

and e-readers effectively suppresses levels of the all-important sleep hormone, melatonin. Without enough melatonin, your brain doesn’t get the message that it’s time to shut down for shut-eye. My preferred solution? Keep the devices out of the bedroom completely. But if you really do need them, turn down the brightness and keep your distance – Mayo Clinic found that holding your device at

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least 14 inches away from your face can lessen the sleep-suppressing effects.

Still, the fact remains – Americans aren’t getting enough sleep. But I’ve got some good news. New science is pointing to an elegant take on an age-old solution – the power nap. Done correctly, it’s a near perfect booster for productivity and mental clarity. Aim for quick ten-minute snooze around 2 pm. The timing coincides with the natural lull in circadian rhythm – in layman’s terms, that’s your body’s clock telling you it’s time for rest. Ten minutes is ideal for a burst of alertness; snooze for much longer than that, and you’ll fall victim to what’s known as sleep inertia, which means you’ll have to fight off grogginess when naptime is over. And don’t get too comfortable. I take naps in my office chair so I don’t drift off into a deep sleep. And there’s another surprising ingredient for the perfect power nap. Believe it or not, it’s a cup of coffee. Have a bit of caffeine before you shut your eyes. The caffeine from a cup of joe takes 20 to 30 minutes to metabolize so time it out so it kicks in with the end of your power nap.

Finally, there’s one more aspect of sleep that I’d like to touch on, and it’s one of the more provocative areas of research in the field: how sleeping affects the foods we eat. Skimping on sleep literally changes the way our brains think about food – and not in a good way. Sleep deprivation ups the desire for high-calorie junk foods and activates the areas of the brain specific to craving fatty foods.

I find the sleep/food connection particularly alarming, and it’s why I fear we’ve got a major crisis on our hands: sleep deprivation, in combination with our hectic calendars, has a devastating impact on our weight. Busy schedules, sleep deprivation and eating on-the-go often cause us to eat what’s conveniently available at arm’s reach.

And that, all too often, is the fat-filled junk

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Oz’s Top Picks for Sleep

he e a e ew thi s wo se tha setti asi e the ti e o s ee o to fi that sleep won’t come. For those nights, here’s how I ease anxiety and drift off.

Turn the clock around

Watching the minutes tick by is one of the absolute worst things you can do for your sleep – by upping your anxiety about hours lost, you actually rev up your mind, keeping sleep even further at bay. What’s more, research has actually shown that the anxiety buildup leads to a decrease in sleep quality o ce ou o a a e to i t o o cou se e e iss to ot e tio the melatonin-suppressing effects you’ll get from the glow of the clock).

Lavender oil

We’re huge fans of essentials oils in the Oz household, and when it comes to sleep, my top pick is lavender oil. Just one whiff of its soothing scent and I feel more relaxed -- there’s even evidence that the smell actually decreases heart rate and blood pressure. I like to keep a diffuser in the bedroom, but I’ve also found it helpful to sprinkle a few drops of lavender oil right onto my pillow for a deep, restful sleep.

Try pink noise

Silence isn’t always golden – sometimes you need a little noise to lull you to sleep. And while most of us have heard of white noise, I say think pink. Similar to white noise, this rosy sound effect is a blend of high and ow e ue cies i e ai a i e stu ou that i oise iste e s experienced 23% more stable sleep time than those who skipped the sound.

food that our tired brains crave. That’s why I developed the Total 10 Food Plan, which is centered around making healthy choices as effortless as possible. It’s filled with simple recipes for meals and just as importantly, snacks that are easy to prepare.

Just like I want you to prioritize sleep, I want you to prioritize healthy snacking. No matter where I’m going or what I’m doing you’ll never find me without a healthy snack on hand. Ask any member of my staff – from yogurt and fresh berries during morning briefings to almonds and granola during afternoon meetings. And if I’m craving my green drink? I’ve got it in a thermos. The secret to healthy snacking is packing it

in the morning and bringing it to work.

And that coffee I mentioned above?

Doctors are doing a complete about face about the once maligned mug. With solid evidence showing the brew helps reduce risk of heart disease, diabetes, and stroke, I’m confident in calling it a health drink. The change in attitude is also reflected in the upcoming edition of the Dietary Guidelines for Americans, which will consider 3 to 5 cups a day part of a healthy diet.

Of course, just remember to cut off the coffee by early afternoon – by prioritizing sleep and healthy snack choices, I promise you’ll be able to make it through those afternoon meetings without it.

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Eileen Davidson’s

“Year of Living Dangerously” Appearing on two soaps and a reality show is all in a day’s work for this Daytime Emmy winner!

Eileen Davidson is everywhere! Everywhere on your television, or computer screens, that is.

The daytime soap opera star was so in demand that 2014-2015 saw her returning to her role as captivating chemist Ashley Abbott on The Young and the Restless, coming back for another shocking turn as the twisted Kristen DiMera on Days of our Lives, and mixing it up as one of the newest cast members in the latest season of the successful reality series franchise, The Real Housewives of Beverly Hills!

For Davidson, this success has happened in her 50’s, something that is not the usual fare for an actress in Hollywood. “We all see our flaws, but I am grateful for all that has happened in my life.”

The kick-off to Davidson’s wild ride began when she took home the Outstanding Lead Actress in a Drama Series award at last year’s Daytime Emmy ceremony for her performance as an unhinged Kristen on DAYS. “I remember everybody standing up when my name was called, but I didn’t actually realize it until afterwards,” Davidson recalls about her Emmy night experience.

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“I was really happy with the work I had done on DAYS that year, so whatever happened it was kind of really cool icing on a great cake.” As for extolling advice to this year’s nominees: “I say, just enjoy the moment. Make sure you feel good in what you are in. I loved my dress, but it was super heavy. It also expanded over time, because it was actually very tight when I put it on. It was very form fitting and attractive, and then it kind of opened up more. All I can say is, I am just so happy that I won, because to be in that dress and to not win... I don’t know what the hell I was thinking? I would have been sitting on the curb with a bottle of champagne with my hundred pound dress over my shoulder! Thank God, I won! Therefore I would say, to try to be as comfortable as you can, and just feel good about yourself.”

Next in the fall, Eileen found herself in an unprecedented situation of appearing on both Y&R and DAYS, and returning to Genoa City with a contract after being let-go from the series previously. “I started here, and I still love the character of Ashley,” Eileen related. “There has been a changing of the guard each time I was working on Y&R. A producer wanted me gone, and then when that producer was gone, the show wanted me back, and the DAYS thing happened. It’s kind of been accentuating circumstances along the way.”

Following doing double duty on daytime, Eileen signed a deal to appear in Bravo’s reality franchise, The Real Housewives of Beverly Hills, and she admits she was just as shocked as her soap fans that she was added to the cast! “I have no idea how I got on their radar,” Davidson exclaims.

“They came looking for me. They knew that I lived in Malibu, and there is six degrees of separation. I never thought they would want a working actor on that show ... one that is working every day on a soap opera.

That was pretty bold for them to go there.

I am pretty grounded on that show, if you ask me … one of life’s great ironies!” But Eileen was happily surprised to learn that most of the women of “Housewives” were cool with who she was professionally. “They were very supportive of my soap career, and were very sweet. Lisa Vanderpump in her English accent would go, ‘I would have loved to have won an Emmy.’”

Many say “Housewives” rivals the soaps

“I am so used to feeling judged, and being in daytime forever, that it’s a different kind of thing.

What it teaches you is to live your own life, make your own choices, and be OK with that.”

with their blend of drama, catfights, and the obligatory throwing a drink in someone’s face, which Eileen has experienced first-hand. “It’s not scripted,” she says about RHOBH. “Now, I totally appreciate walking into the doors at CBS!” As for the now infamous scene where cast member Brandi Granville threw a drink in her face: “I don’t believe they told her to do that. Now there might be a feeling that something has to happen, but we are never told to make something happen. The poker party I had, I had no idea everything was going to hit the fan. I don’t think anyone told Kim Richards to take her ex-husband’s meds. I mean you just wouldn’t do that. It’s a whole new animal, and it’s really a crazy, wacky world.”

As for any pushback Eileen received to those that couldn’t believe the enduring soap star would join the ranks of the reality “Housewives,” she explains: “It was a very interesting year. I call it my ‘Year of Living Dangerously.’ It has broadened my horizon, and it’s changed the way I look at things.

The funny thing is, there have been so many judgments about reality TV. I see it in people’s faces, and I see it in people’s eyes. The people in daytime have been judged forever, and you know what? It’s a show! It’s entertainment. I am so used to feeling judged, and being in daytime forever, that it’s a different kind of thing. What it teaches you is to live your own life, make your own choices, and be OK with that.”

Eileen noted that she appreciates the hard work of the men and women in daytime, and doesn’t approve of anyone looking down at the soap genre: “I did Access Hollywood, and I was being interviewed by host Billy Bush, and I said, ‘I can’t believe what you said at the Daytime Emmys - that the Emmy is three inches smaller than the nighttime Emmy.

Are you kidding me? Talk about a buzz kill.’ And he said, ‘I did say that.’ I am very proud of the work I have done on daytime television. I have worked with big stars in film and TV, and I have to say they don’t have anything on most of the people I have worked with on daytime TV. An actor is an actor, and if we are lucky to get paid to do it, it’s across the board. Good acting is good acting, no matter where you see it.”

And speaking of good acting… watch out Salem! Come May, Kristen is back in town, and when she last left she literally stole an embryo out of another woman who was carrying her beloved Brady’s child, and had it implanted into her! “Did she?” Davidson teases. “She doesn’t consider it an embryo.

She considers it to be her just reward. I think this is the payoff of that story.” However, the hectic pace of doing three different shows can be exciting and overwhelming even for someone as accomplished as Eileen: “This time taping DAYS, all three of my worlds collided. We had the wrap party for ‘Housewives’, and then my first day back to DAYS was after the wrap party, and I continued to work at Y&R all week, too!”

She can play the bitch, she can play the sexy and seasoned perfume executive, but could she play herself, and be all right with that? Eileen revealed that was one of the things that attracted to her to become a “Housewive:” “I liked getting to show my sense of humor. I did the RHOBH so that people could see who I am, and that I am not this actress on a couple of soaps who has this kind of an attitude.

I’m the one who drives a Flex, and has the boys that I am screaming at, and has a sense of humor about it. It shows that I am a real human being.” Now television audiences have gotten to experience Eileen in 3-D …as the enduring heroine Ashley at Y&R, as the evil Kristen at DAYS, and as a working mom and woman of today on “Housewives.” As Eileen likes to sum it up best, “The good, the bad, and the real!”

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General Hospital’s Mutual Admiration Society Daytime Emmy winners Maura West, Michelle Stafford, and Finola Hughes talk about being part of the powerhouse female cast of the ABC soap opera.

By Michael Fairman

Maura West

Leading ladies and dynamic actresses are a cornerstone of the daytime drama genre. For it’s the actresses and their characters that, more often than not, propel the stories. Whether it be through love and romance, danger and intrigue, revenge and murder, a health crisis, or an unspeakable tragedy, it’s watching the resiliency of determined women come through the toughest obstacles and persevere that hooks the audience for days on end.

On ABC’s General Hospital (GH), the cast has an embarrassment of riches in the female cast department; many Daytime Emmy winners, who have either been the center of dramatic story over the last year, or supported their female counterparts. In a daytime coup, GH’s executive producer, Frank Valentini, brought Maura West (Ava) and Michelle Stafford (Nina) to the 78

Michelle Stafford

Finola Hughes

52-year-old series, and immediately built a harrowing story between them. Maura and Michelle joined the ranks of such GH notables as Laura Wright (Carly), Jane Elliot (Tracy), Nancy Lee Grahn (Alexis), and Finola Hughes (Anna), building a tough act to follow for anyone in the medium.

West, Stafford, and Hughes discussed being part of this wildly talented girl group. As Michelle relates: “You want to be in a group of people who lift you up, and that inspire you to work harder. There’s no bitchiness with anyone here.”

Maura concurred: “The women are unbelievable on this show. I’m a human being, so you’ve got to sift things out, and check it out. For instance, look at Laura Wright. She works on her scenes, never tries to undermine me as a woman, or an artist, and that’s why GH is such a great place for a women, and

that’s why all these women are there!”

Finola Hughes says egos are checked at the door at the studio, “I don’t feel that, or see egos. Michelle coming in to the show was amazing. Maura is a powerhouse, and that bubbling under the surface thing she does scares the you-know-what out of me. Then, I get to work with Vinessa Antoine (Jordan) all the time, and I adore her. Then there is Jane Elliot, who is just so superior and strong, and then Nancy Lee Grahn.

She is one of the great listeners in this profession. On GH, Nancy and my paths do cross, because we are on the same side of the law. All of the other women I can’t really talk to, unless my character is arresting them!”

2014 saw one of the biggest water cooler moments of the year, when a disturbed Nina Clay drugged her arch nemesis, Ava Jerome, with two syringes - one to paralyze her and then another

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to induce labor - in her plot to kidnap Ava’s newborn baby and make it her own. The scenes between Maura West and Michelle Stafford were can’t miss TV, and put these women in some very emotionally draining, and dark scenes.

Michelle discussed how she and Maura were able to create the scenes: “When you have a rival female character to play off of you, there has to be a lot of affinity between the two people, or some sort of understanding between them, to make it work. It’s as important as a love story.

Maura really sold it. When she had the heavy lifting, she really needed me to be there in the scene with her, and vice versa. Your partner is so important, and Maura is the best partner... the best!” Maura echoed: “This is like a mutual admiration society! I feel the same for her, and I will say this: there’s always this idea that women actors are vying for something, they’re fighting for something, and they must not like each other, and that there’s always that sort of edge to it. It’s just not the truth.

When I worked with Michelle in all those scenes, I trusted her. An actor will come into the scene wanting to lift you up as a scene partner - or suck you down and Michelle lifts you up. On General Hospital, there are so many actors that are the same. They lift you up. They want it to be good. I’m so grateful for Michelle for those scenes. I was so concerned about it. I remember leaving the studio in tears going, ‘What am I doing?’ Then I saw them on the screen, and I was like, ‘Thank God. I love them!’”

Finola Hughes weighed-in on the scenes between the dynamic duo: “It was very intense. It was extraordinary, and they made it work. Maura playing the devastation was phenomenal, and Michelle making that insanity work.

There was a very light touch Michelle had on certain speeches, which was sort of unnerving, because she was almost removed from the situation, and in her own head, which I thought was a key. There was a lot of spookiness on how she delivered those.”

While widely lauded and praised for their work, Finola, Maura, and Michelle still are appreciative and thrilled to have won Daytime Emmys for their work, as voted on by their peers.

Hughes has won once, while Stafford and West have won twice each. The ladies agreed that their initial victory was quite memorable, but for different reasons. Finola took the Lead Actress prize in 1991, but she could not attend.

“I had to go back to England to get a green card,” she recalled, “And it just so happened to coincide with the Emmys, and I had to do it, or I couldn’t stay in the country.” But Hughes did have a celebration of sorts upon hearing her name was called, “I was in London at the time, and probably at my interview at the British Consulate. I had been out with my brother, and I got back to my hotel, and I had forgotten about it. When I came back, there was a telegram, saying ‘Congratulations!’ When I got back to LA, my dressing room was decorated like crazy. It was really sweet.

A couple of my friends had ballooned it out and I could barely open the door!”

West recalled her first win in 2007: “I said to my kids before I left to come to LA for the ceremony, ‘What should I do if I win?’ And my son Joe knew what I was wearing of course, which was this gown, and you know I don’t dress like that every day! He said, ‘You should curtsy.’ I said, ‘Well that’s it!

I’ve gotta curtsy!’ The win meant so much to my husband, to my family, to the people who love me, and people who watch my work every day, and my parents, too. I always wanted an Emmy for other people. I never wanted it for myself. I wanted it, because I wanted my children to see their mom. I so wanted it for my grandma, before she passed, to see her granddaughter do this.” Michelle Stafford’s first win was a mixed bag: “It was not the most fun night of my life, until Drake Hogestyn (John, DAYS) said, ‘Michelle Stafford’ when he opened the envelope. I was absolutely stunned. I didn’t even know what to say! I used the word ‘dynamite’ in my speech, like have you ever heard me say ‘dynamite’? Where does that come from? It’s like from my freaking twin soul sister! It was so funny!”

Hughes, Stafford, and West play three very complex women on GH: One is a federal agent trying to uphold the law, one is trying to put the pieces of her life together after losing 20

(Clockwise from top left) Maura West, Michelle Stafford and Finola Hughes have collectively won five Best Actress Emmys and may be doing their best work as a power trio on General Hospital.

years being in a coma, and the other is gangster who has murdered and manipulated people to get what she wants, desperate to be a mother to her newborn daughter, while she tries to survive cancer! “Ava’s gone through so much and is still kicking, that’s me, and that’s her,” Maura says passionately.

“It’s a pleasure as an actress to have a complete rainbow of a character to play.” As for Nina, Michelle Stafford says she wants her character to still be teetering on the edge: “I really don’t want her stabilized. I think that’s boring.

I think it’s very real that she’s unstable.

There are many people in life like that.

I want her to have that element, where she is fabulous, but underneath she is completely unhinged, where she could lose it at anytime.” As for agent Anna Devane, it looks like she may have a new love interest in her rival Agent Sloane (Grayson McCouch). Finola noted it’s nice to have some sexuallycharged scenes as a veteran actress on a soap: “We are not dead yet! It’s fun.”

As for the array of girl power in Port Charles, and the TV landscape, Hughes summed it up best: “It’s very cool to be a woman working on GH. I think it’s cool to be a woman working on television. It’s a good time right now for all of us.”

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50

Days of our Lives turns

A celebration of love, heartbreak, and drama in the afternoon.

By Michael Fairman

If you think making it to 50 in the world of daytime drama is an easy feat, think again! Just speak to the actors and the producers, or anyone behind the scenes that has worked on Days of our Lives, and they will tell you that it’s really not that surprising that the series has made it to this milestone.

The longest running scripted series in NBC television history will have its golden anniversary on November 8th, 2015. The show premiered back in 1965 when conversations were happening in black and white in the Horton family living room. While the times have changed, one key theme has remained a constant… family. The series created

by Ted and Betty Corday has continued its family legacy with son Ken Corday as the series executive producer.

Family struggles, triumphs, loves, and tragedies have been a hallmark of the show, as well as devastating heartbreak, groundbreaking stories, and the shocking and the outrageous.

Being part of the first family of Salem, the Hortons, is a badge of honor for any performer, as well as following in the footsteps of series patriarch and matriarch, the late MacDonald Carey (Tom Horton) and Frances Reid (Alice Horton). Long time cast member Melissa Reeves (Jennifer Horton) recalls when she found out she would be a member of this most notable of all on-screen clans: “People were like, ‘What? You’re gonna be a Horton? That’s a good thing!’ I was like, ‘Oh good. OK, great. Does that name mean something in this town?’ I have come to realize the enormity of it.” The camaraderie of those fortunate enough to be part of the DAYS ensemble has 80

always been very special and unique.

Alison Sweeney, who appeared on the soap for almost 22 years as Sami Brady, related, “When I think of all my big life moments - the DAYS cast and crew have been there. The camera guys had to approve my boyfriend.

There were two tables of DAYS people at my wedding. They survived my pregnancies with me... you name it!”

Throughout its 50 years, DAYS has tackled groundbreaking and emotional issues including the Sudden Infant Death Syndrome (SIDS) storyline involving new mother Marlena (Deidre Hall) back in 1980. “I was approached about the story, because there was a great debate among the executives as to whether the ‘Crib Death’ should happen to the audience, or whether they should be warned about it, and get to tune-in from a safe place.” Hall recalled, “At the end of the day, it was decided that when a woman walks into that room and finds her baby has died, she doesn’t get a warning.

So to do service to those people, we would not warn the audience about it. We got phone calls, and thousands of letters from people saying, ‘Oh, my gosh! It happened to Marlena the way it happened to me.’ It was a moving storyline for a huge number of fans that have been through it, and it was cathartic. It was certainly a first for daytime.

In 2014, DAYS wrote a same-sex gay male wedding between two core characters, another first for daytime. Alison Sweeney watched her on-screen son Will (Guy Wilson) take his vows to Sonny (Freddie Smith). She

recalls it was quite the tearjerker… for her: “I still groan about how I was such a mess during that wedding. I couldn’t stop crying! I kept looking at Bryan Datillo (Lucas) because he and I used to joke about some day playing grandparents on the show, and to be actually seeing ‘Will’ get married was just very emotional.”

While DAYS brings the drama, it has also been known for the outrageous!

Look no further than former head writer, the late James Reilly, whose twisted plots included burying a character alive, and Marlena’s possession by the devil! Ken Corday remembers when the plots were pitched: “Originally, I would say to Jim, ‘Are you serious? You are going to bury someone alive for a week and half?’ And, ‘They are going to puke green soup, and their head is going to spin around? No, no, no!’ But, again, the way it was woven into the fabric of the show it was just as effective as the baby-switch stories we have told. The outrageousness in the 90’s seemed to work really well. These (L to R) Lauren Koslow, Suzanne Rogers, Ken Corday, Kristian Alfonso and Alison Sweeney.

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days the viewers are a little savvier.”

Kristian Alfonso, who has played the popular Hope Williams Brady for decades, was really put to the test when she played multiple roles mostly at the same time: Hope, Princess Gina, Hope as Princess Gina, and Princess Gina playing Hope. “If they had told me that it was going to be as big of story as it was, with all these different characters, I totally would have panicked. I thought, ‘How am I going to do this? How am I going to learn my lines… her lines…… this one’s lines,” Alfonso shared. “Trying to keep straight who knew what, and when they knew it, and playing opposite myself, was so challenging. I remember I would fall asleep with my scripts on my chest. But, it was the most amazing experience as an actress.”

Super couples have also been synonymous with Days of our Lives, from: Bo and Hope, Patch and Kayla, Shane and Kimberly, Justin and Adrienne, Marlena and John, to the show’s original super couple… Bill and Susan Seaforth Hayes (Doug and Julie Williams)… who were the first soap stars ever on the cover of a mainstream magazine, TIME, back in 1976. When Doug and Julie got married on the air for the first time, most of America tuned-in! “There were 16 million people watching, it was that big of a deal,” Bill Hayes said. “We had students not go to class. People wouldn’t go to work, because back then you couldn’t tape the show!”

Susan added, “Fans sent snap shots of everyone they knew dressed up, and having champagne and cake in honor of Doug and Julie’s wedding.”

Clockwise from top left: Suzanne Rogers, John Clarke, MacDonald Carey, Frances Reid

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As to the success of the super couples of Salem, Ken Corday says he can’t take credit: “I never invented the idea of the super couple; that was really the viewers. It was kind of the perfect storm. Everyone who we cast at the time seemed to have the “IT” factor.

Then when the actors would get thronged during public appearances, we realized this is something we need to run with and not ignore.”

Days of our Lives has had its share of Daytime Emmy winning moments, and none more special than enduring veteran Suzanne Rogers’ (Maggie) winning the very first Outstanding Supporting Actress Emmy back in 1979. Rogers recalled: “I remember sitting there, and Frances Reid was in my category! Oh, my God! So, they were presenting the category and named all the nominees. I was the last one, because “Rogers” was after “Reid”.

Then, the late Al Freeman Jr., who presented the award, announced: “And the winner is “Susan”… and Susan Brown from GH is in front of me. I lean forward and say “Congratulations!”… and he says “Rogers”… “Suzanne Rogers!” There were about 17 steps down the aisle, and then more to get up to the stage! All I could think of was ‘Don’t fall!’ I couldn’t believe it!”

No matter what’s on the screen, Days of our Lives would not be where it is today without its passionate fans who have stuck with the show through its ups and its downs. Daytime Emmy winner Eric Martsolf (Brady) relates: “I’m one of those crazy guys that actually does a lot of fan events during the year. I love the flight home from these events, because it makes me

Andrea Hall and Deidre Hall.

remember and realize why we’re doing it. I think we can easily forget that we just come to our little warehouse in Burbank, and we do our little skits, and we go home. But the fact is; there are people out there that depend on us, and these stories. I was talking to a 16-year-old-girl at an event I did in Florida. She had several operations and she had special needs. She came right up to me and said, ‘You saved my life. I just wanted to let you know.’

It was that simple, and that made that trip worth it. I love the fans. We all know we wouldn’t be here if it wasn’t for them in the first place.”

As the anniversary approaches, the iconic MacDonald Carey and Frances Reid are no longer with us, but their presence still reverberates throughout the show. The soap’s opening, to this day, is still voiced by Carey with its signature line: “Like sands through the hourglass, so are the Days of our Lives.” Kristian Alfonso remarked: “We keep them alive on the show; we talk about them. They’re our family. The love I had, and still have, is enormous for both of them. I miss them very much.”

The chair that still sits in the Horton family living room set belonged to Alice Horton, and as the show continues its unbelievable run, could that privilege be handed down to another generation?

Melissa Reeves, who was close to Reid, and plays granddaughter Jennifer, shared, “It would be much more of an honor than I can even fully understand, because that was Francis, and that was huge to me. To think that I would ever be that person in her place is kind of mind blowing. I hope we keep going, and are show continues to live on.”

(L to R) Kate Mansi, co-EP Greg Meng and Melissa Reeves

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The 66th Annual

Technology & Engineering Emmy Awards ®

Welcome to the combined Technology and Engineering Emmy® awards ceremony of the National Academy of Television Arts and Sciences (NATAS) and the Television Academy. Our honorees represent the best in Engineering Achievement for the Television professions that continue to evolve entertainment technology for the viewer and programmer alike.

This year NATAS’s Lifetime Achievement honoree is Kazuo Hirai, President and Chief Executive Officer of Sony Corporation, who is being recognized for his contributions that have materially affected the television viewing experience with such technologies as Robert P. Seidel, Chair PlayStation, Video and Music Unlimited Services and National Academy of a host of other Consumer Electronics innovations. For Television Arts and Sciences 2014, the Television Academy recognizes the Society of Engineering Achievement Motion Picture and Television Engineers (SMPTE) with Committee the Philo T. Farnsworth Award for lifetime achievement for the many contributions of that organization to the advancement of the medium. In addition, the Academy’s Charles F. Jenkins Lifetime Achievement Award honors Larry Thorpe for his contributions that have significantly affected the state of television technology and engineering.

As Chairs of the NATAS and Television Academy Engineering Achievement Committees, we are very fortunate to have the assistance of many dedicated and knowledgeable committee members, whose tireless efforts ensure that these awardees and technologies are the best in the industry. Special thanks to the NATAS Cochair, Seth Haberman and Chairman Emeritus, Charlie Jablonski, for their ongoing assistance. Additional thanks to the NATAS Awards Committee, Chaired by Linda Giannecchini, the National Academy’s new Chairman Chuck Dages, as well as the NATAS Headquarters staff who make these awards a pleasure to be a part of and thanks to the Television Academy and NATAS Executive Committee and Board of Trustees for their support.

Wendy Aylsworth, Chair Television Academy Engineering Achievement Committee

Sincerely,

Robert P. Seidel

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Wendy Aylsworth

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The 66th Annual Technology & Engineering Achievement Awards Gesture Control Systems for Video and Games (non-touch screen) Netflix

Development of Low Latency Video Streaming Live Captioning Systems EEG Enterprises Xorbit

Personalized Recommendation Engines for Video Discovery (PREVD) for MVPD’s Comcast Jinni ThinkAnalytics TiVo’s Digitalsmiths

Recommended Practice on Techniques for Establishing and Maintaining Audio Loudness for Digital Television The Advanced Television Systems Committee (ATSC)

Television Enhancement Devices Microsoft Roku Sony TiVo

Philo T. Farnsworth Award SMPTE

Secure Accelerated File Movement Over IP Including the Internet Aspera Inc., an IBM Company Data Expedition, Inc. Signiant Unlimi-Tech

Multi-format HDTV CCD Sony Professional Solutions of America

Standardization and Productization of JPEG2000 (J2K) Interoperability Artel Video Systems, Inc. Barco-Silex DVBLink Inc. Ericsson Harris Broadcast (Imagine Communications) IntoPIX Media Links Nevion Video Services Forum (VSF), Inc.

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High-Definition Multimedia Interface (HDMI) Hitachi Panasonic (Matsushita Electric) Philips Silicon Image Sony Technicolor (Thompson) RCA Toshiba

High-bandwidth Digital Content Protection (HDCP) Intel Corp.

Charles F. Jenkins Lifetime Achievement Award Laurence J. Th orpe

Pioneering Delivery of Pay-TV Linear Video to Consumer Owned and Managed Devices Over an IP Connection Major League Baseball Advanced Media NBCUniversal Time Warner Cable

LDK6000, DPM CCD Multi-format HDTV Camera System Philips Professional Broadcasting

Pioneering Development of 2nd Screen Navigable Mosaic for Direct Programmer Offerings to Consumers via the Internet Home Box Office Netflix

Innovation in Improving Engagement Around Television in Social Media Mass Relevance (Spredfast) Twitter

Lifetime Achievement Award Kazuo Hirai

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Technology and Engineering Lifetime Achievement Award

Kazuo Hirai Hirai made the PlayStat ion® brand synonymous with exceptional gaming and entertainment.

Sony’s Kazuo Hirai is the 2015 recipient of the Technology and Engineering Lifetime Achievement Award from The National Academy of Television Arts & Sciences. In his 30year career at Sony, Kazuo Hirai worked his way up from an entry-level job that occasionally involved translating when artists such as the Beastie Boys toured Japan to become the president and chief executive of Sony Corporation.

“With his wide grasp of our fast-changing digital world, from his leadership marketing international music through Sony Music Entertainment, his successful stewardship of Sony’s PlayStation® business and his integration and innovation across all of Sony’s consumer electronics products and services, Kazuo Hirai has proven to be a visionary in the evolution of technology in our industry,” said Seth Haberman, co-chairman, NATAS Engineering Achievement Committee, in announcing the honors.

The committee’s chairman, Robert P. Seidel, Vice President of CBS Engineering and Advanced Technology, cited Hirai’s “leadership, innovation and vision in helping to set the standards for technological excellence in our industry.” Hirai was born in Tokyo in December 1960, and starting at age 6, spent several years of his childhood 86

living in Canada as well as New York City, where he attended Public School 13 in Queens.

In addition to giving him fluency in English as well as Japanese, that dual cultural experience aided his career by allowing him to look at issues “from both perspectives,” Hirai said. “When I make business decisions, I’m able to articulate why that decision was made the way it was, from a cultural as well as a business perspective, which is so important in managing a global company involved in many different businesses.

Moreover, Hirai said, in business, sometimes the best strategy is to “agree to disagree. And I’m comfortable with that, because people just have so many different backgrounds culturally, demographically, age, gender, and you learn to embrace that diversity a lot more than a lot of Japanese folks because it’s a pretty homogenous society. And I was fortunate to be exposed to different perspectives at a young age.”

After graduating from the International Christian University in Tokyo, Hirai joined CBS/Sony Inc. now Sony Music Entertainment (Japan) (SMEJ), in 1984, partly because, he once told the Wall Street Journal, he believed the company offered “a ‘rock ‘n’ roll’ lifestyle.” He worked in the marketing of international music in Japan, and later ran the international business affairs department. He subsequently led the marketing of SMEJ artists in the U.S., from the New York office.

“I wanted to be able to work in an environment where, I can come to work wearing jeans; where it was a lot more liberal, and less burdened by protocol,” Hirai said.

After more than a decade in music, Hirai moved to Sony Computer Entertainment America, in 1995, just after the company launched PlayStation®, its rival to Nintendo Co.

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Clockwise from top left: Hirai started his career marketing international music in Japan.

Cars are among Hirai’s many interests.

Hirai was appointed as President and CEO of Sony Corporation in 2012, succeeding Sir Howard Stringer.

As head of Sony, Hirai manages a global company involved in many different businesses.

Four years later he was appointed its president and chief operating officer, responsible for operational management of the company’s U.S. videogame business, and in 2003 he was elevated to chief executive officer.

Of his interest in moving from music to video gaming, Hirai tells an anecdote: in September 1995, the day PlayStation® launched was also the publication day for an English CD album for a Japanese artist, which Hirai had worked on.

“After going to all the record shops around town without finding the album, I went to check out the PlayStation® because I was helping them out…and see what’s going on,” he recalls. Lines were forming around the videogame retailers. “And I realize that both are exports from Japan, but, there’s obviously a huge market for the PlayStation®.”

Hirai was a high-profile leader for PlayStation®, promoting it at the E3 trade show in Los Angeles, and it quickly became a profitable hit, helping elevate video games in the U.S. as an entire alternative entertainment genre.

By 2006, he was made president and group chief operating officer of Sony Computer Entertainment Inc. (and group chief executive officer in June 2007), which extended his responsibilities to the company’s worldwide game business, and gave him a mandate to turn around the just-launched money-losing PlayStation® 3. That turnaround became one of the major accomplishments of Hirai’s Sony career.

“That there is a book right there!” Hirai said when asked of how he approached the challenge. Broadly, he said, he changed the device’s positioning, emphasizing that it was “first and foremost a video game console and not a supercomputer for the home, and all the other stuff that everybody was trying to make it to be. Later, we talked about all the other things that you can do besides gaming on the PS3™.”

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The growth of the PlayStation® Network laid the foundation for Sony’s subsequent expansion into other online networked services. In 2009 Hirai was named president of Sony Corporation’s Networked Products & Services Group, and a Corporate Executive Officer, and two years later, the President of Sony’s Consumer Products & Services Group, overseeing Sony’s entire portfolio of consumer electronics products and digital networked services.

In April 2012, Hirai moved up to the top as Sony Corporation’s President and CEO, Representative Corporate Executive Officer, succeeding Sir Howard Stringer, (who was honored in 2010 with a Technology and Engineering Lifetime Achievement Award.) In June of that year Hirai was named as a Director of the Sony board.

Harkening back to the lessons of his multicultural childhood, Hirai said his exposure early on to diversity “helps when running such a diverse, global business like Sony. “The fact that I joined a music company from which I went to a video game company, then managing the electronics business, and finally being given the responsibility for the entire organization, even within Sony, I think I’ve been very fortunate to be able to have that diverse experience, and therefore, very divergent perspectives,” he said. Music employees are different from the financial services employees, “but we all work for Sony. So, because I’ve been to a lot of these different places…I’d like to think that I’m a little bit more sensitive to the differences of the business units, or the various businesses that we’re in.”

Hirai’s increasing responsibilities have not left as much time for his outside pursuits: “cameras, bikes, watches, cars, A/V equipment, radio controlled models, plastic models, model railroading, I love all that stuff.” But he said, he always tries to switch off for at least some period on the weekends, whether it’s an hour or 24 hours. And he adds, “I always say this as well: I don’t worry about stuff I can’t control.”

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Early Television Technology

By Ryan Salazar

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A Technology and Engineering Emmy Award is given by the National Academy of Television Arts and Sciences (NATAS); the 66th Annual Technology & Engineering Emmy速 Awards were held in conjunction with The Consumer Electronics Show (CES) on Thursday, January 8, 2015 at The Bellagio Las Vegas in Las Vegas, NV. Honoring the creation, development and innovation for revolutionary technological advances, the Technology and Engineering Awards recognize companies, organizations and individuals for their significant achievements in television engineering. Since 1948, an individual, company, or a scientific or technical organization considered for such an award for advancements has created something that may have led to standardization in engineering processes which are either a vast improvement on an existing method or are so innovative in and of themselves that they have affected the transmission, recording, or reception of television. The award is determined by a special NATAS panel composed of highly qualified, experienced engineers in the television industry.

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While television was first viewed as a fad, as most advances usually are, it maintained its hold until it became a mainstay of life. It’s now rare that you walk into a home in the U.S. and not find a television and, more and more, a large flat screen mounted to the wall, capable of high resolution and, possibly, even 3D. In all the recent talk of 4K and even 8K television, it’s hard to remember a time in our nation when we didn’t have a single TV in the house, let alone several.

Before television, radio was the pinnacle of electronic home entertainment. Radio made its first successful trans-Atlantic transmission at the dawn of the 20th century.

Strangely enough, the first televisions weren’t even electronic. The first machine that could record and reproduce sound, the phonograph, wasn’t electronic, either - it was mechanical.

Edison brought us this machine in the late 1870’s. Radio, the result of many brilliant minds, conversely, was electric.

The word “television” was coined in the year 1900. Instant transmission of some of these mechanically created images (via radio waves) did not begin until almost 10 years later. These early televisions worked by a wide variety of means. The ‘Image Rasterizer’ used what they called a Nipkow disk (after its creator, Paul Gottlieb Nipkow, who patented the device in 1884) to create images. Essentially, the disk had several holes in it and the image viewed could be reproduced by shining a light into the disk as it was rapidly spun. Another version of mechanical television used a mechanical motor combined with an arrangement of 64 selenium cells. This early system produced an 8x8 pixel image resolution just clear enough to transmit the image of single letters of the alphabet. Another method for mechanical image transmission included spinning mirrors.

It wasn’t until purely later, when television technology began to be explored in earnest, that any lasting progress was made. Philo Farnsworth is known as the father of television, because he obtained patents at a very young age as he sought to create the ideal television and he had to fight several legal battles (patent disputes) with big business to get his due. It was with the help of his high school chemistry teacher, Justin Tolman, that he was able to obtain his greatest victory against a major corporation and gain royalties for past and future use of his invention. Farnsworth’s image dissector was a vastly important component of early electronic televisions.

One of the greatest technological achievements in the television industry was the Kinescope recording process.

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Long before we could “tape a show” or digitally record it for playback on the myriad of handheld devices now available, television was live and there was no process in place to record it – the reason that so many early television shows survive only as memories in those old enough to have been around in the early days of television. Let’s go back and see how it all started…

From early television trials in the 1920’s and 1930’s, “broadcast engineers” (a term unheard of in the day but what those who came after these pioneers would later be known as) dabbled in capturing television transmissions. If they existed, they should be able to be contained. Working diligently on the problem, Dr. Frank Grey of Bell Labs developed the first telerecording equipment in February, 1929 and, later in 1930, General Electric’s Schenectady New York “House

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of Magic” Labs were able to obtain experimental television images on film. Filming a television monitor was not any one man’s idea, however; wherever there was television, someone had the idea to film a television monitor as it was being transmitted.

Fast-forward to 1945, when television certainly had taken hold in the United States. It wasn’t long before broadcasters realized that they needed a system in order to record their live television broadcasts either for archival purposes or for later use. For example, there was a three hour time difference between New York and Los Angeles; in order for programs that occurred live in New York to be seen in Los Angeles, something had to be developed in order to accomplish this feat.

The only real medium that existed at the time was movie film. The television networks NBC and Dumont joined forces with Kodak and created the Eastman Television Recorder which was, essentially, a 16mm sound film camera (and later a 35mm sound camera) attached to a television set. The device was dubbed “Kinescope” and it became the standard process for capturing television programs.

Comedian Milton Berle’s 1949 Emmy win as “Most Outstanding Kinescope Personality,” along with The Texaco Star Theater’s Emmy Award for “Best Kinescope Show,” demonstrates the importance of the process during the era of early television.

With NBC, CBS and Dumont setting up their Kinescope facilities in New York and ABC setting up there is in Chicago in the early 1950’s, hundreds of film prints were being shipped across country to network affiliates for broadcast. In fact, by 1954, television using film surpassed that of Hollywood. The term “bicycling” was used to refer to this practice of distributing the Kinescopes to all the network affiliates.

But there were problems. A story citing NBC in the July 17, 1948 issue of Billboard estimates that it cost $480 - $1,000 (or $3,600 - $7,500 in today’s dollars) per hour to “Kinescope” a live program. In addition, there was an issue with the actual process. Film cameras run at a speed of 24 frames-per-second (fps); television images have a speed of 30 fps. Workarounds to accommodate the extra 6 frames of film per second were devised, but another process needed to be invented.

Crooner Bing Crosby experimented with the videotape process as early as 1951. However, it wasn’t until 1956 until videotape became increasingly used; networks were slow to convert from the Kinescope process to this new form of recording. At the time, videotape was crude and could not handle color or slow-motion. It seemed to just add another process to a system that was already working well. In addition, a video tape recorder ran about 94

$50,000.00 (about $335,000.00 in today’s dollars), so it was a costly investment.

Naturally, the bulky videotape machines became smaller and were adapted for home consumer use.

There are still quite a few people around who remember the great JVC VHS versus Sony Betamax wars, and I don’t think I have to go into who won that war do I? But those were for commercial use; the old Kinescope method evolved into the process that is used today throughout the industry.

Whenever content is recorded today, it’s usually created in digital format and saved on a hard disk drive (much like the one inside your home computer) or various other devices like SD Cards or things similar.

In this way, the program is easily transferred onto a shared storage system for easy access to complete the post production process. It is during this time that the program is edited and has graphics added (such as titles, music, or other special effects – like explosions and the like). Aside from the actual capturing of the content, the post-production process can take a little time.

“Bicycling” has been replaced by electronic transfers.

For larger distribution schemes, electronic broadcast distributors are considered the “common carrier of video” and transfer most of the digital video files around the globe, reaching every outlet that requires the file for broadcasting. It is these companies that are truly the worldwide traffic magicians, ensuring that our favorite programs reach us.

The files are sent to all stations, and can even be tracked via digital watermark attached within the file that is hidden when broadcast (in other words, we can’t see it) but can be sensed with electronic equipment.

Surprisingly, I couldn’t find where an award was given for the creation and development of the Kinescope process. However, an Emmy Award was given in 1957 to Ampex, for its hand in the creation of the video tape recorder.

About Ryan Salazar Media entrepreneur Ryan Salazar is the CEO and Editor-InChief of Broadcast Beat Magazine (broadcastbeat.com). Daily blogs will help keep you up-to-date on the ever-changing media industry from the tiniest of fluctuations to the major modifications! With well-informed authors making you as wellinformed as one should be in the media marketplace! There’s plenty of work to do – so for now, keep your information current and stay blogged-in!

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The 2015 Sports Emmy Awards ®

Honors the Industry’s Top Professionals

The sports world gathers in New York on May 5th for the 36th Annual Sports Emmy Awards. With a record-setting number of entries, and more and more participation from a variety of outlets , the competition shapes up to be one of the most suspenseful ever. “The quality of sports television continues to shine as the coverage available to the consumer in multiple formats grows exponentially,” said Bob Mauro, President of the National Academy of Television Arts and Sciences (NATAS).

ESPN’s family of networks and websites led the number of nominees with 57. The network’s flagship, SportsCenter, has seven nominations as does E:60, a weekly investigative journalism newsmagazine show. ESPN’s coverage of the 2014 FIFA World Cup in Brazil, led by some dramatic US games and Germany’s blitz to the championship, netted six nominations.

Steve Ulrich The one telecast that received the most nominations was NBC’s coverage Executive Director of the XXII Olympic Winter Games in Sochi. The thousands of hours of Sports Emmy® Awards coverage on five networks and an associated website leads the list with 15 nominations. The NBC Sports Group totaled 42 nominations behind ESPN, with the FOX Sports Media Group in third with 26 nominations.

Rounding out the nominations leaderboard: CBS and Turner Sports with 18, baseball’s media outlets of MLB Network and MLB.com with 17, HBO with 12 and NFL Media with eight.

This year’s Lifetime Achievement Award honoree is George Bodenheimer, the former ESPN Executive Chairman and President. “The National Academy is awarding this year’s Sports Lifetime Achievement Award to an individual who helped change the landscape of sports broadcasting globally,” said Mauro. “Working his way up from the mailroom, George Bodenheimer became its longest-tenured President while leading ESPN to an unprecedented period of global growth. His guiding hand in a multiplicity of new networks and platforms has made ESPN synonymous with sports content ‘anytime and anywhere.’ Bodenheimer will join the ranks of Ted Turner, Roone Arledge, Al Michaels, Jim McKay, Howard Cosell, Dick Enberg, Pat Summerall, Jack Whitaker, Frank Gifford, Keith Jackson, Jack Buck and John Madden who have been bestowed this honor in the past.

During the ceremony, the sports television community will pause to honor those who have passed away since the previous Emmy celebration. In the past year, we have lost Tony Verna, the long-time director for CBS who is credited as the inventor of the instant replay, Rhonda Glenn, the first woman to be a full-time network sportscaster for ESPN in 1981 and Stuart Scott, the SportsCenter anchor who brought a new style and language to the world of sports tv. Perhaps fittingly, Scott is a nominee this year in the Outstanding Sports Personality – Studio Host category.

Sports programming was eligible for the Emmy® Award in the Prime Time Emmy® Awards prior to 1979, when the Sports categories were first presented in a separate ceremony. Only 12 Emmys were awarded that year; currently the Sports awards celebrate 40 categories consisting of sports programming, sports talent and the craft awards including editing, writing and graphic design.

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STAR WARS: THE CLONE WARS

VEGGIETALES IN THE HOUSE

ALL HAIL KING JULIEN

Congratulations to some clone troopers, a fun bunch of vegetables and a party King!

13 DAYTIME EMMY®AWARD NOMINATIONS! VEGGIETALES IN THE HOUSE

STAR WARS: THE CLONE WARS

Outstanding Pre-School Children’s Animated Program EXECUTIVE PRODUCER SUPERVISING PRODUCERS LINE PRODUCER

DOUG TENNAPEL RANDY DORMANS CHRIS NEUHAHN RACHEL CURET

ALL HAIL KING JULIEN

Outstanding Children’s Animated Program EXECUTIVE PRODUCERS SUPERVISING PRODUCERS

PRODUCER

BRET HAALAND MITCH WATSON RANDY DORMANS NICK FILIPPI CHRIS NEUHAHN KATIE ELY

Outstanding Performer in an Animated Program DANNY JACOBS

Outstanding Special Class Animated Program EXECUTIVE PRODUCER SUPERVISING DIRECTOR PRODUCER LINE PRODUCER

Outstanding Sound Mixing ANIMATION PRODUCTION MIXER RE-RECORDING MIXER FOLEY MIXER SCORING MIXER

GEORGE LUCAS DAVE FILONI CARY SILVER ATHENA PORTILLO

CAMERON DAVIS DAVID ACORD FRANK RINELLA MARK EVANS

Outstanding Performer in an Animated Program

Outstanding Sound Editing

MARK HAMILL

SUPERVISING SOUND EDITOR SOUND DESIGNER MUSIC EDITOR SOUND EDITORS

ANIMATION

AS DARTH BANE

Outstanding Writing in an Animated Program WRITER

FOLEY EDITORS FOLEY ARTISTS

CHRISTIAN TAYLOR

Outstanding Music Direction and Composition

Outstanding Directing in an Animated Program SUPERVISING DIRECTOR DIRECTORS

AS KING JULIEN

MATTHEW WOOD DAVID ACORD DEAN MENTA JEREMY BOWKER STEVE SLANEC ANDREA GARD KEVIN SELLERS DENNIE THORPE JANA VANCE

DAVE FILONI BRIAN KALIN O’CONNELL DANNY KELLER STEWARD LEE KYLE DUNLEVY BOSCO NG

COMPOSER

KEVIN KINER

Outstanding Casting for an Animated Series or Special CASTING DIRECTOR

ANIA O’HARE

Outstanding Directing in an Animated Program DIRECTOR

CHRISTO STAMBOLIEV

Outstanding Original Song “WHO’S DA KING” COMPOSERS & LYRICISTS

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NETFLIX

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The 2015 Sports Emmy Awards ®

Outstanding Live Sports Special

Outstanding Edited Sports Special

Outstanding Sports Documentary Series

146th Belmont Stakes NBC

E: 60 Dream On: Stories of Boston’s Strongest ESPN2

24/7 HBO

2014 FIFA World Cup Final Germany vs. Argentina ABC College Football Playoff National Championship Oregon vs. Ohio State ESPN Daytona 500 FOX Super Bowl XLIX Seattle Seahawks vs. New England Patriots NBC

Outstanding Live Sports Series

Mr. Baseball: Bob Uecker MLB Network

30 for 30 ESPN [ESPN Films] A Football Life NFL Network [NFL Films]

Outstanding Playoff Coverage

All Access Showtime

NASCAR Chase for the Cup ESPN

Hard Knocks Training Camp with the Atlanta Falcons HBO [NFL Films]

National League Championship Series San Francisco Giants vs.

St. Louis Cardinals FOX Sports 1

Undrafted NFL Network

ESPN College Football ABC/ESPN/SEC Network

NCAA March Madness tbs/CBS/TNT/truTV

ESPN Monday Night Football ESPN

Outstanding Studio Show - Weekly

NFC Championship Game Green Bay Packers vs. Seattle Seahawks FOX

College GameDay Football ESPN

NFL Playoffs AFC Wild Card (Baltimore Ravens vs. Pittsburgh Steelers) & AFC Divisional Playoff (Baltimore Ravens vs. New England Patriots) NBC

Football Night In America NBC

NASCAR on FOX FOX/FOX Sports 1 Sunday Night Football NBC

Outstanding Edited Sports Coverage All Access Epilogue: Mayweather vs. Maidana Showtime Derek Jeter: Night 2 Remember FOX Sports 1 [MLB Productions] Ironman World Championship NBC [Texas Crew Productions] NFL Turning Point NBCSN [NFL Films] Sound FX Super Bowl XLVIII NFL Network [NFL Films]

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Football America: Our Stories FOX [NFL Films]

Outstanding Sports Documentary McConkey Starz [Red Bull Media House] Payne Golf Channel SEC Storied It’s Time SEC Network [ESPN Films] We Could Be King ESPNews [Tribeca Digital Studios]

Inside the NBA on TNT TNT Sunday NFL Countdown ESPN

Outstanding Studio Show - Daily Inside The NBA on TNT: Playoffs TNT MLB Tonight MLB Network NFL Live ESPN2 Pardon the Interruption ESPN [Rydholm Projects] SportsCenter ESPN

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Outstanding Sports News Anthology

Outstanding Long Feature

E: 60 ESPN2

E: 60 Catching Kayla ESPN2

Outside the Lines ESPN Real Sports with Bryant Gumbel HBO SC Featured ESPN

Outstanding Sports Journalism 60 Minutes Sports Phil Ivey Showtime [CBS News] Real Sports with Bryant Gumbel Death at the Track HBO Real Sports with Bryant Gumbel Higher Education?

HBO Real Sports with Bryant Gumbel Kids & Guns HBO Real Sports with Bryant Gumbel Sport in Qatar: The Price of Glory HBO

Outstanding Short Feature E: 60 Loud and Proud ESPN2 FOX Sports Live Corked: The Albert Belle Bat Heist FOXSports.com Inside the NFL The Final Stitch Showtime [CBS Sports/NFL Films] Road to the Final Four Buzz’s Bunch CBS Sunday NFL Countdown Danny’s Day ESPN

E: 60 Owen and Haatchi ESPN2 SportsCenter SC Featured – Lauren Hill: One More Game ESPN SportsCenter SC Featured – Pete’s Challenge ESPN The XXII Olympic Winter Games Long Way Home: The Jessica Long Story NBC

Outstanding Open/Tease 2014 Baseball Hall of Fame Induction Ceremony Hall of Heroes MLB Network College Football on CBS The Army-Navy Game: A Different Kind of Game CBS E: 60 Dream On: Stories of Boston’s Strongest ESPN2 MLB on tbs Postseason One-Man Show tbs NCAA March Madness March Madness Tease tbs/CBS/TNT/truTV NFL on CBS AFC Championship 2014: Would You Watch?

CBS

Outstanding New Approaches Sports Event Coverage College Football Playoff National Championship MegaCast ESPN/WatchESPN ESPN Sport Science X Games ESPN NCAA March Madness NCAA Teamcast tbs/TNT/truTV The XXII Olympic Winter Games nbcolympics.com

Outstanding New Approaches Sports Programming Anatomy Of A Pitch ESPN.com Enduring Guilt ESPN.com Games of Zones BleacherReport.com Together We Make Football The Contest TogetherWeMakeFootball.com [NFL Films] The XXII Olympic Winter Games As the Athletes Experienced Them NBCOlympics.com

Outstanding New Approaches Sports Programming Short Format Captain’s Curtain Call FOXSports.com NFL UP! NFL Digital Media PK Thanks Chicago MLB.com [312 Media] Putt Putt Perfection grantland.com

The NFL Today Homes for Wounded Warriors: Jared Allen CBS

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The 2015 Sports Emmy Awards ®

Outstanding Sports Personality Studio Host

Outstanding Sports Personality Sports Event Analyst

Bob Costas NBC/MLB Network

Cris Collinsworth NBC

Rich Eisen NFL Network/DirecTV

Jon Gruden ESPN

Ernie Johnson TNT

Jeff Van Gundy ABC/ESPN

Keith Olbermann ESPN2

Kirk Herbstreit ABC/ESPN

Stuart Scott ESPN

Harold Reynolds FOX/FOX Sports 1/MLB Network

Matt Vasgersian MLB Network

Outstanding Sports Personality Sports Reporter

Outstanding Sports Personality Play-by-Play

Ken Rosenthal FOX/FOX Sports 1/MLB Network

Mike Breen ABC/ESPN

Holly Rowe ESPN/espnW

Bob Costas MLB Network

Lisa Salters ESPN

Ian Eagle tbs/CBS/TNT/truTV

Michele Tafoya NBC

Mike Emrick NBC/NBCSN

Tom Verducci MLB Network

Dan Hicks NBC/Golf Channel

Tracy Wolfson tbs/CBS/TNT/truTV/NFL Network

Outstanding Sports Personality Studio Analyst

Outstanding Technical Team Remote

Charles Barkley TNT Rick Neuheisel PAC-12 Network Harold Reynolds MLB Network Tom Verducci MLB Network

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ESPN College Football ESPN Golf on CBS CBS

Outstanding Technical Team Studio Football Night In America NBC FOX NFL Sunday Super Bowl XLVIII – Seattle Seahawks vs. Denver Broncos FOX/FOXSPORTS.COM MLB Tonight MLB Network Premier League NBC/NBCSN The XXII Olympic Winter Games NBC

Outstanding Camera Work 2014 FIFA World Cup ABC/ESPN/ESPN2 24/7 Cotto – Martinez HBO FOX Sports Live Terrance West: “Football, Family, and NFL Dreams” FOX Sports 1 Inside the NFL Super Bowl XLIX Season 7 Finale Showtime [NFL Films] Ironman World Championship NBC [Texas Crew Productions] NFL Films Presents Shots of the Year NFL Network [NFL Films]

NASCAR on FOX FOX/FOX Sports 1 The XXII Olympic Winter Games NBC

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Outstanding Short Form Editing

The Dick Schaap Outstanding Writing Award

Outstanding Post-Produced Audio/Sound

FOX Sports Live Captain’s Curtain Call FOXSports.com

60 Minutes Sports All Blacks Showtime [CBS News]

FOX Sports Live Walking Dead: The Charlie Rowan Story FOX Sports 1

FOX Sports Live Corked: The Albert Belle Bat Heist FOXSports.com FOX Sports Live Driven: Jay Blake FOXSports.com NBA on TNT Kendrick Lamar “I” TNT The XXII Olympic Winter Games Profiles of the XXII Olympic Winter Games NBC

E: 60 Owen and Haatchi ESPN2 MLB on tbs Postseason One-Man Show tbs The XXII Olympic Winter Games Lokomotiv NBC The XXII Olympic Winter Games Winter’s Theatre NBC

The XXII Olympic Winter Games Remember The Titans NBC

Outstanding Music Composition/Direction/Lyrics

Outstanding Long Form Editing

2014 Baseball Hall of Fame Induction Ceremony Hall of Heroes MLB Network

All Access Epilogue: Mayweather vs. Maidana II Showtime Deep Dive National Geographic Channel [Bluefoot Entertainment] FOX Sports Live Finding Rico Harris: The Vanishing Man FOX Sports 1 Hard Knocks Training Camp with the Atlanta Falcons HBO [NFL Films] Inside the NFL Super Bowl XLIX Showtime [NFL Films] Notre Dame: Reborn NBC The Third Team MLB Network The XXII Olympic Winter Games Long Way Home: The Jessica Long Story NBC

2014 FIFA World Cup Six Degrees ABC/ESPN/ESPN2 Hard Knocks Training Camp with the Atlanta Falcons HBO [NFL Films] Road To The Super Bowl FOX [NFL Films]

Hard Knocks Training Camp with the Atlanta Falcons HBO [NFL Films] Inside the NFL Super Bowl XLIX Season 7 Finale Showtime [NFL Films] MLB on tbs Postseason One Man Show tbs NBA on TNT TNT The XXII Olympic Winter Games Winter’s Theater NBC

Outstanding Live Graphic Design 2014 FIFA World Cup ABC/ESPN/ESPN2 MLB on FOX FOX/FOX Sports 1 SportsCenter ESPN Sunday Night Football NBC Super Bowl XLIX NBC

SEC Storied It’s Time SEC Network [ESPN Films]

The XXII Olympic Winter Games NBC/NBCSN/CNBC/USA/MSNBC

Outstanding Live Event Audio/Sound

Outstanding Post-Produced Graphic Design

HBO Boxing HBO

2014 NBA Draft ESPN

MLB on FOX FOX/FOX Sports 1

ESPN Monday Night Football ESPN

NASCAR on FOX FOX/FOX Sports 1

ESPN Sport Science ABC/ESPN/ESPN2

NFL on FOX FOX

The Grantland Basketball Hour ESPN

The XXII Olympic Winter Games NBC/NBCSN/CNBC/USA/MSNBC Emmy Almanac | 2015 Edition

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The 2015 Sports Emmy Awards ®

Outstanding Studio Design/Art Direction FOX NFL Sunday Super Bowl XLVIII – Seattle Seahawks vs. Denver Broncos FOX SportsCenter ESPN Sunday NFL Countdown, NFL Live, NFL Insiders, Monday Night Countdown, NFL PrimeTime ESPN Studio W ESPN The XXII Olympic Winter Games NBC/NBCSN

Outstanding Production Design/Art Direction 2014 Baseball Hall of Fame Induction Ceremony Hall of Heroes MLB Network MLB on tbs Postseason One-Man Show tbs Sunday Night Football Waiting All Day For Sunday Night Open NBC Super Bowl XLIX Waiting All Day For A Super Bowl Fight Open NBC

The George Wensel Technical Achievement Award

Outstanding Sports Promotional Announcement

2014 FIFA World Cup World Cup Big Event/Time Zone/I Believe ABC/ESPN/ESPN2 [Picture Farm, Other Films, & Wieden + Kennedy] MLB on FOX Sports 1 MLB Awareness Campaign – Ready/Working/Sweet FOX Sports 1 MLB on tbs Postseason One-Man Show tbs Monuments MLB Network NBC Sports Best Seat NBC/NBCSN

Outstanding Live Sports Coverage in Spanish (Cobertura Sobresaliente de Deportes en Vivo y en Español) 2014 FIFA World Cup Univision Futbol Estelar La Gran Final – Leon vs. Pachuca Telemundo Futbol Estelar Premier League Championship Sunday Telemundo/Mun2

2014 NBA All-Star Weekend Free D Replay System TNT

NASCAR Toyota 120 Mun2

ESPN Monday Night Football VFX ESPN

Super Bowl XLIX Seattle Seahawks vs. New England Patriots NBCUniverso

A

Outstanding Studio Show in Spanish (Programa Sobresaliente Grabado en Estudio en Español) Contacto Deportivo Univision Fuera de Juego ESPN Deportes Futbol Central Univision SportsCenter Deportes ESPN Deportes Univision Deportes Futbol Club Univision

Outstanding On-Air Sports Personality in Spanish (Presentador Deportivo Sobresaliente en Programa Trasmitido en Español) Enrique Bermudez Univision Andres Cantor Telemundo José Ramon Fernandez ESPN Deportes Ernesto Jerez ESPN Deportes Marion Reimers FOX Deportes

IP Production PAC-12 Network SportsCenter, NFL Primetime and NFL Countdown ESPN Digital Center 2 ESPN/ESPN2/ESPNews The XXII Olympic Winter Games Maximum Access NBC

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Sports Emmy® Lifetime Achievement Award

By Ed Sherman

It seems to be an unofficial mandate. Every story about George Bodenheimer has to state that he started in the mailroom at ESPN. Bodenheimer himself referred to it in the title of his new autobiography: “Every Town is a Sports Town: Business Leadership at ESPN from the Mailroom to the Boardroom.”

Now there’s another amendment to the line: From the mailroom to winning this year’s Lifetime Achievement Award for Sports at the 36th Annual Sports Emmy Awards.

To fully understand Bodenheimer and his immense accomplishments at ESPN, it is incumbent to go back to the day in 1981 when, as a recent graduate of Denison 104

University, he interviewed at ESPN. Bodenheimer was dejected at being offered a mailroom position with an annual salary of $8,000. His father convinced him to take the job. “He said it was a career decision, not a money decision,” Bodenheimer said.

Quickly, Bodenheimer found himself caught up in the whirlwind of ESPN. The network was in its relative infancy still trying to find its way. The young Bodenheimer was molded by that culture -- the passion to serve sports viewers; the try-anything innovation; and the team mentality of pulling together for a common goal.

When Bodenheimer became president of ESPN in 1998, he carried on that legacy.

“When you’re president of ESPN, people want to know what your strategy is for going forward?” Bodenheimer said.

“I would say: ‘We’d try many things. Those that work, we keep doing and try to make better all the time, and those that don’t work, we stop doing. That’s our strategy.’”

As it turns out, it was a winning game plan for Bodenheimer and ESPN. At the end of his 13year tenure, Bodenheimer had presided over a period unprecedented growth, change and innovation that enabled the ESPN to claim: • Eight domestic television networks, up from four.

• 12 HD services, from 0.

• Nearly 100 million households for ESPN and ESPN2, from 75 and 62 million, respectively.

• 48 international television networks, from 20.

• 18 web sites, from one.

• 7,000 employees worldwide, from 1,900.

• Exclusive multimedia rights for NFL Monday Night Football and NASCAR. • A wide-ranging, multimedia, multi-year agreement with the NBA. • The creation of popular studio shows like “Pardon the Interruption.”

• Programming outside the network’s traditional event and news/information offerings, as exemplified by the critically acclaimed “30 for 30” film project.

• Growth of the Bristol (Conn.) Campus to 116 acres (from 39), 18 buildings (from eight) and 1.3 million square feet (from 260,000), as well as a state-of-the-art production facility in Los Angeles opened in 2009, and a second Digital Center in Bristol that opened in 2014.

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Little wonder that Bodenheimer’s friend and the current ESPN president, John Skipper, declared: “George is the most influential person in the history of this company. He is the guy who built ESPN from the great idea it was into the most significant, most influential multi-platform company in the world.”

Chuck Pagano, ESPN’s former chief technology officer, said: “George was the right man at the right time for ESPN.” But early on, it didn’t seem that way. As Bodenheimer recalls: “I had people telling me, ‘You’re not going to be able to grow the company beyond where it is today. It’s already a success. Good luck.’”

Instead, Bodenheimer took ESPN’s mantra of “Serve sports fan, anytime, anywhere” to a new level. That meant finding new opportunities in an ever-changing media landscape.

Edwin Durso, ESPN’s executive vice-president of administration, said Bodenheimer had an “irrepressible optimism” that inspired people working for him. There was a feeling that anything was possible if executed in the proper manner.

“George was the guiding hand,” Durso said. “He would ask, ‘Are we serving fans? Does it stay true to our core? Do we have confidence we can pull it off? Are we taking prudent risks to grow the business?’ He asked the questions and then had confidence in people to perform well.”

Bodenheimer is a bit more humble about his approach, and he points to the time when ESPN rolled out its version of the mobile phone as an example. In the wake of the much-hyped phone launch, Bodenheimer introduced himself to Steve Jobs at a Disney board meeting. Jobs told Bodenheimer, “I hate your phone,” and walked away.

Although it stung at the time, Bodenheimer uses the mobile phone story as an illustration of the philosophy that helped ESPN achieve its dominant stature.

“We were on the wrong business model in ‘05,” Bodenheimer said. “But all the people we hired and the software we were working on ended up driving ESPN mobile and its commanding market share today. That’s just another example of how you’ve got to be willing to embrace change and not just sit there with your existing models.”

The mobile phone story, with its early reversal and eventual success, underscores another aspect of Bodenheimer’s tenure and personal business philosophy.

“His message to us was, ‘Empower people to lead,’” said Rosa Gatti, former ESPN senior vice-president of corporate communications. “You never know where an idea might come from. He felt if we can work together as a team, we can achieve great things as a company.”

From his early day in the mailroom through his tenure in the boardroom, Bodenheimer came to believe that the concept of family was embedded in the culture at Bristol. He referred to it as ESPN’s “strategic advantage.”

“I was at plenty of 50-yard lines and court-side seats, and I loved that all,” Bodenheimer said. “But the best part of the job for me was watching the ESPN people work together.”

Bodenheimer helped advance this familial concept with a blend of innate humility and a personal touch that informed his interactions with everyone from new ESPN employees to the highest figures in sports. Bodenheimer always was a picture of calm and civility, even during negotiations with commissioners and top sports executives, said Skipper.

“George always told me, ‘It’s just business,’” Skipper said. “That meant personalizing any of this would be a big mistake. People had complete trust in George.”

Bodenheimer built on that trust when he pushed the company to become more involved with the local community and at the charitable level. He helped launch the V Foundation, which has raised more than $130 million for cancer research.

“It’s important that they know that their company stands for something beyond simply making money,” Bodenheimer said.

Bodenheimer often is asked where he sees ESPN going in the future? He has a standard reply: “I don’t know. I don’t know if we’re going to be watching sports from the inside of a coffee cup or on clouds when we’re sitting on the beach.

But I do know that ESPN will be working very hard to be there and be there first because that’s what the culture of the company demands.”

Bodenheimer’s own demands will keep him busy as well.

He sits on the boards of SiriusXM and Under Armour. He travels around the country promoting his new book and fulfilling speaking engagements. He is also the chairman of the V Foundation’s capital campaign, to which he is donating all the proceeds from his book.

Bodenheimer’s stop in New York to receive his Lifetime Achievement Emmy will not be the first nor last recognition of an exceptional man and his achievements.

Friends and family expect Bodenheimer to be typically humble and accept the award on behalf of ESPN. Pagano, though, says there will be an immense sense of pride for people who knew and came to admire the one-time kid in the mail room.

“For people who have been around him all these years, we’re going to be so proud for him,” Pagano said. “He’s such a class act and so deserving of this award.”

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The 35th Annual News and Documentary Emmy Awards ®

An Exciting Time for News & Documentary

In its 36th year, the mission of the News & Documentary Emmy® Awards remains the same as when the competition was founded in 1979: honoring the films and reports that exemplify the core values at the heart of broadcast news and documentary filmmaking, while also rewarding the innovators who push the profession to evolve and grow.

Our 2014 Lifetime Achievement honoree, William J. Small, embodied both of these qualities. Bill Small was the legendary chief of the CBS News Washington bureau during it’s heyday in the 1960’s and 70’s, what Roger Mudd has called the “glory days” of TV news. While not exactly a household name, Mr. Small is revered in the TV news business as the driving force behind one of the most important and accomplished national bureaus in the history of the craft. He is widely acknowledged by his peers as having helped to create the standards for David Winn excellence in reporting that broadcast journalists strive to meet today.

Senior Vice President Bill Small had an incredible eye for journalistic talent. He put together a News and Documentary seminal team of producers and reporters at CBS—Eric Sevareid, Roger Mudd, Emmy® Awards Marvin Kalb, Daniel Schorr, Harry Reasoner, Dan Rather, Bob Schieffer, Ed Bradley, Bernard Shaw, and Bill Moyers among them. In addition, his aggressive recruitment of women journalists diversified the profession at a time when women were extremely underrepresented in network news. Diane Sawyer, Lesley Stahl, Susan Zirinsky, Connie Chung, Martha Teichner and Rita Braver were among the many talented women journalists brought into the profession

by Mr. Small during his tenure.

Small drove and inspired his team to distinguished coverage of some of the most historic events of the second half of the twentieth century.

Bill Small embraced change while upholding the highest standards of the profession, and the National Television Academy is proud to acknowledge him for his achievements.

The 1960’s and 70’s were without question a critical period in the evolution of broadcast news, but one should perhaps be wary of thinking of the period as a kind of golden age. Like the current moment, the period was one of transition.

The main driver of change today, as everyone knows, is technology.

Technological innovation is disrupting old business models, but at the same time the present is a period of incredible opportunity. Legacy media is busy exploiting the possibilities unleashed by new technology while new players like Vice News, which recently announced that it will produce a daily 30-minute newscast to air on HBO, are demonstrating that it’s possible to produce high quality video journalism that appeals to a younger audience. Often digital upstarts are presented as implacable opponents of legacy media, but the reality is more complicated. In many ways, the two are becoming more and more alike. Legacy media is in the process of fully embracing the possibilities of new media (which, after all, isn’t all that new anymore), while new media upstarts are becoming more like their old media counterparts. They are producing video and multimedia projects that stretch the form while striving to adhere to the best practices that have guided the profession for the last half century.

One area where we might be justified in declaring the current period a “golden age” is that of documentary filmmaking. Viewers’ hunger for “reality” seems only to grow with each passing year, and more documentaries, on a 106

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wider range of subjects, are being produced today than ever before. And while documentaries often differ from news reporting in that they are as much a part of the tradition of cinema as of journalism, and are more about taking the long view than reporting the news of the moment, they are increasingly giving the news divisions a run for their money when it comes to breaking news. To cite just two of many recent examples, revelations uncovered by filmmaker Andrew Jarecki in his recent HBO true crime doc, “The Jinx”, contributed to the arrest for murder of New York real estate scion Robert Durst (generating no small amount of controversy in the process, and raising questions about just how well good journalism and dramatic storytelling go together). And documentary filmmaker Laura Poitras was instrumental in breaking the story of the NSA’s global electronic surveillance program through her work with the Guardian newspaper and journalist Glenn Greenwald. The Guardian US won a Pulitzer Prize last year for it’s reporting on the Edward Snowden revelations, and Poitras’ resulting film, “Citizen Four”, won an Oscar. In addition the Guardian US won a News & Doc Emmy last year for “NSA Decoded”, an interactive explanatory multimedia feature that explores the issues raised by its original reporting on the Snowden revelations.

The technological and economic obstacles to making a documentary lower than they’ve ever been, and there is arguably more experimentation with the form than ever before, from animated documentaries, to the use of stylized reenactments of the kind pioneered by Errol Morris in “The Thin Blue Line” and more recently Joshua Oppenheimer’s remarkable “The Act of Killing”, to multimedia and transmedia projects that attempt to engage the viewer in a more interactive and collaborative way. And at the leading edge of innovation are virtual reality and video game-like projects that pose fundamental challenges to the way documentary films and news report have traditionally been conceived.

Golden age or not, it’s an exciting time for journalism and documentary filmmaking, and we at the News & Documentary Emmy Awards look forward to honoring the best of what’s to come.

The 35th Annual News and Documentary Emmy Award Winners ®

OUTSTANDING COVERAGE OF A BREAKING NEWS STORY IN A REGULARLY SCHEDULED NEWSCAST

OUTSTANDING INVESTIGATIVE JOURNALISM IN A REGULARLY SCHEDULED NEWSCAST

OUTSTANDING CONTINUING COVERAGE OF A NEWS STORY IN A NEWS MAGAZINE

NBC Nightly News with Brian Williams Devastation in Oklahoma

Nightline Raid in the Philippines ABC

60 Minutes Imminent Danger CBS

OUTSTANDING CONTINUING COVERAGE OF A NEWS STORY IN A REGULARLY SCHEDULED NEWSCAST

OUTSTANDING BUSINESS AND ECONOMIC REPORTING IN A REGULARY SCHEDULED NEWSCAST

BBC World News America Inside Syria’s Deadly Conflict

Nightline Brian Ross Investigates: Billion Dollar Losers--China Fraud and U.S. Markets ABC

OUTSTANDING FEATURE STORY IN A REGULARLY SCHEDULED NEWSCAST BBC World News America Suffering in the Central African Republic

OUTSTANDING COVERAGE OF A BREAKING NEWS STORY IN A NEWS MAGAZINE 48 Hours Caught CBS

Need to Know Dying to Get Back PBS

OUTSTANDING FEATURE STORY IN A NEWS MAGAZINE 60 Minutes Africa Mercy CBS

OUTSTANDING INVESTIGATIVE JOURNALISM IN A NEWS MAGAZINE Fault Lines Haiti in a Time of Cholera Al Jazeera America

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The 35th Annual News and Documentary Emmy Award Winners ®

OUTSTANDING BUSINESS AND ECONOMIC REPORTING IN A NEWS MAGAZINE 60 Minutes China’s Real Estate Bubble CBS

OUTSTANDING NEWS DISCUSSION AND ANALYSIS Face the Nation 50th Anniversary of John F. Kennedy’s Assassination CBS

OUTSTANDING LIVE COVERAGE OF A CURRENT NEWS STORY – LONG FORM

OUTSTANDING HISTORICAL PROGRAMMING – LONG FORM The African Americans: Many Rivers to Cross with Henry Louis Gates, Jr. PBS

BEST STORY IN A REGULARLY SCHEDULED NEWSCAST Nightline The War For Paradise ABC

OUTSTANDING BUSINESS AND ECONOMIC REPORTING – LONG FORM

BEST REPORT IN A NEWS MAGAZINE

FRONTLINE The Retirement Gamble PBS

60 Minutes Guantanamo and Gitmo CBS

OUTSTANDING INTERVIEW

BEST DOCUMENTARY

CBS This Morning/Charlie Rose on PBS One-on-One with Assad

Independent Lens The Invisible War PBS

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OUTSTANDING COVERAGE OF A CURRENT NEWS STORY – LONG FORM FRONTLINE Syria Behind the Lines PBS

OUTSTANDING INVESTIGATIVE JOURNALISM – LONG FORM Independent Lens The Invisible War PBS

OUTSTANDING INFORMATIONAL PROGRAMMING – LONG FORM

OUTSTANDING ARTS & CULTURE PROGRAMMING POV Herman’s House PBS

OUTSTANDING SCIENCE AND TECHNOLOGY PROGRAMMING NOVA Manhunt - Boston Bombers PBS

OUTSTANDING NATURE PROGRAMMING Chasing Ice National Geographic Channel

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The NSA Files Decoded The Guardian

NEW APPROACHES: DOCUMENTARIES Planet Money Makes a T-Shirt NPR

NEW APPROACHES: ARTS, LIFESTYLE AND CULTURE The New York Times Op-Docs and The National Film Board of Canada A Short History of the Highrise

HBO Documentary Films The Crash Reel

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The 35th Annual News and Documentary Emmy Award Winners ®

OUTSTANDING WRITING 60 Minutes The Recyclers CBS

OUTSTANDING GRAPHIC DESIGN AND ART DIRECTION

OUTSTANDING COVERAGE OF A BREAKING NEWS STORY IN SPANISH

Big History H2

Pope Francis Telemundo

OUTSTANDING MUSIC AND SOUND

OUTSTANDING INVESTIGATIVE JOURNALISM IN SPANISH

OUTSTANDING RESEARCH FRONTLINE Outlawed in Pakistan PBS

OUTSTANDING VIDEO JOURNALISM: NEWS Mark Phillips – Reporting from Afghanistan and the Philippines CNN

OUTSTANDING CINEMATOGRAPHY: DOCUMENTARY AND LONG FORM One Life National Geographic Wild

OUTSTANDING EDITING: NEWS 48 Hours Art Theft Segments from “Brooklyn DA” CBS

OUTSTANDING EDITING: DOCUMENTARY AND LONG FORM Independent Lens Detropia PBS

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HBO Documentary Films Pussy Riot: A Punk Prayer

OUTSTANDING LIGHTING DIRECTION AND SCENIC DESIGN A Crime To Remember Investigation Discovery

OUTSTANDING PROMOTIONAL ANNOUNCEMENT: INSTITUTIONAL Discovery’s Shark Week 2013 Discovery Channel

OUTSTANDING PROMOTIONAL ANNOUNCEMENT: EPISODIC FRONTLINE League of Denial “Dangerous Love Affair” Trailer PBS

Aquí y Ahora El Chapo: El Eterno Fugitivo Univision Trata de Mujeres: De Tenancingo a Nueva York Discovery en Español

OUTSTANDING REGIONAL NEWS STORY: SPOT NEWS WNBC Breaking News (New York, NY) Superstorm Sandy

OUTSTANDING REGIONAL NEWS STORY: INVESTIGATIVE REPORTING KNXV-TV Daily Newscast (Phoenix, AZ) Ford Escape: Exposing a Deadly Defect NBC 5 News at 10 (Dallas – Fort Worth, TX) Driven to Distraction KXAS-TV

OUTSTANDING NEWSCAST OR NEWS MAGAZINE IN SPANISH Panorama Mundial CNN en Español

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News & Documentary Emmy® Lifetime Achievement Award

MR. SMALL

A Force for Journalistic Excellence in the Glory Days of TV News A simple list of names conveys the enormity of William J. Small’s impact on the television news business. Dan

By Elizabeth Jensen Rather. Diane Sawyer. Bill Moyers. Bob Schieffer. Bernard Shaw. Connie Chung.

Lesley Stahl. Ed Bradley.

These giants of the business, and many more well-known names from in front of the camera and behind it, in some way owe their television careers to Small, this year’s lifetime achievement honoree.

Small—or “Mr. Small” as he was invariably referred to—ran the legendary CBS News Washington bureau from 1962 to 1974, and then was promoted to senior vice president, director of news and a corporate vice president.

Later, he was the president of NBC News, the president of United Press International and the dean of Fordham University’s Graduate School of Business. But it was from his post as Washington bureau chief during the formative years in the television news business that he first made his lasting mark, his insightful talent choices and driving work ethos helping shape the business for the decades to follow.

Bill Small receives an Emmy Award from presenter Bob Schieffer in 2008.

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Bill Small with (left to right) Robert F. Kennedy; Walter Cronkite; Diane Sawyer and Ed Bradley; and Dan Rather.

A Chicago native who earned his master’s degree from the University of Chicago after an Army stint, Small started his broadcast career in radio.

In 1962, he had switched to television and was running the newsroom at Louisville, Ky., CBS affiliate WHASTV, when he caught the attention of CBS News officials. As Roger Mudd chronicles in his 2008 book “The Place to Be; Washington, CBS, and the Glory Days of Television News,” soon after Small arrived at the Washington bureau, Walter Cronkite’s 15-minute “CBS Evening News” expanded into a full half-hour, ensuring that the bureau “would be the breadbasket of the CBS News operation.”

Thanks to what Mudd called an “uncanny” eye for talent, Small’s bureau was stocked during his tenure with a mix of ambitious up-andcomers such as Rather and Schieffer, and seasoned pros, including Harry Reasoner, and Murrow Boys Eric Sevareid and Daniel Schorr. The list of on-air employees who came through included Marvin Kalb, Ike Pappas, Rita Braver, Bruce Morton, Martha Teichner and Martin Agronsky, and, on the production side Tom Bettag, Cindy Samuels, Ed Fouhy, and Susan Zirinsky, among others.

It was, said Rather, “a pantheon of some of the best television journalists who practiced the craft.”

Taming of some of the “huge egos” was a part of the job, Rather said, but no one questioned Small’s authority; he ran the bureau “with a Patton-esque fervor,” as Desmond Smith put it in a 1981 New York Magazine profile.

His driven correspondents helped contribute to a turnaround for CBS, as the evening newscast surpassed “NBC Nightly News” in the ratings in 1968.

Even more important than the network competition was the standard

Small brought to journalism overall, during an era when the monumental stories included the Vietnam War, Watergate, and the Civil Rights movement. “I think it’s really important to understand that Bill preached the gospel that our role in the Washington bureau was to be a force for better journalism, and that’s almost a verbatim quote,” said Rather. Zirinsky, who started in the bureau as a desk assistant and is now the executive producer of “48 Hours,” called him “the man who set the standards for ethical reporting.” Small, she said, had a mission “and I think when you have a single thing you’re focused on and something of such import it really changes the dynamic of an industry.”

In exchange, Small fiercely defended his bureau colleagues, particularly White House correspondent Rather during his tangles with the Nixon administration. “There was no one who protected his people more than Bill Small did,” said agent Richard Leibner.

“He defended me at every turn, including with the Nixon White House trying to get me fired,” Rather said.

“Bill gave them nothing but cold steel.” When Congress attacked Peter Davis’s “The Selling of the Pentagon” documentary, “Bill never faltered,” Rather recalled. “One of the big reasons he engenders such loyalty is he always had your back and was at your side.“ Small’s hiring choices were also notable, opening previously closed doors to women and people of color.

“He really did see his role as leveling the playing field,” said Zirinsky. Not only was he her mentor, she said, “but he was someone who dealt with a college girl’s insecurity,” at one point holding a job open for her when she felt she had been promoted faster than she was ready for.

When Small left for NBC in 1979, he

brought with him Mudd and Kalb, as well as his focused style. Bill Wheatley, then senior producer of “NBC Nightly News,” remembered getting a call from Small requesting that the program jump on a story. Wheatley said it would be on the next night, but Small had other ideas.

“And we had it on that night,” Wheatley recalled, adding that Small “was always a good newsman and he always drove hard to get the story.”

During his three years at NBC News, Small oversaw changes at the “Today” show— appointing Steve Friedman as executive producer, Willard Scott as weatherman, and Bryant Gumbel as co-host when Tom Brokaw moved up to “NBC Nightly News”—which propelled the show into a long lucrative run in first place. “Bill is a journalist’s journalist,” said Friedman.

Small’s contributions to the business continued after he left NBC in 1982. At Fordham--where he was the Felix E. Larkin Professor of Communications and Director for the Center for Communications at the Graduate School of Business from 1986 to 1997, and dean from 1992 to 1994--he developed an MBA program in media management.

From 2000-2010 he served as chairman of the News and Documentary Emmy Awards at the National Academy of Television Arts & Sciences The author of two prize-winning books: ‘’To Kill a Messenger: Television and The Real World,’’ and ‘’Political Power and the Press,’’ Small has also served as president of the Radio-TV News Directors Association and the Society of Professional Journalists, Sigma Delta Chi, and has received each organization’s highest award, the Paul White Award and the Wells Key Award, respectively.

“He is,” said Rather, “not just by consensus but virtual acclamation one of the very best television news executives in the history of the craft.”

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The National Academy of Television Arts & Sciences

Emmy Chapters ®

Become a Member NATAS recognizes, encourages and advances excellence in the television industry across all media by serving as an educational and professional resource to its members and the industry. Membership in NATAS is open to industry professionals, those in associated fields and students.

Membership in NATAS: • Provides individuals with a forum for the exchange of ideas and discussion about the television industry.

• Affords opportunities to meet colleagues both professionally and socially.

• Promotes professional development in the industry and the community.

For more information visit emmyonline.org/membership The National Academy of Television Arts & Sciences (NATAS) was founded in 1955. It is dedicated to the advancement of the arts and sciences of television and the promotion of creative leadership for artistic, educational and technical achievements the television San within Francisco/Northern Californiaindustry. It recognizes Boston/New England Michigan New York excellence in television with the coveted Emmy® Award.

NATAS is composed of a national office in New York City and 19 regional chapters that span the United States. Each chapter organizes an annual Northwest Chicago/Midwest Mid-America Southeast awards ceremony to present the Regional Emmy® Award similar to the ones presented at the national ceremonies. National Awards are given for Daytime Entertainment, News & Documentary, Community Service, Sports and Technology & Engineering.

Ohio Valley Heartland Mid-Atlantic Suncoast In addition to presenting awards, NATAS promotes the industry and contributes to its growth through national and regional student scholarships, as well as extensive educational programs and professional activities Nashville/Midsouth

Pacific Southwest

Boston/New England Chapter P.O. Box 1332 Lower Great Lakes Newport, RI 02840 (617) 283-6314 newenglandemmy.org

Michigan Chapter 24903 Capital Lois Lane National Chesapeake Bay Southfield, Michigan 48075 (248) 827-0931 natasmichigan.org

New York Chapter 1375 Broadway, Suite 2103 Rocky Mountain/Southwest New York, NY 10018 (212) 459-3630 nyemmys.org

Chicago/Midwest Chapter 600 S. Michigan, Suite 705 Chicago, IL 60605 (312) 369-8600 chicagoemmyonline.org

Mid-America Chapter 3655 Olive Street St. Louis, MO 63108 (314) 533-2993 emmymid-america.org

Northwest Chapter PO Box 58530 Seattle, WA. 98138 (206) 575-3444 natasnw.org

Heartland Chapter 1247 Eureka Court Highlands Ranch, CO 80126-2749 (303)722-0916 emmyawards.tv

Mid-Atlantic Chapter 85 Overlook Circle Garnet Valley, PA 19060 (610) 859-8886 natasmid-atlantic.org

Ohio Valley Chapter PO Box 24796 Dayton, OH 45424 (937) 233-3303 ohiovalleyemmy.org

Lone Star Chapter P.O. Box 192393 Dallas, TX 75219 (214) 941-EMMY lonestaremmy.org

Nashville/Midsouth Chapter 161 Rains Avenue Nashville, TN 37203 (615) 259-0040 emmynashville.org

Pacific Southwest Chapter PO Box 80255 San Diego, CA 92138 (602) 888-3669 nataspsw.org

Lower Great Lakes Chapter 1440 Rockside Road, Suite 221 Cleveland, Ohio 44134-2774 (440) 526-Emmy® (3669) nataslgl.org

National Capital Chesapeake Bay Chapter 12100 Sunset Hills Road Suite 130 Reston, VA 20190 (703) 234-4055 capitalemmys.tv

Rocky Mountain/ Southwest Chapter P.O. Box 74116 Phoenix, AZ 85087 (602) 345-1532 rockymountainemmy.org

Lone Star

Upper Midwest

San Francisco Northern California Chapter 4317 Camden Avenue San Mateo, CA 94403-5007 (650) 341-7786 or (415) 777-0212 emmysf.tv Southeast Chapter PO Box 11613 Atlanta, GA 30355 (404) 350-8879 southeastemmy.com Suncoast Chapter PO Box 840738 Pembroke Pines, FL 33084 (954) 322-3171 suncoastchapter.org Upper Midwest Chapter 7319 Hunters Run Eden Prairie, MN 55346 952-381-7494 midwestemmys.org

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THE NATAS

Boston/ New England Chapter Who We Are

Established as a chapter of the National Academy of the Television Arts & Sciences in 1976, the Boston/New England Chapter serves all markets in the states of Connecticut, Maine, Massachusetts, New Hampshire, Rhode Island and Vermont and is dedicated to the advancement of the arts and sciences of television, fostering the creative leadership in the television industry, and the encouragement of excellence in artistic, education, cultural and technical progress.

Each year the NATAS-Boston/New England Chapter awards, to over 30 stations and production entities, the EMMY® Award, the most prestigious, peer judged honor in television for outstanding creative achievement.

For over 20 years the Chapter has celebrated the veteran television professionals who have made significant contributions to their community, the television industry and to individuals training for careers in the field of television by inducting them into the Gold and Silver Circle.

Leonard Nimoy, 2014 Governors’ Award Recipient

The Next Generation

The Chapter recognizes outstanding student achievements in television production by conferring awards of merit to students in the Boston/New England region. The presentation of these awards is intended to be an incentive for the continued pursuit of excellence by those studying media and journalism and to focus public attention on outstanding cultural, educational, technological entertainment, news and informational achievements by undergraduate college and/or high school students.

“Lights, Camera, Action!” is a creative and instructional program created by of our Student Awards Chair and National Trustee, Danielle Mannion. The one day conference gives high school students involved in television, media and film production a chance to learn from professionals working in the industry. The day is capped off with the announcement of the Chapter’s Stu-dent Awards for Excellence.

The Boston/New England NATAS Scholarship Foundation, Inc. awards a $5,000 scholarship to a high school senior that intends on declaring their ma-jor in the television or a related field and will be attending a four year undergraduate college or university. Generously sponsored by First National Bank.

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2014 Silver Circle Award Recipients

2014 Chapter Scholarship Recipient

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THE NATAS

Chicago/Midwest Chapter Who We Are

The Chicago/Midwest Chapter was founded in 1958 after an expansion call by then National President, Ed Sullivan.

We are one of the largest and most senior local chapters in the country, with a proud history of innovation and excellence in the field of broadcast television and beyond. Our members come from all areas of the industry and includes markets in portions of Illinois, Wisconsin and Indiana.

Awards

Each year, we host the Chicago/Midwest Emmy® Award ceremony for the more than 50 television stations and production entities in our chapter (2014 will be our 56th year).

The 2014 event was broadcast live for the first time in 25 years and was hosted by Good Morning America meteorologist Ginger Zee, Today show host Tamron Hall and actor Larenz Tate. The show also included surprise presenters such as cast members from the TV sitcom “Sirens,” legendary rocker Dee Snider, Barack Obama impersonator Reggie Brown and a performance by R&B stalwart El Debarge.

The Chicago/Midwest Chapter also inducted nine legendary TV professionals into the Chicago Silver Circle in May 2015 and six luminaries into the Milwaukee Silver Circle in October 2014. The Silver Circle was established to recognize and honor outstanding individuals who have devoted 25 years or more to the television industry and who have either made significant contributions to Chicago or Milwaukee broadcasting, or who have spent the formative years of their career in each respective city.

The Future

The chapter is dedicated to educating and helping to provide resources for the next generation of journalists. Since the establishment of our scholarship program in the mid 1990s, we have awarded more than $325,000 in scholarships to promising high school seniors, college seniors and grad students committed to broadcast journalism. In 2014, we awarded four college scholarships @ $4,000 each and three high school scholarships @ $2,500 each. We have been fortunate to have our members support these scholarships either by individually funding one, or simply contributing to the general fund. Past scholarship recipients include NBC network correspondent Peter Alexander.

Each year, the chapter recognizes outstanding achievements in high school student production through the Crystal Pillar Award.

The award is designed to be an incentive for the continued pursuit of excellence by those studying media and journalism. College student production winners are recognized at the EMMY® Award ceremony.

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THE NATAS

Heartland Chapter Looking Back

In June 1986, the Heartland Chapter became the 17th chapter of NATAS and kicked off nearly thirty years of recognizing excellence in television and media production in the largest geographic chapter in the country. The Heartland Chapter of NATAS consists of 11 DMAs in five states: Denver, Oklahoma City, Tulsa, Wichita/Hutchinson, Omaha, Colorado Springs/Pueblo, Lincoln/Hastings-Kearney, Topeka, Grand Junction/Montrose, Cheyenne/Scottsbluff, and North Platte.

Our board includes representatives from all areas of broadcast, media, production and education – in Denver, Oklahoma City, Tulsa, Wichita and Omaha – both affiliated and independent and we are proud to represent the over 900 members of our chapter.

The Heartland Chapter has inducted 62 members into the Silver Circle and has inducted 5 members into the Gold Circle.

Where We Are Today

2015 continued the record breaking pace set last year with both memberships and entries reaching new highs.

We credit our growth to not only the strength of the Emmy brand, but also the work our board has done to reach out and include all of the markets within our large geographic region. We are proudest of our growth in small and medium markets who show the greatest growth in participation.

Due to its original size, once including markets in eight states, our chapter has been called upon twice to give up some of our members in order for other chapters to be formed.

We could not be happier to see that both the Upper Midwest and Lonestar chapters have achieved great things as NATAS has grown over the years. We are extremely pleased that the Heartland Chapter has now surpassed the membership levels of our eight state days. Truly, a rising tide raises all boats.

The Heartland Chapter is the only chapter that holds two concurrent Emmy galas: one in Denver and the other in Oklahoma City. They are each coordinated to the second to make sure that winner announcements are timed simultaneously across two time zones, for a combined 500 attendees. In the Heartland Chapter, we truly know how to party!

Building for the Future As we look to the future, we are excited to continue our role as a chapter that enjoys pushing the envelope and expanding how we can serve our members. We are always on the lookout for ways to improve how our chapter and NATAS recognizes excellence and works together.

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THE NATAS

Lone Star Chapter Governance Officers (01/01/2014 – 12/31/2015) President

Jason Anderson, Pendleton Photography, Dallas

History

In June 2002, the Board of Trustees of the National Academy of Television Arts & Sciences (NATAS) unanimously approved the formation of the Lone Star Chapter in Texas. In the very successful 13 years since, the chapter has grown to become one of the largest in the country.

The statewide Lone Star Chapter serves all 19 television markets in Texas, and includes members from TV-related fields including: news and non-news broadcasting; production; postproduction; education; advertising; and public relations.

The Lone Star Chapter, which is based in Dallas/Fort Worth, is dedicated to becoming the primary portal to connect professionals and students in Texas’ television broadcast-related fields for networking and career development. The chapter also is committed to encouraging and recognizing high levels of professional achievement through the annual presentation of the prestigious regional Emmy Awards.

In addition, due to the wide range of market sizes found throughout Texas, The Lone Star Emmy Chapter is proud the offer the Excellence in My Market Awards (EMMA). This series of awards recognizes television excellence produced in markets ranging in size from Harlingen/Weslaco/ Brownsville/McAllen (#87) to Victoria, Texas (#204).

Foundation

In addition to the actual Emmy Chapter, the Lone Star Emmy is proud to operate the Lone Star EMMY Educational Foundation.

The goal of the Lone Star EMMY Educational Foundation is to support education, encourage professional development and recognize longtime television professionals who have made a significant contribution to the broadcasting industry.

To achieve this the Foundation offers the following initiatives: • • • • •

The Gold and Silver Circles Student Production Awards Classroom grants Significant scholarships Professional development through educational programs

News • • • •

In 2014 we awarded $17,500 in Student Scholarships The Lone Star Chapter continues to grow with membership over 1200 TV and digital media professionals from around the state of Texas.

Our gala awards show has grown to epic proportions with now more than 800 in attendance each fall.

The Lone Star Chapter has always considered itself on the forefront of new ideas and ways to improve and grow our organization. In the next few years, we plan to announce several unique programs and ideas that will further our cause of honoring excellence and reaching out and improving the careers of both television professionals and students of our industry.

First Vice President / Second Trustee

Roger Vertrees, CW33, Dallas First Trustee

Martha Kattan, KXLN Houston Third Trustee

Evelyn Castellano Escamilla, Verve Media, Edinburg Fourth Trustee / Treasurer

Julie Coan, KLRN, San Antonio Secretary

Michael Grant, Phillips Productions, Dallas Regional Vice Presidents: 1. Austin

John Bumgardner, KXAN, Austin 2. Dallas

Norma Garcia, KXTX, Dallas 3. El Paso

Karla Mariscal, KTDO, El Paso 4. Houston

Joel Mathiason, KRIV, Houston 5. San Antonio

Michael Humpries, KENS, San Antonio 7. The Valley / Panhandle

Heather Arevalo, KWES, Midland Board Members:

1. Roger Vertrees CW33, Dallas 2. Luis Flores KWEX, San Antonio 3. Bruce Kates KLRN, San Antonio 4. Joel Mathiason KRIV, Houston 5. Kenny Boles KLTV, Tyler 6. Jennifer Whitus EmCare, Dallas 7. Norma Garcia KXTX, Dallas 8. Bernadette Valles KUVN, Dallas 9. Shelly Rumley CW33 TV, Dallas 10. Jeremy Desel KHOU, Houston 11. Ryan Wood WFAA, Dallas

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THE NATAS

Lower Great Lakes Chapter The Lower Great Lakes Chapter of NATAS was chartered on January 19, 1969 and originally named the Cleveland Chapter.

The chapter has grown both in membership and geographic areas throughout their history. It has expanded to encompass an area from Erie, Pennsylvania to Indianapolis, Indiana.

Board of Governors

The Board of Governors is composed of professionals from “traditional” television broadcasting stations, all-sports channels, cable television, public broadcasting, the world of freelance, education and marketing. This serves the members well in bringing a diversity of topics, issues and concerns to the planning and execution of Chapter sponsored events and programs. This year saw an increase in membership and their Emmy® Awards entries.

Silver & Gold Awards

John Butte enters the Silver Circle with a remarkable broadcast journalism career that began in 1965 as a full time radio announcer while in high school in his hometown, Corydon, Indiana. Today, John Butte is the Practitioner in Residence in the School of Journalism and Mass Communication at Kent State University and the owner of John Butte & Associates, a boutique news representation firm with clients across the country.

After receiving a Bachelors of Science degree from Indiana University, he began his career as a reporter/photographer at WHAS, Louisville. He worked as an anchor, reporter, assignment editor and producer, in medium and large markets, before accepting his first News Directorship in Asheville, North Carolina. His following News Director positions included WMAR, Baltimore, WFLA, Tampa, WTHR, Indianapolis, and WEWS, Cleveland and Vice President and General Manager, WEWS. At the Walt Disney Company in Burbank, California, in 1993, as Executive Producer, Butte created the national advocacy television news magazine, “The Crusaders.” In 1996 in Columbus, as General Manager, he created the Ohio News Network, ONN, Ohio’s 24/7 cable news channel.

The second award was presented to Wayne Dawson who has been the co-anchor of Fox 8 News in the Morning for 15 years.

The news broadcast which airs weekdays from 4:30am until 10am has been number one every year with Wayne behind the news desk. Before being promoted to the morning show, Wayne was co-anchor of the weekend evening edition of Fox 8 News for 5 years, as well as serving as a weekday reporter.

In his 34 years at Fox, Wayne has covered thousands of stories ranging from two national presidential conventions, the second history-making space shot of John Glenn, Pope John Paul’s visit to Detroit, Michigan, the first celebration of Martin Luther King Day in Atlanta.

Education

The Chapter continues its long tradition of providing scholarships to not only high school graduates but students currently enrolled in college. The funds are raised off of membership dues, which emphasizes the importance of increasing membership every year.

Events

The President’s Award continues to be part of their Emmy® awards show recognizing stations in their Chapter who have reached 60-years of service.

In 2014 the Governor’s Award was presented to Dianna Kall, Governor, officer and committee chairman for over two decades. Heralding with a diverse communications background she has emphasized the need for professional organization partnerships and increased communications with social media.

By realizing the importance of member inclusion the 2015 Emmy® awards show will take place at the Bankers Life Fieldhouse, home of the Indianapolis Pacers.

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THE NATAS

Michigan Chapter

CELEBRATING THE BEST IN MICHIGAN TELEVISION FOR OVER 50 YEARS! 11 TELEVISION MARKETS 36 YEARS OF EMMY AWARDS 26 YEARS OF SILVER & GOLD CIRCLE INDUCTEES COLLEGE SCHOLARSHIPS HIGH SCHOOL GRANTS JOB BANK

The Michigan Chapter was charted by the National Academy in 1978 as the Detroit chapter and Peter Kiezer was the ямБrst President. In 1989 the chapter was expanded to include the entire state of Michigan. www.natasmichigan.org Contact: smottley@comcast.net

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THE NATAS

Mid-America Chapter Executive Board

Chartered in 1962, the Mid-America Chapter began honoring outstanding achievement with regional EMMY® awards in 1976. With over 700 members from markets across the region, the President Mid-America chapter includes the television Stacey Woelfel markets primarily in Missouri, Arkansas, Central Vice President Anne-Marie Berger Moreno and Southern Illinois and surrounding DMAs. Secretary Mid-America is fortunate to have a board Andy Likes committed to the growth and development Treasurer of the chapter. Governors from across the Tony Villasana region include executives from newsrooms, Executive Director Maggie Eubanks production houses, sports, programming, communications firms and universities. Annual chapter highlights include the MidAmerica EMMY® Awards, the Gold and Silver Circle Awards, the Governor’s Award and the Walter Cronkite Scholarship, as well as social events.

The future of our profession rests in the education of media/journalism students.

The chapter offers the annual Walter Cronkite Scholarship to qualified students from the region. Mid-America is committed to the creation, design and implementation of programs that foster relationships within the high school and college communities.

These programs include College and High School Student Television Awards, career days at regional television stations/ production facilities, and student development workshops.

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THE NATAS

Mid-Atlantic Chapter Chapter Leadership

History

The National Academy of Television Arts and Sciences Mid-Atlantic Chapter was chartered in 1981. Originally known as the Philadelphia chapter, it encompasses most of Pennsylvania, parts of New Jersey, Delaware, Ohio and West Virginia. The chapter’s first Emmy® Awards ceremony in 1983 bestowed awards in 26 categories. At its most recent Emmy® Awards gala, held annually in Philadelphia, the Mid-Atlantic chapter was 76 categories strong, with 650 members from throughout the region..

Silver Circle

The Mid-Atlantic Chapter is proud of its deep pool of talented professionals. In 2014, the Chapter inducted the inaugural class of the Silver Circle Society to recognize those individuals with significant contributions to our industry for 25 years or more. The inductees received a beautiful Silver plaque.

President David Solomon, WQED Multimedia Vice-President Michelle Bradsher, Melmark Treasurer John Mussoni, WHYY Secretary Courtney Brinkerhoff, CBR Productions Executive Director Tara Faccenda Governors

Dave Bohman, WNEP Tom Curra, WVIA-TV James DePury, WBRE-TV Berlinda Garnett, FOX29 Dana Heberling, ETN Eric Heisler, WHTM acb27 Cara Fry, WITF-TF Mike Ingalls, NBC10 Doug Johnson, ROOT Sports Rob Kuestner, Comcast Sports Net Alex Marcelewski, WTAE-TV Carrie Moniot, RMU Mike Oliveira, WPXI-TV Matt Roth, WFMZ-TV Drew Speier, WBRE-TV Wanda Swanson, NJEA Karen Thomas, Neumann University Andrew Wheeler, CBS3 Committee Chairs

Shelley Hoffman, CBS3 Anne Linaberger, KDKA-TV Dan O’Donnell, WGAL-TV Kathleen Quaid-Weisz, KQW Productions Dan Stamm, NBC10 2014 Inaugural Silver Circle Inductees (l to r): Jeff Hughes, Chris Brady, Aviva Radbord, Trustee Paul Gluck, Pete Kane, President David Solomon. Not pictured: Jimmy Seech, Frank Warninsky

Outreach and Student Programs

Upholding its commitment to foster and support young journalists, the Mid-Atlantic Chapter holds annual awards competitions for both high school and college/university students. Scholarships are bestowed each year to deserving teens and young adults. In addition, the chapter organizes well-attended public events including “Meet The News Directors” and “How To Get Your First Job In Television” seminars.

Mid-Atlantic Chapter Board of Governors

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THE NATAS

Nashville/ Midsouth Chapter The Chapter

Founded in 1984, the Nashville/Midsouth Chapter encompasses North Carolina and Tennessee, as well as northern Alabama. Its television markets include Decatur, Florence and Huntsville in Alabama; Charlotte, Durham, Greensboro, Greenville, High Point, New Bern, Raleigh, Washington, Wilmington and Winston-Salem in North Carolina; and Chattanooga, Jackson, Knoxville, Memphis, Nashville and the Tri-Cities in Tennessee.

With nearly 1,000 members, the Nashville/Midsouth Chapter is very active and its board of governors includes executives, officers, governors, and committee chairmen representing every aspect of the industry. An updated list of the chapter’s activities can be found on its website at emmynashville.org, and archives of recent videostreamed events and ceremonies can be found at new.livestream.com/ tndv-television. Media companies may post their openings on the chapter’s Job Bank, which has more than 100 listings in the region.

The chapter’s Emmy® Awards nomination party was hosted by BMI at their Nashville headquarters.

Midsouth Regional Emmy Awards ®

Each November, BMI sponsors a nomination party that is videostreamed live from its Nashville headquarters. The following January, the Nashville/Midsouth Chapter presents Emmy® Awards to the winners at a ceremony that is broadcast live by PBS

The chapter’s Emmy® Awards banquet was telecast live from the Schermerhorn Symphony Center.

stations throughout North Carolina and Tennessee, as well as videostreamed live. Tennessee Digital Video provides the facilities for the high-definition telecast. In addition to presenting Emmy® Awards in 74 categories, the chapter inducts quarter-century veterans into NATAS’ Silver Circle and half-century veterans into its Gold Circle. The chapter also presents a Governors’ Award for lifetime achievement. In recent years, Governors’ Award recipients have included NASA and the Marshall Space Flight Center on NASA TV’s 50th Anniversary; The Freedom Forum, including the First Amendment Center, “Speaking Freely,” and the Newseum; the Vanderbilt Television News Archive; and The Capitol Broadcasting Company with their A.J. Fletcher Foundation. Entries for the 30th Midsouth Regional Emmy Awards will be accepted in August 2015.

Midsouth Regional Student Awards For the past 13 years, the chapter has presented Student Awards to encourage the pursuit of excellence in video production and focus public attention on outstanding achievements produced by high school students. Participating schools receive a crystal pillar, teachers receive copies of the winning videos, and students receive certificates. The entries are scored on the same criteria as the professional awards – content, creativity and execution.

In their 12-year history, the awards have recognized more than 250 projects and 550 students. Many of these students have gone on to serve as volunteers at the Emmy® Awards, and some have earned Emmy® Awards themselves. The Student Awards Ceremony also serves as a platform for chapter members to conduct tutorials. Recent talks have included such titles as “Best Practices in News Gathering” presented by The Associated Press,

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“The Use of Music In Storytelling,” “Editorial for Animation: Post Production, Pixar-Style,” “The Latest from ProTools,” “Video Triage: Finding your Focus,” and “Plotting Your Career in Television News,” presented by four Nashville news directors.

More than a dozen schools from Tennessee and North Carolina attended the chapter’s Student Awards ceremony.

Emmy Almanac | 2015 Edition The chapter’s Emmy® Awards banquet was telecast live from the Schermerhorn Symphony Center.

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THE NATAS

National Capital Chesapeake Bay Chapter The National Capital Chesapeake Bay Chapter (NCCB) serves all of the television markets in Maryland, Virginia and Washington DC. Established in 1959 as the “Washington, DC Chapter,” NCCB now highlights television excellence in areas beyond the nation’s capital.

In recognition of this expanded geographic base, the chapter held its 2013 Emmy® Night Gala in Baltimore, Md., for the first time. The list of honorees ranged from small, independent production companies to world-renowned, online publications with specialized coverage of the region. In addition to presenting Emmy® Awards, the chapter inducted new members into NATAS’ Silver Circle and Gold Circle for significant contributions during 25 and 50 years of service, respectively.

The chapter presented all of these awards before a record crowd that highlighted NCCB’s commitment to growing the chapter to more than 800 members. In April 2014, NCCB expanded its staff to include an executive director and associate director to join the chapter administrator in seeking greater opportunities for its membership.

One of the ways NCCB serves its current and future membership is by presenting an annual scholarship in honor of Betty Endicott, Washington, DC’s first female news director.

In 2014, for the first time, both full-time undergraduate and graduate students pursuing careers in communications, television or broadcast journalism were eligible to apply for scholarships, which range from $1,000 to $5,000. The National Capital Chesapeake Bay Chapter also presents Student Emmy® Pillars to those college students who show excellence in a predetermined set of categories.

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THE NATAS

New York Chapter The New York Chapter is the flagship of 19 chapters of the National Academy of Television Arts and Sciences. It is a professional organization dedicated to the advancement of the arts and sciences of television and the promotion of creative leadership for artistic, educational and technical achievements within the industry. NY NATAS provides a forum for the exchange of ideas and it affords opportunities for media professionals to meet on both a professional and social basis.

Each year we host nearly 100 events for our members and their guests ranging from informative sessions to networking and social events. These include our popular “Meet the Filmmaker” series, professional development workshops, our weekly career seminars, regular pre-release film screenings and monthly play readings.

New York Chapter members come from all areas of the television industry - production, post-production, managerial, on-air personalities and news broadcasters, technical, support services, etc. - and from companies including broadcast networks, cable programming services, local stations, independent production firms, advertising agencies, unions, guilds and more.

NY NATAS conducts activities that promote and encourage understanding of, appreciation for, and public interest in the arts, crafts and sciences of television. We recognize outstanding achievement, encourage the pursuit of excellence and promote the highest standards of quality in television by conferring the industry’s classic and most coveted peer-recognition symbol of distinction, the Emmy®.

The New York Chapter holds its annual black-tie awards ceremony each spring where television and media professionals including many familiar faces from news, entertainment, sports, advertising agencies, and the industry’s top production people gather to recognize the best and brightest in the business. These are the most important individuals in New York media all on hand to salute the outstanding accomplishments of their peers.

Our recent 57th Annual New York Emmy® Awards gala was held on Sunday, March 30, 2014. The Governors’ Award, our Chapter’s highest honor, was presented to Chuck Scarborough, for his outstanding contributions to television on his 40 year anniversary at WNBC. Brian Williams, Emmy® Award winning anchor and managing editor of the NBC Nightly News presented Chuck with the Award. Also on hand to present awards were Danny Aiello, Academy Award winning actor; Nigel Barker, host, The Face, The Oxygen Network; Miri Ben-Ari, Grammy Award winning violinist; Ismael Cruz Cordova, Actor, Sesame Street, PBS; His Eminence, Timothy Cardinal Dolan; Sami Gayle, Actor, Blue Bloods, CBS among many others.

Our 58th Annual New York Emmy® Awards will be held on Saturday, May 2, 2015. Please visit www.nyemmys.org for more information and to view Photo Albums of our recent events. Our Chapter contact is Jacqueline Gonzalez, Executive Director. She can be reached at jgonzalez@nyemmys.org

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(from the top): The team from WNJU Telemundo 47 accepting their Emmy® for Best Evening Newscast at the 57th New York Emmy® Awards.

GRAMMY winning violinist Miri Ben-Ari, His Eminence Cardinal Dolan, Executive Director Jacqueline Gonzalez, and Nigel Barker, host of “The Face” share a green room moment before the 57th New York Emmy® Awards.

New York Chapter Trustees to NATAS: N.J. Burkett, Denise Rover and Marvin Scott.

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THE NATAS

San Francisco Northern California Chapter Our Past

It all started in November 1949 when the Los Angeles Board of Governors voted to bestow chapter status on ATAS’ local San Francisco organization. NATAS officially chartered the San Francisco/Northern California (SF/NorCal) Chapter on October 6, 1961. The chapter held its first Emmy® Awards ceremony in 1972 at the Hotel Mark Hopkins in San Francisco.

The SF/NorCal chapter was a natural given Northern California’s integral role in the history of the development of television. San Francisco scientist Philo T. Farnsworth invented electronic television in 1927. During the 1950s, Ampex developed video recording in Redwood City, and many of the computer technologies used in digital television were later developed in Silicon Valley.

In keeping with this rich legacy, the SF/NorCal Chapter actively supports the Media Museum of Northern California (norcalmediamuseum.org), which maintains an archive of local television, radio and print artifacts.

Our Present

Partnering with other media organizations, the SF/NorCal Chapter produces a variety of events each year in the areas of craft skills, technology, career development, broadcast management and social media. Each event is streamed live, recorded and archived on emmysf.tv for 24/7 viewing. In addition, the chapter nurtures future industry professionals through its college scholarships and high school awards.

The SF/NorCal chapter of NATAS will celebrate its 54th anniversary in fall 2015. The chapter is energized as it continues to add members and evolves to stay relevant in the face of ongoing technological advances.

(above) Jim Scalem and Don Knapp inducted into the Gold Circle. November 1, 2014 (left) Master Class Series webcast with Elaine Clark, Voice over training.

Other seminars included Editing, Writing/Storytelling and Camera/Lighting.

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THE NATAS

Northwest Chapter Hello from the Left Coast! Once again, the Northwest Chapter of NATAS is moving into high gear for a crazy awards season. This year, we’ve received more than 950 Emmy® Award entries. That’s a new record. And that’s just the start.

The chapter announces its’ Emmy® Award nominees on Friday, April 10th, during simultaneous parties in Seattle, Spokane, Portland, Boise, Bozeman and Anchorage.

All six locations will again be linked via live stream for an interactive evening of music and celebration.

The annual Gold Circle and Silver Circle Honors will be held Friday, June 5, 2015 as we recognize and pay tribute to our regional “superstars” in the 2015 class of Gold Circle and Silver Circle recipients. This special tribute showcases these recipients, who are also recognized at the annual Emmy® Award Gala the following evening. In 2014, we inducted 9 Silver Circle honorees and two Gold Circle honorees. Our Gold Circle honorees for 2014 were Norma Goodman and Bob Newman.

The 52nd Annual Northwest Regional Emmy® Awards Gala will be Saturday, June 6 at the SeaTac Hilton Conference Center in Seattle.

Our Student Awards of Excellence program continues to grow.

We again anticipate a record number of entries, and we expect a record number of students, families and friends to attend the Emmy® Award Gala. Advisors tell us this is a great milestone for their students – it’s a thrill for them to attend the professional awards event and be recognized onstage for their work!

Finally, we want to say THANK YOU to our colleagues from NATAS’ Boston/New England, Lower Great Lakes, San Francisco/ Northern California and Southeast chapters for judging our entries this year. We truly appreciate the efforts and expertise you bring to the NATAS mission of honoring excellence in our industry. We promise to bring that same level of care and professionalism as we judge entries from your chapters.

Set up for Anchorage Nomination event gathering, with a monitor in the background capturing the live stream from Seattle.

Northwest Chapter’s Student Award co-chair, Charles Trillingham, presenting the Awards of Excellence to schools and recognizing the students’ work.

From the nomination event, Joanne Lisosky, Scholarship Co-Chair; Scott LaPlante, Trustee; Melannie Cunningham, Emmy® Award Program coordinator

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Silver Circle Inductees for 2014 – from left, Steve Amen, Walter Farley; Dan Kleckner; Lori Matsukawa; Steve Pool, Dee Sarton, Tom Speer, Cleven Ticeson and Ed White.

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THE NATAS

Ohio Valley Chapter The roots of the Ohio Valley Chapter can be traced to 1959 when NATAS was petitioned to form a regional Chapter in Columbus, Ohio. That charter was granted by the National Trustees in September 1962, marking the beginning of NATAS’s second “regional” chapter, known then as the Columbus Chapter.

In its very first year, the chapter elected officers, created a governing body, established a scholarship (“to be awarded to an outstanding Ohio State University student in television”) and sponsored professional-development seminars featuring writer/ producer Rod Serling and children’s show host Shari Lewis.

In 1964, the chapter’s first Emmy® Awards were presented to WBNS and WLW-C at the Museum of Science & Industry in Columbus.

By 1974, the chapter expanded to include Dayton and Cincinnati and was re-named the Columbus/ Dayton/ Cincinnati Chapter.

The chapter is unique in that it is the only regional NATAS

The Ohio Valley Chapter has seen a significant growth since 2010 with membership increases every year. To find out more about the Ohio Valley Chapter and how you can participate, scan the QR code or visit the chapter website: www.ohiovalleyemmy.org

chapter that retains its charter in three cities.

In the early 1990s, the Emmy® Award boundaries of all regional chapters were expanded to ensure that every television professional in the United States would have access to, and eligibility in, the renowned Emmy® Awards. In 1994, the C/D/C Chapter adopted a more inclusive name, the Ohio Valley Chapter, to more accurately reflect the membership region which includes Southern Ohio, West Virginia, Kentucky and southern Indiana.

Emblematic of the chapter’s long history of growth and innovation, its 2014 Emmy® Awards Gala featured a webstream of the ceremony, backstage/interview webstream and real time social media.

In addition, the chapter emailed each recipient their Emmy®award portrait and posted videos of the evening’s festivities on the chapter’s various social media platforms.

The Ohio Valley Chapter will continue recognizing outstanding achievements in television at its 51st Emmy® Awards Gala, to be held July 25th at the Keeneland Entertainment Center in Lexington Kentucky.

Silver and Gold Circle

Emily Mueting, majoring in Journalism at Ohio University, received the 2014 David J. Clark Memorial scholarship.

For significant achievements during their careers, the 2014 Silver/Gold Circle consists of Gold Circle, 50 years (Front Row L to R): Bill Myers (WLWT, Cincinnati) and Bob Gerding (The PPS Group, Cincinnati). Silver Circle, 25 years (Back Row L to R): Ken Mills (Mills-James, Columbus), Cameron James (Mills-James, Columbus) and Howard Ain (WKRC, Cincinnati)

Five professionals became Silver and Gold Circle honorees at the 2014 Emmy® Gala in Columbus, Ohio. Bill Myers and Bob Gerding were inducted into the 2014 Gold Circle for over 50 years of exceptional service to the industry and community.

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THE NATAS

Pacific Southwest Chapter

History

In 1972, NATAS chartered the San Diego Chapter under the leadership of its founding president, Ralph Hodges. Two years later, the chapter held its first Emmy® Award ceremony in San Diego, Calif.

Emmy Awards Committee and crew sharing a light moment before the show.

By 2001, the organization had expanded geographically to such an extent that it was renamed the Pacific Southwest Chapter. With close to 500 members, the Pacific Southwest Chapter includes Bakersfield, Palm Springs, San Diego, San Luis Obispo, Santa Maria and Santa Barbara, Calif. as well as Las Vegas, Nev.

Chapter Activities

The Pacific Southwest Emmy® Awards is the largest and most attended Chapter event. In 2014, the 40th Anniversary event was held at the Omni La Costa Resort and Spa in Carlsbad, Calif. Harold Greene, former San Diegan and the “original” Anchorman served as emcee. Presenters included several past Presidents, including the late Jonathan Dunn-Rankin.

The Chapter ends each summer by hosting its Silver and Gold

Past Presidents, Esther Paul and the late Jonathan Dunn-Rankin present an Emmy Statue.

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Anchorman Harold Greene opens the 2014 Pacific Southwest Emmy Awards

Circle Inductee luncheon. The dress code ranges from sport jackets to Hawaiian shirts, as television veterans and new members alike are regaled by stories from each inductee’s remarkable career. To date, the chapter has inducted over 250 members into its Silver and Gold Circle.

The luncheon’s good times are all for a good cause, with proceeds from the event targeted for the chapter’s Scholarship Fund. In 2007, the Pacific Southwest chapter formed a 501(c)(3) Foundation to raise funds for the express purpose of granting scholarships to college and graduate students.

The Chapter has further extended its mentoring role by hosting an annual Job Shadowing Week. The event enables students from area colleges to shadow television professionals. Participants watch newscasts and go into the field to explore first-hand their interest in careers as producers, on-air talent, photographers, and directors.

In June 2015, the Pacific Southwest Emmy® Awards will be held in Palm Springs, Calif. at the Westin Mission Hills Golf Resort and Spa.

Pacific Southwest chapter’s Silver Circle Alums and Class of 2014

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THE NATAS

Rocky Mountain/ Southwest Chapter 2014 RMSW Board of Governors Theresa Maher Recruiting.com Genaro Delgadillo Salt River Project Suzanne Guery Eight Arizona PBS Jennifer Jones CBS5 Bob Adlhoch Phoenix Suns Broadcasting Chuck Emmert know99 Television Carol Lynde Arizona Game and Fish Dan Barr Perkins Coie LLP Jennifer Doan Fox10 Brien McElhatten The List Andy Schwabe KGUN9 Tucson Mark Reda FoxSports Arizona Doug Mummert Phoenix Fire Department Tim Owens Liquid Rockstar Bill Ottinger CoxMedia Jim Bell KBYU-TV Dan Ciernia AZ POST Chris Williams 12News KPNX Tray Goodman GMC Media LLC Gina Santiago Univision Warren Trent 3TV Ylonda Viola Santa Fe Productions & Blaze Canyon Productions Dale Wyman Top Prospect Video Productions

The Rocky Mountain Southwest Chapter of the National Academy of Television Arts and Sciences serves Arizona, New Mexico, Utah, parts of Wyoming and El Centro, California. Founded in 1959, it was the fourth chapter in the history of the National Academy of Television Arts & Sciences to be established. The annual Rocky Mountain Emmy® Awards Gala, now in its 38th year, is just one aspect of the region’s success.

With more than 600 active professional members, the chapter also boasts a growing student committee at Arizona State University and is in the process of cultivating committees at additional regional colleges and universities.

The Rocky Mountain Chapter supports the next generation of broadcasters, producers, multimedia journalists and others within the field with both a successful Student Production Awards program, available to both high school and college students, and annual scholarship opportunities, respectively. Through a partnership with the Walter Cronkite School of Journalism and Mass Communication at Arizona State University, the Chapter also has the ability to offer additional professional development opportunities to those looking to enter the field.

The Rocky Mountain Southwest Chapter is proud to honor long-standing members of the broadcast community through the prestigious Silver and Gold Circle Societies. Since 1992, these “hall of fame” societies have honored individuals who demonstrate exceptional service to the broadcasting field as well as the community-at-large for 25 and 50 years, respectively, with a majority of that time being served in the region.

Each year, the Chapter also honors a unique individual, organization or station with its highest honor, the Governors’ Award. A panel convenes and should it believe that one or several of the nominees meet the stringent criteria, which is focused on how said nominee has gone beyond criteria normally found in individual craft or program categories, a selection is made. Past recipients have ranged from technical innovations to public service programs.

Currently, the Chapter’s Board of Governors includes nearly two-dozen professionals across many platforms of the ever-changing business. The board represents the colorful and diverse membership of the region, including professionals working in new media, government agencies, public relations firms, sports teams and traditional broadcast stations. A particularly exciting point of pride for the Chapter is Malachy Wienges’ local membership and leadership. In addition to serving as a strategic member of the regional Board, Wienges also serves as the National Academy of Television Arts and Sciences’ National Chairman Emeritus.

The Chapter is also proud of its active engagement with members and beyond through it growing social media channels on Facebook and Twitter.

Become a Chapter Fan at: www.facebook.com/RockyMountainEmmys Follow the Chapter at: www.twitter.com/RockyMtnEmmy

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THE NATAS

Southeast Chapter On June 7, 2014, the Southeast Chapter celebrated its 40th anniversary.

Hosted by The Weather Channel’s Jim Cantore and Headline News’ Vinnie Politan the evening celebrated four decades of excellence in the southeast.

The 2015 Gala is planned for June 6th, where High School Award honorees will also be recognized. This year’s Gold & Silver Circle Induction is August 28th.

Stage full of High School Award honorees

Southeast Board at 2014 Gala

Ballroom shot from 40th anniversary gala.

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THE NATAS

Suncoast Chapter NATAS’ Suncoast Chapter is a nonprofit Florida corporation dedicated to excellence in television. The chapter advances this mission by presenting annual Suncoast Emmy® Awards for excellence to television and media professionals across all industry disciplines.

In addition to presenting Emmy® Awards in dozens of categories, the chapter recognizes worthy industry professionals with its Governors’ Award, Gold Circle Award and Silver Circle Award. Geographically, the chapter serves television markets in Florida; Alexandria, Baton Rouge, Lafayette, Lake Charles and New Orleans, La.; Mobile, Ala.; Thomasville, Ga.; and Puerto Rico.

The Suncoast Chapter preserves the integrity of the regional Emmy® Awards it presents with a commitment to providing the highest possible quality judging. The chapter maintains impartiality in the process by sending all of its entries to other NATAS chapters for judging. The Suncoast Chapter, in turn, judges a like number of entries from other chapters nationwide. This system not only preserves objectivity and fairness, it serves to maintain a high standard for broadcast excellence across the country.

The Suncoast Chapter’s commitment to promoting excellence in the broadcast industry extends beyond presenting Emmy® Awards. For more than 30 years, the chapter has offered scholarships to students of television and broadcast journalism in South Florida colleges and universities. The chapter also presents annual Student Television Awards to recognize excellence among high school and college students of television production.

In addition, the chapter has offered seminars on issues of relevance in television. These seminars have provided advanced learning for professionals and students with an emphasis on promoting and stimulating broadcast excellence.

Suncoast Student Televsion Awards of Excellence

Suncoast Regional Silver Circle Awards

Suncoast Emmy® Awards

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THE NATAS

Upper Midwest Chapter About Us

Established in 2000, the Upper Midwest Emmy® Chapter includes all media markets within Minnesota, North Dakota, South Dakota, Iowa and western Wisconsin. The Upper Midwest Emmy® Chapter’s large geographic area contains only one Top 20 market – Minneapolis/St. Paul – and two Top 100 markets – Des Moines and Cedar Rapids/Waterloo. In spite of this, the chapter maintains a highly competitive stature relative to larger media markets.

This is attributable to two main factors: 1. Media professionals and students in this region are very active in professional-development organizations.

2. Many of the region’s media veterans stay in their hometown areas, parlaying decades of experience into compelling community stories.

Media professionals in the region operate from the simple premise that major-market storytelling is a state of mind, not a physical location. As a result, the chapter’s small-market members annually earn a disproportionately large share of Regional Emmy® Awards.

McKenna Ewen and Jason Gonzalez from the StarTribune Newspaper celebrate their awards last year for Sports Documentary.

Emmys on the Road ®

The Upper Midwest Emmy® Chapter is committed to professional and educational media development. The chapter has chosen to respond to tight training budgets by taking its Emmy® Awards on the road each year to TV stations and colleges across the region.

Chapter members host free video workshops for media professionals and students to demonstrate best practices for writing, shooting and editing. Award-winning entries are presented, and followed with discussions of the Emmy® entry and judging process. The workshops also afford attendees the opportunity to present their work and benefit from open-group critiques.

Emmy® Award winning KELO-TV Chief Photojournalist Kevin Kjergaard (right) leading an “Emmy® on the Road” workshop in Sioux Falls, S.D.

Student Production Awards and Scholarships We are the only Regional Emmy® Chapter which holds its own Student Production Awards Ceremony for high school & college media students. We offer 18 different categories and average more than 250 entries a year. We’ve sold out venues at the Mall of America the past 5 straight years. It’s our hope that by honoring the students, it will keep them involved in our organization after school and well into their media careers. The Upper Midwest Chapter also gives more than five scholarships a year to high school seniors or college students to help with their tuition and books. Since 2002, The Upper Midwest Emmy® has presented 70 scholarships worth $155,500.

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The 2014 Upper Midwest Regional Student Production Awards, held at the Mall of America, recognized high school and college media students in the region.

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