AHMET SARI - Sinir Uçları / Nerve Endings

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21 2 3 NISAN

MAYIS

NERVE ENDINGS

SINIR UCLARI A P R I L 2 1 / M AY 2 3 2 0 1 5

AHMET SARI


NERVE ENDINGS The artist, Ahmet Sari mainly known for his comical and metaphorical use RI DQLPDO DQG KXPDQ Ă€JXUHV LV SUHVHQWLQJ KLV ODWHVW ZRUNV ZKLFK KH FDOOV ´1(59( (1',1*6Âľ XVLQJ KLV RZQ WHFKQLTXH RI ODYLH RQ KDQGPDGH SDSHU 7KH H[KLELWLRQ VWDUWV RQ VW $SULO DW * $UW %H\RJOX Gallery G-Art is hosting young artist Ahmet Sari from 21 April thru 23 May at its over 100 year oldlocation on .XPEDUDFL <RNXĂźX WKDW IDLWKIXOO\ PDLQWDLQV LWV WUDGLWLRQ DQG FKDUDFWHU IURP WKH SDVW LQ WKH 7RSKDQH .DUDNR\ YLFLQLW\ WKDW LV UDSLGO\ EHLQJ WUDQVIRUPHG LQWR D SRSXODU DUW ]RQH RI WKH WRZQ QHLJKERULQJ *DODWD 7RZHU DQG Istiklal street. ,Q WKLV H[KLELWLRQ HDFK RI 6DULŇ‹V DUWZRUNV KDV D WDOH RI LWV RZQ UHYHDOLQJ WKH SHUVRQDOLWLHV RI ŇŠSODQWVŇ‹ ŇŠDQLPDOVŇ‹ DQG ŇŠREMHFWVŇ‹ DV ZHOO DV KXPDQV 7KH VDWLULFDO DQG PRFNLQJ VW\OH LQ KLV XVH RI FRQFHDOHG FULWLFLVP RYHU KXPDQ EHKDYLRU GRHVQŇ‹W JR XQQRWLFHG E\ WKH YLHZHUV 8VH RI ŇŠODYLHŇ‹ SDLQW DSSOLHG RQ XQLTXH KDQGPDGH SDSHU LV WKH SURGXFW RI WKH DUWLVW DV VHHQ LQ KLV Ă€JXUDWLYH GUDZLQJV D SDUW RI KLV UHYROXWLRQDU\ DQG H[SHULPHQWDO DUWLVWLF WHFKQLTXHV WKDW KH DOVR H[FOXVLYHO\ LPSOHments in his career as the “director of Aksanat original print atelierâ€?. In this exhibition which he names “nerve endingsâ€? he primarily refers to the wordings of French essay writer DQG PRUDOLVW -RVHSK -RDEHUW ZKHUH KH TXRWHV ´,I LW LV D YDOXH WKDW PDQ HQGXUHV KLV RZQ GHVWUXFWLRQ LW LV HYHQ PRUH YDOXDEOH ZKHQ KH VKDUHV WKRVH RI RWKHUVÂľ $KPHW 6DUL VKRZV RQFH DJDLQ LQ KLV UHFHQW ZRUNV KLV understanding of criticism and sarcasm. Artist here by relating to us in an aesthetic and pensive manner his sociological reservations for the state of extremely disturbing sensitivity that reach a pathological level as well as the opposite position of extreme insensitivity in the realm that we breathe/survive. +H RULJLQDWHV KLV DUWZRUNV ZLWK HPSKDVLV RQ WKH QDUURZLQJ RI RQHŇ‹V OLIH VWDQGDUGV E\ SRLQWLQJ WR D VRFLRORJLFDO FULWLFLVP 7KH QDPHV RI VRPH RI KLV SUHYLRXV FRPSOHWHG ZRUNV DUH ´9HUWLFDO 7KRXJKWVÂľ ´6WDUWÂľ ´7XUVX /LIHÂľ ´,QWROHUDQFHÂľ ,Q VXFK SURMHFWV RYHU ZKLFK KH H[HUFLVHV UHDO WHFKQLFDO VXUYH\V VXFK DV FXWWLQJ GHGXFWLQJ UHGXFLQJ DQG OHVVHQLQJ DV ZHOO DV WKHVH FRQFHSWVŇ‹ PHWDSKRULFDO VRFLDO VXE WH[WV WXUQ WKHP LQWR SROLWLFDO and ironic concrete examples to be absorbed. He in the meantime unites image with criticism while manipulating the notion of opposites and playing with the frames that has become part of the work. As with his SUHYLRXV H[KLELWLRQV WKH DUWLVW SXUVXHV KLV PLVVLRQ RI VWLPXODWLRQ DQG SURSDJDQGD VKRZLQJ D VWDEOH UDWLRQDO attitude in this respect. ,Q VXPPDU\ WKURXJKRXW KLV OLIH HQGHDYRU WKDW IRUFHV WKH LPDJLQDWLRQ LQ VKRZLQJ WKDW LW KDV FRPH WR ZRUVH the destruction that mankind has done and seemingly will be doing to the universe and to what extent it will be touching our “nerve-endingsâ€? is yet to be seen.


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www.g-artgaleri.com

wwwg-alleryrooms.com

www.ahmetsari.net


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