MADE December 2013

US Edition - $4 www.mademag.us

December 2013

Escape to

San Miguel de Allende Meet

Channel your inner

Frida

Kelly Talamas

MADE This is what you’re made of.

MADE 1

MADE 2

December 2013

MADE This is what you’re made of.

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MADE Gabriela Cambero & Amanda Lange CO-EDITORS IN CHIEF CREATIVE DIRECTOR Melanie Dagher FASHION DIRECTOR Gabriela Cambero FASHION EDITOR Amanda Lange BEAUTY & HEALTH DIRECTOR Amanda Lange SUB-EDITOR Andre Forsythe FEATURES EDITOR Gabriela Cambero COMMISSIONING EDITOR Amanda Lange NEWS EDITOR Gabriela Cambero ADVERTISING Amanda Lange PUBLISHER Gabriela Cambero PRODUCTION EDITOR Gabriela Cambero & Amanda Lange THANK YOU Andrew Tucker, Catherine Lamb, Ricardo Ramos, Izack Morales, Melanie Dagher, Andre Forsythe, Luisa Lange, Alejandra Infante, Manuel Oliva, Claudia Gamiño, Juka, Carolina Lomelí, Álvaro Valadez, Kelly Talamas, Mariana Aguirre, Michele Herrera Mulligan, Lizzie Jonathan, Margarita González & Marshall David Johnson. Your support to the realization of this project was invaluable.

MADE is published monthly by Made Magazine Ltd, 357 West 16th St., New York, NY 10011. All content is protected by copyright. For enquires please contact us at www.mademag.us/contact

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CONTENTS

14 Editors’ Letter 16 They MADE this happen 20 The Community 22 Shop the trends 28 Accessorize like a diva 32 Resort collections 36 Inspired by us 40 Texturas 48 Breaking the taboo 50 Day in the life of an escaramuza 53 Fashion 54 El sueño de Frida 66 You should know: Kelly Talamas 70 Mujeres 78 Shivers 88 The art of the eye 90 Firm butt 92 Hair removal 94 Keep your tan 96 Travel: San Miguel de Allende 104 Suitcase 106 Cook: Chile 108 Cues 110 In the next issue

“I do believe fashion has been democratized...”

-Kelly Talamas Editor in chief of Vogue Mexico / Latin-America Read all about it on page 66

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EDITORS’ Letter

W

hy is the Mexican girl in the TV show always the cleaning lady and the Colombian the voluptuous trophy wife? Welcome to the first issue of MADE magazine. We’re Latinborn friends from Mexico and Chile, living in the lovely cities of New York and LA. We started this magazine because we felt that we didn’t have a public voice that represented who we really are – Latin young women who work, study, go out and love fashion – so we thought we’d become that voice for the many like us.

In the Western world, especially in the US, there’s a misconception of what a Latin woman does and what she looks like. We are all put into the same category and thought of as soap opera characters. We want to change that and show that Latinas are much more than what we’re expected to be. We want to be your voice and your mirror.

We want to challenge you visually and intellectually, with no censorship.

There are more of us each day. Whether immigrants or born here, Hispanics are the largest minority in the US. We’re integrating ourselves in the community, giving back to this country and enriching its culture. However, we feel we are being under-represented by its media. Inspired by their origins and in pursuit of success, talented Latin Americans have arrived in this country throughout the years to become members of its many creative industries, contributing and reshaping them with their work.

In this first issue of MADE we want to celebrate our origins by celebrating Latin-American culture-icons, fashion, destinations and, most importantly of all, people.

We want to make you proud of who you are and where you come from. We want to get rid of the stereotypes without forgetting our heritage. This is what you’re made of. Enjoy!

GABRIELA

& MADE 14

AMANDA

MADE 15

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THIS HAPPEN

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ia ud r la fo C est om t r fr es , t g ra te ja in on ea in i la at gr hav as y da re ash e n ua g f th is ch a d iño G ed a and gst r, su d m rke ía, o e am m w on e s an w rc a, G fro sho ling Am car zine da, lso Ga Silv ew a y s dia ally áez irst ge. her ag nan ’s a ael nia atth like d m er e G e M te lau n B a a C rigi iño p, h ung of for e, F . Sh as Eug at he len and b S ta s jo O m u o s u es h , d a n y t G ake ry tio ed Vog titl suc gne an ow. tin lis f a m e ac at , n vi di h a ty o e s v r s L s f a is o ll ca ie le o ng r d S i e t b t E ay he an eli o sa la , ex ri D a l l t w n b e i inn co ylo r M le py m un o els e f am N he ce op Ca r ith od th iag ot th , P a, n’s w m ys i ud w elle nov so ing rs, njo cla Y la iam rat he l, e Be ill bo rap f al ne. m @ W lla og o do ra co hot ost ell tag p m w Ins

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the community You say...

“I think that the fact that we don’t have a real leader is maybe why there’s so much discrimination against people with Hispanic heritage in the country. We need someone who will represent us and fight for our interests in Congress and society in general but we, as a Latin American community, need to unite because if we see ourselves as separate countries, we’ll lose leverage. Together, we are the largest minority in the country and our rights don’t reflect that.”

Alexis Vergara, 25 Palo Alto, California

Hispanics in the US lack a leader

A

frican Americans have their Martin Luther King, their Oprah, their Obama, but who is the Latin leader who represents the biggest minority of the country on the national stage? As the political clout of our community grows, the need for a strong leader around whom to rally increases. According to a recent poll by the Pew Research Center, the Hispanic community suffers from a lack of leadership as more than 70% of the respondents couldn’t name a Hispanic leader in the country today, even though almost threequarters of them agree that having the community represented by a leader is “Very” or “Extremely” important. The reason for this lack of leadership may be that, despite what mainstream America believes, we don’t see ourselves as one homogenous group and, as such, we have a hard time finding someone who we feel represents us all. The most named leaders in the survey were prominent only because of their ancestry: for example, Cuban-American Marco Rubio was named most often among his fellow Cuban-American citizens of Florida. The need for a name that rises as a symbol for the community is greater now than ever, a powerful figure that fights for the community’s goals can be the difference for the more than 11.6 million illegal immigrants currently living in the country.

THE COMMUNITY Issues that matter to us, today.

Women in the spotlight of Latin America’s Economy

D

espite the economic growth experienced in Latin America and the Caribbean (LAC) in the past two decades, the region still remains the most unequal zone in the world. The growing involvement of women in the labor force – 15% increase between 2000 and 2010 – has helped decrease the level of extreme poverty in the region by 30%. Working women have also been a significant addition to those single-income households in risk of downfall due to the economic crisis as well as in the number of children enrolling in pre-school and secondary school. In Brazil, for example, the likelihood of children attending school is 7% to 14% more when they come from a two-income household. Despite these efforts, women in Latin America are still mainly employed in the domestic services and service sector, and very rarely in high-ranking occupations –leaving a significant existent difference between professions of men and women. At this point in time, male professionals still earn a quarter more than their female counterparts. This means that households led by only one woman are 5% more likely to fall into extreme poverty than households led by only one man. Increasing the scholarship and employment rate amongst Latin American women helps improve awareness when tackling social problems such as domestic violence, maternal mortality and sexual violence.

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the community

Immigration reversal

A

What’s in store for New York’s Hispanics

T

he Mayor-elect of New York, Bill de Blasio, recently visited Puerto Rico, where, accompanied by other Democrat leaders, he spoke about issues relevant to the Latin community. This was done as part of the annual Somos el Futuro Democrat conference in San Juan. The Mayor-elect stated that his administration would make diversity a priority: “We want to make sure that we have a government that looks like New York City, with a strong Latino representation,” he said. He also added that he would reform the unpopular policy of stop-and-frisk, which greatly targets minorities, as he sees it as a violation of the people’s civil rights. The chairman of the event, Felix Ortiz, said that the turnout this year had been the best so far because Democrats can no longer take the Latino vote for granted and have to deliver (recently elected Governor of New Jersey, Republican Chris Christie, got 51% of the Hispanic vote). Ortiz also said that an appointment of the new city council speaker is expected for January and he believes that “it should be someone of Hispanic descent” to better represent the 27% of New Yorkers who are Latin. The conference also touched on economic issues as Puerto Rico’s recession hits its eighth year and its public debt is at a record 70 billion dollars.

You say...

“It will be interesting to see if De Blasio is truly as open to minorities as he promises. The black community expected a greater change with Obama in power and, if anything, they’ve seen their rights diminished (with the repeal of the voting rights act). Let’s hope the new mayor improves things for us.”

Paula Navarro, 27 Brooklyn, New York This is where we come together and discuss the matters most important to our community. Do you have an issue you think we should talk about? Let us know!

Contact us at mademag.us/contact

ccording to the ECLAC and the ILO, unemployment in Latin America and the Caribbean is expected to decrease to reach 6.2% by the end of 2013. This would reflect the lowest unemployment level seen in Latin America for decades. This is essentially due to the economic growth of Brazil, Chile, Colombia and Peru, whose GDP growth and macroeconomic development has increased the domestic job demand of the entire region.

This is despite the underperformance of countries like Mexico, Argentina and Jamaica, which showed a slight increase in their unemployment rates. As a result, Latin America has seen an increase in immigration from Southern European countries like Spain and Portugal, whose unemployment levels reached 26% and 18% in 2013. More Europeans and Americans of Latin descent return to Latin America in search of flourishing working opportunities: Ecuadorian president, Rafael Correa, said, “All Europeans are welcome to come to Latin America for jobs.” As we experience this phenomenon of reverse immigration, it is expected that a number of highly qualified vacancies will be filled by the increasing amount of people with higher education degrees entering the region to work, coming from Europe and the US.

RECOMMENDED

by you

A

pride of the Latin community, Sonia Sotomayor, the first Hispanic appointed to the Supreme Court, tells her story in her new autobiography, My Beloved World. Learn all about the Justice’s difficult childhood in the Bronx, her battle with juvenile diabetes and her dream of becoming a lawyer. Follow her journey as she graduates with honors from Princeton, and Yale Law School and reaches impressive professional milestones before the age of forty. Sonia tells all about her failed marriage and her hopeful vision for the country’s future in this warm and honest book that will become a trip of self-discovery for the reader as much as it was for the author.

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Alexander Wang FW 13

COATS

Stella McCartney $3,355

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Top Shop Unique FW 13

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tino

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i FW 13

Accessorize like a

Diva

Charlotte Olympia $1,295

Bijoux Heart $620

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C

armen MIRANDA Dolce & Gabbana $195

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amba singer, dancer and actress in films and Broadway, she became famous for her fruity headpieces and over the top accessories. Take your style cues from the original Brazilian Bombshell.

Carla Fernandez $80 each

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Dolce & Gabbana $610

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accessorize like a diva

Valentino dress inspired by La Doña

Anna Sui $485

Alexander McQueen $2,980 Flat128 $845

M

Bulgari Serpenti P.O.D.

aría Félix

L

a Doña is considered the leading lady of the Golden Age of Mexican cinema par excellence.

A true movie star and all-around diva, she was famous for her collection of Cartier jewelry and dangerous eyebrows.

Alexander McQueen $995

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Cartier Panthère P.O.D. Bulgari Serpenti P.O.D.

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accessorize like a diva Whichgoose $65 Nicholas Kirkwood $1,050

Otte New York $485

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Miu Miu $790

Leach C. $225

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E

vita PERON T

he first lady of Argentina is the poster girl for 40s ladylike style, with her furs, couture dresses and chic hats and headpieces around the clock.

She inspired the musical Evita and was famously played by Madonna in the film version.

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sOr t2014 MADE 32

Stuck between seasons or going away on holiday? No one does Resort wear better than these four Latin designers. Follow their cues to get the hottest mid-season looks.

Narciso Rodriguez

Carolina Herrera With fresh inspiration from a trip to Singapore, the Venezuelan designer’s resort collection is – in her words – “all about prints”. She decided to shoot it, very adequately, on her newly refurbished studio’s terrace, which overlooks New York City and is filled with all sorts of foliage. The collection consists mainly of her bestseller – the cocktail dress, reinterpreted with a constant motif of flowers on most looks. Flowers made their appearance in all forms and shapes, from abstract to Pop Art supersized roses. Color blocking and stripes were seen throughout and a feeling of light airiness was also a constant. The greatest statement came in the form of silk palazzo pants which, to keep with the theme, were printed with tiny oriental flowers and vines.

The fabrics, as is expected from a resort collection intended for clients traveling to more tropical climates, were lighter and gave the pieces an ethereal feeling. Herrera likes “everything floaty” and this collection undoubtedly showed it. With mostly easy-towear, colorful pieces, it’s bound to be a success.

There’s no one better than the Cuban, New-Jersey-born designer, at making something simple into something special. A collection made mostly of raw linen was rendered singular with details such as the lamination of the fabric in a diamond-shape pattern or the laser-cut of the same pattern in simple black satin. The mix between a very monochromatic color blocking and the cut-out fabrics gave the collection a very futuristic but almost romantic look. The complicated and sleek cut of his jackets – Narciso’s specialty – was present and the designer’s touch was seen in some of the most complex-made-simple pieces. He admitted to a fascination with the concept of speed, thanks to technology and fast fashion, but he still makes his priority to take the quality of his garments to the highest level. The effortless feeling of this high-tech collection is achieved thanks to the easy silhouettes – no body-con to be found here – and thanks to these being paired with chunky heeled slingbacks or even pointy-toed flats.

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A black and white outfit that you can wear all year round

Zero + María Cornejo

Proenza Schouler

Just as Chanel had never been to Russia when she produced her Moscow show, María has never been to Egypt or Morocco but they still served as inspiration for her resort collection. Instead of going to these places, she dressed her models in what she would like to wear if she did, while not really basing her designs in research. The Chilean-born designer simply translated her imaginary North Africa into an array of cocoon dresses and coats, without forgetting her characteristic use of geometric shapes. However, she didn’t do this collection thinking about the woman on holiday – her looks are meant for the urban and the practical. She speaks of liking clothes that transcend fads and, for this reason, she gave this collection a timeless feel. A couple of silky jumpsuits and digitally printed dresses formed the bulk of the collection, which, though mostly monochromatic, included a memorable bright pink ensemble, a couple of swimsuits and a turquoise dress, to add some color to the mix.

Jack McCollough and Cuban-American Lazaro Hernandez, the duo behind Proenza Schouler and most recent winners of the CFDA’s Designer of the Year award, present a resort collection that’s full of movement. The designers have noticed a preference amongst their competitors towards heavier materials and structured garments, which they are attempting to counteract by giving their clothes more movement with every collection.

They are moving away from the sketching pad and more into draping, thus giving their pieces more fluidity. For their resort collection, the perfect example of this transition can be seen in their monochrome chiffon skirt, topped with a loose silk shirt, while still keeping a bit of structure in the white, cropped jacket.

Like the black shirt, the whole collection was loose and easy, as most resorts are turning out to be this season. Other pieces of the collection, like the slouched men’s pants and the skirt suit, all bore the mark of designers trying to move into a new era of inspiration for their brand, but who were all still well-cemented in the now.

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us

Inspired by

By Gabriela Cambero

D

esigners draw inspiration from Latin American tradition and strong visual identity to enrich their collections and make us dream of a land of utopic exoticism.

Jean Paul Gaultier Haute Couture SS 10

Mario Testino ring

Lena Hoschek SS 13

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Lena Hoschek

Mario Testino

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Rebecca Minkoff SS 14

D

id you notice everyone’s Día de los Muertos makeup last Halloween? Have you spotted the colorful embroidery and flowers on the runways? How about a bit of mariachi and rebozos? Latin American influence is evident throughout the spectrum of fashion, now more than ever. As of late, celebration of our culture and the use of Latin imagery is discernible everywhere, from the catwalks of the most celebrated fashion designers down to the biggest fast fashion retailers – you just have to pay a little bit of attention and suddenly you’ll notice how the continent seems to be an infinite source of inspiration for the fashion industry.

With immigration increasing every year, it is inevitable that more and more expatriates will be working in the fashion industry and that more expat-designers will often find themselves drawing inspiration from their countries of origin. A recent example can be seen in Mario Testino’s recent Summer 2013 capsule collection for net-a-porter.com, in which he collaborated with diverse brands to create a collection inspired by the costumes and crafts of Peruvian artisans. He uses his iconic photographs on shirts, bags and kaftans, and also employs the colors and crafts of his home country to design a small line of jewelry and other garments such as crochet embroidered tunics.

However, most of the Hispanic references to be found don’t come from natives’ homesick designs. Just as Yves Saint Laurent constantly traveled to Morocco to get inspiration, designers who visit Latin America never forget its charm

and the feelings of warmth and happiness that the southern countries of the continent all seem invariably to provoke in its visitors. They then go back to their countries with a desire to perpetuate the feeling and even to transmit it to others, and so it seeps into their collections, sometimes in the form of almost imperceptible details and small elements of the culture they encountered, but sometimes it becomes such an influence that it inspires the whole thing. Such is the case of kid prodigy and Project Runway winner, Christian Siriano, who said of his latest collection, “My Spring 2014 collection is primarily inspired by a recent trip to Mexico’s Isla Mujeres: the ‘Island of Women’. I took influence from the shapes and imagery of grass-lined huts, picturesque color-blocked residential streets, stonework, and the locally abundant dahlias. There are day separates in vibrant floral prints paired with raffia textiles, and soft elegant organza for evening in sand tones. The collection (like the island) is dramatic, powerful, bright, romantic, and light”.

German designer Lena Hoschek’s Spring/Summer 2013 collection was nothing short of a Mexican Día de los Muertos celebration. The unmistakable influence of everything Mexican in the show transpired down to even the name of the pieces (you can get the Cielito dress or the Mariachi blouse on our online boutique).

The fabrics, makeup, floral headpieces, colors and even the models, all screamed Mexico at the top of their lungs. Traditional elements were taken into her runway very literally, as is usual with the designer’s collections. Hoschek is famous for her feminine and very 1950s reinterpretation of traditional costumes.

Mexico and Paris came together in 2010, at Jean Paul Gaultier’s Haute Couture runway show.

Mixing his recollection of a visit to Mexico with Mel Gibson’s Apocalypto and adding visual elements from a London exhibition about Moctezuma, the Aztec emperor, the designer managed to create an utopic, romanticized version of the country. The collection was

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Alberta Ferretti SS 14

Alberta Ferretti SS 14

Alberta Ferretti SS 14

Ralph Lauren SS 14

purest white achieved a completely different effect from that created by Alberta Ferretti’s romantic dresses. Exoticism was brought to a conservative American arena and, as such, transformed it and gave it diversity.

Also in New York, Latin America showed its colors at Rebecca Minkoff’s show in the form of bold floral prints and Frida Kahlo-style braided models. The designer said that for this season she drew inspiration from strong Latin women, like the braided Mexican Frida Kahlo, Nicaraguan Bianca Jagger and Brazilian model Alice Dellal.

Christian Louboutin’s Mexibeads collection last summer sold out before they even hit the boutiques. The handcrafted heels had a waiting list and never had to see a shop floor.

Monsieur Louboutin was visibly inspired by Mexican folklore and used Huichol artisans to create this masterpiece.

The success of this collection and the recurrence of the theme in the runways of the greatest is evidence enough that it’s not only designers who have been fascinated by the southern continent, but also the thousands of avid shoppers who get their fashion inspiration from these collections. Latin America as a muse has a lot to offer and the fashion industry is making the most of it.

Christian Louboutin

full of exuberance and exoticism which may be lost to the eyes of a local but which will seem peculiar and become unforgettable to a foreign visitor. This collection, while not in such an evident manner as Hoschek’s, captured the diverse aspects of the Mexican culture and the elements often related to the country – such as Mariachi sombreros, pointy boots and rebozos – and injected them with a dose of luxury and the glamour of Parisian couture. References to Mexican history were also drawn upon in the use of modernized conquistador armor as an accessory for a silk dress. Even the country’s native foliage became covetable in the form of a ball gown worn by Karlie Kloss, without forgetting the vegetal-looking handbags and headpieces.

More subtly, Alberta Ferretti’s latest collection was a perfect case of one that has captured the spirit of South America. Without overtly taking iconic elements, but doing it more discreetly, Ferreti used color to express “positive energy, the joy of living,” as the designer puts it herself.

A lot of pieces of pure white, trimmed with ribbons and multicolored floral embroidery, had Peru written all over them, without ever having to spell it out.

In an example closer to home, American designer Ralph Lauren took a leaf out of Gaultier’s book and embarked on a metaphorical trip down to Latin America, with a layover in Mexico but getting his imagination all the way down to Argentina for some tango-inspired hats and ruffles. Drawing from these countries, he was able to add to his usual looks a jolt of color and a novelty in fabrics and silhouettes. Just as Gaultier before him saw Mexican history through the eyes of couture, Lauren translated Latin American folklore into marketable luxury clothes and accessories. He took elements such as the Mexican zarape fabric– a sort of poncho – and used it to decorate a bag, a top and a dress. He never compromised his style as a designer but his peek at the south allowed him to explore new elements and to add variations to his usual style, which discreetly saluted some of these countries. A very Colombian double-breasted pant suit, some tango ruffled skirts and embellished toreador jackets paired with slim pants all evoked cultures that are not his own, but that he borrowed for the collection. The combination of bright colors with the

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X E TR S TA U

Textures and colors from a land of sun and abundance.

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The zarape de Saltillo is the most typical of all zarapes. It’s recognizable for its distinct color scheme.

Pitayas are the fruits typically found in many cactus species. It’s found mainly in the north of Mexico.

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Zarapes always come in bright colors.

They are worn by most indigenous communities in Latin America.

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Embroidery is typical in Latin America and flowers, like the ones in this cushion from Tlaquepaque, are a common motif.

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Aztec penacho worn by indigenous danzantes (pre-hispanic dancers) during pagan religious ceremonies.

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Costume of the dance Moros y Cristianos, part of Pentecostes celebrations in Santiago Tolman, Mexico.

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“El vendedor de alcatraces�, 1941, by Diego Rivera is meant to depict the burden carried by the working class.

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Frida Kahlo’s last painting, completed in 1954. Right before her death, she added the inscription “Viva la Vida”.

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Breaking the

By Amanda Lange

taboo STDs have always been a forbidden topic in many Hispanic households. It’s time to let go of old prejudices and speak up.

It is hard to imagine how at this point in time, ignorance can still be the main cause of teenage pregnancy and the spread of STDs amongst us women. The truth is, that the gap between men and women in our community is still huge, and whether it is due to religion, beliefs or lack of common knowledge, women within the Hispanic community are still more vulnerable to these social problems than American women.

Hispanics account for 21% of the total cases of HIV in the United States, however they account for only 17% of the total population. In relation to other sexually transmitted diseases (STDs) Hispanics are two to three times more likely than white Americans to have chlamydia, syphilis or gonorrhea. But why?

Being part of low socio-economic groups is the number one reason. Hispanics are less likely than Americans to receive care and treatment for these diseases. This is caused by the high rate of Hispanics who lack health Insurance. By the end of 2011 in the US, 39% of those under 25 and 30% of Hispanics lacked health coverage.

The number one cause of HIV infection amongst Hispanic men is unprotected sex with other men. To explain this, we can use what we commonly refer to as “machismo”.

Machismo is the cultural belief amongst the Latin American community that men should have a dominant role in society.

Based on this idea, the use of condoms is perceived as a sign of subordination,

and despite men being homosexual or bisexual, they might not accept being labeled as such and will therefore not take the precautions needed when engaging in homosexual intercourse.

When speaking about women, the implications are very different. A lot of us are not aware of the fact that women, and especially young women, are more susceptible than men to sexually transmitted diseases due to the anatomy of our reproductive system. Because of this, these diseases are also more likely to remain undetected in women, increasing their risk of cervical cancer and pelvic inflammatory disease due to delayed treatment.

Eighty-six percent of Hispanic women diagnosed with HIV have acquired the virus due to heterosexual contact and the rest due to injected drug use.

In an interview with Michelle Herrera Mulligan, journalist and Editor-inChief of Cosmopolitan for Latinas, she explained the restrictions that Hispanic women experience when speaking about their sexuality – Hispanic women think and speak about sex in a very different way from Americans. Our cultural concepts of male and female and the fact that religion is such an important factor in our community have created taboos around these subjects. “Many Hispanic women fear the risk of physical or emotional abuse or withdrawal of financial support when raising the topic of condom use with their

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partners, therefore increasing the risk of sexually transmitted diseases,� she says.

Hispanic integration into the American culture has mixed consequences regarding the level of STD awareness amongst Hispanics. Acculturation has increased the level of communication amongst partners and openness to discuss sexually related subjects which might have been undisclosed within Hispanic families in the past. On the other hand, greater exposure to the media and a less censored lifestyle have promoted and facilitated the use of drugs, especially amongst young people.

Alcohol and drug abuse are directly linked to unsafe sexual behavior and poor judgment. According to the JAMA Internal Medicine Institute, Hispanics who are more acculturated have a

higher risk of injecting drugs and having several sexual partners.

There are many existing initiatives at a local and national level that have been created to improve sexual communication amongst Hispanics and to encourage health-protective behaviors amongst them. The National Latino AIDS Awareness Day is held on 15 October to bring people from different Hispanic communities together and increase awareness about HIV infections. And the “Among Women� program is a local initiative to encourage safe sexual environments within Hispanic homes, empowering women to promote social change within their community. Promoting knowledge is the best tool against the spread of STDs amongst Hispanics and increases the likelihood of seeking care for those affected.

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Day

in the life of an Escaramuza

By Gabriela Cambero

5:30am.

Gabriela Bollain spends her mornings like any normal 20-year-old student, but her afternoons are spent on the top of a horse – she’s an Escaramuza Charra and this is a day in her life.

About escaramuzas

Wakes up and takes a shower. After a hearty breakfast she goes to her university in her truck. She’s currently on the second year of her bachelor’s degree in Accounting and Corporative Government at the Western Institute of Superior Studies (ITESO in Spanish).

Teams must be formed by eight members. Women mount “albardas” – special riding chairs – and they ride “a mujeriegas” which is to say, with both legs in one side of the saddle.

The official costume for competitions and exhibitions must include: Jalisco pants, starched skirts, “ranchera” dress or “charra” 1pm. Gabriela drives home and starts her homework. She also attire, shoulder wrap, bow, hat and artisanal earrings. watches shows from her favorite channels, such as Utilisima, the The dresses are hand-sewn by specialized seamstresses and Discovery Channel and Discovery Home & Health. made to measure for each member of the team. They cost an 3pm. It’s lunchtime with the family and Gabriela always eats a average of 3,500 pesos (roughly 270 dollars). home-cooked meal with her parents and her older brother, who’s also a charro. After lunch, she always takes a half an hour nap: “I The Congreso Nacional Charro is held every year. can’t function in the afternoon if I don’t sleep after I eat,” she Every team of the country competes to qualify for it. says.

4:30pm. Gabriela tries to finish her homework but she admits Gabriela, to spending time browsing online before her training.

5:30pm. Ready for her training session, Gabriela drives to the

Lienzo Charro Zermeño – an arena where charros hold the events of charreada. She trains there almost all year around, except for the Christmas holidays, spring break and two weeks during the summer. She meets with her team, Las Alteñitas de Guadalajara, every Tuesday and Thursday, from 6.00 to 7:30pm.

with her team, has been state champion and regional champion twice. Las Alteñitas de Guadalajara have been national champions four times since they started in 1972.

8pm. After working hard at the Lienzo, Gabriela gets home, feeds her dog and gets into bed.

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EL SUEﾃ前 de FRIDA Photography Ricardo Ramos Stylist Juan Carlos Plasencia Art direction Gabriela Cambero Dress ANGIE ESCAMILLA. Shoes ZARA. Earrings PINK REVOLVER. Headpiece JUKA.

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Top MAX MARA. Skirt ISRAEL ZEPEDA. Bracelet and earrings PINK REVOLVER. Shoes ZARA. OPPOSITE PAGE: Top ZARA. Skirt ISRAEL ZEPEDA. Necklace PINK REVOLVER.

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Top and pants BELEN PUGA. Coat MAXMARA. Belt MANVANTARA. Necklaces PINK REVOLVER. OPPOSITE PAGE: Top ZARA. Skirt ISRAEL ZEPEDA. Necklace PINK REVOLVER.

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Dress ALFREDO MARTINEZ. Vintage shoulder wrap. Heels ZARA. Headpiece JOSE CARLOS ESQUIVEL.

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Dress BENITO SANTOS. Earrings PINK REVOLVER. Headpiece JUKA.

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Top ZARA. Skirt ISRAEL ZEPEDA. Necklace PINK REVOLVER.

Makeup Claudia Gami単o Hair Manuel Oliva Model Alejandra Infante MADE 64

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KELLY Talamas

By Alvaro Valadez

At the tender age of 28 she became the youngest editor in chief of one of Vogue’s international editions-Mexico and Latin America. Cuban-American Kelly Talamas is much more than a girl in pretty shoes, she’s the champion of the region’s fashion industry.

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eing editor-in-chief of a fashion magazine is the dream job of thousands of women around the world. It’s a position that has suffered a radical transformation in recent years thanks to its being available to the mass media through movies and documentaries, such as The Devil Wears Prada and The September Issue. If in the nineties the so-called supermodels were the main source of admiration and inspiration, today it is editors who capture the eye of the audiences. The names and faces of women such as Carine Roitfeld, Franca Sozzani, Emmanuelle Alt, Grace Coddington and Anna dello Russo are familiar and a part of pop culture. This goes without mentioning Anna Wintour, who is not only responsible for the phenomenon, but is also the archetype of a successful editor. Mexico is one step behind yet, day by day, it produces examples of women who build a name of their own, both domestically and internationally, thanks to their impeccable image and the hard work they put into the pages they direct. Such is the case of Kelly Talamas, current editor-in-chief of Vogue Mexico/Latin-America, who, after less than two years at the head of the ‘fashion bible’, has already positioned the magazine as the most important of its kind in the region. Kelly, of CubanAmerican heritage, is one of the youngest Vogue editors in the world and, contrary to the cold and detached image often related to her position, she’s all smiles and friendliness. At her young age, Kelly can boast a position many others have worked decades towards achieving, and she reached it in a few years, thanks to her vision, discipline and hard work. More important than the glamour, parties and runways, Kelly knows the responsibilities of her role representing the world’s top fashion authority – a role she performs immaculately and with all the formality it demands. She’s the clearest example of a modern, independent and courageous woman who’s comfortable in her own skin and is living proof that there are no limits when there’s will, tenacity and, above all, passion for what you do.

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hat can you tell us about the other side of you job-the one that’s not glamour and parties?

Well, yes, I think everyone who works in the fashion industry is well aware that everything is not glamour, parties and champagne. It’s a lot of hard work and, as you mention, it’s a great responsibility being the editor of the most important fashion magazine in the world – the fashion bible – looking for the right content for your readers and representing the magazine at an international level. It’s a great and very exciting job, especially here in Mexico and Latin America, a market that’s growing exponentially. Day by day we see how more brands and designers expand to this region. I feel very privileged to be its Vogue editor.

Which have been the biggest challenges you’ve faced as editor of Vogue Mexico/ Latin-America?

To be honest, I’m really happy. This year we did for the first time the contest Who’s On Next, which gives economic support to local designers so they can carry on and achieve an international presence. We’ve also expanded Fashion’s Night Out to Guadalajara, and we continue to break records on that event. And, in months to come, we’ll have a very special project, of which I still can’t reveal the details, but that will be one of the most important of my life and my career. It’ll change the panorama of fashion in Latin America.

IIn your opinion, do you think there’s really a development of the industry in the region?

Absolutely, there’s growth, there’s so much talent in Mexico and the whole of Latin America. I see it when I travel and I wear things by local designers. When I’m in Paris or anywhere else in the world, people will come up to me and compliment me on what I’m wearing, asking me where did I get a dress or accessory. It makes me really proud to be able to say it’s by a Latin American designer.

However, it is true it’s still a bit complicated. The full support of the media, the government and the industry is required. That’s why it’s very important for us to support initiatives such as Who’s On Next, or in Colombia we’ve done the Vogue Talents Corner, where we’ve exhibited the work of eleven emerging designers in one of the most important tradeshows in Latin America so that their talent is on display. It’s also true that the people outside the region are paying more attention to us and they are becoming aware of interesting things that are going on.

Do you think fashion in Latin America has its own identity or is it still in the process of finding it and making itself identifiable to the rest of the world?

I think there are different kinds of designers. In some, their culture and heritage is very notorious and others are more ‘globalized’ and you can see foreign influence in their designs. Many have studied abroad so their references are from different countries, but they do tend to work with local artisans and designers. What I really like is that we have a great handcrafting tradition and I think we’re very fortunate here in Latin America to have so many amazing artisans who make wonderful things and just need the vision of someone with a fashion background to direct

them towards new projects. I think it’s very difficult to say if there’s one style for the whole region as each designer has his or her own.

In your opinion, what personalities are doing important work in changing the direction of the fashion industry in Latin America?

There are many in Mexico. Lorena Saravia, winner of Who’s On Next, is one. We also have Francisco Cancino’s brand, Yakampot, who was one of the finalists. He works in Chiapas with women who make embroideries using his vision as a designer. In Colombia there’s Amelia Toro, who works with single mothers and helps them become entrepreneurs. There are many cases like these, which are very impressive. However, fashion is still very centralized in the great capitals.

“Everyone who works in the fashion industry is well aware that not everything is glamour” How does Vogue keep this from happening? How do you include talent from places beyond Mexico City and cover not only the rest of the country, but also the rest of the continent?

Our editors never sleep. We are always aware of what’s going on in Mexico City, in different bazaars and events where emerging designers show their work, and our team is always on the lookout to go and see what’s new. Also, through Who’s On Next, we’ve had designers coming from all over the country. We have to keep our eyes and ears wide open to see all that surrounds us. We have to be very curious all the time.

You used to live in Miami until very recently and have just arrived in Mexico. How has this change been for you?

It has been a very important experience in my personal life and obviously in my professional life as well. I love to travel and see new cities; I’ve always had a traveler’s soul, so this has been a very inspiring experience. Ever since I moved, I’ve been stimulated a lot by this country and this culture. I had been here before for work, because we had offices here, so I’d come for events, magazine closures, etc. People have welcomed me with open arms. Besides, it’s great to arrive with fresh eyes and see everything in the country from an outsider’s perspective. I get to see all the talent and potential the Mexican culture has.

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What’s your favorite part of your job?

Many, many things! If it wasn’t the case, I wouldn’t do it, because we sleep little and we work a lot. I love fashion, I love having experiences such as moving to Mexico, coming to Guadalajara and traveling around the country and continent. I love meeting people from all over the world, talking to them, and learning more about their professions, be it photographers, stylists, journalists. In general, I love traveling the world. My life is constantly on the move and away from any resemblance of routine.

How’s a normal day in the life of Kelly Talamas?

Well I always wake up early to make the most of the day.

If I’m in Mexico, I like to get to the office before the team arrives. I answer emails, meet editors, and designers; if we have an event, I meet with the PR team. I get involved

with everything which relates to the Vogue brand, because it’s no longer just a magazine, we are 360°: we have the website, the magazine, the events – it’s a lifestyle, and I have to be aware of everything to make sure that Vogue remains the fashion bible in every sense.

What personality qualities do you think have helped you get to this position?

First of all, I’m very passionate about everything I do.

I have a passion for fashion. You also have to be very responsible, organized and disciplined.

What’s the greatest sacrifice you make to occupy this coveted position?

My time.

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“We’re very fortunate here in Latin America to have so many amazing artisans who make wonderful things“ Do you think there has been a ‘democratization of fashion’, or do you think fashion is stil an elitist industry, focused on only a few?

I do believe fashion has been democratized. Fashion has many niches and there’s always going to be a segment, which is very elitist and that not everyone can afford. But sometimes, that’s nice to have too – you get to dream about it. If we didn’t have that, we’d get bored.We always need to have something to aspire to. But fashion is becoming more and more democratic.We have brands such as H&M and Forever 21 arriving in the country and now everyone can participate in fashion in one way or the other.

That’s what Fashion’s Night Out is all about, to name an example.

Of all the people you’ve met through your work, who’s left the greatest mark and why?

I’ve met very interesting people but I’d have to say that I recently met Haider Ackermann in Colombia and that was a real pleasure. Everyone in fashion knows and talks about him – even Karl Lagerfeld mentioned him as his possible heir in Chanel, which was a shock to the industry.

He’s a very simple man, very humble and shy; however, he’s a genius and it seems as though he hasn’t noticed it. This surprised me a lot: people think that in fashion everyone is a snob but you also find these talented, important people who are super-humble.

Of the shows you’ve attended, which has been the most memorable?

All of the Chanel shows. I have to say those are always impressive, they always do amazing things. I recently went to their pre-fall collection in Edinburgh and that was an unforgettable experience.

You’re a jetsetter; what’s the thing you must always have in your suitcase?

I’m the worst at packing. I take like five suitcases when I travel for a week, so you could say I take my whole wardrobe. But really, I can’t live without my iPhone. I love taking pictures, it’s super important for me. Basics are

fundamental too, of course – especially if you’re going somewhere for the first time. I always take a dress that I’m comfortable in and that goes with everything.

What can you tell us about Fashion’s Night Out in Mexico City and Guadalajara?

It’s an incredible event that has surpassed all of our expectations. We loved sharing with all of our readers and seeing the excitement of the people. We have a faithful readership all over the country. We had over 180,000 visitors last year, which shows the excitement of the people. It’s a celebration you don’t see every day. You can feel the energy of the people.

What’s next for Vogue?

Well, we’re still working with Who’s On Next and next year it’s the magazine’s 15th anniversary, so that’s going to be a big celebration for us. We will continue to support the local industry and local designers. We’re growing a lot in Latin America. We’re having a live event in Panama for the first time and we’re creating a website for each country – we have Peru, Chile and Colombia so far.

Basically, we don’t stop!

Finally, for you, what’s fashion?

It’s a form of expression, it’s an art. It’s something you can have fun with and something everyone can feel good with.

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MUJERES Photography Ricardo Ramos Stylist Juan Carlos Plasencia Art direction Gabriela Cambero

OPPOSITE PAGE Sofia wears a white net shirt by BELEN PUGA, red pleated silk skirt by BENITO SANTOS, belt and golden rings by EREESIE7E, earrings by PINK REVOLVER and lipstick by YSL. Jiselle wears an anchor coat and golden choker

by ALFREDO MARTINEZ

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Sofia wears sport jacket and trousers from ZARA, black top by LA PERLA, earrings and leather bracelet by PINK REVOLVER and a black belt by SALVATORE FERRAGAMO.

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Jiselle wears a bra by LA PERLA, neckless by PINK REVOLVER and velvet heels from ZARA.

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OPPOSITE PAGE Sofia wears a black embroidered and beaded pencil skirt by ALFREDO MARTINEZ, transparent raincoat by JUKA and choker and earrings by PINK REVOLVER.

Makeup Claudia Gami単o Hair Manuel Oliva Sofia Monaco Jiselle Orozco MADE 76

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S OPPOSITE PAGE Dress ISSUE DE SECOURS PROJECT, earings RIVER ISLAND.

Photography | Izack Morales Stylist | Aradhna Singh

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Dress TOP SHOP, jacket ZARA.

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ABOVE Dress and coat ISSUE DE SECOURS PROJECT, boots H&M. BELOW Dress TOP SHOP, coat ISSUE DE SECOURS PROJECT.

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Dress and coat ISSUE DE SECOURS PROJECT, boots H&M.

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Dress TOP SHOP, jacket ZARA, belt ASOS.

Model | Zoey V. Makeup | Virna Karlina Andhy

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health & beauty

The art of The eye

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Eyeshadows: Yves Saint Laurent (blue and green shades) $55 Shu Uemura (unmask pallette) $65 Givenchy (metallic gold and green shades) $58 ART Raúl Lozza, Obra N°91, 1946

Mascaras: Chanel $30 Yves Saint Laurent $30 Dior $28.50 Givenchy $32 ART Alejandro Otero, Tabl贸n 23, 1974

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health & beauty

Firm BUTT

By Gabriela Cambero

The holiday season shouldn’t be an excuse to let yourself go, however, it is sometimes inevitable to indulge in food you normally wouldn’t.

Don’t fret and keep your booty looking firm during the winter with this infallible workout routine, to be done three times a week.

SQUATS There’s

no way around them. Squats are the ultimate butt lifting workout. If you don’t want to look like Miley Cyrus in the VMAs, you’ll do three series of 10 reps.

HIP EXTENSIONS

Get down on your hands and knees, lift one leg in a 90 degree angle and lift your foot further, with your sole facing the ceiling. Do three series of 16 reps on each side.

BRIDGE Lie on your

back with your knees bent and lift your hips (squeezing your gluts in the process), then slowly go back down.

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THE BALD

and the beautiful MADE 92

health & beauty Everything you need to know about Laser Hair Removal. Is it for you?

By Amanda Lange

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rimming our lady gardens is no longer just a courtesy gesture to potential guests, but has now become a housekeeping requirement. A potential solution for this chore is Laser Hair Removal (LHR). If you have ever considered this possibility, you might have been put off by its implications or word on the street that it is not permanent. As we are personally curious about the subject, we wanted to set the record straight. As you may already know, LHR is basically removing the unwanted hairs of your body by pulsing laser light that destroys the hair cells. Laser hair removal was introduced in the 90s and it is now not only available in dermatology clinics, but also as home DIY appliances.

HOW DOES IT WORK? Melanin is the pigmentation that gives color to our skin, and it is the most important factor in the process of laser hair removal. During this procedure, the lasers enter the skin, heating and eventually burning the dark matter (melanin) in the follicles without affecting the other uncolored areas. This happens because dark objects – in this case hair – absorb light more efficiently than light objects (skin).

This is also the reason why dermatologists suggest avoiding sun exposure and artificial tanning during treatments, as pigmented skin has a higher risk than fair skin of getting burned by lasers.

Laser hair removal can also be used to treat ingrown hairs and shaving bumps. The treatments usually last 10- 45 minutes, depending on the area you are getting treated.

DOES IT HURT? No pain, no gain. Some laser hair removal treatments can be advertised as pain-free, but the truth is that during this procedure you will most likely feel a minor level of discomfort. However, the pain won’t last more than a couple of minutes and there are a number of mild, numbing creams sold over the counter or at clinics that can be used to reduce it.

CAN EVERYBODY DO IT? Due to the nature of laser technology and melanin light absorption, hair removal produces better results on a combination of dark hair and light skin. However, light hair can be enhanced by Meladine, a new FDA approved technology that makes light hair suitable for laser hair removal by making it darker. All clinics should be able to professionally assess the color of your skin and hair to advise on

whether they have the equipment to treat you. There is a lower rate of success on patients with darker skin tones. There is also such a thing as “non-responders” – patients who are not good candidates to undergo laser procedures and simply show no response to the treatment.

WHAT ARE THE RISKS? The normal side effects of laser hair removal are mild redness, swelling, itching and soreness around the follicles of the areas treated. These should not last more than approximately three days.

Most side effects of the treatment are related to how accurate your doctor has been at assessing your skin type and the strength of the laser used to treat you. Other rare side effects associated with laser hair removal are allergies to creams and gels, acne and, in extreme cases, depigmentation of the skin. Don’t worry, there are a number of things that patients can do to avoid and help these side effects, like avoiding heat or sun exposure and exfoliating with specialized creams.

IS IT 100% EFFECTIVE? LHR is the only treatment classified by the FDA as effective for permanent reduction of hair growth. Having said this, there are many patients who experience re-growth of hair after their last session. On average, most people show 80% to 90% hair loss after completing a full course of treatment.

HOW MUCH SHOULD I EXPECT TO PAY? The price of this treatment can vary depending on the area you are treating and the number of sessions you need. Different clinics offer different deals depending on their location and how reputable they are. Most clinics also offer package deals when you are paying upfront, which is more cost-effective than paying per session. An average Brazilian waxing single session, for example, ranges from $125 to $250. Most patients need at least six to eight sessions to complete a full treatment.

There are a number of patient forums and online research sites where you can obtain as much information about this procedure as you need to make a decision about whether it is right for you. The more knowledgeable you are about it, the more confident you will feel whilst doing it.

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Shop everything on this page and more at mademag.us/shop

KE EP

your TAN

ST TROPEZ SELF TAN BRONZING MOUSSE $42 NARS BODY GLOW $59 SEPHORA MOISTURIZING BRONZING BODY LOTION $16 L’ORÉAL PARIS SUBLIME BRONZE CLEAR SELF-TANNING GEL $10.50 RODIAL BRAZILIAN TAN DARK $56 XEN-TAN BLENDING BALM $16 MADE 94

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San Miguel de Allende Pueblo MĂĄgico

By Carolina LomelĂ­

Forget all your problems and lose yourself in this idyllic small town that still holds its colonial charm and centenary traditions.

Mexican history comes to life in this magical place.

San Francisco church.

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Traditional 16 de Septiembre celebratory parade.

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n the heart of Mexico’s Valley, San Miguel de Allende rises up as one of the shining stars of the touristic firmament. A walk through its cobblestoned streets, confined by autumnal-coloured stucco walls, while enjoying the charms of small-town lifestyle, is certainly a must-live experience during a visit to Mexico.

While most of San Miguel’s tourism is domestic, it is much favored by the foreigners who visit Mexico. It is well known for its year-round patriotic and religious festivals.

The busiest month is September, around the Mexican Independence anniversary, when the town turns into a vivid explosion of fireworks, rivers of people crowding the colorful streets and traditional bullfights. Most of the time, San Miguel is a calm and charming town whose allure has, since the 1930s, attracted expats from all over the world to adopt it as their new hometown.

To get an idea of the influence of foreign presence in San Miguel, here are some figures: of the 160,000 San Migueleñes, 15,000 are expats (INEGI, 2012) and roughly 60% are from the U.S. But these San Migueleñes, who just happened to be born in a different country, don’t simply reside in San Miguel, they all seem to share an entrepreneurial spirit and have opened their own businesses and contributed to the progress of the town by founding schools, art galleries, guest houses and spas, restaurants and bakeries, artisanal stores and charity organizations that keep the streets clean and support poor families through rural schools and kitchens. The improvement of the town has persuaded many Mexicans to exchange their busy city lives for the ease and comfort that San Miguel now offers.

When a town is chosen as a favorite by outsiders, it runs the risk of unwelcome visions: a native-free town, since the natives are forced to move away; cheesy folklore stores filling the cobblestoned streets and bunches of superficial tourists crowding the local coffe shops. But San Miguel de Allende is well above those scenarios. Expats who have moved there have not imposed their own ways. All have an appreciation of the local culture and they have served as the best translators of Mexican values and local treasures for those who decide to visit it. They have honed in their day-to-day activities with the local lifestyles and are now truly bicultural. Expats are intertwined with natives and together they have pushed for the conservation and protection of San Miguel’s small-town ways.

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Native woman selling handmade “Josefina” dolls

La Parroquia de San Miguel Arcángel Correo y Cuna de Allende Mexico’s second richest city. After the wars of Mexican Independence and the Mexican Revolution, San Miguel lost its relevance. It wasn’t until the beginning of the 1930s – with the government’s investment in the conservation and promotion of the country’s cultural heritage – that San Miguel’s architectural and historic gems were valued and protected.

In order to grasp San Miguel’s essence, it is necessary to start in its geographic belly: El Jardín. This is the heart of downtown and the place to begin, as most of the interesting places are within walking distance. El Jardín is the plaza in front of La Parroquia, a church that reminds us of Gaudí’s Sagrada Familia in a rosé mini-scale version, and one of San Miguel’s most photographed spots.

Here people just walk by to enjoy the moment accompanied by the views of old ladies sitting on benches, chatting; small kids playing around the plaza, traditional ice-cream carts, and the locals enjoying their afternoon coffee. In the top-right-hand corner of the plaza, by the side of La Parroquia, the house of the Mexican Independence hero, Ignacio Allende, is a must-visit stop for those who crave a bit of Mexican history. He’s so important that the “Allende” part of the town’s name was added to honor him.

Ignacio Allende, along with the priest Miguel Hidalgo, of the nearby town of Dolores Hidalgo, were two of the main leaders of the Mexican independence movement in 1810. At that time, San Miguel was a thriving town, since it benefited from the silver route from the mines in Guanajuato – the state’s capital – to Mexico City. In fact, in the nineteenth century, Guanajuato was believed to have the world’s deepest and most productive silver mine and was, at one point, MADE 98

It was then that many writers and artists turned their eyes towards San Miguel and chose it as their home. Among them were David Alfaro Siqueiros, a muralist and leader of Mexican Modern Art, the Mexican actor and tenor José Mojíca, the Chilean poet Pablo Neruda and the American artist Stirling Dickinson. Dickinson took advantage of the G.I. Bill- a postWWII law that provided veterans with several benefits, including lowcost loans and mortgages, payments for tuition and living expenses- to encourage fellow Americans to move to this folkloric town. Since then, important institutions such as the Instituto Allende and the Instituto de Bellas Artes – offering courses in the arts, art conservation, Spanish and cooking, among many other subjects – have welcomed a flock of expats and international students to nestle in San Miguel.

The best way to explore San Miguel is to follow your instincts: every little path you take will surely surprise you with some local charm. To make the task easier, here are some tips on what to do so you don’t look like a lost tourist.

travel

SLEEPING 1. Hotel Sierra Nevada Hospicio 35. Tel. +52 415 152 70 40 www.casadesierranevada.com. Double room from $290.

This hotel, now run by the Orient Express Hotel Group, is a cluster of colonial houses from the 16th to 17th centuries, just a block away from San Miguel’s main plaza. They have in total 37 rooms in elegant old-school décor. The mix of rooms includes one-bedroom suite to the presidential suite, which has a jawdropping view from the balcony of the main room. One of the houses, Casa del Parque, was a fortress in the 17th century, and the Casa Principal was the residence of the archbishop in 1580 and is now a national heritage site. The hotel has two restaurants, a bar, a pool, an art gallery, its well-known cooking school – Sazón – and its magnificent spa Laja. Johnny Depp and Robert De Niro have been guests in this hotel.

2. Hotel Matilda Aldama 53, downtown. Tel. +52 415 152 70 40. hotelmatilda.com, Double room from $300.

Opened in 2010, this “art-boutique” hotel, designed in a hip contemporary style, fosters an important collection of art pieces from renowned artists such as Spencer Tunick, Diego Rivera, Angelo Musco, Bosco Sodi and Betsabé Romero. Its restaurant, Moxi, is run by Enrique Olvera, Mexico’s No. 1 chef and No. 17 in the world. It holds gastronomic events such as the White Menu offered by Martha Ortiz, another of Mexico’s most renowned chefs.

3. Dos Casas Quebrada 101, downtown. Tel. 52 415 154 40 73 www.livingdoscasas.com. Double room from $240.

This hotel was born unintentionally when its owner and architect, Alberto Laposse, bought the first house in order to have a relaxing retreat in San Miguel. When he bought the second house, next to the first, he then decided that he would convert it into a 6-room hotel. The restoration of the houses was carefully led to be a reinterpretation of the local materials and techniques while giving it a contemporary, simple and sophisticated uplift. Don’t miss a sunset view from its rooftop terrace and an intimate lunch in its private patio.

Charros walking around downtown.

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EATING 1. Mi Vida Hernández Macías 97, downtown. Tel 415 152 74 82 12-10pm. Closed on Tuesdays.

One of the town’s favorites, chef Davide Garibaldi is responsible for an exquisite mix of Italian and Mexican food. It is famous for its thin pizzas – made only on Sundays – and its artisanal bread.

It’s a large restaurant but since it’s divided into several intimate areas it’s a very cozy place, ideal for listening to live music on Wednesdays and weekends, while delighting your palette.

3. The Restaurant Sollano 16. Tel 415 154 78 62 www.therestaurantsanmiguel.com Opened in 2008, the cuisine of chef Donnie Masterton has driven the most demanding connoisseurs to its tables. It’s located a few steps away from the main square in one of the best-conserved colonial houses of San Miguel. Dinners are served in its Moroccan courtyard, based on changing seasons and in collaboration with local organic growers. As well as the restaurant, there’s an antique and textile store. This is the ideal place to dine on a special occasion.

2. Hacienda Landeta Highway to Querétaro San Miguel de Allende – Dr. Mora km 2.5.

Tel 145 120 34 81 A spontaneous Italian restaurant, located on a former hacienda, is Andrea Lamberti’s occasional treat to its visitors. There is no menu and everything is cooked on the spot, based on the season and on what’s available in the organic garden. Its prices are a little high, as it is not open year-round. It usually opens on weekends however it’s best to book in advance.

Delicious fruits from “El Mercado”.

DRINKING Drinks with a view at Lunas Tapas Bar.

1. Lunas Tapas Bar Nemersio Díez 11. Tel 415 152 97 00 The rooftop bar of the Rosewood Hotel is indeed one of the best spots to better appreciate a view of the distant skyline of downtown. They serve tapas and superb margaritas. Downstairs, the 1826 Tequila Bar offers over 120 tequila labels and 20 different mezcals. They have an in-house tour with a tequila sommelier – the tequilier – to educate guests about the process of making tequila.

2. Tío Lucas Mesones 103.

This restaurant-bar is a good option for chilling at night, drinking cocktails and listening to jazz, from 9 pm onwards.

3. Mamma Mía Umarán 8.

One of the most visited spots in the city, this restaurant has three different areas: the Mammas Bar with live music, at the entrance of the house; the main restaurant on the ground floor, and the rooftop terrace, which is frequented by the younger crowd of the town.

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Mexican traditional craft, the alebrije.

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THE TO DO LIST 1. Jardín Principal Cuna de Allende y San Francisco.

Walk or sit by the main plaza to see everyone who visits San Miguel. By night, don’t miss the traditional music groups like the mariachis. This is the perfect place to dedicate a spontaneous love song.

2. La Parroquia de San Miguel Arcángel Correo y Cuna de Allende.

The iconic church of San Miguel; it was built in the 19th century by Zeferino Gutiérrez, inspired by his favorite neogothic façades of French cathedrals.

3. Centro Cultural El Nigromante Dr. Hernández Macías 75, Downtown.

This former convent, declared a World Heritage Site by UNESCO, hosts the Instituto Bellas Artes with murals by Siqueiros, Pedro Martínez and Eleanor Cohen. Look for their artistic festivals and courses.

4. Ex Palacio Municipal The former town hall was built in 1736.

Here, the first Mexican Independence town hall was established in 1810.

5. Casa de Allende The house that saw Ignacio Allende grow was, built in the 1700s and is now a museum, housing an interesting collection of objects and furniture from the early 1800s and telling the history of the Mexican hero and the Mexican War of Independence.

6. Oratorio de San Felipe Neri Loreto y Pepe Llanos.

Built in the late 1700s, its unique baroque façade is considered one of the best preserved in the country. Inside the compound, you’ll find the church of Nuestra Señora de la Salud and Colegio San Francisco de las Sales.

7. Artisanal Market Andador Lucas Balderas.

Here you can find artisanal objects from the region, including specially decorated brass and copper foil.

8. Casa Dragones casadragones.com Home of Casa Dragones luxury tequila (Oprah’s favorite tequila), the place has positioned itself in the artistic and celebrity communities. The 17thcentury house, in downtown San Miguel, belonged to the military group of Los Dragones. A private tour can take you to visit its interior, followed by a tequila tasting and an explanation of the artisanal process that distinguishes this particular Mexican elixir. To book, email them at concierge@casadragones.com MADE 103

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MADE 104 Isabel Marant $695

Karen Walker $250

J Brand $216

Maison Michel $1,045

Helmut Lang $265

Acne $860

Ralph Lauren $198

Muzungu Sisters $350

Proenza Schouler $265

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Cook CHILE

By Amanda Lange

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cook

Chilean Potato Pie Serves 4

P

otato Pie is a popular South American dish, particularly common in Argentina, Uruguay, Peru and Chile. It was introduced to Latin America by Englishmen as a recipe for a classic Cottage Pie and continued to be a tradition during cold winters in the region. There are different ways of preparing potato pies, but here’s our option.

INGREDIENTS • 6 medium potatoes • 1 large onion • 2 large boiled eggs • 500 grams of ground beef • 1 table spoon of butter • 1 cup of warm milk • soft raisins left to sit • merken • olive oil • salt • pepper • sugar • 1 medium baking dish

DIRECTIONS Boiling the eggs

Making the mash

Preparing the potatoes

Putting everything together

Place two large eggs in a pot containing boiling water. Leave them to cook for approximately 10 minutes. Remove from the pot and allow to cool down.

Wash, peel and cut the potatoes into small, even cubes. Place the cubes in a large pot with cold salted water and cover with a lid. Cook at medium-to-high heat until boiling and then reduce the heat to medium-to-low for another 15 minutes. The potatoes should be soft before draining.

Drain the potatoes and put them back in the pot. Mash with a fork, add butter and warm milk, and continue mashing until the mixture is ready.

Put the cooked meat in the baking dish as the base of your pie. Add the soft raisins and the egg cut into slices. Spread the mashed potato evenly on top to cover the other ingredients. Add a few spoons of sugar on top to give a golden effect whilst baking.

Placing it in the oven Cooking the meat

While the potatoes are in the pot, pre-heat the oil in a saucepan at medium heat, mixing it with chopped onions and garlic for 5 minutes. Add the ground beef and cook for approximately 10 minutes whilst stirring to achieve a well-cooked golden effect on the meat. Add salt, pepper and merken of your choice.

Place the baking dish in a pre-heated oven at 400F for 15 minutes, ensuring the pie is nice and warm.

Serving

Serve hot with a homemade salad of your choice. Leftovers can always be reheated in the oven.

REMEMBER: Try to make healthier options with your food. By choosing organic, freerange and extra-virgin ingredients, you will be increasing the nutrient count of your dish and helping the environment.

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SEE &be SEEN HOTTEST SPOTS OF THE MONTH: HIDDEN NOVELTIES NYC

NETA 61 W 8th St, New York, NY 10011

ESTELA 47 E Houston St, New York, NY 10012.

If you are looking for a glamorous ambiance, this is not your spot. But be sure this little Japanese restaurant more than makes up for it with its food.

Sushi master Masa Takayama offers the hub of Japanese cuisine made with the freshest locally sourced vegetables and seafood. Frequented often by regulars, NETA also offers offthe-menu dishes for those who want to go above and beyond.

Visit netanyc.com for more information.

Low-key hidden Nolita hotspot, this minimalistic dining-room-type restaurant offers a great twist to the dishes you are normally served elsewhere. Under the supervision of Uruguayan chef Ignacio Mattos, this place is perfect for a delicious cocktail to start the night (really amazing) or non-traditional dinner plans with Mediterranean tastes. And don’t forget to write down the address because as a tourist-free zone the location of this place is almost impossible to find.

Place a reservation or learn more about this hot spot by visiting estelanyc.com.

LIBRARY BAR 1170 Broadway, New York, NY 10001

Situated inside The NoMad Hotel, this genuine library is built on two floors separated by a spiral staircase that brings authenticity to the place. Guests and non-guests can enjoy the calm environment of a library, whilst tasting delicious cocktails and finger foods. This little bar is perfect first-date material.

Make your reservation now at thenomadhotel.com

BOOKER&DAX. 207 2nd Ave, New York, NY 10003 This new, hidden, NYC hotspot promises the highest quality in cocktail-making techniques, from Manhattans chilled for hours to liquid nitrogen smoking up your glass. With its awardwinning sister bar Momofuko next door, this little bar continues the family tradition, offering modern and contemporary recipes. Cocktails are around $14 and are truly delicious.

Make sure to visit momofuko.com for details.

DEAD RABBIT GROCERY AND GROG. 30 Water St, New York, NY 10004

Owned by Irish barmen Sean Muldoon and Jack McGarry, this small 19th-century look-a-like tavern showcases New York’s history by re-creating a bar back in the Dickensian days. Named after the famous Dead Rabbits street gang from that time, this bar offers a current re-creation of old bar recipes and NY culture, as well as a down-to-earth and welcoming atmosphere.

More at deadrabbitnyc.com.

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cues

LISTEN TO your outfit THE TRACKS YOU MUST HAVE IN YOUR PLAYLIST THIS SEASON

Robin Thicke

Jay-Z

Celia Cruz Nine Inch Nails

Lorde

Britney Spears

atch your playlist with what you’re wearing. Sound and fashion designers work together to decide what song goes best with what look, so – as Diana Vreeland would have said – why don’t you take your music cues from the runway shows of the clothes you’re wearing?

Do as sound designer Frederic Sanchez suggests and pair your Prada Spring/ Summer 2014 ensemble with Britney Spears’s latest single while walking down the streets of San Francisco. If you’re in the mood for Chanel, Michel Gaubert suggests you take your artsy dress gallery hopping while blasting Jay-Z’s ‘Picasso Baby’. When in Miami, you can hit the beach wearing a Diane von Furstenberg maxi dress while dancing to the hits of the summer, as ‘Blurred Lines’ by Robin Thicke, ‘Suit Tie’ by Justin Timberlake and ‘Get Lucky’ by Daft Punk were all heard at her latest show. It’s easy to see the perfect match between Versace’s collection and the Nine Inch Nails

Lana del Rey

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tracks that accompanied it. And while wearing a neohippie Chloé kaftan, liberate your spirit with Lana Del Rey’s ‘Ride’. You can also be floaty and ethereal listening to seventeen-year-old Lorde’s hit song ‘Royals’, while shopping around Rodeo Drive in your ankle-grazer Stella McCartney white dress. Finally, dance the night away to Celia Cruz’s ‘La Vida es un Carnaval’ in this Jean Paul Gaultier flapper dress.

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in the next issue

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January

Discover all you need to know for a dream holiday in Chincheros, Peru.

Spend a day in the life of an Argentinian Tango dancer

Dream of Leblon with our fashion story in Brazil.

Meet the man who needs no introduction: Peruvian photographer Mario Testino.

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