Group 3 booklet by Gabriella Pimenta

DALE NKD VILLA FAGERHEIM model 1:25

BAS master course spring 2014 Eline Faché Gøril Kjosaas Lovisa Wallgren Gabriella Pimenta Lieselore Vandecandelaere

A booklet documenting an architectural model, made of brown cardboard, in the scale of 1:25. During the the spring semester 2014 at BAS, the course NKD Dale Villa Fagerheim takes place. It deals with a villa which is connected to the Nordic Center of Arts at Dale, Sunfjord, Sogn og Fjordane in Norway. The villa has not been used for four years, due to issues with mould and fungus. The task of the semester aims for a production of examples of restoration and transformations of the building. As a part of the registration of the villa, the cardboard model is made. It is structured in such a way that all the inner walls and facades are pinned to the floor with needles, which are glued on to each piece. This makes the model a possible tool to use in the work of a redesign, by removing or adding elements. Also the model is documented with a series of pictures taken while removing one element at the time. All images where then used for the production of a stop motion movie.

index part 1 VIEWING part 2 DECONSTRUCTING part 3 EXPLORING part 4 THE SPACES WITHIN part 5 EXPOSURE part 6 IN YOUR DREAMS

a rough model roughness thickness, thickness roughness rough thoughts about spaces, light... rough thoughts about a carboard model itâ&#x20AC;&#x2122;s brown brown brown 1:25 not a hard brown but a soft brown The carboard has straight lines defining horizontal verical They define a perspective The objective pictures show how the the spaces are in carboard The subjective pictures give some imagination about space, light... the purpose of the villa is taking pieces out out out putting pieces in in in discover and experiment with the villa/model in different ways

part 1 - viewing The first approach of the model was to photograph the significant views, such as the facades, the corners and bird eye perspectives. It is an attempt to materialize the model as an object in space, since the backgrounds of the pictures have been removed.

north

north-west

west

south-west

south

south-east

east

north-east

north

north-west

west

south-west

south

south-east

east

north-east

part 2 - deconstructing The model was conceived as to be possible to take all the parts away and leave behind only the bare minimum required to stand. The purpose was to allow a very free interaction with the model, so that reshufflings, rearragements, inclusions and exclusions could happen without destroying any of the pieces.

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north

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Canon EOS 450D

1/13 | f/7,1 | ISO: 400

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1/2 | f/13 | ISO: 400

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1/2 | f/13 | ISO: 400

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1/2 | f/13 | ISO: 400

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Canon EOS 450D

1/2 | f/13 | ISO: 400

part 3 - exploring While the model was fully assembled a number of interior pictures were taken. Some of them are a more objective view of the rooms and the inside of the model. Others are experiments in subjective interpretation.

part 4 - the spaces within Some exposures are out of focus, they make one forget that the photograph is taken from a model. They lets one imagine. Like a memory from a long time ago is blurred in oneâ&#x20AC;&#x2122;s mind. Blurred pictures lets one focus on light and colors of shadows that together form a space, without being disturbed by unimportant details. They can also be used to describe movement, a living being or the real vibrant world.

part 5 - exposure exposing a fragment exposing a layer by overexposing subtracting a layer composition walls spaces windows stairs overexposed but still recognizable by depth by light by shadow up down inside outside outside inside creating an inspiring image out of context creating a new frame

part 5 - in your dreams become aware acknowledge identify perceive a picture within a picture a piece of reality inside a model cardboard wallls glass windows imagination boundary reality what is real?