Quench
Spring Awakening Features · Fashion & Beauty · Travel Culture · LGBT+ · Photography · Music Film · Video Games · Food & Drink
Issue 134 · March 18th 2013
Contents.
issue 134 · 18th March 2013
29
8 15
9 Features
Travel
FRONTLINE? Rebecca Newby explains what it might mean if women are given the opportunity to take up combat roles. 7 · IT’S APRIL, FOOL! April Fool’s Day pranks: from the innovative to the categorically shit.
increase in train fares, Emma Giles explores the affect it has had on students. 14 · COULD THE GRASS BE GREENER? All you need to know about eco-travel. 15 · EXPLORING THE EXTRAORDINARY ALTIPLANO. Travel Photographer Dafydd Haine
5 . WHO’S AFRAID OF THE
Columnist
8 · ARE YOU NOT ENTERTAINED? Rachel Moloney talks Eurovision, The Great British Bake Off shows.
Fashion & Beauty 9 · URBAN OUTFITTERS SHOOT
Buffalo Vintage Fayre presents some of
14 · UNFAIR FARES
23
34
18 · STRAIGHT TALKING
Laura Amey examines what marriage equality means for her ‘straight rights’.
ON THE COVER Photography
19 · Quench exhibits the work of some of our photography team.
Film
26 · SOUNDTRACKS Film shows exactly why movie soundtracks contribute towards their success. 28 · PROFILE: such as Alien, Jess Rayner takes a look at 29 · REVIEWS
, Oz The Great and Powerful, and Guilt Trip.
Video Games Culture
16 · WORLD BOOK DAY
In celebration of the annual event, Culture picks out some best-loved and inspirational reads.
LGBT+
18 · THE END OF THE BEGINNING? looks at what lies ahead in the campaign for equality.
30 · DISASTERPEACE INTERVIEW
Music
23 · BANDS OF CARDIFF
Quench Music takes a look at just a small sample of the music available in your city. 24 · LIVE REVIEWS Reel Big Fish, Jake Bugg and Mama Rosin. 25 · REVIEWS Hurts, Darwin Deez and Johnny Marr.
Michael O’Connell-Davidson speaks to video game composer Disasterpeace. 32 · TOMB RAIDER REVIEW James Watt reviews.
Food & Drink
34 · SPRING SELECTION A fresh selection of restaurants for the season to come: Pedal Power, Bill’s, Happy and Fire Island.
quench@gairrhydd.com ·@quenchmag
Q three
Editorial
a word from Jo media has been relocated to a new home on Quench will be produced temporary broom cupboard).
enigmatic gair rhydd proofreading evenings, joke), coming towards the end of our reign as us this year, and it’s a crying shame to think our beloved media suite is being turned into meeting rooms. Cheers, union bosses. And it’s more than just our whereabouts that’s changing. You can’t have missed Elections Week, with the banners on the union stairs, the costumed candidates thrusting sweets into the hands of unassuming passers-by, and the infamous Milk Maiden chasing her cow around
turned red. Cathays is still littered with scraps of posters, and the Electwit blog is still lively share their poisonous views about student media but not reveal their identity – bravo). If a deliriously tired girl dressed as Action Man tried to talk your head off last week about why it’s so important that you vote in the elections, and get the right people as your sabbatical is one of the most important events on the SU calendar, and the new Sabb team WILL have an effect on your life next year as a student here in Cardiff, whether you realise it or not. So we have a new Head of Student Media. And while the rest of us get closer and closer to packing our bags and moving on to bigger and better things, he needs a new team to take our place. If you think you can replace me QuenchEditor before Tuesday 19th March, and if you’re interested in joining the team as a section editor, keep an eye out for details of how to apply coming soon. I seriously can’t encourage you strongly enough to get involved
in student media, whether it’s on the editorial team of Quench or gair rhydd, presenting your own show on Xpress, or producing content student media is full of THE BEST PEOPLE, so if you think you can handle a life surrounded by like-minded creative individuals who produce quality stuff by day and guzzle £1 wine in Live Lounge by night, this is the place for you. Providing that everything goes to plan, this issue of Quench should be on the outside of gair rhydd – because we’re totally wild and crazy like that. It’s a cracking issue, with Fashion spring collection, Music getting to the heart of the Cardiff scene, Videogames chatting to baftanominated soundtrack composer Disasterpeace Photography team completing their two-part exhibition. Spring is all about rebirth and new life, right? Well I look forward to the rebirth of student next year with a new team.
Quench : T h e T e a m Editors: Laura Evans & Jo Southerd
Columnist: Rachel Moloney
Creative Director: Fashion & Beauty: Luke Slade Sophie Chamberlain, Vicky Gadsden, Features: Jacqueline Kilikita Helen Cameron, & Olivia Reidy Johannes Laubmeier, Rebecca Newby Travel: & Charlotte Wace Heather Arnold
LGBT+: Thomas Leeming & Erin Ekins
Film: Becky Johnson, Amy Pay & Becky Wilson
Culture: Jess Rayner
Videogames: Michael O’ConnellDavidson
Music: Rosey Brown, Kit Denison & Stephen Springate
four Q quench@gairrhydd.com · @QuenchEditor
Food & Drink: Isabel Larner
Photography Team: Nandra Galang Anissa George Fielding Katarzyna Lewandowska Sher Min Tan Bethan Phillips Oliver Richards Óliviá Walthö
Proofreading: Henry Boon Jordan Brewer Tom Connick Megan Gray Beth Gregory David Hodson Emilia Ignaciuk Matthew Jones Alexey Underwood
Cover Photo
Hello dear readers, I’m sad to say that this issue of Quench will be the last one we ever make up here on the
George Fielding
Illustration: Katarzyna Lewandowska
WHO’S AFRAID OF THE FRONTLINE? Rebecca Newby
N
ot so long ago, the idea that women might fight and die for their countries was utterly ridiculous. Everybody knew that women were only really good for cooking, cleaning and taking care of the children while their successful husbands were out winning the bread, right? They lacked the physical strength and psychological fortitude to deal with the strains of military combat. It wasn’t bias, it was biology - it was just the way women were made. It will have come as a slight shock to some, then, when last month US Defence Secretary Leon Panetta overturned the 1994 law banning women from small ground-combat units, which in plain English means: the front line. At a press conference, Mr Panetta said: ‘Female service members have faced the reality of combat, proving their willingness to fight and, yes, to die to defend their fellow Americans.’ He wasn’t exaggerating. There are 214,098 women serving on active duty in the US armed forces. During the Iraq and Afghan wars, they have worked as medics, military police and intelligence officers, sometimes attached to but not official members of frontline units. More than 150 of them have lost their lives during operations over there. Although this might sound like quite a large number, these women make up only 14.6% of all active-duty service personnel, and they aren’t happy about it. Restrictions were first eased a year ago, when the Pentagon opened up 14,500 roles which had previously
been off limits to female personnel because they were ‘too close’ to the front line. In November, a group of four women in the military sued the US defence department over the ban, arguing first, that it was unconstitutional and second, that their military careers were being hindered by a lack of close combat experience. According to a senior defence official, this most recent legislation will open approximately 237,000 jobs to the women who can ‘meet the standards’. President Barack Obama heralded the decision as a ‘historic step’ and praised the ‘courageous and patriotic service’ of the women who have served America over the last two centuries (Yes, two centuries!). It does seem that women are now indispensable in the US military. Why shouldn’t they be on the front line? At present, more than 70% of all posts in the British army and navy, and more than 95% of posts in the RAF, are open to women. They play an active part in front line operations and have crucial posts in areas such as logistics, artillery and engineering. However, female soldiers are currently barred from infantry positions and elite units. In other words, they cannot join teams that are required to kill the enemy face-to-face. Last month several British newspapers reported that (surprise, surprise) it will not take long for our government to follow America’s lead and change the law over here. Although this probably isn’t entirely accurate (they didn’t name any sources), the
features@gairrhydd.com · @qfeatures
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US ruling will certainly put a pressure on the UK’s own arrangements. Military operations in Iraq and Afghanistan have brought women increasingly closer to the frontline and this isn’t the first time in recent years that the UK legislation has been questioned. The Ministry of Defence reviewed the policy in 2002 and again in 2010 but decided not to lift the restrictions on women serving in close combat teams on both occasions. The MOD website says that: ‘There is no question that some women would be able to meet the standard required of personnel performing in close combat roles, both physically and psychologically.’ If this is true, is it not merely a case of ‘updating’ our system? Apparently, the issue is what might happen if men and women are put to work together in small combat teams. Undoubtedly, in high-intensity, close-quarter battle, team cohesion becomes of much greater importance; its failure can have potentially grave and far-reaching consequences. According to the MOD, their research failed to generate any conclusive results about the impact that gender mixing would have on a combat team in high pressure situations, hence the lack of change. Whether the presence of women could possibly affect the social dynamic of a unit – we don’t know. Personally, I think the fact that men and women work efficiently together in all other sectors of society should encourage some more extensive ‘tests’. However, for some, there are a whole host of other reasons why women shouldn’t go anywhere near the front line. There is of course the age old ‘caveman’ argument: while men are naturally meant to go out and compete, women are predisposed to nurture other humans. Why would any woman want to kill a person, rather than become a mother and take care of their children? And surely a woman would be more likely to hesitate if required to pull the trigger? Although my father thought that this was a pretty valid argument, I think that it’s prehistoric and, frankly, redundant. Women can no longer be dismissed as baby-making machines. The real issue seems to be male attitudes to women. It is true that men have been expected to fight and die for their country for centuries. Thus some men might see women on the frontline as a bit of an imposition. The potential treatment of these women seems to range from one extreme to the other: men in elite combat units will either feel the need to protect women in the same position or target them. If the first is questionable, the second is almost certainly true. Female soldiers are sometimes targeted by the enemy if their hair becomes loose or if their uniform gives them away in some respect and it becomes obvious that they are a woman. Although this is rare, it could prove potentially disastrous in hostage situations and in close combat. However, more worryingly, an outrageous number of sexual assaults occur within the armed forces every year. Official records show that there were 3,129 in the US military in 2011. There are also more practical matters, such as adequate privacy for women on the front line. So in a lot of respects physical strength or ‘bravery’ isn’t the problem. And yet these problems are already a reality in wartime military operations even if they do not yet happen in the geographically-specific area called ‘the front line’. In opening up infantry positions to women, the government would only be formalising what is already happening; it would simply create
Q features@gairrhydd.com · @qfeatures
I’m not sure if it’s fair to exclude women because men might not be able to do their job properly if women are in the vicinity
more roles, opportunities and ‘official’ titles. As Leon Panetta observed, female soldiers have already proven that they can handle the intense conditions of close combat. Even with the ban on women in combat in place, women have been Prisoners of War in Iraq and Afghanistan. In modern warfare, then, the risks stretch beyond the front line. This is not to say that every woman in the army should suddenly be frogmarched to the front line to ‘do their bit’. However, why shouldn’t men in the infantry accept women as their peers, if those women have passed the same physical and psychological tests as them? No one can argue that the ‘average’ man isn’t physically stronger than the ‘average’ woman. However, in modern warfare ‘physical strength’ isn’t as important as you might think. I mean, it’s not like anyone is wrestling in the trenches is it? Does it matter if it is a woman firing that gun or that missile? Even so, it’s a woman who joins the army and goes through all of vigorous training is likely to be much stronger than the ‘average’ man. It is also likely that the number of women who want to take this risk will not be large. The number of women who then pass all of the tests and thus ‘meet the standards’ will probably be even smaller. However, women as a ‘group’ should not be excluded because they are women; each individual should be assessed on their own individual merits. Standards should not be lowered and I don’t think that women want them to be. No one should be in a job where he or she doesn’t meet the standards – not every man, for example is fit to be in an elite commando unit. Let’s face it, it’s hard to imagine men like Justin Bieber or Joey Essex running around Helmand Province, armed with machine guns. With regards to the issue of how men might ‘feel’ about women upsetting the ‘band of brothers’ mentality, I’m not sure if it’s fair to exclude women because men might not be able to do their job properly if women are in the vicinity. In fact, a recent BBC article said that ‘women’ are ‘more likely to be collaborative, inclusive and teamoriented’. This turns the ‘women-might-upset-theteam-cohesion’ argument on its head. I expect that many women feel that the right to join combat units is just another step towards achieving ‘gender equality’ in the 21st century, like women becoming CEOs or even bishops. Aside from the fact that feminists in the seventies (I’m thinking of Germaine Greer here) instructed women not to sleep with soldiers because it endorsed male-made war structures, I think it is kind of irrelevant. There should be tough standards to be selected for the role, and if someone passes those standards, then they should be allowed to do it, irrespective of their gender. Whatever people think, there are certainly plenty of questions that still need to be answered. It seems that the MOD will need some ‘conclusive’ evidence that men and women can work together efficiently. Plus, if the law did change, would the commanders of elite units like the Marines feel pressurised to take on women in order to be politically correct? Let’s hope not. The bottom line is that if you are the best person for a job, you should be chosen to do it, whether you’re a man or a woman. Discrimination without due cause is unjust and downright nonsensical. People must be judged on ability alone, not sex, and no politician, military leader or journalist (regardless of gender) should be able to decide what women as a general group ‘want’.
IT’S APRIL, FOOL! Words: Charlotte Wace It’s a tough world. The weather remains miserable, unnerving words like ‘dissertation’ and ‘graduation’ are circulating the corridors and election fever has left an almighty gap on Facebook newsfeeds. Ultimately, we need a bit of immature fun, and what better excuse than April Fools’ Day, when immature fun is virtually a given? From frapes, to ‘redecorating’ a housemate’s room, to the comedic TV programs that I’m sure many of you watch – pranks dominate the lives of students more than the average person. And so, at university, April Fools’ Day usually goes off with a bang (quite literally in some cases). To the cynical tradition-haters who brand April Fools’ outdated and pointless: try not to take yourselves too seriously. Besides, newspapers, international companies and celebrities have all jumped on the bandwagon. Burger King’s ‘Left-Handed Whopper’ (supposedly launched for the left-handed burger connoisseur) and Richard Branson’s more recent promise that he would journey to the centre of an active volcano, are among the most notorious. Naturally, if you consider yourself to be superior to a company that serves 15.7 million customers daily, or a business mastermind worth more than £4 billion, then by all
means carry on criticising… However, ‘fooling’ can very easily escalate into something more serious. On an American radio program, for example, a woman was promised Kanye West tickets if she could successfully ‘fool’ her husband into believing their child wasn’t his. Unfortunately, this resulted in an ugly, Jeremy Kyle style confession (awkwardly live on air) that he had been sleeping with her sister for the last year. Perhaps more seriously, in 2004, Apple (Inc.) handed out free iPods from its headquarters in Cupertino, which released a small electric current when switched on. Despite generating a lot of publicity and amusing the majority, it wasn’t a laughing matter But even for the humble student, jokes and pranks can prove problematic. We are usually looking for a reaction of laughter, not a slap in the face. Informing your friend that someone hid a camera in his or her room and that the consequent sex tape is now on YouTube: that’s acceptable. If you are actually the person with the camera in your hand – that’s a whole new ball game, and it probably shouldn’t be played.
THE PRANK BANK off Sam’s showerhead – not an unusual train of thought on a tedious Tuesday evening. Feeling like members of our own little prank patrol, we set off to remove the aforementioned object and hide it somewhere within his room. me: I spent 20 minutes one morning searching my room. I began to feel descended into shower heads in blocks of ice and, more recently, set in a lump of jelly. How inventive. My forecast says that this creative streak is unlikely to end soon and with April Fools’ Day looming, it will only become more exciting to be involved in – and equally annoying to be a victim of.” Emma Giles
I can certainly remember pranks that bypassed my sense of humour. When I was sixteen, I went through a vegetarian phase (although I was eventually defeated by McDonalds). Ok, I might not have been the next spokesperson for PETA but nevertheless, I had made the decision not to eat meat. Therefore, as you can probably imagine, I was far from thrilled with the glass of exotically coloured, ‘home-squeezed juice’ my brother made for me: blood from a pan of rare roast beef. In hindsight, perhaps I should have been more cautious when my brother claimed to have actually used a domestic appliance, but my curiosity got the better of me. That was probably the most scarring to date. In my experience, more successful pranks (less blood and tears at any rate) tend to be those which cause no lasting damage. In fact, I like to think that when we secretly moved my friends car out of the Talybont complex last year, the ten minutes of hysterics in we reunited her with her prized piece of metal. If you play by the rules, pranks can be a great light-hearted form of entertainment and they don’t have to cost you a penny. So go all-out this April Fools’ Day, even if it’s just to distract yourself from those looming exams: make your inner ten-year-old proud and be a fool for the day.
‘someone’ who goes the extra mile by pooing in a bag and leaving it in someone’s desk drawer. This actually happened during Freshers’ week. Considering that everyone hardly knew each other – this was either an admirable risk or, frankly, quite weird. Either way, it was a great way to break the ice. In fact, the boy who pooed in a bag, let’s call him Charlie, and the boy who received it, let’s call him George, have lived together every year since. As Elbert Hubbard said: “your friend is the man who knows all about you, and still likes you”. On this occasion, that was quite literally the case. I have since found out that this carefully choreographed prank was not easily executed. The ‘poo into bag’ process took several attempts, which can’t have been pleasant. The prank wasn’t easily disposed of either. I’ll spare you the details and just say that the Talybont seagulls have never found anything quite so compelling. In short, it takes a special person to think up a prank of these proportions, let alone carry it out, but if you’re ready to commit to it you might just gain a friend.” Sophia Epstein
features@gairrhydd.com · @qfeatures
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Columnist
Are you not entertained? by Rachel Moloney
E
very year, we are given an almighty culture shock as the Eurovision Song Contest hits our screens. And every time, the UK insists on sending someone boring over, knowing full well that all Europe wants to see are some embarrassing grannies or monster rockers. This year will be no exception, as it was recently announced that 80s star Bonnie Tyler will be singing her heart out with the song ‘Believe in me.’ Well that’s exactly the problem Bonnie; I don’t believe in you. Although Engelbert Humperdinck tried to rival the grannies in age last year, he still ended up a disappointing second from bottom proving that being elderly does not in fact win you points. Which is a disappointing state of affairs. Tyler’s age is measly in comparison to Humperdinck’s 76, yet her inclusion in
American audience but failed miserably with the show being axed just after one series. In a land where Glee and One Tree Hill are so popular, this was never going to catch on. American high-schools are just far too clean and happy for the Wills and Jays of this world. But American shows are just far too polished in general, with characters living in glorious mansions and with impeccable wardrobes. This is undoubtedly a rather unrealistic depiction of life in the US, yet one person to whom it does relates to of these perks, as she lives in a beautiful white house and frequently appears in a variety of Best-Dressed lists. However, that hasn’t stopped UK designer Vivienne Westwood from recently having a dig at Obama’s fashion sense, calling it ‘dreadful’ and far too conservative. Perhaps Westwood wants to show the world that not all Brits are as boring as the stereotype suggests, but that still doesn’t mean that I’d wear any of her out-there designs. Rocking up to a State Ball in a crazy punk dress? Now that would look silly. So according to my rather cynical view of the world, we don’t
out of ideas and are instead using Eurovision as an arena for nostalgia. Who are we going to be sending over next year, Rick Astley? So whilst Tyler heads over to Europe on an undoubtedly fruitless trip, the Great British Bake Off’s Paul Hollywood is instead journeying in the other direction to eat cake USA style. It’s a country we have far more in common with, so he should be
land of the Star Bangled Banner. Nevertheless a compromise can sometimes be reached, as The Apprentice is still being All Star Celebrity Apprentice now airing on American television, its boss Donald Trump is likely be far happier than his British counterpart Sir Alan Sugar, who is currently being taken to court by Season 6 winner Stella English. English, who doesn’t seem to understand the concept of ‘moving up the ranks,’ is claiming that she did not enjoy working for Sugar and was
Paul is set to be a judge on the new US version of the awardwinning show, yet has been forced to leave fellow judge Mary Berry behind because her surname is far more suited to the rustic outdoors of home. However, with two-thirds of US adults being overweight or obese, should we really be sending Hollywood over there to make the problem worse? Last year’s winner John like it’s probably not the best idea. They need Delia or Jamie Oliver. They’ve always got some vegetables to hand. America clearly shares in our love of cake, chocolate and custard, but I do spy other problems with the UK to the US transition. Baking in a large white marquee on a green inhabited by squirrels is something quintessentially British, so unless Paul has a teepee to hand, I just don’t see how it could ever be the same. Perhaps we need to understand therefore that our two countries may look similar in spelling, but are otherwise very different in culture and behaviour. Take The Inbetweeners for instance. Some foolish producers tried to recreate it for an
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American high-schools are just far too clean and happy for the Wills and Jays of this world
But in my opinion, you have a job- so deal with it. All in all, it seems as if her £100,000 a year pay-cheque may have gone to her head. However, if English has worlddomination in mind (unlikely), then she should be aware that the rest of the world is a tough crowd. The Inbetweeners know it, Bonnie Tyler will probably soon know it and Paul with cake.
URBAN OUTFITTERS
THE SPRING COLLECTION
Left: Martine, Cardigan £48, Hobble Skirt, £30. Flatforms, £60, Socks £8 Right: Vicky, Black boots, £75, Dungarees, £58 Sweatshirt, £38, Socks £8
Fashion&Beauty
Hann: Shirt, £38, Tee, £28 Scrunchie, £4 Sunglasses, £16
Photos:
Sher Min T
Models:
Martine, Hann, Anne, Vicky & Cassandra
Styling:
Georgie Giggs (Urban OutďŹ tters)
Compiled by:
Sophie Chamberlain Jaqueline Kilikita Olivia Reidy Vicky Gadsden
With thanks to
Kay Russant & Pip Reid at Buffalo Bar
Travel
U
F
NFAIR ARES THE GREAT TRAIN ROBBERY OF 2013?
Could the G R A S S
really be
GREENER? A crash course in the basics of eco-travel Back in July of last year, I had the chance to spend a few days in the Peruvian Amazon, in the area known as Madre de Dios, or ‘Mother of God’. Located in the south-east of the country bordering Brazil and Bolivia, this is said to be one of the richest habitats of biodiversity on the continent, as well as being a serious contender on the world stage. We stayed at a lodge named Explorer’s Inn, one of many in the Tambopata Reserve upstream of the regional capital Puerto pride and sell themselves on being ‘eco-friendly’ and the ‘eco-experiences ‘ they offer, yet some are more truthful than others. Although our time in the forest was a tranquil, rejuvenating few days, three months across the continent had taught us that there were plenty of other ways to go green, not all of which you had to pay for. I suppose the point I’m trying to make is that although there are many wonderful sounding and probably fantastic eco-trips available around the globe - many of which can only be accessed through professional guidance - the everyday traveler or tourist can still make a difference through smaller steps, especially those on a budget. Having an environmental conscience shouldn’t cost a penny – in fact it should save you far more! The main aspect of travel that gains the most criticism and attention for damage to the environment is obviously transport , from the resources used to the pollution produced. Although it’s a serious issue, and I don’t mean to discredit it in any way, let’s face it – people (especially and are going to contribute to this problem. So to me, the logical step would be to acknowledge that, but then try to take action to reduce your overall carbon footprint. Considering that there were over 5,000 miles and an entire only way I could realistically get there in decent time was to the whole three months travelling by bus all the way to our
Being a student means that money can be a huge concern for many of us as we try to juggle our loan to accommodate the student lifestyle as well as the necessities. Travelling home is a key aspect of student life so the fact that we’ve seen train fares rocket over the past few years makes it even harder for us to travel, often making trips home and to see
This is just something that shouldn’t require an assessment as connections with family and friends are vital to my life as I’m sure many will agree. Some will argue that I should have been organised and booked the train way in advance but that is not always viable. Travelling, although a great liberty, is now increasingly being seen as a burden with the
Despite the strive for independence that we students experience at university for many of us home is a welcome thought with home-cooked meals and radiators (that actually work) offering us a break from the university lifestyle. The fact that it now costs me around £40 for a return to my hometown of Reading makes me question the frequency at which I can go home as I try to make my loan last the term. Now that this is the case, I can’t just ‘pop home’ and plan spontaneous trips as non-booked ticket prices soar. I should count myself lucky as I know many people are in worse situations where going home cost them in excess of £80. The fares are often creating trade-offs as we now question every expenditure. Going home and visiting friends is seen as an exciting prospect, yet train fares often play a huge part in the viability of a journey, sometimes meaning plans need to be altered or cancelled altogether. Social life is a huge part of a student’s life and the fact that this is being hindered is not only annoying but saddening.
What makes it worse is that the higher fares are fares, politicians mask up the extent of it by promising a better quality service with trains being more punctual. The truth is, 3 out of the 4 journeys I have made home have been interrupted by cancelled, delayed or diverted, all impacting my journey time and my customer satisfaction. It appears I am not alone as in a recent survey carried out by consumer magazine, which found that only as packed, delayed and late trains don’t amount to a happy customer. Perhaps this calls for tighter strings on my purse throughout the year and the reassessment of other expenditures yet no doubt this increase in fares is can do about it is try to buy in advance or suffer the pain and moan about it. Emma Giles
fourteen Q travel@gairrhydd.com · @quench_travel
and I don’t mean it to sound moralistic, but it meant we considerable amount of our funds – though on one particular 27-hour behemoth, I seriously began to doubt my sanity. Although we didn’t get around to trying it, hitchhiking, all risks considered and lift sharing are often popular, and can often produce as intriguing contacts as they do tales. Equally important to the basics of green travel is the awareness and respect of your surroundings. In many, eroding all manner of attractions, from natural wonders to human triumph. Being aware of an area and its people, and the environment which they inhabit, is important, as well as the groups or individuals that run tours or businesses. Some take more care than others and will make an effort to preserve and respect the area, often if they are local. Others may not mean to cause intentional damage, but through lack of training or knowledge can cause more harm than good. On a more personal level, I like to think that I try to take the smaller steps to leaving a place how I found it, for the next person to enjoy as much as I did. Especially in another country, and another culture, it seems only fair not to interrupt the processes that occur – otherwise what are we left with, aside from a vague copy of a place we already know. Take nothing but pictures, leave nothing but footprints, kill nothing but time, unless its your carbon footprint, then you should probably decide on a different motto. Dafydd Haine
THE SALT PLAINS OF SOUTH AMERICA
EXPLORING THE EXTRAORDINARY ALTIPLANO, FROM THE ATACAMA TO THE SALAR DE UYUNI
During my year out, three months spent travelling through South America took my friend and I through a fair few borders, yet the prize for sheer incredulity has to go to the Chile-Bolivia crossing. A known favourite on the backpacker route, the threeday tour begins in the arid, dramatic wastes of the Atacama Desert – the driest place on Earth – and ends in south-eastern planet. As if these two monumental backdrops weren’t enough, the journey itself winds across the alien landscapes of the Altiplano, which covers parts of Argentina, Chile, Bolivia and Peru, and make it the most expansive high-altitude plateau in the Western Hemisphere. 4x4’s. There were seven of us in the group, as well as the driver, so our bags were lashed to the roof, we squeezed into the back, and we were off. The remainder of the day was spent entering
the enormous Reserva Eduardo Avaroa, which at 4,200m plus certainly left us all feeling the effects of altitude sickness – and spending the night in -23C didn’t help much! Day two compensated for the initial discomfort, as we were treated to the wealth of sights the Altiplano has to offer. From snow-spattered volcanoes to furious geysers, the endless landscape truly felt like another world. Bizarre rock formations wander around the salt and freshwater lagoons. As we neared the border town of Uyuni, we took a short detour to another popular attraction, known as the Train Cemetery. Here, the rusting hulks of Bolivia’s enterprising past lie battered, a kind its stride in 21st century. The night then spent in the grotty, concrete animosity that is Uyuni was a small price to pay for what lay in wait for the last morning.
were up around 4am to make the most of it. Our driver took us about twenty minutes out of town, in pitch darkness, and onto the expanse that is the Salar. To see the sunrise over such a landscape was truly spectacular, and after having our fun with the lack of landmarks – and so perspective, allowing for amusing photoshoots, we spent the day exploring the ancient lakes. From the gigantic cactii on the isle of Inca Huasi comprehend, there was just so much space. A wild, eternal kind of silence, broken only by a camera shutter, the gentle crunch of salt underfoot, or those rare little gasps of pure, primal awe – another country, another continent, another world.
Words and Photography by Dafydd Haine
With last week marking this year’s World Book Day, this issue Culture asks what books do you love? Here is a pick of some of the books our contributors are reading, which will hopefully inspire you to read something new!
THE BEACH Alex Garland The Beach, is considered to be a cult classic. Published in is an intense and mind blowing discovery of adventure. The Beach, is a book that alight’s your senses. beautiful oceans will make you wish summer would come that little bit faster. In contrast the
and intriguing. It is a book that questions morals. It uncovers youth’s intense need to seek the new and untouched in a world where you. location of Thailand. Soon he realises that out by many. He yearns for something more, community that lives there, the search for the
from essay deadlines and hangovers. My only criticism is – it makes you want to go on adventures of discovery even if your loan is slowly shrinking.
“
But hidden drawers, lockable diaries, and cryptographic systems could not from Briony the aimple truth: She had no secrets. Her wish for a harmonious, organized world denied her the reckless possibilities of wrongdoing.” - Ian McEwan
ATONEMENT Ian McEwan Woven irrevocably into the fabric of Britain’s literary elite, is Ian McEwan and his novel Atonement world of the Tallis family. the summer’s day in 1935 in which the story commences. However, it is not long before the decisions and fatal errors in judgement. Unbeknownst to the Tallis family and their guests, will change their lives forever. Atonement the imaginary and the reality can coincide. a young girl often lost in her world of words. beloved brother’s homecoming. However, she
Robbie Turner. Failing to understand the scene before her, Briony creates her own story, but only later realises the extent of the devastating nature confession. Ultimately, Atonement is a truly remarkable novel with the unsettling climax; McEwan leaves
Kirtey Verma Meaghan Crancher
sixteen Q
culture@gairrhydd.com · @quenchculture
Sputnik Sweetheart Haruki Murakami Haruki Murakami is a well known author, and often cited as one of the most original authors of the last Shore and Norwegian Wood having a far higher
Sweetheart. The novel tells the story of Sumire, a 25 year watches Sumire fall in love with a businesswoman who takes her on as a secretary; the two of
for his lost friend on the remote Greek island where she was last seen.
this), but
is a break in form.
is haunting, and is one of the
as a reader was something I was unable to ignore
If you’re a sucker for the bittersweet, Sweetheart comes very highly recommended.
“
Michael O’Connell-Davidson
Any explanation or logic that explains everything so easily has a hidden trap in it. I’m speaking from experience. Somebody once said if it’s something a single book can explain, it’s not worth having explained.” - Haruki Murakami
The Review Corner
CHILD 44 Tom Rob Smith
is one of the best thrillers I’ve ever read and arguably maybe even the best of all time. Written Harrowdown Hill, Act One and is due to hit on cinema screens in 2015. It’s
On the 10th anniversary of Britain’s
and got some laughs along the way too.
where it was believed that “crime does not exist” he is working for the future of Russia as an MGB when he is ordered to investigate his wife for crimes against the state, he has to choose between his
second half, and skilfully built the scene many unanswered questions about our Government’s role in the Iraq War.
Overall, Harrowdown Hill was a very and shed a different light on the events surrounding the Iraq war. Although
begins to investigate the deaths of young children who have been brutally murdered. Exiled from his job, his home and his family with only his wife by his side, Leo strives for justice for these children and
the character. Particularly deserving of a mention is his monologue near the end of
Leo must hunt his murderer while the state and
Alice Thatcher brought some refreshing subtlety to her character as Sgt. Mai
chilling reminder of the tragic conclusion of this story.
Morgan Browne was brilliant as Alistair
Katie Dowling
Rachel Williams
culture@gairrhydd.com · @quenchculture
Q seventeen
LGBT+
The End of the Beginning? Sébastien Orlande investigates.
I
f the American writer Charles Bukowski concluded that good old fashioned, straight-forward heterosexual love was “a mad dog from Hell”, then who knows what he would have made of same-sex attraction. Judging from the man’s assorted writing, his love life was complicated enough without living with the anxiety of social stigma and persecution. Maybe if he were gay, the added stress would have resulted in even better literature. 2013 will potentially bring a milestone in the history of gay rights in the United Kingdom – the legalisation of gay marriage. We’re talking full marriage equality, not the not-so-equal civil partnerships that were legalised in 2004. There is indeed a strong irony to the fact that gay marriage could be legalised under the centre-right watch of a Conservative government. It should come as no surprise that the Conservative party hasn’t got a glowing history concerning gay rights. Indeed, should it come to pass, pigs victory has taken place under a government run by a man who voted to keep Section 28 back in 2003. However, to give Mr. Cameron his due he did apologise for that – I’m sure the fact that a general election was looming had nothing to do with it. Nevertheless, when the “enemy” dictates that homosexual union should be considered on an equal footing with heterosexual union, one can’t deny major progress has been made. Should gay marriage be legalised across our nation, it raises one important question for gay rights campaigners: would be deeply naïve to think that this would mark the end of homophobia in Britain. It can’t be denied that Britain has come a long way in a short period of time: it’s only been forty-six years since homosexuality was decriminalised; forty-four since the Stonewall riots of 1969. The World Health Organisation only decided homosexuals weren’t on the same plane as the
insane as recently as 1990. Electro-shock treatment was commonplace in the past as a means of ‘curing’ homosexuality in both Britain and the United States. Indeed, the bisexual American rock musician Lou Reed was subjected to such treatment is his adolescence for homosexual behaviour and mood-swings. Needless to say the homosexual tendencies stayed as did, as any music journalist will tell you, the moodswings. The legal side of things is, however, only part of the picture concerning the issue of homophobia in society. Whilst the majority of the British public appear to welcome gay marriage, there is no denying that homophobia still continues to be a major problem in schools and the workplace. The fact that suicide amongst gay youth continues to be a major issue shows that not all is well in society regarding acceptance of homosexual individuals. In addition, whilst the talons of organised religion continue to penetrate modern society, it appears that homophobia is here to stay. The more liberal Church of England is currently in a crisis regarding gay marriage, stating that gay priests who are married can still become bishops only so long as they are celibate. Short of hidden cameras and midnight raids, it does seem an impossible rule to enforce. It is interesting, however, acts are as morally acceptable as heterosexual acts. Perhaps it’s religion that’s the issue – however, I have known many homophobic atheists. Perhaps it’s a generational problem – older people do tend to be more homophobic, but, if it were solely a generational issue, then there would be no homophobic bullying in schools. Maybe, we just have to accept that one of the darker elements of human nature is a built in wariness and dislike of people different to the majority of society. We can however be sure of one thing: only time will tell.
Straight Talking Laura Amey, a straight ally, wonders what effect equality has on the institution of marriage.
O
ne of the arguments raised against gay marriage is the perceived threat it poses to the stability of society and the institution of marriage. Yet, I would argue that marriage could as well as breaking down the stereotype of promiscuity in the gay community. As for negative effects on straight marriage, the only problem I can think of is increased competition for wedding venues, caterers and so on! of marriage equality seems to simply be based on the meaning of the word ‘marriage’. Of course, on a wider level, there are still those who feel strongly against all declarations of LGBT+ identity. There are also many objectors, particularly those opposed to gay rights and are, for example, supportive of civil partnerships. So perhaps we need to look at marriage on a semantic level. Does the word ‘marriage’ imply a relationship between a man and a woman just because that is what it has traditionally involved? In real life, people don’t tend to be too concerned with semantic precision. Romantic expression and succinctness are more important. In the context of a forthcoming civil partnership, a gay couple might announce their ‘engagement’ – is this another word with reserved and limited meaning? Friends might excitedly tell each other that Keith and Cedric are ‘getting married’ (rather than ‘forming ‘wedding’ (rather than the ‘civil ceremony’). In some ways already established mode of thinking and speaking.
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With civil partnerships in place in the UK since 2004, one could question the need for gay marriage. Although many spiritual context, civil partnership ceremonies cannot include any religious symbols, readings or music, just as in civil marriage ceremonies. Straight couples, though, have long been able to choose between civil and religious marriage, so true equality would give everyone this choice regardless of sexuality. This is probably the biggest potential impact of gay marriage: the right to marry in a church or other religious venue. Some religious leaders are perhaps concerned that they will have to perform ceremonies they are not comfortable with and which some members of their congregations may have strong views on. This is a tricky point. If there is legislation permitting gay religious wedding ceremonies in religious buildings, should any religious leaders be able to opt out? At the same time, forcing gay marriage on unwilling religious faith as they perceive it. There are however many churches and religious groups with liberal standpoints and strong links with the LGBT+ community. Gay couples wishing to marry in a religious context may well already have connections with such groups and would be more likely to choose such welcoming churches for their ceremonies. The issue of church divisions on gay gay couples, either because they opt for a civil marriage or choose a gay-friendly religious setting, but it remains to be seen how equal marriage legislation will be implemented.
PHOTOGRAPHY
Olivia Waltho
George Fielding
Sher Min
Katarzyna Lewandowska
GOODTIME BOYS Bleak. Undoubtedly a word you will have heard uttered at some point in the last few months, as
FUTURE OF THE LEFT fact they’re arguably the biggest Cardiff based band of recent years. Peddlers of fast paced, shouty, angry, downright crazy rock, they’re also pretty outspoken. “This song is dedicated to the merchandise manufacturers, who made it possible, with their hard work, talent, application and love of tote bags”, spits singer Andy Falkous on Sheena is a T-shirt salesman, the single from their 2012 album. This, their third album, The Plot Against Common Sense, year, for its clever, bathos laden lyrics and super tight rhythms. You won’t catch them playing in a cosy corner at Gwdihw or 10 are made for bigger venues. But if you’re lucky, they may grace Clwb Ifor Bach with their presence this year. If so, don’t miss a chance to mosh until you’re bathed in sweat!
Cardiff by the throat. In spite of the name, Goodtime Boys provide ample backdrop to
BANDS OF
CARDIFF
melancholy-yet-impassioned hardcore punk sound certainly caught the attention of U.S. super2012, subsequently releasing the sublime doubleEP package last October. perfectly encapsulates the development of the band’s sound, with the early chaos of the band’s 2010 demo now Alexander Pennie’s pensive and affecting lyrics
Quench Music takes a look at just a small sample of the music available in this fair city...
Rosey Brown
to the Cardiff underground – a raw and honest in a modern musical landscape full of artistic but ultimately vapid inhabitants. Cathartic and elegant, the Goodtime Boys recorded and live experience is one that any fan of music, heavy or otherwise, would do well to consider. Tom Connick
ISLET Probably the most unpredictable Cardiff band to see live is Islet. Since 2009, brothers John and Mark Thomas have been sparking up new-fangled noise with The Victorian English Gentlemen’s Club remnant Emma Daman and bassist/ award-worthy moustache owner Alex. Their crazy psychedelic rock-edged pop is anything but ordinary. A collision between traditional band elements, electronic to make sound etched its way onto Islet’s two 2010 EPs Celebrate This Place and and their successful debut album released last year, Illuminated People. Islet’s extremely experimental take on composition is echoed in their live performances. The freedom with
which they roam around the jungle of sounds matches the boundless energy they effuse on stage; running around each other, pouncing into crowds and jumping all over the place, their sporadic presence mirrors the comfortably hyperactive aura created through clashes of hallucinogenic waves of melody, tribal drum patterns and bipolar vocals. Having taken their multifaceted liveliness to venues and festivals across Europe, they are set to wow this month. America will not know what’s hit it. Amy Pay
INC. A Inc.a are a Cardiff based, gypsy folk/rock band combining art and fresh sound, making music that’s progressive without being pretentious. This unique seven piece band combines sizzling strings with a spirited brass local MCs and vocalists, they promise not to disappoint. A mishmash and bass, breakbeat and hip-hop rhythm creates a unique sound, one that could send any self-respecting music lover into a cardiac arrest. A show from Inc.a promises to be, in their own words, a full sensory experience and combines garish costumes with crazy dance moves, which performance. This all instrumental musical group play everything live, and they never fail to get the audience up and dancing. Recent gigs have seen audience feet stomping at Gwdihw and Dempseys. The band play pretty frequently, and are always brilliant fun – don’t miss a chance to go. Lucy Barclay
music@gairrhydd.com · @quenchmusic
Q twenty-three
Music
L I V E M U S I C
REEL BIG FISH | SOLUS | 21.02.13
T
his makes it the third time in as many years that I’ve seen Reel Big Fish at the Union. I keep coming back to the Fish for one simple reason; complete with muttonchops, Hawaiian shirts and ska punk stylings, they are a band perennially stuck in the nineties. They serve the same loyal clientele that they did all those years ago, and have no reason to change their image or ‘get with the times’. There is something so refreshing about seeing a band that brings back such fond memories, and year after year, the relentless enthusiasm you get from old and young alike is undeniably infectious. Magnus Puto, the opening act, did very well Madness niche of British ska very well, infusing just enough rap to keep things from getting stale without overdoing it. However, despite their insistence that there were “bare (bear?) legends in the house tonight” I got the feeling that the band weren’t quite as urban as they seemed to claim. Nevertheless, an entertaining, rather relaxed set paved the way for the insanity of Suburban Legends. Suburban Legends, the Californian veteran support act of RBF, just look like they’re having so much damn fun that you cannot help but grin. As a
as the brass section, resplendent in suit and tie, synchronise their dance moves and pave the way I Just . With exquisite timing and patter doubtless perfected over many a show, they reek of professional quality. I’m expecting this lot to go far. The Fish themselves, were, well, the Fish. At this point, you enter the show knowing exactly what you’re getting. People are excited. Everyone knows the words. There’s a sizeable pit in the middle for the youngsters, where people are knocked for six and picked up with willing hands. There’s a bit of banter between the brass and frontman Aaron Bennet. Beer, and launch into their famous Take on Me cover for an encore. We all know the script, it’s been done before. But new isn’t always better; if it was, none of us would have been there. As long as the world keeps on turning, year for their niche, devoted fanbase. And we will continue to turn up. Matthew Evans Photo: George Fielding
I dare the sourest person not to crack a smile
JAKE BUGG | SOLUS | 22.02.13
A
h, Jake Bugg. Sworn enemy of Mumford &
mate of NME readers and Noel Gallagher. I must admit, I didn’t go into this gig with an objective comments in the past week, I was ready to dismiss him as another Gallagher wannabe attempting to swagger around the stage whilst really looking like a bit of a prat. However behind all the supposed hate, quite refreshing to watch. Opening the set with relatively unknown album tracks can be a tricky move to pull off, but the crowd proved mesmerised as he segued effortlessly into early tune Trouble Town and then into new single Seen It All. However, all was not quite forgiven at put a bit of a downer on proceedings. Nevertheless, Solus listened politely and sung along to album highlight Country Song before Jake Bugg switched guitars and launched into a trio of the songs that
twenty-four Q
made him famous. Two Fingers sounded as fresh as it always did, with that opening line generating the biggest cheer of the night so far. Taste It actually caused a mosh pit to break out in the middle of the on every advert ever) Lightning Bolt. What was perhaps most surprising though, was the encore, which ended with a cover of “one of my favourite ever songs,” Johnny Cash’s classic Folsom Prison Blues. Of course you have to have some audacity to take on a song with such a status as that, but having seen Jake Bugg move through his set with such humility, thanking the crowd at every turn, it only seemed right that we’re reminded of his cockiness at the end. So well done, Jake Bugg, you’ve won me over tonight. Just calm down a little bit with all the harsh words, yeah? Matthew Jones
MAMA ROSIN | MOON CLUB | 26.02.13
H
ot off the heels of a tour with the folk behemoths Bellowhead, this recent pairing only speaks miles for the raw power of the
rock and hammering blues the bands typically frenetic sound begins uncharacteristically subdued with a keen ear for vocal harmony kicking off the proceedings as it were. Promoting their latest album Bye Bye Bayou the furious blend of their Switzerland experimental departure from their previous albums. They play in the perfectly suited Moon Club on Womamby Street, the intimate settings amounting to an intense spectacle, all raucous rhythms and organic musical interplay they display no traits of the stadium band (thankfully!). As driving the pulses of their more blues crunching numbers are, where their real strength lies is in the merits of experimentation. Things become more frenetic with the addition of those classic Americana staples the banjo and the washboard being clobbered at their distinctive frantic
south sound, the boys wear their hearts in their sleeves when it comes to the Velvet Underground inspired drones undercutting the wild frenzy of accordions. Echoed to effect here in the viola playing of an old faithful after polishing off the better part of their new album with enthusiasm, the boys summoned the spirit of Gorkys Zygotic Mynci, although certainly not playing second so easy to shoehorn bands like this into a rather shabby and tired grey little box marked ‘eclectic’ or ‘alternative’, all I can add is you dispense them at your own expense. Whilst admittedly being quite impressed with here, by the end of their set I was converted. Mama Rosin deliver the walloping energetic goods consistently throughout, if you’re weren’t before you walked in, you will be a believer by the time they bid you Adieu.
coated drummer delivering pounding shambolic James Robinson
music@gairrhydd.com · @quenchmusic
REVIEWS HURTS EXILE RCA | 11.03.13
DARWIN DEEZ SONGS FOR IMAGINATIVE PEOPLE LUCKY NUMBER | 11.02.13
Exile, the Happiness. Vocalist Theo has of being on tour and the sensation they were on the run. This isn’t the only thing Hurts seem to be on the run from. The album is certainly a step away from the upbeat electro pop of Happiness. Exile is dark, too dark. From the almost demonic chants on Mercy to the oppressive lyrics of Cupid (“Because I swear I’ll make you bleed if you break my heart when I hold you close to me”). Light relief comes in the form of Only You, evocative of the 80’s pop of the previous album, where there is a powerful vulnerability to Theo’s pleading voice. The band appears too focused on stepping away from the last album. In fact comparisons can in parts be made with Muse, with heavy guitar riffs and falsetto vocals. Yet, Exile shows a good progression. With its atmospheric ballads, there is a consistency throughout the album that maintains a high quality. Exactly, what I would argue Happiness lacked. Particular stand out single for me is Sandman. Gina Bevan
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Songs For Imaginative People
Albums
JOHNNY MARR THE MESSENGER ROUGH TRADE | 25.02.13 Bands are more than just the sum of their parts, so it’s easy to write off solo albums before they’re even released. However, Johnny Marr’s history speaks for itself, having played guitar with Modest Mouse, The Cribs, and, of course, The Smiths. In many respects, Marr is as much of an institution in some circles as Brian May is, being another great British guitarist. The Messenger is Johnny Marr’s second solo album, and it’s
different from the jangly indie pop of the eponymous debut, nevertheless showcase a tentative step in a new direction.
is standard britpop fare, and owes a lot to the British rock bands of the 1990s (who, now I think about it, probably owe
work have been scrambled, with opener (800) Human
the album, and if you consider yourself a part of it, you can stop reading now. If you’re still reading, the good news peters out from here. While there’s nothing wrong with the album, very little stands out; Marr’s vocals are unconvincing and his lyrics are trite. The music isn’t strong enough to carry the album by itself. Nothing is strong enough and that’s the problem with The Messenger: it’s undeniably plain. After repeated listens, The Messenger began to sound like a labour, and were I not reviewing it, I don’t think I would have come back at all. Sure, Johnny Marr may
machines and space age sound effects right out of the 80s. As the album develops, the chaotic instrumentation settles down
hit and made a concerted effort to evolve, all the while retaining the twee charm that star in equal measure. If they can streamline their sound for album number three, there’s
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iPod speakers for many heatwaves to come. Thomas Connick
W
ales Goes Pop is the capital’s newest festival, which takes place over the Easter weekend. Showcasing the folk, indie and electronica, all of course with a strong pop bent, the festival promises to
29/30/31 March
Music
The main venues are The Gate, a beautiful converted church located in Roath and 10 Feet Tall, with a welcome celebration taking place at Dempsey’s on Thursday and a closing party rounding the weekend off at Undertone. Be sure to catch the alluring songs of Ellie Makes Music, the The School and a unexpected set from comedy legend Josie Long. Look out for Quench Music’s review of the weekend in the next issue, available after Easter.
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10
support act. Michael O’Connell Davidson
Friday 29 | The Gate | 1:30 - 22:00 THE PRIMITIVES JOSIE LONG THE WAVE PICTURES JOANNA GRUESOME THE TUTS
BIG WAVE THE SCHOOL THREATMANTICS THE PROCTORS Sunday | Ten Feet Tall | 3:00 - 04:00 LAURA J MARTIN
THE YEARNING SPENCER MCGARRY
+ MORE TBC
Saturday | The Gate | 1:3o - 22:00 LET’S WRESTLE ONIONS
Tickets range from £15 for a day ticket (Friday + Saturday only) to £31 for the entire weekend. More information at www.facebook.com/WalesGoesPop
music@gairrhydd.com · @quenchmusic
Q
SOUN
D
What
TR
Film 10 THINGS I HATE ABOUT YOU
ANGUS, THONGS AND PERFECT SNOGGING
I
A
Jade Attwood
Charlie Mock
THE MAN WITH THE IRON FISTS
HOW TO TRAIN YOUR DRAGON
J
Leanne Rachael Dixon Jimmy Dunne
SCOTT PILGRIM VS THE WORLD
TARZAN
I
W
Charlie Mock
BLADE RUNNER has to be
RACK
Matt Evans
Oli Richards
S
ETERNAL SUNSHINE OF THE SPOTLESS MIND
I
James Robinson
路
Q twenty-seven
Film
PROFILE:
RIDLEY SCOTT
Words:
I
SIDE EFFECT
DIRECTOR: Steven Sode STARRING: Jude Law, RATING: Side Effects
Contagion Magic Mike Side Effects
‘I think movies are getting dumber, actually. Where it used to be 50/50, now it’s 3% good, 97% stupid.’ – Ridley Scott
twenty-eight Q
·
NEWS IN
TS
OZ THE GREAT AND POWERFUL
erbergh Channing Tatum
DIRECTOR: Sam Raimi STARRING: James Franco, Mila Kunis
becomes compromised. A drug he prescribed could be the root of a violent and disturbing event, further reaching and seem. I’ll say no more, because what its plot. As an audience we can’t help but play the detective, but happily the story (and indeed the characters) remain slippery and elusive to the end. Emily is a quiet, sad individual shot with a suitably chilling clinical emptiness. Cameras are still, faces zoomed in on, and the simplest of settings are used (such as a bar’s gilded mirror) have an eerie stillness lurking behind them. money pharmacy offers a satire perhaps more accessible to American audiences, with every character Mara meets offering amateur prescriptions. Despite this, Side Effects is superbly written tale twisting events and evolving characters in thrilling watch. It’ll surprise you. Lots. Dan Hill
RATING: Disney’s latest visual masterpiece comes from director Sam Raimi, best known for his direction of the Spiderman his latest directorial attempt since 2009s horror-blockbuster Drag Me To Hell, and what an
thoroughly surprised by how engaging he was as Oz the struggling con man and charmer. He presents Oz’s self-doubt and that the original, Frank Morgan, did 74 years ago, and he allows
the very essence of the Oz from 1939, despite its lack of songs and ruby slippers.
the original. The ‘wicked witches’ Mila Kunis and Rachel Weisz however, often seemed awkward in their portrayal of ‘wickedness’ and sometimes hindered the
opens up in a black and white, pre-tornado Kansas. Oz (Franco) the carnival magician but after a quick get-a-way on a hot air balloon and a little trip around a tornado, he arrives in the magical kingdom of Oz. It is here that the screen turns into Technicolor and we meet the witches Theodora (Kunis), Evanora (Weisz) and Glinda (Williams).
The original The Wizard of Oz seems so perfect and unquestionable that the thought of a prequel never seemed necessary, but with innovative special effects and a little touch of childish charm, it is surprising how refreshing it is to enjoy something that you never knew you wanted.
is outstanding, but it is the Franco as Oz that is the stand out. I was a bit sceptical about Franco’s casting but I was
Becky Wilson
THE GUILT TRIP DIRECTOR: Anne Fletcher STARRING: Seth Rogen, Barbara Streisand RATING: In many ways The Guilt Trip stays true to its premise of a mother-son road trip: it’s awkward, wearying, and once it’s over probably shouldn’t struggles to decide what it wants to be. Is it a warming relationship drama, or an absurd quirky comedy? It turns out to be neither, except perhaps an ad for M&Ms. Environmental biologist turned inventor Andy Brewster (Seth Rogen) is travelling across America pitching his awkwardly named cleaning product, Scioclean. On a rather forcedfeeling whim he invites his fussy nattery widowed mother Joyce (Barbara Streisand) along for the ride. Inevitably, after a few ups and downs both mother and son emerge stronger as individuals, and as a unit. Shame the same can’t be said for the audience. feel like a comedy at all. Instead we’re introduced to a frustrated failing son, and a needy, unhappy mother. It’s actually quite sad, neither character really managing to
engage with life in any with Jewish stereotypes hinted at but not developed enough to be funny. The only real spark was Rogen’s clever self-aware surprise at how conveniently easy it was to track down his mother’s old is as dull as a long distance drive, although you do get the pleasure of watching Barbara consume It’s a shame really, because although the plot is unconvincing, Joyce is quite a fun mishmash of every single motherly mannerism ever. You and a friend could enjoy pointing out which ones you recognise in your own parents, until you realise there’s still an hour of movie left. Otherwise, this If taken seriously, the tragic human drama side might have had some punch. If taken less seriously, you might have actually laughed. Dan Hill
FILM
·
Q twenty-nine
Videogames
DISASTE The Lord of the Rings, and various songs of mine have proudly worn the footprints of other artists. The song “Eight” from “Level” comes to mind, which I wrote after seeing Steve Reich perform Music for 18 Musicians at Carnegie Hall.
I would say that I write music for a living. Sometimes I strictly do my own thing, but often times I work with others to help them realize their projects, whether it be video games, installations, or moving pictures of many kinds. An average day for me is getting up in the morning, heading out for breakfast/lunch, and then spending 5 or 6 hours dedicated to one particular project. It’s nice to have a couple of different projects to wrestle with on a
I started playing guitar when I was 14 or 15, and started writing songs when I was 17 or 18, so almost 10 years now!
I was writing Drop D Nü Metal jams before I stumbled into 8-bit style music around 2005. I grew up in a musical household; my sister grew up singing and playing piano and my parents were in music ministry at our church, and had band practices in my basement. I came to music pretty late but I think I had a lot of pent up musical energy that I had never properly exerted, so by the time I did, I was pretty immersed in it. I played a bit of trombone in grammar school, took guitar lessons in high school, and studied Music Synthesis at Berklee College of Music in Boston. Over the last 5 years I’ve increasingly spent more and more time at the piano and/or keyboard.
Disasterpeace is a play on Masterpiece. I changed piece to peace because I thought the idea of disaster and peace being together was humorous, the two words being somewhat opposed to each
There are so many ways to approach a game soundtrack. It goes beyond the typical choices of theme and aesthetic associated nonlinearity, and ways in which the music reacts to the player and his/her experience. For me personally, it gets me thinking about unique ways of interfacing games with music, trying to come up with fresh ways of communicating ideas in an interactive space using music.
I like to get on board relatively early, though generally it has been with a theme and some gameplay already established. In the rare case that I get to work with folks whose work I’m stoked about and familiar with, I like to be involved from the very start, When everyone is working simultaneously, creating the game’s
and the Warring Nations, for instance, was strongly inspired by
thirty Q videogames@gairrhydd.com · @mikeocd
ERPEACE may end up coming together more cohesively.
the game before anyone else heard it, and then having Phil and Renaud stumble onto it while playing the latest build. I liked that.
In my experience, the “way in” is to be yourself, and to make yourself available. If there are game developers assembling in It was great! I was privy to the entire game, as I was directly embedded in the development process. We used version control so I always had access to the latest builds, as well as making changes to the game myself. This generally involved placing music and ambiences in levels, and utilizing the fantastic music system that our programmer Renaud Bedard came up with.
to the Game Developer’s Conference on college loan money 4 made there. I’ve also had a web presence for my music since the very beginning, years before I worked on any games. I started making chipmusic in 2005, and I was able to spin my music into some gigs working on games, more or less by proxy.
It was fun! Mike also did the artwork for Krunch, so he was very close the game and the intended experience. It was easy to get a sense of his aesthetic ideas and feed off of that. His music inspired my own output for the game.
Probably FEZ. I really think it’s a lovely game, and there aren’t many games that I’ve had as much of an intimate role in as that one. There was something really cool too about adding stuff to
melody, or aesthetic, etc.
I think FEZ is a good place to start. It’s probably my most accessible work, and one of my best. I also have a soft spot for Level, I think that’s a pretty cool, pretty cohesive album.
I’ll be writing a bunch of warm fuzzy electronic music for Monsters Ate My Birthday Cake, an adorable looking puzzle game for iOS. I’m also writing dynamic orchestral music for Cannon Brawl, which is an RTS/Worms hybrid of a game, and writing music that sounds like weather for The Floor is Jelly (you Also hoping to do a new original album this year, and maybe
I’ve tried a lot of processes over the years, but I’ve settled into a couple lately. One is to come up with a rough idea with my voice, or on guitar or piano, record it, and store it away. Later, I pull it up, and throw it into Logic Pro, and start creating a song around it. The other is to start straight in software and start messing around. That being said, given the context and what I’m trying
videogames@gairrhydd.com · @mikeocd
Q
Videogames
TOMB RAIDER
James Watt reviews the reboot of one of the oldest and most esteemed franchises in gaming. Is this the return of Lara Croft?
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hipwrecked, battered, and broken, the Lara Croft at the start of this origin
the cruel isolation of the world into which Lara is thrown. What’s also quite commendable is how the developers have managed to vary the environments despite the game ditching Lara’s normal globe-trotting tendencies by being set entirely on one island. Even if you’re not into gawping at the scenery, you’ll still want to explore. Harvesting the environment (and the corpses of enemies) for every last scrap of salvage allows you to upgrade your weapons and completing various tasks helps you boost your XP. The new leveling-up system rewards players for most of Lara’s actions (hunting, killing enemies,
self-defensive kill and plunged into a relentlessly hostile environment, she has to adapt quickly in order to survive. Worried, resourceful, desperate; this is the Lara we see in Crystal Dynamics’ Tomb Raider, a reboot of the series and an exposure of its famed heroine at her most vulnerable. What we get with this origin is a character who feels decidedly more human. Yes she’s still a badass with all of the ingenuity and ability she has become known for. Yes she faces down adversity in a noble and exciting adventure. But what we get to see on that journey is an emotional struggle quite rare in the medium. Though the overall plot is predictable and the supporting cast full of generic archetypes, Tomb Raider remains compelling precisely because you become so emotionally invested in Lara. As an intrepid young archaeologist confronting
ones, reinforcing this game as one where we see Lara form her tomb-raiding identity. For those not normally given over to kleptomania, Tomb Raider provides a number of real incentives to go off the beaten track and rinse Yamatai for all that it has to offer. What about the weird addition of a multiplayer mode? The less said about it the better. It’s a solid offering, but many of the game modes feel imbalanced and
of Yamatai is powerful and one which makes a pretty awesome game. This emotional punch that gaming’s most famous woman deserves. is. Lara is wonderfully agile; she storms through the island with more grace and determination than ever before. If the plot dictates Lara’s brokenness and struggle, her in-game behaviour says otherwise. Even combat (which was always quite clunky in previous TR games) becomes fun, with Lara automatically crouching behind cover and engaging intuitive AI enemies. It works particularly well when you utilise stealth tactics; creeping through the undergrowth and silently assassinating a Solarii guard with your bow feels brutally satisfying. Part of this is down to the exquisite animation of the main character. Interaction with the game world seems much more grounded this movement through the environments is focused and rapid, propelled by the game’s breakneck set-pieces. You’ll parachute through forests, fall down wolves and cannibalistic cultists in caverns. As you do. It’s fair to say that Crystal Dynamics has borrowed a few ideas from Uncharted (which, incidentally, owes much to Miss Croft’s adventures anyway), but where Tomb Raider differs is its freedom for exploration. Nathan Drake’s adventures ferry you through largely linear paths punctuated by explosive sequences, whilst here you have the option to go off-road and explore the island. As you progress through the story new gear will open up previously blocked areas for you to investigate, and this is something you’ll environments are detailed and believable, the lighting effects are stunning, But Yamatai is no tropical paradise; it’s a dark and mysterious island marked by decrepit WWII bunkers and deserted shanty towns. Crashed planes and ruined settlements mar the landscape, constantly reminding the player of
thirty-two Q videogames@gairrhydd.com · @mikeocd
The game moves at a breathtaking pace, with a constant sense
human competitors. It seems like the developers felt some bizarre pressure to keep up with FPS games and the result is a forgettable, tacked-on competitive component. You’re unlikely to return to it, but when the single-player game is so good we can sort of forget the lacklustre multiplayer experience. Especially when no one is really going to buy Tomb Raider for online play. What is actually disappointing is that the classic Tomb Raider experience, the extended platform-traversal and puzzle-solving, frequently takes a backseat to the game’s action sequences. Working out the mechanics of an ancient conundrum was always immensely rewarding but this reboot offers limited amounts of that satisfaction. Instead you’ll spend lots of your time emulating Nathan Drake, rapidly moving between combat sections and explosive scripted set-pieces. Fun as these bits are, the game is balanced too heavily in their favour. Crystal Dynamics, perhaps preempting this lament, has scattered a number of bonus hidden tombs across the island’s regions. These self-contained areas try to provide a counterbalance to the cinematic drive of the main story, featuring some clever puzzles, but they are too few and far between. It’s a shame because the game is at its best during the few sections intellectual problems and traps than gunning down armies of goons. Despite this, Tomb Raider is brilliant. This new adventure draws just enough from the legacy of games before it whilst successfully pushing a weary series into the modern era. Yeah, we’d like some more puzzles next time (sort it out for the next title, Crystal Dynamics!) but the origin story of this renowned heroine completes what it sets out to do. It feels fresh and exciting and gives the series a much-needed adrenaline shot. This reboot delivers the back.
Food&Drink
SPRING SELECTION
Words: Eliza Nicholas
The past winter has been relentlessly bitter, so it seems only fair that a fresh selection of restaurants should have popped up to serve as some sort of solace. We take a look at some of the newer venues to hit Cardiff.
c i t s Ru an i Ital chic ity n u m Com ts r o f m o C
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Pedal Power
arly afternoon outings are about to start having a delicious ending. If you ever intend to get lost meandering along Bute Park’s winding paths here’s a recommendation: try to run across Pedal Power Café. Situated on the west side of the park, it can be accessed both from the Taff Trail and from Cathedral Road. This place can be successfully compared to Hansel and Gretel’s evil witch you will be welcomed by most friendly staff. As proved by the guestbook you will be encouraged to write in, the customers’ impressions were never anything but positive. There is no wonder: home cooked options are usually part of the menu, with emphasis on ethical and Fairtrade sourcing. The promising Cyclist’s Breakfast (both meat and vegetarian option), warm vegetable soups, sandwiches, rolls, jacket potatoes and cakes will surely be appealing to the most of the customers, for being simple, yet indisputably fresh. Pedal Power Café is part of a charity-run organisation whose aim is to make cycling accessible to all. They also run a number of events during the year, with emphasis on the local celebrations and family-related, such as quiz evenings with dinner included, bike rides, vintage and hand-made fairs.
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food@gairrhydd.com · @quench_food
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Billʼ’s
ith a sceptical attitude towards yet another chain restaurant, I was pleasantly surprised by Bill’s. The décor is immediately striking; it is youthful and arty, displaying jars of pickled vegetables and wartime-style crockery. Initially I wondered exactly what style the restaurant was aiming for with its diverse look, but somehow the mixture of decorative charms works inside what is a beautiful old building. In keeping with the quirky vibe, the menu boasts a ‘trendy’ interpretation of gourmet classics and modern veggie dishes. The food is freshly prepared throughout the day, and uses Bill’s ‘own label’ products which are on display around the restaurant for customers to buy. On the Saturday lunchtime when I visit it is extremely busy. There’s an eclectic mix of couples, friends and large families, but I’m told it quietens down and takes on a more sophisticated feel towards the evening. Despite being seated at a slightly cramped table, I am won over by the wholesome looking bread board and olives we order to start – even enquiring after the type of olives, as they are so delicious. The Bill’s burger I eat next is a typical gourmet favourite, presented on a wooden board with a tin of fries. It is simple but can’t be faulted. I’m surprised at the apparently small portion of One of the most noticeable features of the restaurant is the staff; they are friendly and enthusiastic and most seem to be students, adding to the youthful atmosphere. At the end of the meal our waitress returns with a tin of the olives I asked about, and gives it to me on the house! Although the food and service were impressive, I would recommend Bill’s for the whole experience. The atmosphere makes it the perfect place for a leisurely meal, and it is conveniently placed in the centre of Cardiff. There are a handful of Bill’s restaurants around the country, with more opening, all located in upmarket areas such as Covent Garden, Bath and Cambridge. The colourful website offers their favourite recipes, and opportunity to order hampers and cookbooks of Bill’s own label ingredients. The eatery has appeared in The Independent’s list of 50 best breakfast spots, the Channel 4 website, and has been featured in The Telegraph. This one to try.
Food&Drink
Double Super Happy
Bubblegum
Japanese
AllAmerican
Fire Island
Words: Genevieve Collins
D
ouble Super Happy was one of the most original restaurants I have been to in a while. With the same owners as Pica Pica, the tapas and cocktail bar, I had high expectations. DSH serves Dim Sum which is a type of Chinese food prepared as small bite-sized or individual portions of food, traditionally served in small steamer baskets or on small plates; an excellent choice of restaurant if you enjoy sharing. Described as a “Bubblegum Tokyo inspired setting”, this is exactly the impression you get. The restaurant is very modern, bright and trendy, yet felt very relaxed. There were other people eating but also a group of people just having some drinks and nibbles. The menus are in the form of a tick sheet, recognisable if you have been to Pica Pica, where you tick off the dishes you want to try. Although this might seem quite confusing a waitress promptly came over to explain how the system works, saying most people pick 2 or 3 dishes. My friend and I picked one dish each from each section which was easily table. While we waited for food we had some prawn crackers which were the best prawn crackers I have ever had, thick and delicious without being too greasy, and tried a couple of the cocktails. cocktails, and 2-4-1 makes them excellent value. I had a mango and melon shaken with pressed apple juice. All the food was tasty and fresh, my special favourite being the chunky peanut satay, which was perfect. My only real complaint would be the quite small portion sizes: only 3 prawn and coriander dumplings; delicious but I had also chosen to order duck leg pancakes and was wondering if it was going to arrive still on the leg…which it did. The waiter then proceeded to shred the duck from the leg onto a plate at the table which was quite awkward and seemed like an unnecessary show. Overall I thoroughly enjoyed the whole meal and thought it to be reasonably priced. The restaurant is over in Westgate Street, which is not an area that most people walk past, and is only open Wednesday to Saturday from 5pm, so worth booking ahead. a completely unique experience and I will most certainly go back.
F
Words: Isabel Larner ire Island is the latest addition to the Beatbox Bars family, jumping
barbecue-centred menu. Situated just by the Millennium Stadium, its location puts it a little further than the average meal-goer tends to venture, which results in a somewhat more low-key dining experience than in its sibling venues. Still, the interior is interesting enough to identify it clearly as a Beatbox Bars creation; the County Council Club-cum-chic warehouse elicits ideas of what it would be like to hang out in the cooler (read: hipster) parts of New York. Yet the menu retains some acknowledgement of its location, with a selection of craft beers specially made for Fire Island. This is certainly a big plus, as getting anything from a microbrewery in Cardiff seems to be a tall order, and Fire Island goes above and beyond in offering 12 craft beers that they keep on rotation. Despite the welcomingly relaxed approach to American dining and loyalty to independent breweries, the food itself fell slightly short of expectations. The pulled pork sandwich was perhaps a matter of taste, as the shreds were larger and slightly less tender than I would have liked - though the barbecue sauce was nicely made. The roll it came in was a rather dreary toasted white bun, which I felt did more to obscure the taste of the meat than anything. The meaty pork ribs, which are Fire Island’s speciality dish, were quite nice, though rather than the meat it was the sauce that won us over - the taste, as well as the refreshingly generous amount given. The fries were a point of contention between us; I was personally let down that the ‘fries’ promised on the menu were not in fact fries but chunky chips, yet this was something my dining partner happily preferred. I would perhaps have been inclined to agree if the chips had the level of crispness I feel best accompanies meats, but they were somewhat closer to a potato wedge texture than anything else. Overall, I felt that I could have made dishes of similar quality myself, though there is something to be said for how long that would take versus having it prepared for me. Fire Island food offers a friendly and chilled out atmosphere that is often sure to please anyone who is tired of the same drab selection offered all over Cardiff. However, I recommend you stick to the bar and just get DIY with your BBQ-ing once the weather decides to warm up.
food@gairrhydd.com · @quench_food
Q
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ENRICHING STUDENT LIFE AWARDS 2013