Black History Month Edition 2021 (Issue 1172 - Monday, 18th September

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Check out Gair Rhydd online

rhifyn 1172 issue 1172

18 hydref 2021 18 october 2021

gair rhydd Cardiff University’s student paper | Established 1972

Inside: Celebrating Black History Month this October Inside: Dathlu Mis Hanes Pobl Dduon ym mis Hydref

Gair Rhydd speaks to Jeff Wayne, American Composer and Musician Jack Robert Stacey Editor-in-Chief

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air Rhydd sat down with Jeff Wayne, the American musician and composer behind ‘Jeff Wayne’s Musical Version of The War of The Worlds’, to talk over his almost 50-year history building a performance around the iconic science-fiction story. Looking back at his earlier career, Wayne said that his relationship with H. G. Wells’ ‘The War of The Worlds’ began back in the 1970s, a point in his career when he remembers “composing quite a lot of media music.” Around this time, Wayne said that he was often preoccupied with “producing and arranging for certain artists in the pop field”, including the English singer-songwriter David Essex. Although he enjoyed this kind of work, Wayne confessed that he was always determined to find his own inspiration as an artist and composer - An aspect he remembers often speaking to his father, the actor and performer Jerry Wayne, about: “My dad kept reminding me that, as a composer, he knew that I was hoping at some point in time to find a story that I would sort of fall in love with and commit to trying to create something around that story.” Around this time, Wayne said that he and his father were looking for inspiration in a variety of places and had started by “reading quite a number of books” together. One night before going out on a tour, Wayne specifically remembers his father wishing him well and then handing him a book, a book that would go on to shape his career for the next fortyyears. “It was H. G. Wells’ The War of The Worlds”; a book that Wayne admits that he “really wasn’t all that familiar with” at the time. As one of the first science-fiction stories to centre on a conflict between humankind and a race of hyper-advanced extra-terrestrial beings from outer-space (the ‘Martians’), H. G. Wells’ nineteenthcentury novel is considered by many to be one of the most iconic science-fiction stories of all time and has never been out

of print in its 123-year-long lifespan. “When I read it in that period,” Wayne said, “of course there was no internet, no Google or anything electronic, so having a book was a good companion at times. I read it quite quickly and, on one read, I was hooked by it to tell the truth.” Wayne explained that, after reading the book, he and his father were both captivated by the story and shared a determination to compose music around The War of The Worlds. Following the death of H. G. Wells several years before, Wayne and his father reached out to Wells’ son Frank to discuss the opportunity to create a musical version of the novel. “We presented ourselves and it wasn’t very complicated as it turned out. I guess that the points that communicated most to Frank was that, A: we were a sort of father and son team that had hooked up to produce a musical work around his dad’s story, and that I, on the creative side, wanted to interpret it exactly as his father had created it - A dark Victorian tale set in England, in Surrey specifically - but also to keep the themes so that it wasn’t just an alien shoot-em-up type of science-fiction story, but that it had a much greater depth to it.” Their proposal, Wayne recalled, must have “really impressed Frank Wells immensely” as they would eventually acquire all of the rights they needed to create a musical version of the story. Reflecting back on the meeting, Wayne said that he was “very fortunate” to have received the rights from the Wells’ family and quickly began to compose what would later become his 1978 double album: ‘Jeff Wayne’s Musical Version of The War of The Worlds’. “As it was coming together from that point, it started to feel real. Even before I hit the studio, it just had that feeling that we were on to something that was special, so we made that recording, the double album as it turned out to be and from there it went on and on. It hit the media and the public with great satisfaction, so I guess that’s why I’m talking to you so many years later about Martians [laughs].” To read Jack's full interview with Jeff Wayne on the American composer's upcoming UK tour, turn to page 3 3

A new curriculum: Wales is expected to focus content around key figures through BAME history including Betty Campbell, Wales' first black headteacher. Credit: Jack Robert Stacey

Wales to impliment new BAME curriculum

Svenja Schindler Contributor

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rom September 2022, teaching about the histories and experiences of Black, Asian and Minority Ethnic (BAME) people, as well as their contributions to British history and culture, will be a mandatory part of the curriculum in Welsh schools. A petition, which received nearly

35,000 signatures, was launched last year in order to achieve this change in the curriculum. The respective petition page on the website of the Senedd Cymru states, that “Britain -including Wales- benefited from colonialism and slavery for centuries. […] The legacies of slavery and colonialism have very real impacts on BAME communities across Britain today, and the Welsh education system needs to recognise

Dadorchuddio Cerflun Is 31 days enough for Black History Month? Betty Campbell Nel Richards

Vicky Witts

Pennaeth Taf-od

Head of Comment

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yma’r gerflun awyr agored cyntaf o fenyw yng Nghymru. Cafwyd arolwg o gerfluniau ledled y DU ei chynnal yn 2018, a darganfyddwyd mai dim ond un o bob pum cerflun ym Mhrydain oedd o ferched, gyda’r mwyafrif ohonynt yn gymeriadau ffuglen neu ffigurau dienw. Y llynedd, mewn archwiliad, a gomisiynwyd yn sgil protestiadau Black Lives Matter, sylwodd pobl nad oedd cerfluniau o unrhyw unigolyn o dreftadaeth ddu mewn mannau cyhoeddus awyr agored yng Nghymru, gyda dim ond “grŵp cerfluniau anhysbys ym Mae Caerdydd”. TI ddarllen erthygl Nel am y cerflun newydd yng Nghaerdydd, trowch i dudalen 8.

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lack history month was first celebrated in the UK in 1987, and since then it has annually motivated people to educate and be educated about monumental events, achievements, and people in black history. More recently, the month has also been used as an opportunity to raise awareness about the discrimination faced in recent years by ethnic minority groups, both in the UK and globally. This clearly introduces an important question. Is focusing on black history for only one month of the year really enough? To read Vicky's article on whether 31 days is enough to fully celebrate black history, turn to page 14. 14

this.” According to the petition, the British Empire is often glamorised, while at the same time the worldwide impact of Britain’s colonialism is overlooked. The petition was now considered and completed by the Petitions Committee on 20th September 2021. To read Svenja's article on the introduction of Wales' new BAMEhistory based curriculum, turn 4 to page 4.

Celebrating Black Scientists in History Mia Becker-Hansen

Head of Science and Technology

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cientists, engineers, and inventors find the solutions to our problems. From numbers released by the Royal Society in 2018-19, 1.8% of science, technology, engineering, and maths academic staff aged 34 and below are black. In physics and chemistry, the proportion of black researchers stands at zero percent (rounded down). Further to this, no black scientist has ever won a Nobel Prize. In honour of Black History Month, this article will highlight on the achievements of a number of notable black scientists throughout history. To read Mia's full article on the achievements of black scientists, turn to page 20.

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