Imran Galadanci Architecture Portfolio Selected Works

Page 1

Imran Galadanci

Selected works

Part 2 Architect

2016 - 2023

Portfolio


Contents

Bogota Sustainable Material Innovation Institute Suba, Bogota Columbia

02 03

Sharjah Art Foundation: Artist in Residence Sharjah United Arab Emirates

01

Phytoremediation Research and Visitor Center Sant Erasmo, Venice Italy


04

School of Architecture Art and Design American University of Ras Al Khaimah United Arab Emirates

Mokwa truck Layover Masterplan Mokwa, Niger Nigeria

06 05

Development Bank of Nigeria Wuse, Abuja Nigeria


01

Phytoremediation Research and Visitor Center

studio: Thesis Design 2023 Tutors: Antonino Di Riamo, John Pegg Key Words: Regeneration, filtration, Contamination, Climate change

Cobolt, Nickle, and other heavy metals are contaminating the venice lagoon, from the use of artificial fertilizers during extensive farming on the lagoons islands. Sant Erasmo, the largest Island by land area in the lagoon known as Venices Vegetable garden is responsible for the damge to the lagoon. This contamination has caused agricultue to be less profitable on the island.

Imran Mahmoud Galadanci

In this Scheme, a phyto remediation research center is proposed to combat the effects, through revitalizing the threatened lagoon ecosystem. the project aims to an ecologically sustainable solution using carefully selected plants to restore balance in the lagoon and support local fishing activities, fostering a harmonious relationship between the community and marine life

2


Architecture Portfolio

3


Mechanism of micro-organism assisted phytoremediation Phytoremediation is the combination of 2 words, etymologically, Phyto meaning related to plants and ‘remediation’ meaning the action of remedying something, in particular of reversing or stopping environmental damage (oxford dictionary 2016). Moving from Hg-contaminated locations to restored landscapes while utilising plant-associated microbial resistance mechanisms

This study shows the possibility of aquatic plants as a tool in phytoremediation in contaminated water sources in Malaysia. in a 14 day experiment, Centella asiatica, removed 98% of NH3-N, 90% of TSS, and 64% of phosphate.

presence of contaminants in the lagoon, gives rise to possibility of phytoremediation project

1. Rhizosphere bacteria and fungi imobilizing mercury to root cells 2. Rhizobia during nodulation providing plants with nitrogen 3. Extended root architecture colonised by arbuscular fungi 4. Mercury mobilization 5. Abuscular fungi-plant interface. mineral received by the cell. 6. hydrophobin monolayer enveloping fungal cell wall sequestering the ions 7. Reductive volatization ofionic mercury by bacteria and putatively fungal cystosolic mercuric reductase

The site was selected due to a myriad of reasons. As it had the lagoon waters flowing through it, the location has the contaminants potentially already on the site which is a great advantage for the projects feasibility. The site location also is a historic piece of land as it was used as a Ravelin to the Historic Lazzeretto Nouvo Quarantine hospital that was constructed during the Republic of venice. The site sits at the entrance to the lagest Island of the Lagoon, so it is most visible and will attract tourist. The site will be accesible by water; through the lagoon, and by road network on the Island. Once active research will be conducted, the project aims to introduce the trees and olants all across the lagoon and beyond.

The shape of the site is derived from a hornwork

Maximilians Tower I Sapori di Sant’Erasmo

Intergrated farm

Hornwork

Orto di Venezia

Lazzaretto Nouvo hornwork Lazzaretto Nouvo fort

4

The remarkable geometry of the site is a deliberate creation. During the Napoleonic Wars, this area took shape as an outer defensive structure, characterized by its semi-detached fortification design. The precise geometric layout of the hornwork, featuring strategically positioned bastions, was meticulously honed to facilitate arrow fire during its early use, and later, the deployment of cannons. Presently, the site retains only its outer perimeter, a testament to its historical significance.


Project Overview

5


Phytoremediation Labs Interior Visual

Clerestory | phytoremediation research and ponds

Environmental Strategies

Shown through a section of the phytoremediation labs

Natural Ventilation

Evapotranspiration

Photovoltaic Panels

Rain Water harvesting

Natural Light

Ground source heat pump

The research center is equiped with natural ventilation fenestration on theexterior that is shaded from the southern sun by vertical wooden slats, this allows cool air to come in and ventilate the spaces

6

The research center is equiped with water tanks as well as the outdoor demonstration areas to filter natural water, and research on the contaminats in the atmosphere

In the middle of the labs sit various water fetures that bring about cool breeze as well as the research conducted on them The plants also provide coolness and Oxygen to the atmosphere The careful consideration of clestory buildings gives natural light to the complex in the day hours, reducing the need for artificial lighting

The inclination of the roof to the south provides ample surface for solar power generation in the complex, to cater for the minor mechanical ventilation needed if the lab requires a more controled atmosphere The Island of Sant’Erasmo experiences winter and some cold weather, due to this the complex has been provided with ground source heatpumps to cater for heating needs


Ground Floor Plan Plan 1:300 @ A3

5

4

6 8

10 2

3

1 9

1. Exhibition 2. Phytoremediation Labs 3. Restaurant 4. Environmental and water assesment labs 5. Theatre 6. Aquaponics testing Areas 7. Boat Store 8. Outdoor Viewing area 9. Phytoremediation Testing waters 10. Plaza

7

7


3D section through the environmental and water testing labs

8


Having a restaurant in the entrance will attract people to have a sitdown and eat after visiting the research center, and a cafe to be used as a breakout area. Outdoor area to be used to exhibit the fishing activities, and growing of crustacians. this can be seen from the restaurant

Italian Restaurant and Cafe

interior render with seating and open pizzaria and grillaria kitchens

Italian Restaurant and Cafe

Visitors outside the restaurant at Sunset in the phytoremediation demonstration areas

9


Context Overview

Birds eye view Render Overlay

10


11


02

Bogota Sustainable Material Innovation Institute

Imran Mahmoud Galadanci

studio: Synthesis Design 2021 Tutors: Guido Robozza, Dan Blott Key Words: Materials, Sustainability, Environment, Global South

12

The Suba, Colombia, Bogotá research center project was driven by my profound commitment to the field and a thorough research-driven approach. The primary objective was to create a facility that would simultaneously benefit the local community and the environment. To achieve this vision, I conceived a condominium block designed to accommodate researchers, strategically placing it in close proximity to the research center for maximum convenience. The building was meticulously crafted with various amenities, including a coffee shop, gymnasium, and community-serving shops, all thoughtfully integrated into the lush surroundings based on a comprehensive site analysis. Situated at the heart of the green area, this site served as a connecting hub between two previously segregated regions, and my aim was to establish a communal nucleus that would enhance unity and collaboration within the community.


Architecture Portfolio

13


Site Strategy

Project Aims

14


Site Plan

The research center’s significance emanated from the pressing climate crisis, as underscored in the 2015 Paris Agreement. My mission was to work towards the ambitious goal of achieving net-zero emissions by 2030, countering the detrimental changes we’ve imposed on the planet, such as ozone layer depletion. Recognizing that concrete and steel contribute significantly to annual global CO2 emissions, approximately 6.5% and 7%, respectively, my research endeavors were dedicated to exploring sustainable and innovative applications of locally available materials like brick, steel, and concrete. This quest aimed to find greener alternatives and mitigate the environmental impact of these materials, thereby contributing to the global fight against climate change.

Ground Floor Plan

15


Research Center Administration

Accomodation

Situated at the heart of the green area, where two previously segregated zones converge, our visionary project seeks to establish a communal hub that bridges the gaps and fosters a sense of unity within the community. In this diverse neighborhood, characterized by a limited iconography, my design draws inspiration from the strong formal organization observed in the surrounding gated communities. This essence is integrated into the accommodation for the researchers, creating a harmonious reflection of the neighborhood’s character.

Scheme Objectives

Perspective Section

16


floor features slight projections or cantilevers, a design element replicated in the facade facing the green area, exemplifying respect and hierarchy. Being true to the essence of Suba and Bogota, where brick and clay blocks are the predominant materials, we celebrate the rich heritage of these resources in our design.

Green Elevation

17


Facade Detailing

reclaimed timber panels

6/8mm Thick Rockpanel Rockclad Durable.

light weight cmu block work Rigid Insulation panel

Plasterboard with internal paint finish.

concrete floor finish

pre cast concrete floor.

18


INSIDE

OUTSIDE 6/8mm Thick Rockpanel Rockclad Durable.

Plasterboard with internal paint finish.

vertical batten

fixed

Panels fixed with rivets in accordance with Rockpanel specification.

timber

light weight cmu block work

Aluminium bracket. Centres may vary dependant upon loadings. Grout Rigid Insulation panel Panels fixed with rivets in accordance with Rockpanel specification.

concrete floor finish pre cast concrete floor.

19


Ventilation Strategy Section

20


The Plaza created by the building placement acts like a courtyard/ wind catcher, creating vortices that swirl up and bring cool air from the moisture of the vegetation into all courners of the scheme

Outdoor Plaza within the scheme

Research Offices Interior Render

21


03

Artist in Residence

studio: 2016 Fall Tutors: Gregg Spar Key Words: Oasis, Arts, Bathing, Creatives, Atmosphere

Imran Mahmoud Galadanci

Nestled within the esteemed Sharjah Art Foundation in UAE, this project presents an enchanting oasis that seamlessly merges art, nature, and contemporary living. This visionary design revolves around the concept of integrating two artist residences with a captivating bathing ritual, culminating in a harmonious sanctuary that inspires creativity and tranquility. i started with a series of model explorations, each driven by the criteria of harmoniously blending the artist residences and the bathing ritual.

22

In this culminating design, the artist studio spaces gracefully embrace the front of the site, thoughtfully allowing natural light to stream in from the inviting courtyard. The inclusion of light monitors further enhances this radiant play of light, creating a truly enchanting atmosphere within the studios. At the heart of the design, the bathing ritual is perfectly nestled between the artist residences, forming a sublime focal point that celebrates the art of selfrenewal and artistic expression.


Architecture Portfolio

23


The project involved a series of model explorations, aiming to seamlessly integrate two artist residences and the bathing ritual concept. In the first iteration, the model featured an open courtyard, with spaces wrapping around it, though there was a lack of cohesion between the different areas.

First Iteration

Moving on to the second iteration, the bathing ritual was positioned at the entrance, but this arrangement posed a challenge as it limited daylight to the studio space, which is crucial for optimal working conditions.

Second Iteration

Undeterred, the third and final iteration became the turning point, as we strategically placed the studio spaces towards the front, ensuring ample natural light from the courtyard. The design took shape with the inclusion of light monitors, enhancing the flow of natural light into the studio areas. This optimal positioning enabled us to strike the perfect balance, with the bathing ritual ideally situated between the studio spaces, creating a harmonious and visually captivating composition.

Final Iteration

24


Form Development and Program Diagrams

STARTING MASSMass Starting AXES CARRIED THROUGH SEPARATING THE PROJECT IN HALF Axes carried through separating the project in half

COURTYARD CARVEDcarved OUT Courtyard out LIVING SPACE SEPRATED FORM WORKING SPACE living space separated from working space

EGRESS ANDand ACCESS FOR DELIVERY AND TRASH Egress access for delivery and trash

BATHING SPACERitual USED AS CONNECTING TISSUE STUDIOS Bathing uses asBETWEEN connecting tissue between studios

Public | Semiprivate | Private PUBLIC l SEMIPRIVATE l PRIVATE

Entry threshold ENTRY THRESHOLD CUT OUT cut out lounge spacSPACE ADDED es LOUNGE added

Using site and context to LIGHT provide USING SITE AND CONTEXT TO PROVIDE NATURAL AMBIENT natural ambient light

Bathing ritual futher emphasises BATHING RITUAL FURTHER EMPHASISES TRESHOLD VERTICAL CIRCULATION EXPRESSED SECTIONALLY threshold vertical circulation expressed sectionally

WATER FROM BATHING RITUAL TO CONNECT EXTERIOR TO INTERIOR Water from theUSEDbathing ritual used to connect exterior and interior

25


ARC 202 ARTIST IN RESIDENCE +8.8

+6.7 +6

+3.1

0.0 -0.3

SECTION C-C

+8.8

+6.2 +5.1

+3

0.0 -0.3

Sections

SCALE 1:100

0

SECTION D-D

1

2

5

IMRAN GALADANCI 56949

Site Diagrams NORTH MOSQUE

MOSQUE

BUILDING

BUILDING

BUILDING

BUILDING ZERO DIRHAM PROJECT

GARDEN

ZERO DIRHAM PROJECT

GARDEN

J

H

G

I

J

F

P

H

G

I

F

P

WEST CIRCULATION DIAGRAM PRIMARY AND SECONDARY APPROACH TO THE PROJECT

EAST

PREVAILING WIND DIRECTION THIS HELPED IN ORIRNTATION OF COURTYARD

FEATURES LIKE THE RECESSED WALL AND BRIDGES IN SAF BUILDINGS ,FROM SITE ANALYSIS, CARRIED THROUGH MY PROJECT IT PART OF SAF SHADOW GAP CREATED TO GIVE SAF BUILDINGS A SENSE OF LEVITY, AN ATTRIBUTE THAT WAS INCORPORATED IN MY DESIGN

SOUTH

SUN PATH DIAGRAM THIS UNDERSTANDING SUN ORIENTATION HELPED IN THE MAKING OF LIGHT MONITORS

SITE DIAGRAMS IMRAN GALADANCI 56949

26


Connection via ramp to the roof of the rest of the sharjah art foundation

27


The first-floor lounge of this exceptional design offers a captivating view of the cityscape while maintaining a profound connection to thecourtyard. Adding to the enchantment, a thoughtfully placed lightbox illuminates the spaces below, infusing the area with a warm and inviting glow, further enhancing the serene ambiance of the lounge and its connection to the surrounding cityscape.

Lounge Render

The courtyard provides a scenic view of the city while also maintaining a connection to the bathing ritual. Its brick wall, which is visibly prominent, surrounds a serene pool of water.

Courtyard Render

28


With a design constraint of 5 x 20 meters and a unique requirement for an all-brick construction, the project posed intriguing challenges and opportunities. To optimize the layout, I thoughtfully zoned the wet areas, encompassing the pool, ablution, and hot tub, to the back of the structure. This strategic placement ensures privacy and convenience for users engaging in water-related activities. In contrast, the front of the design is dedicated to the entrance and changing areas, catering to dry activities and providing a welcoming space for visitors.

Bathing Ritual Render

Sectional physical model of the bathing ritual.

The bathing ritual commenced with a fundamental exploration of the versatile brick material. Various manipulations were applied to alter the orientation and rotation of the bricks, all with the aim of achieving a specific and desired effect. The outcome of these creative endeavors was a highly efficient building that excelled in both cooling and heat retention, while also offering a visually appealing aesthetic.

29


04

Faculty of Architecture, Design and Planning

studio: 2019 Spring: Grad Project Tutors: Eka Sediadi, Taufiq Hantash Key Words: Architecture, Students, Vegetation, Design Hub

Imran Mahmoud Galadanci

Dedicate to the transformation of the architectural landscape at AURAK. The existing studio spaces, which are confined within repurposed classrooms, have struggled to kindle the flames of creativity, largely due to the limited access to natural light, hindering the imaginative potential of aspiring architects. My mission was to design an innovative and inspiring building that caters specifically to the unique requirements of architecture students, offering them a sanctuary for unbridled creativity and comfort.

30

Inspired by the architectural character of the surrounding context and the aesthetics of the existing buildings, I envisioned a structure that seamlessly integrates with the historical backdrop while establishing a distinct and bold identity of its own. This delicate equilibrium between the old and the new ensures that the architecture faculty becomes an iconic masterpiece, serving as a symbol of progress and innovation within the campus.


Architecture Portfolio

31


Form Development

Interior Atrium Render

32


The harsh climate of the U.A.E, with its scorching summers, required careful consideration. Mindful of the challenges posed by hot weather, I integrated purposeful shading mechanisms and walkways into the design, inviting students to explore the environment with ease and comfort. Sustainability and functionality emerged as core principles, empowering the building to cater to the needs of students and nurture their creative pursuits.

Exploded Axonometric

33


First Floor Plan

2

1

3

6

4 5 1. Digital Resources 2. Faculty Office 3. Atrium 4. Library 5. Auditorium 6. Breakout Space / Bridge 7. Lecture Room 8. Interior Design Studio yr 1 9. Interior Design Studio yr 3 10. Exhibition / Pin-up space 11 Atrium 12. Print Room 13. Architecture Studio yr 1 14. Architecture Studio yr 3 15. Lecture Room 16. IT office

34


8

7

9

10

11

12

13

16 14 15

35


6 4

5

4

7

8

4

4

9

3

7

2

10

20

11 1

12

Perspective Section With each meticulous detail and visionary stroke of our design, we aim to ignite a passion for architecture and inspire the next generation of visionary architects at AURAK. The new architecture hub stands as a testament to our commitment to empowering creativity, fostering an environment where innovation thrives, and architectural dreams find their wings.

36

Landscape

Context and Building form

Access | Public space

Shading Mechanism

The building is devided into 2 wings Administrative and studio spaces. the largervoulume houses the studio spaces, which are overlooking the green area. the ground floor of the building is supported bu a collonade that shades an outdoor seating area for leisure activities. a central atrium connects the studio spaces.


16 Birds Eye view Render

16

13

16

19

20

18

14 17 15

Final Model in progress 1. fountain and outdoor seating area 2. Auditorium 3. library 4. Faculty Offices 5. Atrium 6. Parametric Shading device 7. Bridge and seating area 8. Breakout room 9. Computer lab 10. Printer room 11. Craft Store 12. 3D printer 13. Atrium 14. Exhibition space 15. Laser cutter 16. Architecture studios 17. Outdoor seating area 18. Amphitheatre 19. Exhibition space with parametric shading element 20. Movable parametric shading element 21. Aluminum and zinc shading panels

37


05

Development Bank of Nigeria

Firm: Multisystems Consultants 202 Director: Abdulkarim Idakwo Team: Kabir Suleiman, Jones Nuhu Key Words: Office tower, Sustainability, green certification, Climate change, Coovperate Headquarters

As the world embraces a collective effort to combat climate change and embrace sustainable practices, The Development Bank of Nigeria PLC stands resolute in its commitment to leading by example. Their visionary project entails the construction of an energy-efficient, green head office at Plot 1227 Aminu Kano Crescent, Wuse 2, in the vibrant city of Abuja.

Imran Mahmoud Galadanci

Multi-Systems Consultants, renowned for its expertise in sustainable architecture, has been entrusted with the responsibility of shaping this headquarters. Our team’s vision harmoniously blends innovation and environmental stewardship, leveraging cutting-edge technologies and green building practices to set new standards in sustainable architecture.

38


Architecture Portfolio

39


Green roof terrace Aluminium recycled mesh to host green wall

Aluminium composite shading

Drawing inspiration from the world’s growing consciousness towards sustainability, the green headquarters aims to be a beacon of progress in Abuja, mitigating the challenges posed by climate change and global warming. By managing development spaces, choosing eco-friendly materials, optimizing energy consumption, and nurturing the surrounding ecosystem, the building emerges as a testament towards a greener future.

Curved wall to provide self shading

PV solar panel Array

Double glazing to reduce heat gain

Perforated mesh cooling the core

Scheme Sustainability Objectives

40


North-east street view

Fourth floor plan

41


06

Mokwa Truck Stop

Firm: Multisystems Consultants 2020 Director: Nasiru Ibrahim Team: Chino Ejikeme Key Words: Master Plan, truck Layover, Motel, Market, Clinic, Police Station

Imran Mahmoud Galadanci

Pan African Infrastructure Ltd., the client, sought to develop a trailer park situated along the Abuja-Mokwa axis, encompassing approximately 400 hectares of land, which forms part of a future 400-hectare industrial park. The vision was to implement an organic phased approach for the entire development, ensuring flexibility and adaptability as needs arise.

42

Awarded to Multi-systems consultants, I had the privilege of working on the conceptual design for the trailer park under the guidance of Architect Nasiru Ibrahim, with the ultimate goal of delivering a well-coordinated and efficient trailer pard. The design aimed to incorporate essential features such as ample parking, maneuvering space, maintenance facilities, a motel, shopping facilities, conveniences, and a food court, among others, catering to the diverse needs of the site’s users and stakeholders. The focus was on creating an engaging and dynamic environment that would instantly attract and accommodate various clientele.


Architecture Portfolio

43


Site Analysis

The site is locate in niger state, the largest state by land area in nigeria. it is on the path of the river thats its its name sake.

Mokwa, strategically situated just north of the River Niger, serves as a crucial resting point for truckers transporting goods from Lagos, the financial capital and port of the country, to the northern commercial capital of Kano.

In addition to its strategic location, the site benefits from being situated along the 33kVA power line, ensuring a reliable and ample power supply to operate the facilities and warehouses. Moreover, the presence of a train line crossing the site further enhances its accessibility and logistical advantages. Undoubtedly, the project holds immense significance, as it combines a prime location with essential infrastructure elements, making it a pivotal and indispensable development.

Given its pivotal location along this transportation route, the site holds significant importance in providing a much-needed rest stop for these truckers during their long journeys.

44


Fire station Night render

Outdoor relaxation space

45


46


47


Thank You

For your time to read through

CONTACT +44 782 373 8074 igaladanciarch@gmail.com Portsmouth, UK igaladanciarchitect Imran Galadanci


Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.