Nº1 repentista II by Gallery Nosco

REPENTISTA II

october 2014

Nยบ1

REPENTISTA II october 2014

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REPENTISTA II Following the resounding success of Repentista I earlier this year, we are pleased to present part 2 following the same principles. The artists â&#x20AC;&#x201C; just like the Repentista â&#x20AC;&#x201C; incorporate tensions and possibilities of the environment where they are, to propose conceptual, poetic or even formal exchanges in a way that appears to be simple, despite the complexity of the works presented. The exhibition is a collaborative effort that aims to develop a platform for showcasing and championing Brazilian contemporary art in the UK. A known figure in Brazilian popular culture, Repentista is a poet, an artist of words and improvisation. Using the challenge to the other as the starting point of his creations, he appropriates situations, words, gestures of people standing around to engage audience and stand out from the others. In this show, Repentista represents the mastery and technique necessary to perform any activity in order to seem sudden, when in fact there is a very elaborate work behind it.

BERNA REALE Berna Reale constantly reassesses her practice and balances her expressive language with her part-time profession – that of a forensic criminologist – which at times pushes the psyche to tipping point. Themes of fragility, rape, murder, violence (particularly against women), poverty, corruption, and political unrest abound in her work and push the viewer into an uncomfortable state. Commentary on society in Brazil as well as recent international events find their way back into her work and confront the viewer while bringing awareness to current Brazilian issues.

YARA PINA In her work, Yara Pina explores different materials in processes that optimize their use, properties and forms of inserting and inscribing the actions of the body. Her work often results in interventions of the physical space and installations that permeate the boundaries of drawing, performance, object, sculpture and painting. Prevalent in her practice are gestures in their performative dimension, the use of charcoal as matter, drawing as inscription and the violence employed in her creative process. Through her multi-disciplinary work, Yara re-invents the use of objects by re-contextualising them, pushing both her body and the strength of the materials used to the maximum. Yara also alters the physical structure of materials themselves, either by the action of her gesture, or by the burning or charring, and creates drawings inscribing them onto surfaces, prioritizing the rhythm and repetition of gestures such as digging, scratching, penetrating, making grooves, hitting, perforating, sketching, etc. By throwing charred chairs against a paper or canvas covered wall, for instance, or by piercing and slashing canvases filled with kilograms worth of charcoal powder, the artist uses traditional elements of art and tests the boundaries of their limitations.

TULIO PINTO Tulio Pinto’s work hints at balance and the fragile and at times precarious values that underpin society, mixing glass, steel and steel wire – staple building materials of our age – with rough locally sourced quarry stones arguably of truer, more solid grounding than the superficiality of Concretism and Modernism and the age of progress at which the work hints. In his sculptures and installations, equillibrium is achieved by balancing the weight, size and density of concrete, iron plates, wood and glass. The production revolves around the concept of ephemerality and transformation explored from the materials characteristics. In Tulio’s own words “things already have their sculptural potential. I’m much more of an articulator, since I enhance this inherent force in them, highlighting these generated approaches and cancellations ”.

RODRIGO SASSI There is something incomplete about Rodrigo Sassiâ&#x20AC;&#x2122;s sculptures. However, rather than this being an error or a problem, it is a manifestation of how elements of sculpture can be presented to the modern world. Open structures allude to an organicity, and also â&#x20AC;&#x201C; in a subtle dialogue with post-minimalism and arte povera, to the idea of a building site. There is a sense of something about to appear, but it is either never shown in its entirety, or it evades the form in which we are accustomed to seeing a work of art. This is unquestionably a condition of how art perceives and understands a fractured, abject, cruel, and yet also fragile and dynamic, world that is criss-crossed by torrents of information. The image of the site is appropriate, as we are presented with a joist and column system of a kind that is familiar in many of our built environments. The materials the artist uses (wood, concrete and metal) also reinforce this idea. They are common-place, robust, industrial materials that are associated with construction processes. His works have nothing ephemeral about them, and their strong, solid presence reveals opposing forces, disparate syntaxes of friction and affnity, incompleteness and construction.

CARLA CHAIM Chaim works with different medias such as drawings, videos and installations. Through experiments with rigid processes and random results, she seduces the viewer into a world of balance in progress, a territory never ready. Chaim tries to approach a wide range of everyday issues, bringing them to her studio and rethinking new ways and new relationships. The works is formed in the field of experience. Her works have coincidental, accidental and unexpected connections. The artist has the desire to control the work, both in pre-established rules before the execution of it, as in your physical movements during the making of a drawing, bringing the body as an important tool in this process.

Palomo /2012 Still from live performance / Ink jet print 100 x 150 cm

BERNA REALE

1965, Belém, PA, Brasil Lives and works in Belém/Brazil

Berna Reale is a performance artist. She studied fine arts at the ‘Universidade Federal’ of Pará. Holding a teaching certificate in Arts, Reale is also a crime scene investigator at Centro de Perícias Científicas do Estado do Pará, an activity that is filtered into the social fabric that materialized the downtown/city outskirt dichotomy issue as the central theme of her work. Reale has participated in several solos and group exhibitions in Brazil and Europe, such as: the 2005 Biennial of Cerveira (Vila Nova de Cerveira, Portugal); the 2006 Biennial of Photography and Visual Arts (Liège, Belgium); the 2013 show Vazio de Nós, at Museu de Arte do Rio (Rio de Janeiro, Brazil); the 2012 show Amazônia – Ciclos da Modernidade, at Centro Cultural Banco do Brasil (Rio de Janeiro); and the 2012 exhibition “from the margin to the edge” at Somerset House (London, UK). She received the 2009 grand prize of the Salão de Arte Pará (Belém, Brazil); was selected in 2011 for the Rumos Visuais – Itaú Cultural, in 2012 for the PIPA Prize (Brazil) and in finalist in 2013. Violence has been in recent years Reale major focus. Her performances are a reflection of having a privileged perspective of different crime situations and social conflict.

porcos /2013 Still from live performance / Ink jet print 100 x 150 cm

Urubus /2009 Still from live performance / Ink jet print 100 x 150 cm

BERNA’S CV SELECTED SOLO EXHIBITIONS

SELECTED GROUP EXHIBITIONS

2009

2013

2014

Cartografias, SESC São Paulo, São Paulo, São Paulo, SP, Brasil

Vazio de Nós, Museu de Arte do Rio, Rio de Janeiro, RJ, Brasil

Repentista II - Nosco|Frameless, London

2006

MMXIII, Prêmio Pipa, Museu de Arte Moderna, Rio de Janeiro, RJ, Brasil

2013

Bienal de Fotografia de Liege, Liege, Belgium

Boletim, Galeria Millan, São Paulo, SP, Brasil

2005

Arquivo Vivo, Paço das Artes, São Paulo, SP, Brasil

13a Bienal de Cerveira, Cerveira, Portugal

Foto Bienal Masp, MASP, São Paulo, SP, Brasil

2003

Cão sem plumas, Galeria Nara Roesler, São Paulo, SP, Brasil

Evidências, Kunsthaus Wiesbaden, Germany

2008 Laboratório de Arte, Casa das 11 Janelas, Belém, PA, Brasil 2005 Sema e Soma, Casa da Pólvora, João Pessoa, PB, Brasil 2004 Galeria da Kunsthaus, Wiesbadem, Germany 2001 Acordo composto, Galeria Theodoro Braga, Belém, PA, Brasil

2012

Public Collections, Museu de Arte de Belém, Belém, PA, Brasil

From the Margin to the Edge, Somerset House, London, England

Museu de Arte Contemporânea, Casa das 11 janelas, Belém, PA, Brasil

Amazônia – Ciclos da Modernidade, Centro Cultural Banco do Brasil, Rio de Janeiro, RJ, Brasil

Museu Histórico do Estado do Pará, Belém, PA, Brasil

Convite a Viagem - Rumos Artes Visuais 2011/2013, Itaú Cultural, São Paulo, SP, Brasil

PUBLIC COLLECTIONS Museu de Arte de Belém, Belém, PA, Brasil Museu de Arte Contemporânea, Casa das 11 janelas, Belém, PA, Brasil Museu Histórico do Estado do Pará, Belém, PA, Brasil AWARDS 2013 Prêmio Inverstidor Profissional de Arte (PIPA) – finalista 2012 Prêmio Inverstidor Profissional de Arte (PIPA) Online - vencedora 2009 Grande Prêmio do Salão Arte Pará, Belém, PA, Brasil

Untitled /2014 Paper with oil paint 21 x 30 cm each

CARLA CHAIM

1983, São Paulo, Brazil Lives and works in São Paulo

Carla Chaim was born and lives in São Paulo, Brazil. Bachelor in Fine Arts, 2004 at FAAP - Fundação Armando Alvares Penteado, where he also completed post graduation degree in Art History, 2007. Chaim works with different medias such as drawings, videos and installations. Through experiments with rigid processes and random results, she seduces the viewer into a world of balance in progress, a territory never ready. Chaim tries to approach a wide range of everyday issues, bringing them to her studio and rethinking new ways and new relationships. The works is formed in the field of experience. Her works have coincidental, accidental and unexpected connections. The artist has the desire to control the work, both in pre-established rules before the execution of it, as in your physical movements during the making of a drawing, bringing the body as an important tool in this process. Carla Chaim won several awards as Funarte Award for Contemporary Art and Energias na Arte Prize for Young Artists at the Tomie Ohtake Institute, where she also participated in the exhibition The First Ten Years and Correspondências. Her work is part of collections such as Ella Fontanals – Cisneros and Ministry of Foreign Affairs, Itamaraty, Brazil.

Untitled /2014 Paper with oil paint 33 x 21 cm each

CARLA’S CV EDUCATION Post-graduation in Art History, Lato Sensu, 2005/2007 – Fundação Armando Álvares Penteado FAAP, São Paulo, Brazil BA in Fine Arts, 2004 – Fundação Armando Álvares Penteado - FAAP, São Paulo, Brazil SOLO EXHIBITIONS 2014 Carla Chaim, Carpe Diem Arte e Perquisa, Lisbon, Portugal 2010 Riscos e Fugas, Projeto Trajetórias, Fundação Joaquim Nabuco, Recife, PE, Brazil 2008 Carla Chaim, I Mostra do Programa de Exposições, Centro Cultural São Paulo, São Paulo, Brazil GROUP EXHIBITIONS

17. Biennial of Cerveira – Um Retrato Quase Apagado, Portugal | curated by Maria de Fátima Lambert and Rita Xavier Monteiro SideShow, Hammenkyro, Finland 2012

Vídeo-Guerrilha, public intervention, São Paulo, Brazil

Entre Comissários e Curadores, Fundação Cidade de Guimarães, Guimarães, Portugal | curated by Maria de Fátima Lambert

Conhecendo Artistas, sede do Banco Santander, São Paulo, Brazil | curated by Rejane Cintrão

A Revolução - A revolução tem que ser feita pouco a pouco | parte 4, Galeria Raquel Arnaud, São Paulo, Brazil | curated by Jacopo Crivelli Visconti

The Mews Project Space. Mercado de Futuros Lisbon Art Fair, Lisbon, Portugal

Estratificação e ruptura; Processo Criativo como Forma - A revolução tem que ser feita pouco a pouco | parte 3, Galeria Raquel Arnaud, São Paulo, Brazil | curated by Jacopo Crivelli Visconti

2010

Incompletudes, Galeria Virgílio, São Paulo, Brazil | curated by Mario Gioia A Grande Alegria, Casa Contemporânea, São Paulo, Brazil

A quadratura do círculo - A revolução tem que ser feita pouco a pouco | parte 2, Galeria Raquel Arnaud, São Paulo, Brazil | curated by Jacopo Crivelli Visconti

Novíssimos, Galeria de Arte IBEU, Rio de Janeiro, Brazil

Halka Sanat Project, Kabine Nadire, Istanbul, Turkey

8a. Edição Programa de Exposições Museu de Arte de Ribeirão Preto, Brazil

Faço votos que chegue ao centenário e os amigos sinceros também, Galeria IBEU, Rio de Janeiro, Brazil | curated by Bernardo Mosqueira Soma, VL Contemporary, Geneva, Switzerland

2014

2011

Sintomas Dimensionais, Museu Afro-Brasil, Parque do Ibirapuera, São Paulo, Brazil

Os Primeiros Dez Anos, Instituto Tomie Ohtake, São Paulo, Brazil | curated by Agnaldo Farias and Thiago

Sintomas Dimensionais, Pinacoteca de São Caetano, São Paulo, Brazil

Boîte Invaliden, Galeria Invaliden1, Berlin, Germany | curated by Paulo Reis (in memoriam) e Josué Mattos

12º Salão Nacional de Arte de Itajaí, SC, Brazil | curated by Josué Mattos

Fidalga no Paço, Paço das Artes, São Paulo, Brazil SP Arte, SP Specific, Parque do Ibirapuera, São Paulo, Brazil 16º Salão Unama de Pequenos Formatos, Belém, PA, Brazil PhotoFidalga, Modern Art Center Kulanshi, Cazaquistan

Mesquita

PhotoFidalga, QuaseGaleria, Porto, Portugal

Carla Chaim, Marcia de Moraes e Julia Kater, Brazilian Embassy, Brussels, Belgic

I Concurso Itamaraty de Arte Contemporânea, Ministério de Relações Exteriores, Brasília, Brazil

38º Salão de Arte Contemporânea Luiz Sacilotto, Santo André, Brazil

Repentista II - Nosco|Frameless, London

Carla Chaim, Julia Kater, Marcia de Moraes: Um de Três, Prêmio Funarte de Arte Contemporânea, Galeria Flávio de Carvalho, São Paulo, Brazil

Studio #17, The Banff Centre for the Arts, Alberta, Canada

2013 Correspondências, Centro Cultural dos Correios - CCC, Rio de Janeiro, Brazil | curated by Agnaldo Farias and Paulo Miyada Correspondências, Instituto Tomie Ohtake, São Paulo, Brazil | curated by Agnaldo Farias and Paulo Miyada

About Change, World Bank, Washington, EUA

96, Carla Chaim e Duane Linklater, Other Gallery, The Banff Centre for the Arts, Alberta, Canada

Como o Tempo Passa quando a gente se diverte, Galeria Casa Triângulo, São Paulo, Brazil | curated by Josué Mattos

Where Nothing is Absent, JPL204, The Banff Centre for the Arts, Alberta, Canada

Carla Chaim e Guadalupe Martinez, Collaboration Works, Other Gallery, The Banff Centre for the Arts, Alberta, Canada 2009 Prêmio Energias da Arte, Instituto Tomie Ohtake, São Paulo, Brazil Desenho Ocupado, Galeria Leme, São Paulo, Brazil Carla Chaim, Galeria Leme (mezanino|studio), São Paulo, Brazil

2005

2007

Salão de Maio, Salvador, BA, Brazil

Acquisition Prize | 11º. Salão de Arte Contemporânea de São Bernardo, Brazil

2004 Labor III, São Paulo, Brazil 7ª. Bienal do Recôncavo, São Félix, BA, Brazil

PUBLIC COLLECTIONS

36º. Salão de Arte Contemporânea, Piracicaba, Brazil

Ella Fontanals-Cisneros Collection

Ateliê Fidalga: 55 artistas, Galeria Carlos Carvalho Zoon, Lisbon, Portugal

AWARDS AND RESIDENCIES

EntreTempos, Carpe Diem, Lisbon, Portugal

2013

PhotoFidalga, Carpe Diem, Lisbon, Portugal

Art Residency | Arteles, Hammenkyro, Finland

Em torno de, Nos Limites da Arte, Funarte, São Paulo, Brazil

2012

Realidades Impossíveis, Atelier 397, São Paulo, Brazil Papermind, Galeria Vermelho / Tihuana, São Paulo, Brazil Sessão Corredor, Atelier 397, São Paulo, Brazil 18o. Encontro de Artes Plásticas de Atibaia, Atibaia, Brazil 2008

Art Residency | Halka Sanat Project, Istanbul, Turkey

2006 Projeto Pari, 30 Artistas na Biblioteca, São Paulo, Brazil

Espaço Henfil de Cultura, São Bernardo do Campo, Brazil

2008

Exhibition Prize | Prêmio Funarte de Arte Contemporânea, São Paulo, Brazil

“Parece não ser exato um milímetro de nós”, Secretaria Municipal do Esporte, São Paulo, Brazil

2010

PERSONNAL INFORMATIONS

Instituto Tomie Ohtake e EDP

Conhecimento e Cultura Livres: disputas, práticas e idéias, CEU Itaim Paulista, Brazil

Unama, Belém, PA, Brazil

PUBLIC WORK

Mostra de Arte da Juventude, SESC, Ribeirão Preto, Brazil

11º. Salão de Arte Contemporânea, São Bernardo do Campo, Brazil

Paço Municipal, Santo André, Brazil

Acquisition Prize | I Concurso Itamaraty de Arte Contemporânea, Brasília, Brazil

9ª. Bienal do Recôncavo, São Félix, BA, Brazil

2007

MARGS, Museu de Arte do Rio Grande do Sul, Brazil

2011

Sponsorship - Art Residency | The Banff Centre for the Arts Alberta, Canada | Prêmio Energias na Arte,

Presente Fidalga, SESC, Ribeirão Preto, Brazil

Itamaraty, Ministério das Relações Exteriores, Brasília, Brazil

Solo Exhibition Prize | Fundação Joaquim Nabuco, Recife, PE, Brazil Acquisition Prize | 38º Salão de Arte Contemporânea Luiz Sacilotto, Santo André, Brazil Acquisition Prize | 16º Salão Unama de Pequenos Formatos, Belém, PA, Brazil 2009 Energias na Arte Prize, Instituto Tomie Ohtake, São Paulo, Brazil

Ponto pra Fuga /2013 Reclaimed wood and concrete 220 x 800 x 320 cm

RODRIGO SASSI

São Paulo, 1981 Lives and Works in São Paulo, Brazil

Born 28/08/1981 in São Paulo - Brazil, Rodrigo Sassi, graduated as Bachelor of Arts course in Pláticas Fundação Armando Alvares Penteado - FAAP in 2005. The beginning of his artistic career is characterized by the development and practice of urban interventions, using and experiencing the city in support of action, reflection and inspiration for his work. During this time, as well as personal projects, he has worked with a number of artists, this exchange giving opportunities to try different media and techniques addressing different issues. In 2008 he moved to London, where he was involved in local production, attending workshops and cultural spaces. In early 2010 when he returned to Brazil, drawing from the strong influence of his experience in England, started a new production, where all his research so far conducted on urban intervention became a reference to an aesthetic and conceptual work in the studio. Currently his production is devoted to research three-dimensional works within the boundaries of sculpture and installation.

Untitled /2014 Paper with oil paint 110 x 160 cm

Untitled /2014 Reclaimed wood and glass 55 x 75 cm

RODRIGO’S CV EDUCATION

SOLO SHOWS

GROUP SHOWS

Graduation

2013

2014

2006 Fine Arts, bachelors – Fundação Armando Alvares Penteado – FAAP

“Desdobramentos Infiltrórios”- FUNARTE Brasília - DF- Brazil

Repentista II - Nosco|Frameless, London

Research group

“Ramificações do Objeto como Contrapartida” SESI SP- Brazil

18th International Festival of Contemporary Art – Videobrasil - SESC Pompéia São Paulo- SP- Brazil

2006 /2008 Arts and technological resources Faculdade Santa Marcelina - FASM

”Entre o Céu e a Terra, Bolhas” - Paço das Artes – São Paulo – SP- Brazil “Interiorização” – SESC Niterói - RJ- Brazil “Daquele Que Se Reproduz” – Galeria Pilar –São Paulo - SP- Brazil 2012 “Mirante” _ MAG _Museu de Arte de Goiânia – GO - Brazil “Ponto pra Fuga” _ MAMAM no Pátio – Recife- PE- Brazil 2011 “Exame de Solo Laboratorial” – Fundação Cultural Criciúma - SC - Brazil “Pinturas Infiltrórias e suas Ramificações Tubulares” – UNESC - SC - Brazil 2008 “Deriva”. Mapa das Artes– SP - issue March / april of 2008- Brazil

2013

Pilar Gallery – São Paulo – SP- Brazil 2012 XI Biennial of Visual Arts of Recôncavo- BA - Brazil Artes e Ofícios1 - For Everyone - Liceu de Artes e Ofícios - São Paulo - SP- Brazil 10th Elke Hering Art Salon - MAB – Blumenau Museun of Art - SC- Brazil 63th Salão de Abril - Fortaleza - CE – Brazil Pilar Gallery – São Paulo – SP 28th National Art Salon of Embu das Artes – SP – Brazil 40 th Salon of Contemporary Art Luiz Sacilloto Santo André - SP - Brazil 3rd Salão dos Artistas sem Galeria - São Paulo - SP - Brazil 2011 “Nova Escultura Brasileira - Heranças e Diversidades” - Caixa Cultural Rio de Janeiro RJ - Brazil “Sem Titulo # 1- Experiência de Pós-Morte” Oscarcruz Gallery - São Paulo - SP - Brazil Mostra Oxigênio III - Buenos Aires park - São Paulo - SP- Brazil ” Projeto Multiplo - Operacion Pegada” - Córdoba - Argentina

2010 3rd Art Salon of São José do Rio Preto - SP - Brazil ”Mostra Oxigênio II” - Buenos Aires park- São Paulo - SP - Brazil 2008 Studio Project - Baró Cruz Gallery - São Paulo, Brazil. - Brazil

PUBLIC COLLECTIONS MAB – Museu de Arte de Blumenau - SC- Brazil Centro Cultural Dannemann – Recôncavo – BABrazil AWARDS AND GRANTS

2007 “FILE”. International Festival of Electronic Language –FIESP / SESI (Collective work) - São Paulo - SP – Brazil 2006 “Trajetos” - Graduated artists from FAAP - MAB Centro - São Paulo - SP – Brazil “Fluxos – Idas e vindas de muitas caras” – Biennial of Visual Arts of UEE – São Paulo - SP - Brazil 37th Collective Show of Annual Programe - FAAP– São Paulo - SP - Brazil 2005 “EIEI” - (International Meeting of Independent Art Spaces) –Puntángeles Gallery - Valparaiso – Chile 36th Collective Show of Annual Programe - FAAP – São Paulo - SP- Brazil 14th Art Salon of Atibaia - SP- Brazil 2004 “São Paulo Múltiplas Perspectivas” – MAB Centro São Paulo - SP - Brazil “Projeto Anita” – FAAP - São Paulo - SP – Brazil 35th Collective Show of Annual Programe - FAAP – São Paulo - SP – Brazil

2013 _Prêmio Funarte de Arte Contemporânea 2013 - Atos Visuais Funarte Brasília - DF- Brazil 2012 _ 3rd Salão dos Artistas sem Galeria _ São Paulo - SP – Brazil ARTIST RESIDENCY 2012 _ MAMAM no Pátio – Museum of Modern Art Aloisio Magalhães - Recife- PE -Brazil 2014/2015 La Cite des Arts, Paris

Linha de Terra # 3 /2013 Steel cube and glass 40 x 40 x 90 cm

TULÍO PINTO

Born in 1974 Brasília, Brazil.

He graduated in Visual Arts with specialization in sculpture at UFRGS in 2009. He also studied with Charles Watson in the courses Creative Process (2005) and Provenance and Property (2007). He lives and works in Porto Alegre/RS (Brazil) where he is member and co-founder of Atelier Subterrânea.

Waiting Room /2014 C-type print, ed of 3 60 x 90 cm each

TULÍO’S CV SOLO EXHIBITIONS

2006

2012

2013

Recents | Xico Stockinger Gallery | Casa de Cultura Mário Quintana | Porto Alegre/Brazil

Salvajes Digesting Europe Piece by Piece | Traneudstillingen Exhibition Space | Copenhagen | Denmark

005 From Accumulation to Impregnation | Por Amor à Arte Gallery | Porto/Portugal SELECTED GROUP EXHIBITIONS

Drawing Instances | Logo Gallery | São Paulo SP – Brazil Drawing Instances | School of Visual Arts of Parque Lage | Rio de Janeiro RJ – Brazil 2011

Diagonal | MARP – Museum of Art of Ribeirao Preto | Ribeirao Preto SP – Brazil

2014

2009

Repentista II - Nosco|Frameless, London

New Brazilian Sculpture | Caixa Cultural Rio de Janeiro | Rio de Janeiro – RJ – Brazil

Tohu Wa-Bohu, Galeria Bolsa de Arte, Porto Alegre, RS, Brasil

(Des) Equilíbrios e (Im) Perfeições | Art Collection Gallery | Rio de Janeiro – RJ – Brazil

Repentista, Gallery Nosco, London, UK

Album: collective of contemporary photography | Baró Gallery | Sao Paulo – SP – Brazil

Vancouver Biennale, Canada 2013 BINARY | Gallery Nosco | Largo Das Artes | Rio | Brazil

2009 OI Expressions | Porto Alegre/BrazilABetween Centuries | Brasília National Museum | Brasília | Brazil

Hollow Horizon: Latin-American artists at the edge | Cervantes Institute | São Paulo | Brazil

RESIDENCIES

The art of constructing | The Shadow House | London/UK

2014 Residência artística Izolyatsia Foundation, Donetsk, Ukraine

2010

Residência artística, Frankendael Foundation, Amsterdam, Holland

2013 Residência artística SalaTaller III | EAC – Espacio de Arte Contemporáneo – Montevideo - Uruguai 2011 Residência Artística FAAP - Edifício Lutetia | São Paulo – SP

PUBLIC AND PRIVATE COLLECTION Instituto Figueiredo Ferraz – Ribeirão Preto – SP MAC RS – Museu de Arte Contemporânea do Rio Grande do Sul MARCO – Museu de Arte Contemporânea de Mato Grosso do Sul Museu Nacional de Brasília Brasília - DF Museu de Arte de Ribeirão Preto - Ribeirão Preto - SP Pinacoteca Municipal Aldo Locatelli - Porto Alegre – RS

Untitled /2014 Photo sequence, C-Type 100 x 110 cm

YARA PINA

Born in 1979 in Goinia Lives and works in Goinia

Yara Pina was born in Goinia, Brazil, where she currently lives and works. Having obtained a BA in Visual Arts from Universidade Federal de Goiรกs (UFG). She is also a post-graduate in Contemporary Art from UFG. Yara uses different materials, objects and instruments to insert/inscribe bodily actions and to aggressively act in space. Since 2010, Yara has shown her works in art salons and group exhibitionsl. Recently Yara Pina was selected for Open Sessions, a two year program in Drawing Center, New York.

Untitled 2 /2014 Charred chair thrown against canvas 100 x 150 cm

Improvised Weapons /2012 Mixed media Size variable

YARA’S CV SOLO EXHIBITIONS

SELECTED GROUP EXHIBITIONS

6B Mostra de Desenho Contemporâneo, Centro Cultural da Justiça, Rio de Janeiro, RJ.

2013

2014

From territories, abysses and intentions, Santader Cultural, Porto Alegre/Brazil

Repentista II - Nosco|Frameless, London

63º Salão Abril de Fortaleza, Fortaleza, CE. Prêmio 2012 - Abre Alas 8, A Gentil Carioca,

ArtRio 2014- Presentation of selected gallery’s artists in relation to LUCIO FONTANA‘s works on paper, Rio de Janeiro, RJ.

Centro Cultural Hélio Oiticica, Rio de Janeiro, RJ 2011

20º Salão de Arte Anapolino, Goiânia, Goiás

Exposição FAV.NOVA Inacabada, Galeria de Artes Visuais, Universidade Federal de Goiás, Goiânia, GO

Arte Londrina II, Divisão de Artes Plásticas , Casa de Cultura UEL, Londrina, PR

10º Salão Nacional de Arte de Jataí, GO

Action + Object + Exchange, Drawing Center, New York, United States.

2010 Exposição “Desenho, Instalação e Performance”, Museu de Arte Contemporânea de Goiás, Goiânia, GO

2013

Exposição Fôlego, Museu de Arte de Goiânia, Goiás

A Bela Morte: confrontos com a natureza morta no século XXI, Museu de Arte do Rio Grande do Sul, Porto Alegre, RS. Diálogo Desenho, Museu Universitário de Arte, Uberlândia, MG 2012 Drawing 2012 - International Exhibition of Contemporary Drawing, Lausanne, Switzerland, Place Suisse des Arts 2012 - 31º Arte Pará, Belém, PA

REPENTISTA II graphic design: tom delpech ÂŠ Gallery Nosco and Frameless Gallery 2014 20 Clerkenwell Green, London â&#x20AC;¨EC1R 0DP Cyril Moumen and Ciprian Ilie would like to thank: Tulio Pinto, Rodrigo Sassi, Yara Pina, Berna Reale, Carla Chaim, Consuelo Bassanesi, Guilherme Dable, Sofia Borges, Rodrigo Mattheus, Pedro Varela, Ana Holk, Luiz Roque, Henrique Oliveira, Chico Togni, Maria Do Mar Guinle Larramendy, Lucinda Bellm, Bruna Fetter, Angie VanDyke, Fabiana Lopes, Simon Watson, Laura Marsiaj, Ricardo Resende, Ana Grace, Galeria Pilar, Galeria MilLan, Largo Das Artes, Vanda Prochazka, John West, Suzana Diamond, Frances Reynolds and tom delpech.

tel: +44 (0) 786 772 6464 / +44 (0) 797 497 6736 www.gallerynosco.com - cc@noscoframeless.com