GTARDEN RIPOD ART Issue 29 February 2015
www.gardentripod.com Horticultural Science Technology & Art contact .. info@gardentripod.com
All The Materials Contained May Not Be Reproduced, Copied, Edited, Published, Transmitted Or Uploaded In Any Way Without the artist/photographers Permission. These Images/writings Do Not Belong To The Public Domain. All images and information within the Garden Tripod magazine are the responsibility of the owner/artist/ writer/photographer & not the Garden Tripod magazine 2012-2015

GTARDEN RIPOD ART Issue 29 February 2015
Cover Image Poisson by Jenny Wood
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Editor’s Review Office News Hound Rabiah Seminole Blue Horse Mukwa Equine Retirement and Rescue Center
14 The Sky at 20 Jenny Wood My Respite and Peace 31 Marilyn Cornwell . Winter Garden 41 lezvee . After the Rain 51 Katie Freeth . Coastal Support 59 CGCGWU features catalogue 72 Open Door Challenge
GTARDEN RIPOD ART Editor’s Review
February 15, 2015 Rabiah Seminole Art Reception 4:00-6:00 P.M. At the MacCallum More Museum & Gardens Mukwa If your in the area .. do please go along to view the amazing photos taken by Rabiah Seminole. The web address is http://www.mmmg.org for the exhibition. Hi Folks, What an amazing group of images we have for you this time around, I would like to thank Katie and Marilyn for two brilliant articles, along with their own collection of images. Also our brave and extremely talented cover artist Jenny Wood, who has allowed us to show a small collection of her wonderful images. Jenny’s own web site address is jennywoodart.com Where you can not only see more of Jenny’s drawings but find out about the children books she has Illustrated. In our featured in the CGCGWU group we have added a tiny section of products that are available from each artist. The sizes are not to scale .. just given as examples. Hope you enjoy and if your looking for a gift for a friend who likes art .. then look no further, RedBubble and Fine Art America have it covered .. from lap top covers to leggings .. it can all be found with the most amazing art work printed on. As always .. we are keeping the text real, so spelling mistakes and grammatical errors are all here for free. Ed
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GTARDEN RIPOD ART OďŹƒce News Hound
Gosh .. Snow Drops are out .. time is flying faster than I can type ! I have to say how much I love the hound drawings by Jenny Wood .. I bet Jenny could do a wonderful drawing of me if we ever had the opportunity to meet. I think the reason we have chosen fish for the cover of this issue is because one of the editors favourite places of all time Clissold Park in North London. Now we live in Scotland there is not a lot of chance to visit this part of London. So it was with surprise and dismay that we found out the fish in the parks ponds are going to be culled. This is due to the powers that be finding topmouth gudgeon. Sadly DEFRA have said All the fish in Clissold Park are to be poisoned in a drastic operation to eradicate a deadly species of nonnative fish. This will be a very sad day for the people who regularly use the area. To find out more just read this article from the Hackney Citizen news page here Guess I am just trying to say .. woof :)
Stay Safe Princess Summer
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We at the Garden Tripod would like to let you all know that our ‘Pet’ charity for 2015 is the
Blue Horse Mukwa Equine Retirement and Rescue Center so we will be throughout 2015. donate to them ~ raise funds for a project at
promoting them If you wanting to They are trying to fence replacement
gofundme Lets see how fast we can raise the funds for new fencing to keep these horses safe.
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Copy's available via the Garden Tripod web page at www.gardentripod.com All profits go to the Blue Horse Mukwa Equine Retirement and Rescue Center
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Hitch
Rabiah Seminole
Blue Horse Mukwa Equine Retirement and Rescue Center
Ole Baxter
Rabiah Seminole
Blue Horse Mukwa Equine Retirement and Rescue Center
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Whose Here Rabiah Seminole
Blue Horse Mukwa Equine Retirement and Rescue Center
Sunset Rabiah SeminoleÂ
G ARDEN TRIPOD ART Pet Charity
Blue Horse Mukwa Equine Retirement and Rescue Center My name is Rabiah Seminole. I live in Chase City, Virginia. I am the Founder/Director of Blue Horse Mukwa Equine Retirement and Rescue Center. We are a 501 c 3 non profit organization that has been going strong since 1999. We are the permanent home to 40 horses. We also rescue dogs and rehome them to suitable families. All of the proceeds from my photos will go to the rescue.
The Sky at …. From Barbara Burkhardt Marty Saccone Stuart Harrison Leeo Elisabeth Ann & David Lewins
My Dancing Trees .. Beachmere Barbara Burkhardt
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Flaming Tree Marty Saccone
Long Leaf Pine Stuart HarrisonÂ
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Sunrise - Mount Barker Summit Leeo
Golden Sunset Elisabeth Ann
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Chemical Beach - Seaham  David Lewins
www.davidlewins.co.uk
M
y Respite and Peace
Whether it’s print or pixels I’m a one woman shop for art, illustration, design and all things geeky and arty. I hope to bring a range of disciplines to every project I work on drawn from my diverse background. I’m a Designer, Artist, Illustrator, Photographer and multimedia geek who lives in Melbourne’s leafy outer eastern suburbs in Australia.
Jenny Wood
WARRANWOOD, AUSTRALIA
Fishing day
Fishing day
. . Jenny Wood . . Jenny Wood . . Jenny Wood . .
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Escape the hook
. . Jenny Wood . . Jenny Wood . . Jenny Wood . .
Tangled
. . Jenny Wood . . Jenny Wood . . Jenny Wood . .
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Strung out
Unravelled
Running from chemo
. . Jenny Wood . . Jenny Wood . . Jenny Wood . .
Maggie Magee
. . Jenny Wood . . Jenny Wood . . Jenny Wood . .
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Bird song
Grazing
. . Jenny Wood . . Jenny Wood . . Jenny Wood . .
Swinging
. . Jenny Wood . . Jenny Wood . . Jenny Wood . .
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Never out fox the fox
A girae named Kennett
. . Jenny Wood . . Jenny Wood . . Jenny Wood . .
Noahs Ark
. . Jenny Wood . . Jenny Wood . . Jenny Wood . .
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Charlie
Follow Jenny on Twitter ~ Zazzle shop ~ Facebook page ~ Website and see artwork and children’s books Jenny is a gold member of Illustrators Australia
. . Jenny Wood . . Jenny Wood . . Jenny Wood . .
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Winter Garden by Marilyn Cornwell
Winter Garden by Marilyn Cornwell I live in Niagara and we get winter with snow. I wonder what percentage of Canadians have a snow winter? I guess at least 95%. By a snow winter, I mean snow from December through to March. It ranges by region whether it is the beginning, middle or end of each of those months, but there is a solid period of snow-covered ground. One expects the combination of hard frost, frozen ground and snow for extended periods of time. What does this mean for the gardener? I wondered how many gardeners might experience a winter garden such as the one I’ve described? It means that the winter landscape is often drab and devoid of diverse colours. It is minimal – white, brown, dark greens. These are the most common winter colours. Many people thought that my garden in Toronto might be less attractive because it showed a lot of colour in the spring through to autumn. The spring garden had two flowering Magnolias and hundreds of spring bulbs in bloom. This is actually easy to achieve. The real test of garden design is in Winter, where the minimalist colour scheme reduces the picture to its lines and patterns. In my garden there were a few elements that made the winter garden work. 1. The structure of snow-covered branches of the Magnolia are the focal point. 2. The evergreen boxwoods provide the repeating pattern of shape that leads one through the garden layout. 3. The focal points of the Conservatory, Poet’s House tool shed and the pergola
One expects the combination of hard frost, frozen ground and snow for extended periods of time.
Top image. Blossom Garden in Spring Middle image. Blossom Garden in Late Summer Lower image. Blossom Garden in New Snow © Marilyn Cornwell
33 The conservatory is sufficient on the landscape to command attention and fill the frame for a garden image. Most Winter gardens depend on two approaches to be attractive. The first is extensive use of conifers for texture, colour, and structure. This approach is usually combined with a ‘clean garden’ where just bare ground remains from the perennial plantings. Using distinctive shapes and colours of evergreens works for the winter garden. The pine below is a showcase planting for the winter garden, when its needles turn this distinctive yellow. Another approach is the grouped plantings of grasses and perennials that hold their shape, thus creating a new garden design for winter. The winter garden of grasses is enticing in the snow landscape and takes mastery of plant material to achieve. The Toronto Botanical Gardens has a natural garden that presents a good winter show.
The pine is a showcase planting for the winter garden, when its needles turn this distinctive yellow.
Top left. The conservatory Lower left. The Pine Lower right. Rudbeckia seed heads and stems are the foreground planting below. © Marilyn Cornwell
The Echinacea stems in this image reveal their distinctive pointed peaks.
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The strong brown tones of the landscape at Toronto Botanical Gardens are achieved by grouping the beech trees with grasses. This is a demonstration of masterful garden design in the Canadian winter landscape.
A . combination of the two is nicely demonstrated on one of our special streets in Grimsby Beach (Niagara) where I live. These Painted Lady houses match with a naturalistic garden design and planting
Winter decorations take on a new meaning in the snow landscape, with ice skates adorning the front porch of this home.
For me, there are a few snow scenarios in the garden landscape image:
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Top left. During heavy snow fall as in this orchard scene Top right. Just after snow fall, shown in this orchard Lower left. Transition to sunlight - the changing weather is clear from this image where the sky is blue and clouds are visible. Lower right. Finally, the sun on snow landscape, where blue shadows are prevalent.
There is a magic moment in the snow landscape. When the sun is out, the ‘magic moment’ occurs at the end of the day. As the sun lowers in the horizon there are both blue and pink shadows. This is demonstrated in this scene of the Hidden Bench Winery barn.
The distinct contrast between the east facing and west facing tree trunks shows this remarkable eect.
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What to expect in the Spring in contrast to winter’s lines is this midMay image. The blossoms on the ground have been trimmed to increase the yield of the peach harvest. Where there is snow, there is the possibility of ice storms. Southern Ontario has changeable weather. Niagara has warmer temperatures and is prone to freezing rain. A major ice storm occurred in Southern Ontario last year with major damage to trees caused by the weight of the ice. There is magic in ice, as these close-ups show. Below image .. Crab apples in storm:
Conclusion: Sometimes I wish I lived in Victoria or Vancouver on the west coast. Spring starts in February with spring bulbs, blossom trees and heather in bloom. However, I seem to be here in Niagara, so my strategy for winter has been two-fold: I have the conservatory greenhouse filled with tropicals in bloom. There is summer every day, just a step away I prepare garden presentations for speaking engagements and spend my time indoors revelling in the spring, summer and autumn garden images that I’ve taken It seems like a good solution. Marilyn Cornwell
Top left.Sweet Autumn Clematis seed heads Middle left. Lavender Twist Redbud seed heads Lower left. Charles Daley Winter Snowstorm Right. Charles Daley Winter Sun ŠMarilyn Cornwell
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Its Christmas Winner: Christmas Tree by lezvee
Country Gardens Come Grow With Us Challenge Winners Features
Along the road to Yarloop, Western Australia.
After the Rain by  lezvee
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Archway at Carnasserie Castle
Carnasserie Castle is a ruined 16th century tower house just north of Kilmartin, in Argyll and Bute, western Scotland. It was built by reforming churchman John Carswell, who was Rector of Kilmartin and Chancellor of the Chapel Royal at Stirling. Construction began in 1565 and was designed for domestic use rather than as a stronghold.
Archway at Carnasserie Castle ~ Archway at Carnasserie Castle
River Dee at Llangollen
Llangollen is a small town Denbighshire, north-east Wales (UK), situated on the River Dee and on the edge of the Berwyn mountains.
River Dee at Llangollen ~ River Dee at Llangollen
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Morriston River Woodlands
Situated in the Scottish Highlands en route from Glencoe Village. The woodland walk runs alongside, but high above the river.
Morriston River Woodlands ~ Morriston River Woodlands
Waipoua Forest
The Waipoua Forest is on the west coast of the Northland Region, North Island, New Zealand. Waipoua Forest preserves some of the best examples of kauri forest remaining in New Zealand. It is notable for having two of the largest living kauri trees, Tane Mahuta and Te Matua Ngahere. The Waipoua, Warawara and Puketi Forests together contain about three quarters of New Zealand’s remaining mature kauri trees. The Waipoua forest holds the largest remaining stand of these trees. (Wikipedia)
Waipoua Forest ~ Waipoua Forest
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Locks Ash
The road into Locks Ash a hamlet in West Sussex, England. Right beside this lane is the most beautiful bluebell wood.
Locks Ash ~ Locks Ash
Autumn morning shadows
Early October morning in Rattery Village, Devon.
Autumn morning shadows ~ Autumn morning shadows
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Dartmoor Gate
by lezvee UK
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© Katie Freeth
Coastal Support Plant, water and marine life relationships ©Katie Freeth
Coastal Support Plant, water and marine life relationships ©Katie Freeth As a child with an over-fertile imagination, I confused the mandrake (Mandrigora officinarum) with the mangrove. The former is a plant of reputation inured with evil; the latter is a life support system for many tidal coasts around the world. But strangely the significance of both is their root structure. Mandrake contains toxins such as atropine; its roots fork or fang, so that they represent the human form which thus, (apocryphally), gives them magical powers. Equally apocryphal is the belief that the plant will utter a death inducing scream when its roots are torn from the ground. Mandrake has such a detailed folklore that complete books have been written about the plant. Although mangroves are of greater significance to us, not least because they are the only trees able to survive in the areas flooded daily by the sea, there are no such tomes about them. With one foot on land and one in the sea, mangroves are botanical amphibians, occupying a zone of choking mud and salt levels that would be fatal to other plants. But mangrove forests are one of the most productive and biologically complex ecosystems on the planet. Birds use the canopy; shellfish, fish and other marine life inhabit their roots. It is because of these roots that mangrove forests survive. “At the intersection of land and sea, mangrove forests support a wealth of life, from starfish to people, and may be more important to the health of the planet than we ever realized.” Kennedy Warne [1] Mangroves are members of four genera depending on their global and tidal locations: Brugueira spp.; Ceripos spp.; Rhizophora spp.; and Avicennia spp. Australia has the third largest area of mangroves in the world after Indonesia and Brazil, totalling around 11,500 km2 representing approximately 6.4% of the world’s total mangrove area. Mangroves are uniquely adapted trees and larger shrubs that inhabit the tidal sea edge. The habitat they form is rich in plant diversity and structural complexity, but this varies from place to place. For example, in southern Australia, forests of Avicennia marina often form open, accessible parkland stands. Along Australia’s northern coast, Rhizophora species dominate as almost impenetrable thickets of arching stilt roots. The total area of mangroves in South Australia is around 156 km2 and stands are confined to sheltered shores of the Gulf Saint Vincent, Spencer Gulf, and protected bays on the west of the Eyre Peninsula. The state boasts only one species, Avicennia marina. Trees of A. marina - the Grey Mangrove - around Adelaide are genetically intermediate between two varieties, var. marina and var. australasica. Populations in Spencer Gulf and along the west coast of Eyre Peninsula might be more closely related to var. marina, while those to the east are perhaps more like var. australasica. [2] .South Australia with its low rainfall has a scarcity of estuaries, and thus only small amounts of freshwater, nutrients and sediments enter the sea.
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Š Katie Freeth
Pelican
juvenile pneumatophore emerging from mud
Š Katie Freeth
Mangroves provide shelter, breeding and feeding grounds for fish, prawns, birds and some mammals. The floor of the mangrove forest is home to many marine worms, crabs, crustaceans and snails. The juveniles of fish, such as garfish, find shelter and food amongst the mangrove roots. Mangroves are thus of significant economic importance A marina forests form natural hatcheries for much of the state's fish and shellfish commercial and recreational fisheries. The complex mangrove ecosystem supports an abundance and diversity of bird life as well as fish. Mangroves protect coastal areas from erosion and storm surge. Their substantial root systems reduce the energy of waves and slow the tidal movement of water, allowing sediment to be deposited as the tide comes in so they build their own environment. The biggest problem that mangroves face is nutrient uptake; there is little free oxygen in the silt/sediment. Anaerobic bacteria help produce nitrogen gas, soluble iron, inorganic phosphates, sulphides and methane, which makes the soil much less nutritious. It may also result in mangrove forests smelling of rotten eggs! As with other mangrove species, aerial roots (pneumatophores) characterise A. marina; these grow to a height of about 20cm, and a diameter of 1cm. Pneumatophores allow the plant to absorb atmospheric oxygen, which is deficient in its habitat. In addition to absorption of atmospheric gases, pneumatophores allow mangroves to absorb other nutrients such as iron, from the poor soil. Mangroves store gases directly inside the roots, using them even when the roots are submerged during high tide. Pneumatophores also anchor the plant during the frequent inundation of seawater in the soft substrate of tidal systems. A marina is generally found in the fringing and intermediate tidal zones – in other words at some times it may not be completely submerged. In consequence they are able to tolerated broad ranges of salinity temperature and moisture. Mangroves limit their water loss via transpiration, restricting stomatal opening. The leaves will also change orientation to avoid intense mid-day sun. A. marina may experience stunted growth in water conditions that are too saline, but thrive to their full height in waters where both salt and fresh water are present.
Tumby Bay SA Š Katie Freeth
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© Katie Freeth
Mangroves & Boardwalk through mangroves at
Tumby Bay SA
© Katie Freeth
Mangrove forests form the base of an important food chain based on detritus
Š Katie Freeth
57 Mangrove ecosystems are, however, very fragile. They are under threat from coastal erosion, climate change, rising sea levels and human influences such as tidal barriers, pollution and mechanical damage (agricultural run-off; uncontrolled stock trampling; industrial effluent; chemical and oil dumping/ seepage) and incursion into the coastal fringes of land mass for accommodation and recreation. Loss of mangrove habitat will have significant impacts on water quality, coastal foreshore protection from waves and storms, with onward transmitted effects to fisheries production and tourism associated with fishing and healthy estuaries. Let’s hold that thought from Kennedy Warne: ……….. “At the intersection of land and sea, mangrove forests support a wealth of life, from starfish to people, and may be more important to the health of the planet than we ever realized.” Kennedy Warne
Citations: [1]: Kennedy Warne National Geographic Society Magazine; February 2007 http://ngm.nationalgeographic.com/2007/02/mangroves/warne-text/1 [2]:
Mangrove Watch Australia www.mangrovewatch.org.au
References http://www.thepoisongarden.co.uk/atoz/mandragora_officinarum.htm http://www.mesa.edu.au/mangroves/mangroves01.asp http://www.dpi.nsw.gov.au/__data/assets/pdf_file/0020/236234/mangroves.pdf
Katie Freeth
Port©Clinton SA Katie Freeth © Katie Freeth
Š Katie Freeth
Tidal mangroves at
Port Clinton SA
Š Katie Freeth
Coastal Support Plant, water and marine life relationships Katie Freeth February 2015
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Finding that perfect Gift Catalogue of this months RedBubble Group ‘country gardens come grow with us’ features along with some products available from these artists
We Are Tiny Pink and White by Joy Watson
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Seed Pods and Flowers by relayer51
Something Beyond by WildestArt
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Super Freaky by Penny Smith
Red DragonFruit Flower Bloom by Kerryn MadsenPietsch
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Mistical Mt Wilson NSW Australia by Bev Woodman
Red And Gray by Cynthia48
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Winter's diamonds by Mortimer123
To Wet The Appetite on the Merri by Larry Lingard-Davis
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Grasses at Sunrise by Lynn Gedeon
Pearls of Nature by Karen Tregoning
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Your life is your garden... by Astrid Ewing Photography
Open Door Challenge The Challenge Open Door .. open in two groups Hosted by Country Gardens Come Grow With Us Group in RedBubble & also hosted by the Garden Tripod Group in Fine Art America
The Rules: Open your front door any time on the 20th January 2015 .. and take a photo .. We want the view or lack of view from your front door, please ..
73 Winner of the Open Door Challenge Hosted by Country Gardens Come Grow With Us Group in RedBubble
Lia by Jeanette Varcoe
Winner of the Open Door Challenge Hosted by the Garden Tripod Group in Fine Art America
Caught by Denise Mazzocco
75 Joint Second in the Open Door Challenge Hosted by Country Gardens Come Grow With Us Group in RedBubble
Winter Street Lights by Monnie Ryan
Joint Second in the Open Door Challenge Hosted by Country Gardens Come Grow With Us Group in RedBubble
View From the Front Door 8:00 PM January 20, 2015 by AuntDot
77 Joint Third in the Open Door Challenge Hosted by Country Gardens Come Grow With Us Group in RedBubble
'Looking Out from our Front Door!' Mt. Pleasant, Adelaide Hills, South Australia by Rita Blom
Joint Third in the Open Door Challenge Hosted by Country Gardens Come Grow With Us Group in RedBubble
Before The Crack Of Dawn by WildestArt
79 The Open Door Challenge
The Challenge Open Door .. open in two groups Hosted by Country Gardens Come Grow With Us Group in RedBubble & also hosted by the Garden Tripod Group in Fine Art America
The Rules: Open your front door any time on the 20th January 2015 .. and take a photo .. We want the view or lack of view from your front door, please .. Some of the images did not make the challenge due to not fowling the rules
Not quite meeting the January 20th 2015 Rule for this challenge in RB
leaves by Yannis-Tsif
A Rainbow in my Neighbourhood by Marilyn Harris
tree in the garden by spetenfia
81 Not quite meeting the January 20th 2015 Rule for this challenge in FAA
Frozen Feeder And Disappointment by Zafer Gurel
Blooms by Pics by Jody Adams
Contributors
Founder & Editor C Mclenahan Treasurer V Gore News Hound Rabiah Seminole Cover image Poisson by Jenny Wood Written Features by Marilyn Cornwell Katie Freeth
Spotlight features Jenny Wood lezvee
The Sky at Barbara Burkhardt . My Dancing Trees .. Beachmere Marty Saccone . Flaming Tree Stuart Harrison . Long Leaf Pine Leeo . Sunrise - Mount Barker Summit Elisabeth Ann . Golden Sunset David Lewins . Chemical Beach - Seaham
CGCGWU feature We Are Tiny Pink and White by Joy Watson Seed Pods and Flowers by relayer51 Something Beyond by WildestArt Super Freaky by Penny Smith Red Dragon-Fruit Flower Bloom by Kerryn Madsen-Pietsch Mistical Mt Wilson NSW Australia by Bev Woodman Red And Gray by Cynthia48 Winter's diamonds by Mortimer123 To Wet The Appetite on the Merri by Larry Lingard-Davis Grasses at Sunrise by Lynn Gedeon Pearls of Nature by Karen Tregoning Open Door Lia by Jeanette Varcoe Caught by Denise Mazzocco Winter Street Lights by Monnie Ryan View From the Front Door 8:00 PM January 20, 2015 by AuntDot 'Looking Out from our Front Door!' Mt. Pleasant, Adelaide Hills, South Australia by Rita Blom Before The Crack Of Dawn by WildestArt NOS leaves by Yannis-Tsif A Rainbow in my Neighbourhood by Marilyn Harris tree in the garden by spetenfia Frozen Feeder And Disappointment by Zafer Gurel Blooms by Pics by Jody Adams
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Garden Tripod 24
Page 113
Poisson by Jenny Wood
All The Materials Contained May Not Be Reproduced, Copied, Edited, Published, Transmitted Or Uploaded In Any Way Without the artist/photographers Permission. These Images/writings Do Not Belong To The Public Domain. All images and information within the Garden Tripod magazine are the responsibility of the owner/artist/writer/photographer & not the Garden Tripod magazine 2012-2015