Jewellery, Antiques & Works of Art - 25th & 26th November 2020

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G ARDINER H O U L G AT E T H E S P E C I A L I S T AU C T I O N E E R S

TWODAY AUCTION OF

JEWELLERY & WATCHES FOR CHRISTMAS Wednesday 25th November 2020 at 10am

ANTIQUES & WORKS OF ART Thursday 26th November 2020 at 10am



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G ARDINER H O U L G AT E T H E S P E C I A L I S T AU C T I O N E E R S

Online Auction AUCTION INFORMATION THESE WILL BE LIVE INTERNET BROADCAST AUCTIONS ONLY Due to the current Covid­19 restrictions we are unable to offer public viewing or accept attendance on the Saledays We will be pleased to offer condition reports, further images and videos of any items which may be of interest to potential bidders, upon request. All lots in the sales are fully illustrated on our website www.gardinerhoulgate.co.uk COLLECTIONS OF GOODS We will be offering a 'click & collect' style collection service All lots must be paid for prior to your arrival and you must call us to book your collection slot BUYER’S PREMIUM Live Online Bidding – 22.5% (27% inclusive of VAT @ 20%) Sealed Commission Bids & Telephone Bidding – 20% (24% inclusive of VAT @20%) BIDDING METHODS Absentee commission bid may be left with us to bid on your behalf Telephone bids may be possible on lots estimated £300 and above subject to availability ONLINE BIDDING GH Live is a secure online bidding platform provided by Gardiner Houlgate, introduced for our clients to bid live online from anywhere in the world, featuring the ‘Autobid’ option. It also offers a host of other exciting features including GH Sale Updates, Watch Lists, Speedy Payment Options, Invoice and Bid History. An additional premium of 2.5% plus VAT will be applicable for this service. Please visit www.gardinerhoulgate.co.uk to register.

PAYMENT DETAILS All lots must be paid for within 7 days of the sale Direct to bank, please contact the office for our bank details Debit or credit card (including American Express) *Restrictions apply Cash up to £8500 in one transaction Cheques will be accepted at the discretion of the auctioneers *Please see Terms & Conditions Section 6 for further details ENQUIRIES 01225 812912 or email: auctions@gardinerhoulgate.co.uk

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Watches & Jewellery Wednesday 25th November 2020 at 10am

Front cover: lot ??? Back cover: lot ???

Online Auction

SALE NO: JS251120


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Wednesday 25th November 2020 at 10am

WATCHES 1. Seiko chronograph stainless steel gentleman’s bracelet watch, ref. 7T32-6M00, serial. no. 142847, blue dial, quick set date, Seiko bracelet with folding clasp, quartz, 39mm (movement requires attention) £15­30 2. Seiko 5 Sports automatic gold plated gentleman’s bracelet watch, ref. 7S36-03C0, circular black dial, rotating bezel, signed cal. 7S36B, 23 jewel movement, exhibition case back, 43mm (including crown guards) **Seiko box £80­150

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5. Tag Heuer Carrera automatic chronograph stainless steel gentleman’s wristwatch, ref. CV2014-1, serial no. REUxxxx, circular black dial with baton markers, minute markers, date aperture, subsidiary constant seconds, thirty minute and hour recording dials, red chronograph centre seconds and luminous hands, tachymetre bezel, quick set date, signed calibre 16 25 jewel movement, Tag Heuer black leather strap with folding clasp, 42mm **Tag Heuer box with outer cover and sleeve £1000­1400 6. Tag Heuer Carrera Calibre 16 chronograph automatic stainless steel gentleman’s wristwatch, ref. CV201AP-0, no. WAXxxxx, circular black dial with baton markers, date aperture, subsidiary constant seconds, thirty minute and hour dials, red chronograph centre seconds, tachymetre bezel, Tag Heuer black/red leather strap and buckle, 41mm

3. Seiko 5 Sports automatic stainless steel gentleman’s bracelet watch, ref. 7S36-03C0, circular black dial, rotating bezel, signed cal. 7S36B, 23 jewel movement, exhibition case back, 43mm (including crown guards)

**Tag Heuer box with outer box, international guarantee card stamped Beaverbrooks, Norwich, instructions booklet £1500­2500

**Seiko box £80­150

7. Smiths Astral 9ct gentleman’s wristwatch, London 1973, case ref. 1716/1, circular silvered dial with gilt Arabic numerals and hour markers, minute markers and centre seconds with red pointer, gilt dauphine hands, unsigned FHF ST 96 17 jewel movement, modern brown leather strap, 33mm (requires repair)

4. Tag Heuer Carrera Calibre 5 automatic stainless steel gentleman’s bracelet watch, ref. WAR201E, serial no. WBLxxxx, circular blue dial with baton markers, outer minute markers with quarter minute divisions, day/date apertures and sweep centre seconds, quick set date, signed Calibre 5 26 jewel movement, exhibition case back, Tag Heuer bracelet with folding clasp, 41mm

** Smiths Astral box, guarantee leaflet (unstamped) £150­250

** Tag Heuer box with outer cover, two spare links, tag £800­1200

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BP* - Buyer's Premium of 24% inclusive of VAT @ 20%.

Online Bidding via GH Live 27% inclusive of VAT @ 20%.


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8. Smith Astral chronograph stainless steel gentleman’s wristwatch, reverse panda circular black dial with luminous hour markers, five minute divisions, outer tachymeter and telemeter scales, silvered subsidiary constant seconds and thirty minute recording dials and red chronograph centre seconds, Valjoux 7733 17 jewel movement, modern black leather strap, 37mm (at fault - mainspring requires attention) ** Smiths box with outer cover, Smiths guarantee (unstamped), instructions leaflet £400­600 9. Ball Watch Co. Engineer Master II automatic stainless steel gentleman’s wristwatch, ref. NM1026C, serial. no. 780xxxx, circular black dial with quarter Arabic numerals, dagger markers, outer minute markers, date aperture and sweep centre seconds, screw down crown with quick set date, Ball bracelet with butterfly deployment clasp, 38mm £450­550 10. Ball Watch Co. Fireman Ionosphere automatic chronograph stainless steel gentleman’s wristwatch, ref. CM1090C, serial. no. 762xxxx, circular black dial with Arabic numerals, luminous markers, outer minute markers, subsidiary constant seconds, thirty minute and hour recording dials, day/date apertures and chronograph centre seconds, luminous hands, screw down crown with quick set date, Ball brown leather strap with Ball buckle, 43mm ** Ball box with outer cover, sleeve with CD user manual, guarantee stamped Ernest Jones and dated 11/1/13, purchase receipt from Ernest Jones dated 11/01/2013 £650­750

BID LIVE AT: www.gardinerhoulgate.co.uk

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11. Citizen Eco­Drive stainless steel gentleman’s bracelet watch, ref. E111-S090873, serial. no. 43102xxxx, circular black dial with gilt baton markers, minute markers, date aperture and centre seconds, gilt crown with quick set date, Citizen mesh bracelet with adjusting fastener, 40mm ** Citizen Eco-Drive box with outer cover, two guarantee and instructions booklets (both unstamped), ‘getting started’ leaflet, instruction manual, bracelet sizing guide £40­60 12. Citizen Eco­Drive Radio Controlled chronograph gentleman’s bracelet watch, ref. BY0100-51 H, circular grey dial, tachymeter bezel, 47mm (including crown guards) **Citzen Eco-Drive box with outer box, guarantee booklet dated 02/03/2016 and stamped Goldsmiths, two spare links, instruction manual £100­150 13. Raymond Weil Geneve gold plated and stainless steel gentleman’s wristwatch, ref. 7037, white dial with Roman numerals and baton markers, 17 jewel movement signed R. Weil, signed case, black leather strap, 39mm £40­80 14. Raymond Weil 18k gold plated lady’s wristwatch, ref. 5758, circular white dial with Roman numerals and minute markers, black leather strap with Raymond Weil buckle, quartz, 22mm £30­50

GARDINER HOULGATE

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17. Rolex Precision 18ct lady’s bracelet watch, ref. 8465, circa 1959, signed silvered dial with baton markers, cal. 1401 15 jewel movement, integral bracelet, 29.9gm, 25mm, 6.5” long £800­1200 18. Rolex Oyster Perpetual Chronometer 18ct ‘bubble­back’ gentleman’s wristwatch, ref. 3130, circa 1935, serial no. 380xx, import hallmarks for Glasgow 1937, the dial with Dauphine baton markers, Arabic three and nine numerals with subsidiary seconds dial, automatic movement with a fixed bar case and screw back, 33mm (no strap) £2000­3000

18 15. Rolex ­ 18ct Rolex Datejust gentleman’s wristwatch fluted bezel; together with two 18ct Rolex Datejust ladies wristwatch fluted bezels, Rolex Datejust lady’s champagne wristwatch dial and a Rolex 2007/2008 calendar (5) (each bezel with Rolex crown stamp) £350­500

19. Rolex Oyster Perpetual Datejust gold and stainless steel lady’s bracelet watch, ref. 6917, circa 1982, serial no. 7423xxx, gold fluted bezel and white Roman numeral dial, jubilee bracelet, 26mm (glass scratched and bracelet links swollen) ** with the original guarantee certificate purchased from Watches of Switzerland, London on the 21.4.1983 £800­1200

16. Rolex Cellini 18ct gentleman’s wristwatch, ref. 3739, circa 1967, serial no. 1797xxx, circular champagne dial with applied baton markers, cal. 1600 19 jewel movement, Hirsch strap with a gold plated Rolex buckle, 33mm £1400­1800

20. Jaeger LeCoultre Military issue stainless steel wristwatch, dated 1952, signed black dial with broad arrow, white Arabic numerals, luminous set markers, sword hands and subsidiary seconds dial, cal. 463 movement, no. 1833xx, fixed bar lug case with screw back, issue markings ‘32xx/52’ , green NATO type band, 36mm £800­1200

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Online Bidding via GH Live 27% inclusive of VAT @ 20%.

BP* - Buyer's Premium of 24% inclusive of VAT @ 20%.


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21. Jaeger­LeCoultre 9ct automatic ‘bumper’ gentleman’s wristwatch, London 1954, case no. 127xx, circular champagne dial with gilt quarter Arabic numerals and hour markers, inner minute track, red power reserve aperture at the twelve position and centre seconds, cal.481 movement, dauphine hands, Aureole crown, Marcco brown leather strap, 35mm £650­750 22. Patek Philippe Ellipse 18ct gentleman’s wristwatch, ref. 3846, circa 1970s, the oval gilt textured dial with Roman numerals, cal. 23-300 manual movement, no. 13279xx, case no. 5420xx, modern black leather strap, 27mm £2200­2800 23. Patek Philippe Calatrava 18ct yellow gold lady’s bracelet watch, ref. 4819/5, circa 1919, signed white porcelain dial with Roman numerals, quartz E15 movement, no. 1608xxx, integral bracelet, 49.4gm, 25mm

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** with Patek Philippe pouch, Certificate of Origin purchased from Watches of Switzerland of London, serviced by Patek Philippe in December 2016 £2700­3200 24. International Watch Co (IWC) Schaffhausen Portugieser chronograph automatic stainless steel gentleman’s wristwatch, ref. IW371446, serial no. 528xxxx, circular silvered dial, IWC blue leather strap with folding clasp, 41mm ** excellent condition/new condition. IWC box, outer cardboard box, guarantee and service booklet, international warranty card stamped Beards, Cheltenham, operating instructions booklet, Beards, Cheltenham business card, price label, envelope enclosing cleaning cloth £3500­4000

BID LIVE AT: www.gardinerhoulgate.co.uk

25. International Watch Co (IWC) Shaffhausen automatic stainless steel gentleman’s wristwatch, ref. R 810 A, circular silvered dial with baton markers, minute markers and sweep centre seconds, ‘fish’ crown, signed cal. 85 Pat. Appl. 21 jewel movement, no. 122xxxx, modern black leather strap with IWC buckle, 34mm £500­700

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26. Longines Evidenza chronograph automatic stainless steel gentleman’s wristwatch, ref. L2.643 4, serial no. 33...., silvered guilloche dial with Arabic numerals, minute markers, date aperture at the six position, subsidiary constant seconds, thirty minute and hour recording dials, chronograph centre seconds and blued steel hands,L.650.237 jewel movement, Longines brown leather strap with Longines buckle, 35mm ** Longines box, instructions booklet, tag, spare brown leather strap £750­950 27. Rare Longines Weems Pilots stainless steel wristwatch, circa 1940s, rotating bezel, the silvered dial signed and inscribed ‘U.S Pat 2008734’, with luminous Arabic numerals, luminous set hands and centre seconds, cal. 10L 17 jewel movement, no. 65765xx, the snap-on back numbered 858867, modern strap, 27.5mm £1200­1600

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28. Vacheron & Constantin Genéve 18ct rectangular curved gentleman’s dress watch, ref. 35204, circa 1980s, case no. 5332xx, rectangular champagne dial, cal. 1032 movement, modern brown lizard strap, 39mm x 21mm £1200­1600 29. Omega 18ct ‘bumper’ automatic gentleman’s wristwatch, ref. 2445, circa 1944, serial no. 108633xx, signed silvered dial with applied baton markers, sweep centre seconds and dauphine hands, the back with presentation inscription dated 1948, modern brown leather strap, 32mm £600­800 30. Swiss 15ct half hunter lady’s bracelet watch, import hallmarks London 1912, circular enamel dial with Arabic numerals, red twelve and minute track, blued steel hands, hinged case, 18.5gm, 28mm £120­180 31. Swiss 9ct and enamel lady’s bracelet watch, import hallmarks Glasgow 1923, plain enamel dial, the case front with pink enamel chapter with Arabic numerals and inner minute track, movement signed Texa, hinged case, 12.5gm, 26mm £60­100

33. Shield 9ct mid­size fixed lug wristwatch head, London 1943, signed dial with Arabic numerals, red inner 24 hour numerals, minute track and subsidiary seconds, signed 15 jewel movement, inscribed hinged case with fixed bar lugs, 14.9gm, 25mm £60­100

32. Swiss 9ct and enamel lady’s bracelet watch, import hallmarks London 1913, circular silvered dial with inner minute track, the case front with blue enamel chapter with Arabic numerals, 15 jewel movement signed DF&C and marked C’S, hinged case with crown at the nine position, 17.8gm, 27mm £80­120

34. Swiss 9ct mid­size fixed lug wristwatch, Chester 1942, circular silvered dial signed Hirco with gilt Arabic numerals, minute track and subsidiary seconds, unsigned 15 jewel movement, fixed bar lugs, 13.0gm, 28mm £60­100

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BP* - Buyer's Premium of 24% inclusive of VAT @ 20%.


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35. Ingersoll 9ct lady’s bracelet watch, signed silvered dial, 17 jewels, 9.5gm, 15mm ** with the original box £70­100 36. Avia 9ct wire­lug lady’s bracelet watch, Birmingham 1955, circular silvered dial with Arabic numerals and subsidiary seconds, signed 15 jewel movement, 9ct gold plated expanding bracelet, 16.0gm, 22mm £50­70 37. White metal lady’s bangle watch, black enamel dial with Arabic numerals, minute track and five minute divisions, rotating winding engraved case with hinged front, the case back marked S+P 135, hinged bange, safety chain, case 28mm (box); together with a silver oval lady’s cocktail watch (at fault) and a chrome cased wire-lug lady’s wristwatch head (3) £50­100

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38. Zodiac square cased gold plated and stainless steel gentleman’s wristwatch, ref. 523 011, square silvered dial with gilt quarter Roman numerals and baton markers, cal. 52 17 jewel unadjusted movement, signed case, modern black leather strap, 30mm £80­120 39. Bernard Golay 18ct gentleman’s wristwatch, circular case with skeleton dial and exhibition back with a baton marker chapter ring, the movement signed Golay, black leather strap, 31mm £400­600 40. Ebel 1911 Senior automatic gold and stainless steel gentleman’s bracelet watch, ref. 1080916, serial. no. 7560xxxx, circular black dial with gilt Roman numerals, outer minute markers with quarter Arabic numerals and dot five minute markers, date aperture and centre seconds, 18k bezel, quick set date, Ebel bracelet with folding clasp, 39mm £350­450 41. Ebel Classic Wave stainless steel and gold gentleman’s bracelet watch, ref. E1187F41, circular silvered dial with Roman numerals, date aperture and centre seconds, Ebel bracelet with butterfly clasp, quartz, 39mm £300­400

BID LIVE AT: www.gardinerhoulgate.co.uk

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42. Bulova automatic gold plated and stainless steel gentleman’s bracelet watch, ref. 97A131, circular black dial with Roman quarter numerals, baton markers, minute markers with five minute divisions, sweep centre seconds and exhibition aperture, 21 jewel Miyota Co. movement, exhibition case back, Bulova bracelet, 42mm **Bulova tag £120­180 43. Baume & Mercier for Hermes 18ct octagonal cased lady’s wristwatch, ref. 38260, serial no. 7946xx, white dial signed Baume & Mercier and marked Hermes with Roman numerals and inner minute markers, lizard strap, quartz, 27mm £350­450 GARDINER HOULGATE

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44. Chopard Be Mad Limited Edition resin and diamond set square cased wristwatch, ref. 12/7780, limited edition 651x/9999, square red dial with diamond set quarter markers, square red resin case, square crown flush to the case, red leather strap with stainless steel twin folding clasp, quartz, 32mm £400­600 45. Tonino Lambourghini Feminino Corsa III gold plated chronograph wristwatch, mother of pearl dial, quartz, white leather strap with folding clasp, 45mm including the crown ** with the original presentation box £200­300 46. Sekonda Safari square cased stainless steel gentleman’s wristwatch, black dial with luminous Arabic numerals, hour markers and hands, date aperture and centre seconds with red pointer, black leather strap, quartz, 37mm (box); together with a Timex ‘Retrograde’ stainless steel gentleman’s wristwatch, ref. SR 920 SW, circular black dial, black leather strap with Timex buckle, quartz, 46mm (including crown guards) (2) £50­80 47. Acctim Radio Controlled Talking gentleman’s wristwatch, black dial, black leather strap, 45mm (including crown guards) (box, tag, guarantee card); together with a Guess Titanium gentleman’s bracelet watch, ref. G17000G, circular grey dial, Guess Titanium bracelet, quartz, 43mm (including crown guards) (2) £50­80

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48. Meridian automatic stainless steel gentleman’s bracelet watch, circular black dial with skeleton centre, baton markers, subsidiary day/month/date and 24-hour dials and sweep centre seconds, 20 jewels, exhibition case back, 39mm **Meridan box with outer box, tag, instructions £50­80 49. Meridian automatic 50 stainless steel gentleman’s bracelet watch, circular white dial with skeleton centre, baton markers, subsidiary day/month/date and 24-hour dials and sweep centre seconds, 20 jewels, exhibition case back, 39mm **Meridan box with outer box, tag, instructions £50­80 50. Breitling Windrider Cockpit automatic stainless steel gentleman’s bracelet watch, ref. A49350, serial no. 1248xxx, black dial, bezel 41mm £1000­1500 51. Wittnauer ruby and diamond 9ct yellow gold lady’s cocktail watch, the case with a hinged cover and articulated lugs, set with round diamonds, round and calibrated rubies, square silvered dial with Arabic quarter numerals and baton markers, cal. 5S 17 jewel movement, 9ct bracelet with safety chain, 33.6gm, 15mm £600­800

Online Bidding via GH Live 27% inclusive of VAT @ 20%.


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52. NO LOT 53. Rolex Oysterquartz Datejust stainless steel gentleman’s bracelet watch, ref. 17000, circa 1979, serial. no. 625xxxx, circular silvered dial with baton markers, minute markers, date aperture and sweep centre seconds, cal. 5035 movement, screwdown crown with quick set date, Rolex 17000B bracelet, 36mm £1400­2000 54. Rolex Oyster 9ct square cushion cased gentleman’s wristwatch, case ref. 33343, import hallmarks for Glasgow 1926, milled bezel and silvered two-tone ‘bow-tie’ dial, with luminous Arabic numerals and hands with red centre seconds, Rolex Prima timed six positions for all climates 15 jewel movement, wire-lug case with screw-down crown and screw back, inscribed ‘Roger F. Stowell 23.8.29’, leather strap, 32mm £800­1200 55. Fortis Marinemaster Super­Compressor automatic stainless steel gentleman’s wristwatch, ref. 6237, signed multicoloured dial with square hour markers, date aperture at the six position and centre seconds, red minute hand, inner grey rotating calibrated bezel with five minute divisions, signed ETA cal. 2472 21 jewel movement, signed case numbered 4-70, modern black leather strap, 42mm £350­450 56. British Military Royal Navy issue single push button chronograph stainless steel gentleman’s wristwatch, circa 1940s, circular silvered dial signed Lemania with Military arrow and circled T, Arabic numerals, subsidiary constant seconds and thirty minute recording dials and chronograph centre seconds, unsigned movement, screw case with Military arrow and issue markings ‘0552/924-3305, 23xx’ (H.S., 9 crossed through), modern blue leather strap, 38mm £1500­2000

BID LIVE AT: www.gardinerhoulgate.co.uk

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57. Breitling Navitimer chronograph stainless steel gentleman’s wristwatch, ref. 806, circa 1969, serial no. 1306xxx, circular black dial with Arabic twelve, baton markers, silvered subsidiary hour, thirty minute and constant seconds dials, chronograph centre seconds and inner rotating slide rule bezel, signed Venus cal. 178 17 jewel unadjusted movement, signed case, expanding bracelet, 41mm £1800­2500

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58. Waltham Traveler gold plated half hunter lever pocket watch, circa 1904, signed movement with compensated balance and regulator, no. 13689482, the dial inscribed ‘Collingwood & Son, West Hartlepool’ with Arabic numerals, subsidiary seconds and blued steel hands, within a plain Dennison case, 51mm (requires some attention) £60­100 59. Railway Interest ­ Garrard gold plated lever dress pocket watch, 18 jewel gilt movement with compensated balance and regulator, signed dial with Arabic numerals and subsdiary seconds, gilt hands, the case with presentation inscription ‘B.R. Western Region, W.G. Griffiths, In Appreciation of 45 Years Service’, 51mm £70­120

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60. 18ct fusee lever pocket watch, London 1878, unsigned gilt three quarter plate movement, no. 47370, with engraved balance cock, regulator and gilt three arm balance, the dial numbered 47370 with Roman numerals and minute track, blued steel hands, within an engine turned and engraved case, numbered 47370, case maker GM, 58.0gm, 42mm **pouch £500­700 61. 18ct centre seconds chronograph half hunter pocket watch, Birmingham 1902, the gilt frosted three quarter plate lever adjusted movement signed Wright & Craighead, London, no. 30214, with compensated balance and regulator, the enamel dial with Roman numerals and minute track with five minute divisions, chronograph centre seconds, start/stop lever at the five position, case maker JR (Rotherham & Sons, John Rotherham) 162.5gm, 55mm (requires attention) £1500­2000 62. Fine Swiss 14ct quarter repeater chronograph calendar pocket watch with moon phase, gilt frosted lever set movement with compensated balance, regulator and hammers striking a gong no. 17747, inscribed cuvette, subsidiary dial adjustment buttons to the case, the dial with Roman numerals, minute track with Arabic five minute divisions, subsidiary seconds with moon phase, subsidiary day, date and month dials and chronograph centre seconds, blued steel hands, within an intricately engraved ‘Dueber’ case, 133.4gm, 54mm £2000­3000

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63. Silver Albert watch chain, with T-bar and clasp, 29.9gm, 14’’ long approx £80­120 64. Silver graduated double Albert watch chain, with t-bar, clasp and silver medallion, the medallion inscribed verso ‘K.S.’, 48.4gm, 14.5’’ long approx £80­120 65. Silver graduated double Albert watch chain, with t-bar and clasp, 41.9gm, 15’’ long approx £100­150

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76 66. Two silver Albertina watch chains, 49.8gm, 14’’ long and 11’’ long approx (2) £100­150 67. Silver figaro link watch Albert chain with T-bar, clasp and ‘Republique Francaise’ medallion inscribed verso ‘To Violet Annie, From Harry, 1918’, 26.8gm, 12’’ long approx £80­120 68. Two fancy silver Albertina watch chains, 40.1gm, both 11.5’’ long approx (2) £80­120 69. Silver double Albert watch chain, with T-bar and clasp, 25.9gm, 13.25’’ long approx £80­120 70. Silver graduated Albert watch chain, with T-bar, clasp and silver medallion, 49.7gm, 14.25’’ long approx £80­120 71. Moeris British Military Army issue chrome cased lever pocket watch, cal. 19H 15 jewel adjusted movement, signed black dial with Arabic numerals and subsidiary seconds, the case with Military markings ‘, G.S.T.P. M48214 XX’, 51mm (at fault) £20­40 72. Waltham silver engine turned pocket watch, signed movement, no. 6947058 with Pat. Pinion. compensated balance and regulator, signed dial with Roman numerals and subsidiary seconds, 51mm (at fault); together with a silver cylinder engine turned pocket watch, 45mm (2) £50­80

BID LIVE AT: www.gardinerhoulgate.co.uk

73. Silver gilt fusee lever pocket watch, London 1879, the movement signed Munsey, Cambridge, no. 8248, with engraved balance cock, gilt three arm balance and Bosley type regulator, dust cover, the dial with Roman numerals, minute track and subsidiary seconds, within an engine turned case with engraved cartouche, case maker AMJ (A M Jacobs & Co), 49mm (at fault) £50­80 74. 19th century silver pair cased fusee verge pocket watch, London 1818, the movement signed Jas Barclay, London, no. 1917, with engraved three-quarter plate, pierced engraved balance cock with mask, flat steel three arm balance, silvered regulating disc and cylindrical pillars, the dial with Roman numerals and minute track, within plain matching cases, winding hole to the inner case, case maker TB (Thomas Bligh), 55mm £140­180 75. Silver fusee verge pocket watch, London 1835, the movement signed Jas Barclay, London, no. 2659, with pierced engraved balance cock with flat steel three arm balance, Bosley type regulator, stop/work lever at the four position and cylindrical pillars, the dial with Roman numerals, minute track and subsdidiary seconds, within a plain case, 52mm £60­100 76. Masonic silver triangular pocket watch, import hallmarks for Glasgow 1930, 17 jewel lever movement, mother of pearl dial inscribed ‘Love Your Fellow Man, Lend Him A Helping Hand’, with Masonic symbols and outer minute track, gilt hands, the case embossed with Masonic symbols, Peseux 330 movement, 50mm (requires attention) £200­300

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ANTIQUE & MODERN JEWELLERY  TO INCLUDE ASHTON MILL LOTS 77122 77. 9ct charm bracelet with padlock clasp, safety chain and thirteen 9ct charms, 47.8gm £580­620 78. Edward VII sovereign pendant, 1906, 9ct mount, chain and safety chain, 12.3gm £280­320 79. Tudor Royal 9ct lady’s bracelet watch, Chester 1959, silvered dial, signed 17 jewel movement, presentation inscription, 9ct bracelet and safety chain, 17.8gm, 20mm £180­220 80. J.W. Benson 9ct lady’s bracelet watch, Birmingham 1937, signed silvered dial, 15 jewel patented movement, later gold plated expanding bracelet, hinged case, gold plated expanding bracelet, 25.5gm, 26mm (J.W. Benson box) £50­80 81. Concord 14k lady’s dress watch, oval champagne dial, inscribed case, cabouchon crown, integral bracelet, quartz, 26.3gm, 15mm £350­450 82. 9ct rose gold engraved band ring, width 6.5mm, ring size M, 4.0gm £45­65 83. Good 9ct rose gold gate bracelet with padlock clasp and safety chain, 15.3gm, 6.25” long approx £220­280

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89 84. 22ct wedding band, Coronation hallmark for London 1953, width 3mm, ring size L, 4.4gm £130­160 85. 9ct buckle ring, width 4mm, ring size M/N, 4.0gm £50­80 86. 9ct gentleman’s signet ring with solitaire round cut ganet, Birmingham 1968, ring size T/U, 5.2gm £55­75 87. 22ct wedding band, width 5mm, ring size F/G, 6.3gm £190­220 88. 9ct oval bicolour gentleman’s signet ring, London 1993, ring size S, 6.9gm £80­120 89. Georgian oval carved cameo ring, the central panel depicting a young dancing lady, surrounded by fourteen cabouchon corals, ring size J/K, 5.7gm £80­120 Online Bidding via GH Live 27% inclusive of VAT @ 20%.


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95 90. 9ct oval tiger’s eye gentleman’s signet ring, ring size M, 3.2gm £40­60 91. Vintage Scandinavian silver brooch of scroll and floral form, marked ‘Haandarbejde KKK 830S’, 2.5” long £20­40 92. Large Continental (probably Dutch) floral silver (800) moulded cameo pendant brooch, 2.5” x 2.0”, with silver chain, 30” long approx £20­40 93. Edwardian Art Nouveau silver and enamel pendant, Birmingham 1908, maker ‘M&B (probably Marples & Beasley), 46mm x 24mm; together with a 1902 Ilfracombe Peach Celebration silver pendant, 0.75” diameter, silver (925) amethyst bar brooch, 2” long, antique silver floral decorated photograph brooch, 1.25” diameter, WWI period silver coin brooch, 1.20’’ diameter and an antique white metal floral decorated brooch, 1.25” diameter (6) £40­80 94. Collection of five various antique 9ct bar brooches; together with a vintage 9ct tie pin, 9.8gm (6) £90­110 95. George V 22ct sovereign coin, 1911 (case) £250­350 96. Antique 18ct gold and platinum diamond trilogy ring, approx 0.25ct, ring size L, 2.0gm £50­70 97. 9ct square tiger’s eye gentleman’s signet ring, width 18mm, ring size W, 5.9gm £55­75

BID LIVE AT: www.gardinerhoulgate.co.uk

99 98. 9ct gentleman’s signet ring with a central oval cut garnet, approx 2.0ct, flanked by two small diamonds to each shoulder, ring size Y, 4.4gm £60­80 99. Victorian ‘young head’ 22ct sovereign coin, 1880, 8gm £250­350 100. Good 9ct charm bracelet with padlock clasp, safety chain and twenty­ seven charms (twenty-three 9ct, two 14ct, one 10ct and one 22ct wedding band), 57.7gm £750­850 101. Record 9ct lady’s bracelet watch, gold plated expanding bracelet, 18.1gm, 22mm; together with a Corvette 9ct lady’s wristwatch, black leather strap, 9.0gm, 17mm (2) £50­80 102. Victorian 22ct half sovereign pendant, 1894, 4.1gm £130­160 103. Contemporary silver (925) fancy link necklet, 16” long, 42.1gm; together with a similar plain link silver (925) bracelet, 7.5”, 12.9gm, both with heart shaped charms (2) £25­45 104. Antique 9ct fancy necklet with fifty­six cabouchon turquoise stones, of various shades arranged in pairs, 2.5mm diameter approx, 16” long, 14.4gm £200­300 105. 18ct gold and platinum heart shape round cut diamond solitaire ring, Birmingham 1968, 0.05ct approx, ring size J, 2.7gm £60­80

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122

106. 9ct ornate crucifix pendant, 2” long; together with a 9ct two tone Celtic cross pendant set with four diamonds, 0.06ct approx, 1.0” long and two 9ct cross pendants, both 1.0” long, 5.8gm (4) £70­100

114. Modern 14ct emerald and diamond ring, the two central pear-shaped emeralds, 0.50ct approx, with a single round cut diamond, 0.25ct approx and three further small diamonds, ring size I/J, 4.8gm £120­180

107. Art Nouveau 9ct stylised pendant set with a cabouchon turquoise, Birmingham 1905, maker ‘HM’ (possibly Henry Matthews), 2.6gm, 33mm wide £50­80 108. Art Nouveau 9ct amethyst and seed pearl set pendant, 1.75” long; together with an Art Nouveau 9ct peridot set pendant, Art Nouveau 9ct rose gold turquoise set brooch and a 9ct two-tone gold Art Nouveau brooch, 6.8gm (4) £120­160 109. Fine Italian 18ct stylised floral brooch set with five well matched cultured pearls, each 5mm diameter approx, 1.75” x 1.5”, 10.5gm £250­300 110. 9ct wedding band, 6.5mm wide, ring size U, 7.0gm £85­100 111. Pair of 9ct engine turned oval chain link cufflinks, 3.0gm £40­60 112. Antique 18ct old cut diamond set gypsy ring, Chester 1910, 0.1ct approx, ring size N, 4.0gm £100­150 113. Attractive 18ct five stone amethyst ring, ring size O/P, 5.1gm £130­180

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115. Modern 9ct diamond set cross­over design ring, with twenty-seven diamonds, 0.45ct approx, ring size R, 2.9gm £50­80 116. 9ct opal ring (two stones missing); together with four further 9ct rings (each with one stone missing), 11.3gm £130­160 117. Pair of 9ct 1940s engine turned cufflinks, 7.8gm (boxed) £80­120 118. 18ct gold and platinum set diamond trilogy ring, diamond shoulders, 0.2ct approx, ring size K, 2.3gm; together with a continental gold solitaire diamond ring, diamond shoulders, 0.33ct approx, ring size M, 2.0gm and an 18ct gold and platinum five stone diamond ring, 0.25ct approx, ring size L, 1.4gm (3) (box) £120­160 119. 18ct signet ring, ring size N, 4.2gm (box) £100­130 120. Child’s 9ct bracelet with padlock clasp; together with a matching 9ct bracelet, 3.0gm (2) £40­60 121. Antique 9ct rose gold bangle, 3” diameter, 6.8gm £70­100 122. George V 22ct half sovereign coin, 1914, 4gm £130­160

Online Bidding via GH Live 27% inclusive of VAT @ 20%.


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127

126 123. 9ct sapphire cluster ring, 6.5gm, 17.5mm, ring size M/N; also a 14ct diamond wishbone ring, 2.5gm, ring size M (2) £100­150 124. 18ct sapphire and diamond cluster ring, set with nine diamonds and ten sapphires, 4.4gm, band width 8mm, ring size N/O; with box £150­200

129

125. Three 9ct gem set full eternity rings, 10.9gm in total (3) £120­160 126. Rhodolite garnet 14k yellow gold necklace, set with six groups of three oval garnets an slender chain, 13.8gm, 23” long £700­800 127. 18ct seven stone diamond daisy cluster ring, round brilliant-cut, 0.75ct, clarity SI, colour H-J, 11mm, 2.9gm, ring size N £350­450 128. Pair 18ct yellow gold four claw solitaire diamond studs, 0.51ct, clarity SI ,colour L-M, 4mm; with box £550­650 129. Good 18ct white gold graduated three stone princess­cut diamond ring, 1.60ct approx, clarity VS1-2, colour J-K, band width 6mm, 4.2gm, ring size M/N £2600­3000 130. 9ct white gold ruby set line bracelet, 10.8gm, width 3.5mm, 7.75’’ long approx £250­350

BID LIVE AT: www.gardinerhoulgate.co.uk

131 131. Superb pair of white gold ruby and diamond drop earrings, each with central pear shaped old-cut diamonds in a calibrated ruby border and a band of round brilliant-cut diamonds, estimated rose-cut diamonds 1.23ct, calibre cut rubies 1.37ct, round brilliant diamonds 1.49ct, colour SI, clarity I-J, 7.4gm, drop 35mm; boxed £4200­4800

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133

135

135

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132. Nine silver charms (9) £10­20 133. Antique style 15ct ruby and diamond skull ring, 16mm, 4gm, ring size P £300­500 134. Ruby and diamond 9ct band ring, 2.5gm, band width 7mm, ring size L £35­55 135. 18ct ruby and diamond circular cluster ring, 13.5mm diameter, 3gm, ring size N £350­450

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136. Sapphire and aquamarine 14k yellow gold necklace, with five oval aquamarines estimated each 1.75ct, 2.08ct, 2.20ct, 2.50ct, 3.12ct, with three small sapphires between, 5.5gm, 19” long £500­600 137. Edwardian 9ct ruby and pearl brooch with a glazed locket verso, Chester 1903, 3.9gm, 47mm £30­50 138. Pair of 18ct white gold four claw round brilliant­ cut diamond studs, 1.16ct approx in total, clarity SI, colour H-I, 2gm, 5mm; with box £1400­1800 139. Large cultured pearl necklace with satin effect 9ct white gold ball clasp, the pearls each 13-14mm approx, 99.6gm, 17.5” long £260­320

BP* - Buyer's Premium of 24% inclusive of VAT @ 20%.

139

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141

140. Sapphire and diamond 9ct oval cluster ring, 2.5gm, 13mm x 11mm, ring size M £120­150

143

141. Fine quality platinum sapphire and diamond dress ring, with three principle round diamonds in a calibrated sapphire border, 0.75ct approx (total weight 1.00ct), clarity SI, colour H-I, width 11.5mm, 5.5gm, ring size N £1600­2000 142. 9ct ruby and diamond cluster ring, Birmingham 1997, 2gm, cluster 8mm, ring size P £30­50 143. Art Deco style platinum diamond cluster ring, the centre diamond 0.75ct, clarity SI, colour J-K, 4.5gm, ring size M £1800­2200

145

144. 9ct rope link necklet, 10.4gm, 21” long; also a gold plated necklet (2) £120­160 145. Impressive 18ct white gold aquamarine and diamond ring, the oval aquamarine 6.65ct approx, flanked to either side with three round brilliantcut diamonds, 0.60ct approx, 13.5mm, 6.4gm, ring size P/Q £1500­2000 146. Graduated butterscotch amber bead necklace, consisting of 51 beads, 99.3gm, 10mm- 33mm, 30” long approx £300­500 147. Edwardian seed pearl mounted pendant on a slender necklet, the pendant 17mm, 3.6gm overall £40­80 148. Fine quality princess­cut diamond heavy platinum handmade eternity band ring, estimated 4.50ct approx, clarity VS, colour H-I, band width 6.5mm diamonds, 12.8gm, ring size S (diamonds slightly loose) £3500­4000

BID LIVE AT: www.gardinerhoulgate.co.uk

148

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149

150

151

153

151. Platinum sapphire and diamond ring, set with an oval central sapphire, 0.62ct approx, a halo setting of calibre-cut sapphires and outer diamonds, 13mm x 12.5mm, 4.8gm, ring size L £1200­1600 152. 18ct five stone diamond ring, 2.8gm, ring size Q £50­80

154

149. Pair 18ct white gold sapphire and diamond pear shaped cluster earrings, 1.6gm, 8.5mm x 7mm £250­350 150. Good quality five stone old­cut diamond ring, in yellow gold with a white metal claw setting, 1.50ct approx, clarity VS-SI, colour I/J, width 6mm, 4.4gm, ring size P/Q

153. 18ct aquamarine and diamond cluster ring, the aquamarine 2.30ct, in a surround of round brilliant-cut diamonds, 0.75ct approx, clarity SI, colour H-I, 4.5gm, ring size N £720­780 154. 18ct domed ruby and diamond cluster ring, the diamond 0.50ct approx, clarity VS, colour J-K, in a surround of twenty-four small rubies, 12mm, 5gm, ring size N; with box £200­300

** with box £2000­3000

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Online Bidding via GH Live 27% inclusive of VAT @ 20%.


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155

157

158

159

155. Fine pair of 18ct ruby and diamond drop earrings, each with two graduated oval clusters with a central ruby in a surround of round brilliant-cut diamonds, the rubies estimated 2.28ct, 10.2gm, drop 26mm; with box £1800­2200

158. Impressive large 18ct white gold large aquamarine and diamond cluster ring, the aquamarine 10.27ct approx, in a diamond setting, baguette diamonds 0.33ct approx, round brilliant cut diamonds 0.50ct approx, clarity VS, colour H-I, 19mm x 16mm, 8gm, ring size N £2600­3200

156. Garnet and smoky quartz 14k bead necklace, 26gm, 22” long £450­550

159. Fine quality large platinum emerald and old­cut diamond lobed cluster cocktail ring, emerald approx 1.65ct, diamonds approx 1.20ct, clarity SI, colour H-I, 8gm, 20mm x 18mm, ring size O £3500­4000

157. Diamond set open heart white gold pendant, marked 10k, on a slender necklace, the pendant 21mm wide, 3.4gm £380­450

BID LIVE AT: www.gardinerhoulgate.co.uk

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160

161

160. Pair of 18ct white gold cultured pearl and diamond earrings with hoop backs, the pearls, 8mm, 3gm £150­200 161. Impressive large vintage style emerald and diamond circular cluster cocktail ring, 22mm diameter, 9.2gm, ring size O/P; with box £2000­2500 163

162. 18ct yellow gold diamond heart design ring, 0.25ct, 6.6gm, width 10mm, ring size J/K £100­150 163. 18ct emerald and diamond three stone ring, the emerald 1.20ct, with round brilliant-cut diamonds to either side, 0.45ct, clarity SI, colour I-J, band width 9mm, 2.7gm, ring size N/O £750­950 164

164. Pair of 9ct white gold fancy yellow diamond stud earrings, round brilliant-cuts, 1.00ct approx in total, 1.2gm, 5mm £400­500 165. Good quality 18ct ruby and diamond dress ring, central oval ruby of good colour, 1.24ct approx, surrounded by ten round brilliant-cut diamonds, 0.50ct approx, with five calibrated rubies set to each shoulder, 6.4gm, width of cluster 13mm, ring size H; with box £1200­1500

165

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166. Attractive 14k multi garnet set necklace, 31.2gm, 18” long £800­1000

Online Bidding via GH Live 27% inclusive of VAT @ 20%.


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168 166

170

167. Two 9ct sapphire and diamond cluster rings, 2.9gm (one with stone missing); together with a sapphire and diamond pendant on a slender chain (3) £60­100 168. Impressive Art Deco platinum old­cut diamond plaque ring, with three central principal diamonds in a pavé surround, clarity SI, colour G-H, 32mm x 14mm, 6gm, ring size M/N (one stone missing) £2000­2500

169

169. Good 18ct yellow gold oval ruby and diamond cluster ring, the oval ruby 2.25ct approx, in a setting of ten round brilliant-cut diamonds, 1.50ct approx, clarity SI, colour I-L, 5.7gm, 17mm x 14mm, ring size M/N £2600­3200 170. Good platinum solitaire diamond ring, round brilliant-cut, 1.60ct approx, clarity SI, colour F-G, 3.8gm, ring size M/N; together with a platinum wedding band ring, 3mm, 4gm, ring size N (2) £3000­5000 171. Attractive platinum diamond and sapphire ring set with five vertical graduated diamonds, surrounded by calibre-cut sapphires and a halo of diamonds with diamond set shoulders, total diamond weight 1.00ct approx, total sapphire weight 1.45ct approx, width 23mm, 5.7gm, ring size N £1950

BID LIVE AT: www.gardinerhoulgate.co.uk

171

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172 174

175

173

172. Modern 14ct white gold amethyst and diamond oval pendant, the amethyst of good colour measuring 22mm x 17mm, 7.8gm £650­750 173. Ornate platinum diamond ring in the Art Deco style, estimated 1.00ct approx, width 17mm, 4.1gm, ring size M £800­1000 174. 9ct belcher link guard chain, 36gm, 60” long £480­550 175. Good platinum solitaire diamond ring with set shoulders, Old-Europeancut, 1.10ct approx, clarity SI2, colour I-J, 3.2gm, ring size T; with box £1500­2000 176. 14k yellow gold sapphire bracelet, set with twelve oval sapphires, estimated 0.35ct approx, 2.2gm, 7” long £200­300 24

BP* - Buyer's Premium of 24% inclusive of VAT @ 20%.

177

177. Good 18ct white gold diamond and ruby cabouchon oval cluster ring, the ruby 3.90ct approx, in a surround of round brilliant-cut diamonds, clarity SI1-I1, colour H/I, 8.4gm, 16mm x 14mm, ring size O £1000­1500

Online Bidding via GH Live 27% inclusive of VAT @ 20%.


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179

180

182

181

178. Two strings of graduated cultured pearls necklaces, the pearls graduating from 6mmm to 7mm, each 16” long approx (2) £40­80 179. Modern 18ct yellow gold seven stone diamond daisy cluster ring, round brilliant-cut, estimated 1.00ct approx, clarity SI, colour K-L, 12mm, 5.3gm, ring size O/P £1200­1400 180. 18ct ruby and diamond boat shaped cluster ring, with three oval rubies in a diamond claw setting, 10mm x 14.5mm, 5.4gm, ring size U ** with box £250­350 181. Art Deco style platinum marquise­shaped emerald and diamond dress ring, emeralds approx 0.75ct, diamonds approx 0.85ct approx, clarity SI, colour J-K, 21mm x 11mm, 4.5gm, ring size M £1350­1550

BID LIVE AT: www.gardinerhoulgate.co.uk

183

182. Impressive 14ct white gold diamond lady’s dress ring, the emerald-cut centre diamond 1.25ct approx, clarity VS, colour I/J, in a surround of sixteen diamonds with princess-cut and round brilliant-cut set shoulders, 2.10ct approx in total, 16.8gm, width 15mm, ring size R/S £3000­4000 183. Art Deco style platinum aquamarine and diamond dress ring, the aquamarine 1.25ct, with stepped shoulders set with baguette-cut diamonds, 0.40ct, band width 8mm, 4.1gm, ring size O £600­800 184. Two 9ct rings and a single stud, 3.5gm (3) £40­60

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188 185

190

187

185. 18ct emerald and diamond cluster ring, the emerald 0.66ct approx, in a setting of twelve diamonds, cluster 11mm x 10mm, 3.4gm, ring size G/H; with box £450­550 186. 14k yellow gold rose garnet necklace, 6.4gm, 15” long £400­500 187. Large fancy 18ct white gold diamond cluster ring, round brilliant-cuts, estimated 3.00ct approx, clarity SI ,colour H/J, cluster 17mm, 6.6gm, ring size N £1700­2000 188. Modern 18ct white gold baguette diamond half eternity ring, 1.00ct approx, band width 6mm, 5.7gm, ring size P £400­600 189. Platinum five stone diamond ring, round brilliant-cut diamonds, estimated 2.09ct approx, clarity SI, colour H-J, width 5mm, 6.1gm, ring size M £2800­3200

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192

190. 14ct opal and diamond gentleman’s dress ring, 8,5gm, band 13.5mm, ring size U/V £380­450 191. Pair of Victorian style ornate drop earrings, set with blue topaz, seed pearls and pearls, drop 44mm; with box £240­280 192. 9ct yellow gold ruby set hinged bangle with safety chain, Birmingham 1964, band width 18mm, 33.8gm £500­600

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193 195

198

196

193. Platinum diamond cluster ring with set shoulders, 0.75ct approx, 11.5mm, 4.6gm, ring size O £700­900 194. 9ct belcher link necklace, 11.5gm, 26” long £140­180 195. Fancy 18ct white gold diamond cross­over ring, band width 13mm, 7.8gm, ring size R/S £550­650 196. 14k yellow gold moonstone necklace, 4.7gm, 18” long £280­320 197. Modern 14ct white gold diamond and sapphire earring and pendant set, earring drop 25mm approx, pendant drop 37mm approx, 5.3gm £250­300

BID LIVE AT: www.gardinerhoulgate.co.uk

199

198. Good quality 18ct yellow gold full diamond eternity ring, round brilliant-cuts, estimated 3.00ct approx on total, clarity SI, colour I-J, band width 8mm, 8.2gm, ring size M £1300­1800 199. Art Deco style platinum diamond ring, set with an old-cut diamond with diamond set shoulders, the old-cut diamond 1.20ct approx, clarity VS, colour I-J, 7mm, 3.9gm, ring size M/N £2400­2800

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201 200

200. Rare platinum Padparadscha natural Corundum certified solitaire ring, cushion-cut, 6.40ct approx, transparent with a pinkish orange, 11mm x 10mm approx, ring size N/O, 4.4gm, ring size N/O ** with Gemmological Certificate Padparadscha Report, 80252-88, dimensions 10.9 x 9.9 x 6.5mm approx, with box £2000­3000

202

201. Attractive pair of cultured pearl earrings, with diamond bow tops, 4.2gm, 21mm; with boxed £280­320 202. 18ct five stone diamond ring, round brilliant-cut, 1.20ct, clarity SI, colour I-J, band width 5.5mm, 3.7gm, ring size J £800­1000 203. 18ct white gold aquamarine and diamond pear shaped pendant on a slender necklace, the aquamarine 2.50ct, round brilliant-cut diamonds, 0.75ct, clarity VS-SI, colour H-I, 5.1gm, the pendant 24mm x 15mm £900­1100 204. White gold solitaire diamond ring, round brilliant-cut, 0.55ct approx, clarity SI2, colour G-H, 3.1gm, ring size S/T £250­350 205. 18ct three stone old­cut diamond ring, 0.26ct approx, band width 5mm, 4gm, ring size P £180­220

203

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206. 9ct blue topaz and diamond triple cluster ring, the cluster 10mm x 19mm, 3.4gm, ring size P £80­120

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209

207. Fancy 18ct yellow gold triple row diamond ring, round brilliant-cuts, 1.73ct approx in total, clarity SI1-I1, 7.8gm, width 13mm, ring size R £650­750

211

208. Antique 18ct five stone diamond ring, 0.25ct approx, 1.9gm, ring size M/N £120­160 209. Attractive GIA certified 18ct white gold diamond halo dress ring, set with a central natural yellow brilliant-cut diamond, 1.02ct, clarity I2,, with a surround of round brilliant-cut diamonds and set shoulders, 0.45ct approx, cluster 10mm, 4.1gm, ring size N ** GIA report number 2186378002 £2600­3200 210. Impressive 18ct white gold and platinum diamond solitaire ring, emerald-cut, 2.29 ct approx, clarity VVS, colour L/M, 3.4gm, ring size Q £3000­4000

213

211. Ornate platinum ruby and diamond oval cocktail ring, set with oval ruby surrounded by a halo of calibre cut rubies and inter pierced with diamonds and an outer halo of rubies, rubies 1.15ct approx, diamonds 0.77ct approx, clarity SI, colour H-I, 5.4gm, ring size M/N £1600­2000 212. Cartier style 18ct ‘Love’ diamond band ring, set with three round brilliant-cut diamonds, 0.45 ct approx, clarity VS-SI , colour G/I , 12gm, band width 8mm, ring size W £500­600 213. Good platinum emerald and diamond oval cluster ring, the emerald estimated 2.00ct, with a surround of round brilliant-cut diamonds, clarity SI , colour H-I, 6.1gm, ring size N/O, 6.1gm £1600­2000 214. Large 14ct gem set serpent design ring, 6.4gm, head 8mm, ring size Z1 £180­220

BID LIVE AT: www.gardinerhoulgate.co.uk

214

215. 18ct diamond cluster ring with set shoulders, 0.50ct approx, clarity I1, colour H-I, 3.2gm, ring size N £150­250 216. 18ct and platinum three stone diamond ring, 0.50ct approx, clarity SI, colour H-I, 3.1gm, ring size Q/R £150­250

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217. Textured 9ct ruby set bracelet, 20.7gm, 7.5’’ long £300­350 218. 9ct amethyst and seed pearl yellow gold ring, the oval amethyst in a surround of fourteen seed pearls, 23mm x 16.5mm, 6.3gm (centre stone loose); together with a 9ct topaz and diamond oval cluster ring (2) £150­200 219. Pair of modern blue topaz silver set oval ear studs, 8mm x 6mm; with box £50­80 220

220. Fine 18ct certified natural Australian black opal and diamond ring, cabouchon-cut opal measuring 18 x 18.2 x 5.4mm approx, millegrain oldcut diamond set shoulders, 10.6gm, ring size P/Q ** with Gemmological Certificate Identification 80252-86, with box £1800­2200

222

221. Pair of 19th century style flower design drop earrings, set with peridot petals and diamonds, hook backs, 29mm; with box £180­220 222. Langard 18ct white gold diamond ring, the centre round brilliant-cut diamond 0.25ct approx, clarity VS, colour H-I, in a circular setting with diamond set shoulders, the centre mount 7mm diameter, 8gm, signed, ring size N £400­600 223. Pair of 9ct opal stud earrings, 6mm £100­150 224. 9ct curb link bracelet, 7.2gm, 8” long £90­120

225

225. 18ct ruby and diamond cluster ring, the marquise ruby in a surround of baguette and round brilliant-cut diamonds, 13mm x 12mm, 4.7gm, ring size N £320­380 226. Pair of 9ct white gold diamond stud earrings, 4mm £200­300

227

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227. 14ct white gold and diamond double crossover two­piece bridal ring, with a centred marquise diamond and round brilliant-cuts, 5.2gm, width 11mm, ring size M £150­200

Online Bidding via GH Live 27% inclusive of VAT @ 20%.


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229 228

230

232

228. 14ct sapphire and diamond cross over ring, the sapphire 0.80ct approx, in a diamond setting of round and baguette-cut diamonds, 5.2gm, ring size N/O £150­250 229. 18ct white gold ruby and diamond line bracelet, with twenty-six treated rubies, estimated 1.14ct approx, fifty-two diamonds diamonds, 0.65ct approx, 9.2gm, 7” long; with box £1200­1600

233

230. 18ct yellow gold band ring set with nine princess­cut diamonds, 0.73ct approx, clarity VS2-SI, colour H-1, band width 5.5mm, 7.1gm, ring size N £300­500 231. Pair of silver treated ruby ear studs, 8mm x 6mm, 2gm; boxed £40­80 232. Pair of 18ct ruby and diamond cluster earrings, the rubies each 0.25ct approx, 1.6gm, 10mm x 8.5mm £120­180 233. 18ct princess­cut solitaire diamond ring, 2.50ct approx, clarity I2 , colour G-H, width 8mm, 4.4gm, ring size M/N £1000­1500

BID LIVE AT: www.gardinerhoulgate.co.uk

235

234. Two antique gold stone set rings, 6.8gm (both at fault) (2) £100­150 235. 18ct white gold five stone ring, princess-cut, 0.80ct approx, clarity SI, colour G-I, band width 4mm, 5gm, ring size N £450­650 GARDINER HOULGATE

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236

236

238

239

241

236. 9ct gentleman’s intaglio ring depicting a lion family crest, Birmingham 1972, 7.6gm, ring size U £250­300 237. 18ct sapphire and diamond double cluster ring, each set with a single sapphire in a surround of eight round brilliant-cut diamonds, 4.7gm, 13mm x 15mm, ring size K £450­550

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238. 18ct white gold emerald and diamond three stone ring, the oval emerald 1.70ct approx, flanked with two round brilliant-cut diamonds 0.30ct approx, clarity I1, colour H-I, width 9mm x 15mm, 5.2gm, ring size O/P £400­600 239. Attractive and fine modern 18ct white gold pink sapphire and diamond cluster line bracelet, the sapphires estimated 7.49ct , diamonds 1.81ct, width 8mm, 23.7gm, 7.5” long; with box £4200­4800

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242

245

243

240. 18ct bi­colour three stone diamond ring, 0.84ct approx, clarity I1, colour I-J, band width 4mm, 7.3gm, ring size P £700­900

246

241. Superb modern 18ct white gold diamond tennis bracelet, set with round brilliant-cut diamonds, estimated 15.10ct in total, clarity VS-SI, colour J-K, 20.3gm, 8.5” long; with box £12500­13500 242. 18ct white gold pavé diamond cluster ring, set with princess and round brilliant­cuts, 10mm, 5gm, ring size E £300­500 243. Modern 9ct multi­gem seT half eternity ring, band width 4mm, 2.2gm, ring size M/N £150­200 244. Gold serpent and pearl pendant on a slender necklet, 2.4gm, the pendant 28mm x 11mm £50­80 245. 18ct white gold emerald and diamond marquise cluster ring, with three central round emeralds in a diamond surround, 0.50ct approx, 18.5mm x 12mm, 5.9gm, ring size M/N ** with box £500­700

BID LIVE AT: www.gardinerhoulgate.co.uk

247

246. Good platinum solitaire diamond ring, round brilliant-cut, 1.00ct approx, clarity SI, colour I-J, 3.2gm, ring size M £1500­2000 247. Antique 18ct old­cut diamond cluster ring, 0.80ct approx, clarity SI, colour J-K, 11mm, ring size R/S, 2.9gm £300­500

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250

248. Modern 18ct white gold sapphire and diamond oval cluster ring, the sapphire of good colour in a surround of round brilliant diamonds, sapphire 1.06ct approx, 11.5mm x 9.5mm, 3.5gm, ring size M £400­600

252

249. Pair of 18ct rose gold four claw solitaire diamond stud earrings, round brilliant-cuts, 0.48ct approx, clarity VS, colour tinted. 3.5mm; with box £550­650

252. Antique 9ct gate bracelet set with five turquoise and half pearls, with 9ct padlock clasp and safety chain, width 9mm, 14.4gm, 7.25” long £300­400

250. Attractive 18ct white gold diamond set heart pendant on a slender necklet, 5.4gm, the pendant 15mm wide, the necklet 16” long £320­380

253. Pair of modern 9ct white gold diamond stud earrings, 4mm £70­100

251. 18ct white gold solitaire diamond pendant on an 18ct white gold chain, round brilliant-cut, 1.04ct approx, clarity I1, colour G-H, 3.7gm, the pendant 12mm; with box £2200­2600

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254. Emerald and diamond 9ct three stone ring, 2.7gm, ring size J £35­55

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255 257

259

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255. Good quality platinum sapphire and diamond cluster ring, the sapphire 1.30ct approx, in a surround of round brilliant-cut diamonds, estimated 1.28ct, clarity VS-SI, colour I-J, cluster 14.5mm x 13mm, 6.3gm, ring size M/N £800­1200 256. Platinum princess­cut diamond half eternity ring, 0.36ct approx, clarity SI, colour H-I, width 3.5mm, 3.9gm, ring size L £200­300 257. 9ct diamond line bracelet, 1.00ct approx, 10.3gm, 7.25’’ long approx £300­400 258. Aquamarine and diamond pear shaped pendant on a 14ct slender chain, the aquamarine 16.00ct approx, 6.2gm, pendant 38mm x 14mm £700­900

BID LIVE AT: www.gardinerhoulgate.co.uk

260

259. White gold nine stone diamond half eternity ring, 1.00ct approx, clarity I1, colour H-I, band width 3mm, 2gm, ring size O/P £360­420 260. 18ct white gold three stone diamond ring, round brilliant-cut, 1.54ct approx, clarity SI, colour J-K, 3.3gm, ring size M £1500­1800 261. Collection of assorted silver paste and marcasite jewellery including three bracelets, earrings, brooches, etc £50­100

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262

264

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262. 9ct white gold sapphire and diamond oval pierced dress ring, 13mm x 12.5mm, 2.2gm, ring size N £120­180 263. Pink diamond rose gold heart pendant on a 9ct white gold necklace, the pendant 18mm x 9mm, 1.4gm £300­500 264. 9ct opal and diamond ring, the cabouchon opal 2.20ct approx, with baguette-cut diamonds to either side, band width 9mm, 2.5gm, ring size P/Q £250­300 265. Triangular rough­cut diamond pendant on a slender 9ct necklace, the pendant 16mm, 7.2gm £120­160

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266. 9ct amethyst cabouchon ring in the manner of Andrew Grima, London 1970, the amethyst 16mm x 12mm, 7.4gm, ring size Q £120­160 267. Tanzanite and diamond 14ct jewellery, set comprising pendant on necklet and a pair of matching earrings, 17.5mm, 2.6gm in total £100­150 268. 18ct ruby and diamond gypsy ring, Birmingham 1900, band width 7mm, 3.8gm, ring size M £120­180

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269. Fine and impressive 18ct white gold Riviére graduated diamond line necklace, round brilliant-cut diamonds each set in four claw mounts, estimated 18.05ct, clarity SI, colour H-J, 24.3gm, 17” long approx; with box £14000­18000 270. Good 18ct emerald and diamond cluster ring, the emerald 1.00ct, with ten round brilliant-cut diamonds, 1.00ct approx, clarity SI, colour H-J, 13mm x 12mm, 3.8gm, ring size N/O £1100­1500 274

271. Pair of attractive Victorian style drop earrings, set with peridot, seed pearls and diamonds, wire hook backs, 3.6gm, 40mm ** with box £200­300 272. Novelty articulated 9ct clown stick pin, 6.3gm, the clown 29mm £150­200

BID LIVE AT: www.gardinerhoulgate.co.uk

273. 9ct butterfly stone set brooch, two 9ct pendants and a mourning brooch, 8.6gm (4) £160­220 274. Pair of 18ct sapphire and diamond drop cluster earrings, each set with oval blue sapphires, 1.93ct and 1.73ct approx, within a surround of round brilliant-cut diamonds, hoop wire clip backs, length 29-30mm £400­600 GARDINER HOULGATE

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282. 9ct sapphire and diamond cluster ring; also another 9ct cluster ring, 4.3gm (2) £50­80 283. Large 9ct yellow gold key design stone set ring, width 14.5mm, 7.4gm, ring size Z; also a 9ct gem set ring, 2.8gm (2) £120­160

286

284. Russian 14ct triple colour knot design ring, stamped ‘585’, splitting to six sections,10.1gm, ring size X/Y £200­250 285. Pair peridot stud earrings in 9ct white gold, 6mm £50­80 286. Antique style silver and gold bar brooch, set with old cut diamonds and sapphire over a single pearl, 5.3gm, the pearl 8mm, 48mm; with box £420­480 287. Scottish 9ct amethyst thistle brooch, Birmingham 1912, 2.3gm, 44mm; together with a Georgian paste silver crescent brooch, 48mm (2) £30­50

288

275. Four 9ct stone set dress rings, 9.5gm (4) £80­120 276. Four 9ct stone set dress rings, 14.6gm (4) £100­150 277. Three 9ct signet rings, 10.7gm; also two silver rings (5) £120­160 278. White metal opal set ring, 3.1gm; 14k jade set ring, 3gm; also a 22ct wedding band ring, 3mm, 2gm (3) £100­150 279. 14k three stone zircon dress ring, 4.5gm, ring size N/O; together with a 9ct opal and diamond cabouchon ring, 10mm, 2.3gm, ring size N (2) £60­100 280. Novelty gold ‘tennis racket and ball’ stick pin, 2.9gm, the racket 26mm £70­90

288. Novelty 18ct dog stick pin, 2.7gm, the dog 27mm x 16mm (pin 9ct) £150­180 289. 18ct old­cut diamond five stone ring, 2.3gm, ring size M; together with an 18ct solitaire cz ring, 2.6gm, ring size L (2) £100­150 290. Platinum ring shank with diamond tapered baguette shoulders, 4.9gm, ring size F (no centre stone, 7mm x 3.5mm approx) £70­100 291. Two 18ct antique rings, 4.1gm (2) (stones missing) £100­150 292. White gold emerald full eternity ring, band 3mm, 2.6gm, ring size N (stone missing), with three 9ct rings for repair, 5.8gm (4) £100­150 293. Jewellery for repair to include three 18ct rings 5.1gm; four 9ct rings 6gm, Georgian enamel part ring1.9gm enamel part ring (8) £180­220

281. Novelty 9ct ‘fly’ stick pin, 2.4gm, the fly 14mm £100­120

294. Victorian pinchbeck revolving locket brooch, 70mm; oval onyx brooch, 49mm x 37mm; also two gilded locket pendants (4) £40­80

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298

295. Three 18ct white gold ring shanks, 8.9gm (3) £200­300 296. Novelty antique gold and ivory scull stick pin in case, the scull 14mm; also another horseshoe pearl set stick pin (2) £100­150 297. Two similar sapphire and cz dress cluster rings, 5.6gm in total (2) £50­80 298. Art Nouveau AJ Hedges & Co. 14k and enamel butterfly clip inset with a single old­cut diamond, hallmarked ‘14k’ and stamped to the underside wing ‘Pat Nov 30’86’, 8.4gm, 34mm wide £150­250 299. 9ct charm bracelet, 24gm £300­400 300. 18ct curb link bracelet, marked ‘750’, 10.4gm, 8” long £270­320 301. Three 18ct and platinum ring shanks, 7.8gm (3) £180­220 302. Attractive white gold sapphire and diamond ring, the sapphire 0.50ct approx, in a stepped setting with emerald-cut diamonds, 9ct, band width 7mm, 2gm, ring size N/O £200­300 303. 18ct three stone diamond ring, 2.1gm, ring size O/P £50­80

BID LIVE AT: www.gardinerhoulgate.co.uk

304

304. 18ct gem set cabouchon and diamond ring (probably pink tourmaline), the central cabouchon in a raised setting with round brilliant-cut diamonds set in white gold, width 16mm, height 16mm, 7.6gm, ring size J/K £300­500 305. Four antique rings for repair to include an 18ct 1.5gm, 9ct mourning ring 1.9gm; 14ct ring 1.6gm; 15ct stone set ring 2gm (stone loose) (4) £120­160 306. 9ct pearl set pendant, another pearl pendant, pair of 9ct earrings; also a small selection of mostly gold jewellery and attachments for repair, 12.9gm in total £120­180 307. 9ct opal three stone cabouchon ring, width 8mm, 4.4gm, ring size N £50­80 308. Three 9ct stone set rings, 5.1gm (3) £55­75 309. Platinum diamond set half eternity ring, 2.8gm, band width 2mm, ring size L £40­60

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311

310. Antique gold pearl set necklet with associated attachment, 11.3gm; yellow metal tassel attachment, 2.8gm; also an antique 9ct garnet set ring, 2gm £250­350

311. 14k moonstone yellow gold bracelet, set with twelve moonstone cabouchon, 1.9gm, 6.5” £160­180

END OF DAY ONE SALE

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Antiques & Works of Art Thursday 26th November 2020 at 10am

Front cover: lot ??? Back cover: lot ???

Online Auction

SALE NO: AW251120


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SILVER INCLUDING ASHTON MILL LOTS 251265 251. George V silver boat shaped three piece tea set, maker S Blanckensee, Birmingham 1918, ornate monogram, 38.5oz t £400­600 252. George III silver soup ladle with feather edge and scallop bowl, maker Robert Ross, London 1775, approx 13” long, 4.5oz t £80­120

251

253. Chinese export silver (0.900) seven piece cruet set complete with four original glass liners, maker ‘WK’, silver weight 6.7oz t £70­100 254. Silver cream jug of octagonal shape, maker William Neale, Birmingham 1937, 3.5” high, 5oz t £50­80 255. Modernist silver cream jug, William Neale, Graham Watling, London 1975, 3.5” high, 4.6oz t £45­65

252

256. Miniature Edwardian silver front Book of Common Prayer embossed with angels amongst clouds, printed by Eyre & Spottiswood, 630pp, maker Green & Cadbury, Birmingham 1904, 2.25” x 2” £30­50 257. Pair of matching silver and cut glass 4” whisky decanters and labels, maker Wilmot Manufacturing Co, Birmingham 1924/25 (2) £40­60 258. Silver four slice toast rack, 3” long, maker Emile Viner, Sheffield 1932; together with a pierced tea strainer and bowl, maker Emile Viner, Sheffield 1962/63, 5oz t (3) £45­65 259

259. Vintage Selfridge & Co silver sugar sifter, Birmingham 1930, 7.5” high, 6oz t £50­80

261. Three matching silver napkin rings, Charles Horner, Chester 1924; together with four further silver rings including a pair, 4.8oz t (7) £40­80

260. Three small antique silver photograph frames, the largest 3.75” x 2.5” (two at fault); together with a silver mounted ebonised box, 4.75” x 2.5” x 1.25” (4) £25­45

262. Mixed lot of antique and vintage silver items including spoons, tongs, sifter spoon, bookmark etc, 18oz t £180­220

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263. Silver cigarette box, 7” x 3.5” x 2.25”, Birmingham 1925, inscribed ‘Manora’ and with various signatures, fitted with wooden divided interior, gross weight 16oz t £50­80 264. Viners 1943 matching silver­handled cake knife and pie slice, a small Edwardian 1904 silver butter knife; together with a collection of various silver handled items (14) £30­50 265. Mixed lot of antique and vintage silver items 269 including a three piece cruet set, Chester, matching salt and pepper pots, two small bowls, small jug, matchbook holder, egg cup, Continental 935 silver-gilt guilloche pill box and a small Edwardian silver topped scent bottle with original glass stopper, approx 12oz t (12) £100­150 266. Pair of George III silver oval salts with blue glass liners, with engraved swag decoration around a vacant cartouche, raised on four claw and ball feet, maker ‘WS’ (possibly William Sutton), London 1789, 3” wide, 2.6oz t silver weight (2) £60­100 267. Set of three silver decanter labels, for Gin, Cointreau and Vermouth, maker S J Rose & Son, London 1925, 7.75” wide, 1.2oz t total (3) £20­40 268. Three Georgian silver dessert spoons, two by Stephen Adams, one by Charles Eley; together with a plated spoon, three silver weigh 6oz t (4) £70­90 269. Edward VII silver mount glass scent bottle, the repousse scrolling decorated hinged cover over an inner glass stopper, marked ‘The Alexander Clark Manufacturing Company’, Birmingham 1905, 6.25” high £70­100 270. Set of six William IV silver teaspoons, maker Benjamin Davis, London 1831, 5.5” long; together with three further Georgian London assayed silver teaspoons and three GH & Co. Nickel silver teaspoons, 7.2oz t total (12) £60­100 271. George V silver salt with blue glass liner, Birmingham 1911, 3.5” wide; together with a silver cruet pair by CE, London 1937, London 1937, 3.5” high, and a plated salt with blue glass liner, silver weight 3.6oz t (4) £30­50

BID LIVE AT: www.gardinerhoulgate.co.uk

278

272. Goldsmiths & Silversmiths Co Ltd octagonal silver caster, London 1903, 6.5” high, 3.7oz t £40­80 273. WIlliam IV silver table spoon, maker Jonathan Hayne, London 1835, 8.75” long, 2.4 oz t £30­50 274. George III silver sauce ladle, maker Peter, Ann & WIlliam Bateman, London 1802, 6.5” long; together with a Georgian sugar nips. Also assorted further silver and plated spoons and nips including caddy spoon and teaspoons, 5.1oz t silver weight (10 items total) £60­100 275. Pair of P H Vogel & Co. silver wine coasters, with turned hardwood bases on green baize, Birmingham 1969, 5” diameter; together with two small silver dishes, indistinct maker mark, London 1912, 3.25” diameter (4) £60­100 276. Art Deco cased pair of silver engine turned brushes, maker John Rose, Birmingham 1936, monogrammed EW, each brush 4.5” x 2.25” £40­60 277. Good Martin, Hall & Co. cased canteen of eighteen mother of pearl handled and silver dessert knives and forks, Sheffield 1856, knives 8” long, forks 6.5”, presented in three tier mahogany case retailed by Ollivant & Botsford, Manchester, case 11.5” x 10” £100­200 278. Cased set of twelve commemorative silver Apostle spoons, each spoon with inset gilt medallion to the reverse commemorating 300 years of St Paul’s Cathedral, together with a gilt metal title token, the set no. 618/2500, each spoon 4.5” long, makers Toye, Kenning & Spencer Ltd, London 1976 £100­150 GARDINER HOULGATE

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284. Pair of William Hutton & Sons Ltd silver candlesticks of Corinthian column form, on square stepped bases, London 1900, 5.25” high, weighted bases (2) £100­150

286

279. Victorian novelty silver ink stand, modelled as a boat, with small glass ink well (lid lost at fault), maker Alexander Macrae, London 1867, 7” long, on a moulded baize lined stand and plinth 8” long, silver boat only 1.9oz t £30­50 280. Wakely & Wheeler good quality cast silver horse and rider model, London 1994, upon a rectangle base and a stepped wooden plinth, 5.5” wide, 4.5” high £350­450 281. Late Victorian silver half reeded twin­handled sucrier, maker possibly Barker Brothers, Birmingham 1901, 7.5” wide, 3.5” high, 7.3oz t £70­100 282. Art Deco silver sucrier and cream jug, sucrier 3.75” diameter, 2” high, maker Stanley Walker trading as Sydney James Hall, Chester 1945, 5.7oz t (2) £50­80 283. Collection of ten assorted silver napkin rings, all 20th Century assayed Birmingham, 5.5oz t (10) £50­100

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285. Joseph Gloster Ltd silver cruet set with caster, patent no. 325841, Birmingham 1930, bakelite lined, caster 2.75” high; together with a pair of Georgian silver sugar nips, 5.5” long (4) £30­50 286. George III silver marrow scoop by Paul Storr, engraved with crest to the reverse of scoop, London 1817, 9” long, 1.8oz t £200­300 287. Collection of ten silver thimbles (10) £50­80 288. Collection of ten silver thimbles (10) £50­80 289. Victorian white metal folding corkscrew, handle 2.5”, screw 2” £60­100 290. Scottish silver sauce ladle, with monogrammed handle, Robert Keay, 6.5” long; together with pair of George IV salt cellars marked ‘AE’, Edinburgh 1824, 5.1oz t total (3) £120­180

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293

291. Polish Art Nouveau cruet set on stand, the covers with stylized amber rose flower heads, the two similar spoons (one possibly later) with amber finials, 5” wide £100­150 292. Asprey planished silver­gilt pill/trinket box, the hinged top with engraved monogram, stamped ‘Aspre, London’, with makers stamp for Charles & George Asprey (circa 1892-1909), 2.5” x 2”, 2.3 oz t £80­120 293. Indian sterling silver cylindrical tankard, relief decorated with a landscape with figures in various farming pursuits and elephants, 5” high, 10.7 oz t £200­300

301

294-300 NO LOT

ANTIQUE TABLE & CABINET SMALLS 301. Pair of Georgian mahogany serpentine knife boxes, the hinged lids enclosing a fitted interior and inlaid paterae to the undersides, also with inlaid hareball swag decoration to the front, 8.5” wide, 8” deep, 14” high £200­400 302. Oak three bottle tantalus with silver plated mounts, the mirror back over a divided compartment and secret drawer, applied with an engraved presentation plaque dated 12.1.15, 14” wide, 13.5” high £100­150 302

BID LIVE AT: www.gardinerhoulgate.co.uk

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303. Edwardian oak brass mounted mahogany stationary box, the hinge lid and fall front enclosing a divided interior, 12” wide, 7.5” deep, 11” high £40­80 304. 19th century carved lime wood figure, of a monk holding a bible and giving a blessing, 28” high £200­300 305. Pair of decorative ormolu candlesticks, each with reeded columns and cast scroll supports upon trefoil bases, 12.5” high £60­100 306. Victorian burr walnut brass bound writing slope, with a green leather lined fitted interior, 16” wide, 7.25” high £80­120 307. Victorian walnut brass bound writing slope, the fitted interior inset with two square glass ink bottles, 15.75” wide, 6.5” high £50­80 308. Attractive small walnut two train bracket clock in the Georgian manner, striking on a bell, the 4.5” brass arched dial signed John Smith, London on an arched plate to the matted centre, enclosed by a silvered chapter ring and surmounted by a moon phase to the arch, within a rounded arched gilt metal mounted stepped case surmounted by a carrying handle, 11.5” high (pendulum and key) £150­250

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308

309. Edwardian oak domed tambour stationary cabinet, 19” wide, 11.5” deep, 10” high, key £60­100 310. Harriet Glen, bronzed resin figure of the horse ‘Arkle’, 11” high; together with another Harriet Glen figure of racehorse taking a hurdle, 9.5” high (2) £30­50

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311

312

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311. Harriet Glen (Contemporary) ­ ‘Arkle’ bronze figure of the horse, titled to the base and signed, limited edition no. 8/25, mounted on a rectangular wooden plinth, 14.5” wide, 6” deep, 11.5” high £100­200

313. Royal Worcester ­ figure of H.R.H The Duke of Edinburgh, modelled on horseback playing polo, modelled by Doris Lindner, titled, facsimile signature and factory stamp to underside, oval fitted hardwood base, 15” high to top of mallet £150­250

312. After Pierre Jules Mene (1810­1879) ­ large bronze figure of a horse, Talos gallery, impressed signature to base, upon black marble rectangular plinth, 23” wide, 8” deep, 21” high £100­200

BID LIVE AT: www.gardinerhoulgate.co.uk

314. Royal Worcester ­ figure of H.R.H The Duke of Edinburgh, limited edition no. 505/750, modelled on horseback playing polo, modelled by Doris Lindner, titled and factory stamp to underside, 15” high to top of mallet, Certificate, fitted storage crate £150­250

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315 317

315. Pair of carved oak lions, each modelled on hind legs as if to hold a banner or flag upon on square plinth bases,17th/18th century, 12” high (2) £80­150 316. 17th/18th century carved oak figural panel, depicting three gentlemen, a guard with two prisoners, 18.5” wide, 12” high £80­120 317. Interesting 17th/18th century carved oak lion mask, parcel polychrome decorated, 11” high, 12” wide £100­200

316

318. 17th century carved oak lion, modelled holding a scrolling shield, 14” high £60­100 319. Victorian walnut writing slope with a fitted interior, 14” wide, 7.5” high, key £60­80 320. Victorian mother of pearl inlaid writing slope, the top decorated with inlaid foliate bands, inlaid escutcheon and a fitted interior, 13” wide, 5.25” high £50­80 321. Decorative Continental Maiolica plaque within an ornate cast gilt metal frame, painted with figures and satyrs within foliate scroll borders on a deep blue ground, monogrammed, 29.5” x 14” £100­150 318

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322. Pair of Dutch Heemskerk pewter candlesticks, with wide drip pans and domed bases, 8” high; together with a pair of 18th century style short candlesticks upon octagonal bases, 5” high (4) £60­100 323. Mason’s Patent Ironstone China ‘Japan Fence’ pattern washing jug and basin, jug with serpent handle, 11” high, basin 16” diameter; also a smaller basin with serpent handle, octagonal vase (at fault, rim chip and crack) and soap dish with cover, factory stamps and script numbers underside (5) £150­250 324. Wemyss cockerel pattern jug, painted inscription ‘Wemyss’ to the underside, 5.5” high £40­80 325. Good quality heavy cut glass vase, with starburst and geometric decoration around, on a circular foot, 14” high £50­80 326. Good cut glass oval dish, 18.5” wide, 3.5” high £40­60 327. New Hall early 19th Century porcelain twin handle sucrier, in cobalt and gilt acorn pattern, pattern no. indistinct script underside, 7” wide; together with a Coalport cabinet plate, decorated with central river scene within gilt and blue foliate scrolling borders, bearing crown factory mark, 9” diameter and a Mintons cabinet plate decorated with central gilt fleur de lis medallion within powder blue and gilt rim borders, impressed factory marks underside, 9.25” diameter (3) £40­60 328. Pair of Worcester lettuce leaf porcelain sauce boats, decorated with moulded leaf texture and naturalistic handles, green and pink bands and insects, a floral spray to the interior, (one handle af glued repair) 7” long, 4” high £80­120 329. Royal Crown Derby ‘Old Imari 1128 pattern’ ­ plate 10.5” diameter, smaller plate 9” diameter, side plate 6.25” diameter, cup and saucer, dish in original retail box, 4.25” diameter, and a pot with cover, 4” high (7) £60­100 330. Spode porcelain cabinet plate, Imari palette pattern 967 in script underside, 8” diameter (at fault); together with further 967 plate 7.25” diameter, two cups and saucers (one cup at fault) and a Spode New Stone rectangle plate,11” wide (7) £40­80

BID LIVE AT: www.gardinerhoulgate.co.uk

335

336

331. Royal Worcester porcelain trefoil centrepiece posy vase, modelled as lotus flowers with gilt leaves over a larger leaf base, pre-1876 factory stamp and impressed mark U10 and further impressed mark 797, 10” wide, 6” high (at fault) £30­50 332. T. Rathbone & Co. 19th century pottery blue and white bowl, factory stamp and inscribed N.2 underside, 11” diameter £20­40 333. Large blanc de chine style white glazed porcelain figure of a Shepherdess with basket of fruit, a sheep by her feet, modelled on a naturalistic tree trunk base, raised on a circular foliate scrolling plinth, 22” high £50­80 334. Parian figural group of a gentleman kneeling by rocks, a dog by his side, 13” wide, 10” high (at fault); together with a Parian bust of a gentleman, inscribed ‘William Moore’, initialled ‘JL’ to the reverse, 8” high (2) £30­50 335. Copeland Parian figure of a shepherd with a sheep, modelled on a naturalistic base, impressed lower back ‘Ceramic and Crystal Palace Art Union, copyright reserved Pub’d 1871’, further impressed ‘L A Malempre, Sculp 1871’, 18” high £70­100 336. Parian figural group of a lady seated, feeding a dog by her side, modelled on a naturalistic base raised on a detailed plinth, faintly inscribed number in red underside, 14.5” high £100­150

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337

342

337. Good carved white marble figural group of a cherub with a dog, 17” wide, 14” high £500­800 338. Royal Crown Derby ­ collection of assorted tea wares including Imari pattern trio and further three teacups with saucers, Imari pattern plate 10” diameter, cake plate 6” diameter and a further plate, floral dish on stand, further teacup, three assorted saucers and a Davenport Imari pattern cake plate £60­100 339. New Hall porcelain teapot with gilt borders and maroon floral motif, 7” high (at fault, considerable hairline crack); together with three New Hall teacups and three tea bowls, plate pattern no. 1927, 8.5” diameter and saucer pattern no. 20, 5” diameter (9) £50­80 340. Collection of teacups and saucers; to include Royal Worcester crescent marked blue and white, Coalport, a Hammersley & Co. trio and Wedgwood Edma Meadow pattern dish £50­80 341. Collection of assorted pottery tea wares to include a Spode pattern no. 2881 teapot (at fault), New Hall cream jug, pair Booths real old willow jugs, Worcester dish and similar pattern saucer and teapot (both at fault), Worcester blue and white pagoda scene bowl, further blue and white tea bowls, saucer and dish. Also a Royal Dalton Matsumai pattern pedestal dish together with a similar pattern oval dish and bowl, (various faults) £60­80

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343

342. After Louis Theophile Hingre (1832­1911) ­ bronze study of an elephant with cats riding in Howdah, impressed signature to base, upon a moulded plinth, 8” high £150­200 343. Good Jaeger LeCoultre ‘Embassy Red’ model Atmos clock, the 5” gilt brass chapter ring with faux red and black marble dial plate and sides, within a brushed brass stepped case, 8.75” high; also with an associated Chinese hardwood stand with curving legs and pierced frieze £500­800 344. 19th century oak stick barometer, the ivory scale signed West, 92 & 93 Fleet Street, London, over a flat trunk to the hemispherical cistern cover, surmounted by a foliate carved pediment £80­120

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347

349

345. Vesper Optics ‘Superfield’ 7x35 extra wide angle binoculars, no. 09697, with branded carry case £15­30 346. Carl Zeiss 7x50 B rubberised marine binoculars, marked Made in West Germany no. 1143271 £120­180 347. Barr & Stroud WWII Military issue pair of binoculars, with extending lenses, serial no. 40546 M, in a later hard case £60­100 348. Minox Wetzlar Complan 1: 3.5 f= 15mm miniature/spy camera, in leather case with safety chain; together with a Minox EC miniature/spy camera with box, safety chain, film and manual £50­80 349. Leica M3 mechanical rangefinder camera outfit, circa 1964, body chrome, serial no. 1100 603, with Leitz Wetzlar Summilux 1:1.4/50 lens no. 1883718 with cap; Leitz Wetzlar Elmar 1:4/90 lens no. 1920688 with cap; Leitz Wetzlar Elmar 1:4/135 lens no. 1891661; Leica-meter MR; two filters and two lens brushes, complete with Leica guide, manuals, instructions and service card and branded leather carry case with strap £1000­1500 350. Georgian mahogany serpentine knife box, the hinged lid enclosing a red baize lined two division interior, raised on three short bracket feet, 9” wide, 11” deep, 15” high (at fault) £50­80 351. Walker’s Patent “Harpoon” Sounding Machine, with lanyard, in original bow with directions for use to lid underside, numbered 6713 F under anchor mark and T Walker’s Patent, 9” long £200­300

BID LIVE AT: www.gardinerhoulgate.co.uk

351

352

352. 19th century satinwood twin brass handle butler tray, central painted decoration of musical instruments within scrolling foliate and floral swag borders, 24” wide, 15” deep (faults) £50­80

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353

359

361

358. Four Staffordshire bocage figures, a single Staffordshire figure of a gardener and a Staffordshire figure of a young girl sat upon a goat, the largest 6.25” high (6) £60­100 359. Pair of Staffordshire Walton bocage figures of gardeners, each entitled Walton to the reverse, 5” high (some faults) £40­80

363

353. 19th century salt glaze stoneware Napoleon ewer, 14” high; together with a Doulton stoneware relief hunting jug, 5” high (chip to foot rim) (2) £40­80 354. Collection of six Victorian Staffordshire flatback pottery figural groups including three clock examples, the largest 15” high (faults) (6) £50­80 355. Four Nailsea type green glass dumps, the largest 5” high (4) £60­100 356. Four similar Nailsea green glass dumps, each internally decorated with flowers, the largest 6.5” high (4) £80­120 357. Pair of 19th century fluted glass decanters with hollow stoppers, 12.25” high; together with a brass ecclesiastical style single brass candle stand, 18” high (3) £30­50

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360. Royal Worcester cresent period blue and white porcelain teapot, crescent mark underside, 5.5” high (restorations including spout); together with a Spode blue and white ‘Fisherman’ pattern teapot, 5” high (2) £120­180 361. Good Edwardian silver mounted square glass ink well inset with a watch, maker John Grinsell & Sons, Birmingham 1903, 3.5” wide, 3.5” deep, 3.5” high £120­180 362. NO LOT 363. Rococo style gilt bronze ink stand, with two covered ink wells (one glass liner missing), 15.5” wide £80­120 364. Victorian papier mache painted tea caddy, the hinged domed cover with mother of pearl inlay border enclosing an interior of two covered compartments, gilt painted swag decoration to each side, raised on low bracket feet, 9.75” wide, 6.75” deep, 5” high £100­150

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369

370

372

365. Chinese opium scales, in a carved wooden folding cased depicting a fisherman £40­80 366. 19th century copper samovar, twin-handled, with brass tap and finial, 21” high £80­120 367. Early 20th century shagreen cigarette box, the hinged cover with applied white metal portrait of a dogs head, 4.5” wide, 4” deep, 2” high £80­120 368. Hukin & Heath silver mounted ivory pepper mill, Birmingham 1927, 3.5” high £80­120 369. Novelty treen carved snuff box modelled as a horses head, 6” wide, 3.5” high £150­200 370. Georgian yew wood sarcophagus tea caddy, with divided and further covered interior, twin brass handles raised on brass ball feet, 8” wide, 4.5” deep, 7” high £250­350 371. 19th century blonde tortoiseshell tea caddy, white metal strung, the hinged cover enclosing interior of two covered compartments, raised on bun feet, 6.75” wide, 4.5” deep, 5.5” high £400­600

BID LIVE AT: www.gardinerhoulgate.co.uk

371

372. Victorian coromandel dome top tea caddy, with brass and ivory strap work decoration, the hinged cover enclosing an interior of two covered compartments (later inner covers), 8.75” wide, 5” deep, 6.25” high £150­250 373. Chinese silver mounted ivory dish by Hung Chong, the kidney shaper bowl with silver mount with sea creatures, raised on crossed faux bamboo supports, stamped marks, 7” wide £300­500 374. Reliquary ­ a pressed glass pendant inset with a figure of Christ, possibly Baccarat, on a gilt mount and ring, 4.5” high, 2.25” wide £80­120 375. Eastern white metal rose water sprinkler, with lobed two part body, the lower spout with leaf moulded decoration, the sprinkling finial modelled as a rose flower head, 10” high £80­120

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376. Collection of silver (800) and white metal miniature bijouterie and novelties; including a windmill 3.5” high, figural group of putti playing a harp, two strainers and miniature beadwork table (5) £250­350 377. Silver miniatures to include silver wheel barrow, 3” long; novelty silver figure of a fisherman and a lamplighter (3) £250­350

376

378. Miniature articulated (800) silver and ivory figure of an Oriental nodding wise man seated on a cushion, marked ‘800 Depose’ to the underside, 1.75” high; together with a white metal figural group of a man pulling a rickshaw with articulated wheels (2) £250­350 379. Vintage steel cut buckles, one leather backed; together with a brass pair (3) £50­80

377

380. Bilston enamel pill box with hinged cover decorated with two doves inscribed ‘Love for LOVE’ inset mirror to underside of cover; together with a porcelain floral decorated circular pill box and cover, 1.75” diameter and a gilt metal mounted blue agate oval box (3) £100­150 381. 1902 maundy money set in a sealed packet with denominations of 1d-4d £80­120 378

382. Silver­gilt enamelled circular box by David Anderson, with a hinged cover and ovoid body decorated with white enamel beaded borders with gilded inlay upon a red guilloche enamel ground, stamped maker’s marks for 1880-1925, 1.5” diameter £150­250 383. Circular guilloche enamel on gilt metal hat pin in the manner of Charles Horner, 11.5” long £30­50 384. Harry Parr (1882­1966) ­ Chelsea pottery figure of an elegant lady holding a rose, dated 1921, inscribed to the reverse ‘HY Parr 1921 Chelsea’, upon a circular wooden base, 11” high £150­250

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397

398

400

385. Parker ‘51’ pen with 1/10 12ct rolled gold cap, within a Parker box with instructions £30­60

392. French ‘Palais Royale’ shell and mother of pearl mount strut mirror / trinket tray, 5” wide, 6.5” high £40­80

386. 19th century rosewood sarcophagus tea caddy, the hinged cover enclosing fitted interior of two dome top chests and central glass bowl, 13.5” wide, 7.5” deep, 8.5” high £40­60

PRIVATE COLLECTION OF COINS

387. NO LOT 388. 19th century portrait miniature of a gentleman, half length wearing a grey coat, white shirt and black cravat, watercolour, possibly on ivory or enamel, 5” x 3.75”, oval; together with a further portrait miniature of a lady, three-quarter length wearing a black dress and a large white lacy bonnet, watercolour on ivory 3.25” x 2.75” (damaged) also an oval miniature from the Moghul School, depicting a young man wearing an elaborate headdress and costume, watercolour on ivory 2” x 1.5”, oval (3) £100­150 389. Circle of Henry Edridge (19th century) ­ Portrait of a young man seated wearing a black coat, white shirt and black cravat, pencil, charcoal and watercolour wash, 7” x 5.25”, oval; together with a portrait of a seated lady at a desk with an arrangement of flowers by her side, pencil and watercolour wash, 6.5” x 5.5”, within a good maple frame with inner gilt slip (2) £80­120 390. Miniature School (19th century) - Head and shoulders portrait of a young lady wearing flowers in her hair, gilt and ebonised mount, 6.75” x 5.75” overall £50­80 391. Pair of Arts & Crafts style tall brass candlesticks, the sconces over drip pans supported upon baluster turned columns and stepped circular bases, 17.25” high *From the estate of Arnold Dolmetsch by descent £60­100

BID LIVE AT: www.gardinerhoulgate.co.uk

393. Roman bronze coins, CAD270-370 (approximately sixty) £50­80 394. Interesting mix of coins, including 1863 1/2d, NEF, Irish penny 1806, VF, QV 1897 SI-F-VF (2), 1854 groat, EF, 1887 41-VF, a bag of 17th century Jetons, Maria Theresa thaler, James II ‘Gun Money’ 6d and 2/6 (Fine) etc £200­250 395. Three 1797 ‘Cartwheel’ 2d copper coins £50­80 396. Varied selection of 18th and 19th century British copper tokens, 1/4d (1), 1/2d (23) and penny (2) £50­70 397. William III 1697 silver shilling, C below bust (Chester) £50­70 398. 1775 attractive copper 1/2d coin £70­100 399. Two English ‘hammered’ silver shillings, comprising Elizabeth I 1582-4 (MM ‘A’) and Charles I declaration type Oxford 1/- of 1643; also Mary groat (3) £150­200 400. 1928 silver ‘Wreath’ crown coin (only 9034 struck) £60­80 GARDINER HOULGATE

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AUCTION

OF

Online Auction

Vintage & General

Lot 991

Friday 27th November At 10am Lot 881 Lot 940

Lot 1039

G ARDINER H O U L G AT E T H E S P E C I A L I S T AU C T I O N E E R S

For further details please contact Chris Baker Find us on Facebook!

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+44 (0) 1225 812912 auctions@gardinerhoulgate.co.uk www.gardinerhoulgate.co.uk

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Asian Works of Art Lots 410-457 - The following collection of Chinese porcelain, jade, other Oriental artefacts and furniture were accumulated by the vendor’s paternal grandfather, Mr Roy Moodie, who had a fascinating and successful banking career with the Hong Kong and Shanghai Banking Corporation in the 1950s, where he rose to a senior position in the company. It was this time spent in the far east that encouraged his love and lifelong interest in Chinese artefacts, especially blue and white porcelain, jade and furniture

Online Auction


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403

406

404. Two Japanese silk Obi sashes, one decorated with birds and ships, 150” long, the other with flowers, 160” long, 20th Century (2) £30­50 405

ASIAN WORKS OF ART 401. Two similar Japanese cloisonne vases, the first with a Crane by a tree on powder blue ground, the second with birds among branches on a coral ground, both 13” high; together with an oval twin handle brass gallery tray decorated with Cranes by reeds and water, 20” across (3) £60­100 402. Japanese porcelain enamelled ovoid vase and cover, decorated with faux cloisonne glaze depicting fruiting branches and butterflies upon a brown ground, the cover enclosing an internal cover, printed character marks, 10.5” high (at fault); together with an Oriental enamelled metal jar and cover, with gilt decoration over white harebell style garlands, 9.5” high (at fault) (2) £60­100 403. Matched pair of Chinese famille rose ‘butterfly’ porcelain bowls, each with shaped scallop fluted rim and enamelled with foliate panels in pastel shades, each bearing Tongzhi seal marks and most probably of the period, the largest 8” wide, 3” high (2) £200­400

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405. Chinese Canton stained carved ivory chess set, incomplete (25 pieces) £100­200 406. Chinese carved jade of recumbent oxen with a figure on its back, 3” long £200­300 407. Four Chinese silk embroidered pictures of birds among flowers, largest 11.5” x 15.5”, all within mounts and frames (4) £50­80 408. Chinese famille rose plate, 18th century, decorated with peonies and other flowers amidst foliage, 12.75” diameter; also another Chinese plate, decorated to the centre with repeating bands of stylised flowerheads and to the borders with dragons amidst flowering foliage, 13.75” diameter (large stapled repairs) (2) ** From the estate of Arnold Dolmetsch by descent £40­80 409. Persian School ­ Polo match and figures in a garden landscape within a foliate border, large watercolour, 42.5” x 30.5”, within a glazed frame £60­100 410. Mixed selection of principally Chinese porcelain, to include 18th century Chinese famille rose saucers, tea bowls, cups etc £100­200

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411

415

416

411. Chinese Sang­De­Boeuf porcelain glazed baluster vase, with highfired glaze, the vase 13" high, with a hardwood stand £1000­1500 412. Chinese blue and white porcelain circular shallow charger, painted with grapes within a moulded raised foliate border and shaped rim, 14.5” diameter £80­120 413. Collection of twelve graduated Chinese porcelain celadon ducks, 20th century, some with impressed marks underside, tallest 9” high; together with a similar glaze duck laying and a bull figure (14) £60­100 414. Extremely large 18th century Chinese blue and white porcelain charger, decorated with two figures in a garden landscape enclosed by a scaled and butterfly decorated border, 21.25” dimeter (at fault) £200­400 415. Good Chinese carved jade model of a sailing boat with two figures, upon a hardwood base, 14” high; within a lined presentation box £500­800 416. Chinese celadon glazed circular porcelain low jardiniere, decorated with key pattern bands on three short feet, 14.5” diameter, 6” high £500­800

BID LIVE AT: www.gardinerhoulgate.co.uk

414

417. Pair of Chinese blue and white prunus blossom porcelain chargers, 12” diameter £50­80 418. Collection of seven Chinese porcelain blue and white plates and shallow bowl, 18th century, the largest 9.25” approx (7) (some faults) £100­200

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419. Large Chinese blue and white Kangxi period porcelain yen yen vase, painted in underglaze blue with extensive mountainous lake scenes with scholars, fishermen and buildings, Kangxi, double circles mark, 17.5” high £3000­5000

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420. Fine large Chinese porcelain blue and white bottle vase, painted in underglaze blue with lotus scrolls and with a band depicting the ‘Eight Symbols of Buddhism’, bearing Qianlong seal, 23” high; with a carved and pierced hardwood stand £5000­8000

BID LIVE AT: www.gardinerhoulgate.co.uk

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421. Pair of fine Chinese porcelain blue and white tea bowls, thinly potted and painted internally with a four-petal motif enclosing five Sanskrit characters, the exterior painted with a pair of birds and fruiting tree, Chenghua mark in underglaze blue in a double square, 3.75” diameter, 2” high; presented in a contemporary blue cushioned case, the case 13” wide Condition: both in excellent condition £20000­30000

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422

424

422. Chinese blue and white meiping porcelain vase, Kangxi four character mark, 5.25” high, Chinese blue and white porcelain baluster vase, Kangxi four character mark, 6” high (at fault), Chinese blue and white porcelain tea cup with an artemisia leaf mark, 3” high (at fault); also another Chinese porcelain tea cup, 2.75” (at fault) (4) £200­400 423. Chinese blue and white porcelain circular charger, decorated with three immortals within foliate borders, 19th century, 15” diameter; mounted upon a fine carved and pierced hardwood stand £120­180

425A

425

424. Indian stained and natural ivory figural part chess set, missing white horse and red pawn (at fault, losses to finer weapon details and some hands/fine details to clothing) £100­200 425. Chinese carved hardstone vase and cover, of tapered form surmounted with a mystical dog over ring handles and key design bands, hardwood stand, within a fitted presentation box, the vase 8” high £100­200 425A. Pair of Chinese carved dark hardstone figures of Buddhistic lions, upon rectangular plinth bases, 4.25” high ** one Bearing Sotheby’s Belgravia label £60­100

BID LIVE AT: www.gardinerhoulgate.co.uk

425B

425B. Pair of carved pale jade figures of birds perched upon branches, mounted upon shaped pierced and carved hardwood bases, 7” high; carved Chinese soapstone figure of a sage, two small hardstone carvings of birds and a green onyx dish mounted with two ducks £100­200

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426. Chinese Nanking Cargo blue and white porcelain tea bowl and saucer, decorated with a pagoda landscape, the saucer 4.5” diameter ** Christie’s, Lot No. 5060 £40­80 427. Chinese Sang­De­Boeuf miniature porcelain squat vase, 1.5” high, 3.5” diameter £80­120 428. Japanese ivory netsuke modelled as a man holding a birdcage, signed, Meiji, mounted up on a later stand, 2.5” high £60­100

427

428

429. Three Japanese cloisonne baluster vases, the tallest 7.25” high (3) £50­80 430. Chinese famille rose porcelain hors d’oeuvre set, consisting of nine shallow dishes each painted with figures and landscapes in typical palette, within a square hardwood box with a carved cover, the box 11.5” square (one dish at fault) £100­200 431. Good Chinese mutton jade carving of a bird and branch, mounted upon a fine pierced carved hardwood stand, 5” high overall, the jade 3.5”; within a contemporary silk lined presentation box £1000­1500 432. Chinese blue and white porcelain circular shallow dish, painted with a bird and butterflies amidst flowering branches within similar borders, 19th century, 12” diameter; together with a Chinese blue and white porcelain circular tureen stand, 8.5” diameter, three Chinese porcelain ginger jars, Japanese earthenware figure and a modern Chinese celadon side plate (7) £60­100 433. Imari pattern porcelain fluted circular, with floral reserves in typical palette, bearing character reign mark, 4.75” diameter (hairline); Chinese ‘100 Boys’ pattern circular glazed box and cover, bearing a six character reign mark, 5.25” diameter (at fault); Provincial Chinese 18th century porcelain blue and white shallow dish 6.25” diameter; also an 18th century Chinese blue and white side plate, 6.5” (hairline) (4) £60­100

431

433

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440

434. Oriental School (20th century) ­ a study of two butterflies amongst blossom, signed in Japanese script, watercolour and gouache on coloured paper, shaped corners, each 28.5” x 14.25”, Contained within bamboo style gilt plaster frames; together with four further small Oriental prints of flowers and birds (6) £80­100 435. NO LOT 436. Japanese School (20th Century) - watercolour and gouache studies of Oriental birds standing upon a branch on a tree, each signed in Japanese script, 23.5” x 11.75”, and a smaller picture depicting two small birds standing upon the branch of a tree with blossom nearby, signed in Japanese script, 23” x 11.25” (3) £50­80 437. Chinese School (20th century) - figures in a procession, watercolour and gouache on silk, also a companion picture, each 11.5” x 28.25” (2) £80­120 438. Pair of Chinese reproduction faux hardwood resin figures, mounted upon circular hardwood bases, 17.5” high £20­40 439. Good collection of assorted Chinese hardwood jardiniere, vase and plate stands £80­150

BID LIVE AT: www.gardinerhoulgate.co.uk

443

440. Two carved Chinese root wood carved figural lamp bases, 14” and 15” high respectively; together with a carved Chinese figure of a man and a hardwood figure of a boy with two elephants (4) £80­120

441. Chinese hardwood side cabinet, the rectangular top with raised scrolling ends over a single drawer and panelled cupboard doors, 30” wide x 15” deep x 31” high £150­250 442. Chinese rectangular three tier carved side table, with inset red marble top over a pierced carved frieze, supported upon rounded legs terminating in claw and ball feet, 16.75” wide x 12.25” deep x 32” high; also a 19th century Chinese carved hardwood jardiniere stand with inset circular marble top, 36” high (2) £80­120 443. Good Chinese carved hardwood hall chair, the foliate carved back and seat inlaid with red marble panels, also inlaid to the back and front frieze with foliate mother of pearl designs, supported upon square tapered legs united by stretchers, 21.5” wide x 19.25” deep x 37” high £250­350

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444

444. Chinese hardwood circular occasional table, the top carved with a continuous band of fruiting foliage over a pierced foliate frieze, supported upon an intricate dragon carved column supported upon three curving paw feet, 24” diameter x 31.5” high £200­300 445. Chinese hardwood 19th century opium table, with foliate carved panelled bowed ends and pierced foliate carved frieze, 35.5” wide x 32.75” deep x 13” high £100­150 446. Chinese hardwood opium table, with open bowed ends and foliate pierced carved frieze, 38” wide x 17” deep x 13.75” high £50­80 447. Good Chinese hardwood and mother of pearl inlaid side table, the rectangular top with bowed shaped ends profusely inlaid with birds and butterflies amidst flowering foliage, enclosed by a border with further similar inlay and diaper patterned borders, over a cushion and pierced foliate carved frieze, supported upon cabriole tapering legs terminating in claw and ball feet, 44” wide x 22” deep x 31” high (faults) £500­800 448. Chinese 19th century hardwood square jardiniere stand, the 14” square top over a pierced carved frieze to two sides and upon square supports united by shaped stretchers, 53” high £80­120

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447

449. Chinese 19th century hardwood two tier side table, the rectangular top over a foliate carved pierced frieze and undertier, supported upon four square legs, 16.25” wide x 24” deep x 31.5” high £100­150 450. Chinese carved hardwood circular shaped Lazy Susan, the scrolling bordered top carved with feather intervals supported upon eight paw feet united by a carved oak leaf and acorn frieze, 24” wide (max) £100­150 451. Early 20th century decorative hardwood three­fold screen, profusely inlaid with geometric mother of pearl, ebony and sandalwood panels, also pierced with ebony and bone geometric pierced rectangular panels, 52” wide overall, tallest panel 62” £500­800 452. Chinese hardwood cupboard, with two panelled doors enclosing shelved interior, over two short drawers 37.5” high 15” deep 56” high £100­150

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451

457

453. Good Chinese hardwood barrel shaped side table, the pink marble top within a continuous band of carved fruiting vines, the open work sides carved and pierced with birds amidst flowering foliage, supported upon squat ogee bracket feet, the top 13.75” diameter x 20.5” high £120­180 454. Chinese mid 20th century opium table, the rectangular top supported by carved open rounded ends, 42” wide overall x 16” deep x 15” high £80­120 455. 453 Eastern 19th century novelty carved hardwood camel side table, the octagonal top carved with dragons amidst scrolling foliage and supported upon the back of the camel standing on an octagonal diaper carved base, the table top 21.5” wide max, overall width including camel’s head 32” and 27” high £400­800 456. Good pair of 19th century Chinese hardwood carved chairs, with pierced foliate and floral carved vertical central splats flanked by cylindrical bamboo shoot spindles, the solid recessed seats supported upon circular carved tapering legs united by turned baluster spindles, seat 16” wide max, 17” deep, 36” high (2) £150­250

BID LIVE AT: www.gardinerhoulgate.co.uk

455

457. Good Chinese hardwood screen, the silk panel worked with dragons and sea creatures amidst scrolling foliage, contained within a decorative surround inlaid with meandering mother of pearl foliage over the base inlaid with further foliage and figures, with pierced scrolling side supports and upon carved feet modelled as mythical beasts, 24” wide x 12” deep x 44” high £800­1200

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458. Interesting antique Chinese lacquered elm altar table, Shanxi Province, 81” wide, 11” deep, 34” high £150­200 459. Chinese low side table with parcel polychrome decoration, the plain top over two short and three further short drawers flanked by shaped brackets, 47” wide, 25” deep, 24” high £60­100 460. Pair of Burmese carved hardwood hall chairs, the backs with carved opposing dragons over single carved vase splats, the scale carved arms terminating in grotesque masks, the leather upholstered drop in seat pads over carved frieze of further carved dragons, scale carved front legs terminating on grotesque mask feet, 27” wide, 31” deep, 40” high (2) £150­250

DECORATIVE ARTS 461. Arts & Crafts oak mounted stained glass panel, enamelled with a band of bamboo with meandering flowers and two butterflies, 34.5” x 19.5” £40­80 462. Egyptian revival black slate and bronze two train mantel clock, the 5” dial with Roman numerals within a stylised case surmounted by a bronze sphinx, the movement striking on a gong, with pendulum, 18” high £100­200 68

460

463. American Arts & Crafts twin­handled silver plated jardiniere, decorated with a central band depicting panels of birds and stylised foliage upon cauldron style feet, stamped Meriden Britannia Co, number 1943, 12” wide, 6” high £30­50 464. Aesthetic brass plated easel mirror, the rectangular plate within a stylised pierced surround, 16” x 11.5” £40­80 465. Arts & Crafts planished brass and copper square spirit kettle on stand in the manner of Benham & Froud, with a turned ebonised handle and riveted body upon a stylised Art Nouveau stand with spirit burner, the kettle indistinctly stamped B & Co with trademark, 12” overall £60­100

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466. Aesthetic Egyptian revival gilt metal girandole, the cast frame surmounted with a female bust within a foliate scroll border modelled with two winged sphinx, with two inset reeded candle sconces and inset with a bevelled glass plate, 19.5” x 13” £150­250 467. Christopher Dresser (1834­1904) for Linthorpe Pottery plate, moulded in relief with foliage and mustard glaze, impressed number 622, impressed factory marks with signature, 9.5” diameter; attributed to Christopher Dresser Linthorpe Pottery jardiniere modelled with four short loop handles over a mottled turquoise glaze, impressed factory marks, 7” high (at fault) (2) £80­120

472

468. Elkington & Co Egyptian revival silver plated and gilded tazza, with a blue opaque frilled rim glass bowl decorated with white enamel overlay, the column modelled with a winged sphinx upon a circular base with three sphinx supports, 9.75” high, 8.5” diameter £100­200 469. Tiffany & Co Aesthetic sterling silver posy vase, with faux bamboo feet, signed and numbered 3611 M 5844, 3 oz t, 5.5” high £100­200

473

470. Beck & Jung (Sweden) square framed modernist composition, 16” £20­40

472. Clarice Cliff Bizarre ‘Autumn Crocus’ grapefruit bowl, printed backstamp, 6.75” wide £60­100

471. Clarice Cliff small Isis vase/jug, painted with a leaved tree over white flower heads, 8” high (rim hairline) £30­50

473. Clarice Cliff Fantasque Bizarre ‘Berries’ circular bowl, printed backstamp, 8.5” diameter £80­120

BID LIVE AT: www.gardinerhoulgate.co.uk

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477. Rene Lalique ‘Soudan’ globular opalescent glass vase, inscribed signature ‘R.Lalique France’ to the underside, 7” high £500­800 478. Small French overlaid cameo glass bottle vase, of slender form decorated with leaves on a pinkish ground, unsigned, 6.75” high £50­80

477

474. Clarice Cliff Bizarre ‘Capri’ circular bowl, printed back stamp, 8” diameter £50­80 475. Clarice Cliff ‘Autumn’ preserve pot with an electroplated cover, 3” high £100­150 476. Clarice Cliff Bizarre Lynton cup and saucer, painted with flowers within circular bands, the cup 3” high (2) £50­80

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479. Herbert Dyer Arts and Crafts cylindrical copper box and cover, the repousse body with hammered decoration depicting a fish, the cover depicting a lighthouse, signed ‘H.DYER’, 3” diameter, 2.75” high £100­150 480. Large Linthorpe Pottery jardiniere designed by Christopher Dresser, in the Egyptian style with scroll handles, mottled majolica glaze, shape no. 189, 25.5” wide including handles, impressed factory marks, 14” high,14” high (rim hairline) £100­150

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485. Ronald Cameron (British 1930­2013) ­ ‘Emma’, titled figural bronzed resin nude, inscribed signature, limited edition numbered 22/25, 20” high

488

481. Henry Loveridge Arts and Crafts period copper and brass jardiniere, of cauldron form with flared rim, hammered decoration, raised on three scroll bracket feet, makers stamp and Rd number 44507 stamped underside, 14” diameter, 12.5” high £60­100 482. Aesthetic Movement small ebonised three panel folding screen, each panel with turned gallery rail over embroidered panel of a Grecian figure, 32” wide max, 31” high £40­80 483. Arts & Crafts steel fire fender, embossed decorated with stylised flower and roundels, 55” wide, 12.5” deep £40­60 484. Old Hall Pottery ewer in the manner of Christopher Dresser, florally decorated on a blush ground with scrolling gilt handle, iron red factory stamp underside, 12” high; with a late 19th century Minton’s ‘Blenheim’ pattern washing jug attributed to Christopher Dresser, transfer printed with Oriental emblems and Wisteria in iron red, factory stamp underside, 12” high (at fault) (2) £30­50

BID LIVE AT: www.gardinerhoulgate.co.uk

** Ronald Cameron established an international reputation as a master portrayer of the classical theme of the female nude figure, captured in a modern manner and designed to portray the poise and confidence of the dynamic young liberated woman. Cameron exhibited widely, notably in London at the Bruton Street Gallery, and the Alwin Davis Gallery, where his work was showed together with sculptures by Henry Moore, Barbara Hepworth amongst others £80­120 486. Christopher Dresser design A. Kenrick & Sons No. 8 cast iron trivet, R15023, 9” wide; together with two further Kenrick cast iron trivets, a Kenrick drawer pull handle and an arts and crafts small letter box surround £40­60 487. Three Arts & Crafts cast iron pierced shelf brackets, the two outer at 10” high to take 8” deep shelf; together with four adjusting cast iron pierced trivets, a metal template stencil and a miscellaneous twist metal stand 14” high £40­60 488. Linthorpe Pottery jardiniere, pattern 2030, factory stamp and pattern number stamp underside, 20” diameter, 15” high; also a similar Linthorpe Pottery jardiniere stand, with stylised blue and green foliate and floral decoration on a mustard ground, shape no. 2058, 24” high, 19.5” diameter, stamped and shape numbers impressed to the underside, 24” high, 19.5” diameter (base rim at fault) (2) £150­300 GARDINER HOULGATE

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489. Liberty & Co. Tudric pewter tazza designed by Archibald Knox, the bowl on three tapered legs and circular base, cast in low relief with stylised foliage, associated green glass liner, stamped 0276, 5.25” high (associated liner) £40­80 490. Christopher Dresser for Coalbrookdale Aesthetic Movement painted cast iron hall stand, of pierced stylised form, the upper part with six hooks above a stick stand with removable tray, lozenge registration stamp to reverse, 72” high £300­500 491. Set of ten Victorian square glazed tiles, 6” x 6”, two marked Minton & Co; others marked 950C to reverse; together with a further pair marked 232B, and four others of a similar palette including Minton & Co. and Godwin (16) £100­200

498

498. Good Minton Co. Successionist tube lined water jug and basin, the jug no..36 and basin no..37, jug 14” high, basin 16.25” diameter, factory stamp and shape numbers underside (2) £200­300

490

499. Aesthetic pierced brass double inkstand, 13” wide, 7.5” deep £40­80

492. Set of six Minton & Co. encaustic tiles, 6” x 6” x 1” approx; together with six further tiles including Minton & Co. and Maw & Co. and one broken half (12) £100­200

500. Large Arts & Crafts period brass tray, repousse decorated with stylised flower borders within a wavy rim, 18.5” diameter (rim bent over) £40­80

493. Minton & Co. set of nineteen monochrome decorated square tiles, stamped Minton & Co. Patent, Stoke on Trent, registration lozenge for 1871 on the reverse, 6” x 6” (19) £100­200

501. Watcombe Pottery type terracotta jug designed by Christopher Dresser, with glazed turquoise bands to the body and handle, inscribed ‘674’ underside, 10” high £30­50

494. Set of five Minton & Co. square tiles, 6” x 6”; together with another set of four and three further tiles including Minton & Co, Chamberlain & Worcester & Maw & Co. (12) £100­200

502. Aldo Vitaleh (20th century) ­ patinated bronze study of a semi nude dancer, modelled on a circular base mounted upon a circular socle, impressed signature to base, 17” high total £50­80

495. Set of six Mintons & Hollins tiles, 6” x 6” x 0.5”; together with a further set of four Victorian tiles and another set of three (13) £100­200 496. Good collection of Victorian and later tiles, primarily Mintons £100­200 497. Good collection of twenty­six Victorian and later tiles, primarily Mintons and Minton Hollins £100­200

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503. Arts & Crafts circular brass tray, possibly by Benham & Froud designed by Dr Christopher Dresser, with chased sunflower pattern 10.75” diameter, unmarked £50­80 504. Eric Clements for Elkington & Co silver plated three piece bachelor tea set, W29945, tea pot 6” high, together with a Stuart Devlin for Viners gilt and stainless steel salt cellar (4) £30­50

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505. James Dixon & Sons silver plated twin handle tureen designed by Christopher Dresser, with liner, stamped marks, no. Y3353/1, 10” wide including handles ** for similar reference see - ‘Christopher Dresser, A Design Revolution’ by the V&A edited by Michael Whiteway £40­80 506. Aesthetic Movement brass urn vase in the manner of Christopher Dresser, 15” high £40­80 507. Decorative Eastern brass baluster vase, finely engraved decorated with figures, animals and birds among close repeated foliate ground, 24” high; together with a brass circular tray with pierced wide rim, 20” diameter (2) £30­50 508. Victorian brass and copper kettle on a tall plated burner tripod stand with ball and claw feet in the manner of Christopher Dresser, 36” high overall (2) £60­100 509. H. Wilkinson silver plated tea pot in the manner of Christopher Dresser, with wicker wrapped handle raised on three short cauldron style feet, 8” high £40­80 510. William Hutton & Sons silver plated coffee pot, wicker wrapped handle, presentation inscription, 9” high; together with George Unite plated pot, James Dixon & Sons covered jug and a Walker & Hall decorative jug (4) £60­100

BID LIVE AT: www.gardinerhoulgate.co.uk

513

511. Carved wooden horse sculpture, modelled as two stylised side by side horses, upon a rectangular plinth, circa 1970s, 17” wide, 12” high £100­150 512. British Studio pottery vase, possibly early John Bryce Kershaw, the bark textured exterior and white glazed interior, not signed, 16.5” high £30­50 513. Gilbert Bayes (1872­1953) ­ The Goal, electro type copper relief plaque depicting horse drawn chariots, framed in oak titled, the panel 5” x 24” ** Exhibited at the Royal Academy in 1892 £200­300 514. Decorative pair of heavy painted cast metal structural supports/ console legs, modelled as lions heads over a single leg and paw feet, 30” high £100­200

517

515-516 NO LOT 517. Aesthetic Movement ebonised and gilt metal torchere, the circular moulded top over three square legs with gilt carved banding, each with an applied lion head mounts united with a lower plateau with a turned column and upon cast paw feet, 13” diameter, 38” high £60­100 518. Hukin & Heath silver plated circular Lazy Susan, the top inset with a terracotta circular tray in the manner of Watcombe, rotating upon a circular base with a smooth ball bearing action, 14.5” diameter, 3.75” high £80­120

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519. Royal Worcester porcelain charger, decorated with phoenix and stylised blue foliage on a black ground within a gilded key border, impressed factory marks and printed puce mark, circa 1877, 14” diameter £80­120

523. Loveridge copper jug, stamped marks, 8” high; Arts & Crafts ovoid riveted panelled copper jug stamped ‘J. Wipple & Co, Exeter and London’, 11” high; pair of Arts & Crafts style cast iron fire dogs and a pair of Dresser style cast wall brackets, 6” x 5.25” (6) £60­100

520. Christopher Dresser for Watcombe Pottery terracotta jug, the body of angular form with three serrated bands, lozenge registration mark, 8.25” high; ‘Harvard’ transfer printed pottery glazed jug, 11” high; also a Brownfields white stoneware flask jug decorated with herons on a matted ground and with a Greek key top rim border, raised factory and lozenge registration mark, 7.5” high (small chip repair to the rim) (3) £40­80 521. Good decorative pair of Aesthetic gilt metal wall lights in the manner of Benson, with scrolled sconces upon a stylised bracket, each 22” high (2) £100­200

524. NO LOT 525. Aesthetic Movement ebonised and gilded tall display cabinet, the upper section surmounted by carved and gilt pediment over astragal bevelled glazed doors enclosing velvet lined shelved interior and flanked by carved pillars, the base section of two cupboard doors each with applied brass strapwork hinges, central carved relief eagle and floral roundels, enclosing shelved interior over turned frieze flanked and upon square reeded tapering supports, 39” wide, 14” deep, 87” high £200­400

522. Old Hall ‘Shanghai’ pottery tureen and cover designed by Christopher Dresser, 9” high; together with a Bretby green glaze jardiniere and two Mintons candlesticks, 8.5” high (4) £30­50

526. Pair of modernist Italian bentwood lounge chairs, in the manner of Joe Colombo, circa 1970s, the painted frames on sleigh supports with inset circular red PVC seat and back pads, 18.5” wide, 19” deep, 26.5” high (2) £200­400

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527. Robin Day for Hille swivel office chair, circa 1970s, the veneer frame, with upholstered seat and back and veneered arms on central metal support and five chromed legs, 28” wide, 31” deep, 32” high £200­300 528. Good contemporary ‘Nordic Style of London’ ‘reclaimed’ timber dining table, the heavy plank top raised on coated steel crossover supports 94” long, 43” wide, 39.5 high £100­200 529. 1975 Seeburg Entertainer jukebox, playing up to eighty records with large or small holes, infinity light display, recently serviced by Discomatics, currently on free-play £600­800 530. Arts and Crafts large oak dresser attributed to Richard Norman Shaw (1831­1912), the canopy panelled back with opens shelves and central cupboard doors, the canted base with four drawers each applied with stylised handles over tapering supports, 65” wide 20.5” deep, 88.5” high ** Richard often known as ‘Norman Shaw’ was a British architect working from around 1870 to 1900 £1000­1500 530

531. Serge Chermayeff (1900­1996) for PEL, circa 1930s modernist cantilever armchair, green upholstery on a chrome plated tubular frame, 21.5” wide, 20” deep, 31” high (upholstery at fault) ** the original design for use in the BBC Broadcasting House £40­80 532. Set of four Danish Control MK teak dining chairs, with shaped bar backs with rush seats, bearing labels, 19” wide, 18” deep, 30.5” high; together with a similar Dutch dining chair stamped ‘Made in Holland’ (5) £150­250 533. William Morris & Company ebonised 'Rossetti' chair designed by Dante Gabriel Rossetti, the stick back over a later stuff-over upholstered seat on turned front legs united by turned stretcher, 17" wide, 33" high £60­100 534. Mackay Hugh Baillie Scott design for Pyghtle Works, Bedford - oak dining table made by John P White, the plank top over solid apron frieze on square supports united by H stretchers, 72” wide, 36” deep, 30” high ** see - Pyghtle Works Catalogue number 58 for larger example of this table £1000­1500

BID LIVE AT: www.gardinerhoulgate.co.uk

534

535. Danish 20th century teak drop flap breakfast table, 50.5” long extended, 31.5” deep, 28” high £30­50 536-539 NO LOT

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540. William James Audsley (1833­1907) and George Ashdown Audsley (1838­1945) for W.M.H and G.H Dreaper ­ a rare Victorian Egyptian revival ebonised upright piano, circa 1880, the parcel gilt and scratch carved case with a folding music stand and fabric backed fretwork panels with Greek key borders, the keyboard flanked by a pair of shinxes over square columns with foliate carved cappings and a panelled footboard, the frame stamped ‘Dreapers Patent L’Pool 4017/2642’, the interior fall board with brass inlay inscribed ‘WM.H. & G.H. Dreaper, 96 Bond Street Liverpool, inlaid medallions for the 1878 Paris Exhibition, 61” wide, 49” high. depth 25.5” ** William James and George Ashdown Audsley were Scottish architects who practiced in Liverpool from about 1860 to 1883, designing many churches and public buildings. ** A piano of this design was exhibited at the 1878 Paris Exposition Universelle where it was awarded a bronze medal ** See this link for further reference - http://www.victorianweb.org/art/design/furniture/15.html £3000­5000

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541

541. Ebonised wood folding folio stand in the manner of Christopher Dresser, 21” wide, 23” high open £200­300 542. Arts & Crafts oak table top compartment, with two folding hinged covers over the stylised carved front panel with tapered sides, 33” wide, 4.75” high £40­80

543

543. Aesthetic Movement ebonised collectors cabinet attributed to Collinson & Lock, the centre raised back with velvet and tassel lined open asymmetrical shelves flanked by bevelled glazed doors over short drawers, with an open shelf and a pair of panelled cupboard doors applied with stylised brass hinges and upon short bracket style feet, the brass lock plates signed ‘Cope & Collinson’, 47” wide, 18” deep, 66” high ** An almost identical cabinet is believed to be in the British Museum and formerly the property of Princess Beatrice, 9th and youngest daughter of Queen Victoria and patron of E.W Godwin £500­800 544. Aesthetic Movement ebonised and gilded pedestal torchere, the circular top with a Greek key band upon an octagonal column and plinth base, 15” diameter, 38” high £100­150

548

545. Aesthetic Movement circular ebonised and gilded pedestal torchere, the top 13” diameter, 29” high £80­120

547. G Plan teak hexagonal glazed top coffee table, upon an ebonised base, 24.5” wide, 17” high £60­100

546. Aesthetic Movement ebonised and gilt pier display cabinet, 35” high, 13.25” deep, 36.5” high £80­120

548. Aesthetic Movement ebonised beech four­fold screen in the manner of Owen Jones, each inset with stylised textured foliate panels within gilded slips, 47” high £200­300

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550. Aesthetic Movement ebonised and gilded standing corner display cabinet by Lamb of Manchester, the low gallery back over a single glazed door enclosing a velvet lined interior, the lock plate stamped, 32” wide, 19” deep, 39” high £150­250 551. Aesthetic ebonised bedside cabinet with a gallery top over a single panelled door inside with a gilded floral motif and upon short turned feet, 18” wide, 15” deep, 29” high; with a single ebonised chair (2) £40­60 552. Arts & Crafts walnut coal scuttle with applied chrome plated stylised foliate mounts, 22” wide, 16.5” high £40­80 553. Moorish style walnut hexagonal three tier plant stand in the manner of Liberty, 13” wide, 40.5” high (at fault) £40­80 554. Arts & Crafts oak headboard in the style of Bruce Talbot, 49” wide, 35.5” high £30­50 549

555. Liberty style two tier side table, the lobed shaped top upon slender turned curved supports united by an undertier and cross stretchers, 22” wide, 24” high (the top at fault); Arts & Crafts oak single chair, ebonised bergere armchair, brass inlaid single chair and two other chairs, metal framed stool and another stool (8) £40­80 556. Godwinesque comb back chair, with an hexagonal solid seat upon cylindrical tapered supports, the seat 20” wide, the back 44” high £40­80 557. Parquetry oak two tier centre table in the manner of Howard & Sons, the moulded octagonal inlaid top over the carved and inlaid frieze with stylised motifs, upon canted supports united by a triangular undertier, 33.5” wide, 31.5” high £200­300

557

549. Attractive Aesthetic yew wood inlaid display cabinet attributed to Collinson & Locke, the swan neck gallery pediment over two glazed doors and a drop flap glazed panel, glazed side panels over a dummy drawer frieze and upon slender legs united by an undertier, 40” wide, 15” deep, 85” high £500­800

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558. Liberty style single low chair in the Moorish manner, with a red leatherette studded seat, 16” wide, 30” high £50­80 559. Arts & Crafts oak occasional table with a rectangular marble top, 49.5” x 24”, 27.25” high £40­80

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562

560. Good pair of Niko Kralj design ‘REX’ folding lounge chairs, the backs and seats of pierced ply with moulded ply arms, 22” wide, 30” deep, back 34” high, seat 17” high (2) £400­500 561. Good large plaster relief moulded tablet, a decorative reproduction section of The Parthenon Frieze, featuring two soldiers on horseback, 67” wide, 40” high £100­200 562. Good Art Deco rosewood rectangular extending dining table and eight chairs, with two further leaves, upon a swept U central support and platform base, the chairs with cream leather upholstery, associated glass top for table when not extended, 95” long extended, 39” deep, 30” high, chairs 40” high £500­800 563. G Plan teak ‘Long John’ coffee table, with glazed inset panel and magazine shelf undertier, 54” wide, 20” deep, 17” high £50­80 564. Peter Hayward for Vanson mid century extending dining table and three stick back dining chairs; together with a pair of G Plan Fresco carver dining chairs (6) £50­80 565. Peter Hayward for Vanson mid century teak sideboard, the two cupboards flanking three central short drawers including baize cutlery drawer, raised on slim legs, 63” wide, 19” deep, 24” high £40­80 566. Aesthetic ebonised standing bookshelf, the carved pediment over panelled back and three shelves on turned pillared supports, on a base section of single drawer and two further shelves, upon a shaped apron frieze, 31.5” wide, 18.5” deep, 85” high £100­200

BID LIVE AT: www.gardinerhoulgate.co.uk

560

ANTIQUE & DECORATIVE FURNISHINGS 567. Edwardian mahogany inlaid two tier side table, the 12” square satinwood crossbanded top supported upon slender tapering legs; also a mahogany tripod torchere stand, 36” high (2) £40­60 568. Pair of Heppelwhite style mahogany dining chairs, with carved fluted spindle splats over floral tapestry drop in seats supported upon square tapering legs; also two other late 19th century mahogany bedroom chairs and a single mahogany dining chair with pierced foliate craved horizontal wavy splats and stuff -over seat supported upon square legs (5) £60­100 569. 19th century walnut child’s chair with woven spindle entwined open back, 25” high; also a small mahogany inlaid tripod wine table, 11” diameter (2) £30­50

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575. Modern light oak corner cupboard, the upper glazed cupboard doors enclosing shelved interior, the lower solid panelled doors with further shelved interior, 32” wide, 78” high £40­60 576. Stained pine glazed bookcase on stand, 43” wide, 15” deep, 85” high £20­40 577. Georgian mahogany three tier circular dumb waiter, each moulded tier raised on reeded carved central turned support, upon three carved cabriole legs terminating on ball and claw carved feet, 24” diameter max, 45” high £500­800 578. Circular pine pedestal table, the moulded top on a turned support and three shaped cabriole legs, 55” diameter, 28” high £50­80 579. CIrcular pine breakfast table, the moulded top on turned support raised on three cabriole legs, 41” diameter, 30” high; together with a Windsor stick back chair (2) £20­40

582

570. Set of four Victorian balloon back kitchen chairs with bergere seats, the backs 32” high; together with an upholstered foot stool a folding low chair and an oval side table in need of restoration (7) £30­40 571. Reproduction resin painted resin stick stand, modelled with a figure holding a snake upon a circular base, 48” high £60­100

580. Mahogany inlaid square shop display cabinet, glazed side panels and glazed door enclosing glass shelved interior, on a stepped moulded base raised on bun feet, 18.5” wide, 18.5” deep, 37.5” high £40­60 581. Edwardian mahogany sideboard, the raised blind fret back on a breakfront moulded top, over two short bowfront drawers and pierced fret kneehole frieze, flanked by two cupboard doors and further blind fret borders, raised on eight square spade legs, 72” wide, 24” deep, 43” high £40­80

572. Victorian mahogany hall chair, the oval panelled back painted with a family crest over a solid seat and cabriole carved front supports, 17.25” wide, 35.5” high £40­80

582. George III Hepplewhite period mahogany composite bookcase on cabinet, the moulded cornice surmounted by broken arch pediment over astragal glazed doors enclosing shelved interior, on a base of two panelled cupboard doors enclosing shelved interior raised on a plinth, 36” wide, 15.5” deep, 90” high £400­600

573. Victorian mahogany Prie Dieu / nursing chair, the button upholstered back on frame with scrolling and shell carved front legs, 17” wide, 26” deep, 36” high £40­80

583. Irish George III mahogany drop leaf dining table, the plain top over arched end frieze, raised on cabriole legs terminating on hoof feet, 48.5” wide extended, 41” deep, 29” high £500­800

574. Two small Edwardian mahogany inlaid chairs, both 15” wide, 30” high; together with an oak drop flap side table and mahogany standard lamp (4) £40­60

584. Harlequin set of eight Regency mahogany dining chairs, appears matched sets of five and three, 20” wide, 34” high approx; together with a further related dining chair (9) £300­500

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586

585

585. 19th century walnut and crossbanded tallboy, the moulded caddy top over seven long graduated drawers, raised on a short plinth section and front bun feet, 40” wide, 19” deep, 65” high £150­250 586. Georgian walnut veneered chest of drawers, the cross banded moulded top over two short and three long graduate drawers, raised on shaped bracket feet, 31” wide, 16” deep, 31.5” high £500­800 587. Good George II style wall mirror, the simulated aged plate within a gilded floral scratch carved surround, surmounted by an ornate scrolling and shell carved cornice, 52” high overall, 28” wide £150­250 588. Joynson Holland ‘Winchester’ three piece cottage suite of sofa and two lounge chairs, with Ercol style stick back frames, sofa 70” wide, 35” high, chairs 33” high, 35” wide (3) £40­80 589. Georgian style walnut bureau, the hinged fall front enclosing fitted secrataire interior, over four graduated long drawers, raised on a plinth base with bracket feet, 36” wide, 18.5” deep, 41” high £80­120

BID LIVE AT: www.gardinerhoulgate.co.uk

587

590. 1920s mahogany display cabinet, the moulded top over a blind fret carved frieze and astragal glazed doors enclosing glass shelved interior, raised on cabriole legs and claw on ball feet, 53” wide max, 18” deep max, 73” high £80­120 591. Regency rosewood pier display cabinet, the plain top over two glazed doors with brass beading borders, flanked by fine turned pillars with applied gilt metal mounts, raised on a plinth, 36” wide, 11.5” deep, 37” high (alterations) £80­120 GARDINER HOULGATE

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592. George III mahogany bureau cabinet, with two panelled cupboard doors enclosing a shelved interior and surmounted by a blind fret carved swan neck cornice, over the bureau opening to reveal a central serpentine cupboard door flanked to either side by pigeon holes and four small drawers, with green leather tooled inset writing surface over two short and two long drawers, supported upon ogee bracket feet, 41.5” wide x 21.5” deep x 86” high £350­550 593. Early 20th century mahogany three tier open bookcase, over a cupboard with two doors applied with geometric foliate carving supported upon harebell carved square tapering legs united by pierced stretchers, 24” wide, 16” deep, 60” high £60­100

592

594. 18th century style burr walnut veneered chest on stand, the crossbanded top over two long drawers, upon a stand of four cabriole legs, 37.5” wide, 23.5” deep, 31” high £80­120

596

595. Early 18th century carved oak bureau, the fall front deeply carved with bacchanalian putti amidst fruiting vines over a frieze with carved inscription ‘Fear Gode. Honovre Ye Kynge, enclosing a pigeonhole interior and well with sliding cover, over two short drawers and two long graduated drawers upon later bun feet, 34.5” wide, 21.5” deep, 44” high £200­300 596. Fine George III mahogany inlaid secrètaire tallboy, the upper part with carved dentil cornice and fluted frieze over two short drawers, two graduated drawers and a crossbanded secrÈtaire drawer, each flanked by quarter reeded pilasters, the secrÈtaire drawer with a drop front enclosing a fine inlaid fitted interior with small drawers and pigeonholes with two secret compartments, the lower section with three further graduated long drawers upon ogee bracket feet, 45” wide, 22” deep, 73” high £800­1200

597

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597. Victorian ebonised inlaid lady’s dressing table, the top inlaid in various coloured woods with a central panel featuring a vase and implements on a table, within a scrolling foliate surround enclosed by an ebony border with gilt metal egg and dart frieze, opening to reveal an inset mirror and sliding drawer compartments, the sides inlaid with similar scrolling foliate panels and supported upon circular fluted tapering legs united by wavy stretchers, 27.25” wide x 16” deep x 27.75” high £150­250

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598. Gill & Reigate of London mahogany serpentine serving table, the plain shaped top over single long drawer to the frieze, upon slender square spade legs, 45” wide, 21” deep, 32.5” high £200­300 599. Victorian walnut serpentine fold­over games table, the games surface red baize lined, upon a leaf carved turned support raised on four floral carved scrolling legs terminating on castors, top 37” wide x 38” extended, 29” high £100­150 600. Georgian mahogany circular tilt top tripod table, the plain top on a slender turned support and three cabriole feet terminating on pad feet, 29” diameter, 28” high £100­150 600A. Large Victorian mahogany bowfront chest of drawers, the plain top over two short and three long graduated drawers, flanked by carved twist pillar corners, raised on carved covered and turned feet, 48” wide, 22.5” deep, 51.5” high £50­100 600B. Regency mahogany and boxwood inlay serpentine toilet mirror, the swing shield shape glass over base of three drawers, 20” wide, 28” high; together with an oval toilet mirror, 23 “wide, 21” high (2) £60­100 600C. Regency mahogany toilet mirror, supported upon baluster turned columns over a bow front base of three drawers raised on ogee bracket feet, 23” wide, 24” high £40­80 600D. Victorian mahogany chest of drawers, the plain top over two short and two long graduated drawers, on a shaped frieze incorporating the bracket feet, 37.5” wide, 18.5” deep, 37” high £40­60 601. 18th century oak carved panelled coffer, the triple panelled moulded top enclosing open interior, over triple panelled front carved with diamond and roundel motif, 54” wide, 23” deep, 25” high £120­180 602. Georgian style upholstered wing armchair upon tapering from supports, 28” wide, 29” deep, 41” high £100­150 603. Victorian mahogany bow front chest of drawers, the plain top over two short and three long graduated drawers, raised on turned feet, 43” wide, 22.5” deep, 45” high £80­120

BID LIVE AT: www.gardinerhoulgate.co.uk

608

604. Campaign style mahogany bachelors chest/writing desk, the hinged top enclosing tooled leather writing surface with storage under, over dummy top drawer and three further graduated drawers, brass mounted corners and campaign handles, 20” wide, 15” deep, 33” high £100­200 605. Pair of oak spindle back chairs, 16.5” wide, 18” deep, 34” high, together with a four fold mahogany frame screen, with embroidered panels, 52” wide max, 45” high (3) £40­60 606. Victorian mahogany commode chest, the hinged top with two faux drawers opening to reveal a ceramic liner, over two further faux drawers, supported upon short turned feet, 24” wide, 17” deep, 28.75” wide; also another Victorian mahogany converted commode chest with two deep drawers, supported upon bun feet, 25” wide, 19” deep, 29” high (2) £30­60 607. Small mahogany and oak chest of three long graduated drawers, the mahogany top within chequered banding and an oak surround, supported upon a beaded carved plinth and bracket feet, 21” wide, 16” deep, 24” high £60­100 608. George III satinwood crossbanded serpentine dressing mirror, the oval swing glass over top with inlaid wave paterae over three short drawers, raised on short bracket feet, 23” high, 18” wide, 8.5” deep ** sold with Asprey & Co. retail receipt dated 1969 £100­150

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609. Georgian mahogany foldover card table, the foldover top with inlaind banding, enclosing green baize surface, raised on slender tapering square legs, 36” wide, 35.5” deep extended, 28” high £100­150 610. Victorian mahogany circular foldover tea table, supported upon square tapering legs inlaid with boxwood lines, 36” diameter, 29” high £40­60 611. Edwardian mahogany inlaid writing desk, the green gilt 612 tooled leather top over two short drawers supported upon square tapering legs, 40.5” wide x 21.5” deep x 28.5” high £120­180 612. George III mahogany secrètaire chest of drawers, the rectangular moulded top over a secrÈtaire drawer with a fall front enclosing three small drawers over divided compartments, over two further drawers upon bracket feet, 35.5” wide, 19” deep, 39.5” high £300­500 613. 19th century French walnut fauteuil, with cream patterned upholstery, within a foliate carved frame with acanthus scrolling fluted arms supported upon a bow front base and cabriole legs, 29” wide x 30” deep x 53.5” high £250­350 614. 19th century French walnut fauteuil, with floral damask cream upholstery, within a carved and fluted frame with scrolling arms and bow front seat supported upon tapering fluted cabriole legs, 29” wide x 32” deep x 42.5” high £250­350 615. Victorian rosewood fold over games table, with inset baize circular gaming surface, raised on tapering column and quadrefoil support, 36” square extended, 29” high £80­120

613

617. Edwardian oak child’s high chair, the foliate carved back with green leather upholstery, supported upon square tapering splayed legs united by an undertier, 20.5” wide overall x 20.5” deep x 40” high £100­150 618. Victorian mahogany chest of drawers, the moulded top over one cushion drawer and three long drawers with turned handles flanked by scrolling carved brackets to the top and bottom, upon a plinth base raised on short turned feet, 27.5” wide, 16.5” deep, 39” high £100­150 619. Georgian style wingback arm chair, green upholstery with tassel fringe, raised on square shaped legs, 30” wide, 34” deep, 42” high; together with a mahogany chair in yellow damask upholstery, on canted square legs united by geometric pierced H frame stretcher and brackets, 22” wide, 25” deep, 37” high £60­100 620. Early 20th century rocking horse in the manner of Lines Brothers, with dappled painted horse on a cream ground, with saddle and reins, 44.5” high, 56” long overall £300­500

616. Victorian Chesterfield button upholstered settee, raised on turned front legs terminating on brass castors, 71” wide, 35” deep, 26” high £100­200

621. Unusual Victorian oak oval writing table, the raised top with an egg and dart carved frieze over a central open back supported upon fluted pillars with four small concave foliate carved drawers, over an inset leather writhing surface and an applied meandering foliate carved frieze fitted with central drawer, supported upon square tapering legs terminating in brass caps and castors, 43” wide, 29” deep, 39” high £300­500

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620 622

622. Good George III mahogany chest of drawers, the moulded stepped top over two short and three long drawers upon bracket feet, 37.5” wide, 20.5” deep, 37” high £150­250 623. Attractive French rosewood and kingwood floral marquetry drop­flap centre table, the square shaped top with four folding flaps decorated with foliate sprays and applied with a gilt metal rim and cast mounts applied to the inlaid cabriole legs, 40.5” wide open, 29.5” high £200­300 624. Edwardian mahogany inlaid side table, the inlaid banded plain top over single drawer with inlaid paterae to the centre, raised on slender inlaid band square legs, 32.5” wide, 17” deep, 30” high £60­100 625. Regency mahogany bowfront chest of drawers, the moulded top with reeded frieze over two short and three long drawers, upon splayed feet, 41” wide, 22” deep (max), 43” high £120­180 626. 18th century mahogany Chippendale style carver dining chair, the foliate carved cresting rail over a pierced vase splat, with scrolling arms and stuff-over seat supported upon square legs with inside canted corners united by an H frame stretcher, 27” wide; also another 18th century mahogany dining chair with foliate carved cresting rail and pierced C scroll carved central splat, with stuff-over seat supported upon square legs united by an H frame stretcher (2) £200­400

BID LIVE AT: www.gardinerhoulgate.co.uk

623

627. Regency mahogany Pembroke table, the frieze fitted with one drawer and one dummy drawer, supported upon circular tapering ring turned legs terminating in brass caps and castors, 38” wide extended, 38” long, 30” high (one leg re-glued) £60­100 628. Regency mahogany small chest of drawers, the crossbanded top inlaid with an ebony line over two short and two long drawers supported upon splayed bracket feet, 34.5” wide x 16.75” deep x 33.75” high £150­250

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637

632. Victorian walnut inlaid pier cabinet, the rectangular top over a single glazed door, flanked by gilt metal mounts and supported upon a canted plinth base, 34” wide x 11” deep x 38.5” high £100­150 633. Regency mahogany and ebony banded toilet mirror, supported upon baluster turned columns over a bow fronted base raised on ball feet, 21” wide overall £50­80 634

629. Regency mahogany bowfront chest of drawers, the moulded top over two short and three long graduated drawers, supported upon bun feet, 36” wide, 20” deep (max), 40.5” high £80­140 630. 19th century mahogany drop leaf dining table, 42” wide; together with a 19th century single mahogany dining chair and a Regency carver chair (3) £10­20 631. George III mahogany commode chest of drawers, the hinged top inlaid with ebony and boxwood banding opening to reveal a later green baized interior with two dummy drawers over four long drawers, supported upon bracket feet, 27.75” wide x 16” deep x 39” high £120­180

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634. Good William & Mary laburnum oyster veneered inlaid chest, the moulded top over two short and three long drawers supported upon later ogee bracket feet, 35.5” wide x 20” deep x 36” high £1500­2500 635. Pine cupboard with parquetry panelled doors, the shaped top over two short drawer and two cupboard doors each with parquetry checkerboard panels, on a plinth base, 42” wide, 22.5” deep, 30” high £50­80 636. Regency mahogany bow front chest of drawers, the plain top over two short and three long graduated drawers, on splayed feet, 41” wide, 20” deep, 41” high £150­200 637. Victorian mahogany Wellington chest, the moulded top over bank of six drawers, raised on a short plinth section, 22” wide, 17.5” deep, 42” high £150­250

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638. Sheraton revival satinwood oval vitrine table, the hinged glazed top over a floral painted ribbon surround, with further painted flowering foliage to the sides, supported upon square tapering legs united by a raised X- frame stretcher with urn finial, 22.5” wide x 15.5” deep x 26.5” high £250­350 639. 17th/18th century oak high back hall chair, with an arched fielded panelled back within carved foliate borders and flanked by fluted tapered pilasters, over a solid seat and carved supports united by turned stretchers, the seat 18” wide, 50.5” high £40­60 640. Circa 1800 Regency giltwood gesso oval wall mirror, the rope twist and tassle moulded frame and glass of heavy patina, over a serpentine shaped shelf with flag and nautical apron beneath, 31” high £150­250

638

641. 19th century mahogany octagonal small rent table, the moulded top fitted with a hinged door opening to reveal two compartments, supported upon a baluster turned column and three curving legs, 28” wide (max) x 28” high £60­100

640

642. Victorian circular mahogany side table, on hexagonal tapering column support and triform base, 24” diameter, 28.5” high; together with a walnut octagonal side table, on turned legs united by stretches, terminating on castors £40­60 643. Rare American walnut child’s rocking chair, with turned spindles and pink fish scale pattern upholstery, 17” wide x 18.5” deep x 29” high £80­120 644. Victorian rosewood Pembroke work table, the strongly figured top over a single frieze drawer supported upon an octagonal baluster column to the quatrefoil shaped base supported upon bun feet, 31” wide extended, 15” deep, 29.5” high £120­180

BID LIVE AT: www.gardinerhoulgate.co.uk

644

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646

645. Large impressive Victorian overmantel mirror, within a foliate moulded frame surmounted by a pierced ornate cornice depicting two seated figures either side of a classical urn with flowers, 59” high, 34” wide £300­500 646. Good pair of late Victorian burr walnut ebony and boxwood banded fold­over swivel top card tables opening to reveal a green baize and gilt tooled bordered top over a well, supported upon four turned tapering circular fluted legs united by twin stretchers and supported upon carved angled legs with scroll carved feet, the open top 36” x 35.5” x 29” high (2) £500­800

645

647. Good George III mahogany serpentine secretaire chest of drawers, the top with rosewood crossbanding over the fitted secretaire drawer enclosing a good fitted interior of small drawers, pigeonholes and a central cupboard inlaid with an oval paterae, with three further graduated long drawers, upon splayed bracket feet, 46.5” wide, 24” deep, 43.5” high £200­400 648. Small Georgian mahogany lady’s dressing table, the hinged bow ended top banded with ebony and boxwood lines, also inset with an oval panel depicting a standing lady and opening to reveal a rectangular mirror and well, the front side also inlaid with a panel depicting a standing man, with further geometric diamond inlay to the sides and front square tapering legs, 24” wide x 11.75” deep x 27.25” high £250­350 649. Georgian mahogany inlaid side table, the crossbanded fluted edged top over a single drawer supported upon a turned column and four curving feet terminating in brass caps and castors, 18.75” wide x 14.5” deep x 29” high £100­150

647

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650. Small Regency mahogany sewing table, the rosewood and boxwood banded top with a single drop leaf over one single and one double drawer with turned bone handles, supported upon slender tapering square legs terminating in brass caps and castors, the top 23.5” wide (extended) x 18.5” deep x 29” high £100­200

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651. Good early 19th century French oak armoire, with a shaped pediment over panelled doors with brass fittings, 58” wide, 25” deep, 96” high £400­600 652. Georgian mahogany two tier square night table, fitted with a single drawer and supported upon canted square legs united by a shaped undertier, 13.75” square x 30.75” high; also another two tier night table fitted with a single drawer, 13.75” square x 13.5” high (2) £30­60 653. George III mahogany side table, the rectangular top crossbanded with rosewood over a single frieze drawer supported upon slender turned legs terminating in brass caps and castors, united by an x- frame stretcher, 20” wide x 16” deep x 29” high £200­300 654. Victorian walnut and satinwood inlaid nursing chair with floral upholstered button back and seat, with fluted curving tapered arms, supported upon short turned fluted tapering feet terminating in brass caps and castors; also another Victorian walnut floral carved nursing chair upon cabriole legs terminating in brass caps and castors (2) £60­100 655. Victorian burr walnut sewing table, the wavy top over a single drawer and sliding sewing basket, supported upon a turned column and three foliate carved curving legs, 24” wide x 19” deep x 29” high £200­300

651

656. 19th century mahogany set of five tier bow fronted open wall shelves, with pierced fretwork geometric sides, the base fitted with one long bowfront drawer, flanked by two short drawers, 24.25” wide, 7.75” deep (max), 30.75” high £100­150 657. Early 20th century mahogany Chippendale style pagoda three tier open bookshelves, the pagoda top over a blind strapwork carved frieze and geometric open pierced fretwork sides, 30” wide, 8” deep, 40.5” high £150­250 658. Victorian mahogany pole screen, with adjustable shield shaped panel worked with a floral display, supported upon a foliate carved baluster turned column and three foliate carved curving legs, 46” high overall, screen 17” high £40­60 659. Victorian mahogany pole screen, with adjustable circular shaped panel worked with pink roses and other flowers within a foliate carved surround, supported upon a turned column and circular fluted stepped base, 55” high overall, screen 14.5” diameter £50­80

BID LIVE AT: www.gardinerhoulgate.co.uk

660

660. English 18th century oak inlaid cupboard on stand, the moulded top ove sinlgle drawer and paneled cupboard door with moulded and inlaid roundel, the cupboard raised upon a stand of four turned legs united by stretcher frame, 33.5” wide, 21” deep, 51” high £150­250 GARDINER HOULGATE

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661

662

663

SELECTED PERIOD OAK FURNITURE FROM ABBEY HOUSE, MALMESBURY 661. Two similar antique Swiss hall chairs, the shaped backs carved as grotesques with open heart shaped mouths amidst scrolling foliage and C-scrolls, over canted seats supported upon octagonal tapering splayed legs, seats approx 16” wide, 13.5” deep, 34” high (2) £80­120 662. Walnut three tier buffet, incorporating some 16th century timbers, the three tiers united by foliate and gadrooned cup and cover supports with stylised repeating bands of differing foliate decoration to each tier front, with stile supports to the back, 59.5” wide, 18” deep, 45.5” high £1200­1800 90

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664

663. Late 17th century English carved oak coffer, the triple panelled top opening to reveal a later lined interior, over a frieze and triple panelled front carved with stylised strapwork foliate motifs, upon stile supports and plain panelled sides, 49” wide, 20.5” deep, 27” high £300­500 664. Charles II and later oak panel­back open armchair, South Yorkshire, circa 1670, with foliate carved wavy cresting rail over a foliate carved panelled back, chip carved two plank seat, supported upon baluster turned legs united by plain stretchers, 22.5” wide, 16.5” deep, 44.5” high £1200­1800

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667

666

668

665. Charles I oak coffer, Derbyshire, circa 1630, the quadruple panelled top opening to reveal a candle box over a panelled front carved overall with stylised floral roundels, also with plain panelled sides and upon stile supports, 50” wide, 23” deep, 22.5” high £500­800 666. Interesting and rare long boarded oak coffer, probably 16th century and dated '1527', the plain top over a multiple arcaded carved front, with plain panelled sides, fitted with an antique iron lock and hinges, upon stile supports, 80.5" long, 16.75" deep, 26.5" high £600­1000

BID LIVE AT: www.gardinerhoulgate.co.uk

665

667. Charles II oak panel­back open armchair, south Yorkshire, circa 1670, with wavy foliate carved cresting rail over a panelled back carved with a flowerhead over geometric scrolling foliage, over a single plank seat supported upon short turned baluster legs united by plain stretchers, 22.5” high, 16.5” deep, 45” high £1500­2500 668. Mid 17th century oak panel­back open armchair, Yorkshire, circa 1650, the cresting rail carved with mythical beasts over the panelled back and double planked seat, supported upon gun barrel turned circular front legs united by plain stretchers, 25” wide, 17” deep, 41.5” high £1200­1800 GARDINER HOULGATE

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669. 19th century and later unusual oak made up spice cabinet, the later solid thick wooden top over three short drawers flanked by brackets and carved with stylised flowerheads, upon a moulded plinth base, 46.25” wide, 13.75” deep, 8” high £40­60 670. Rare Elizabeth I and later oak inlaid coffer, the planked moulded top opening to reveal a candle box over a triple panelled freize inlaid with chequered squares and further geometric decoration, over a triple arcaded panelled and foliate carved front inlaid with floral panels divided by tapering foliate carved brackets over a similar geometric inlaid section complimentary to the freize, with plain panelled sides and upon stile supports, 54” wide, 23” deep, 29” high £1200­1800

669

671. Mid 17th century English oak panel­back backstool, with foliate triple arcaded carved cresting rail over a stylised foliate lozenge carved panelled back, with two planked seats supported upon baluster turned front legs united by plain stretchers, 19” wide, 15.75” deep, 36.5” high £300­500 672. Elizabeth I/James I oak panel­back open armchair, circa 1600, with carved foliate wavy cresting rail over a panelled back with raised carved lozenge and geometric decoration, over a two planked seat supported upon baluster turned front legs united by plain stretchers, 26” wide, 17.5” deep, 48.5” high £1500­2500

670

673. Part­Charles I oak coffer, the quadruple raised panelled top with moulded edge opening to reveal a candle box over a triple panelled front carved with stylised meandering foliate designs and flowerhead roundels, with plain panels to the front and sides, upon stile supports, 62” wide, 23.5” deep, 27.5” high £150­250

671

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672

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673

675

674. George III oak and walnut crossbanded low dresser, the moulded planked top over three mahogany banded long drawers fitted with brass locks and handles, over a moulded frieze supported upon baluster turned front legs terminating in ball feet, 90” wide, 20” deep, 33.5” high £800­1200 675. Charles I oak coffer, the double panelled top with unusual semicircular fan shaped fluted carved decoration, the moulded fluted front edge over a similar arcaded carved frieze and two panels with stylised foliate lozenge carved decoration, upon stile supports and with plain panelled sides, 43.5” wide, 19” deep, 20” high £500­800

674

676. Antique English oak backstool, the wavy cresting rail over a plain panelled splat and solid seat supported upon turned front legs united by a double baluster stretcher, 20.5” wide, 14.5” deep, 14.5” high £300­400 677. William & Mary and later oak high­backed side chair, the cresting rail carved with two mythical birds over a panelled vertical splat enclosed by carved C-scrolls, over a planked seat, supported upon block and ball turned front legs united by a carved stretcher, 18” wide, 15” deep, 50” high £100­200 676

BID LIVE AT: www.gardinerhoulgate.co.uk

677

GARDINER HOULGATE

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679

678. Charles II oak press or livery cupboard, the twelve panelled front with single iron hinged door, with moulded reeded cornice and quadruple panelled sides, 46” wide, 19” deep, 75” high £500­800

678

679. Early 17th century and later English oak three tier buffet, the planked moulded reeded top united to the undertiers by foliate carved cup and cover supports, each tier carved to the front and sides with stylised strapwork and meandering foliage, 51” wide, 20” deep, 46” high £2000­3000 680. Rare Charles II oak canopy court cupboard, Yorkshire, circa 1660, the raised panelled canopy back supported upon inverted turned baluster supports, over the middle section fitted with two panelled cupboard doors either side of a central recessed arcaded panel, over the base fitted with two large panel cupboard doors raised upon a plinth, with plain panelled sides and stile supports, carved overall to the front with stylised arcaded foliage and flowerhead roundels, 60.5” wide, 23.5” deep, 76” high £3000­5000

680

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Fine Paintings

Online Auction


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PRINTS & WATERCOLOURS 681. After Phillipe Mercier (19th century) Lady playing on the guitar ‘Domestic Amusement’, also a companion, lady playing a cello ‘If music be the food of love’, later prints from the original mezzotints, 13.5” x 10” and 13” x 9” respectively (2) ** From the collection of Arnold Dolmetsch (1858-1940), the French born musician and instrument maker, who spent much of his working life in England establishing an instrument making workshop in Haslemere, Surrey. He was a leading figure in the revival of early music £50­80 682. Michael Lyne (1912­1989) ­ ‘The North Ledbury’ a hunting scene with hounds pursuing a fox in an open landscape, signed and dated 1934, also inscribed on an old label verso, watercolour and gouache, possibly on tinted paper, 8” x 10.5”; together with three further companions, hounds crossing a road with a huntsman on horseback nearby and further huntsman beyond, signed and dated 1936, the hunt near a farmhouse and stream, with hounds on rising ground in the foreground, also signed and dated 1936, and lastly the hunt crossing fields with hounds in the foreground and various figures on horseback in the distance, houses amongst trees beyond, also signed and dated 1936, a set of four £500­700 683. Michael Lyne (1912­1989) ­ ‘The Ledbury’, a hunting scene with figures on horseback beside beech trees, signed and dates 1926, also inscribed verso, watercolour and gouache, 8” x 10.5” £120­180 684. Michael Lyne (1912­1989) ­ A hunting scene depicting a huntsman on horseback with a pack of hounds in the foreground, trees and hills in the distance, signed and dated 1935, watercolour and gouache heightened with white, 14.75” x 20.25” ** The work has a study of a fox in the margin in the lower right hand corner, also a companion picture titled ‘The Cotswold Hounds’, signed and dated 1936 also extensively inscribed verso ** The work bears an old label verso giving details of the work receiving the first prize for outstanding painting and is also numbered 33 in class four also bearing an old label with the artists address Gretton Hill Farm, Winchcombe, Gloucestershire with the original price of twelve guineas, twelve pounds twelve shillings (a pair) £500­800 685. Harry Dixon (1861­1942) ­ A Run On The Bank, a fox chasing hares in a wood, signed, watercolour, titled to mount, 17.5” x 13.5”, framed, “ x “ overall £80­120 96

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684 686. Edwin Penny (1930­2016) ­ Study of two blue tits upon a branch, signed, watercolour and gouache on tinted paper, 15.75” x 10” ** Provenance with David Cross Gallery, Boyces Avenue, Clifton,Bristol, BS8 4AA, also Lot 181 on 24th November 2011 with The Clevedon Salerooms £150­250 687. Edouard van Goethem (1857­1924) ­ Two children paddling upon a beach, signed also extensively inscribed on a later label verso with biographical details on the artist, pencil and watercolour, 12” x 8” £50­70 688. Percy Lancaster RI, RBA ARE, RCamA (1878­1951) - ‘Beach Scene’, signed, also inscribed on an old label verso, watercolour and gouache, heightened with white, on tinted paper, 10.5” x 19.25” £250­300 689. Joseph Dixon Clark (1849­1944) - Cattle beside a stream with fields and trees beyond, signed, watercolour, 10” x 14.25” £150­170 690. Simon B. Hodges (20th /21st century) ­ ‘Scottish Sketchbook’, a Loch scene with boats, signed also inscribed with the title and bearing an incorrect artist label to the reverse, pencil and wash with wiping out, 6.75” x 9.25” £50­80 691. Simon B. Hodges (20th/21st century) ­ ‘Norwegian Glacier’, Norway inscribed with the artist’s name and the title of the work on a later label verso, pencil and watercolour heightened with white, 5.25” x 7.5” £40­60

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692. George Oyston (1861­1937) ­ Rural landscape with figures on a track, hills in the distance, signed and dated 1927, watercolour, 14.5” x 10.5”, in mount and frame 21.5” x 18” overall £40­60 693. John Atkinson (1863­1924) ­ Figures hay making in a summer landscape, signed, pencil and watercolour, 10.25” x 14.5” £150­200

698

694. J* Kinnear (19th/20th century) - Cornfield with a figure beside a fence approaching a cottage amongst trees, signed and dated 1905, watercolour and gouache, heightened with white, 11.5” x 17.75” £70­100 695. J.Edgar Mitchell (1871­1922) ­ “Kirkby Stephen”, town high street with figures and horse-drawn carriage, the church tower in the near distance, signed, watercolour, 14” x 10.5”, within mount and frame, 21” x 18” overall £100­150 696. Thomas Miles Richardson Snr (1784­ 1848) ­ Eel traps, river landscape with tree lined river bank, watercolour, 12” x 8.5”, within mount and frame 21” x 17.5” overall £150­200 697. Augustus Osborne Lamplough, A.R.A (1877­1930) ­ Single camel rider in an Eastern landscape, signed, watercolour, 9” x 24” £250­300 698. Augustus Osborne Lamplough ARA (1877­1930) ­ Desert scene with camel riders, pyramids in the distance, watercolour, 8.5” x 22.5” £400­600 699. Paul Lecomte (1842­1920) ­ Sunlit continental courtyard scene with figures under a partially timbered roof, signed also inscribed with the artist’s name and his dates on a plaque attached to the frame, pencil and watercolour, 14.5” x 21.25” £300­400

See Glossary of Painting Terms - Page 115

699 700. M*Agnes Cohen (20th century) - Portrait of a young girl half length wearing a green coat, her hair decorated with a black bow, pastel drawing, unfinished a preparatory study on tinted paper, 21.5” x 17” £80­120 701. Dennis William Dring RA (1904­1990) - Study of a young girl wearing a cream dress decorated with a red ribbon and flowers wearing red ballet shoes, her hair decorated with flowers, signed, pastel drawing, 17.75” x 13” £100­150 702. Continental School (19th century) - Set of eleven ‘Views of the Rhine’, ‘The Palace at Biebrich’, ‘Bingen’, ‘Kaub’, ‘Andernach’, ‘Bonn’, ‘Koln’ etc, all inscribed on the mount, pen, ink and sepia wash, 6.75” x 9.75” and various other sizes (11) ** with the Rowley Gallery, 115 Kensington Church Street, London, W8 ** the pictures were at one point in their history on loan from Castle Hill, Filleigh, 2010 £450­500

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703. Edward Jeffrey Irving Ardizzone CBE, RA (1900­ 1979) - Waiter serving wine to two seated gentlemen, inscribed with the artist’s name verso, pen, ink and grey wash, a preparatory sketch, 5.25” x 7” ** The artist was an English painter, illustrator, printmaker and war artist, he was also the author and illustrator of many books, particularly specialising in books for children £100­150 704. English School (20th century) - ‘Pool of London’ shipping near Tower Bridge, indistinctly signed, pencil and watercolour, 10.5” x 14.25” £100­120 705. Samuel John Lamorna Birch RA, RWS (1869­1955) - Sunlit estuary scene with cottages beside trees, signed, pencil and watercolour, 9” x 13.25” £300­400 705A. Samuel John Lamorna Birch RA, RWS (1869­1955) - Winter landscape with trees by a lake, signed and inscribed with a personal message from the artist ‘From John with good wishes for Xmas and the New Year’, watercolour, 3.5” x 5” £150­200

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OIL PAINTINGS Lots 707-721 are from the estate of Ted Watkinson 706. John MacWhirter R.A. (1839­1911) ­ ‘Tintern Abbey’, a scene on The River Wye, with figures and boats in a sunlit landscape, signed with the artist’s initials also inscribed with the artist’s name and the title of the work on the original frame, with a further later inscribed label verso, oil on canvas, 36” x 28” £1000­1500 707. Henry John Yeend King (1855­1924) ­ River landscape with a figure on a horse and cart, a girl looking on from a wooden footbridge nearby, signed, oil on canvas, 18” x 24” £800­1000

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708. Henry John Yeend King (1855­1924) ­ Village scene with a young girl and a dog beside a stream, ducks, a farmer and cattle nearby with a thatched barn beyond, oil on canvas, 20” x 16” £800­1200 709. James Docharty A.R.S.A. (1829­1878) ­ Coastal scene with a fisherman mending nets in the foreground, other figures in the distance extensively inscribed verso ‘Guaranteed to be the work of the late James Docharty ARSA, signed on behalf of the trustees J L C Docharty’, also bearing fragments of an old label attached to the stretcher, oil on canvas, 18.25” x 30”

709

**Provenance with The Alexander Gallery 122, Whiteladies Road, Bristol, BS8 2RP, 14th December 1984 £700­1000 710. Claude Cardon (fl. 1892­1920) ­ ‘Farm Friends’, summer river landscape with three calves and ducks in the foreground, sheep grazing in a meadow beyond, signed and indistinctly dated possibly 1900, oil on canvas, 30” x 40” ** Provenance with Fine Art of Oakham Ltd., 2A high Street, Oakham, Leicestershire, LE15 6AL, stock no. c/525 £2000­3000 711. William Vivian Tippet (1833­1910) ­ Sheep in a mountainous landscape, signed and indistinctly dated, possibly 87 (1887), oil on canvas, 13” x 18.5” **The date is partially hidden by the rebate of the frame £300­400 See Glossary of Painting Terms - Page 115

712 712. Thomas Sidney Cooper RA (1803­1902) ­ River landscape with cattle and sheep beside willow trees, a church and other buildings in the distance, signed and dated 1894, oil on canvas, 15” x 25” £1500­2500 GARDINER HOULGATE

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713 713. Edmond Jean­Baptiste Tschaggeny (1818­1873) ­ Shepherdess with sheep and lambs in a sunlit landscape, signed, oil on canvas, 23” x 30” £3000­4000

714 714. Walter Hunt (1861­1941) ­ ‘Waiting To Be Fed’, a small girl feeding chickens, with a goat nearby, signed and dated ‘83 (1883), also inscribed with the title and the artist name, in the artists own hand, verso, oil on canvas, 14” x 18” **Provenance with Christie’s 11th October 1991 Lot 123 £1000­1500

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715 715. Walter Hunt (1861­1941) ­ Farmyard scene with a donkey, two calves and chickens, landscape beyond, signed and dated 1910, oil on canvas, 18” x 24” £3000­5000

716 716. Walter Hunt (1861­1941) ­ Two children feeding calves beside a stream, a dog by their side, signed and dated 1893, oil on canvas, 20” x 30” £6000­8000

See Glossary of Painting Terms - Page 115

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717. William Watson (1831­1921)­ Highland cattle with their calves beside a river in a mountainous Scottish landscape, signed and dated 1898, also inscribed verso with the title ‘Wandering Through The Glen’, oil on canvas, 24” x 36” £600­1000

717

718. Charles France (fl. 1881­1889) ­ River landscape with a castle amongst woodland in the distance, signed, oil on canvas, 20” x 30” £500­700

718

719. Edward Wesson (1910­1983) ­ ‘Barges at Pin Mill’, signed Wesson and extensively signed verso both on the board and label, oil on board, 12” x 18.25” £800­1000

719

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720. Frank Winston Shipsides (1908­2005) ­ Tea clipper being towed by tugs in a calm sea with another ship beyond, signed and dated 1977, oil on canvas, 20” x 24” **Provenance with The Alexander Gallery, Whiteladies Road, Bristol £250­350 720A. Circle of William Bradley Lamond (1857­1924) ­ Beach scene with figure collecting seawed into a horse drawn cart, oil on canvas, 12” x 18” £200­300 721. Fredrick Daniel Hardy (1827­1911) ­ Interior scene with two figures beside a fireplace, a child sleeping in a small bed nearby, signed and dated 1879, oil on canvas, 20” x 24” £800­1200 722. Attributed to John Davison Liddell (1859­1942) ­ ‘Off Flambrough Head’, indistinctly signed also inscribed on an old label verso, oil on board, 16.75” x 23.75”

721

** Provenance with Thomas Wood, Fine Art Gallery Darlington, stock no. 24852 £200­300 723. William Adolphus Knell (1801­1875) ­ ‘Shipping in a Breeze’, signed also inscribed with the artist’s name on a plaque attached to the frame, oil on canvas, 10” x 14” ** Provenance with The Old Solent House Galleries, Quay Street, Limington, Hampshire, SO4 9AR, (Denys Brook-Hart and Mary Brook-Hart) sold together with a copy of the original invoice dated 27th April 1985, the original price £1000 £600­800 724. William Adolphus Knell (1801­1875) - ‘A Race During the Voyage, The Arizona Gaining the Lead’, the steam vessel Arizona, the first Greyhound of the Atlantic, Winner of the Blue Riband in July 1879, signed and indistinctly dated, also extensively inscribed verso, partially in the artist’s own hand and on a later typed label, oil on panel, 8” x 20” £500­700

723

725. Gudrun Sibbons (b. 1924) ­ Dutch river scene with figures beside fishing boats in the foreground, buildings and a windmill beyond, signed, also extensively inscribed on a later label verso with biographical details on the artist, oil on board, 16” x 20” ** Provenance with The Beckstones Gallery , Greystoke Ghyll, nr. Penrith, Cumbria, CA11 0UQ £300­400

See Glossary of Painting Terms - Page 115

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726. George Francis Carline (1855­1920) ­ Three young girls arranging flowers in two vases, signed and dated 1902, oil on canvas, 40” x 50” £2500­3500

729. George Bernard O’Neill RA (1828­1917) ­ Figures beside a doorway, with children purchasing toys from a street vendor, other figures nearby with utensils in the foreground inscribed with the artist’s name on a plaque attached to the frame, oil on canvas, 28” x 25”

727. Joshua Anderson Hague (1850­1916) - ‘After the Rain’, a young girl on a country road with other figures beside a thatched cottage in the distance, signed, also inscribed with the title on a later label verso, oil on canvas, 16” x 20” £100­150

**The artist was born in Dublin and arrived in England in 1837, he was quickly accepted at The Royal Academy Schools in 1845 and was a successful student regularly exhibiting at The Royal Academy from 1847 onwards, he became a member of The Cranbrook Colony of Painters, his in Kent ‘Old Wilsley House’ became the setting for many of O’Neill’s paintings. The artist style was similar to that of Thomas Webster and Frederick Daniel Hardy (see Lot 721), the close relationship between O’Neill and Hardy can be judged from their paintings ‘The Surprise’ where Hardy painted the interior and O’Neill the figure (now in The Wolverhampton Art Gallery) £2000­3000

728. Circle of Jacobus Freudenberg (1818­1873) ­ Winter scene, with skaters on a river by buildings in the foreground, a bridge in the distance, oil on panel, 15” x 10”, framed 19.5” x 15.5” overall £200­300

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730. W.A. Clarke (20th century) ­ Three prize Jersey bulls, each inscribed and dated, oils on canvas, 16” x 20” (3) £400­600

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731. John Arnold Alfred Wheeler (1821­1903) ­ ‘The Racehorse Pretty Polly’ with a jockey in silks up with a further racehorse and jockey nearby, signed also inscribed with the horse’s name and dated 1904, oil on canvas, 19” x 25.5” £400­800 732. John Jackson RA (1778­1831) ­ ‘Portrait of Admiral Sir R.G. Keats, CCB, Governor of The Royal Hospital, Greenwich’, inscribed on the artist’s original label verso with his name and the title of the work, oil on artists board, 9.5” x 8” ** Published as an engraving by William Ward ARA, a copy of this engraving is kept in The British Library ** John Jackson was born at Lastingham, Yorkshire and was an apprentice tailor to his father but became a RA specialising in portraiture, enjoying the support of Henry Phipps, 1st Earl of Mulgrave (1755-1831) who recommended him to the Earl of Carlisle as well as to Sir George Beaumont, the artist befriended the famous Scottish painter David Wilkie and B.R. Haydon £800­1200 733. Attributed to Ramsay Richard Reinagle (1775­1862) - River scene at sunrise with a drover and cattle in the foreground, figures with horses and dogs nearby, a barge by an island in the distance, signed and dated 1853, oil on canvas, 13.75” x 21.5” £250­350 734. Attributed to Alfred Provis (19th century) ­ Interior scene with a mother and child feeding rabbits, not signed, oil on canvas, 10” x 14” £100­150

See Glossary of Painting Terms - Page 115

738

735. Circle of Ralph Hedley (c.1851­1913) - Figure seated in an artist’s studio, examining an oil painting, his brushes and other materials nearby, oil on board, 11.5” x 8.5” £120­180 736. Continental School (19th century) ­ Napoleon standing beside a river, a French guard nearby, oil on board, 5.5” x 6.5” £120­180 737. Francesco Peluso (19th century) - Young Italian girl seated spinning wool, a young man smoking a clay pipe seated nearby, signed, also inscribed on an old label verso, oil on canvas, 15.75” x 10” £200­250 738. Andrè Collin (1862­1930) - Interior scene with Bavarians relaxing beside a window, a dog in the foreground, signed, also inscribed on an old label and further later inscriptions verso, oil on panel, 8.25” x 10.25” £300­350 739. English School (early 19th century) - Portrait of a young girl wearing a cream dress decorated with a rose, further flowers in her hair, also a companion portrait of a young girl, her dress and hair decorated with flowers, oil on canvas, oil, each 12.5” x 10.5” (a pair) £100­150

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740A 740A. After Luigi Cochetti (Italian 1802­1884), style of Botticelli ­ Birth of Venus, a very large and impressive work, signed, oil on canvas, 72” x 48”, within ornate gilt gesso frame, 63” x 87” total with frame £600­1000

740. English School (18th century) ­ portrait of a lady, half length wearing a pink dress with blue and cream accessories, oil on canvas, 24” x 21.5” ** The work is in the style or manner of Simon Verelst £300­400 741. Jack Mills (19th century) ­ Portrait of Richard Lord Esquire, inscribed with the artist name and the title of the work and dated 1845, the inscription taken from the original canvas, oil on canvas, 30” x 25” with a further late Victorian oil painting of a lady, 24” x 20” (2) 742. George Fiddes Watt (1873­1960) - Portrait study of an elderly woman, signed and dated 1900, oil on board, 13” x 10.25” ** The artist was a Scottish portrait painter and engraver born in Aberdeen and studied at Gray’s School of Art as well as at The Royal Scottish Academy, his most notable work being a portrait of H.H Asquith, AGA??? Balfour, the artist was sculpted by Henry Snell Gamley in 1912 and a bronze statue of Watt can be seen in Aberdeen sculpted in 1942 by Thomas Bayliss HuxleyJones £80­120 740

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743. Jacques Mathey (1883­1973) - ‘A Port in Britanny’, indistinctly signed, also inscribed by a later hand on a label verso, mixed media, 12.75” x 16” **The work is accompanied with biographical details on the artist, together with an old black and white photograph presumably of the painter, this information is within an envelope attached to the reverse **The work is contained within a partially carved and giltwood frame decorated with foliate scrolls and shell motifs to the corners £300­400

743

744. Style of Louis Auguste Lapito (1803­1874) - ‘Chateau de L’Oeraf, Naples’, indistinctly inscribed on the stretcher verso, together with the artist’s name inscribed with his dates on the frame by a later hand, oil on canvas, 9.5” x 12.75” £250­350 745. Carlos Luis Sancha (1920­2001) - Still life of assorted flowers in a blue and white bowl, indistinctly signed and dated 1957, oil on canvas, 18” x 22” £200­300 746. John Whitlock Codner RWA (1913­2008) ­ Still life of assorted flowers in a glass vase, signed also inscribed with the artist Name together with the date September 1977 and numbered 4, verso, oil on canvas, 24” x 20” ** Provenance with The Patricia Wells Gallery, Thornbury, Bristol £150­250 747. Manner of Louis Leopold Boilly (1761­1845) French - Still life of a basket of flowers, oil on canvas, laid down, 21” x 35.5” ** Contained within a composite carved wood and plaster gilt and black frame decorated with foliate scrolls to the corners and centres, reputedly to have been made by G.A. Rose, 23 Pelham Street, South Kensington, London circa 1920s, who also restored the picture £150­250 748. The style of Giovanni Battista Salvi da Sassoferrato (1609­1685) ­ Madonna and Child, inscribed with the artist’s name on the original frame, oil on canvas, 19” x 15” £1500­2000

See Glossary of Painting Terms - Page 115

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749. Circle of Pietro Longhi (c. 1701­1785) - Figures in an interior around a harpsichord, another playing a cello, a picture on the wall nearby, oil on canvas, 16.5” x 18.75” *From the collection of Arnold Dolmetsch (18581940), the French born musician and instrument maker, who spent much of his working life in England establishing an instrument making workshop in Haslemere, Surrey. He was a leading figure in the revival of early music £1000­1500

MODERN BRITISH & CONTEMPORARY ART 750. Jack Hughes (b. 1928) Welsh ­ Young girl lying on a white blanket, signed Hughes and dated '59 (1959), oil on canvas, 20" x 24"

749

** The artist has works with Leicestershire County Council art works collection £150­250 751. Paul Stephens (20/21st century) - ‘Towards Twilight, Somerset Levels The River Parrett’, signed, also extensively inscribed verso with exhibition details etc, oil on board, 24” x 34” *The artist regularly exhibited at The RWA, Bristol annual exhibitions as well as at The Mall Galleries, London, also at the Colleton Gallery in Bath, The Sadler Gallery, Wells, Patricia Fine Art, Boca Raton, Florida, USA, the A1 summer exhibition in Wells, he was a friend of the artist Arthur Maderson and both artists exhibited together at The Crispin Hall in Street, Somerset, the artist also exhibited along side Ken Howard and paints with a multitude of dabs very reminiscent of the Pointillist painters, Georges Seurat and Paul Signac, the Pointillist movement developed circa 1886 branching from impressionism £200­400 751 752. Paul Stephens (20th/21st century) - ‘Mendip Hills and Somerset Levels Towards Twilight’, signed, also extensively inscribed verso with exhibition details, oil on board, 16” x 20” £100­150

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755 755. Victor Vasarely (1908­1997) ­ ‘Untitled’, red and blue cubes and circles, signed artist proof, numbered 38/53, coloured silk screen print, 27.5” x 19.75” ** The work sold together with the original Bonhams, London invoice dated 19th May 2011, the original cost price being £520.80 £400­600 756. Willi Kismer (20th/21st century) ­ Three-quarter length female torso draped with material, signed artist proof, limited edition print 40/250, coloured etching, 25.75” x 13.75” ** The artist is considered to be one of the finest living etchers and focuses on the female form of which is wife Beate is his muse, Kismer explores the interplay between skin and fabric and the contrast of light and shadow, after a career in folk music in 1970s, Kismer made the decision in 1980 to devote himself to painting and etching living and working in the Homberg Tower (previously a railroad lift) by the river Rhine in Duisburg, Germany £150­250

756

757

753. Derrick Greaves (b.1927) ­ reclining female nude, signed artist proof, also dated ‘78 and numbered 96/150, coloured aqua tinted print, 16” x 21”

757. Willi Kismer (20th/21st century) ­ Female nude, side view, signed artist proof limited edition print 15/250, coloured etching, 29.5” x 8.5” £150­200

** The artist gained acclaim in the 1950s when he represented Britain at The Venice Biennale along with the other ‘Kitchen-Sink’ painters Bratby, Middleditch and Smith. However his work swiftly developed into a more heraldic style that parallelled 1960s Pop Art, the work appears to be influenced by the American artist Tom Wesselmann. £200­250

758. Andrew Waddington (20th/21st century) ­ ‘From The North’, bird standing upon a branch with Oyster Catchers in flight nearby and a fishing boat beyond, signed and dated in Roman numerals, also inscribed verso with the title, watercolour, 10.75” x 14.75”

754. Derrick Greaves (b.1927) ­ figurative profile study based on Virginia Wolf, signed artist proof dated ‘67/’76 (1967/1976) also numbered 29/30 coloured lithographic print, 19.5” x 26” £200­250 See Glossary of Painting Terms - Page 115

** The artist established his studio on a farm near Rose, Cornwall in 1988 and moved to his present home in the Tamar Valley on the Devon/Cornwall border in 1992, his lithographs are printed by the Curwen Studio. This particular work is reminiscent of a particular style of Mary Fedden £80­120 GARDINER HOULGATE

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THE COLLECTION OF SIR RONALD MCINTOSH 19192019 Sir Ronald McIntosh started life as a merchant seaman, but is mostly remembered as Director-General of the Office for National Economic Development Council from 1973-1978 under the Governments of Harold Wilson and Ted Heath. As such, he was instrumental in proposing national incomes policies and steering courses through various national crises. Sir Ronald and his wife Doreen were longtime supporters of The New English Art Club. They were benefactors and loyal followers of the NEAC annual exhibitions, and amassed a significant number of exhibited works. Sir Ronnie was very particular when purchasing work, and his over-riding principle lay with “artists trying to stretch themselves out of their comfort zones”

759

759. Roy Freer RI, ROI, NEAC (b. 1938) ‘Waterside Reflections’, signed, also inscribed with a label verso giving the title and brief biographical details on the artist, oil on canvas, 12” x 16” ** From the Collection of Sir Ronald McIntosh (1919-2019) £250­350 760. Julien Bailey NEAC (b. 1963) - ‘Two Fishermen, Weymouth’, signed with the artist’s initials, also extensively inscribed on a Mall Galleries (Federation of British Artist) label, together with the title of the work, the artist’s address and the original price of £3200, oil on board, 15” x 16” ** From the Collection of Sir Ronald McIntosh (1919-2019) £1000­1500 761. Dennis Gilbert NEAC (20th/21st century) ‘The Alpaca Farm’, inscribed on a Mall Galleries, New English Art Club label, verso the artist’s name, his address and the title, together with the original price of £480

760

** From the Collection of Sir Ronald McIntosh (1919-2019) £200­300

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** Exhibited at the Mall Galleries (The Federation of British Artists), New English Art club and numbered 416

764. Jonathan Trowell NEAC (1938­2013) - ‘Cellos’, signed Trowell and extensively inscribed on a Mall Galleries (The Federation of British Artists), New English Art Club label, together with the title of the work, the artist’s name and his address in Norfolk with the original price of £750, oil on board, 8” x 10”

** From the Collection of Sir Ronald McIntosh (1919-2019) £300­400

** From the Collection of Sir Ronald McIntosh (1919-2019) £350­400

763. Julian Bailey NEAC (b. 1963) - ‘Lerryn, Dusk’, signed with the artist’s initials and extensively inscribed on a gallery label verso, gouache on paper, 4.75” x 6.25”

765. Mary Jackson NEAC (20th/21st century) - ‘Harvesting Keiala', signed, also extensively inscribed on a Mall Galleries (The Federation of British Artists), New English Art Club label, together with the title of the work, the artist's name, the date 2006 and the original price of £950

762. Toby Ward NEAC (20th/21st century) - ‘Chessmen’, signed, also extensively inscribed on various labels verso, with the title of the work, the artist’s name and the original price of £1750, oil on board, 13” x 12.75”

** Provenance with Browse & Darby, 19, Cork Street, London W1S 3LP stock number M5712 ** From the Collection of Sir Ronald McIntosh (1919-2019) £300­500 See Glossary of Painting Terms - Page 115

** From the Collection of Sir Ronald McIntosh (1919-2019) £300­400

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766 766. Charlotte Sorapure NEAC (20th/21st century) - ‘Amalfi Courtyard’, signed with the artist’s monogram and extensively on a Mall Galleries, New English Art Club label, verso with the title of the work, the artist’s address in Bath and the original price of £6850, oil on linen laid on panel, 19.25” x 15”

768 768. Ken Howard OBE, PPNEAC, RA, RBA, RBSA, ROI, RWA (b. 1932) - ‘Laufenburg Rhine Bridge’, signed, also extensively inscribed on various labels verso and dated 28th March 2011, oil on board, 10” x 12”

** From the Collection of Sir Ronald McIntosh (1919-2019) £1000­1500

** From the Collection of Sir Ronald McIntosh (1919-2019) £800­1000

** Exhibited at the New English Art Club, also with Richard Green Fine Paintings, 147, New Bond Street, London, W1Y 9FE stock number BK101MS

767 767. Bernard Dunstan RA, NEAC, RWA (1920­2017) - ‘In The National Gallery’, signed with the artist’s initials, also inscribed with the title, possibly in the artist’s own hand and dated 10.04 and numbered 28, also extensively inscribed on a Mall Galleries, New English Art Club label verso with the title, the artist’s name, his address in Richmond, London and the original price of £5000, oil on board, 12” x 12”

769 769. Ken Howard OBE, RA, NEAC, RBA, RBSA, ROI, RWA (b. 1932) - ‘Fish Market Reflections, Newlyn’, signed, also inscribed on the stretcher, verso possibly in the artist’s own hand and inscribed on gallery label verso, oil on canvas, 20” x 24”

** From the Collection of Sir Ronald McIntosh (1919-2019) £1500­2500

** From the Collection of Sir Ronald McIntosh (1919-2019) £2500­3000

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** Provenance with Richard Green Fine Paintings, 147, New Bond Street, London, W1Y 9FE stock number BA305MS

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773

770. Anthony Currell (b. 1942) ­ ‘Two Miners’, signed artist proof limited edition print, 7/15, black and white dry point etching, 22.75” x 15.75” (pl), overall size 31” x 22.5” £100­200 771. Janet Lawrence (20th/21st century) ­ ‘Hannah and The Heater’, signed and dated 98 (1998) also inscribed on a later label verso, oil on paper, 20.5”x 28.5” £150­200 772. Look­Kang, (Tadpole The Elephant (20th century) ­ abstract shapes inscribed on a label verso and dated August 30th 2000 **The work is accompanied with exhibition details from The Bloxham Galleries (John Bloxham Fine Art St. John’s Hill, London SW11 1TG dated November 2000) Sold together with the original invoice from The Bloxham Galleries, original price £120 £80­100

776

773. Mircea Marosin (1921­2007) ­ Seated female nude, signed with the artist’s monogram and inscribed on a later label verso with date 1972, pastel drawing, 35” x 22.25” ** The artist was a theatre designer, director, painter and poet born in Bucharest, he was self taught and had his first exhibition in Romania primarily being influenced by Surrealism artist such Frida Kahlo, Diego Riviera were a great influence upon his work £250­300 774. David Hockney ­ Tate Gallery ‘Travels With Pen, Pencil and Ink Drawings and Prints 1961-1979... but no paintings’, colour offset lithograph poster featuring Celia in The Black Dress, 30” x 20” within glazed frame £50­100 775. Yahn Janou ­ Juan Manuel Fangio and The Mercedez Benz W196 R Streamliner - Limited Edition colour lithograph print 196/300, 22” x 27” in glazed frame £80­120 776. Galleria Pollinaire, Milano, November to December 1965 exhibition poster for Roy Lichtenstein, 15” x 21.5”, within magnet clip glazed frame 19.5 x 27.5” total £300­500

See Glossary of Painting Terms - Page 115

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778

777 777. Jesus Rafael Soto (Venezuelan 1923­2005) - Limited edition coloured lithograph, Galleria Del Deposito gallery blind stamp, signature and numbered 86/100 in pencil to the margin, 19” x 27.5”, within glazed frame £300­500 778. Frederick Joseph Yates (Fred Yates) (1922­2008) - ‘Mr. Universe’, signed, also inscribed with the title verso and numbered 2, oil on board, 18” x 22” ** The artist was born at Urmston, Manchester and was inspired by the Lancashire artist Laurence Stephen Lowry. One of the true English naive artists, despite the artist’s reclusive nature, his paintings combine sharp observation of people going about their daily lives with strong, impressionistic colours and expressive brushwork. His paintings are included in many private and public collections including Brighton and Hove Art Gallery, Liverpool University, The University of Warwick, Torquay Art Gallery and The Russell Coates Gallery Bournemouth £1500­2500

779

779. Follower of Fred Cuming NEAC (20th/21st century) - Still life of flowers in a sunlit room, oil on canvas, unframed, 36” x 40” £300­400 780. *Funeux (20th/21st century) - Continental harbour scene with fishing boats beside sunlit houses, indistinctly signed, oil on board, 21.5” x 24.5” £300­400

112

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780 Online Bidding via GH Live 27% inclusive of VAT @ 20%.


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790 781. Style of Ken Howard OBE, RA (20th/21st century) - Female model seated beside a window in a studio, an unfinished preparatory oil sketch, oil on paper, 12” x 8.75” £150­250 782. Amrik Varkalis - Abstract landscape with fields and distant hills, signed and dated ‘02 (2002), also a companion, oil on paper, each 11.25” x 11.25” (a pair) £80­120 783. David W. Whitfield - Figurative subject, signed and dated April 1971, pen, ink and watercolour, 17.75” x 15.75” ** The artist studied at Sunderland College of Art and after his studies became a cartographer, surveying land in the north east, he later became a qualified psychiatric nurse before retiring at the age of fifty-five to concentrate fully on art, illustrating books and exhibiting his pictures at Manchester, London, Scotland and in the USA. His work was surrealistic in style, using an airbrush with various inks, while still working in the figurative tradition, he was influenced by Francis Bacon £80­120 784. Joyce Tobbutt - Two female nudes in a sunlit studio, inscribed with the artist’s name on a label verso together with the original price of £325, oil on board, 20.5” x 20.5” £80­100 785. English School (20th/21st century) - Still life of flowers in a brown vase with an orange on a saucer in the foreground, oil on canvas, 24” x 18” £80­100 786. English School (20th/21st century) ­ Coastal scene with a winding road in the foreground, a windmill and other buildings amongst trees in the distance, oil on canvas, 20” x 26” £80­100 See Glossary of Painting Terms - Page 115

791 787. J. Roy Baz (20th/21st century) - The Balloon Ride, signed, also inscribed with the artist’s name and the word Unique, oil on canvas board, 20.5” x 24.5” £80­120 788. Marc Grimshaw (20th/21st century) - Northern street scene with three girls skipping, also a companion, children and a baby in a pram, another on a rocking horse, both signed, pastel drawings, 10" x 11.75" and 11.25" x 13" respectively (2) £100­150 789. * *Brook (20th/21st century) - Study of deckchairs on a beach, signed Brook, also a companion, a pavement cafe with figures, also signed Brook, each 10” x 10” (a pair) £100­150 790. Simeon Stafford (b. 1956) - ‘Blackpool’, summer beach scene with figures swimming in the foreground, Blackpool Tower and other buildings in the distance, indistinctly signed and dated ‘08.3.1, oil on board, 7.5” x 9.5” £250­350 791. Eric Ward (b. 1945) - Female nude in a sunlit studio with the artist beside his easel in the distance, signed, also inscribed on various labels verso, one label inscribed ‘Winter Afternoon’, oil on board, 8.75” x 6” ** The artist was born in St Ives, Cornwall, a former fisherman and St Ives harbour master and Coxswain of the St Ives Lifeboat. The artist has exhibited extensively in Cornwall and throughout the UK and is a member of The Chelsea Arts Club, London **Provenance with The Bank Street Gallery, Sevenoaks, Kent, TN13 1UW £100­150

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792

794

792. Ronald Ossory Dunlop RA (1894­1973) - Sailing yachts upon a lake with hills in the distance, signed Dunlop, oil on canvas, 20” x 24” £700­1000 793. T* Rickman (20th/21st century) - Interior scene with pottery and other objects upon a sunlit table, signed and dated ‘95 (1995) verso, oil on canvas, 33.5” x 30.25” £250­350

114

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793

795

794. Style of Arthur Maderson (20th/21st century) - Sunlit street scene with cottages, a stone wall and telegraph poles nearby, oil on board, 26.25” x 28.5” £200­300 795. Paul Bassingthwaighte (20th/21st century) - ‘Blackpool Tower, Night’, inscribed with the artist’s signature, his name and the title on a label verso, oil on board, 13.75” x 12” £100­150

Online Bidding via GH Live 27% inclusive of VAT @ 20%.


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796. John Randall Bratby RA (1928­1992) - view from a Venetian balcony with gondolas moored on a canal, seen through a window with autumn leaves upon a white table cloth in the foreground, signed Bratby, oil on canvas, 48” x 36” ** The artist was the founder of the Kitchen Sink Realism style of art, that was influential in the late 1950s, he made many portraits of his family and other celebrities and his pictures were seen in both television and film £3000­4000 797. After Henry Moore OM., CH., FBA., (1898­1986) ­ ‘Sculptural Objects’, signed Moore and dated ‘49 (1949) within the image, also inscribed with a title and originally published by The School Prints Ltd, and printed in Great Britain by W. S. Cowell Ltd, coloured print, 25.25” x 35.5”; together with a Henry Moore exhibition poster advertising an exhibition in Florence May to September, 1972, 27” x 15.75” (2) £150­200 798. After Gerald Anthony Scarfe CBE., RDI., (b.1936) ­ ‘Everyman’ signed artist’s proof also inscribed with the title and numbered 32/99, together with the blind stamp for Michel Casse, litho-Paris coloured lithographic print, 19” x 25.25” £120­150 799. David Schneur (Israeli 1905­1988) ­ Four Ladies and Two Gentleman, Limited edition coloured lithograph, signed and numbered 85/250 in pencil to the margin £100­200

796

END OF DAY TWO SALE

GLOSSARY OF PAINTING TERMS The full name of the artist preceded by ‘By’ In our opinion a work by the artist Initials plus * and surname of the artist (or initials and *) In our opinion a work by the artist where the full names of the artist are not known The name of the artist together with ‘possibly by’ In our opinion a work by the style of the artist which could possibly be by that artist ... School In our opinion a work from the named period or style but painted by an unknown artist

attributed to... In our opinion a work which, although unsigned, may be by the named artist After... In our opinion a copy of the work of the artist or a print of an original work labelled/inscribed A statement of information attached to the work. The presence of a label or inscription does not imply that the work is original or by that artist

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CONDITIONS OF SALE The Auctioneer acts only as agent for the Seller (unless otherwise specifically declared). Lots sold are likely to have been subject to wear and tear caused by user or the effects of age and may therefore have faults and imperfections. Buyers are given ample opportunity at viewing times to examine lots to be sold and will be assumed to have done so. They must rely solely on their own skill or judgement as to whether lots are fit for any particular purpose. 1. Bids All bids made shall be treated as offers made upon these Conditions of Sale and all persons present are admitted to a sale on the basis that they have notice of these Conditions. 2. Ascertainment of the Buyer The Buyer shall be the person making the highest bid which is acceptable to the Auctioneer as signified by the fall of the hammer. No bid may be retracted. In the case of a dispute the Auctioneer may either declare the purchaser or put the lot up again. 3. Auctioneer’s discretion The Auctioneer has sole discretion, (a) to refuse any bid, (b) to advance the bidding as he may decide, (c) to withdraw or divide any lot or combine one lot with another or others, (d) to exclude any person from the auction rooms, and (e) to require pre-payment in full. 4. Reserves and Seller’s right to bid Lots put up for sale are subject, (a) to any reserve price imposed by the Seller, (b) the right of the Auctioneer to bid on behalf of the Seller, and (c) where no reserve has been imposed (but in no other case) for the Seller to bid personally or through any one agent. It is the responsibility of the Seller to ensure any reserves are received by the Auctioneer.

Buyer shall be liable for all legal and court costs incurred by the Auctioneers in pursuit of payment from the Buyer. The Auctioneer reserves the right to refuse any cheques and will not release lots purchased until evidence has been received that any cheque accepted has been cleared. 14. Release of Goods Payment and clearance should be made within seven days after the sale. Goods will not be released until fully payment has been received and a paid invoice produced. For clients arranging courier or third-party collection: written instruction must be received by the purchaser; identification will be requested from the courier and their vehicle’s registration number taken. For security purposes our premises are monitored by 24 hour CCTV 15. Definitions and interpretation In these conditions: (a) Reference to the ‘the Auctioneer’ shall be taken to mean the firm of Gardiner Houlgate or any director, partner or employee thereof at the time of sale; (b) Buyers shall be deemed to be the principals unless to the prior knowledge of the Auctioneer they are acting as agent on behalf of a named principal; (c) ‘Forgery’ means a lot (i) which is so constituted as deliberately to deceive when considered in the light of its catalogue description, and (ii) whose value as such is materially less that if it had complied with the catalogue description; (d) The Interpretation Act 1978 shall apply to the general construction of terms and expressions used in these Conditions as if contained in a statute. 16. Law and Jurisdiction These Conditions of sale are subject to English law, which shall apply to their construction as well as their effect. The Seller and Buyer agree to submit to the exclusive jurisdiction of the English courts.

5. Buyer’s Duties

17. What is Temporary Importation?

The Buyer shall forthwith or as soon as possible after the sale, (a) supply his name and address, (b) supply, if so required, bank or other suitable references, (c) pay the full purchase price in a way acceptable to the Auctioneer, notwithstanding any prior arrangement for advance payment required by the Auctioneer, and (d) on proof of payment clear the lots purchased by the times specified. Lots may not be cleared during the sale except by permission of the Auctioneer.

Temporary Importation is a system that applies to lots which have been imported for sale from outside the EU. It allows the point of importation to be delayed until after the sale at auction.

6. Anti­Money Laundering Policy Clients registering to bid and transacting business with us must provide relevant documentation in order to prove their identity and place of residence prior to their registration and bids being accepted. For clients wishing to spend potentially over £10,000 in a single transaction, a copy of your documents presented will retained for AML purposes only, in accordance with the current GDPR regulations and our Privacy Policy 7. Payments Methods of payment include direct bank transfer, debit card, credit card, cash to a maximum of £8,500, Building Society cheque or Banker’s draft. Cheques will only be accepted when supported by a guarantee card. For fraud protection we no longer accept payments by credit or debit cards for ‘Customer not Present’ transactions. Card payments at the saleroom will be accepted but must be supported by Chip and PIN. Card payments for live internet bidding will only be accepted if they have been AVS and 3D Secure authorised with a maximum transaction value of £500. All payments accepted at the discretion of the auctioneer. 8. Liability of the Auctioneer and Sellers Subject to Condition 8: (a) faults and imperfections (if any) are not stated in the catalogue and neither the Seller nor the Auctioneer is responsible for any defects whatsoever, (b) no warranty is given or authorised to be given by the Seller or the Auctioneer with regard to any lot other than the Seller’s right to sell it, (c) any express or implied conditions or warranties relating to description or quality, are hereby excluded. 9. Catalogue Descriptions Descriptive statements contained in the advertisements or catalogues or made up by the Auctioneer or any member of his staff should be taken as matters of opinion only, and shall not be taken as statement of fact. i) Items in the catalogue are sold as seen. Where possible significant damage is mentioned, but this does not include all faults and imperfections. The absence of such reference does not imply that the lot is in good condition or free from restoration or repair. Condition reports are available upon request ii) ’Inscribed’ or ‘Signed’ does not imply that the lot is wholly or partly by that maker 10. Forgeries Notwithstanding Conditions 6 and 7, if the Auctioneer receives notice in writing from the Buyer WITHIN 7 DAYS OF THE SALE that in his opinion a lot is a forgery (as defined in Condition 12) and on giving such notification the lot in question is returned to the Auctioneer at his working premises in the same condition as when bought, then if on considering such evidence as the Buyer supplies to prove his assertion, the Auctioneer decides that the lot is a forgery the sale of the lot will be rescinded and the purchase price repaid to the Buyer. 11. Property in lots and risk The Buyer shall not become the owner of any lot, and the Auctioneer shall have a lien thereon, until the Buyer has discharged the purchase price in full together with any other charges due, but after the fall of the hammer the risk of damage or loss shall nevertheless be the Buyer’s. 12. The Premium The Buyer shall pay to the Auctioneer a premium of 20% of the hammer price together with VAT on such premium. Additional premium of 2.5% + VAT of the hammer price will be incurred when bidding via the online platform ‘GH Live’ Live bidding will also available via the-saleroom.com, additional premium of 4.95% + VAT at the imposed rate will be incurred on the hammer price. 13. Default by Buyer If the Buyer fails to make payment in a way acceptable to the Auctioneer or to remove any lot or lots bought by him within 7 days of the auction or in any other material respect fail to comply with these conditions, the Auctioneer shall have the right, (a) to resell the lot or lots by public auction or otherwise without notice to the Buyer, and if any deficiency arises on such resale, after deducting the Auctioneer’s full costs and expenses, the Buyer shall be responsible to the Auctioneer therefore (but any net surplus to be the Seller’s) or, alternatively, (b) to store the lot at the Auctioneer’s premises or elsewhere and to release the lot to the Buyer only after payment in full of the purchase price together with any other charges due. The Auctioneer reserves the right to charge storage of 50p per lot per day on any lot or lots uncleared by the time specified together with any removal expenses. In addition, interest will be charged at 2.5% per month or part thereof (34.4% APR) on any accounts that remain unpaid in part or full 1 week after the sale. Interest and storage will be charged from the date of sale. In addition, the

These lots are indicated in catalogues by the use of the following symbol * Only the Hammer Price will be treated as the import price and the Buyer’s Premium will be subject to UK domestic VAT at 20%. So whilst the Hammer Price will continue to be charged with Import VAT at 5% or 20” as appropriate, the Buyer’s Premium will always be charged with domestic VAT at 20% Lots subject to Temporary Importation will be offered under the Auctioneer’s Margin Scheme and will be subject to import VAT of either 5% or 20% on the buyer’s Premium. Anyone who wishes to buy outside the Margin Scheme should notify us immediately. An invoice under the normal VAT rules and charging VAT at 20% on both Hammer and Premium will then be issued Temporary Importation should affect only private individual buyers who are resident within the EU. Anyone who is registered for VAT in the EU should be able to recover the VAT on the Buyer’s Premium either on their VAT returns or through the 8th Directive Refund Scheme. Any non-EU buyer who exports the lots from the EU will be able to have the VAT refunded provided the appropriate export regulations are complied with 18. Property sold with a * Symbol These items have been imported from outside the EU to be sold at auction under temporary importation. When Gardiner Houlgate releases such property to buyers in the UK, the buyer will become the importer and must pay Gardiner Houlgate import VAT at 5% on the Hammer Price These lots will be invoiced under the Auctioneer’s Margin Scheme. Gardiner Houlgate must bear VAT on the Buyer’s Premium and hence charge an amount in lieu of VAT at 20% on this Premium. This amount will form part of the Buyer’s Premium on our invoice and will not be separately identified VAT registered buyers from the EU should note that the import VAT charged on property released in the UK cannot be cancelled or refunded by Gardiner Houlgate VAT registered buyers from the UK should note that the invoice issued by Gardiner Houlgate for these items is not suitable evidence in respect of import VAT VAT registered buyers from the EU countries may be able to seek repayment of the import VAT paid by applying to HM Revenue and Customs. On request, immediately after the sale, the office can either ask HM Revenue and Customs to generate a C79 certificate (for UK buyers), or obtain a copy of the import C88 (for other EU VAT registered buyers), which may be used to claim recovery of the VAT. Otherwise Gardiner Houlgate may re-invoice the lot and charge VAT at 20% on both the Hammer Price and the Premium and provide a tax invoice to the buyer 19. CITES Restrictions As of 2 January 2017, new laws came into effect to control the import and export of all items made with rosewood. Any lots containing any amount of rosewood will therefore be subject to restrictions when exporting outside of the EU. It will be the buyer’s responsibility to make sure that the relevant paperwork is in place before shipping Some lots are sold with CITES article 10 certificates, allowing the commercial use of an item containing an endangered species. Lots subject to this are marked in the catalogue Import/Export It is the buyers responsibility to obtain the correct import/export licenses and CITES licenses for items which they have purchased. Gardiner Houlgate take no responsibility for the export of goods. 20. Gemstones Many gemstones have been treated in various ways to enhance their appearance. For example, sapphires and rubies are routinely heat treated and emerald treated with oils and resins. Some stones may require re-treating or oiling periodically. Enhancement affects market value and all Gardiner Houlgate estimates assume that gemstones may have been enhanced, in any case all lots are sold as seen and purchasers are deemed to have satisfied themselves as to condition and any possibly treatment of stones 21. Artists Resale Rights (or Droit de Suite) On certain lots marked in the catalogues and which are sold for a hammer price of 1000 Euros or greater (converted into the currency of the sale using The Design and Artists Copyright Society threshold calculator on the date of the Sale) the Additional Premium will be the percentage of the amount of the Hammer Price calculated as follows: 0-50,000 Euros 4% 50,000.01 to 200,000 3% 200,000.01 to 350,000 1% 350,000.01 to 500,000 0.5% Exceeding 500,000 0.25%


G ARDINER H OULGATE T H E S P E C I A L I S T AU C T I O N E E R S DIRECTIONS TO OUR CORSHAM HEADQUARTERS M4 From

J17

From

London

J18

Bristol

A350

Chippenham

From

Chippenham Cross Keys

A46 A4

Corsham

A4

Bath Hare & Hounds From

Bath

Corsham

A4

On the A4 from Bath or Chippenham turn off at the mini roundabout by the Hare & Hounds Pub towards Corsham town centre, turn immediately right at the next mini roundabout into Valley Road. After one mile cross narrow railway bridge and round right angle bend. Turn left after 600 yards into Leafield Industrial Estate.

BATH AUCTION ROOMS

GH

Go straight through the estate and take the last turning on the right beforemeeting the public road again, just past Linpac and opposite Corsham Print. The Bath Auction Rooms are at the end of the road facing you.

PM Mendes

Leafield Industrial Estate Leafield Environmental

Corsham Print

Neston

Total time from Junction 17 ­ 10­15 minutes Total time from central Bath ­ 15 minutes Travelling by Train ­ we recommend Chippenham Station

Gardiner Houlgate, 9 Leafield Way, Corsham, Nr Bath SN13 9SW Telephone: 01225 812912 Fax: 01225 811777

E­mail: auctions@gardinerhoulgate.co.uk www.gardinerhoulgate.co.uk


G ARDINER H O U L G AT E T H E S P E C I A L I S T AU C T I O N E E R S

9 Leafield Way, Corsham, Nr Bath, SN13 9SW Telephone: 01225 812912 Email: auctions@gardinerhoulgate.co.uk www.gardinerhoulgate.co.uk


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