PORTFOLIO GARY YEUNG HO YIN PORTFOLIO
[Contact: 67501457] [Email: garyeung1992@gmail.com]
- CONTENT -
[CONTENT] [DESIGN STUDIO] [2 - 21] SALT MAKING RISING FROM THE HORIZONS
[22 - 26] MEMBRANE STRUCTURE DOUBLE CURVE FABRICATION
[27 - 30] BENJAMIN FRANKLIN CENTER Glass Ceanteen Vertical Extension Modification
[31 - 34] HOHHOT INTERNATIONAL SCHOOL Facing extream hot and cold climate
[35 - 41] LEGAL METAMORPHOSIS Parallel Trading Center
[COMPETITION] [43 - 44] PAULK HOUSE Mr James Paulk Private Ower
[45] THE BOND ALIVE
The ‘Column of Sustainability’ Design Competition
[46] PLAYSCAPE COMPETITION Vertical Common-Ground
[47] SEOUL SUPERSKYSCRAPER Permaculture Towe
[48 - 49] LUNG TSUN STONE BRIDGE The 4th Dimension
[PRACTICE] [51] CNC MILLED 3D SCANNER PLATFROM & STORAGE CAB Intern Practice
[52] DESIGN & SCRIPTING CONSULTANCY & FABRICATION OF TEYRA V2 Intern Practice
[53] 1:20 SCALE ROUTE D MODEL Intern Practice
[54] 1:15 SCALE MODEL FOR OUTDOOR SCULPTURE Intern Practice
[55] SAAMLUNG GALLERY Intern Practice
[56] LOOKING FIR ALICE
PORTFOLIO
CONTENT
Intern Practice
02
- RISING FROM THE HORIZONS -
SALT MAKING:
SALT MAKING
RISING FROM THE HORIZONS
RISING FROM THE HORIZONS
03
PORTFOLIO
- RISING FROM THE HORIZONS -
RISING FROM THE HORIZONS Background Since the eighteenth century, salt farming has always been the core value of Yim Tin Tsai Island, and introducing vertical salt farming to the Island is therefore almost an intuitive response. Vertical salt farming salt block serves to innovate the abandoned industry, and further pushes such culture beyond the physical constraints of the Island.
A Change of Dimension Bringing dimensional and operational contrast to the existing salt farm – from horizontal to a vertical gesture— the Vertical Salt Farming Block is experimenting an extension of localized salt farming industry beyond the Island, and beyond physical constraints of traditional horizontal salt pans.
SALT MAKING
RISING FROM THE HORIZONS
Education through Action
04
To education, the Environmental Education Centre exhibits and illustrates the potential of salt farming over settings apart from the rural, towards anywhere. Visitors are exposed to both visual and physical contact with salt farming. The salt block displays both cultural and aesthetic values of the industry, Salt faming will have more than just for survival value to villagers. Over the timeline of Yim Tin Tsai, vertical salt farming extends the life of the industry.
150mm
- RISING FROM THE HORIZONS -
Township Office
Cement pile wall with Oyster shell ash Salt Farm Section 1:20
Chapel
Hakka houses
Salt Farm
Prevailing Winds Wind Frequency (Hrs)
50 km/h
Location: Hong Kong, China (22.2°, 114.2°) Date: 1st January - 31st December Time: 00:00 - 24:00 © Weather Tool
Prevailing Winds Wind Frequency (Hrs)
40 km/h
Location: Hong Kong, China (22.2°, 114.2°) Date: 1st January - 31st December Time: 00:00 - 24:00 © Weather Tool
hrs
1201
30
801
15
400
534
10
267
400
<133
267
30 km/h
20 km/h
40
25 30 km/h
<0
20 15
5
20 km/h
35 30
20
30 km/h
667
534
40 km/h
25
934
667
°C 45+
35
40 km/h
1068
40 km/h
50 km/h
40
1335+
1068
801
20 km/h
45+
hrs
50 km/h
1201
934
30 km/h
°C
50 km/h
1335+
10 20 km/h
5 <0
<133 10 km/h
10 km/h
10 km/h
10 km/h
Local Well
Average Wind Temperatures
Wind Frequency (Hrs)
Average Wind Temperatures
Wind Frequency (Hrs)
Prevailing Winds Wind Frequency (Hrs)
Location: Hong Kong, China (22.2°, 114.2°) Date: 1st January - 31st December Time: 00:00 - 24:00 © Weather Tool
Prevailing Winds 50 km/h
40 km/h
30 km/h
20 km/h
Wind Frequency (Hrs)
hrs
Location: Hong Kong, China (22.2°, 114.2°) 1335+ Date: 1st January - 31st December Time: 00:00 - 24:00 © Weather Tool 1201 1068
50 km/h
50 km/h
50 km/h
hrs
%
°C
1335+
95+
45+
1201
85
40
1068
75
35
934
934
65
30
801
801
55
25
40 km/h
40 km/h
40 km/h
667
45
20
534
534
35
15
400
400
25
10
267
15
5
<133
<5
<0
667
267
30 km/h
20 km/h
30 km/h
20 km/h
30 km/h
20 km/h
<133
50 km/h
50 km/h %
50 km/h
95+ 40 km/h 40 km/h
30 km/h 30 km/h
20 km/h
mm 1.0+
40
0.9
35
0.8
75
30
0.7
65
25
0.6
85
40 km/h
20
0.5
45
15
0.4
35
10
0.3
5
0.2
<0
<0.1
55
25
30 km/h
20 km/h
15
20 km/h
°C 45+
50 km/h
0.9
10 km/h
10 km/h
10 km/h
10 km/h
0.6
0.3
10 km/h
Wind Frequency (Hrs)
Average Wind Temperatures Average Relative Humidity
10 km/h
Average Wind Temperatures
Average Rainfall (mm)
Average Relative Humidity
50 km/h
40 km/h
mm
95+
1.0+
1.0+
85
85
0.9
0.9
75
0.8
65
0.7
55
0.6
75
50 km/h
50 km/h
40 km/h
40 km/h
30 km/h
30 km/h
65 55 30 km/h
20 km/h
45
0.5
35
35
0.4
25
25
0.3
15
0.2
<5
<0.1
45
15
20 km/h
20 km/h
SALT MAKING
RISING FROM THE HORIZONS
<5
05
Average Rainfall (mm)
%
95+
%
10 km/h
10 km/h
Average Relative Humidity
Average Relative Humidity
10 km/h
[YIM TIN TSAI VILLAGE] Average Rainfall (mm)
50 km/h
40 km/h
mm
0.8 0.7 0.6
30 km/h
0.5 0.4 0.3
20 km/h
0.2 <0.1
10 km/h
Average Rainfall (mm)
The island has an area of 0.24 km². It is located in Port Shelter, the harbour located south of Sai Kung Peninsula and east of the Sai Kung mainland. It is connected by a breakwater in its southern part to the larger island of Kau Sai Chau. The smaller islands of Shek Chau and Kwun Cham Wan are located off the coast of Yim Tin Tsai, in the northwest and the southwest respectively. [above: Site Analysis of Yim Tim Tsai]
0.5 0.4
20 km/h
0.2 <0.1
10 km/h
Wind Frequency (Hrs)
0.8 0.7
30 km/h
<5 10 km/h
mm 1.0+
40 km/h
N - RISINGsFROM THE HORIZONS e ea to th
e r gat Wate
ected conn
ted nnec te co a g r Wate
e to th
s ea
ing Hold
Tank
°C
50
40
30
20
10
0
4
ank ing T Hold
Government Government restrictedrestricted unchangeunchange area area
°C
50
40
30
20
10
0 4
4
8
4
8
8
12
8
12
16
12
16
20
12
20
16
24
16
24
20
28
20
28
32
24
32
36
24
36
Hr
40
40
44
44
48
48
52
52
Wk
Wk
°C
°C
50
50
40
40
30
30
Average Temperature (°C)
Maximum Temperature (°C) 20
20
10
10
W/m²
% 0
0
4
4
4
100
8
1000 4
8
8
12
8
12
16
12
16
20
12
20
16
24
80
24
20
28
24
24 600
40 44 48
400
52 Wk
20
200
0
0
4
4
4 8
12
4
8
8
12
16
16
12
20
12
20
16
24
16
24
20
28
Average Temperature (°C)
32 36
32
24
36
Hr
40
20
28
Maximum Temperature (°C)
24
40
44
44
48
48
52
52
Wk
Wk
%
W/m²
100
1000
80
800
60
600
Relative Humidity (%)
Direct Solar Radiation (W/m²) 40
400
20
200
%
km/h 0
ol n po ratio l 2o o p a Ev lt leve sa pool ation 2o r o p Eva lt level sa
pool brine o Low t level 8 sal pool brine l 8o w o L eve salt l
ool ine p m br l 16o u i d Me lt leve sa pool brine 6o m u i Med lt level 1 sa
0
4
50
8
4
4
8
12 16
12
12
20
16
40
24
20
24 60
40 44
20
40
52 Wk
10
20
0
0
4
4
4
8
8
12 16
12
20
12
20
16
24
16
24
20
28
Relative Humidity (%)
4
8
8
12 16
32
20
28
Direct Solar Radiation (W/m²)
24
36
32
24
36
Hr
40
40
44
44
48
48
52
52
Wk
Wk
km/h
%
50
100
40
80
30
60
Average Wind Speed (km/h)
Average Cloud Cover (%) 20
40
10
20
0
0
4
4
4
8
28
50
40 44 48
40
52 Wk
20
30
20
20
10
10
10
Average Wind Speed (km/h)
0 4
Average Cloud Cover (%)
0 4
4
8
16
12
20
28
32
32
24
36
Hr
16
24
20
28 24
12
20
16
24
20
8
12
16 20
16
24
36
Hr
40
40 44
44 48
48 52
52 Wk
Wk
°C
50
°C
50
50
40
40
40
30
30
30
Average Temperature (°C)
Maximum Temperature (°C)
Minimum Temperature (°C)
20
20
20
10
10
10
%
W/m²
W/m²
0
0
0
4
100
8
4
4
4
1000 4
8
8
12
12
16
12
24
20
24
20
24 600
40 44 48
400
400
52
Wk
Wk 200
20
200
0
0 4
0
4
4
8
4
4
8
8
12
16
12
20
16 20
28 32
32
20
32
24
36
Hr
40
28
Minimum Temperature (°C)
24
36
Hr
40
44
44
48
48
52
52
Wk
%
16
24
20
28
Maximum Temperature (°C)
24
36 40 44 48
12
20
16
24
52 Wk
8
12
16
12
Wk
W/m²
W/m²
1000
100
1000
800
80
800
600
60
Relative Humidity (%)
600
Direct Solar Radiation (W/m²)
Diffuse Solar Radiation (W/m²) 400
40
400
200
20
200
km/h
mm
% 0
0 4
50
8
0
4
4
24
20
16
28
20
7
32
24
24
36
Hr
60
40
12
24
20
36
Hr
9
20
16
80
28 32
24
8
12 16
12
20
16
30
6
40
44
44
48 20
4
8
8
12 16
12 40
28 32 36
44 48
48 40
52
Wk
10
4
100 4
8
8
12 16 20 24
4
8
8
12
16 20 24
20
36
Hr
44 48 52
Wk
16
32
24 600
40
800
28
32 36
Hr
12
20
16
800
28 24
60
40
8
12
16 20
16 80
28 32 36
44 48
1000 4
8
8
12
16 20 24
4
8
8
12 12
°C
0 4
4
8
8
12 16 20 24 28 32
44 48
40
24
36
Hr
30
36
20
°C
32
24
Wk
52
16
24
20
40
52
30
40
12
20
16
50
44 48
52
8
12 16
12
°C
32 36 40
4
8
8
12 16 20 24 28
°C
50
40
20
36
Hr
48
52
52
16
80
28 32
24 30
Wk
Wk
Average Temperature (°C)
100 4
8
8
12 16 20 24 28 32 36 40 44 48
40
20
32 36
Hr
60
40
8
pool brine o High level 18 salt pool brine 18o h g i l H eve salt l
16
800
28
32 36 40 44 48 52 Wk
4
52
Wk
Wk
3
20
10
1
0
0 4 8
4
4
8
8
12
16
12
20
16
36
32
20
32
24
36
Hr
40
40
44
44
48
48
52
52
Wk
km/h
16
28
Diffuse Solar Radiation (W/m²)
24
36
Hr
40 44 48 52 Wk
12
24
20
28
Direct Solar Radiation (W/m²)
24
20
16
24
20
8
12
16
12
32
4
8
8
12
16 20 24 28
Relative Humidity (%)
0
4
4
Wk
%
mm 10
100
50
9 80
40
7
60
30
Average Wind Speed (km/h)
6
Average Cloud Cover (%)
Average Daily Rainfall (mm) 4 40
20
3 10
20
0
0
1
4
4
4
8
28
10
Average Cloud Cover (%)
0
16
32
30
24 Hr
°C
50
40
30
30
Maximum Temperature (°C)
Minimum Temperature (°C)
20
20
20
10
10
10
%
W/m²
0
W/m² 0
0
4
100
8
4
4
16 24
20
24
400
52 Wk
0
200
0
0
4
4
4
16
16
12
20
40
32
24
36
Hr
Hr
40 44
44 48
48 52
52 Wk
%
20
28
Minimum Temperature (°C)
24
40
44
48
52
Wk
16
24
20
32 36
Hr
12
20
16
28
Maximum Temperature (°C)
24
16
12
24
20
8
12
20
16
28 32
Wk
W/m²
100
W/m²
1000
1000
80
800
800
60
600
600
Relative Humidity (%)
Direct Solar Radiation (W/m²)
Diffuse Solar Radiation (W/m²)
40
400
400
20
200
200
km/h
%
0
mm 0
0
4
50
8
4
4
24
20
32
8 12 16 20
7
24
36
Hr
Hr
6
40 44 48
40
52
Wk
4
28 32
24 60
40 44 48
20
9
24
20
36
Hr
30
20
16
80
28 32
24
36
44 48
10
12 16
12
20
16
28
8
8
12 16
12 40
4
100 4
8
8
12 16 20 24
4
8
8
12
24
4
4
8
8
36
Hr
600
40 44 48
400
200
8
20
36
Hr
44 48 52 Wk 20
12
16
800
28 32
24 600
40
12
24
20
32 36
Hr
8
20
16
800
28 24
60
40
1000 4
12 16
12
20
16 80
8
8
12 12
4
1000 4
8
8
12 16 20 24 28 32 36
44
48
Wk
40
20
40 44 48 52 Wk
°C
50
40
Average Temperature (°C)
52
16
36
Hr
40 44 48 52 Wk
50
40
Average Temperature (°C)
12
28 32
24
36
Hr
8
12
24
20
28 24
20
16
24
20
16
12
20
16
°C
4
8
8
12 12
44
48
52
Average Daily Rainfall (mm)
0 4
4
8
8
12 16 20 24 28
52 Wk
30
10
32
40 44 48
40
52
20
4
36
36
Hr
50
40 44 48
Average Wind Speed (km/h)
40
28 32
24
36
Hr
Wk
4
Wk
24
20
°C
32
24
10
0 4
20
16
24
20
30
20
8
40
12 16
12
20
16 °C
50
40
30
20
52
8
8
12 16
12
32 36 40 44 48 52 Wk
ation talliz s y r C pool 5-28o 2 evel ion l syaslttallizat r C pool 5-28o 2 evel l salt
4
4
8
8
12 16 20 24 28
°C
50
40
0
4
52
Wk
Wk
10
3
20 1
0
Compassed thick wet mud 150mm Compassed Drainage thick wet mud 150mm
Cement pile wall with Oyster shell ash Cement pile wall with Oyster shell ash
Compassed thick wet mud 200mm
4
4
32
48
52
52 Wk
km/h
Wk
%
100
9 80 7
60
6
Average Cloud Cover (%)
Average Daily Rainfall (mm) 4
20
40 3
10
20 1
0 4 8 12
Compassed thick wet mud 200mm
16 20 24 28 32 36 40 44 48 52 Wk
Average Wind Speed (km/h)
0
0 4
4
8
8
12 16
12 20
16
24
20
28
4
4
8
8
12 16
12 20
16 28 32
24
36
170mm Compassed tiles with Thick pond scum Hr
24
20
32
24
Average Cloud Cover (%)
Average Daily Rainfall (mm)
Mangrove
Compassed thick wet mud 150mm
Township Office
RISING FROM THE HORIZONS
Cement pile wall with Oyster shell ash
Township Office Salt Farm Section 1:20
Cement pile wall with Oyster shell ash
Salt Farm Section 1:20
[THE TRDITIONAL SALT MAKING PROCESS]
[Top] The diagram above show the different stages in traditonal salt making process Water Storage, Evaporation and Crystallization [Bottom] Section of the Old Salt Pan [above: Site Analysis of Yim Tim Tsai]
40 44 48 52 Wk
170mm Compassed tiles with Thick pond scum
Drainage
36
Hr
40
44
48
52
Wk
Compassed thick wet mud 150mm
SALT MAKING
mm 10
50
40
30
Average Wind Speed (km/h)
Mangrove
06
Hr
48
48
52
24
40 44
44
Wk
20
32 36
Hr
40
28
Diffuse Solar Radiation (W/m²)
24
36
Hr
16
24
20
28
Direct Solar Radiation (W/m²)
24
12
20
16
24
20
32 36 40
44
8
12 16
12
20
16
4
8
8
12 16
12
24
4
4
8
8
28
Relative Humidity (%)
0
0
4 8 12 16 20
Chapel
Chapel
4 8 12 16 20 24 Hr
4 8 12 16 20 24
How Salt Farm (Salt-making unit using plastic sheet) Work? Method Seawater is captured at high tide in reservoirs, this in turn is fed into the shallow ponds (3” depth) where the seawater is left to partially evaporate. When the brine is of sufficient strength it was pumped by windmill to a holding tank. Pipes fed the brine down to the metal pans in the boiling house under which coal fires were lit and the brine was boiled until the moisture was evaporated. The sea salt manufacture was seasonal, -depending good THE weather, but an average RISING on FROM HORIZONS - season was sixteen weeks.
Plastic cover One litre of sea water
Salt 30gm
Sea water contains 30-40 g of salt per 1000 cc or 1 liter (30-40 kg of salt per 1000 liters). One kilo is about 1 liter.
Water evaporates
Sea water
Water evaporates Salt crystallize
The plastic ponds have a perimeter frame of 5.0 cm thick lumber (preferably coco lumber where wood lumber is expensive) with varying widths. The plastic sheet should be black, with thickness of at least .025 mm. Seawater evaporate 2.62 cm more quickly on black color than on white or light color which reflects sunlight. It is recommended that one-unit plastic pond shall consist of two units rectangular evaporation ponds measuring 12.0 × 6.0 × 0.6 m; two units pre-crystallization rectangular saltbeds measuring 12.19 m × 6. 10 m × 38.10 cm; and, four units crystallization square saltbeds, measuring 6.0 m × 6.0 m × 7.50 cm. Provide strong posts where the lumber frames are nailed. Hold the plastic sheets in place with thumbtacks. Fill
The land should be well-leveled and cleared of all plants and sharp objects (stones, nails, coral, stumps) that can damage or make hole to the plastic sheet. The land should also be wellcompressed before the frames are placed. 1. Usually, three sets of ponds are needed— evaporation, concentration and crystallization) 2. The position of the different ponds should be gradually sloping towards the lower elevation or drain.
Transfer
Fill
Intial level 1/3 Intial level 3 1 Precrystallization pond
Crystallization pond
Harvest
Fill
Process of sea water evaporation pond 1/3 Intial level
Intial level
3 1 Precrystallization process
Crystallization process
3. Transfer the sea water more easily to the evaporation pond with the use of manual-type centrifugal pump or pedal pump (used for irrigation) anchored to a wooden platform. This is recommended for a small-scale production of two to four production units. The pumped water shall pass through a wooden or bamboo canal to the evaporation pond. This is done to elevate the flow of sea water to the salt production site by using wooden post where the canals are attached.
4. Leave the water in the ponds to evaporate. 5. After reducing the initial volume to one half, siphon off or transfer the brine to the concentration pond. The evaporation time to one half the initial-volume level depends on light intensity, air movement and size of pond. Siphoning can be done with the use of plastic hose with 1.27-1.59 cm hole in varying numbers.
Store
Crystallization pond
Salt heap space 6. Leave the brine solution in the concentration pond to further evaporate until its initial volume is reduced to one third. 7. Then, siphon it off or transfer to the crystallization pond or saltbeds. Use plastic hose of 1.27-1.59 cm diameter for siphoning. A pail or bucket can also be used but it is labor-and time-consuming. Attach two water faucets of 1.59 cm size between evaporation and concentration if the elevation of the source is higher.
SALT MAKING
RISING FROM THE HORIZONS
8. Leave the brine in the crystallization pond to evaporate further until it is reduced to one third of its original level. At this time, salt crystals begin to form when the brine is almost evaporated.
07
· Better-quality salt is obtained when the seawater is filtered through a cotton cloth before transferring to the different evaporation ponds. This is to remove impurities. · While a salinometer can be used to measure the concentration of salt in the brine, the best indicator for practical purposes is the reduction in the level of the brine solution. 9. Collect the salt crystals and expose them further to sunlight to dry in small heaps.
[THE TRDITIONAL SALT MAKING PROCESS: Deatil] I did a study of how salt making working in detail, it explain the requirement needed in every step of salt making. [above: Study of the process in salt making]
Crystals will form on a string suspended in a saturated solution. As the solution cools, crystallization begins on the rough surface of the string. Crystals continue to form as the cooling solution â&#x20AC;&#x153;gives upâ&#x20AC;? more dissolved salt onto the growing mass. - RISING FROMcrystal THE HORIZONS -
Clip For Replace The Salt
Plate For Stable The String
Salt Crystallization String
Salt Water Container
SALT MAKING
RISING FROM THE HORIZONS
Salt Container
08
[ALTERNATIVE METHOD OF SALT MAKING] This is a model to illustrate how salt making can happen in an alternative way, how salt making happen in different diamenion, not only happen in horzontal level but also vertical level. The string absorb the salt water front bottom, the salt water evaporation and crystallize, the salt then store along the string. [above: Study of the Vertical Salt Farming]
ONE WEEK
Salt Container
- RISING FROM THE HORIZONS -
ONE WEEK
FIFTH DAY
FOUTH DAY
SALT MAKING
RISING FROM THE HORIZONS
THIRD DAY
09
FIRST DAY
[ALTERNATIVE METHOD OF SALT MAKING] The result after the string absorted salt water in a week time. [above: Study of the Vertical Salt Farming]
[COMPLETE PROCESS OF SALT MAKING]
SALT MAKING
RISING FROM THE HORIZONS
- RISING FROM THE HORIZONS -
This is a model to illustrate how the string salt framing can happen in a module, the string absorb salt water from the container, the wheel turn and collect the water on the top to maximize the exposure for evaporation then turning again for crystallization and salt are being collect at the back.
010
[above: A model to show the complete process of string salt farming]
SALT MAKING
RISING FROM THE HORIZONS
- RISING FROM THE HORIZONS -
011
[INTEGRATED BUILDING WITH VERTICAL SALT FARMING] At the very begining, the first intention is to create a large constrast in the level of diamenion between the traditional salt pan and the vertical salt farming architecture, the traditional salt pan as horizontal and the new architecture as vertical.
[rendering: the first intention of the design]
- RISING FROM THE HORIZONS -
[DEVELOPMENT DIAGRAM]
SALT MAKING
RISING FROM THE HORIZONS
[Top] The first attempt is to located the vertical salt block in the middle of the building, but locating the in the center will produce lot of problem, but the block will produce lot of moisture and salt dust that cause corrosion
012
[Middle] The second attempt is to locate the salt block on the far end of the building, but this cause the salt block is too disconnected to the main building [Bottom] The last temp is to change the town to more flat, but mush tall to make the contrast the vertical and horizontal salt farming, also using the outdoor workshop to allow space for the salt block and the main building
[diagram: the three main stage of the design development]
- RISING FROM THE HORIZONS -
[PROGRAMME DIAGRAM]
SALT MAKING
RISING FROM THE HORIZONS
[Top] Private area - all the private programme are locate all on the corner of the building next to the exhibition space, so staff will have easy access from the exhibition storage to exhibition
013
[Second] Exhibition area is located facing the salt block and the next to the courtyard, so visitor can chose to go to the experience in vertical salt farming or can chose to go enjoy the outdoor environment [Third] The vertical salt farming is located on the outer area of the building make the large contrast between vertical and horizontal salt farming build also provide nice view indoor and outdoor [Bottom] The vertical salt farming is located on the outer area of the building make the large contrast between vertical and horizontal salt farming build also provide nice view indoor and outdoor [Above: programme diagram to show the relationship of each programme]
- RISING FROM THE HORIZONS -
[Top] Roof louver above the glass roof provide diffuse sunlight project indoor
SALT MAKING
RISING FROM THE HORIZONS
[DESIGN STRATEGY DIAGRAM]
[Middle] Opening on the walking deck and roof louver above the wetland, letting the moisture flow away the building
014
[diagram: the three main strategy of the design]
[Bottom] Glass shelter for the vertical salt farming block to keep the area ware to speed up the crytializate process. Having the salt block only shelter not indoor, because it help stopping the heat and dust get inside the building but flow away above the louver roof.
SALT MAKING
RISING FROM THE HORIZONS
- RISING FROM THE HORIZONS -
[Top]Entrance of the building [Second] Main exhibition space [Third] Vertical salt farming block [Bottom] Countyard with cafe
015
[Above: rendering of different space]
- RISING FROM THE HORIZONS -
Machine Angle The vertical salt farming machine is separated into 5 module, the angle have to variation to adapt the sun angle different in winter and sumer
ing
farm h pat salt tor nal visi aditio e Th e tr h ee t ey s r th
i
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g. V m er ke oistu tical ep re sa th an lt f e d d ar us sal mi t o t d ng nly us W ins t), s ork ide o th sho th e w p ew o or rk h ks av ho e p. be en
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[Sea Water Entrance]
The Vertical Salt Block uses the sea water directly, with thre pond for water storage
[Sea Water storage pond for the Vertical Salt farming machine]
The sea water storage is specially for irregular Tidal, , Water come in directly for the sea without any water pump , the string in the machine collect water from the pond, then evaporate
[The worker path]
As soon as worker finish collecting the salt from the Vertical Salt Farm, they could go directly to the pier for transportation.
RISING FROM THE HORIZONS
[The visitor path]
SALT MAKING
to
th r pa Farm rke wo l Salt The ertica . n V he tio m t r ta fro nspo salt tra the ier for g n i p ct e olle to th hc nis ectly er fi dir ork w s na soo
Inside workshop Visitor can take part in the process, to experience the vertical salt farming after looking at the traditional salt farm
016
sh elt er
ould
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e rag sto ater
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loc
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ind
oo r(e
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ot of pr ob lem
Visitor get in the building after they see the traditional salt farming
[Inside workshop]
Visitor can take part in the process, to experience the vertical salt farming after looking at the traditional salt farm
[Machine Angle]
The vertical salt farming machine is separated into 5 module, the angle have to variation to adapt the sun angle different in winter and sumer [Above: diagram to show flow of how the architecture interact with the traditional salt pans]
go
- RISING FROM THE HORIZONS -
1
3
2
4
15
6
5
8
7
14
9
10
11 12
13
Sectional detail 1:20
SALT MAKING
RISING FROM THE HORIZONS
1. Aluminium Louver 2.Glass Roof Angled Spider 3.Aluminium Flash Plate 4.False Ceiling Diffuser 5.A/C Outlet 6.Raised Floor slab 7.Inlet 8.Hanger (false ceil) 9.Corrogated Decking 10.Reinforced sSab 11.I-beam (primary structure) 12.Insulation 13.Concrete Footing 14.Sub-frace for Raised floor 15.Double Glazd window
017
[Above: detail section]
- RISING FROM THE HORIZONS -
16
Exterior Louvers
11 12
Louvers Structure
3
Stainless Steel Frame
14
15 Angled Glass Ceiling
13
Glass Envelop
Floor Slab with wall(Second Floor)
7
1
A
4
5 17
a’
2 6 9
Floor Slab with wall(First Floor)
b’
B
10 3
14
Steel Column with foundaton footing
10
c’
C Glass Shelter
Program Allocation
Rope And Pulley
SALT MAKING
RISING FROM THE HORIZONS
Vetical Salt Farming Steel Frame
018
Expose Axonometric of Buildin System
1. Reception 2. Preperation room 3. Exhibition space 4. Pre-function gathering 5. M&E 6. Exhibition storage 7. Toilet 8. Book store 9. Teacher’s common room 10. Workshop 11. Seminar room 12. Interactive pantry 13. Childern’s activity space 14. Salt block 15. Cafe 16. library 17. cloakroom
[Top: Left expose axon] [Bottom: right first and second floor plan]
8
SALT MAKING
RISING FROM THE HORIZONS
- RISING FROM THE HORIZONS -
019
[Above: first half of the section to show the second half of site context]
SALT MAKING
RISING FROM THE HORIZONS
- RISING FROM THE HORIZONS -
020
[Above: second half of the section to show the second half of site context]
SALT MAKING
RISING FROM THE HORIZONS
- RISING FROM THE HORIZONS -
021
[Above: photo of the 1:50 sectional model of the vertical salt farming machine]
SALT MAKING
RISING FROM THE HORIZONS
- RISING FROM THE HORIZONS -
022
[Top: 1:50 sectional model] [bottom: Final presentation model]
DOUBLE CURVE FABRICATION
MEMBRANE STRUCTURE
- DOUBLE CURVE FABRICATION -
023
Membrane Structure: Double Curve Fabrication
PORTFOLIO
- DOUBLE CURVE FABRICATION -
1a & b
1c
1d
1e & f
1a
1b
1c
1d
1e
1f
Tetrahedron Node
Expaned surfaces from node
Weaverbird Subdivision
Kangaroo Minimal Surface
Cylinder Subdivision
Strips Subdivision
2c
2d
2b 2a
DOUBLE CURVE FABRICATION
MEMBRANE STRUCTURE
2a Offset Surface 2b Extract Mesh Vertix 2c Vertex to Line 2d Loft Surfaces
024
[Part 1]
Minimal Surface wth developable strips Minimal Surface Fabrication : from tetrahedron node to developable strips This excercise examine and possibility to fabricate light diffusing surface into minimal surface. By creating the base geometry with solid node based extruded surface, developable strips are able to be extracted and and hence to develop a interweaved surface.
[Part 2]
Interweaving and Interlocking Strips
- DOUBLE CURVE FABRICATION -
Sections
Final Geometry
Parametric Variations
Elevations
3-1
3-1
0
3-1
1
3-9
4-6
4-7
4-11
2
just cut, no hole
3-6
3-7
3-5
4-1
4-12
4-2
3-8
3-4
3-2
3-3
3-1
2-10
2-12
12 11 10 9 8 7 2-8
2-6
2-5
6
2-7
5 2 1
DOUBLE CURVE FABRICATION
3
MEMBRANE STRUCTURE
4
025
2-3 2-4
[Part 3] Construction & Materiality
[top] Design line drawing [bottom left]Connection Generation [bottom right]Flatten Strips
2-2
2-1
DOUBLE CURVE FABRICATION
MEMBRANE STRUCTURE
- DOUBLE CURVE FABRICATION -
026
[Material and Fabrication] Brass Sheets with thickness 0.2mm is chosen due to it.s ability to bend and its stiffness. CNC machine is used to cut the sheets according to exported files. [Construction Process] CNC Cutting > Strips Connection > Individual Cylinders Forming > Cylinders Joining
[bottom: Documentary Video]
Duration: 2:07: https://www.youtube.com/watch?v=A8eJWLHnUhw
DOUBLE CURVE FABRICATION
MEMBRANE STRUCTURE
- DOUBLE CURVE FABRICATION -
027
[Final 1:1 Membrane]
Glass Ceanteen Vertical Extension Modification
BENJAMIN FRANKLIN CENTER
- BENJAMIN FRANKLIN CENTER -
028
Benjamin Franklin Center
Glass Canteen Vertical Extension Modification
PORTFOLIO
- BENJAMIN FRANKLIN CENTER -
on
Glass Ceanteen Vertical Extension Modification
BENJAMIN FRANKLIN CENTER
g stin Exi
029
ti ndi Co
S
on ney tilati himal Ven
r C ru ola e nat
anc enh
per Up on re e f Ca uctu
el Lev
ed Str end teel Extended S
m For ng
ulti Res
Ext
[Proposal]
Enhance Natrual Ventilation by using extended volume as solar chimney and shading devices.
- BENJAMIN FRANKLIN CENTER -
lop nve ss E a l G
Glass Ceanteen Vertical Extension Modification
BENJAMIN FRANKLIN CENTER
ey imn
r Ch Sola
030
E
e Caf g G/F as shadin d e d e v n r e se xt
also /F Slabt for LG r o o Fl onen p com
[Above: Exploded Axonometric]
- BENJAMIN FRANKLIN CENTER ARCH 4425 Building Systems Integration
Prof Minjung Maing
Group Members CHENG, Chin Long 1155009426 LAM, Long Tat 1155009617 YEUNG, Ho Yin 1155011552 CHAN, Kuok Hong 1155015180
ditio
ned
Volu
me
N
000
Small Volume for air-conditioning , yet still insufficient thermal comfort
Large Volume designed not for air-conditioning create inherented challenge
24.
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Intensity (Lux)
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2.1 Key Informations
49
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31
The Franklin Building is surrounded by teaching & recreational facilities. The Chu Chi Canteen 19 17: 17: sits 01between student We 43 ste 18: rn space Sid hostel and 25open 19: 07 e19: RH of Lake Ad Excellentiam 49
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13
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Site Solar Study
13:
20
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21
Being on the edge of a hill, the Benjamen Franklin Building faces direct south with no surround provide shading from the southern sun.
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The canteen mainly has a glass facing and a solid back. The whole south-facing facade is glass in a greenish tone, the glass box were backed by a layer of white fabric curtain. The rest of the interior is white-based. For example the white stone tile flooring, and stone wall cladding, as well as the false ceiling panels
20
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Time
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600 450
18:00
CO2 Conce
ntration
300 150 0
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Time
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Time
ide ugh outs enish eno that with em repl Put HVAC syst pm outdoor. supply ate if a the air 380p e to indic is around air account for ation tend to n can serv concentration entr h outside entratio 2 ated conc dard 62 recomCO2 conc or. Normally CO know how muc that an elev RAE Stan than 600ppm. we arches show uctivity. ASH air to indo ment indoor by m`ore air. Rese prod sure ce one lated mea redu oor ircu the e just re-c drowsiness and exceed the outd 0ppm. s’ alongsid 0n not to occupant below 1,00 from 11:3 result in or concentratio suggestion is l. Except health sitindo pm leve setting est a mends nearly 400pseems to sugg s to breath. al classroom ain in a ultie ber For typic een rem The num stiff air and diffic orting exhaust t, the cant 500ppm. suremen rience of s like the discomf to over In our mea e saw a rise onal expe tant htim our pers other air pollu to lunc rary 1:00 be But it cont to this could uation. ion explanat Possible
CO2 CO2 Concentration Concentration (ppm)
600 450 300 150 0
10:00
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11:00
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12:00
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Time
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Mac Ven hanical ti Syst lation em
40
17:
20
10:
00
Dec
10:
40
Noon Zone is under strong daylight except the innermost part. User tend to choose the outer section, and are more closely packed because of peak hour
12:
40
17:
Shad
out
Different from day, the innermost part is more brightly lit, that also see more user habit that zone, a more even distribution of user across the room
Shad
ing
9
12
am
15
am
18
pm
pm
Shadow Range Study G/f
LG/f
3.1 Proposal Enhance Natrual Ventilation by using extended volume as solar chimney and shading devices.
G/f 9:00 21 June
G/f 9:00 21 Dec
LG/f 9:00 21 June
LG/f
LG/f 9:00 21 Dec
lop nve ss E Gla
Lightinh Analysis
G/f 12:00 21 June
June
G/f 12:00 21 Dec
LG/f 12:00 21 Dec
LG/f 12:00 21 June
December
LG/f Lighting Analysis
ng ulti Res
Form
June
December
l Leve
Exte
G/f 15:00 21 June
er Upp on afe ure d C Struct ende eel Ext nded St
G/f 15:00 21 Dec
n
y tio mne ntila Chi al Ve lar natru
So nce enha
LG/f 15:00 21 Dec
tion ondi
LG/f 15:00 21 June
G/f Lighting Analysis G/f Lighting Analysis
gC stin Exi
Glass Ceanteen Vertical Extension Modification
BENJAMIN FRANKLIN CENTER
031
rR Sola y d Stu
G/f 18:00 21 June
G/f 18:00 21 Dec
LG/f 18:00 21 Dec
LG/f 18:00 21 June
Insolation Study
ays
G/F + Void
1/F
Summer
Winter
Sum
mer
Existing Condition Summer
ey imn
/F LG :200 m1 Pla
’; n DD vatio Ele 00 1:2
r Ch Sola
Sum
Winter
Aut um
mer
sh
G/F Summer
Win ter
Win ter
Before Proposal G/F :200 m1 Pla
LG/F
n
Cafe ding a G/F
d nde rve as Exte b also seG/F r Sla for L Flooonent p m o c
on Secti 00 1:2
;
CC
ed lod tric Exp nome Axo
Winter
LG/F
After Proposal G/F
[Above: Final Persentation Panel]
20
20
With
June
3.2 Proposal Analysis and Evaluation
03 Benjiman Franklin Glass Canteen Vertical Extension
19:
13:
Evening
Afternoon Similar situation as in morning. User would spread out themselves across the zone
40
20
ing
Morning
18:
12: ( With or withour additional shading ) 00
With
Zone is half day-lit and half in shade. User prefer to seat other than the inner or outer most part.
00
11:
1800
21st
18:
y
45
e
There is not a very strong relationship between the two as dinning program is a rather fixed practice for user in term of time. The lunch and dinner peak hour is not where lighting condition is the best. But the short nature of stay permitted user to habit the more uncomfortable zone. Other factors such as spatial ambience, separation from circulation might override the importance of a comfortable weather.
20
19:
Weather Condition and User Activity 10:00
19:
sit
70 65
40
Day Lighting Analysis
tim
1500
18:
0
40
1200
00
875
19:
14: In the similation, theres little differetn seen 00 on 14: 40 15: the solar radiation heat gain whether shading Tim 20 16: 00 e device is used. 16:
0900
18:
15:
Tim 20 16: 00 e
262 13:
20
16:
RH
50
21
15:
or
70 60
19:
y
875 19:
Tim 20 16: 00 e
80 17:
sit
12:
Tim 20 16: 00 e
21st
or
28
31 12 lowest of all. 17: 18: We Only 10 53 24 ste 17: 19: at noon. Dropped 49 rn 34 18: Sid 50. 28 to 23 at time of raining. Similar- e22 000 19: Lig 07 ht ly rose quickly a bit toward the 19: Int and fluctuating temperature toward the outdoor. Closely 46 175 en More extreme 00. of the day by a degree end sit 0 y similar value for outdoor and immediate indoor area. Correlate to intensity10:00 10: RH/ The driest of all indoor 40 11: measurements. Staying around 20 of human activity at 10:dinning hours. For RH, the different in general value 00 12: 10: 60% throughout the day. 00 875 39 12: 0.0 40 across different location is11:18probably just a direct result of different in genLUX/ The lowest of all. The 13: 11: 20 57 14: highest record was 3370lux, 12: eral temperature at different site,36 13:negatively related. Light intensity various 00 100 14: lowest is just 11.8 lux 40 15 15:
19:
20
25
80. 11:
19:
0
262 TEMP/ The 50. 0 reached 28
Tim 20 16: 00 e
Ou
00
11:
18:
00
15:
40
43
000
Hobo Middle
10:
17:
10:
Tim 20 16: 00 e
00
01
RH
000
45
14:
tdo
10:
17:
50.
19:
00
Ou
175
14:
We
875
19:
32.
13:
000
000
27
70
14:
11:
.00
tur e
50 14:
43
100
era
60 12:
000
10:
60. 18:
90
17: 48 10: 18: 00 27 10: 19: 40 06 11: 19: 20 45 12: 00
50
12
48
100
00
15:
Te
000
262 33
01
or
80.
350
14:
Sid
36.
10:
80 17:
en sit
rn
000
500
30
90.
e 10:
0
Int
ste
27.
23.
19:
28
10: 00 16: Tim 20 e 10:00 40
54
52
26
00.
y
13:
18:
tdo
14: 22 33 15:
175
30
14
Ou
Tim
0
16:
18:
24
13:
0.0
12
Lig
00.
36
32
00
16:
17:
RH
30
875 15:
Sid
175
TEMP/ 0 Slightly cooler than West and outdoor with max at 30C in morning. Similar drop 875 and return in reading as West in 0.0 the afternoon to evening RH/ The wettest indoor record. 10% more in average than western side, until dropped back to 10: 00 60% by dust. 10: 11: LUX/ Similar 39situation as out18 11: door 57
e
18:
20
262
Hobo East
16:
04
le-
34
50.
15:
Tim 21 16: e 01
09
46
0
21
16:
RH
Tim
17:
D
36
10:
y
50.
13:
20
15:
Tim 15:42 e 16:
0
262
12:
19:
26
dd
00.
15:
16:
14:
Ea
36
14:
06
We
500
Mi
000
19:
sit
30.
14:
000
70.
000
12:
00
14:
e
12:
18:
48
000
Tim
11:
18:
en sit
y
14:
25
0
10:
17:
Int
13:
50.
000
00.
10: 15:
Lig
10
000
12:
60.
00
Tim 20 16: 00 e
tdo
13:
60.
12:
350
14:
Ou
175
00 TEMP/ Reached as hot as outdoor in morning. Get cooler than outside at time of raining. By night875rush hour rose form 0 23C to 26C in just 20 mins RH/ Gentle change over the day. Generally followed outdoor situation. Except during afternoon 10: 00 10: under 70% shower it remain 40 11: 20 as LUX/ Similar situation 12: 00 outdoor 12:
32
0
22
50.
19:
12:
000
0.0
20
B
000
54
00 effect on the lighting situation. This is mostly likely due to the fact that daylight take the southern path into the glass It is interesting to see from simulation that the awning atop of the glass box poses little 12: 40 box, the awning is out of the reach to intercept the ray. In summer where sun is higher at 9013:degree at noon, the awning is more effective than the same time in winter where10:sun is at 45 degree from south. 20 14: 00 00 10: 14: Therefore the space is often under direct sunlight, from morning till dust. 39 40
2.3 User Activity
Sound Level
75
era
34. 11:
.00
11:
Effectiveness of overhead awning
80
mp
80.
41
350
18:
16
90.
10:
000
14:
11:
100
000
22.
70.
13:
38
ure
000
49
10:
rat
24.
19:
000
58
875
13:
e-T em
pe
80. 11:
RH 50.
19:
40
00
Sid
000
26.
000
10:
15:
Tim 20 16: 00 e
Although canteen seems to be a noisy place that doesn’t have much control on sound. The acoustic environment inside a canteen is important in ensuring speech intelligbility and speech privacy, and also reduce exposure level. All these are important in creating a enjoyable dinning experience that facilitate social activity. Level of 70-80 dB(A) is comparable to heavy traffic or typical urban situation. Normal conversation is 50-60dB. For most of the day sound level is lower than 70dB. Only during the lunch peak time (12:00-1:30) and evening peak time (6:00-7:00) that the noise level raise up to 75dB. From this we can say the canteen has a comfortable noise level where most of the time it’s just a bit nosier than normal conversation, and during peak hour more like a busy street which is normal as a public space. Potential shortfall of our measurement is that only one location is measured which is not along major circulation path. Also, reading is taken every 15mins instead of an average from a continuous measurement.
Te
A
10:
Ea
000
28.
10: 18:
Hobo West 15:
Tim
14:
10:
60
17:
13
000
0
40
000
14:
Tim
01
00
tdo
16:
31
000
14:
Ou
Tim 20 16: e 50 00
32.
13:
70.
45
20
50
54
49
50.
19:
13:
262 13:
le-
000
000
12:
ste
10:
12:
00
11:
dd
000
22.
00
00
350 18
07
We
00.16: 0 40
00
11:
Mi
000
26.
34.
12:
era80. tur000 e
000
18:
12:
70
15:
25
000
mp
Tim 20 16: e 35000
10:
TEMP/ Highest in morning, at 34.4C at 10am, dropped a degree quickly as it rained and continued dropping. Returned from 25C to 26C by evening. RH/ Great fluctuation over the day. Morning below 60%, lowest 40%. But climaxed over 90% at around 4:30pm as showers started. Return to around 50% by night fall. LUX/ Fluctuated the most, from over 32,000lux in morning to only 11.8lux at the time of raining
Te
60.
17:
11:
80 12:
27
11:
90.
or
90
10:
0
39
09
en
40
00.
10:
17:
22
Int
43
0
tdo
28
30
dd
0
51
000
28.
000
.00
Ou
30
15:
12 26 Tim 15: e 24 51 16:
Mi
34
14:
00.
15:
30.
36. 10:
100
32
11:
175
Lig
D
000
32.
500
30
Sound
70
34.
C
mp
000
23.
34
10:
17:
RH
175
Hobo Outdoor
13:
17:
100
Ea
00
40
58
0.0
57
0
10:
10:
ts
000
21
45
00
t
Toile
en
24.
0.0
19:
16:
RH
875 19:
We
500
26
875 11:
0
13:
30.
14:
10:
28 350 16: 0900. 0 16:
e
Sid
y
50.
41
40
48
000
15:
Tim
st
262
12:
18:
13:
20
00
25
e
21
20
10
dd
10: 13:
50.
19:
13:
Mi
50.
28
32
B
262 18:
sit
12:
36
12:
Tim
11:
17:
ensit
0 10:
arke
ante
000
54
0
19:
rm
ss C
34. 11:
875
18:
N
Supe
Gla
tur e
000
41
Ea
00.
Lig
175
a
era
50. 10:
60.
00
01
15:
e
tdo
Are
teen
000
000
14:
00.
Tim
Ou
Noisy Air exhaust unit
ted
Offi ces
Can
60.
70.
13:
20
Tim
10:
16
000
70.
22.
350
14:
mp
80.
000
0.0
12:
11:
ure 90. 000
000
875 20
38
0
rat
26. 24.
19:
.00
pe
000
58
00
0
10:
100
e-T em
000
80. 11:
18:
00.
RH
175
19:
12:
Sid
28.
10: 18:
11:
00
15
37
Ea
30.
000
0
20
15:
e
ste
350
or
262
60
10:
55
Tim
We
10:
15:
70
00
14:
00
15:
17:
13
10:
Tim
40
000
14:
000
45
13:
350
13:
31
000
tdo
40 10:
00
32.
13:
70.
19:
12:
Ou
Tim 20 16: e 00 50 16:
ensit
49
50.
80
11:
12:
000
27
50
12:
A
60. 18:
11:
10:
000
07
000
30
Te
000
34.
12:
80.
16:
le-
t
klin
000
25
0
26
dd
rhea
arke
Fran
24.
11:
000
262
Greenish Single-skin Glass Facade
Greenish Glass Roof White Fabric Curtain
White False Ceiling Panels
The space is mechanically conditioned. Air-conditioning units cluster and lined up in two groups for the two halls. Return air ducts surrounds these deliver point and at the edge of space. Besides, exhaust at open kitchen interfere with served space air. Air purifier is used in the back hall which might suggest insufficient air exchange ability
15:
e
st Sid
0
Plastered/Tiled Concrete Wall
Greenish Single-skin Glass Facade White Fabric Curtain
Material
00
12
Ea
00.
tur e
000
43
ture
.00
ElectricMiFan at every bay
000
26.
36. 10:
90.
10:
Int
Temp
28
100
10:
15:
000
28.
Ove
rm
000
01
or
era 100
20 17:09
0
14:
30.
Noisy Exhaust Fan for Kitchen
Offi ces Supe
22.
10:
tdo
90 13:
Noisy air handling units at every bay
View outdoor is always blocked by shadings
era
500
30
e
12:
Awning in place for the outdoor dinning area
Te mp
23.
19:
30
24
00.
Tim
White Stone Tile Flooring
In the part where HVAC ducts lies, rows of false ceiling integrated fluorescent light system is used. At corners and space too small for a full module, spot lights had been employed. In the glass addition, lamps are used. In the dinning hall inside, a uniform light lantern is integrated into ceiling. Effectiveness of spot lights and light fixtures in glass addition is questionable.
57
0.0
11:
0
175
Greenish Single-skin Glass Facade
01
50
11:
White False Ceiling Panels
15:
18
875
10:
Uniform Lighting
41
11:
175
0
Single-skin Glass Facade White stone cladded column
14:
39
0
Fabric-faced Movable Partition
12:
10:
15:
262
50.
21
52
RH
e-
34
00
Ea 350 st Sid 00. e-0
10:
262 11:
000
We
ste Integrated air conditioning rn unit with ceiling lightings Sid
36
10:
00.
41
le-
000
000
HVAC
75
Level (dB)
25
Tim 28 16: 09 e 16:
350
Lighting
Concentration (ppm)
13:
40.
y
80
Canteen is more than just a clean, efficientt place to eat Through dinning we socialize. Quality air and appropriate sound level is crucuial to enable these interaction. Therefore we ‘d like to look into these performances.
44
46
0
10:
dd
70.
32
12:
19:
0.0
e
amd Ventilation System
03
000
00.
000
32.
12:
000
12:
60.
20
Tim
Air and Sound Quality Evaluation
22
000
07
34. 000
54
50.
11:
50. 19:
ensit
175
Air Exhaust Air Conditioning Electric Fan
34. 11:
000
41
875 19:
16
50.
49 1500 18:
Sid
11:
60.
10:
000
Tim
01
The building is strictly composed of two material in two main frame. Frist, the concrete column and beam as part of the bigger building. Second, the steel frame addition cladded with high transparency. Though both share similar grid layout.
000
70.
0
0.0 10:
Structure
000
22.
10:
50.
14:
Dec 40 15:20
24.
00
262 Intensity (Lux)
12:
000
000
June
0900 20
000
26.
000
40
38
pe
rat Both buildings are 32a13:10 ure 30. rectangular mass with a 13:48 500 14: 100 Additional air purifier need to be 26 .00 north-south facing long 15: 0 set up to condition the air 04 Tim 15:42 side. Sun in Hong Kong 90. e 16: 27. 000 20 reaches 90 degree in 000 16: 58 17: summer and 45 degree 80. 36 000 18: 14 in winter. 18: Mi
000
28.
20.
10:
10:
e-T em
30.
80.
00.
11:
16:
000
350
40
37
40.
01
10:
15:
e
10:
00
55
Tim
000
19:
0
0.0 10:
14:
50.
19:
00.
21
12:
00
st Sid
000
07
The massive control for air-conditioning hardware
Section 1:250
10:
Ea
32. 12:
000
17:
y
0.0
25
60.
17:
ht Int ensit
875
11:
Mounted Split-type Air-conditioning units at every bay
Cooling units scattered across roof above 1/F
tur e
Temperature (C)
33
le-Lig
Rooms on 1/F are individual air-conditioned
Additional awning are needed to cover part of the glass roof
Fritted Glass on the glass box’s roof insfficient to regulate overheat
Shadings need to be put down most of the time
era
RH (%)
43
Temperature (C)
10:
RH (%)
14:
mp
000
000
Intensity (%)
54
RH (%)
13:
Te
22.
34.
Both building sit on100site .00 0 sloping down towards the south. Franklin 90. building is aligned 000 to the main campus, 80. axis 000 Chung Chi Tang follows the radial lakeside axis.. 70.
Midd
0
le-
000
01
0
dd
000
000
10:
50.
Mi
000
26.
36. 000
00.
000
28.
n
Intensity (Lux)
30
RH
000
175
30.
500
19:
Space constantly under direct sunlight
000
ture
24.
50.
262
000
32.
era
60.
350
Temp
20.
000 Both building are canteen on40.the campus. 000 building The Franklin 10: 00 features canteens 10: on 39 11: different floors, while 18 11: Chung Chi Tang consist 57 12: 36 13: of one large hall. 15
02 Observation and Foundings
34.
Prof Minjung Maing
e-
atio
Temperature (C)
52
Sid
000
23.
Prep er
nter
RH (%)
18:
rn
27.
Food
Cou
Intensity (%)
000
14
ings
Temperature
70.
18:
Seat
RH (%)
le-
36
cing
Intensity (Lux)
Midd
000
17:
h Fa
Temperature (C)
58
gs
Sout
RH (%)
16:
Mechanical Ventilation System
20
Temperature
16:
RH (%)
42
Intensity (Lux)
15:
Temperature (C)
e
RH (%)
04
Intensity (Lux)
15:
Tim
RH (%)
26
Intensity (Lux)
14:
Temperature (C)
48
RH (%)
13:
Intensity (%)
10
80. RH (%)
ste
500
13:
Temperature
32
ARCH 4425 Building Systems Integration
We
30.
12:
RH (%)
54
Intensity (Lux)
11:
Temperature (C)
16
RH (%)
11:
Intensity (Lux)
38
0
000
RH (%)
10:
.00
90.
Intensity (Lux)
00
100
The preparation of a new student centre and canteen began in 1966. The local firm Wong Ng Ouyang did the design in 1969. The building opened for use in 1972.
Temperature
10:
Wong Ng Ouyang and Associates 1972
Temperature (C)
000
Chung Chi Tang
1.2
Site Plan 1:5000
34.
000
Temperature (C)
20.
atin
Intensity (Lux)
ture
r Se
Temperature (C)
era
000
Inne
RH (%)
mp
The canteen features a glass-structured extension. on the south. Yet it overheat the space and in turn need to employ lots of awning and shades to cover up., which is a redundant move.
Intensity (Lux)
le-Te
000
26.
e
Temperature (C)
Temperature (C)
000
28.
lum
45 1:8. 90 7
Intensity (%)
Midd
30.
530:
Volumetric Study
32.
Szeto Wai 1969
Area: Vo
480:Volume 1440 1:3
000
Benjamin Franklin The Benjamin Franklin Centre is the first building constructed in central campus, completed in 1969. It is designed as a student activity centre . It has six floors with a total area of 4,400sqm.
Case Studies and Comparison
Level (dB)
ned
Area:
Solar Path of Hong Kong
34.
Maintaining sufficient air change and thermal comfort in large volume spaces in Tropical Area such as Hong Kong is a challenging issue. By looking at nearby examples, problems in such area is easily identifable. We have chosen two example with significant issues in the area.
ditio
me
N
Annual Wind Rose at Shatin
Hong Kong General Climate
Ventilation and Thermal Comfort in Public Buildings
Con Volu
Building Volume not designed for mechanical air conditioning
Con
The Chinese University of Hong Kong Campus
1.1 Introduction
Ben ja Can min tee Fran n kli
The proplong so of thortio uth fac e timn of ing e, es space facad pecia rem e resu lly th ain ov lted e pa erhe in a rt wi ate large th gla d m ss roost of
n
As the buildings were at first intended to be naturally ventilated with only eletric fan as support, the interior volumne tend to be tall and airy. This create inherented problems as mechanical air conditioning on the contrary require controlled, small space to be efficieient,
01 Background Research
1.3
Selected Building
Inefficient, uncordinated use of mechanical air conditioning
Glass Box Canteen Modification
Both building were designed without air-conditioning in the first hand, subsequent provision is piece-meal, unorganized and inefficient to cool the interior. Lots of electricity is needed and its noisy both outdoor and inddor
Ventilation and Thermal Comfort in Public Buildings
RH (%)
Benjamin Franklin Center
20
18:
00
18:
40
19:
20
Facing extream hot and cold climate
HOHHOT INTERNATIONAL SCHOOL
- HOHHOT INTERNATIONAL SCHOOL -
032
Hohhot International School Facing extream hot and cold climate
PORTFOLIO
Facing extream hot and cold climate
HOHHOT INTERNATIONAL SCHOOL
- HOHHOT INTERNATIONAL SCHOOL -
033
[Above: rendering of different space]
- HOHHOT INTERNATIONAL SCHOOL -
A A B C D E F G
17 20
18 16
10
19 09
15 08
14 11
13 3 7
4 10
1
8
07
12
9 5
19
6 2 06
13
05
04
03
02
Facing extream hot and cold climate
HOHHOT INTERNATIONAL SCHOOL
01
034
[Above: line drawing plan and section]
A’
- HOHHOT INTERNATIONAL SCHOOL -
6
1
2
3
7
8
5
4
10
Keys: 1. Growing Medium 2. Water roof membrane 3. Drainage Layer 4. high dense form 5. high-dense form roof insulation 6. 300x 400 mm plywood beam 7.150 x 50 mm joist 8. 1000 x 600 mm ply wood beam 9. beam edge cover 10. expansion joint 11.Wooden frame window 12. Timber floor finish 13. Reinforced concrete 14. Tie steel 12
13
Facing extream hot and cold climate
HOHHOT INTERNATIONAL SCHOOL
11
035
14
[Above: line drawing detail section]
Detail Section back roof Column and Wall
Parallel Trading Center
LEGAL METAMORPHOSIS
- LEGAL METAMORPHOSIS -
036
Legal Metamorphosis Parallel Trading Center
PORTFOLIO
Parallel Trading Center
LEGAL METAMORPHOSIS
- LEGAL METAMORPHOSIS -
037
[Legal metamorphosis] Sheung Shui My project site is Sheung Shui, Sheung Shui is famous for parallel trading, parallel trading is a business that trying to get away for paying taxes, trading back to mainland china. What interesting about this topic is that the parallel trader is how they uses a local bicycle park-ing space convert into a trading market for couriers, it is also interesting the how they have a hidden system in the cooperation of the trading( eg. How they arrange goods ,the timeta-ble of the couriers and the way of packing goods. However, the business is effecting the lo-cal living, I believe something needed to be done to stop or replace this business, replacing this business will have a advantage of creating jobs for the local couriers. [Above: parallel trading daily routine]
- LEGAL METAMORPHOSIS -
+ CLOTHING
+ FOOD
+ ELECTRONIC
Parallel Trading Center
LEGAL METAMORPHOSIS
+ THREE LAYER OF GOODS
038
[Legal metamorphosis] [Sheung Shui] [Above: parallel trading event]
- LEGAL METAMORPHOSIS -
+ HORIZONTAL SECTION II'
+ ELEVATION DD'
+ ELEVATION AA'
+ ELEVATION BB'
+ LONGITUDINAL SECTION EE'
1:200
D
C
F
G
E'
J
I
H
B
12
16 17
A'
2
15
B'
14
11 13
3 8 6
E
1
C'
F'
G'
039
Market Store
6, 7
Display Zone
8, 9 ,10
Dump-Waiter
11
H'
I'
J'
A
Parallel Trading Center
LEGAL METAMORPHOSIS
7
1, 2, 3, 4, 5
Stuff Room
12
C a r r i e r Wa i t i n g Area
13
Consumor service
14
Lift
15
Toilet
16
Casher
17
Server Room M and E
18
Cafe
19
Store Room
20
Car Park
+ GROUND FLOOR PLAN 1:200
[above: Line Drawing Plan and Section]
D'
Parallel Trading Center
LEGAL METAMORPHOSIS
- LEGAL METAMORPHOSIS -
040
[Above: Documentary Video]
[Easy Money] Duration: 0:58 https://www.youtube.com/watch?v=7uw-J5bU1Sk
Parallel Trading Center
LEGAL METAMORPHOSIS
- LEGAL METAMORPHOSIS -
041
[Above: Final 1:200 model]
Parallel Trading Center
LEGAL METAMORPHOSIS
- LEGAL METAMORPHOSIS -
042
[Above: Final Persentation Panel]
COMPETITION
- COMPETITION -
Architecture Competition
COMPETITION
Architecture Competition
043
[Paulk House] PORTFOLIO [The Bond Alive Column Competition] [Playscape Vertical Common-Ground Competition] [Seoul Superskyscraper Permaculture Tower Competition] [Lung Tsun Stone Bridge Design Competition]
3°
44
'3
0"
E
[Paulk House] Under Professor Mrs Minjung Maing P.E. MAing Consulting Engineers Team WAF shortlisted
N6
W
.67
'
67
6'
24
N
35
25
°1
"E
6'
1.1
8" W
'1
° 32
S 71
90'
414.
PAULK HOUSE
17"
6°
00'
N2
N
E
1”= 40’
SITE PLAN
3"
'5
06
9'
19 9.6
33.842827,-84.45641 Atlanta, Georgia
2°
S5
33.842827,-84.45641 Atlanta, Georgia
05" W
Mr James Paulk Private Ower
192.43'
044 S11° 14'
PAULK HOUSE
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content. This paragraph is designated for project description. Please replace with appropriate content. This paragraph is designated for project description. Please replace with appropriate content. This paragraph is designated for project description. Please replace with appropriate content. This paragraph is designated for project description. Please replace with appropriate content. This paragraph is designated for project description. Please replace with appropriate content. This paragraph is designated for project description. Please replace with appropriate content. This paragraph is designated for project description. Please replace with appropriate content. This paragraph is designated for project description. Please replace with appropriate content. This paragraph is designated for project description. Please replace with appropriate content. This paragraph is designated for project description. Please replace with appropriate content. This paragraph is designated for project description. Please replace with appropriate content. This paragraph is designated for project description. Please replace with appropriate content. This paragraph is designated for project description. Please replace
- PAULK HOUSE -
045
Mr James Paulk Private Ower
[Paulk House] Under Professor Mrs Minjung Maing P.E. MAing Consulting Engineers Team WAF shortlisted
33.842827,-84.45641 Atlanta, Georgia
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
Water Conservation Two 1000 gallon cisterns located at east and west side of house
la Energy Kit So Ultra efficient energy generating kit with 80% net energy generation over a 12 month cycle. PV: Monocrystalline silicon panels, moderately ventilated, Interchangeable Pressurized Panel System south orientation and inclination of 45º on southern wall 0,12 The building envelope is based on the~0,18 Kpk KW/m2 with a minimum package density of 80% concept of interchangeability between (These can be bought on ebay: opaque and transparent wall systems through planar transitions. The http://tinyurl.com/alo6ums) overall design of the enclosure is to appear flawless Coolingofsystem: Multisplit system with COP = 2.9 with no unintended exposed fasteners the material systems. The primary wall system: Heat pump + radiant floors, Heating systems are attached such that units eitherconservatively at COP = 1 ne estimated eli of glazing or opaque wall assemblies are Tre captured within structural frames through pressurized connections. Thinner panels of differing materials can be clad over the opaque wall assemblies to form whole wall pre-assembled systems. The wall panels are set within the desired frame locations and e rag clamped in place. Each assembled wall Sto nd panel unit provides the thermal resistance a e rag or conductance of the enclosure system Ga including the proposed infiltration performance and ventilation strategies. For Mechanical supply and exhaust of air @ 0.35 ACH improved thermal performance Heat and continuexchange plates and/or pipes ity of the thermal break , the structural 20% exhaust air recirculation system before receiving the wallTight unitsenvelope are @ 0.4 ACH insulated with spray-filled insulation and a thin sheet protection cover. ThisSensor press-incontrolled lighting place wall system promotes pre-fabrication Lighting intensity = 5 W/m2 and minimum site fastening to maintain high quality construction and reduceEvacuated site-built tube solar collectors with direct flow performance uncertainties whilst maintainsystem (hot water) 30 m2, facing south @ 30º ing design flexibility. inclination on roof
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
PAULK HOUSE
basin just north of the city. Air current in the city tends to be unpredictable, but the orientation captures cool air traveling up the hill. Windows serve as soft articulated apertures to emphasize air flow across smooth ceilings and through unobstructed openings.
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- PAULK HOUSE -
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
- THE BOND ALIVE -
CUHK has mission to educate students. Education is the best and continuous way to protect the environment.
凝 . 生
The column is divided into “Education”, “Action”, “Process”, “Success” and “Target”, where these are steps for education. Students know the essential of protecting environment, then they should have chance to take action. Most importantly, they should know the action should be done continuously and encouragement is required. Once students have a common target, they work together interestingly and feel success, then the action becomes their habit. Reducing waste is easy to do, so it is chosen to be an idea of interaction between students and column.
The Bond Alive provides a space for students to gather and go towards a new life using renewable energy.
Steel ring of LED light
Projection of target
Power up by winfd energy
Can be updated. Same leve as 4th floor of YIA
Projection of “ Days”
Wind Turbine
Base on the target of reducing waste to landfill by 12%, minimum amount of waste needed to be recycled monthly is calculated. Every month, the number of days used to collect that specific amount of waste will be displayed at the top, together with the long term target by projection.
Located behind the facade
Metal Bead Facade
Can move together with wind
Column The column has five rings of LED lights and has recycle bins surround it. Above the bins, there is educational board to tell students what to do.
Result
The ‘Column of Sustainability’ Design Competition
THE BOND ALIVE
046
B o n d A l i v e
YIA is windy, wind energy is used to power up LED lights. And facade will move together with wind. The column is sustainable and it is closely related with environment.
Concept Diagram
Plan
T h e
Near the end of each month, most LED lights up and can become an eye-catching place.
Educational Board Any information can be updated on the educational board and by projection.
Recycle Bin Contain sensor to detect the waste. Once students put a rubbish into the bin, one LED lights up.
1. EDUCATION
2. ACTION
3. PROCESS
4. SUCCESS
5. TARGET
Isometric View
[The Bond Alive] Team: Gary Yeung, Kitty Wong
[Playscape Competition Vertical Common-Ground]
Team: Professor Minjung, Gary Yeung, Linus Cheng
- P16176 -
Section BB’ 1:250
Social Mixing Programs: mini golf and Cycling
047
V E R T I C A L
Existing Site
Existing Podium Park in Elements, West Kowloon
JORDON, HONG KONG
Public Spaces in Poor and Rich Urban Blocks
SECTION AA’
Despite the close distance between the two significant urban clusters of residentials in jordon, they share a completely different state of public space. The Elememts podiums cluster owns a public park as if it’s own POPS.; which creat a huge contrast to the bizarre urban comditions in the lower income’s Man Wai Clusters. This project seeks to create a common ground between the two groups with different incomes, allow them to interact and more importantly, to share a equal quality of public space.
Podium Park
C O M M O N G R O N U D
Despite the close distance between the two significant urban clusters of residentials in jordon, they share a completely different state of public space. The Elememts podiums cluster owns a public park as if it’s own POPS.; which creat a huge contrast to the bizarre urban comditions in the lower income’s Man Wai Clusters. This project seeks to create a common ground between the two groups with different incomes, allow them to interact and more importantly, to share a equal quality of public space.
SOCIAL MIXING PODIUM PARK
Vertical Common-Ground
PLAYSCAPE COMPETITION
SECTION CC;
Existing Car Park
Podium Park
Cycling / Walking Area
Mini Golf Facilities
Social Mixing: A Common Public Space
SECTION BB’
The Podium Park
- P16176 -
- P16176 -
Section CC’ 1:250
View From Suspended Deck
Despite the close distance between the two significant urban clusters of residentials in jordon, they share a completely different state of public space. The Elememts podiums cluster owns a public park as if it’s own POPS.; which creat a huge contrast to the bizarre urban comditions in the lower income’s Man Wai Clusters. This project seeks to create a common ground between the two groups with different incomes, allow them to interact and more importantly, to share a equal quality of public space.
Suspended Bridge
Section AA’ 1:250
Elements Podium Park
Sectional Diagram
Reflection Walkway
- P16176 -
Steel Suspension Wire
Steel Suspension Wire
Steel Suspension Wire
Steel Frame Attached to existing Buildings
Construction Method
- P16176 -
Despite the close distance between the two significant urban clusters of residentials in jordon, they share a completely different state of public space. The Elememts podiums cluster owns a public park as if it’s own POPS.; which creat a huge contrast to the bizarre urban comditions in the lower income’s Man Wai Clusters. This project seeks to create a common ground between the two groups with different incomes, allow them to interact and more importantly, to share a equal quality of public space.
Mirror Bridge
- PLAYSCAPE -
048
Massing Process
The BOTANICAL GARDENS is the heart of the building elevated up to joint terrace between the two towers with views to toward the city center and to prominent cityscapes of the hills that surround the center city. The gardens present an escape for the seoul citizens and visually connects the hills tops sounding the city center (where the hills once formed the boundary of the city)
PERMACULTURE is a system of perennial agriculture emphasizing the use of renewable natural resources and the enrichment of local ecosystems. The two towers face each other show their interior functions through exposed sections to each other and outwards of the site. Display of the tower functions is in part to let more light into the deeper sections and to provoke learning experiences of its users.
The design proposes to rethink the idea of production with community engagement and a learning institute for the Seoul community to increase awareness and sensitivity to adopt new sustainable ways of living. PRODUCE FOR HEALTH AWARENESS. Today’s food is so readily available, brought in from the outlying regions, flown in from other countries that society is increasing insensitive to the efforts of nature in food production and scale of consumption.
Much of the debate on vertical farming is the compromised environment and efficiency to that of traditional farming. The solar access and ambundent ventilation taken for granted in traditional farming is a challenging task to adopt in skyscrapers. Yet the potential benefits to tower farming lies in compact mass production - ability to stack production to increase by more than four times per farm plot space (equivalent to skyscraper floor area) – and proximity – low food miles.
Nature and Technology transcending to co-exist in a brave new world of traditions.
PERMACULTURE TOWER
Permaculture Towe
SEOUL SUPERSKYSCRAPER
The design proposes to combine aquaponics and hydroponics with flowing mass production. Fish is grown in the base of the site, underground and water spires that run from the fish tank to the upper levels connect the water supply from the hydroponic production above the botanical gardens. Food plantation above the garden level displays a life cycle of the plants with the seedlings at the top and cycling down to the botanical garden level with pluckings that would happen along the way.
Eco-cycle : cultivation and production
With the intention of being a learning institute the façade converts from double skin systems with the outer thin mesh system that functions to disperse direct light on the SOUTH. Exposed sections of the building use clear glass and are strategically used where there direct light is wanted, livestock cultivation and end-of–cycle food production.
Façade:
SECTION 1:1000
- SEOUL SUPERSKYSCRAPER -
Team: Professor Minjung, Gary Yeung, Linus Cheng
[Seoul Superskyscraper Permaculture Tower]
049
The 4th Dimension
The 4th Dimension Team: Gary Yeung, Linus Cheng, Kitty Wong, Jazz Koon, Jason Ho, Tracy Lee
[Lung Tsun Stone Bridge]
d
a
A’
A
Section A-A’ 1:200
Our project enhances the integration between the bridge and the community. The water used above the bridge is the grey water from the surrounding community and will flow to the Kai Tak River after passing an exhaust water system. Tourists and residents can visit the bridge from different direction; the journey is ended with a green public park where visitors and residents can enjoy the space freely.
In the light of the historical significance of the Lung Tsun Stone Bridge, our project highlights “the Dimension of time” of the bridge through a unique journey. The bridge keeps its role in serving the community while educating in the district for all people coherently. Our project can fully show the time dimension of the socio-economic development of the Kowloon City District by providing a unique experience for visitors and residents. There are several ramps and paths for people to choose, in order to allow people having an overview of the bridge. A part of the remnants of the bridge is used as a museum, which provides a thorough view of the bridge to the public in a historical manner. As the bridge is placed under a glass of stream, a harmony atmosphere is created through the chiaroscuro composed by the water and the bridge. People can enjoy the poetic journey whilst understanding the dimension of time of the Kowloon Walled City and the Lung Tsun Stone Bridge.
Construction of a shared identity between Kai Tak and Kowloon City Residents through translation of time into architecture
The 4th Dimension
b
1. Main Entrance 2. Foyer 3. Stairs to podium 4. First Ramp for Pedestrian 5. Exhibiion Area 6. Second Ramp for Pedestrian 7. Entrance connecting to surrounding building 8. Entrance connecting to main street 9. Museum 10. Seating Area 11. Park 12. Water Fresh / Grey exhaust water 13. F & B
Program Distribution
B’
B
Section B-B’ 1:200
c
C’
C
1
100
Plan 1:500
Plan 1:500
Plan 1:500
Long Section 1:350
Section C-C’ 1:200
N
LUNG TSUN STONE BRIDGE
- LUNG TSUN STONE BRIDGE -
The 4th Dimension
LUNG TSUN STONE BRIDGE
050 Exhibition Enterance
The 4th Dimension Team: Gary Yeung, Linus Cheng, Kitty Wong, Jazz Koon, Jason Ho, Tracy Lee
[Lung Tsun Stone Bridge] Exhibition Space
Enterance
ycle d
h th e ex pos
wat er s trea m
ed
ort hod oxy floa t
Gen bridtle slo ge pe w it
Re c
Mo d box ernity es and
ircu latio n
Ab ove gro und c
ing
Overview
The time journey of connecting the Kai Tak and Kowloon City is composed through layers of space and materials. These layers are divided into different height; yet are connected smartly through the use of different materials and leveling. The gentle slope gradually reveals the historical bridge and leads the attention towards the museum whilst responding to the community coherently. The stream of water echoes with circulation and recalls the memory of the bridges. The floating metal boxes on both sides juxtapose with the walls and emphasize the juxtaposition between modernity and orthodoxy.
Layering Diagrams
- LUNG TSUN STONE BRIDGE -
PRACTICE
- PRACTICE -
Intern Practice PORTFOLIO
Intern Practice
PRACTICE
[CNC milled 3D scanner platfrom & Storage Cab] [Design & scripting consultancy & Fabrication of Tetra v2 ] [1:20 Scale model of ROUTE D] [1:15 Scale model for Outdoor sculpture] [Art Installation works for Jon Rafman] [Looking for Alice]
051
Intern Practice
CNC MILLED 3D SCANNER PLATFROM & STORAGE CAB
- PRACTICE -
052
[Client:TPC limited] [Designer:Otto Ng / Ottocad.net] [Event:CNC milled 3D scanner platfrom & Storage Cab] [Team: Art Lab / Ricci Wong, Ted AuYeung, Gary Yeung, Hugo Ma, Cherry Fung, Novia Yim] [Date:2012.08]
Intern Practice
DESIGN & SCRIPTING CONSULTANCY & FABRICATION OF TEYRA V2
- PRACTICE -
053
[Client: CUHK architecture students Michelle Lok, Ivan Cheung, Kenneth To, Dave Cheung, Marco Chan, StudioWF] [Service: Design & scripting consultancy & Fabrication of Tetra v2] [Event: Hong Kong/ShenZhen Architecture Biennale2011] [Team: Art Lab, Mow Yung, Josephine Ma, Norman Ung, Mo Kar Him, Gary Yeung, Calvin Chan, Hugo Ma, Geoff Wong,Josiah Chow] [Date: 2012.02]
Intern Practice
1:20 SCALE ROUTE D MODEL
- PRACTICE -
054
[Client: CL3] [Event: 1:20 Scale ROUTE D model] [Team: Art Lab / Ricci Wong, Ted AuYeung, Gary Yeung, Hugo Ma, Cherry Fung, Novia Yim] [Date: 2012.08]
Intern Practice
1:15 SCALE MODEL FOR OUTDOOR SCULPTURE
- PRACTICE -
055
[Designer: CL3] [Event: 1:15 Scale model for Outdoor sculpture] [Team: Art Lab / Ricci Wong, Ted AuYeung, Gary Yeung] [Date: 2012.05]
Intern Practice
SAAMLUNG GALLERY
- PRACTICE -
056
[Client: SaamLung Gallery] [Event: Art12 Hong Kong / Art Installation works for Jon Rafman, BNPJ: Delaunay Reading Room, 2012] [Team: Art Lab / Ricci Wong, Gary Yeung] [Date: 2012.05]
Intern Practice
LOOKING FIR ALICE
- PRACTICE -
057
[Client: CUHK / Faculty of Architecture] [Event: LCSD ArtAliveatPark 2012 - CUHK] [Location: Tai Po Promenade Park] [Title: Looking for Alice] [Designers: Abby Lao, Chloe Lam, Jade Chan, Sue Lau and Sarah La] [Technical Consultant: Art Lab / Ricci Wong] [Fabrication Team: Art Lab / Ricci Wong, Cherry Yu, Novia Yim, Ted AuYeung, Gary Yeung] [Date: 2012.07]