GAYA Magazine Sep/Oct 2018 - Hijab & Modest Fashion for today's Muslim woman

C O M B AT I N G HUMAN TRAFFICKING WITH

PURPOSE JEWELRY

P L AY I N G T H E

R AC E CARD MOGA To No Longer Feature White Models in Advertising

WOMEN’S INSTINCT How faith & fashion inspired these women at Toronto’s IMFD

JAKARTA BRINGS ON MODEST FASHION WEEK

O PI N I O N 

THE OTHER SIDE OF THE COIN

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ONE HIJAB; TWO STYLES

SEPTEMBER / OCTOBER 2018

FOOD 

SPICED GRILLED CHICKEN

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THICK & CREAMY PUMPKIN SOUP

H E A LTH 

FRUITFUL HEALING

FA SH I O N 

PLAYING THE RACE CARD

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RUMAISAH

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WOMEN’S INSTINCT

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JAKARTA MODEST FASHION WEEK 2018

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WE ALL HAVE A PURPOSE

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DANIEL, EMMA AND JOHN “GENG” UP FOR ROJAK

COVER

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Brand: MOGA

MOST EMPOWERING FALL/WINTER COLLECTION

Photography: MOGA

THIS PAGE Brand: Rumaisah

THE MODERN SIREN: PAZZION’S

BE A U T Y 

SPOT ON!

Disclaimer: All rights reserved. No part of this magazine or content may be reproduced or used without the wri en permission of the publisher: C.A. Editorial Consultants. All informa on contained in this magazine is for informa on only, and is, as far as we are aware, correct at the me of going to press. The views, ideas, comments, and opinions expressed in this publica on are solely of the writers, interviewees, press agencies, and manufacturers and do not represent the views of the editor or the publisher. Whilst every care is taken to ensure the accuracy and honesty in both editorial and adver sing content at press me, the publisher will not be liable for any inaccuracies or losses incurred. Readers are advised to contact manufacturers and retailers directly with regard to the price of products/services referred to in this magazine. If you submit material to us, you automa cally grant C.A. Editorial Consultants a license to publish your submission in whole or in part in all edi ons of the magazine, including licensed edi ons worldwide and in any physical or digital format throughout the world.

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alam all! I hope you are all in the best of health and iman. I cannot believe that this is the second last issue that we will be putting out….for the year. Haha!

Did I give you a heart attack there? Don’t worry, we ain’t going no where. As long as there is fashion and there are social issues to be addressed, we will be here.

And here we are, addressing a few in this issue. Did you guys hear about the GAP Kids ad that got banned in France? Well, we tackle that in page 75.

We also tackle the issue of race—more precisely the minority races that are underrepresented in the fashion industry.

I think we’ve brought this up in several issues but this time around one brand takes an active stand by not having any Caucasians in their advertising. Yup! We unpack that in our cover feature. Be sure to check that out. Whichever camp you fall in - whether you’re against it or for it, it is safe to say that this has got the conversation going and that is the goal.

We recently had the pleasure of speaking with another brand who is taking social issues into their hands - PURPOSE Jewelry sells jewelry made by artisan survivors of human trafficking. How inspirational. If anything, this issue is one heavy issue….Hope you enjoy this issue!

Love & peace

Juliana Iskandar EDITOR-IN-CHIEF, GAYA MAGAZINE

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Fashion

P L AY I N G T H E

RAC E CARD

Fashion Label To No Longer Feature White Models in Advertising

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MOGA...

– a brand that has been a frequent resident of our issues. An inclusive brand with well diverse campaigns, MOGA is not one to shy away from pushing the envelope in an effort to highlight social issues that are close to the brand’s heart. From making a turban entirely out of raw meat, to creating the world’s first pride scarf in support of marriage equality, MOGA uses its brand to speak out on issues to get us thinking.

MOGA has returned once again with yet another thought-provoking and controversial campaign. MOGA was on the search for fresh new faces to represent their brand but here’s the kicker – MOGA will no longer feature white models in their advertising campaigns. Whilst their talent search was open to women of all shape and sizes, located anywhere in the world, the brand did not open this up to those who are white. Now before you pull out the racism card, please read on further.

of race, religion or ethnicity. MOGA’s customers range from trendy Muslim hijabers, to chemo patients, and even drag queens. Their scarves are for all.

And up till now their promotional campaigns represented women of all race and ethnicity.

However, the sad reality is that efforts for a truly diverse representation in the fashion industry have been lacklustre.

Yes, there have been a few strides in creating diverse representation on fashion runways but majority are still (and probably will be) Caucasian.

You would notice one or two minorities represented to fulfil an unspoken “racially diverse quota”.

Everything that designer and creative director, Azahn Munas does is not without careful thought and consideration. When Azahn set out to create MOGA, his vision was to create an inclusive brand that made scarves that can be worn by anyone regardless 7

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“I know I am not alone in thinking that all faces are beautiful, but sadly, the current representation of race and ethnicity in the fashion industry suggests otherwise. Why is it that in 2018, the majority of the faces we see in fashion are still very much Caucasian?

Although I feel we are in a much better situation today than we were even just a few years ago, there is still a long journey ahead for us to be considered truly diverse,” explains Azahn Munas in his open letter, “Dear White People”.

is a real and raw insight into the rationale behind Azahn’s decision to exclude white / Caucasian models. We highly recommend you read it in full before racing to a racism judgment. Tap or click this link here to read the article.

The open letter that starts off with a sharp-edged greeting to the very majority that we see in the industry,

And that is what it is all about here – OPPORTUNITIES.

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For this campaign, MOGA will no longer be casting or featuring white / Caucasian models in their advertising and official campaign imagery in order to promote more opportunities for racial and ethnic minorities.

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These opportunities, or lack thereof, contributes to the lack of representation in the industry. Therefore, in this regard, what MOGA is trying to do is not so much of eliminating white people from the MOGA experience but rather opening more doors for racial and ethnic minorities to walk through. It will look (or does look) exclusive, contrary to their brand’s motto, but this exclusion is all for the sake of inclusion.

Moreover, as a small company with limited budget, MOGA is careful as to where this budget goes and in so, taking the decision that this budget is, at this time, best spent on creating such opportunities. Coinciding with this new policy, MOGA launched an international talent search on social media to find some fresh and exciting new faces to represent the brand for the rest of the year. It was by far their most successful casting call to date with over 1800 applications received, majority hailing from Australia, Brazil, USA, South Africa and the United Kingdom.

Five new faces have been selected to represent the bold and exciting new direction MOGA is heading in for the coming months. The five finalists come from various cultural backgrounds and ethnicities from around the world and encompass what it means to be an independent and empowered woman of today.

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Whilst MOGA does not have Caucasian representation, they are proud to feature their most diverse range of models, including those who are POC (Person of Colour), Asian, Indigenous Australian and LGBTIQ. The finalists will be featured in their very own advertising campaigns that will be rolled out in the lead up to Christmas.

In terms of the response to the new policy, MOGA received a huge wave of support from women across the world who felt under-represented by their local fashion industry.

Unsurprisingly however, this decision was divisive and MOGA was also highly criticized for the move. The negative sentiment ranged from people labelling 10

MOGA as "racist, discriminatory and prejudice" whilst also threatening to boycott the brand. “I decided to make this policy as a catalyst to get people to talk about an issue that is very important to me, race.

It was never my intention to hurt or offend anyone, but I did so because I think it is important to speak about issues that aren't necessarily the most comfortable to openly speak freely about. Some of the biggest criticisms of this campaign has come from people who have labelled us as racist and having a double standard for happily accepting money from our white customers yet no longer wanting to feature them in our advertising.

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Well, you are completely right. This policy is definitely exclusionary but that was the whole point. That’s exactly what it feels like to be a minority and to go shopping at a major retailer that wants you to buy clothes from them but fails to show anyone who looks like you in their stores. When it comes to fashion, if you never see anyone who looks like you, it makes you wonder if there's something wrong with the way you look or if you are considered ‘attractive’ or ‘beautiful’ by society.

Whilst there definitely has been an improvement in the fashion industry, there still is a long way to go for us as an industry to be considered truly diverse. Our policy was never going to be permanent and was a way to provoke discussion about race and its depiction in the fashion industry.

AZAHN MUNAS CREATIVE DIRECTOR MOGA

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As we feel we have achieved that, we will of course go back to featuring women of ALL ethnicities and skin colours effective immediately, as inclusivity is the very essence of our brand,” explained Azahn Munas, Creative Director of MOGA. GAYA MAGA ZINE. COM

The topic of race, regardless of the country you live in, is and will be a contentious subject. But however contentious it may be, it is a subject that should be discussed in order to invoke bigger changes to the world that we live in.

Editor’s note: As with all our articles, we urge our readers to challenge the status quo and explore other points of view. Given the current discourse on this topic, MOGA has created a short video and has written 2 blog posts to support their campaign – to give a clear understanding as to why they have taken this route. The first blog is by Azahn Munas, Creative Director of MOGA, and the other is by Blacktivist, model and writer Kalida Edwards, who speaks about the impact the current portrayal of race in fashion and retail is having on people of colour like herself. This article is interactive so please tap or click the links below to watch the video and read the blogs.

Fashion & Fetishization by Kalida Edwards Dear White People by Azahn Munas Follow MOGA online

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Fashion

EVENING WEAR

Written by Juliana Iskandar 13

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any of us have been there – the calendar notification on your phone pings. You are being reminded of a special occasion coming up like a friend’s bridal shower. You look through your wardrobe only to drown in despair knowing you have nothing special enough to wear.

M ...women who value modesty are still widely forgotten by evening wear designers...

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You head to the mall. Spot a store where the mannequins are decked in the prettiest flowy dresses. You rummage through the racks. Pull out a pretty dress and realise it’s backless. You pull out another one and this one’s strapless.

You pull out another option and this one’s too sheer. Your mind shifts into gear figuring out ways to “modestify” these options – perhaps an inner long sleeve to go under them or a cardigan over them. And then you wonder in frustration, why on earth do they not make clothes for us?

I’m pretty sure the above scenario sounds all too familiar to many of us.

And I’m not just talking for the hijabis.

Before I even started wearing the hijab, I would find dress shopping rather frustrating. I’ve always been a modest dresser. It was just what I was more comfortable with. Yet the clothes, especially dresses for special occasions, seem to be made not for me.

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Suraya DRESS

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Fast forward to today and modest fashion is finally making its presence known. Today more options for modest dressers like myself are available, thank god. However, in the arena of evening wear, modest options are still few and far between.

They say necessity is the mother of invention, hence brands like Rumaisah sprung onto the scene, like a superhero to save us from the injustice.

“Modesty has slowly crept into mainstream fashion, and it's been amazing to see the industry slowly grow in their selection of modest wear. But, women who value modesty are still widely forgotten by evening wear designers. Even brands who offer some modest evening dresses, do so without considering the various styles and tastes of women. Modest-dressing women wear vibrant colors, we love a unique design, and we appreciate a high-quality dress that makes us stand out. Just because we dress modestly, doesn’t mean we like dull, bland fashion. At Rumaisah, we empower women with confidence when they wear one of our dresses. We believe that when you look good, you feel good, and you’re able to take on anything when you’re confident,” says Mashal Ayobi, founder of Rumaisah Evening Wear, on the reason why evening dresses were the main focus of their label.

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Modest fashion has been gaining reputation in mainstream fashion and many well-known designers have also jumped on the bandwagon catering to their Muslim women / modest dressing consumers. Sadly, many have far too often neglected the fact that this group of women are just like every other woman – we love colors, styles, trends, et cetera. Modest doesn’t mean boring.

One could argue that these mainstream designers could just be taking advantage of a business opportunity, after all, Muslim consumers have been rapidly growing in numbers over the last few years and influencing a big part of the global economy. With profits being a driving force, many lose sight on the real needs and wants of the Muslim woman consumer.

“We talk to various women about the styles and designs they’d like to see in our evening dresses, and we go about our planning phase with these conversations in mind. Even though we stay true to our modesty, we know women have different tastes when it comes to fashion. Every dress we release is the latest in color, design, embellishment, and style. We manufacture our dresses in limited quantities to maintain exclusivity of style,” explains Mashal about Rumaisah’s design process and how they stay relevant.

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Rania DRESS

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With vibrant colors, gorgeous embellishments and all the while still maintaining modesty, Rumaisah’s evening dresses have been well accepted and that rise doesn’t seem to be stopping.

“So far, our most popular design has been our Dahlia dress!

It’s definitely the most embellished and it’s a gorgeous mauve color, which has been one of the most popular colors of 2018. Women have come to us and told us how beautiful the designs are and unique, which is really what we were hoping for! The designs are unique and can’t be found anywhere else because we personally design and manufacture the dresses, as opposed to most retailers who simply purchase wholesale from one or two companies. We didn’t want to just be another modest fashion retailer, we wanted to bring something fresh and different to the market,” Mashal tells us.

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Dahlia DRESS

Muslim women come in all shapes, sizes, colour, nationality, cultural background, et cetera. There is no one mould of Muslim women. We are beautifully diverse and that diversity brings with it different tastes and opinions which translates into our personal style and fashion. So, what is next for Rumaisah?

“We’re working on our next collection and we will be releasing dresses in plus sizes InshaAllah, and some of the dresses will be a bit less embellished for those who prefer a classier fabric such as lace.

We can’t wait to show you sneak peeks on our Instagram!” answers Mashal.

Tap icons to join Rumaisah online:

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Fashion

INST I NC T

Today’s women are ultimate multitaskers – gracefully juggling the responsibilities of the multiple roles of daughter, wife, mother, business owner, et cetera, whilst carving her own identity with elegance, poise and class...

Photography by Itab Atwy - Behind The Veil Photography

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Many of us have been raised amongst strong, independent women - women who juggle the responsibilities of work, business and home. It is undeniably a challenge but what are we if not resilient. When circumstances change, we get up and get going. And therein lies a women’s strength.

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et Western patriarchy wants us to believe that women are simply sidekicks to our male companions – merely a shadow of a person whose place is only in the home.

Yes, since the dawn of day, women have been seen as nurturers of the family – raising her children, caring for her parents and family. But since the dawn of day, women have also been seen as strong, resilient, determined – doing whatever it takes to care and provide for her family, even if it means leaving the home to look for work and carving her own path. Sadly, in today’s society, doing so comes with judgement and shackles of guilt.

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Today we celebrate such women.

Women who have built their own businesses whilst juggling the responsibilities of family. Women who have paved their own way whilst facing the long hours that come with entrepreneurship. Women who have carved their name and in so doing, become an inspiration to others.

These five modest fashion brands – Aweea, CMB by Hakeemah, Mali Rose, Minimirry and Modest Barbie – encapsulates the strength and beauty of women in business. Recently seen on the runway of Toronto’s International Modest Fashion and Design (IMFD) Festival, we follow their story and ask the question, why and how faith and fashion have inspired these women.

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I have always been interested in designing and sewing clothes. My company, AWEEA started at home when my firstborn was only a year old.

After spending several years as an acupuncturist and herbalist, I decided to stay at home but still wanted to do something productive.

My passion first started off as an Etsy store where I focused on making some cute adult and baby turbans.

AWEEA Alexandra Khouri, Designer

As I was searching for ways to express myself, and also to emphasize the message behind my brand, I decided I wanted to be more unique and to start working on one of a kind abayas and caftans. What I discovered was that I enjoyed making each item as a statement piece, a “one of one� design which no one else could also have. I try to choose high quality, beautiful trims and fabrics to make each abaya, and each collection has a specific cultural background providing thematic inspiration. One of my most recent lines, the Ankara Collection, is based on the beautiful Holland wax fabrics used in Africa.

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The collection that I showed at IMFDF in Toronto, styled by my good friend and amazing stylist Hakeemah Cummings, is my Asian inspired Collection. I used a contrast of delicate and sturdy textures to make more kimono or Korean hanbok style abayas combined with floral prints each having unique symbolism in the culture it was derived from. These abayas are geared more toward evening or dressy occasions.

While I love what I am doing, I have to admit the challenges can be trying. As a mother of two young children, often the only time I get to work is late at night and often with frequent interruptions. This leaves me working long after everyone is asleep, but still having to tend to the children if they wake up at night, or when they wake up in the morning. However, AWEEA is, after all, about strong and empowered women – which includes all the incredible mothers out there making sacrifices for their families far greater than mine.

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While it can be tough, I try to imbue each piece I design and sew with some of my vision and appreciation for all the women out there struggling and pushing themselves every day.

Finally, I think as the world has gotten so small it is important to celebrate difference and diversity which can open up opportunities for totally new ideas. With so many beautiful cultures out there, I am seeking to bring together some unique beauty and blend and incorporate that with my Arab background in my abayas and caftans. AWEEA is about women from all over the world.

I look at each culture and take from their beauty and that’s what inspires each one of my collections.

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Mali Rose Baqiyah Adam, Designer

Girls wear was something I evolved into.

For many years I did formal wear (bridal, prom, Eid) and would occasionally do Eid clothes for daughters of friends.

Now it is all I do. I always wanted a daughter but was given four wonderful sons. From them I have been blessed with three beautiful granddaughters.

Two of them (8 years and 2 ½ years) have lived with me for the past two years. Having them in the home was challenging; especially the baby.

Alhamdulillah I was home with them.

The first year trying to sew and keep up with a crawler and a beginner walker pushed sewing to nights only. I had to find a way to sew and be there for the 25

girls without being sleep deprived. When I worked outside the home I would often have my granddaughter at work with me. I carried a bag with coloring books, snacks, games, and dolls. Things that would entertain her while I worked.

Why couldn’t I do the same thing at home? From 10 am until 2 pm I am at work. I set up an area for the baby, who is now a toddler, with her toys.

She plays, and I sew. I take a break for lunch and to put her in bed for her nap.

Because of the routine, sometimes after lunch she would just lay down and go to sleep on her own. When she got up I was ready to stop sewing for the day.

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Having four hours a day, every day has allowed me to get a lot done. The girls inspire me, just by being around them.

When she was 6 months old I made her a leather jumper and the whole time she wore it her face was lit up.

One loves basketball and gives me ideas for play wear, while another is a girly girl and inspires me for the dressy clothes. The oldest inspires me to think about everyday wear and cultural clothes.

This has inspired me to place leather or suede in my Fall/Winter collection.

When my girls smile it inspires me to create garments for other girls who will look at the clothes and also smile.

The highlight of this all was when my niece honored me by naming her baby girl after the brand – Mali Rose. She is a year old now and so beautiful.

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modest BARBIE Haneen Elkhatib, Designer

Modest Barbie is to be modest and good looking at the same time. Growing up I’ve always searched for modest clothing in Arab stores but always ended up being disappointed and just wearing sporty clothing.

I’ve always had a love for fashion design and always had a creative mind. When I was six years old I would have Barbies but not enough clothing for them, my parents didn’t get me everything I wanted so I would always find solutions.

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I use to cut the long necks of my socks and make them into dresses for my Barbies. I either would make holes for the arms or just strapless dresses. Around that age I also used a stapler as a sewing machine. When I find fabric laying around I used to staple and make them into handbags or skirts and dresses for my dolls. Fashion design has always been in me I guess.

It’s not easy running a business and being a mother and a wife at the same time. There’s a lot of guilt that goes on.

I used to have a clean house and send my kids with lunches to school before I started, but now my house is always messy and I just let my kids get a hot lunch. It’s so hectic most of the time!

Also, because I’m a mother I don’t get to take every opportunity I get to grow my business. I don’t hop on every event or bazaar because I have a lot of responsibilities. I end up missing out a lot. It’s very stressful being a mother, a wife and an entrepreneur, but inshallah it will get better soon it’s only the beginning and beginnings of everything are always challenging.

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Minmirry

Maryam Abdur-Rahman, Boutique Owner My passion and interest for fashion started from the young age of five.

I loved how I could wear beautiful clothing and still dress modestly. Once I entered into adulthood, I realized that shopping in traditional clothing stores proposed a challenge for Muslim women. Most of the clothes were too tight, not long enough, and did not cater to the more curvy, full figured woman.

As a result, Minmirry was established.

Minmirry, is a multi-brand, speciality online boutique, that caters to the curvy woman who wants to dress fashionable without having to compromise her 29

modesty. The boutique offers a collection of clothing, shoes and accessories. You can get a complete ensemble from one source. When I started the journey of starting my business, my sons where very supportive, understanding and helpful. As a mother, my primary focus is to provide my children with a quality lifestyle that is based on Islamic beliefs.

I want my children to see that Muslim women can pursue their goals, have and run businesses, without having to compromise their modesty, integrity and beliefs.

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There are challenges that arise with working full-time, running a business and motherhood. One of the main challenges I face is, having ‘more time’ in the day. We all get the same twentyfour hours, so that will not change.

I maximize on the weekends by enjoying family time and getting recharged for the week.

As a mom, full time employee and a businesswoman, what I would say to any woman who wants to start her own business is; do not let fear keep you from pursuing your passion. Have a plan in place, be dedicated, persevere, even when things get tough and surround yourself with other likeminded supportive women.

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My mother always taught me that family and religion come first, above anything.

Her voice echoed in my head as I worked towards my academic goals through college of becoming a doctor. I arrived at a crossroads in that pursuit in 2011 when I was to matriculate into the Illinois medical school I was accepted to. It was at the same point that I had both started my hijab fashion business and gotten engaged to my fiancĂŠ in Virginia.

CMB by Hakeemah Hakeemah Cummmings, Modest Fashion Stylist

The decision was either stay in Chicago, or go to Virginia.

Chicago meant delaying marriage and the growth of my fashion business to study for several years. Virginia meant getting married and pursuing my creative interests and possibly, another traditional career path less demanding than becoming an MD. Chicago meant delaying having a family of my own, and Virginia meant becoming a wife and eventually, a mother.

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I chose Virginia. And in that, I feel that I also chose freedom. Freedom to be satisfied with the degrees I already had, freedom to grow and change completely from an academic to a creative, freedom to be explorative.

My hijab fashion business, CMB by Hakeemah, started as a hijab shop and after 6 years has seen tremendous growth. Now, it is the only full-service runway and photoshoot styling agency of its kind in the US. During that 6 years, I had 2 daughters.

Coming from a large family of nine siblings, six of which are younger than me, I thought that I already had motherhood in the bag before I was even pregnant. My mother made having 10 children look so easy! And true enough, when I had my first-born, Amaanah, I didn’t skip a beat. She was born in August, and I was at my next fashion show in September! And as a baby, Amaanah was surprisingly easy to take care of.

But, a lot of positive feelings were borne out of having my babies close together.

It made me a lot more assertive and mature in my business choices – I suddenly knew exactly what interests me, what doesn’t, and how to value myself as a professional. I came into my own – stronger voice, more confident, and with more conviction.

I took risks on my own, and trusted myself unconditionally. I guess you can say that motherhood gave me higher purpose. My husband supports what I do, and I believe that it has brought us closer together as well.

Fashion is oftentimes stereotyped as flighty or superficial, but this niche of modest fashion always rides on the edge of glory. For me, it is the perfect way to pursue meaningful entrepreneurship, serve my faith, and explore my creative talents without sacrificing the roles I’ve been blessed with as a wife and mother.

But, when Amaanah was 8 months old, I found out that I was already 2 months pregnant with my second daughter, Ayah. That is when things changed drastically. Having children 15 months apart is extremely difficult, and to find time in between caring for them to care for myself and my business has been a challenge.

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Fashion

JAKARTA MODEST FASHION WEEK 2018

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sia’s had its moment. Jakarta Modest Fashion Week (JMFW) from July 26th – July 29th 2018 was a huge success. Think Fashion as the owner of Brand Modest Fashion Week and the organizer in cooperation with #Markamarie as the local partner, filled up Gandaria City with local and international fashionistas. The event welcomed guests from 21 countries including 18 international designers and 33 local designers participating in the runways, booths and talk shows.

“Indonesia is very advance in the modest fashion industry; in terms of designs, innovations, style options and the market size itself. However, its location is pretty far from many countries so the potential is not really recognized well in the global communities. We believe that Indonesia, Jakarta is one of the important cities of Modest Fashion and we revealed all these golden facts through #JMFW so the world could see. This will be a start of global collaborations as well as to connect Indonesia and other countries. #JMFW has officially made Jakarta as one of the important Modest Fashion cities in the world,” said Franka Soeria, Co-Founder of Modest Fashion Week Events and Think Fashion.

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“Jakarta Modest Fashion Week is the biggest international modest fashion event in Asia and the most international fashion event in Indonesia. Jakarta Modest Fashion Week has become host to 40 fashion shows, 50 brand booths, and the opening of a unique platform for international designers to present themselves in Southeast Asia,” added Ozlem Sahin, Co-Founder Modest Fashion Week Events and Think Fashion.

“We also have #JMFWPoints in 8 locations of Metro Department Store across Indonesia to host #JMFW designers and brands. It is the first of its kind where events think about the designers selling activity- before and after the event,” said Ismail Semin, Founder #Markamarie and also the local partner of #JMFW. There were 12 international and local designers’s collections for the first opening day of JMFW. The international designers that got the opportunity to exhibit their collection for the first day were Araida from Russia, Modanisa from Turkey, Dilbar from Kyrgistan, Adrianna Yariqa and Women of Haya from Singapore, Zeina Ali from Jordan and exclusive collection of Zuhre from Turkey. Meanwhile, the local designers that participated were Anggia Handmade, Sofie, Nys.co feat Hannie Hananto, Up2date Plus by Irna Mutiara and Resti

by Rizka Haristi.

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The second day of the event saw 4 international designers making their debut. Among them were; S by Samar from Dubai, Divinity Collection from Australia, Yours Truly from Canada and Sayee the South Korean designer in collaboration with Indonesia.

The local designers that took center stage on day two were L.Tru x Fenita Arie and an exclusive show by Maggie Hutauruk Eddy with its 2Madison Avenue label.

ZUHRE

S BY SAMAR

The first day of #JMFW also exhibited an exclusive fashion show by Zuhre, the celebrated brand modest fashion from Turkey, who presented 25 exclusive collections for the main runway of Jakarta Modest Fashion Week. ‘Sparkle’ which was the theme of the show, projected various materials such as diamond and sparkling materials used by the Zuhre in its collections.

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MEDINA ZEIN

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In a special show that later became the main highlight of day three of JMFW, Indonesia 2018 Para Games X JMFW presented ‘Dream and Design for Disabilities’. The special show initiated

by Think Fashion and Markamarie brought together communities of special needs from 3 countries – Indonesia, Germany and Turkey – to showcase their creations on the JMFW runway.

From Turkey, designer Zumrut Kaya and Kafi Design worked closely with the mentally challenged. From Germany, designer Meriem Lebdiri (Mizaan) collaborate with the physically challenged. And Indonesia as the host country, collaborated with 8 women gathered by famous charity organizations - ACT who made the designs, #Markamarie who produced all the pieces and The Able Art who made the hijabs and scarves.

DREAM AND DESIGN FOR DISABILITIES

100-meters free style swimming ASIAN PARA Games 2017 Gold Medal winner, Laura Aurelia Dinda and Nor Aimah, ASIAN PARA Games 2017 winner along with 5 others from Thisable Enterprise joined the show as the models.

SAYEE

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L.TRU X FENITA ARIE

“Fashion is for everyone, as well as for our disabled colleagues, they have the right to celebrate the beauty and fashion creativity in life. We are proud with Dream and Design for Disabilities project” explained Ozlem Sahin, The Co-Founder of Brand Modest Fashion Week Events and Think Fashion.

“After the event, #Markamarie will help to create the brand for this Dream and Design project. We will produce, market and promote the brand so that it will eventually be a well-known brand.

The profit will go mostly to the disabled community,” said Ismail Semin, Founder #Markamarie and also the local partner of #JMFW. 38

Special designs from three foreign designers were presented on the third day of the event as well; Elda from Singapore, Desert Cove form UEA/ Australia, and Three Little Ahmad from Malaysia. Indonesian designers also presented their collection - Gee Batik

by Sugeng Waskito and the unique collection of Dhienda Nasrul.

Entering the last day of JMFW, foreign designers Imen Bousnina from Austria and Fllumae from USA exhibited their amazing collections. A row of spectacular collections were also displayed by local designers #Markamarie X Metro Dept, Lina Sukijo, Hijab Sabine and Uma Privee.

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After Jakarta, ‘Modest Fashion Week’ will continue its journey to other countries around the globe to celebrate talents, inclusivity and the idea of “Fashion is for Everyone”.

“As a travelling fashion event, Modest Fashion Week will continously expose the talents of Modest Fashion. Of course Indonesia will always have a special place in the heart of Modest Fashion Week. We will always introduce the Indonesian designers and their collections that we believe is on the same level with other international designers.

We hope to see you in the next Modest Fashion Week,” said Franka Soeria.

ZEINA ALI

Wardah, JMFW’s Official Make-Up Sponsor showcased beautiful collections from Indonesia’s best modest designers; Kami, ETU, Khanaan, as well as Dian Pelangi with 44 collections in total.

Accompanying the fashion shows, various topics were covered at the talk shows held during the three days.

Topics surrounding modest fashion, entrepreneurships and women empowerment were on discussion.

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Fashion

we all have a Photography by Rob Foster 41

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H

uman Trafficking – a modern form of slavery – is a pandemic of the 21st century. Women and young girls are among the vulnerable and one would think that this pandemic is confined to wartorn countries or countries and states with high poverty rates. Yet the terrifying reality is that this crime is committed regardless of country or social standing.

Just like anything in the economy, the rise of human trafficking is aggregated by supply and demand.

In this day and age, there are demands for cheaply produced goods, demands for commercial sex. With these enormous demands, comes the rise in getting the equivalent supply.

Human trafficking is sadly a moneymaking crime that generates a profit of approximately $32 billion annually according to UNICEF. It is estimated that 21 million people are trafficked around the world. And as mentioned, out of that number a large proportion are women and young girls.

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IT IS ESTIMATED THAT 21 MILLION PEOPLE ARE TRAFFICKED AROUND THE WORLD.

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Combating human trafficking is and has proven to be an extremely challenging task as we face the worst migration crisis since World War 2. However, that is not to say that, that should deter us from trying to make a change to the lives of these trafficked women and young girls.

Several organisations around the world work to combat this crime and we recently had the pleasure of meeting one such organisation that aims to be an advocate of change - PURPOSE Jewelry.

PURPOSE is a story of hope. A social enterprise of International Sanctuary, PURPOSE sells unique jewelry handcrafted and signed by artisan surivors. 100% of proceeds go to International Sanctuary, which provides employment, education, medical care and counselling to the girls and women escaping human trafficking.

With issues on women and young girls close to our hearts, we had the pleasure of speaking to PURPOSE Jewelry to find out more about them, International Sanctuary and what they do to empower women and young girls who have been victims of human trafficking.

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We love the story of PURPOSE, would you tell us how did PURPOSE Jewelry come about?

In 2007 co-founders, Wendy and Stephanie, opened International Sanctuary in Mumbai, India to provide a supportive community for women and girls escaping human trafficking.

Without a provision for the next step, approximately 80% of those trafficked find themselves back in unsustainable situations. International Sanctuary provides that next step with its fourpronged approach centered on providing income, education, health and a healing community.

PURPOSE Jewelry was created as International Sanctuary’s social enterprise that sells unique jewelry handcrafted and signed by artisan surivors. With up to three collections introduced each year, PURPOSE keeps its offering fresh and demand high. This helps create jobs for women earning a living wage or better.

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ROSA EARRINGS IN GOLD | ROSA NECKLACE IN GOLD

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This September, we are introducing our Fall/Winter 2018 collection, offered in three lines: Premier, On Trend and Hope.

Each line is offered at a different price point so there is something for everyone.

Our Hope line is crafted by our newest artisans, On Trend is a large offering of the latest styles and Premier pieces are plated in 14k gold and rhodium. Premier styles are also packaged in a lovely box so they’re perfect for gifting and we expect a high demand for the holidays.

What made you decide to dedicate your aim to the human trafficking crisis?

When we started in 2007, it was clear that unless girls and young women escaping trafficking had economic opportunities that allowed them to provide for themselves and obtain financial independence, they would continue to be vulnerable to trafficking.

It was out of this need that our model was developed: vocational training and employment paired with long-term, holistic personal care.

Economic empowerment continues to be the missing piece in the global approach to solving the human trafficking crisis. Rescue and residential partners invite International Sanctuary to collaborate alongside their efforts and provide employment to survivors.

Non-profit collaboration in the antihuman trafficking space is the linchpin to ending this exploitation once and for all. It’s a powerful model that has proven effective for a decade and we couldn’t be more excited about it.

Which organization(s) does PURPOSE work with to connect with women and girls rescued from human trafficking?

PURPOSE collaborates with variety of organizations. We form strong partnerships to provide a united front against modern day slavery. A sample list of our partnerships includes: 



     

       

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Orange County Human Trafficking Task Force Salvation Army Network of Emergency Trafficking Services Wayfinders International Justice Mission Strike Out Slavery Slavery No More Willow International Madres y Familias Deportadas en Accion Care and Justice International Maharashtra State Women's Council Operation Blessing Saint Catherine's Children's Home Save the Children India Sisters Adores: Navjoti Aftercare Homes and many others...

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BROOK NECKLACE IN SILVER

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What skills do these young women learn as they work with PURPOSE and International Sanctuary?

CHLOE RING | MOJAVE CUFF

Each of our sanctuaries strives to provide our artisans with skills development, leadership training, medical care, counselling, education and lessons in independent living and finance management.

We build a path of advancement into our employment scenarios. Survivors have the opportunity to move from artisan trainee, to artisan, to mentor and even into administrative and business leadership roles.

We provide the tools and guidance for women to move forward and lead productive and independent lives.

Tell us more about International Sanctuary and what it does.

International Sanctuary empowers girls and women escaping human trafficking to embrace their true identity and worth.

Lives are transformed through the support of our dedicated financial partners, volunteers, and ambassadors.

Through our unique, sustainable model, survivors are learning to live with purpose and freedom.

ADDISON STUDS IN GOLD

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We now have sanctuaries in India, Uganda, Tijuana and Orange County, California. Additional sanctuaries are in the planning stages.

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So, PURPOSE and International Sanctuary work hand in hand to provide a wholistic environment for change. How does it all come together?

Ultimately, survivors of trafficking need three things to rebuild their lives: hope for the future, a safe loving community to heal, and the finances to tangibly rebuild their lives. International Sanctuary has created a safe haven where survivors can safely heal, grow, receive job training and employment and life skills like living independently and managing finances.

PURPOSE is a foundation for transformation. Through increases in product demand, we are able to provide more jobs to survivors around the world.

Photography by Rod Foster.

GOLDEN COAST EARRINGS

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Fashion

DANIEL, EMMA AND JOHN “GENG” UP FOR ROJAK A Malaysian exhibition that showcases the beauty in diversity

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istinctive to South East Asia, ROJAK is a dish that throws various food components together (crunchy fruit, crunchy vegetables in spicy sauce, crushed peanuts) into a single dish. Although it may sound incompatible at first, the components do come together harmoniously in one spoonful.

This term is the perfect analogy describing the crazy “mixed� nature found in Malaysian culture.

D

Sharing the same love of diversity to the fondness of their home country, three popular Malaysian photographers: Daniel Adams (@danieladamsphotography), Emma Khoo (@fyi.photography), and John Kam (@cvpturesjohn), have teamed up to capture the spirit of Malaysia's diverse nature through a short-but-punchy exhibition, ROJAK: a Malaysian exhibition for Merdeka. Each of them presented a photo-series which offered their own take on the Malaysian spirit, celebrating the love and unity we all share, regardless of background, religion, or racial origin.

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Held at The Bindery, APW Bangsar, Kuala Lumpur, from 31th August – 2nd September, THE BATIK SERIES, I AM MALAYSIAN and SKINTIGHT are completely different in style and concepts, but like rojak, these various components come together and only enhance the story. Not only are the three photo-series visually stunning, each series also expresses each photographer’s take on “what it means to be Malaysian”, with such a modern and relatable zest.

During the Opening Night (30th August), ROJAK opened its doors to 300 invited guests comprising of people who took part and supported their photo-series: models, influencers, media personnel, supportive friends and family.

and arranged by @rapscape) are meticulously planned to suit the Malaysian theme. We also see familiar street vendors giving out your favourite local drinks, kueh (a sweet Malaysian delicacy), too-pretty-to-eat Western styled desserts (sponsored by @sayabake) that was given a modern Malaysian twist, and that rojak stall that the exhibition couldn’t do without.

What a night it was! Our GAYA correspondent managed to grab a quick word from the three stars that night.

Do read on!

ROJAK is sponsored by APW Bangsar, Boldea Creative, Gentle Rice, Rapscape, SayaBake by Nora, Red’s Revenge and J Cinematics Studios.

You can tell that everything from the exhibition layout, lighting, food and the luscious green plants (sponsored 51

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DANIEL ADAMS AND THE BATIK SERIES Daniel Adams is a popular Malaysian conceptual, portrait photographer who explores and blurs the lines between gender, identity and cultural norms. He also delves into the usage of social and political ideologies throughout his concepts, wanting his work to start discussions amongst its viewers. His notable series include “Why is your English so good?�, which exposes casual racism encountered by Malaysians in the UK. Daniel has been featured in The Guardian, Buzzfeed, Daily Mail UK and more.

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“I graduated from Falmouth University in England with a BA (Hons) Photography, having moved back last year. I felt slightly out of touch with my own culture at the time so I decided to start shooting with Batik, an art form that I absolutely adore but didn’t know much about. By doing this project, I have not only learnt so much about different people who have been a part of this project, from their backgrounds, their religions, their cultures, but also have had the pleasure of learning more about this beautiful traditional art.”

- Daniel Adams 53

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THE BATIK SERIES by Daniel Adams is a project that shows the diversity that Malaysia has to offer through its melting pot of cultures. Blurring the barriers between differences and allowing for everyone to be seen as part of this community that is present in Malaysia. Batik is a traditional art form that strongly represents Malaysian culture, historically. By using Batik, he aims to bring things back to basics, having the focus be on the community that we have through connecting and storytelling. The Batik, whether it played an important role in their upbringing, is a nostalgic remembrance of their past or the creation of new memories with this art form at this festival.

These images showcase the integration of the old and the new, bringing forth a traditional art form into a modern-day situation.

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EMMA KHOO AND ‘I AM MALAYSIAN‘

Emma Khoo is a self-taught Malaysian fashion photographer and currently a Nottingham China PhD candidate in copyright and architecture. She took up photography during her 2nd year at architecture school in the UK as a means to strike a balance between her academic interests and a creative outlet. Through her photography, Emma aims to share stories of strong women and models of colour in the style of fashion and beauty editorials.

She has been published in Scorpio Jin, Feroce, 7Hues, Gazelle, Elegant Magazine, Nee Hao UK and more…

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“I wanted people to look at these everyday backdrops of Malaysia and find the beauty in their own culture and in the mundane. For most part of this series, I wanted to show that any so-called “ugly location challenge” can be made interesting depending on the one holding the camera. Also, as a believer of strong women myself, I hope that my shoots will be relatable to all Malaysian women out there because none of my female models (in the series) are neither damsels-in distress nor just a pretty face.

They are fierce so don’t mess with them.” - Emma Khoo

I AM MALAYSIAN by Emma Khoo (@fyi.photography) answers the ageold question of “what it means to be Malaysian". This series aims to project strong fashion narratives against everyday Malaysian backdrops and using Malaysian models personally styled by Emma herself. Inspired by Kuala Lumpur's history, architecture and urban infrastructure, the series also celebrates the combination of the old and new.

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Each photo has a different story; behind each photo is also a carefully constructed story that reveals the ethnicity and personality of each model through meticulous fashion styling.

These "rojak" elements come together in the spontaneous styling and set-up of this shoot.

Note: quite a number of the accessories in this series were borrowed from Red’s Revenge, one of the sponsors of ROJAK.

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JOHN KAM AND ‘SKINTIGHT’ John Kam is a self-taught conceptual photographer and visual storyteller based in Malaysia. He delves into subjects focusing on the inner-workings of the human psyche - usually juxtaposing mythological and fantasy elements to express the emotions of his subjects. He comes from a family background of advertising and has been freelancing for notable clients in Malaysia as since he was 17. He is currently in his final year in Bachelor of Communication: Advertising Design.

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“When I was 17, my parents bought me an iPhone 5s. I started to take pictures with it and post them on Instagram. I am that one person who would make everyone wait before eating.

Slowly, I've developed a sense of aesthetic and became more passionate about photography.

I started as food photographer first! Fast forward to March 2018, I took an interest in portrait and conceptual photography.

I've always been fascinated by how a picture can be executed well, portrayed emotions and illustrated stories. That is why all my pictureseries are filled with concepts inspired by random things and stories.�

- John Kam

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SKINTIGHT by John Kam (@cvpturesjohn & @gentlerice) is a project that celebrates the diversity inherent in Malaysian culture through a series of 100 portraits, inspired by Angela Dass’s “Humanae” portrait series and through current makeup ads.

With a similar visual approach that showcases skin colours from peachy cool to kuning langsat to everything in-between, John’s project intends to reveal the dynamic range and nature of real Malaysians through the most conspicuous layer of identity: skin.

John Kam is also one of the co-founders of Gentle Rice a collective of individuals passionate for collaborating and promoting local artists, businesses and content creators based in Malaysia. Gentle Rice believes audiences are inspired by visuals and stories that have personal meaning to them, therefore focusing on creating online dialogue between people through sharing relatable experiences.

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Fashion

THE MODERN SIREN: PAZZION’S MOST EMPOWERING FALL/WINTER COLLECTION

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desolate warehouse sets the stage for PAZZION’s new Fall/Winter 2018 collection, THE MODERN SIREN. Inspired by the urban zen of Fall/Winter, the collection is a reinterpretation of the glamour and sophistication of yesteryears.

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“We want the women donning a pair of PAZZION shoes or accessorising their outfits with a PAZZION bag from the collection to feel confident about themselves and at the same time, comfortable,” says Tom Ng, founder of PAZZION. “This collection embodies our admiration for strong women – edgy, stylish yet fun-loving all at once with the loud yet sophisticated prints we have selected in combination with some of the classic Fall/Winter fashion must-haves.”

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PAZZION presents its Fall/Winter 2018 collection in five key categories MODERN SIREN, HERITAGE REVISITED, SCULPTED MODERNITY, FLAIR AND SQUARE, and QUINTESSENTIAL BOOTS to meet the needs of today’s contemporary women.

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MODERN SIREN entails the play of bold colour blocks from striking red to deep black in the creation of statementmaking flats to heel for the contemporary woman.

Heritage and modernity come together in the culmination of the HERITAGE REVISITED collection. Playful embellishments and colourful materials add a youthful twist to classic styles.

Sneakers are redefined with extra-large flatforms, punctuated with colour and material contrasts to make a statement, while loafers and flats are given furry updates as cosy surfaces and tactile textures take center stage this season.

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In HERITAGE REVISITED, traditional heritage prints of houndstooth and tartan checks make a comeback in autumnal colours, as does corduroy and vintage-inspired cuts.

Plaid fabric adds timeless fall appeal with a touch of edgy modern attitude for that fashion statement vibes.

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In FLAIR AND SQUARE, square toed design stage a comeback in the form of chic flats and foldable pumps for the wanderlust. The collection feels part nostalgic and forward thinking with material in lambskin and cowhide leather, reviving this once hot trend and making it back in vogue again.

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For those who favour the pared-back sensibility of classic conventions, a subdued colour palette with an impeccable sculptural finish speaks of the quiet, underratedness of modern chic in the SCULPTED MODERNITY range.

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The QUINTESSENTIAL BOOTS for Winter comes in different forms and vibes for everyday wear. From the sock boot’s flexible fit and leglengthening effect, to the structured military-style boots in chunky proportions, this season’s selection of boots is set to slay the cold. Pair the boots with statement bags that combine bold prints, design and colour blocks with functionality.

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Beauty

Stress, hormones, anxiety - just some of the triggers of the pesky acne. Yup, unfortunately you don’t have to be in your teens to suffer from it. We adults aren’t immune especially when we’re hit with a change in environment, circumstances or hormones.

Aside from a proper acne facial wash, toner and topical cream, masks are your best friend at times like this. Masks help to unclog pores that cause those acne flareups. But not all masks should be in your beauty regiment. We list the best masks for acne that you can get your hands on.

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CLINIQUE ANTI-BLEMISH SOLUTIONS OILCONTROL CLEANSING MASK

NEUTROGENA RAPID CLEAR DAILY LEAVE-ON MASK

THE BODY SHOP TEA TREE SKIN CLEARING CLAY FACE MASK

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INNESFREE PORE CLEARING CLAY MASK WITH SUPER VOLCANIC CLUSTER

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ORIGINS OUT OF TROUBLE 10MINUTE MASK

NOT A SPOT ACNE TREATMENT MASK

CLARINS SOS PURE REBALANCING CLAY MASK

LUSH COSMETIC WARRIOR FRESH FACE MASK

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Opinion

THE OTHER SIDE OF THE COIN Written by Isabella Marx

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I

n light of the articles so often seen on Muslim magazines and blogs, I would like to acknowledge that maybe not everything is as bad as it can feel. Not to belittle the struggle we’ve been having to deal with in the West, but to face the face of an Islamophobic president and his misogynistic supporters.

We hear about blames on terror, about hijabs being yanked off or scathing hate comments on Muslim works. It is as if being a Muslim girl is synonymous to damsel in distress in America, as if the veil on your head means your country is oppressing and mistreating you.

While it is normal for Muslims to have to be prepared to say that 'there is no compulsion in religion' and 'I know plenty of good Muslims' because this is America, and we’re supposed to expect some questions. We pray in libraries because there's no designated prayer space and fast through final exams because we don't get a single day off for it. With all these issues and nuances, it's easy to see why we can go on and on about the prejudices we face. But in the face of all this, I would like to examine the other side of the coin: acceptance.

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When I asked a girl if I could pray when I came over to her house, she said that of course it was okay- why would she have a reason to mind?

She quickly dismissed my doubts and let me borrow her room. When I started wearing the hijab, an atheist said I looked gorgeous and a Catholic said she always wondered how they wrap their scarves.

When I didn't eat when we went to lunch, she commented that she'd seen funny videos about Ramadan and asked the age-old 'not even water?' question.

When I asked a girl from school if she had any questions about Islam, she asked, 'what does God do?'

This light can be seen in little things like the fact that magazines like this exist, giving fashion advice and styling tips to Muslimahs. I see fiction books finally featuring Muslim leads and halal restaurants available to enjoy, Muslim Student Associations and a history class that acknowledges the Islamic Golden Age. We greet each other with salams even if we don’t know each other, and, whatever trials we may face for it, we are a diverse group of people.

May we respect it.

May we remember it.

May we rejoice in it.

Our country might be filled with racist comments and hate crimes, but it is filled with Muslim athletes and comedians and activist. We may live in a world of Donald Trumps, but we must remember we have Malala Yousafzais who speak out against him.

Who understand concepts of open minds and open hearts. Who protest and walk out. Who can stand behind us and with us against those who are so firmly against us.

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Opinion

ONE HIJAB TWO STYLES

N

o this is not a hijab styling tutorial. I don’t think I’m at that level of hijab styling proficiency where I can whip up different styles with one hijab.

I barely can fix one style!

No, this is about the recent Gap Kids ad that came out of the US where kids of different shades and ethnicity were portrayed in its “Back to school” ad campaign. There were kids with afros, kids with cornrows and yes, you guessed it….a kid in a hijab. This little girl was spotted in jeans, a t-shirt, a denim jacket and a hijab. Très chic, I might add.

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hilst the ad was praised for its inclusivity – not just cos of the kid in the hijab but also the African-American kids in the afro and cornrows – the ad took a completely different turn in France, even starting a petition to ban the ad.

So as one side saw it as diversity, the other side saw it as travestir (French for travesty).

Reports are saying that French politicians are “sickened” by the ad calling it “promoting Islamism”.

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Ok, in France’s “defence” (and I use that lightly here because personally I’m not defending the ban) secularism is ingrained in French society and is enshrined in the French constitution, unlike in the US where freedom of religion and expression is enshrined in the first amendment of the US constitution. Expression of religion, any religion, in France is banned in schools.

All is not lost though as you will see in this RT News video where they interviewed French people on the streets.

Some think the ad is fine and if the girl is wearing a hijab, that's her choice. (stop to applaud these people)

So, for an ad – a “Back to School” ad at that – to air in France with a clear religious symbol, i.e. the hijab, it is natural and quite frankly, unsurprising that an outcry has ensued.

Another reason for the pushback they say is that a child should not be "forced" to wear the hijab at such a young age, that they aren't old enough to make an educated decision and religious practices should not be imposed on them.

Ok ok...I see where you're going with this point. Many of us, even within our own Muslim community, debate about this. We can debate about freedom of choice till the cows come home.

Ultimately, yes, the hijab is a personal choice. But who am I to tell a parent how they should raise their child. This line of argument is a slippery slope and I best not get into it.

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Again, I am in no way endorsing the ban on the Gap Kids ad. It is unfortunate that France’s politicians are attempting to politicize a marketing ad. One can argue that the hijab is banned or is illegal in French schools and this ad insinuates a young girl going to school in a hijab.

Ok that’s up for debate. But do you see the kids in a school environment in the ad? No, the kids are merely playing amongst themselves and looking like they are having a good time at that; loving and respecting one another.

And isn’t that ultimately the premise or the message of the ad? The beautiful diverse world in which we live in today where we can all interact as one without the cloud of racism or hate?

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Food

SPICED GRILLED

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INGREDIENTS 3 skinless chicken breasts 1 teaspoon garlic powder 1 teaspoon ground cumin ½ teaspoon ground coriander ½ teaspoon smoked paprika ½ teaspoon sea salt ¼ teaspoon ground black pepper 2 tablespoons olive oil

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METHOD 

Preheat grill to medium high heat.

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In a small bowl, mix garlic powder, cumin, coriander, smoked paprika, sea salt, pepper, and olive oil. Mix until combined .

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Rub mixture over both sides of the chicken

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Place chicken on grill and grill each side for 4-6 minutes depending on thickness. You just want to make sure there is no pink in the middle.

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Food

THICK & CREAMY

SOUP

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INGREDIENTS 2 pounds / 1 kg pumpkin, skin and seeds removed, chopped 1 onion, roughly chopped 2 medium-sized potatoes, peeled and diced 1 large carrot, peeled and diced 4 cups low sodium chicken or vegetable broth (stock) 2 chicken bouillon cubes, crumbled Salt and pepper to taste (if needed) ½ cup half and half (or light cream) Fresh parsley, to serve (optional)

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METHOD 

Place all ingredients, except cream, in a large pot or saucepan.

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Bring to a simmer over medium heat until vegetables are tender.

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Take off heat. Using a stick blender, blend until smooth.

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Add the cream and stir through (do not boil after adding cream).

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Add any salt or pepper if needed, and serve with parsley (if desired).

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Health

FRUITFUL HEALING An apple a day keeps the doctor away. To be honest, we can never figure out how a daily dose of apples keeps you away from the doctor. There has to be more to it than that right?

Well, guess it’s not as literal as we think.

The apple is just a representation of fruits in general and the healing powers they have on our immune system. We dive into healing powers of fruits.

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pineapples For those who aren’t allergic to pineapples (yes it’s a real thing), it is good to know that pineapples have shown to reduce the risk of macular degeneration which affects the eyes as we age. It also boosts immunity and suppresses inflammation.

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grapefruits Many people start the day with half a grapefruit. And right they should as grapefruits hold one of the highest amounts of fiber and Vitamins A and C. With 91% content of water, it makes it one of the most hydrating fruits available, hence perfect for the clear skin!

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lemons Drop a slice or two of lemons in your water and take it on the go. The lemon zest in the water doesn’t just taste good but is has been proven to aid digestion and even help with kidney stones. Lemons are rich in Vitamin C which helps keep you away from colds and the flu.

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strawberries The strawberry is uniquely beneficial to cardiovascular health. Strawberries may reduce high blood pressure and has shown to increase blood flow.

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ALWAYS WITH YOU WHEREVER YOU GO...

G E T G AYA M A G A Z I N E O N YO U R I PH O N E , I PA D , A N D R O I D O R TA BL E T. D O W N LO A D & S U B S C R I BE F R E E