FROM THE EDITOR
THE SOUND OF MUSIC!
The August Music Issue has our cover feature with John Duff. You may have seen him perform at Pride Under the Pines last October, but this artist is always pushing the boundaries and talks to us about his new music, an homage to 1940s nostalgia with a disco flare. Also out with new music, is RuPaul’s Drag Race favorite Pandora Boxx. BOXX, is a quirky retelling of various aspects, sometimes heartbreaking, of her life through dance music. In our exclusive interview, you’ll hear about her new music, and her blood pact with Darienne Lake.
The cast of CLUE brings comedy gold to the stage and several members of the touring company are representing the LGBTQ community. Did Professor Plum do it in the Library? Read our fun interview to find out.
And if you are ready for a Mexican vacation in Puerto Vallarta, we have some tips on how to keep it healthy.
The GED Magazine team is committed to bringing you the best in LGBTQ entertainment, travel, and lifestyles, and GED continues to bring you new events and new excitement… Ethyl’s Place Bingo at The Roost, Drag Bingo at Margaritaville Resort, Wine Tastings, Pool Parties, Drag Shows, and more! Stay tuned and visit GEDmag.com for dates, tickets, and other events. And sign up for our monthly insider newsletter. Insiders will be entered into future drawings for trips, event tickets, dinners and more. Follow us on Facebook, Instagram, and Twitter @GEDmagazine and tag us in your photos to be featured… #GEDmag. GED MAGAZINE is here for YOUR entertainment!
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Model: John Duff
Photo by: Taylor Kahan
SASHA VELOUR: A DRAG SPECTACULAR – By definition, all drag queens are stage performers of one sort or another, but Sasha Velour, winner of Ru Pauls’ Drage Race Season Nine, stands out from the crowd. She has traveled the world with her one-woman full-evening shows based on themes such as the history and development of drag performing. Her show Smoke and Mirrors opened in Canberra, Australia, in 2019 and continued around the world until Covid. The European tour resumed in February 2022, playing in often sold-out theaters in 36 cities in 17 countries, reaching from Ireland to Poland. Now Velour has teamed up with playwright Moises Kaufman, creator of The Laramie Project, Gross Indecency: The Three Trials of Oscar Wilde and many other gay-centric pieces, to create a one-woman show premiering this month at the prestigious La Jolla Playhouse, the nurturing ground of such Broadway hits as this year’s Tony Winner The Outsiders. Inspired by the origin story of Sasha Velour, the show is a modern coming-of-age tale, an homage to an extraordinary family, and a fantastic celebration of magical realism honoring a life lived without compromise. Should be well worth a trip to La Jolla! LaJollaPlayhouse.org 8/13 – 9/8.
WICKED: I am unwilling to believe that any self-respecting musical theatre queen hasn’t already seen Wicked… probably multiple times! So, this is just a quick tip that it’s coming back to town, touring California during the next few months. The “real” story of the witches of Oz is one of the richest musicals ever produced, combining great songs, costumes, and sets with a thought-provoking script. I’ve probably seen it a half-dozen times, but I’m lining up my tickets to see it again. San Francisco Orpheum 8/28 - 10/13; Hollywood Pantages 12/4 - 2/2; and San Diego Civic 2/5 - 3/2.
PAGEANT OF THE MASTERS – Summer is a super time to be entertained outdoors and Laguna Beach’s classic Pageant of the Masters is a great opportunity to visit one of California’s great beach cities and to take part in a world-famous piece of entertainment. Celebrating their 91st anniversary, it is arguably one of the most unique productions in the entire world. This 90-minute performance brings famous works of art to life on the stage. Audiences are amazed by tableaux vivants (“living pictures”), incredibly faithful re-creations of classical and contemporary works of art, with real people posing to look exactly like their counterparts in the original pieces. Up to 500 local volunteers work as models, hair and makeup technicians, stagehands, and ushers, all sharing a rich sense of community. Starting some 90 years ago with 8 performances, they now present 56 evening shows per summer, starting at 8:30 p.m. nightly. foapom.com through 8/30.
OUTDOOR THEATRE: Over the past couple of months
I’ve mentioned several outdoor venues such as the wonderful Hollywood Bowl (HollywoodBowl.com ). If you haven’t been, you should. If you have been, you’re probably ready to go back. They have a little brother called the Ford Amphitheatre (TheFord.com ), virtually across the 101 Freeway from the Bowl. It is a much smaller amphitheater which plays to more niche groups but take a look. Another must-see is San Diego’s Old Globe Theatre (TheOldGlobe. org ), presenting excellent Shakespeare under the stars. And one more outdoor venue which I promise myself I will visit every summer (but haven’t so far) is Will Geer’s Theatricum Botanicum (Theatricum.com) which presents Shakespeare plays in repertory from now until late October. This year’s productions include A Midsummer Night’s Dream, The Winter’s Tale, Wendy’s Peter Pan, and Tartuffe: Born Again. They are presented in Topanga State Park and take full advantage of the beautiful garden setting. I’m visiting this year. Hope I see you there too!
WE CAN’T RESIST THIS TEMPTATION PANDORA BOXX
BY ALEXANDER RODRIGUEZ
Pandora Boxx first hit our TV screens over 14 years ago, making her reality TV debut in Drag Race Season 2, placing fifth and winning the title of Miss Congeniality. She returned to the series for Drag U, and the 1st and 6th seasons of All Stars. Entertainment Weekly listed her as “America’s Next Drag Superstar.” Powered by the artist behind the persona, Michael Steck, Pandora has established herself as a powerhouse in the industry, with other TV appearances, music, directing, writing, and playwrighting, all while hosting and appearing on stages all around the globe. This summer, she released her most intimate and ambitious musical project to date. Pandora’s BOXX, is a quirky retelling of various aspects, sometimes heartbreaking, of her life through dance music.
We had a girl group challenge on All Stars 6, and I was beyond disappointed in my verse. That’s part of the reason I wanted to do more music. The song “Laugh” is my own redo of that verse. It took me a while to decide to do a Kickstarter for the album and I’m glad I did. It was funded in three days. So, it was all of those people who believed in me that pushed me further. Then when my friend Brandon James Gwinn came on as a producer the album really took shape. He also believed in me, and it made me go deep with some of my lyrics. I wanted it all to be ‘dancey’ and fun but if you really listen to the words there’s more to it.
The first single for the album is “Dance,” which is an homage to little Michael, who would escape the world of being bullied by locking the door and dancing away to Madonna. She is a self-described theatre geek, who was artsy but shy and had to deal with getting
picked on at school daily. “Dance” encourages everyone to dance like no one is looking. What was it like revisiting their childhood for the single?
It definitely made me cry a little bit. That little boy felt so lost and alone. He dreamed of being on stage and having everyone know his name. It all just seemed hopeless. I just wish I could tell him that he wasn’t alone.
The album comes from a place of personal work that Pandora has done. Therapy, internal work, and therapy have expanded Pandora’s world of artistry, this is not the Pandora who entered the Werk Room in 2010. Even with an expansive list of credits, she is on the move to branch out. The playlist to BOXX represents chapters in her life. “Raspberries” pay homage to her Snatch Game performance as Carol Channing, “Gay” is her response to Don’t Say Gay legislation, and “Pill” is a rock-fueled, Alice in Wonderland exploration of the issues
she’s dealt with as an adult. Even her love for Star Trek and science fiction is represented by her song, “Stars.” Fun fact, she is a big Trekkie.
I would stay up late to watch the original series. It was on TV at like 1 or 2 am. Star Trek taught me diversity. It gave me hope for the future because all these different people worked together and got along. I wrote my song “Stars” as an ode to how it made me feel as a kid. I would dream of going to the stars.
What is your hometown?
Rochester, NY.
Favorite part about doing drag?
Money.
Least favorite part about doing drag?
Tucking.
Craziest drag story?
I made a blood pact with Darienne Lake to never reveal it.
So many Drag Race alum have put out music, even Pandora has a lengthy
“I’ve been doing drag since I was 19 YEARS old. DRAG for me is a roller coaster. Lots of ups, some downs, and a bit of spinning out of control.”
list of parody songs. But this album has a different approach. She wrote all the tracks herself and details the winding journey her career has been, harkening back to her love of the spotlight as a kid, writing and performing their first play in the 5th grade. This project comes from a sincere and emotional place. This album celebrates all of that as well as her drag journey.
There is so, so, so much drag right now. I can’t even keep up. I’ve been doing drag since I was 19 years old. Drag for me is a roller coaster. Lots of ups, some downs, and a bit of spinning out of control. I made the album I wanted to make. I’m happy and proud of it. If others like it, great.
And once again, this album brings her back into the spotlight, a place she does not drift far from.
I guess I just like attention. But honestly when I’m not on stage I can be quite quiet. I used to be painfully shy. I was afraid to speak. It carries over to my adult life sometimes. When I was on stage as a character, I could do all the things I was scared to do as myself. And honestly, I really do enjoy making people laugh.
Your strangest hobby or talent outside of drag?
I can make farting noises with my hands.
What celebrity most needs a drag makeover?
None, there are too many drag queens.
Favorite hotspot?
My couch.
Favorite non-profit(s)?
The Trevor Project and the ASPCA.
Favorite cocktail?
A good vodka and club soda. She has established herself as an entertainment brand outside of Drag Race, how has she done it?
It’s a tough business. It’s also exhausting at times. You just have to push yourself. I have bills to pay which is a big incentive to keep on keeping on.
Drag Race has clearly been a jumping-off place but by no means the finish line. What did she learn most about
herself from appearing in the franchise?
I did learn how much I can get into my head and my thoughts spiral. It’s that downward spiral that is my enemy. I’ve learned to recognize when I’m doing it and I’m much better at stopping it now. Going back on All Stars 6 was a lot. I’m not sure I was as mentally ready as I thought I was. Halfway through I was going to leave the show. I’m grateful for the experience. I just wish I had been in a better headspace then.
What would the name of your biography be?
The Boy Who Would Be Queen. What is your after-drag ritual?
Hose down, cheese and crackers, and watch Raising Hope or The Middle.
What’s your favorite pickup line? Keep the change.
How has she changed the most since her debut on Drag Race?
I’m definitely not as skinny. But seriously, I think I’m on a journey to be a better version of myself. I think I’m doing a fairly decent job with that. Also, just to be happy with what I have. I try to take time to appreciate the good things in my life. There’s more I want but I try to not spiral down that rabbit hole and just live in the moment.
And her message to the community this Pride season?
Be proud and loud! We have to fight. We have to vote. Love will eventually win out.
KEEPING US GUESSING JOHN DUFF
BY ALEXANDER RODRIGUEZ
MMusician and performer John Duff has kept us guessing and anticipating since he first hit the music scene six years ago, going viral with his independent music hits like “Girly”, “Rich”, and “Hokie Pokie.” He is unapologetically himself whether he is celebrating the fading line between feminine and masculine, embracing his sexuality, or challenging the norms that have been set by the queer community.
Whether he is performing at a Pride, being interviewed on a podcast, or meeting you at the club, he is unabashedly himself. His latest hit, “Be Your Girl,” is an homage to 1940s nostalgia, mashed up with a disco texture, and featuring the showmanship and bravado of Tom Jones, Cher, and Frank Sinatra.
“Be Your Girl” is a graduation of sentiment, going out to that young Duff whose parents told him to sing Elvis and Frank Sinatra. His early work was devoted to that Duff who wasn’t allowed to sing Britney Spears in the talent show and was bullied as a kid to the point he couldn’t take the bus in middle school. Rather than become a victim of his bullying, he used it as a growing experience and gained the confidence to explore his art truthfully.
Unfortunately - no matter what is popular - there will always be hatred, judgment, bullying, and criticism on this plane of existence. Teaching children otherwise causes more damage than good, because it creates an expectation that will surely be shattered. Look at nature - society aside - nature wants us all dead. So, I think the solution comes from within. It’s about finding the love in yourself and only seeking love from those who are ready to give it.
Some of my most hurtful bullying came from ONE table of people, whose acceptance I desperately wanted - unbeknownst to me, there was a whole cafeteria of people already accepting me. For young people, and all people - acceptance is there. Find the people who give it, reciprocate it, and BAM: community.
“Be Your Girl” is the first single from Duff’s upcoming concept album, yet to be titled. It’s a journey in musicianship and nostalgia, a direction that Duff says he will continue to work in. He maintains that if he can make this kind of music, he can do anything.
I’ve been working on it for four years. The whole project is inspired by the songs I used to do in talent shows when I was a kid and the songs my parents had on their jukebox. It started because I didn’t believe you could make songs like that anymore, but we did. There are about 13 of them!
What was his creative process in starting this project?
I’m sort of an encyclopedia of music and lyrics - so I don’t have to do too much digging. There aren’t many popular songs I don’t know, from the mid-1930s to the present. I’ve been
“The whole project is INSPIRED by the songs I used to do in talent shows when I was a KID and the songs my parents had on their jukebox. It started because I didn’t believe you could make SONGS like that anymore, but we did.”
banned from “Name That Tune” every time I’ve ever played because it’s “not fair.” [Laughs]
In terms of process, I couldn’t have executed this without my dear friend Eren Canatta. A lot of times I’d come in with lyrics, or a chord progression, and I say – ‘hey, what if we made this song that sounds like The Beach Boys?’ Beyond that, it’s just kind of matching sounds to the old records. Mimicking strum patterns on guitars, microphone levels, and drum sounds.
The single is about wanting to be wanted, to be desired, and is something John has personally felt in relating to his years in the business.
We all want to be chosen! All the time. Whether that’s romantically, in career, in friendship, in family. In the video, I portrayed the “want to be chosen” by being a contestant in a beauty pageant. I like to keep things general and let people apply their own meaning.
The sound and the look in Duff’s music video for “Be Your Girl” is definitely a new image for John, but that’s nothing new for this artist. He has constantly refreshed his look and sound, making each single and album a refreshing surprise.
I’m a musical theatre boy at heart. This was sort of an homage to that part of my life - showmanship. I think showmanship was the most important part. Showing that I can be fully dressed, and still keep your attention.
I think people enjoyed it - at least the ones I’ve heard from. Pleasing everyone will never be an option, so as long as it has resonated with someone - I’m happy. A lot of new admirers have shown up, like artists I really respect - I don’t want to name drop… but…. [Laughs] That’s been very validating.
Duff comes from the world of musical theatre. This video is just at home in a new Broadway show or at midnight at the club. Fun fact, Duff personally costumed every look in the video, over 40 outfits. He studied musical theater at Syracuse University to hone his performing skills and eventually made his way to New York City, getting work
regionally, Off-Broadway, and commercially for over six years.
Keeping his finger on the pulse of what sounds are going to be popular next or how to surprise his fans with new textures and looks is nothing new to John. How does he do it?
I’ve always just done what I love to do. For me, it’s about creating what I see missing in the world. With my first song “Girly,” back in 2018, I was thinking, ‘I want to see someone just be SO gay.’ And so that’s what I did. Last year when everyone was being SO gay (even the straight artists) I played straight and did “Somebody’s Daughter.”
This year, as music evolves further into repetitive lyrics and minimalist beats, I explore the classic theatrical foundations of American popular music. Whatever I do next will be whatever everyone else isn’t doing.
In today’s age of easy access to technology and multiple platforms to release content on, Duff has kept his voice heard above the din of all the music that comes out. As an independent artist, that is no easy feat.
Did you know there are over 100,000 songs uploaded every day? To have over 1,000 streams puts you in the top 10% of artists globally. I think it’s all about perspective, cause sometimes I feel like I’m not cutting through the noise. That’s often when I take my clothes off.
John has not been shy in showing us some skin or enticing us with thirst traps. His material often celebrates sexuality, and he does so with style and sensuality. With our community under attack socially and politically, with an emphasis on our sex, Duff sees the importance of continuing to push the envelope.
Honestly, half the time when I do it, I’m having a laugh. I don’t take anything too seriously - it’s my mantra. I do love my body though, and if showing my body empowers someone else - or gives them a little boost of energy - that’s awesome. Sexuality, for me, you know - I like the theatre of it. Theatre of the taboo.
I don’t want people to think there’s
one way to be sexy, or that being an internet exhibitionist is required to gain the interest of the gay world — it’s about authenticity. And it’s very authentic for me to be half-naked. I’m cheeky.
In addition to the ear candy that is “Be Your Girl,” Duff has collaborated with Eric Kupper for a series of remixes.
I love Eric Kupper. This is our third collaboration. Most of the time, when I’m making music - I’m very hands-on. With Eric, I’m saying - here’s my vocal, go crazy. It’s an exercise in surrender, and it’s great every time.
With so many different directions John can go in, what does he want most in the near future?
Just to perform, and for my art to find itself. I’m doing a residency in Provincetown this summer, and did some amazing pride gigs in Chicago, New York, and Pennsylvania. More of that!
Looking back, how has John changed the most in his six years in the independent music industry?
I’ve tried everything and listened to everyone. If anything - at this point, I’m more like the person I was before I ever got started… because that’s the person who got me here.
And his message to his fans?
Be kind! Be safe! Don’t leave your drinks unattended!
“Be Your Girl” and the remixes are streaming on Spotify and all major streaming platforms.
Follow John on Instagram @IAmJohnDuff
CLUE
COMEDIC (AND QUEER) SENSIBILITIES
BY ALEXANDER RODRIGUEZ
The 1985 film CLUE has become a well-loved iconic part of cinema history. This month, the stage version of the film comes to the Ahmanson in Los Angeles. Featuring an extremely colorful cast, all your favorite characters are there – Colonel Mustard, Mrs. White, Miss Scarlet, Professor Plum, Mrs. Peacock, Mr. Green, the trusty butler Wadsworth, and even the French maid Yvette in this fun romp, featuring award-winning playwright’s Sandy Rustin’s quick script. It’s a physical comedy whodunit celebrating the board game by Hasbro. This adaptation has become one of the nation’s most-produced plays in the US and over 3,000 productions done worldwide. This touring production celebrates Pride season with members of the company representing the queer community. We chatted with members of the cast hot off the heels of their run at Segerstrom Center for the Arts in Orange County.
MARK PRICE
Mark Price fills Tim Curry’s shoes in the role of Wadsworth, the noble butler who becomes the master of ceremonies. On Broadway, he’s appeared in Mary Poppins, Mamma Mia, Rocky Horror Show, Chicago, and more. He previously played Wadsworth at the Papermill Playhouse. On-screen, he’s been a guest star on Law & Order, The Good Wife, Blacklist, and Murphy Brown. He received a Helen Hayes nomination for his turn as Tobias in Sweeney Todd at the Kennedy Center.
What is your coming out story?
I realized I was gay at 8 yrs. old but didn’t officially come out until my first year of college. My mother had asked me when I was like 10 if I was gay which I confirmed, my parents were divorced at the time. But I didn’t tell my father until my first year of college, I was a mess, but he just said, “I know, I’ve always known,” which I thought was touching looking back. I think gay sons always have beautiful and complex relationships with their moms. I was lucky I had support from both of them, but other kids coming out in Texas during the late 80’s, early 90’s were not that fortunate.
What was your creative process in putting together a character that we all think we know and love? How have you made the character your own?
This one was a challenge because it is a beloved movie - some consider it a cult classic, and because the show is so plot-driven because it’s a murder mystery in the most comedic menacing way possible. I had to find something to hang my hat on and eventually landed on McCarthyism and the Cold War as well as Mr. Boddy’s backstory of coming from a crime family. I purposely did not watch the film when we first began to put this together pre-pandemic because I didn’t want to be influenced too much by the genius of Tim Curry.
What has your queer sensibility and creativity added to your character and to the show?
I was lucky in that I had a director who trusted me and encouraged us to
play. The best kind of environment to be in. But I think the queerness of it all to me is breaking rules, thinking creatively, and that’s the whole premise that Wadsworth has operated under to bring these individuals together. That and the physical comedy- I was a child who grew up on Three’s Company, so I’ve always loved farce for that reason. It almost feels like a lost art form. What is your favorite part of the show?
Once the show starts, there’s no time to think and you have to be laserfocused with everyone onstage. There’s
also a musicality to this piece like no other I’ve done. All comedy is music in my opinion, it’s just about finding the rhythm that is dictated by the play and then getting out of the way and letting it ride. So, for me, it’s strapping yourself in and taking the ride.
What do want most in terms of queer representation on Broadway? What does the future look like to you?
Great question. For me, queer representation means disruption. It is eliminating the power imbalance that some of the gatekeepers have in terms of what’s being produced. It means
You’ve done classic shows and new shows, what aspect do you love doing of each genre?
Honestly, I love working with creative individuals I trust. So, put me in a room with a really smart director, I’m happy to explore. New shows are definitely a labor of love, something I love because we’re all figuring it out in real-time. The medium of live theatre will dictate how that piece wants to be told.
CLUE is a high-energy and physical show. How do you maintain your physical and mental health while on the road?
the musicality of the piece, the pace of this ensemble, and it’s refreshing to hear people laugh right now in these times we’re all living in!
trusting the audience more and not dumbing things down or diluting them because you think it’ll be absorbed by the masses better. And it means letting other artists, whether that be trans/ queer playwrights, producers, designers, or storytellers come in and say, “Hey, this is a story that needs to be told.” We’re in an interesting transition, I think the best material is being produced Off-Broadway right now, and some of those end up being transfers, but if you look at pieces like A Strange Loop, Oh, Mary, or Slave Play, that’s a great step.
This one is no joke! Lots of PT and fundamentals like sleep, diet, and movement are non-negotiable, but working with a trainer to breathe lower in the abdominals because of how highpaced it is, has been a journey. Never knew breath would be the lynchpin for this one!
What do you love about playing the “funny guy?”
Interesting, I don’t see it as funny at all, in fact, I think I see it as tragic - this guy is willing to do whatever it takes to maintain his “dignity.” What ensues as a result is hilarious. But I love finding
“All comedy is music in my opinion, it’s just about finding the rhythm that is dictated by the play and then getting out of the way and letting it ride. So, for me, it’s strapping yourself in and taking the ride.”
JONATHAN SPIVEY
Originating the role of Professor Plum for this first national tour is classically trained actor Jonathan Spivey. He studied acting at The Globe in San Diego, appearing in their productions of Death of A Salesman, Richard III, The Tempest, and As You Like It. Regionally, he has popped up just about everywhere from Yale Repertory Theatre, The Repertory Theatre of St Louis, Cape Playhouse, Milwaukee Repertory Theatre, and many more. His one-man-and-a-piano show Rodgersandhart recounts the final days of lyricist Lorenz Hart. On Broadway, he appeared in the Tony-nominated revival of The Front Page with a slew of heavy hitters. On-screen, he’s appeared in The Gilded Age, Blacklist, Blue Bloods, to name a few.
What is your coming out story?
I grew up in rural Southeast Virginia, a small town of twenty-five hundred people. I’m no longer religious, but my folks raised me Southern Baptist and I played piano in those churches in high school. My mom Sandra was such a perceptive person. She very slyly told me, “You know I can see what you’re searching for on the internet, right?” and she left it at that. She already knew. Dean Cain was playing Superman on television, and I’d been looking for pictures of him from the TV show to hang on my bedroom wall. But I was so lucky that my parents were closet progressives. That was not always easy for them in our small town. I came out to them when I was seventeen. My father cried because television had convinced him that being gay automatically meant you were going to die from AIDS. Even though I think he had those concerns, the first thing he said was, “You’re my son and I will always love you, no matter what.” Both of them are gone now, but I was very lucky to have Ren and Sandra as my parents. As I’m getting older, I’m realizing more and more that coming out isn’t one watershed event, it’s a lifelong process.
What was your creative process in putting together a character that we all
think we know and love? How have you made Professor Plum your own?
Rehearsing this tour was really my introduction to the story and to Professor Plum. I’d seen clips, but I didn’t grow up watching the movie or playing the board game. Christopher Lloyd’s performance is iconic, but I’m not an actor who wants to spend too much time watching someone else’s interpretation of a character. I read the script and in a
farce like Clue, I try to figure out what’s the comic archetype. Professor Plum is an academic who thinks of himself as a womanizer, a Casanova. I didn’t want to lean too far into his sleaze-ball side, so I approach him more as an arrogant doctor, a professor who is full of himself, convinced that he’s the smartest man that ever lived even though he clearly isn’t. I think we all had a professor or two like that in college.
“I’d love to see more character actors given opportunities to play those queer roles, and not just as comic relief. ”
in rural Virginia. I think growing up queer in that socially conservative environment allowed me to see some of those men’s blind spots from an outside perspective that I wouldn’t have necessarily seen if I’d grown up straight.
What is your favorite part of the show?
We’ve already gotten to visit so many cities I’ve never spent time in: Minneapolis, Seattle, Louisville, Cincinnati, Greenville, and New Orleans. My favorite thing about bringing our farce across the country is hearing how different markets respond to the jokes. The audiences all have their own sensibilities. Some jokes work like gangbusters in the South and go over like a lead balloon in the more progressive cities and vice versa. Hearing what kind of humor different parts of the country respond to has been a really fascinating social experiment. Another big treat has been catching up with old friends and acquaintances who come out of the woodwork to say, “I’m coming to see you next week!” These are friends that are too far away to see when I’m home in Brooklyn, but now I’m in their hometown. At times it has felt like an episode of “This Is Your Life” in the best way.
What do you want most in terms of queer representation on Broadway? What does the future look like to you?
Classical training is the best way to learn how to break down any script quickly. I am so grateful that earning my MFA at the Old Globe in San Diego taught me that text analysis. I’ve been lucky enough to do a fair amount of TV in the last few years, and at times I’ve had to forget some of the voice training from school to make sure that I don’t sound like a crazy person on screen. You can’t really whisper too much on stage, for example, but that can be pretty powerful in a close-up. The common thread is that you’re always looking to play honesty, whether you’re doing a farce or a one-hour procedural.
What did you learn most from doing The Front Page with some pretty big actor heavyweights?
What has your queer sensibility and creativity added to your character or to the show?
This role is one of many men with questionable moral compasses that I’ve gotten to play. There is something amusing to me as a gay man about playing this idiot who thinks he’s God’s gift to women. The Professor’s shortcomings remind me of a lot of some of the straight men I grew up around
The types of roles being written for folks across the spectrum of gender, identity, and sexuality is expanding exponentially, and that’s amazing. I’d love to see more character actors given opportunities to play those queer roles, and not just as comic relief. When a role is a gay man, for example, I think Broadway can still have a pretty narrow idea of what a gay man looks like. I’d also love to see more queer roles where the character isn’t just there to spit out one liners. Film is a different medium, but I think of Tár, Notes on a Scandal. We need to see deeply flawed queer characters just as much as we need to see queer characters celebrated for their singularity and senses of humor.
You are classically trained, what elements of your classic training have helped you in the world of TV, screen, and contemporary stage?
Our director Jack O’Brien was a masterclass every day in wrangling big personalities with effortless grace. From day one with Jack, you know you’re in expert, capable hands. There were so many legends in that cast. Nathan Lane, John Goodman, Holland Taylor, Jefferson Mays, Lewis Stadlen, Robert Morse, John Slattery, Sherie Rene Scott, Dylan Baker. Jack is comfortable enough with himself to let great ideas come from other people in the room. One of my biggest lessons from that show was that if everyone is confident in their talent and abilities, the best ideas don’t have to come from just one person.
You’ve done a bit of everything on screen and stage, what kind of project do you want to work on next?
Stage farce is incredible fun, but there’s only so many layers to the types of characters you’re going to play in a broad comedy. I am having an absolute ball with this cast, and I’m also looking forward to getting back to some of those roles on camera that are more nuanced, characters that are flawed, people who are making bad choices and suffering the consequences. Ultimately, I just want to keep working. The feature film door is starting to crack open for me, and I’m excited to do more of that. I love the variety of getting to slam doors onstage one month and then cry on cue on camera the next month. Being a professional chameleon is a lot of fun.
JOHN TREACY EGAN
John Treacy Egan is a New York City boy, born and raised, and takes on the role of Colonel Mustard. He made his Broadway debut in Jekyll & Hyde, originated the role of Chef Louis in The Little Mermaid, and is the only actor to have played three principal roles in The Producers. On-screen, he has appeared on 30 Rock, Law & Order, As the World Turns, and in Last Night with Keira Knightley. He’s directed CLUE twice and has been with this touring production since its premiere at Cleveland Playhouse and Paper Mill Playhouse.
What is your coming out story? I came out in my 30’s. My older sister came out before me, and my family had a difficult time accepting it. Eventually, everyone came around to being comfortable with her lifestyle. I have great friends who helped me build the confidence to accept myself and once I felt like my life was mine to live, I came out and haven’t let anyone else tell me who to be.
What was your creative process in putting together a character that we all think we know and love? How have you made Colonel Mustard your own?
I never saw the film in which this show is based. I played the game as a child and based my character on what Col. Mustard looked like on the playing cards. What did he sound like? I have an actor friend in NY, who is very blustery and braggy. I modeled my posturing and character on him.
What has your queer sensibility and creativity added to your character or to the show?
There are a few jokes in CLUE the movie that focus on homosexuality as a sort of punchline. Our brilliant director found a way to keep some of these jokes in while taking the comedy in a different direction than what was first presented. We are no longer laughing at them in the same way.
What is your favorite part of the show?
I love the group scenes where all
“I think Broadway has always been the leader in queer representation and diversity in general. It continues to support the queer community. ”
of the characters are finding out why each one is there for the evening. The dialogue is fast and funny, and we are all on our toes during those scenes. What do you want most in terms of queer representation on Broadway? What does the future look like to you?
I think Broadway has always been the leader in queer representation and diversity in general. It continues to support the queer community.
You made your Broadway debut in Jekyll & Hyde not only playing roles but understudying a bunch of other roles! What was it like making your Broadway debut, and what did you learn most about the Broadway biz from this experience?
It was thrilling finally making it to Broadway. I thank Frank Wildhorn for giving me the opportunity to be a part of that iconic show. I learned so much from the Broadway community and made some amazing friends. I learned eight shows a week is exhausting for long periods of time, but it is also invigorating to experience the privilege of making the performing arts my living.
You have a deep relationship with The Producers. What was it like exploring that show from three major different points of view?
The Producers was a wild ride. Truly one of the best experiences in my career. That script is pure comic genius. I loved playing all of the characters in that show.
You have a ton of Broadway credits, but what do you love most about taking the show on the road?
The audiences for CLUE have been over the top! Fans of the film and the game come dressed as characters and roar with laughter when they see our show. It’s been a gift to bring this show to the country and hopefully the next stop BROADWAY!
CLUE runs through August 25th at the Ahmanson Theater in Los Angeles.
YOUR MEXICAN VACATION IN PUERTO VALLARTA CAN BE HEALTHY
BY PACO OJEDA
Guilty as charged! Healthy habits are something I don’t think about as much as I could throughout the year. To make things interesting, you are about to embark on a Mexican vacation and are wondering how to navigate our world of calorie-rich creamy sauces, hearty portions of guacamole and chips, and margaritas—one of those alone can set you back 300 calories!
No worries. Not all Mexican food is calorie intensive. With so many restaurant choices, not to mention a variety of health clubs throughout the city, and so many outdoor activities to choose from, you can have an impressive Mexican holiday by being mindful of a few details, and also nurturing your body, mind and soul while you’re at it.
FOOD
For starters, you don’t have to go Mexican all the time, and not all Mexican food will contradict your resolution. Stick to the grilled or roasted choices—think chicken or fish. Load up on veggies. Salads, grilled veggies, and salsas are your diet amigos. Pico de Gallo, the classic tomato, onion, and hot pepper salsa, is prepared with fresh ingredients, for example. Fried foods are tempting but limit the love. In fact, the moment that large bowl of fried tortilla chips lands on your table, simply have it removed. And most importantly, watch those portion sizes. Mexican meals can be like, “Hola, I’m huge!” Share a plate or go for a smaller size if you’re feeling dainty. Your travel budget will appreciate it, too!
In terms of drinks, Margaritas may call your name, but sip responsibly. Consider lower-calorie options and hydrate with water between sips. Keeping your body hydrated will help you avoid eating the entire taco truck.
A great cuisine option is the Hyatt Ziva Puerto Vallarta Resort. This resort is especially unique due to it’s location both near the city, but having the feeling like you are much further away with a private-like beach and stunning ocean views. With 10 unique restaurants all on-site, you can taste Mexican cuisine properly without having to leave your hotel. It’s perfect for when you want just stay in and relax for the day.
Hyatt Ziva Puerto Vallarta
Hyatt Ziva Puerto Vallarta
BODY
Participating in activities that involve physical movement can run the gamut from walking tours to mountain climbing expeditions, so the choice is personal. At the very least, you will be surrounded by plenty of opportunities to explore Puerto Vallarta on foot—and while we’re at it, be sure to pack a good pair of walking shoes! And if you enjoy the nightlife, salsa dance the night away and then reward yourself with more guac.
Browsing Facebook Events in Puerto Vallarta or the local gay guides (readily available throughout the gayborhood) will also present you with a variety of activities and expeditions catered to the LGBT+ community, from hikes and meditations to scuba diving and whale-watching excursions.
No vacation to the “Gayborhood of Puerto Vallarta” is complete without a little spa pampering. Embark on a journey to tranquility at Experience by Almar Spa, where certified massage and spa therapists eagerly await to guide you through rejuvenation in three enchanting settings. Elevate your senses on the 14th-floor spa, offering an incredible bay view and a serene, private ambiance for your indulgent relaxation. Immerse yourself in the lush garden surroundings of our 5th-floor spa, where the soothing sounds of water from our fountain harmonize with the symphony of nature, creating a cocoon of bliss. For a truly immersive experience, visit the beach club spa, where the rhythmic ocean waves intertwine with the beats of legendary Mantamar pool parties in the background.
Located at the Marriott Puerto Vallarta Resort, you can discover the ancient healing traditions of Ohtli Spa, a place where your stress melts away. The Ohtli Spa is ready to welcome you to wellness. Couples and singles enjoy massages, facials, aromatherapy treatments and more.
Almar Spa
Marriott Spa
Marriott Spa
MIND
Planning ahead on how to treat your body, mind, and spirit to a Mexican vacation is the key to nurturing the holy trinity of wellness south of the border. Embrace the art of the siesta. Take a midday break to recharge and savor the tranquility. Your mind will thank you, and you’ll be ready for a night of fiesta. Feed your mind with the rich cultural buffet Mexico offers. Art galleries and historical sites are plentiful. And don’t forget to practice your Spanish by engaging with locals. Learning a few phrases not only expands your mind but also creates connections that go beyond words.
SPIRIT
As you enjoy some of the activities mentioned above, remember to immerse yourself in Mexico’s natural beauty. The jungle is green from the summer’s rainy season, surrounding our city with a spectacular backdrop. And every single sunset you enjoy completely different than the one before.
BARS & CLUBS
AKBAR
4356 W. Sunset Blvd
Silverlake, CA 90029
323.665.6810 akbarsilverlake.com
BEACHES WEHO
8928 Santa Monica Blvd
West Hollywood, CA 90069
310.360.0395 beachesweho.com
FIESTA CANTINA
88565 Santa Monica Blvd
West Hollywood, CA 90069
310.652.8865 fiestacantina.net
FUBAR
7994 Santa Monica Blvd
West Hollywood, CA 90046
323.654.0396 fubarla.com
GYM SPORTSBAR
8919 Santa Monica Blvd
West Hollywood, CA 90069
424.313.8202 gymsportsbar.com
HAMBURGER MARY’S
8288 Santa Monica Blvd
West Hollywood, CA 90069
323.654.3800 hamburgermarys.com
HEART WEHO
8911 Santa Monica Blvd
West Hollywood, CA 90069 heartweho.com
HI TOPS
8933 Santa Monica Blvd
West Hollywood, CA 90069 hitopsbar.com
MICKYS
8857 Santa Monica Blvd
West Hollywood, CA 90069
310.657.1176 mickys.com
ROCCO’S
8900 Santa Monica Blvd
West Hollywood, CA 90069
424.343.0123 roccosweho.com
LOS ANGELES DIRECTORY
SAINT FELIX
8945 Santa Monica Blvd
West Hollywood, CA 90069
310.275.4428
saintfelix.net
THE ABBEY
692 N Robertson Blvd
West Hollywood, CA 90069
310.289.8410
theabbeyweho.com
THE CHAPEL
692 N Robertson Blvd
West Hollywood, CA 90069
310.289.8410 theabbeyweho.com
THE EAGLE
4219 Santa Monica Blvd
Los Angeles, CA 90029
323.669.9472 eaglela.com
REVOLVER VIDEO BAR
8851 Santa Monica Blvd.
West Hollywood, CA 90069
424.382.1108 Revolverweho.Com
STACHE
8941 Santa Monica Blvd
West Hollywood, CA 90069
310.402.0770 Stacheweho.Com
THE BAYOU
8939 Santa Monica Blvd
West Hollywood, CA 90069
310.273.3303 Thebayouweho.Com
TRUNKS
8809 Santa Monica Blvd West Hollywood, CA 90069 310.652.1015 west.hollywood.trunksbar.com
CLOTHING & LEATHER
665 LEATHER & FETISH
20810 Lassen St Chatsworth, CA 91311 818.678.9193 665leather.com
BLOCK PARTY
8853 Santa Monica Blvd
West Hollywood, CA 90069 blockpartyweho.com
BRICK & MORTAR
8713 Santa Monica Blvd West Hollywood, CA 90069
310.652.6605 shopatbrick.com
CIRCUS OF BOOKS
8861 Santa Monica Blvd and West Hollywood, CA 90069 323.337.9555 circusofbooks.com
LOVE CONNECTION
8244 Santa Monica Blvd West Hollywood, CA 90046
ROUGH TRADE LEATHER
3915 Sunset Blvd Los Angeles, CA 90029 323.660.7956 roughtradegear.com
THE PLEASURE CHEST
7733 Santa Monica Blvd West Hollywood, CA 90046 323.650.1022 thepleasurechest.com
YMLA
8594 Santa Monica Blvd West Hollywood, CA 90069 ymla.com
HAIR SALONS
BLADE
801 N. Larrabee St, Ste #1 West Hollywood 310.659.6693
SHORTY’S BARBER SHOP
755 N Fairfax Ave West Hollywood 323.297.0554 shortysbarbershop.com
COMMUNITY RESOURCES
HEALTH/COUNSELING
AID FOR AIDS AFA
8235 Santa Monica Blvd #200 West Hollywood, CA 90046
323.656.1107 aidforaids.net
AIDS HEALTHCARE FOUNDATION/MENS WELLNESS CENTER
• 6255 W Sunset Blvd, 21st Fl Los Angeles, CA 90028
888 AIDS CARE
• 1300 N Vermont Ave, Ste 407 Los Angeles, CA 90027
866.339.2525
800.367.2437 inspotla.org
AIDS HEALTHCARE FOUNDATION PHARMACY
8212
• 5901 W. Olympic Blcd. #310 Los Angeles, CA 90036
• 1043 Elm Avenue #302 Long Beach, CA 90813 562.247.7740 apla.org BEING ALIVE PEOPLE WITH HIV/AIDS ACTION COALITION 621 N San Vincente Blvd West Hollywood, CA 90069 310.289.2551 beingalivela.org
LA FREE CLINIC
• 5205 Melrose Ave Los Angeles, CA 90038
323.653.1990 – appts 323.653.8622 – admin lafreeclinic.org
• 6043 Hollywood Blvd Los Angeles, CA 90028
• 8405 Beverly Blvd Los Angeles, CA 90048
• 8224 Santa Monica Blvd West Hollywood, CA 90046 323.848.9760
• 3500 East Pacific Coast Hwy Long Beach, CA 90804
562.494.0340
PALM SPRINGS DIRECTORY
• 1726 East Colorado Blvd
Pasadena, CA 91106
626.440.1719
• 360 North Fairfax Ave
Los Angeles, CA 90036
323.934.1956
PROJECT ANGEL FOOD
922 Vine St
Los Angeles, CA 90038
323.845.1800 angelfood.org
THE TREVOR PROJECT
9056 Santa Monica Blvd #100 West Hollywood, CA 90069
310.271.8845 thetrevorproject.org
VALLEY COMMUNITY HEALTHCARE
6801 Coldwater Canyon Ave North Hollywood, CA 91605
818.301.6314 - HIV testing
818.301.6390 - Medical Services smarthealthla.com
LEGAL
LAMBDA LEGAL DEFENSE & EDUCATION FUND INC.
Western Regional Office 3325 Wilshire Blvd #1300
Los Angeles, CA 90010
213.382.7600 lambdalegal.org
NATIONAL G & L TASK FORCE
5455 Wilshire Blvd #1505 Los Angeles, CA 90036
323.954.9597 thetaskforce.org
WITH GED MAGAZINE
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ATTRACTIONS
THE LIVING DESERT ZOO AND GARDENS
47900 Portola Ave
Palm Desert, CA 92260
760.346.5694 livingdesert.org
PALM SPRINGS AIR MUSEUM
745 N Gene Autry Trail
Palm Springs, CA 92262
760.778.6262 palmspringsairmuseum.org
PALM SPRINGS ART MUSEUM
101 Museum Drive
Palm Springs, CA 92262
760.322.4800 psmuseum.org
PS AERIAL TRAMWAY
1 Tram Way
Palm Springs, CA 92262
888.515.8726 pstramway.com
BARS & CLUBS
BLACKBOOK
315 E. Arenas Rd
Palm Springs, CA 92262
760.832.8497 blackbookbar.com
CHILL BAR
217 E. Arenas Rd Palm Springs, CA 92262
760.327.1079 chillbarpalmsprings.com
DICK’S ON ARENAS
301 E. Arenas Rd Palm Springs, CA 92262
760.327.0753 eagle501bar.com
HUNTERS
302 E. Arenas Rd Palm Springs, CA 92262
760.323.0700 hunterspalmsprings.com
ONE ELEVEN BAR
67555 E Palm Canyon Dr Cathedral City, CA 92234
760.537.3111 oneelevenbar.com
OSCAR’S
125 E. Tahquitz Canyon Way, Suite 108 Palm Springs, CA 92262
760.325.1188 oscarspalmsprings.com
QUADZ
200 S. Indian Canyon Dr Palm Springs, CA 92262
760.778.4326 Spurline.com
STREET BAR
224 E. Arenas Rd Palm Springs, CA 92262
760.320.1266 psstreetbar.com
THE BARRACKS
67-625 E. Palm Canyon Dr Cathedral City, CA 92234
760.321.9688
REFORMA
333 S Palm Canyon Dr Unit 2, Palm Springs, CA 92262
760.902.6630 reformaps.com
THE ROOST LOUNGE
68718 E Palm Canyon Dr Cathedral City, CA 92234
760.507.8495 theroostcc.com
TOOL SHED
600 E. Sunny Dunes Rd. Palm Springs, CA 92264
760.320.3299 pstoolshed.com
TOUCANS TIKI LOUNGE
2100 N. Palm Canyon Dr Palm Springs, CA 92262
760.416.7584 toucanstikilounge.com
CLOTHING OPTIONAL RESORTS
BEARFOOT INN
888 N. Indian Canyon Dr Palm Springs, CA. 92262
760.699.7641 bearfootinn.com
DESCANSO
288 E. Camino Monte Vista Palm Springs, CA 92262
760.320.1928 descansoresort.com
DESERT PARADISE
615 S. Warm Sands Dr Palm Springs, CA 92264
760.320.5650 desertparadise.com
EL MIRASOL VILLAS
525 Warm Sands Dr Palm Springs, CA 92264
760.327.5913 elmirasol.com
INNDULGE PALM SPRINGS
601 Grenfall Rd Palm Springs, CA 92264
760.327.1408 inndulge.com
SANTIAGO RESORT
650 San Lorenzo Road Palm Springs, CA 92264
760.322.1300 santiagoresort.com
THE HACIENDA
586 S. Warm Sands Dr Palm Springs, CA 92264
760.327.8111 thehacienda.com
TRIANGLE INN PALM SPRINGS
555 San Lorenzo Rd. Palm Springs, CA 92264
760.322.7993 triangle-inn.com
TWIN PALMS
1930 S. Camino Real Palm Springs, CA
760.841.1455 twinpalmsresort.com
VISTA GRANDE RESORT
574 S. Warm Sands Dr. Palm Springs, CA 92264
760.322.2404 vistagranderesort.com
CLOTHING & LEATHER
EL TUGGLE
388 N Palm Canyon Dr Palm Springs, CA 92262
760.880.4338 eltuggle.com
GAYMART
305 E. Arenas Rd Palm Springs, CA 92262
760.416.6436
GEAR LEATHER & FETISH
650 E Sunny Dunes Rd #1 Palm Springs, CA 92264
760.322.3363
gearleather.com
PALM SPRINGS DIRECTORY
ROUGH TRADE LEATHER
321 E. Arenas Rd
Palm Springs, CA 92262
760.699.7524
roughtradegear.com
GIFTS
DESTINATION PSP
170 North Palm Canyon
Palm Springs, CA 92262
760.354.9154 destinationpsp.com
GREETINGS PALM SPRINGS
301 N Palm Canyon Dr # 102 Palm Springs, CA 92262
760.322.5049 greetingspalmsprings.com
JUST FABULOUS
515 N Palm Canyon Dr
Palm Springs, CA 92262
760.864.1300 bjustfabulous.com
MISCHIEF CARDS & GIFTS
226 N Palm Canyon Dr
Palm Springs, CA 92262
760.322.8555 mischiefcardsandgifts.com
PEEPA’S
120 N Palm Canyon Dr Palm Springs, CA 92262
760.318.3553
peepasps.com
PS HOMEBOYS
108 S. Indian Canyon Dr Palm Springs, CA 92262
760.318.7388 pshomeboys.com
Q TRADING COMPANY
606 E Sunny Dunes Rd Palm Springs, CA 92264
760.416.7150
HAIR SALONS
CUT BARBER
1109 N Palm Canyon Dr
Palm Springs, CA 92262
760.322.2999 cutbarber.com
DADDY’S BARBERSHOP
192 S Indian Canyon Dr Palm Springs, CA 92264
760.537.1311 daddysbarbershop.com
MEN’S GROOMING SPOT
68487 E Palm Canyon Dr Suite 43 Cathedral City, CA 92234
760.992.0028 mensgroomingspot.com
PS FINE MEN’S SALON
750 E Tahquitz Canyon Way, Suite 3 Palm Springs, CA 92262
760.904.0434 psfinemenssalon.com
REALTORS
3 BEARS REALTY
2905 E Tahquitz Canyon Way, Palm Springs, CA 92262
760.699.6175 3bearsrealty.com
PALM SPRINGS HOME TEAM
Conrad Miller (DRE #01973983)
760.464.9559
Brandon Holland (DRE # 01986968)
760.413.1220 Palmspringshometeam.com
RESTAURANTS
1501 UPTOWN GASTROPUB
1501 Uptown Gastropub 1501 N Palm Canyon Dr Palm Springs, 92262
760.507.1644 1501uptown.com
BLACKBOOK
315 E. Arenas Rd Palm Springs, CA 92262
760.832.8497 blackbookbar.com
BOOZEHOUNDS PS
2080 North Palm Canyon Dr Palm Springs, CA 92262
760.656-0067 boozehoundsps.com
EIGHT4NINE RESTAURANT AND LOUNGE
849 N Palm Canyon Dr. Palm Springs, CA 92262
760.325.8490 eight4nine.com
FARM
6 La Plaza
Palm Springs, CA 92262
760.322.2724 farmspalmsprings.com
JOHANNES
196 S. Indian Canyon Dr Palm Springs, CA 92262
760.778.0017 johannespalmsprings.com
RICK’S DESERT GRILL
1596 North Palm Canyon Dr Palm Springs, CA 92262
760.325.2127 ricksdesertgrill.com
SHERMAN’S DELI
401 E Tahquitz Canyon Way Palm Springs, CA 92262
760.325.1199 shermansdeli.com
TRILUSSA
68-718 E Palm Canyon Dr Cathedral City, CA 92234
760.328.2300 trilussarestaurant.com
TRIO RESTAURANT
707 N. Palm Canyon Drive Palm Springs, CA. 92262
760.854.8746 triopalmsprings.com
WILMA & FRIEDA’S
155 S Palm Canyon Dr Palm Springs, CA 92262
760.992.5080 wilmafrieda.com
COMMUNITY RESOURCES
DAP HEALTH
1695 N. Sunrise Way, Palm Springs, CA 92262
760.323.2118 daphealth.org
DESERT CARE NETWORK
760.561.7373 desertcarenetwork.com
DESERT OASIS HEALTHCARE
275 North El Cielo Road Palm Springs, CA 92262
760.325.DOHC (3642) mydohc.com
EISENHOWER HEALTH
39000 Bob Hope Drive Rancho Mirage, CA 92270
760.340.3911 eisenhowerhealth.org
MICHAEL’S HOUSE
1910 S Camino Real Palm Springs, CA 92262
844.768.0633 michaelshouse.com
PALM SPRINGS
ANIMAL SHELTER
4575 E. Mesquite Ave, Palm Springs, CA 92264
760.416.5718 psanimalshelter.org
PALM SPRINGS FRONT RUNNERS & WALKERS frontrunners.clubexpress.com
STONEWALL GARDENS
2150 N. Palm Canyon Drive Palm Springs, CA 92262
760.548.0970 stonewallgardens.com
LGBTQ COMMUNITY CENTER OF THE DESERT
1301 North Palm Canyon Dr, 3rd Floor Palm Springs, CA 92262
760.416.7790 thecentercv.org
REACH THE PS LGBTQ COMMUNITY AND ADVERTISE WITH GED MAGAZINE
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SAN FRANCISCO DIRECTORY
BARS & CLUBS
440 CASTRO
440 Castro, San Francisco, CA the440.com
BEAUX
2344 Market St., San Franciso, CA beauxsf.com
HI TOPS
2247 Market St, San Francisco, CA
415.551.2500 hitopsbar.com
LOBBY BAR
4230 18th St. Unit A, San Francisco, CA lobbybarsf.com
LOOKOUT
3600 16th St., San Francisco, CA
415.431.0306 lookoutsf.com
MAC’S CLUB
39 Post St., San Jose, CA
408.288.8221
MIDNIGHT SUN
4067 18th St., San Francisco, CA
415.861.4186
midnightsunsf.com
MOBY DICK
4049 18th St., San Francisco, CA
415.294.0731
OASIS
298 11th St., San Francisco, CA
415.795.3180 sfoasis.com
RENEGADES
501 W Taylor St., San Jose, CA
408.275.9902 renegadesbar.carrd.co
SF EAGLE
398 12th St., San Francisco, CA 415.200.2002 sf-eagle.com
SPLASH
65 Post St., San Jose, CA 408.292.2222 splashsj.com
THE CINCH SALOON
1723 Polk St, San Francisco, CA 415.776.4162
THE MIX
4086 18th St., San Francisco, CA 415.431.8616 thesfmix.com
WHITE HORSE BAR
6551 Telegraph Ave., Oakland, CA 510.652.3820
HAIR SALONS
HEALING CUTS
2350 Market St., San Francisco, CA
415.286.2970 healingcutssf.com
SPUNK SALON
4147 19th St., San Francisco, CA 415.701.7865 spunksalon.com
THE CASTRO BARBER LOUNGE
2265 Market St., San Francisco, CA 415.678.5942 thecastrobarberlounge.com
COMMUNITY RESOURCES
HEALTH/COUNSELING/SUPPORT
API WELLNESS CLINIC
726 Polk St. SF LGBT Center 1800 Market Street San Francisco, CA apiwellness.org
BILLY DEFRANK
LGBTQ CENTER
938 The Alameda, San Jose, CA 408.293.3040 defrankcenter.org
LYRIC CENTER FOR LGBTQQ YOUTH
127 Collingwood St (@ 18th St), San Francisco, CA 415.703.6150 lyric.org
OAKLAND LGBTQ COMMUNITY CENTER
3207 Lakeshore Ave., Oakland, CA 510.882.2286 oaklandlgbtqcenter.org
PACIFIC CENTER FOR HUMAN GROWTH
2712 Telegraph Ave., Berkeley, CA 510.548.8283 pacificcenter.org
QUEER LIFESPACE
2275 Market St, San Francisco, CA 415.358.2000 queerlifespace.org
RAINBOW COMMUNITY CENTER
2380 Salvio St., Concord, CA 925.692.0090 rainbowcc.org
SF AIDS FOUNDATION
470 Castro St, San Francisco, CA 415.437.3400 strutsf.org
SF LGBT CENTER
1800 Market St, San Francisco, 415.865.5555 sfcenter.org
STONEWALL PROJECT
1035 Market St, #400, San Francisco, CA 415.487.3000 stonewallsf.org
THE TREVOR PROJECT
866.488.7386 Text: 678.678 thetrevorproject.org
UCSF ALLIANCE HEALTH PROJECT
1930 Market St, San Francisco, CA 415.476.3902 ucsf-ahp.org
LEGAL
AIDS LEGAL REFERRAL PANEL
1663 Mission St, #500, San Francisco, CA 415.701.1100 alrp.org
OASIS LEGAL SERVICES
1900 Addison St, #100, Berkeley, CA 510.666.6687 oasislegalservices.org
TRANSGENDER
LAW CENTER
510.587.9696 transgenderlawcenter.org
HOTLINES
THE GLBT HOTLINE OF SAN FRANCISCO: 415.355.0999
GLBT NATIONAL HOTLINE: 1.888.843.4564
GLBT NATIONAL YOUTH TALKLINE: 1.800.246.7743
TREVOR PROJECT HOTLINE (Queer Youth Suicide Prevention): 866.488.7386
CALIFORNIA AIDS, STD, & HEPATITIS HOTLINE: 1.800.367.2437
SEXUAL ASSAULT - COMMUNITY VIOLENCE SOLUTIONS: 800.670.7273
CONTRA COSTA CRISIS CENTER for Suicide & Crisis Intervention: 800.273.8255
