Art + Design Portfolio by Genevieve Anderson

Genevieve Anderson Art + Design Portfolio

INSPIRED/EXCITED by

Clockwise from top left: • Public Square in Banyoles, Spain by Mias Arquitectes. Published in landzine. • Photograph by Jesus Marina Barba. • Blur Building, Yverdon-les- Bains 2002 by Diller, Scofidio + Renfro • Therme Vals, Graubünden, Switzerland 1996 by Peter Zumthor. • Installation Shibboleth in Tate Modern by Doris Salcedo. • Photograph of Totnes, Devon, England by Joe Daniel Price. • Painting in Steam series by Arryn Snowball care of Nancy Sever Gallery. • Fountains Abbey, North Yorkshire. Source unknown. • Extract from Where the Forest Meets the Sea by artist + author Jeannie Baker. • Sydney Laneways proposal by Cumulus Studio + Futago, 2012. • Salt Museum in Salins-les-Bains, France by Malcotti Roussey Architectes. • July 7 Memorial in London, England by Carmody Groarke. • East-West/West-East installation in the Qatari Dessert by Richard Serra. • Look Out/Shelter in Pinohuacho, Comuna de Villarrica, Chile 2006 by Rodrigo Sheward.

ACADEMIC WORK - Bachelor of Fine Art 2008 Majors

Interdisciplinary Sculpture + Art Theory

Themes

Ephemerality, existence, philosophical conditioning, temporality.

Medium

Paper, fabric and wax.

Award

ADFAS Highly Commended in Sculpture

Publication

Fine Art Graduate Catalogue 2008 - Artist Statement (own) Masters of Arts Graduate Catalogue 2008 - Artist Essay (other)

Employment

Peer Assisted Study Sessions (PASS) Leader

Images

Cover, right and far right: mine. Below, catalogue cover: unknown.

â&#x20AC;&#x153;He who deals with architecture...must be an impeccable master of plastic form and a live and active connoisseur of the arts.â&#x20AC;? Le Corbusier New World of Space (New York: Reynal & Hitchcock, 1948), 9.

FLEXIBLE USE

EDUCATION - Fine Art Centre 2015 This proposed Fine Art Center is situated in a masterplanned proposal for Logan City Centre. Its honest and robust character grounds it in its urban context and subtropical condition. This education and civic centre engages its CALD community through an open ground level and a permeable facade. By drawing the streetscape through the building it connects the internal green space with the town square, addressing it directly with the double height entry. Masters Studio A led by Peter Richards of Deicke Richards. Modeled and documented in Revit by myself. Rendered in 3DS Max by C. Minns. ACTIVATION OF EDGES

SCALES OF OCCUPATION

BGL WORKSHOP + CARPARK

ramp down to carpark entry

LIFT 1

fire corridor

LIFT 2

individual work stations

one way traffic loading bay

specialist equipment

plant

specialist equipment

void above

+ 41600

+ 43100

stairs up to shared zone

market + fine art centre shared carpark

+ 43100

fire corridor

carpark entry

1:200 @ A1

cutting desks

sewing machines

textiles

workstations

projects

L1 TEXTILE DESIGN + DRAMATIC ART Art Centre WORKSHOP + CARPARK FLOOR PLAN Fine Logan City Centre

storage patterns seating + lockers female

acc.

male

LIFT 1 LIFT 2

+51000

up dn

terrace

individual study zone

+51000

dramatic art studio 1

dramatic art studio 2

dramatic art studio 3

void over entry lobb

stage +600 affl

1:100 @ A1

LEVEL 1 FLOOR PLAN TEXTILE DESIGN L2 MUSIC + DANCEDRAMATIC ART

Fine Art Centre Logan City Centre

RECORD. RECORD. STUDIO 1 STUDIO 2 INDIVIDUAL PRACTICE STUDIOS

MUSIC PRODUCTION

MUSIC studio 1

MUSIC studio 2

RECORD. STUDIO 3 BOOTH

seating + lockers female

acc.

GREEN ROOM / STORAGE

male

LIFT 1 LIFT 2

individual study zone

LOBBY UP

COMMUNAL AREA / BAR PERFORMANCE / LECTURE HALL / OPEN STUDY ZONE

DANCE studio 1

stage +600 affl

DANCE studio 2

DANCE studio 3

DANCE studio 4 (BALLET)

L3 ANIMATION + PAINTING

ANIMATION studio 1

SPECIALIST STUDIO

ANIMATION studio 2

DIGITAL ART studio 1

The urban ideal of permeability is reinforced by the blurring of street, building and landscape.

DIGITAL ART studio 2 seating + lockers female

acc.

PERFORMANCE / LECTURE HALL / OPEN STUDY ZONE

male

LIFT 1

LIFT 2 individual study zone

CASUAL PAINTING STUDIO

PAINTING studio 1

PAINTING studio 2

PAINTING studio 3

5 6

PAINTING studio 4

1:100 @ A1

PAINTING

POST PRODUCTION studio

PHOTO. studio 2

PHOTO. studio 1

seating + lockers female

male

LIFT 2

CHEMICAL + INK STORAGE

PRINT MAKING studio 2

PRESS 1 PRESS 2

PRESS 3

individual study zone

PRINT MAKING studio 1

FORECOURT

CAFE / RETAIL

FIRE STAIR

LOADING BAY

CRAFT BASED STUDIO

THE GREEN

M / F / A AMENITIES

10.

GRAND STAIR

11.

LIFT

12.

COOKING SCHOOL

13.

RESTAURANT

14.

RECEPTION

15.

ENTRY

16.

VOID OVER

17.

SCULPTURE STUDIO

18.

STAIR FROM CARPARK

19.

VILLAGE GREEN

20.

NON SHARED ROAD

acc.

LIFE DRAWING STUDIO

SHARED ROAD

BELOW

DARK ROOM

LIFT 1

PUBLIC REALM

WORKSHOP BELOW

L4 PHOTOGRAPHY + PRINT MAKING Fine Art Centre LEVEL 3 FLOOR PLAN ANIMATION Logan City Centre

PRINTING

DRYING RACKS

1:100 @ A1

4 FLOOR PLAN ROOFLEVEL LEVEL

PHOTOGRAPHY PRINT MAKING

Fine Art Centre Logan City Centre

BOX GUTTER

3.00

15 GLASS

3.00

1:100 @ A1

GROUND LEVEL

GROUND LEVEL KIT. 1 SFA HEADQUARTERS

CAFE

KIT. 2 LOADING

KIT. 3

SHARED

PLANT

AMENITIES

OFFICE

DELI

MARKET

RETAIL

TOWN SQUARE

SECOND LEVEL

VOID

BAR

RESTAURANT

TOWN SQUARE

COMMERCIAL - Gourmet Deli + Market | SFA Headquarters 2014 Situated within a masterplanned commercial precinct located on the site of Victoria Park Golf Complex, Kelvin Grove. Proposal comprises: • Street Food Australia (SFA) Headquarters including - Bike based business facilities - Cafe - SFA Staff Facilities • Gourmet Market with Fresh Produce, Deli and small scale Retail • Bar and Restaurant Mezzanine overlooking Town Square Masters Studio A led by Peter Wolff. Modeled, documented and rendered in Revit. Post production in Photoshop. Physical model laser cut.

GOVERNMENT - Woodfordia Centre of Governance 2013 This proposed centre of governance was situated within the fictional context of a permanent community established at Woodfordia, the site of the Woodford Folk Festival. This centre reimagines what governance would look like for a community that donâ&#x20AC;&#x2122;t necessarily want to be governed. Situated on Clydeâ&#x20AC;&#x2122;s Pond, it comprises two structures in dialogue. Fourth Year Studio led by Murray Lane. Modeled and rendered in Revit, post production in Photoshop + Illustrator.

GROUP COLLABORATIONS - 2013 Artist accommodation proposal for Woodfordia, Woodford Queensland. Cabin structure to allow for tiered positioning on steep site. Sustainable design principals including: • Trombe Wall heating system • Clerestory window ventilation • Stilt construction for minimised footprint

GROUP COLLABORATIONS - 2013 Theoretical application of the â&#x20AC;&#x2DC;Follyâ&#x20AC;&#x2122;. Bunker / silo like structure buried in the grounds of Howard Smith Wharves. Spatial form developed to evoke specific emotive response.

ARCHITECTURAL DOCUMENTATION - 2012 Measured, Design Development and Construction documentation sets for small scale industrial and commercial projects produced under supervision of team leader. Technical documentation completed in Revit.

EXISTING FENCE. NOT SHOWN FOR CLARITY

STORAGE RACKS TO BE INSTALLED

EXISTING AWNING

EXISTING ROOF

UPPER PARAPET 33100

28922

BUNK AREA

WAREHOUSE

1668

MEZZANINE STORAGE AREA

UNISEX ACCESSABLE TOILET

EXISTING SLAB AND FOOTINGS

SHOWROOM

6900

MEZZANINE F.F.L.

2722

ADJACENT BUILDING

LOWER PARAPET 30590

2510

REECE PRIMARY WALL SIGN 2, LEFT (6000 x 1500mm HIGH) WITH LLUMINATED LETTERING MODEL NO.PW2-6000-P-I-L

GROUND F.L. 26200

1 WD-100

WD-500

SECTION 1 : 100

EXISTING FENCE. NOT SHOWN FOR CLARITY

STORAGE RACKS TO BE INSTALLED

EXISTING AWNING

EXISTING ROOF

UPPER PARAPET 33100

28922

MEZZANINE STORAGE AREA

21C'S OFFICE

WAREHOUSE

TRADE AREA

MANAGER'S OFFICE

GROUND F.L.

EXISTING SLAB AND FOOTINGS

SHOWROOM

6900

1668

MEZZANINE F.F.L.

2722

ADJACENT BUILDING

LOWER PARAPET 30590

2510

REECE PRIMARY WALL SIGN 2, LEFT (6000 x 1500mm HIGH) WITH LLUMINATED LETTERING MODEL NO.PW2-6000-P-I-L

26200

2 WD-100

WD-501

SECTION 1 : 100

EXISTING FENCE. NOT SHOWN FOR CLARITY

STORAGE RACKS TO BE INSTALLED

EXISTING AWNING

EXISTING ROOF

UPPER PARAPET

MEZZANINE STORAGE AREA

21C'S OFFICE

WAREHOUSE

GROUND F.L.

TRADE AREA

1668

MEZZANINE F.F.L. 28922

MANAGER'S OFFICE

EXISTING SLAB AND FOOTINGS

SHOWROOM

2722

ADJACENT BUILDING

LOWER PARAPET 30590

2510

REECE PRIMARY WALL SIGN 2, LEFT (6000 x 1500mm HIGH) WITH LLUMINATED LETTERING MODEL NO.PW2-6000-P-I-L

6900

33100

26200

3 WD-100

GENERAL NOTES

ISSUE

SECTION 1 : 100

DATE

REVISION

w illisgreenhalgharc hit ec t sw illisgreenhalg

CLIENT

LOCATION

SCALE

DATE

DRAWN BY

WALL TO BE INSULATED IN ACCORDANCE WITH QBEARS REPORT

TRADE AREA

MANAGER'S OFFICE

W01 ALUM. WINDOW TO REECE STD. DETAIL

SHOWROOM

BUNKING AREA

TRADE AREA 9mm MR MDF LINING PAINT FINISH

HI-260 DEXION BUNKS

TIMBER REVEAL PLASTERBOARD LINING FLUSH WITH WINDOW. PAINT FINIHSH

WALL TO BE INSULATED IN ACCORDANCE WITH QBEARS REPORT

ANTI-FATIGUE MATTING

VINYL FLOORING TO SPECIFICATION

SKIRTING

VINYL FLOOR FINISH TO SPECIFICATION

HORIZONTAL FIXING RAILS @ 1200 CRS. ALTERNATING ABOVE FLOOR LEVEL

1200 AFFL TOOL WALL TO REECE STD. DETAILS WALL TO BE INSULATED IN ACCORDANCE WITH QBEARS REPORT POLISHED CONCRETE

BOTTOM PLATE

BOTTOM PLATE SKIRTING

TRADE WORKSTATION. REFER TO REECE JOINERY DOC. FOR SPECIFICATION

9mm MR MDF LINING PAINT FINISH

MDF LINNING PAINT FINISH

WALL TO BE INSULATED IN ACCORDANCE WITH QBEARS REPORT

BOTTOM PLATE

EXISTING TILT PANEL WALL

BUNK END WALL

1100 SILL HEIGHT

PLASTERBOARD LINING PAINT FINISH

TIMBER STUD WALL

LCD TV REFER TO REECE SPEC.

HI-260 DEXION BUNKS

MANAGER'S OFFICE

TROFFER LIGHT

TIMBER BEARER TO STRUCT. ENG.'S DETAILS

TIMBER BEARER TO STRUCT. ENG.'S DETAIL

EXISTING TILT PANEL WALL

W03 ALUM. WINDOW TO REECE STD. DETAIL

2400 AFL

FLUSH PLASTERBOARD BULKHEAD @ 2400 AFFL PAINT FINISH

9mm MR MDF PAINT FINISH

28922

PLASTERBOARD LINING PAINT FINISH

2722

STRUCTURAL MEMBER TO STRUCT. ENG'S DETAIL

CEILING INSULATION REFER TO QBEARS REPORT FOR 'RVALUE' RATING

TIMBER HARDWOOD JOISTS TO STRUCT. ENG.'S DETAIL

BEARERS TO STRUCT. ENG.'S DETAILS

SUSPENDED CEILING GRID @ 2400 AFFL

MEZZANINE F.F.L. SUSPENDED TILE CEILING 2700 AFFL

9mm MDF CEILING PAINT FINISH

TROFFER LIGHT

STRUCTURAL MEMBER TO ENGINEER'S DETAILS

SUSPENDED TILE CEILING @ 2700 AFFL

25mm BLUE TONGUE FLOORING TO STRUCT. ENG.'S DETAILS

CEILING INSULATION REFER TO QBEARS REPORT FOR 'R-VALUE' RATING

EXISTING TILT PANEL WALL

CEILING INSULATION REFER TO QBEARS REPORT FOR 'RVALUE' RATING

CEILING INSULATION REFER TO QBEARS REPORT FOR 'R-VALUE' RATING

TIMBER HARDWOOD JOISTS TO STRUCT. ENG.'S DETAILS

SUSPENDED CEILING GRID OVER SHOWROOM SUSPENDED CEILING GRID @ 2700 AFFL

25mm BLUE TONGUE FLOORING TO STRUCT. ENG.'S DETAILS

300

CEILING INSULATION REFER TO QBEARS REPORT FOR 'RVALUE' RATING

MEZZANINE STORAGE AREA MEZZANINE CHAIN WIRE MESH FENCING

2400

MEZZANINE STORAGE AREA

PAINTED CONCRETE TO SPECIFICATION

PAINTED CONCRETE

ANTI-FATIGUE MATTING

BOTTOM PLATE

GROUND F.L. 26200

1 WD-400

MANAGER'S OFFICE WALL DETAIL 01 1 : 20

ISSUE

DATE

REVISION

2 WD-400

MANAGER'S OFFICE WALL DETAIL 02 1 : 20

3 WD-401

BUNKING EXTERNAL WALL DETAIL

4 WD-401

1 : 20

w illisgreenhalgharc hit ec t sw illisgreenhalg

CLIENT

TRADE BULKHEAD DETAIL 1 : 20

LOCATION

5 WD-401

TOOL WALL SECTION 1 : 20

SCALE

DATE

DRAWN BY

ROOF OVER ENTRY STAIR REFER DESIGNER.

GROUND FLOOR SUSPENDED CEILING HEIGHT AFFL 3260 16 15 14 13 12 11 10 9

BEAM OVER

LINE OF ARCH OVER 8

14889

16 RISERS @ 160.9 9

10 11 12 13 14 15 16 17 18

LINE OF ARCH OVER

IS R

0.9 16

ENTRY BELOW

LINE OF TUNNEL BELOW 19

516

20 22

CAMERA CORRIDOR

DIARY ROOM

600

BBH0014D GANTRY LEVEL ARCHES REFER DRAWING: BBH-017/14.

DN EXISTING COLUMN

EXISTING COLUMN

EXISTING COLUMNS STAIR DOWN. REFER DESIGNER.

REFER DESIGNER FOR ALL CONNECTIONS BETWEEN GYM FACADE AND DIARY ROOM FACADE

D61

32 50

17 9.2 8 @

R IS ER S

0 70

BELOW GROUND FLOOR SUSPENDED CEILING HEIGHT AFFL 3260

LANDING

D64 EXISTING COLUMNS

TREE HOUSE

TREE HOUSE NOTES FROM WALK THROUGH: 1. CHECK SAFETY HEIGHTS. 2.SMALL VERANDAH. VERANDAH POSSIBLE TO HIDE BEHIND. 3. AUTOMATED STAIR. 4. FAUX (OR REAL) TREE TO FACE: 'HOLDING UP HOUSE'. 5. 3100H CEILING. 6. DROP DOWN RAIL. 7. REFER TO ATTIC OR BOAT STAIRS.

REFER DESIGNER

LANDING

REFER DESIGNER FOR TRANSITION BETWEEN OUTSIDE LANDING AND INTERNAL CAMERA CORRIDOR.

GANTRY LEVEL 1 : 100

300286

1571

900

938

APPROX. OPENING FOR CURVED WALL: 1489mm

UNDERSIDE OF EXISTING SUSPENDED CEILING

CURVED WALL

150 600 150

GLASS

938

APPROX. OPENING FOR CURVED WALL: 871mm

900

1571

APPROX. OPENING FOR CURVED WALL: 871mm

CAMERA GLASS RUNS VERTICALLY

QUILTED PANEL 50mm DEEP ADD ON

CURVED WALL

150 600 150

REFER DRAWING BBH-012/14 FOR COLUMN AND PLINTH DETAIL.

BEDROOM 2 A-A 1 : 50

765

300

1525

127

APPROX. OPENING FOR CURVED WALL: 1489mm

SEATING NOOK

CURVED WALL

220

WALL SCONCES TBA. REFER DETAIL, TIM AND DESIGNER.

TABLE

PROPOSED QUILTED BED LINE OF BOUDIOR HEAD. FLOOR 280mm AFFL REFER TO FLOOR PLAN, DETAIL AND DESIGNER.

765 PROJECT: DRAWING: NUMBER: REVISION: DATE: DESIGNER: SCALE:

UNDERSIDE OF EXISTING SUSPENDED CEILING

500

820

TABLE

FL: 00

276

CAMERA GLASS RUNS VERTICALLY

CAMERA GLASS 600

600

1800

BOUDIOR D

1100

2160

Internal Details Internal 3D Perspectives Facade Elevations + Details Construction Details Fire + Electrical Plans Door Schedule

LINE OF FLOOR PLANT ON AND ARCH BELOW

GYM

GLASS 1560

• • • • • •

RAIL

LINE OF EXISTING FACADE OVER.

3260

Existing Plans Demolition Plan Floor Plans Plan Details Extended Internal Elevations Internal Sections

PLINTH 500W X 1000H X 500D

0 55

1100

• • • • • •

WALL AND PLANT ON. REFER DETAIL AND DESIGNER

APPROXIMATE LOCATION AND DIMENSIONS OF GANTRY

14889

This incredible opportunity immersed me into an environment where functional space and theatrical set merge to form a highly composed and hyperreal world. Close collaboration with Production Designer, Set Designer, head of construction, senior set builders and set building team. Modeled and documented in Revit, outputs included:

POOL

915

+3540 HEIGHT

SUN DECK / CHILL OUT ZONE

D60

5380

EXISTING COLUMN

2034

SET DOCUMENTATION - Big Brother House 2014

OVERALL INTERNAL (TILT TO TILT)

29778

EXISTING COLUMN

REFER DRAWING BBH-012/14 FOR COLUMN AND PLINTH DETAIL.

NOTE: FINISHES TO WALL AND SURFACES TBA REFER DESIGNER. LIGHTING TBA. REFER DETAIL AND TIM. ALL DIMENSIONS ARE STUD DIMENSIONS. WALL FINISH GYPROCK/PLY/TILE UPHOLSTERY ETC. ON TOP OF DIMENSIONS SHOWN.

FL: 00

BIG BROTHER HOUS

GANTRY LEVEL FLOOR

BBH-002/14 1 27.06.2014 R. BRUNSDON 1:100 @ A1

EXISTING COLUMN

350 X 350 TRUSS LEGS SUPPORTING TRUSS OVER MIRRORED ACRYLIC WALL PANELS. REFER DESIGNER.

2650

1100

2300

STEALTH SCREENS. 1150W x 2880H

PRODUCED BY AN AUTODESK STUDENT PRODUCT

EXISTING COMPONENT OF EYE STRUCTURE

MIRRORED ACRYLIC WALL PANELS. REFER DESIGNER.

EXISTING COLUMN

+260

EXISTING COMPONENT OF EYE STRUCTURE CONCRETE FLOOR SLOPES DOWN TO FRONT STAGE

REAR STAGE

350 X 350 TRUSS OVER

350 X 350 TRUSS LEGS SUPPORTING TRUSS OVER LIGHT BOX 10

MIRRORED ACRYLIC CAMERA BASE

SEATING

7 6 5 4 3 2 DN 1

ADDED STAIR MIRRORED ACRYLIC

18 HANGING STEALTH SCREENS. 1150W x 2880H

RELOCATED POSTITION OF STEALTH SCREENS IN INTIMATE AUDIENCE MODE

NUMBER: REVISION: DATE: DESIGNER: SCALE:

BBA-004/14 1 30.07.2014 R. BRUNSDON 1:50 @ A3

4200

5000 3200

CURVED SCREEN, REAR PROJECTION. 10198 X 3200H

350 X 350 TRUSS LEGS SUPPORTING TRUSS OVER

STAGE DOCUMENTATION - 2014

PROJECT:

BIG BROTHER AMPITHEATRE 2014

DRAWING:

FRONT STAGE FRONT VIEW

NUMBER: REVISION: DATE: DESIGNER: SCALE:

BBA-003/14 1 30.07.2014 R. BRUNSDON 1:50 @ A3

14 DN

DN 15

SEATS TO BE REMOVED

ACCESSIBLE SEATING EAST WING

MIRRORED ACRYLIC

HOST POSITION

3750

3380

WEST WING

DN 18

LIGHT BOX DN

PAINTED SAME AS STAGE

LINE OF STAGE EXTENSION REBATED LED LIGHTING

FRONT STAGE 350 X 350 TRUSS ARCH OVER

HOST ENTRY STAIR

CURVED SCREEN, REAR PROJECTION. 10198 X 3200H

5 RISERS @ APPROX. 150 15 80

14 80

1465

4494

1 : 50

SEATING

0 35

FRONT STAGE

SEATING DN

475

1000

MIRRORED ACRYLIC WALL PANELS. REFER DESIGNER.

SEATING

12650

PRODUCED BY AN AUTODESK STUDENT PRODUCT CURVED WALL. REFER FLOOR PLAN.

1580

REAR STAGE FRONT VIEW

4750

BIG BROTHER AMPITHEATRE 2014

7 RISERS @ 187

PRODUCED BY AN AUTODESK STUDENT PRODUCT

PROJECT: DRAWING:

PRODUCED BY AN AUTODESK STUDENT PRODUCT

CURVED WALL. REFER FLOOR PLAN.

350 X 350 TRUSS ARCH

HOST ENTRY STAIR 5 RISERS @ APPROX. 150

+00

+150

EXISTING COLUMN

CATWALK: RAMPS DOWN

1 : 50

MIRRORED ACRYLIC ROOF PANEL CONNECTING WALL PANELS. REFER DESIGNER.

6750

1200

BACK OF HOUSE

PRODUCED BY AN AUTODESK STUDENT PRODUCT

DRIVE WAY MIRRORED ACRYLIC ROOF PANEL CONNECTING WALL PANELS. REFER SECTION AND DESIGNER.

REAR STAGE

PRODUCED BY AN AUTODESK STUDENT PRODUCT

CAMERA BASE

MAIN SECTION

5334

3350

2900

PRODUCED BY AN AUTODESK STUDENT PRODUCT

3500

MIRRORED ACRYLIC ROOF PANEL CONNECTING WALL PANELS. REFER SECTION AND DESIGNER.

350 X 350 TRUSS OVER

Elevations, Sections and Plans produced for stage set used for live recordings. Under supervision of Production Designer. Technical documentation completed in Revit.

DRESSING ROOMS

AMPITHEATRE PLAN

16300

1 : 100

MAIN SECTION

PRODUCED BY AN AUTODESK STUDENT PRODUCT

EXISTING COLUMN

PRODUCED BY AN AUTODESK STUDENT PRODUCT

7250

PROJECT:

BIG BROTHER AMPITHEATRE 2014

DRAWING:

AMPITHEATRE FLOOR PLAN

NUMBER: REVISION: DATE: DESIGNER: SCALE:

BBA-001/14 2 21.07.2014 R. BRUNSDON 1:100 @ A1

EXISTING COMPONENT OF EYE STRUCTURE EXISTING COLUMN 350 X 350 TRUSS OVER 350 X 350 TRUSS LEGS SUPPORTING TRUSS OVER

350 X 350 TRUSS LEGS SUPPORTING TRUSS OVER

MIRRORED ACRYLIC ROOF PANEL CONNECTING WALL PANELS. REFER DESIGNER.

2500

LINE OF EXISTING CATWALK

LINE OF STAGE EXTENSION

950

EITHER SIDE OF CATWALK

300

STAGE EXTENSION

SEATS TO BE REMOVED HERE EITHER SIDE OF CATWALK TO ALLOW FOR STAGE EXTENSION

3750

EXISTING TIMBER STRUCTURE SUPPORTING CIRCULAR STAGE PLATFORM

STAGE TO FIRST ROW

MAIN SECTION 1 : 50

200

LINE OF FRONT ROW OF SEATS

3845

HOST POSITION

4568

MIRRORED ACRYLIC

SEATS TO BE REMOVED

CAMERA BASE CATWALK: LOWERED. MIRRORED ACRYLIC AND LIGHT BOX TO TOP - REFER DWG BBA-001/14. MIRRORED ACRYLIC TO SIDE FACES.

DRIVE WAY

+150 +00

REBATED LED LIGHTING. REFER FLOOR PLAN.

SEATING

2900

+260

LIGHT BOX EMBEDDED IN FLOOR MIRRORED ACRYLIC

LINE OF EXISTING STAGE

REAR STAGE

300

3200

HOST POSITION

RAIL EXTENDED FOR ADDED STAIRS. REFER DESIGNER AND NCC.

MIRRORED ACRYLIC WALL PANELS. REFER DESIGNER. 2300

EAST WING FACADE

3350

18 HANGING STEALTH SCREENS. 1150W x 2880H APPROX. 2500 AFL

2650

FRONT STAGE CURVED SCREEN, REAR PROJECTION. 10198 X 3200H

1100

5700

CURVED WALL. REFER FLOOR PLAN.

1000

350

350 X 350 TRUSS ARCH OVER

7 RISERS @ 187 ADDED STAIR

CONCRETE FLOOR SLOPES DOWN TO FRONT STAGE

This extra curricular project was an amazing collaborative experience. Together we created a curated, ephemeral interior environment set inside an inconspicuous shipping container. The library was equal parts art installation, theatrical set and urban oasis.

COLLABORATIVE DESIGN - Anywhere Theatre Festival 2014

Project

A Library for the End of the World

Location

Absoe Factory, West End, Brisbane

Lead

Sarah Winter

Team

Selected Creative Writing, Visual Art, Dramatic Art and Architecture students from QUTâ&#x20AC;&#x2122;s Creative Industries faculty.

EVENT DESIGN My role in event planning and management allowed me to initiate Personal + Professional Development opportunities for my Creative Industries peers. Creative roles included the following outputs: • • • • • •

Graphic and marketing materials Theming and Styling Large scale installation pieces Stage Design Conceptual Design Decoration Design

STUDENT FILM - 2011 This group project produced in second year aimed to utilise film as a means of examining the fabric of the city and the architectural expression within it. Click still image to play in youtube.

DETAILS Genevieve Anderson Mobile 0416 801 778 Email genevieveanderson116@gmail.com 2008 Bachelor Fine Art 2013 Bachelor of Design (Architectural Studies) 2015 Master of Architecture