CURRICULUM VITAE
Full name: Gentrit Krasniqi Date of birth: 19/05/1994 Place of birth: Drenas, Kosovo Nationality: Kosovar 0038649525807 gentritikrasniqi@gmail.com Prroni i Njelmet 412, 10000, Prishtina, Kosovo facebook.com/gkrasniiqi instagram.com/gentivs_theconqueror
REFERENCES Dr. Lulzim Beqiri
Dean in the Architecture Department in UBT
can. PhD. Banush Shyqeriu.
Lecturer of Studio Design & Thesis Supervisor
Ing. Dipl. Ark. Nazmije Tora
Urbanism Senior Official at the Municipality of Prishtina
M.Sc Arbër Shala Founding Partner at 2AE Bureau and ASHA Architects
can. PhD. Bagdiné Fekete Orsolya Lecturer at SZIE & Thesis Supervisor
GENTRITKRASNIQI ARCHITECT DESIGNER LANDSCAPER EDUCATION
WORK EXPERIENCE
University for Business and Technology oct 2012 - nov 2015
Pristina, Kosovo
Bachelor of Science in Architecture and Spatial Planning (three years including the bachelor thesis).
The Rochester Institute of Technology Kosovo, AUK nov 2015 - jul 2016
Pristina, Kosovo
Completion of AUPP Cohort Transformation Leadership Programe at American University of Kosovo.
jun 2014- aug 2014
Pristina, Kosovo
Creating electronic floorplans for elementary schools in Pristina and projecting necessary inventory for existing classrooms.
HYLLUS Architects Intern Architect dec 2015- feb 2016
Pristina, Kosovo
Helping with various duties around the office, focusing primarily getting to learn more about conceptualization.
MORPH Training Centre may 2016 - jun 2016
Dept of Urban Planning at the Municipality of Prishtina Full-Time Officer
Pristina, Kosovo
Certified training course in Autodesk 3ds MAX, proficiency in 3D Studio Max and VRay, in modelling and rendering.
2AE Architecture and Design Junior Architect
Szent Istvรกn University Master of Arts in Landscape Architecture, Urbanism and Garden Art (two years including the master thesis).
Draughtsman, delineation and technical support. Working in various residential and commercial projects, all the time being in direct contact with clients, continuing with technical drawings and visualization, and working closely in the interior design department.
PROFICIENCY
LANGUAGE
sep 2017 - jun 2019
OS Windows Mac Os X Office Word PowerPoint 2D AutoCAD ArchiCAD 3D Modelling 3ds Max SketchUP 3D Rendering 3ds Max VRay Image Photoshop Illustrator
Budapest, Hungary
mar 2016- jun 2017
Pristina, Kosovo
Albanian English Spanish
HOBBIES DRIVING PROFICIENCY
B-B1
Desiging the “DREAM” instalacion
landscape design
Urban Furniture: Convergence of order and chaos
Bachelor thesis: “Kindergarden”
architecture design
TABLE OF CONTENT
Drafting of pergolas and wooden decks
technical drafting work
Construction and design of the whole store “ESSIOR”
construction work
Interior design of apartments and commercial spaces
interior design
Drafting of pergola and wooden decks
Drafting of pergola and wooden decks
Elemental pavilions of Szentendre
Master thesis: “Reimagining urban playscapes”
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architecture design
BACHELOR THESIS
De s i g n i n g t h e kin der gar den f or child ren a s the ma in sub jec t o f the b a c hel o r t h e si s.
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B
gjedhur është në lagjen Përroi i Njelmët, një lagje në perferi të Prishtinës, dhe ky
përzgjedhur si rezultat i mungesës së një institucioni parashkollorë, ku prindërit e
sin në vështirësi në baza ditore që të transportojnë fëmijët e tyre në qerdhe tjera që larg. Zgjedhja e parcellës ka rrjedhur si rezultat i analizimit të një hapësire të lirë
ektohet lirshëm, dhe ku objekti i paraparë mund të frymojë lirshëm në kontekst, dhe
ikë qendrore në lokacion. Parcella është relativisht pranë rrugës, dhe duke marrë
dodhjen e lagjes “Përroi i Njelmët” në kontekst urban të qytetit të Prishtinës, kjo
ë lidhje organike të lagjeve të vendosura në kufi të Prishtinës në lidhje me qytetin e
agjet tjera që janë të lokalizuara në dalje të Fushë Kosovës.
onale që kryen parcella ka ndikuar në rritjen e kapacitetit të qerdhes, duke shërbyer
v dhe arsimor edhe për fëmijët e lagjeve të tjera.
E
A
B
A
0m
5m
10m
0.00m = 578.5m
GENTRIT KRASNIQI
Nr. i ID-së: 121330580
INSTITUCION PARASHKOLLOR - QERDHE
Lokacioni: Arbëria 3, Prishtinë.
SITUACIONI I GJERË
Përpjesa: 1:500
and.Dr. BANUSH SHYQERIU M.Arch
Data: 20.11.2015
architecture design
“DREAM� INSTALLATION
De s i g n i n g t h e ar chitectu r al in s tal la tio n fo r a furniture c o mp a ny. The goal of all humanity is to be happy and their time on this planet to be valued, in order to achieve bursts of happiness after hard work. We, as a society spend a third of the day working, always with a goal to achieve something more and that our future is a bright reflection of the present. At the end of the day, tired and stressed, we do not appreciate the surrounding environments that we have, and we are just delighted to have a bed to sit on it and rest, stripping that piece of furniture from its architectural values and ignoring its effect on us. The concept of defining the space that will define the boundaries of this installation has been the return to simplicity, where the essence is fundamental and any other element will be of secondary nature. Installation is a bare space of the solid physical limitations that we see on daily basis, without limitations that prevent us from looking beyond the physical space and ignoring a tendency for our space to be synonymous with our emotional state. The main structure of the installation is materialized with metal profiles, and as such defines the gradient boundaries of the installation. Entrances to the installation are thought to be materialized with metal profiles that emit light, and as such create a kind of metaphorical invitation in the interior. Where a bench is advertised for rest, the table is presented as a silhouette of a real table, giving the criterion of appreciation to that bench, and the same principle has been passed on to other parts of the installation. This installation provides a new perspective for us as a society to focus on the spiritual tranquility that we aim through reflecting our inner state through the environment in which we live. Our home, our living room and our kitchen are not spaces where we have to spend our time, thus denigrate them to the level where they are seen only as resting and eating space, but a real reflection of our thoughts, ideologies, feelings and dreams, where the harmony of the space with humans is primary.
The process of abstraction
Creating visual contours
Elevation reflection
C
i ub
Fo
cv
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a Fin
l
um ol
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ng
a sh
pe
Outside contours The openings (Doors and windows) Circulation
architecture design
CONVERGENCE OF ORDER AND CHAOS
De s i g n i n g ur ban f u r nitu r e that s erv e a s fo c a l p o ints in the urb a n o p en sp ace o f t h e ci t y. We start off with a bench. We acknowledge the traditions behind it, the memories of dead people who used to sit on these places. This is order. We introduce new shapes, new forms and new functions. New habits and forces come into play. This is chaos. A clash happens. A composition of two forces at one. Nothing sits still, everything tries to resist and take over, and perpetually everything stays calm. We end up with meaning. Ch
Ch
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CHAOS
IS WHERE THINGS ARE SO COMPLEX THAT YOU CANNOT HANDLE IT, AND
THAT IT IS TOO RESTRICTIVE .
IN BETWEEN
ORDER
IS WHERE THINGS ARE SO RIGID
THAT THERE IS A PLACE , A PLACE THAT IS MEANINGFUL .
- JORDAN B. PETERSON
landscape design
MASTER THESIS
Re i m a gi n i n g t he u r ban pl ays capes fo r c hild ren a s the ma in sub jec t o f the ma st e r t h e si s.
playscape
object
subject
environment
playscape
hue
angular organic
symbiosis
valu
e
ion rat
satu
colors to embace
colors to rethink
DESIGN PRINCIPLE: COLOR
massive
medium
intimate
DESIGN PRINCIPLE: SCALE & PROPORTION
symbiosis
closed space
DESIGN PRINCIPLE: FORM & SHAPE transition space
open space
DESIGN PRINCIPLE: SPACE
environment angular
subject
organic
object
1
LET NATURE TAKE ITS COURSE
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SUBSTANCE, NOT APPEARANCE
2
MORE NATURAL, LESS MAN-MADE
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ENCOURAGE CHILD NARRATIVE, NOT ADULT-CENTERED PLAY PLAYGROUND
ORGANIZED SPORTS
HOME
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EXPERIENCE, NOT STATIC POINT
PLAY
design environment object subject
A
Y
emphasys
size
PL A
DESIGN PRINCIPLE: UNITY
highlight
color
PL
focal point
PLAY
PL
similarity
DESIGN
Y PLA
P L AY
rhythm
interaction
AY
proximity
materials
PL
PLAY
SCHOOL
continuation
DESIGN PRINCIPLE: BALANCE
AY
integration
smooth bumpy color value
fuzzy
AY
DESIGN PRINCIPLE: DOMINANCE
harmony
squishy rough
grainy
size
slippery
density
DESIGN PRINCIPLE: TEXTURE
PL
Y PLA
PLAY PL
PLAY P L AY
P L AY
PL A Y
AY PL
AY PL
PLAY
PLAY
AY
PLA
HOME
PLAY
AY PL
Y
PL
Y
AY
PLAY
emphasys
3
DONT IMITATE, REFLECT
SCHOOL
Integrating playscapes into urban stopping nodes
SCALE
SPACE
miniature COLOR
FORM
transition
muted BALANCE
TEXTURE
symbiosis
density
DOMINANCE
UNITY
tactile
size
rhythm
Rethinking rooftops as urban green playscapes
SCALE
SPACE
medium
FORM
COLOR
open space
combined value
TEXTURE
BALANCE
symbiosis
value
DOMINANCE
UNITY
tactile
color
similarity
Unification of playscapes and open greenscapes
SCALE
SPACE
oversize
FORM
COLOR
closed space
desaturated
TEXTURE
BALANCE
symbiosis
size
DOMINANCE
UNITY
tactile
focal point
continuation
landscape design ELEMENTAL PAVILIONS OF SZENTENDRE De s i g n i n g a s us tai n able land ar t pro jec t fo r the a rtsy c ity o f Szentend re in H u n g a r y. Land art for a city that screams art is all about contextualization of the beautiful elements that we see in the streets of the town itself, abstracting the shapes of the town and composing a thematic trail with the four pavilions that represent air, water, fire, and earth. These pavilions, each telling a story of an element and highlighting a season, gather together and create this trail in front of the river of Szentendre. This thematic route will be located along the riverbank, and their local position is based on the water line in each season. The The The The
earth element is a representation of the Visegrád and Pilis mountains. air element is an eyecatcher redirecting your eyes toward the “ blue hour ”. water element tells the story of current water features and the past floods of the town. fire element is a tribute to the St. Florian, who is the patron saint of Szentendre.
L E GE N D spr i n g
earth
su mme r
air
autum
water
winter
fire
landscape design
Rร KOS creek
Re v i ta l i z i n g t he R รกk os cr eek as an ec o lo g ic a l urb a n g reenw a y p ro jec t.
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Public space Green institution
RAKOS CREEK View point ( info towers) ZONE 1 Focal point Public space at lower level
Junction 1 ( big scale) Junction 2 ( small scale)
1
D1 A
2 3 4
3
1
Z1 Z2
4
Z1 Linear park residential scale ( houses) Z3
Z3 Linear park residential scale ( houses) Z4 Linear park housing+industry ( Modern urbanism)
Water level bike and pedestrian path In order to restore the natural Water level bike and pedestrian path the condition of the creek, concrete borders are removed and replaced with appropiate vegetation for a water front.
poles etc)
B
Z2 Connecting Node ( Green institutions)
Connecting green way The Characther of this area is Ground level bike andresidential, pedestrian mostly duepath the type of and housing ( 2 floors)path the atmoWater level bike pedestrian sphere is warmer and secure. Varosliget We proposed to go down to the water level with a multifuntional Puskas Ferenc stadium plataform and paths. MTK Lantos MihĂĄly Sportcomplex
The view point tower will take the user to a higher level over the creek, in this way it´s possible to see the next stations along the project and the green spots which are posible to reach. A info-Board is located on the top, so the user can identified the whole project.
5
View point ( info towers)
Ground level bike and pedestrian path
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C
Z4
Water level bike and pedestrian path
Public space Green institution
Public space at lower lev
Levels diagram
View point ( info towers
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1.0 Focal1.5 point 2.0
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D1 A
3 Z1top view
Low heigth Info tower detail
Info board detail
Z2
WILOWW THICKETS
TALL HERB COMMUNITIES
Pastinaca sativa
Sagittaria Latifolia
Lytrum Salicaria
Lytrum Virgatum
Salix Alba
Humulus lupulos
Alnus incanta
Cross section A
landscape design
ROOFTOPS OF SZIE UNIVERSITY
De s i g i n g t h e r oof tops of the SZIE univ ersity w ith p la nting stra teg y a s the m a i n de si g n f a ct o r. The rooftop is located on Budapest, on the building of Szent Istvรกn University. The approach to design is to create a colorful place that creates a calm environment with green beds on the back, with the sky filling in the background. Rather than be something to look at, the design allows us to go inside, smell the flowers and marvel the colors in different seasons.
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interior design
interior design work and renderings
Di f fe r en t i n t er i or des i gn pr oj ects , in p riv a te a nd c o mmerc ia l sp a c es, b o th de si g n a n d r e n de r i n g
construction work De s i g n , m a n a gem ent and cons tr u ctio n o f the “ESSIOR” Sto re.
“ESSIOR” Store
technical work
Drafting technical work
Te c hn i ca l d r a ftin g of per golas an d wo o d en d ec ks a s la nd sc a p e furniture e l e me n t s.