A RCHITECTUR E | I NTER IOR DESIGN | GEO R GI A PETR I
P ORT FOL I O
March 2017
Georgia Petri
EDUCATION EDUCATION EDUCATION EDUCATION EDUCATION SKILLS EDUCATION EDUCATION
+44 (0) 7523869840 Walworth, London, SE173DU Master of Arts MA Interior and Spatial Design (Merit) PROFESSIONAL E X PER IENCE georpetr128@gmail.com Aug 2017Aug 2018
Architect
Registered at the Technical Chamber of Greece
Interior designer Interested in the animate as well as the inanimate of architecture, mainly in the fields of culture - museum and exhibition design, historical interpretations and conservation.
Aug 2017Aug 2017Aug 2018 Aug 2018 Aug 2017Aug 2017Aug 2017Aug 2017Junior Aug 2018 Apr 2017Aug 2017Aug 2018 Sep 2018 Aug 2018 Aug 2018 Jul 2017
Chelsea College of Arts, University of the Arts, London
Diploma in Architectural Engineering (8,61/10) Faculty of Engineering, Aristotle University of Thessaloniki
SKILLS SKILLS SKILLS SKILLS SKILLS SKILLS EDUCATION E SKILLS SKILLSSOFT WAR PROFESSIONAL E X PER IENCE Excellent social skills and team communication PROFESSIONAL E X PER IENCE PROFESSIONAL PER IENCE PROFESSIONAL XX PER IENCE PROFESSIONAL PER IENCE PROFESSIONALEEEX EX PER IENCE developed through working mainly on group projects PROFESSIONAL E X PER IENCE Management and Organisational skills
Architect at Delta Architects Studio Active and creative, easily adjustable to change of Intern Architect at Delta Architects Studio
work environment or projects Andrea Syngrou Av. 132, Athens, Greece Andrea Syngrou Av. 132, Athens, Greece Time management skills, able to deliver results and concept design meet deadlines under pressure (hotel interior spaces, retail spaces, furniture and lighting design)
Apr 2017Apr 2017Jul 2017 Jul 2017 Apr20172017Apr Mar Apr20172017Jul 2017 Apr 2017Jul 2017 Jul 2017 Jul 2017 Jul 2017
SOFT WAR E SKILLS SOFT WAR E SKILLS architectural drawings (interior and exterior design, furniture, landscape) SOFT WAR SKILLS SOFT WAR SKILLS WAR EEEESKILLS SOFT WAR SKILLS construction drawings SOFT SOFT WAR E SKILLS (interior design, furniture construction, landscape structures) on-site supervision Autocad 2D presentations Rhinoceros 3D PROFESSIONAL 3d modelsE X PER IENCE
Intern Architect at Delta Architects Studio SketchUp Intern Architect at Delta Architects Studio Andrea Syngrou Av. Athens, 132, Athens, Greece Andrea Syngrou Av. 132, Greece Intern Architect Delta Architects Studio Intern Architect Intern Architect atatDelta Delta Architects Studio Aug 2017Intern Architectatat DeltaArchitects ArchitectsStudio Studio Revit Andrea Syngrou Av. 132, Athens, Greece Intern Architect at Syngrou Delta Architects Studio Aug 2018 Andrea Av. 132, Athens, Greece Andrea Syngrou Av. 132, Athens, Greece Andrea Syngrou Av. 132, Athens, Greece V-Ray Andrea Syngrou Av. 132, Athens, Greece
3D Studio Max
Adobe Photoshop Adobe InDesign Adobe Premiere Adobe Illustrator MS Office
Oct 2018Oct 2018Sep 2019 Sep 2019 Oct 2018Oct 2018Oct 2018Oct 2018Sep 2019 Oct 2018Sep 2019 Sep 2019 Sep 2019 Sep 2019 Oct 2010Oct 2010March March 20172017 Oct20102010Oct Sep Oct20102010March 2017 Oct 2010March 2017 Mar 2017 March 2017 March 2017
Oct 2018Sep 2019
Oct 2010March 2017
SKILLS
Fluxes, Futures L ANGUAGES EFixes, PROFESSIONAL X PER IENCE
EDUCATION
Oct 2018Sep 2019 Sep 2014
Workshop at Aristotle University of Thessaloniki, Greece Aug 2017Aug 2018
Greek
Native Speaker
English Cambridge English : Proficiency (CPE) Fluency in written and spoken English, excellent understanding and communication
Imagine the city: I am a citizen, not just a resident Participatory Planning Workshop in Thessaloniki, Greece
Oct 2010 March 20
E X HIBITIONS SKILLS
SOFT WAR E SKILLS
Chelsea MA Summer Show 2019
Aug 2017Aug 2018
German Exhibition of the MA DesignSKILLS Project “Space Narrative”, London Goethe - Zertifikat C1 IENCE PROFESSIONAL E X PER Basic use of written and spoken German Change Over Time EDUCATION Apr 2017Jul 2017
WOR Kat SHOPS PROFESSIONAL EExhibition X PER IENCE Intern Architect Delta Architects Studio for the 60th Anniversary of Aristotle Thessaloniki Andrea Syngrou Av.University 132, Athens,of Greece Participation with the Diploma Design Thesis “Wandering in the Spaces of Encounter
Migrations, Architecture and Territory in Times of Change
Feb 2016
International Week at ULHT - Lusophone University of Humanities and Technologies Nov 2015 Apr 2017Jul 2017
Dec 2018
Biennale Architettura 2016 SOFT WAR E SKILLS
Presentation and exhibition of the conclusions and final evaluation of ECOWEEK Workshop, Venice 2016
SOFT WAR E SKILLS IN TER ESTS / ACTIVITIES SKILLS
EcoweekatThessaloniki 2015 : Studio Intern Architect Delta Architects
Sustainability in Public Space 10-year swimming practice and participation in races Andrea Syngrou Av. 132, Athens, Greece
PROFESSIONAL E Xmusical PER IENCE 8-year studies (piano) and participation in
concerts Studio HELLAΣTOCK - The Greek Word for Bellastock Apr 2017Intern Architect at Delta Architects Jul 2017 / An Ephemeral City Aug 2017Andrea Syngrou Av. participation 132, Athens, Greece in photography competitions Aug 2018 International Workshop in Athens, Greece
Oct 2016
Oc Sep
May 2016
Oc Ma
District of Light”, Thessaloniki
Intercollegiate Workshop in Thessaloniki, Greece Aug 2014 - Sep 2014
Sep 2019
Exhibition at the “Festival Village”, Southbank Centre, London
Aug 2017Aug 2018 Workshop at COAC - Colegio Oficial de International Arquitectos de Tenerife
Feb 2019
Oct 2012
Oct 2018 Oct 2010- Sep 2019 March 2017
cover photos: by order- Athens, Thessaloniki, Paros (Cyclades), London (personal archive)
SKILLS PROFESSIONAL PROJECTS SKILLS 1 Mayia Exclusive Resort and Spa PROFESSIONAL E X PER IENCE professional project
Aug 2017©2018 Delta Architects Studio All Rights Reserved Aug 2018
718
717
ACADE MIC PROJECTS PROFESSIONAL E X PER IENCE
2017 - 2018
Hotel Room Interior Design Deluxe Room Premiere Bungalow Suite
Leisure Facilities Interior Design
SOFT WAR E SKILLS
“Wasabi” A la carte Restaurant / “Oinos” Wine & Champagne Bar “Waterfront” Main Restaurant Mayia Spa
Apr 2017Jul 2017
Intern Architect at Delta Architects Studio to a Building Complex 2018 2 Entrance Andrea Syngrou Av. 132, Athens, Greece
professional project
©2018 Delta Architects Studio All Rights Reserved
3 Space Narrative
2018 - 2019
MA design thesis
Chelsea College of Arts, University of the Arts, London
4 Wandering in the District of Light diploma design thesis
2015 - 2016
SOFT WAR E SKILL
Aristotle University of Thessaloniki
5 Architecture History Museum academic project
Intern Architect at Delta Aristotle University of Thessaloniki
2014 - 2015
Architects Studio
Andrea Syngrou Av. 132, Athens, Greece
6 Designing on the Boundary Between Land and Sea
2014- 2015
academic project
Aristotle University of Thessaloniki
7 Landscape Design
2013- 2014
academic project
Aristotle University of Thessaloniki
8 Office Tower academic project
Aristotle University of Thessaloniki
2014- 2015
1 Mayia Exclusive Resort & Spa architecture, interior and landscape design ©2018 Delta Architects Studio All Rights Reserved personal work (G.P.): interior design, furniture design, construction drawings, on site construction supervision
Mayia Exclusive Resort & Spa (opened July 2018) is a newly built hotel unit of 12,496 m2 over a total area of 62,480 m2 located in the region of Kiotari in Rhodes Island. The primary element of the design is the central pathway that connects the main building (lobby, main restaurant, a la carte restaurant and spa facilities) with the pool area, other restaurants, bars leading all the way down to the beach. Water plays a dominant role in the whole complex, in the form of private and semi-private pools (swim-up) and other aquatic elements throughout the landscape. The perforation that “breaks” the volumes plays with the meditteranean sunlight and create changing patterns. The design elements that constitute the exterior spaces penetrate into the interior, resulting to a combination of classical aesthetics with organic forms.
Greece
8
Dodecanese Islands
Rhodes
hotel views photos by ©Yannis Kontos
hotel details construction process photos : personal archive complete project photos by ŠYannis Kontos
9
PRODUCED BY AN AUTODESK STUDENT VERSION
Deluxe Room 30m2 (G.P.) interior design (false ceiling, lighting), furniture design (headboard, desk, wardrobe), technical drawings
PRODUCED BY AN AUTODESK STUDENT VERSION
1.90
LAC
5.20
A VIEW
2.26
0.17
2.30
0.36
0.05
0.10
0.38
0.38
0.80
0.51
0.51
0.51
0.57
1.00
2.20
0.97
0.99 0.93
2.29
0.05 1.36
2.26
0.12 0.05
1.09
0.05
0.16
COFFEE MAKER
0.75
0.60
0.61
0.75
0.71
0.80
0.60
0.51
LUGGAGE RACK 0.50
0.60 1.09
1.96
TV
NOT INCLUDED
1.53
0.48
0.15
1.47
NOT INCLUDED
0.90
0.37
0.15 0.08
0.55
CAPAROL OFF-WHITE WALLPAINT
NOT INCLUDED
MINI BAR
0.06
2.63
0.10
0.02
PRODUCED BY AN AUTODESK STUDENT VERSION
0.49
0.55
WALL LAMP
1.01
0.03 0.03
1.01
HEADBOARD
0.55
2.00
DRAWER
HIDDEN LIGHTING BEHIND THE MIRROR
CURTAIN 2 RAILING SYSTEMS
TV
0.05
DRAWER
1.09
4.26
2.26
CHAIR
0.48
0.43
0.38
0.55
HIDDEN LIGHTING BEHIND THE MIRROR
0.04
0.55
0.10
PRODUCED BY AN AUTODESK STUDENT VERSION
0.02
WALL LAMP
BED RUNNER +2 DECORATIVE PILLOWS
2.53 0.100.16
0.32
0.68
MIRROR 3 SET
0.17
0.05 0.06
ARMCHAIR
1.22 0.16 0.06
0.05
0.15
0.15
0.99
C
0.02
D
A
B
0.55
0.02 0.15
0.02
HIDDEN LIGHTING BEHIND HEADBOARD
0.08
CURCUMA B25 CAPAROL WALLPAINT NOT INCLUDED
2.68
3.70
DECORATIVE CURTAIN
PRODUCED BY AN AUTODESK STUDENT VERSION
2.80
0.25
0.30
PRODUCED BY AN AUTODESK STUDENT VERSION
3.10
PRODUCED BY AN AUTODESK STUDENT VERSION
0.30
2 RAILING SYSTEMS
Π01 3,10 2,30 Υ.Π.=0,00
0.50
HEADBOARD
BLACKOUT 90% CURTAIN
CURTAIN 2 RAILING SYSTEMS
QUILTED FAUX LEATHER FABRIC
NOT INCLUDED
0.03
HIDDEN LIGHTING BEHIND HEADBOARD
0.17
SMOKED OAK
1.05
1.24
2.68
HIDDEN LIGHTING
0.03
D01 000 2.20
0.55
0.05
WARDROBE
1.80
PRODUCED BY AN AUTODESK STUDENT VERSION
10
0.10
2.25
2 DRAWERS
floor plan (G.P.)
C VIEW
DRAWER
MINI BAR NOT INCLUDED
LUGGAGE RACK
WARDROBE MIRROR
elevations (G.P.)
photos by ©Yannis Kontos
11
Premiere Bungalow Suite 40m2 (G.P.) interior design (false ceiling, lighting, partition), furniture design (headboard, desk, wardrobe), technical drawings 0.05
BEDSIDE TABLE
0.55
PRODUCED BY AN AUTODESK STUDENT VERSION
DESK UNIT
PARTITION
4.50
3.23
HIDDEN LIGHTING BEHIND HEADBOARD
4.48
2.10
LUGGAGE RACK
1.20
HIDDEN LIGHTING BEHIND THE MIRROR
0.10
TILE SKIRTING
0.04
HIDDEN LIGHTING BEHIND MIRROR MIRROR
0.04 0.04
0.04
TYPE B
3.28
3.30 0.00
2.70
0.60
TYPE A
HIDDEN LIGHTING
DESK UNIT
HIDDEN LIGHTING BEHIND HEADBOARD
FAUX LEATHER FABRIC
OAK
wood hidden lighting
0.02
0.48
3.75
0.04
HIDDEN LIGHTING BEHIND MIRROR
0.04
MIRROR
0.10
0.49
MINI BAR
0.94
PARTITION
0.02
0.02 0.02
BEDSIDE TABLE
0.04
0.48
0.55
1.12
HEADBOARD
PRODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
0.04
0.04 0.04
fabric
INDICATIVE HEADBOARD SECTION
PARTITION
1.10 2.33
0.06
0.12 0.12
0.54
1.58
0.59
0.06
0.71
0.60 0.35
2.35
2.34
floor plan (G.P.)
DRAWERS OAK DESK UNIT
HIDDEN LIGHTING BEHIND MIRROR
LUGGAGE RACK
DESK UNIT
DRAWERS
OAK
WARDROBE
elevations (G.P.)
0.03
0.55
OΨΗ C
12
0.96 0.04 0.04
mini bar
2.85
1.70
0.59
2.05
0.10
1.00
COFFEE MAKER
0.12 0.12
0.06
3.35
1.70
2.30
0.60
0.29 0.06
0.10
1.68
1.41
0.49
0.10
0.54
1.95
PRODUCED BY AN AUTODESK STUDENT VERSION
1.02
0.80 PRODUCED BY AN AUTODESK STUDENT VERSION
1.00
photos by ©Yannis Kontos
13
“Wasabi” A la carte Restaurant / “Oinos” Wine & Champagne Bar 780 m2
PRODUCED BY AN AUTODESK STUDENT VERSION
Level +6.20 m
0.05
0.20
0.20 0.28 0.20
PRODUCED BY AN AUTODESK STUDENT VERSION
5.83
5.83
5.23
4.87
ΦΤ 4
ΦΤ 2
3.20
3.20
4.00
3.40
3.20
4.20
+10.40/40.40
0.150.10
0.20
0.87
0.07 0.20 0.60
0.38
0.15 0.20
0.20
0.20
PRODUCED BY AN AUTODESK STUDENT VERSION
0.43
PRODUCED BY AN AUTODESK STUDENT VERSION
+10.40/40.40
0.60
PRODUCED BY AN AUTODESK STUDENT VERSION
(G.P.) interior design (decorative elements, materials, lighting, backdrop bar), technical drawings, construction supervision on site
+6.20/36.20
PRODUCED BY AN AUTODESK STUDENT VERSION
SCALE BAR 1 0 0
5 5
2 2
1
10
section / elevation (G.P.) ΕΙΣΟΔΟΣ ΗΜΙΥΠΑΙΘΡΙΟΣ ΧΩΡΟΣ 126.28M2
+3.20
ΔΩΜΑ
ΔΩΜΑ
4.28
0.20
I
0.35 0.85
4.8
1.42
4.11
4.10 82
0.25
4.08
KOINOY 3.55
0.80
0.25
3.25
0.40
0.30
αντίστοιχη τυπολογία με πηχάκια-περσίδες
7.21
Γ
3.20
3.12 3.28 3.5
3.13
5.14
+3.35
OT 250/24 DIM P 3.18
OT 130/24 DIM P
ΚΛΙΜ/ΣΙΟ K2 E= 17.94 M2
OT 130/24 DIM P
H
Δ
E
+3.35
Z
OT 250/24 DIM P
ΦO 4Δ
+3.40
+3.40
15.87
8.95
ACS K2
ACS K2
+3.35
0.85
+3.40
+3.90
+3.35
7.21 +3.90
+3.90
0.85
PRODUCED BY AN AUTODESK STUDENT VERSION
ΔΩΜΑ
SCALE BAR 1:100 22
55
10 10
ΔΩΜΑ
+3.40
WC ΑΜΚ
WCΑΠΟΘΗΚΗ
+3.90
PRODUCED BY AN AUTODESK STUDENT VERSIO
ΠΡΟΣ ΠΤΕΡΥΓΕΣ -7.00 / 23.00
+3.90
00
ACS K3
KOINOY
KOINOY
floor plan (G.P.)
ACS K6 ΠΡ/ΚΟΥ
5.12
ΦO 1
3.21
3.19
3 3.3 3.8
ΧΩΡΟΣ ΚΑΘΑΡ. ΣΕΡΒ. ΠΡΩΙΝΟΥ E=15.20 M2
5.15
ΦO 3
+3.90 ΦO 4Γ
3.7
3.6
5.11
5.13
5.10
+3.90
3.21
3.4
ΚΛΙΜ/ΣΙΟ K1 E= 17.94 M2
5.9
Θ 3.19
3.21 3.16
OT 130/24 DIM P
ΦO 4B
2.7
3.23 3.24
3.28 3.10 3.17 3.14
0.82 0.85
2.8
2.1
3.26 3.27
3.9
WC KOINOY E=25.60M2
WCΑΠΟΘΗΚΗ 0.70
3.22
3.2
ACS K1
0.82
0.82
0.25
ANOIΧΤΗ ΚΟΥΖΙΝΑ +3.40 3.1 E=140.44 M2
PRODUCED BY AN AUTODESK STUDENT VERSION
0.82
1.11
1.13
5.16
OT 130/24 DIM P
2.4 2.5 2.6
2.2
8.98
ACS K3
ACS K2 0.25
KOINOY
PRODUCED BY AN AUTODESK STUDENT VERSION
0.25
0.25
0.60 0.30
ACS K2
WC KOINOY E=25.60M2
14
3.87
ΚΛΙΜ/ΣΙΟ K2 E= 17.94 M2
2.3
ΔΙΑΔΡΟΜΟΣ - ΓΕΦΥΡΑ HΜΙΥΠΑΙΘΡΙΟΣ ΧΩΡΟΣ E=35.68 M2
Τ.ΣΤ +6.35/36.35 ΣΤ. ΜΠ. 6.20/36.20
1.33
4.11
SHAFT
1
OT 100/24 DIM P
Τ.ΣΤ +6.30/36.30 ΣΤ. ΜΠ. 6.20/36.20
5.37
0.67
1.5
2
1.15
1.12
0.37
1.14
1.10
ACS K5 ΠΡ/ΚΟΥ
ΚΡΥΦΗ ΠΟΡΤΑ
0.40
22 0.
0.96 5.4
1.6
4.3
ΔΙΑΤΡΗΤΟ ΣΤΗΝ ΟΡΟΦΗ
5.1 0.70
1.7
0.15
0.30
3.19 3.18
5.14 5.12
1.8
SHAFT
SHAFT
3.13 3 3.3 3.8
0.24
ACS K6 ΠΡ/ΚΟΥ
5.13
1.1
1.9 01
4.2
ceiling plan (G.P.)
ΠΡΟΣ ΠΤΕΡΥΓΕΣ -7.00 / 23.00
2.15
ACS K1
3.12 3.28 3.5
OT 60/24 DIM P
5.10
1.2
1.3
2.10
0.25
3.7
3.6
3.60
0.72
1.4
0.40
0.25 2.60
ΔΙΑΔΡΟΜΟΣ - ΓΕΦΥΡΑ HΜΙΥΠΑΙΘΡΙΟΣ ΧΩΡΟΣ E=35.68 M2
3.45
3.4
ΚΛΙΜ/ΣΙΟ K1 E= 17.94 M2
3.21
+0.17
0.51
ΧΩΡΟΣ ΚΑΘΑΡ. ΣΕΡΒ. ΠΡΩΙΝΟΥ E=15.20 M2
ΔΙΑΔΡΟΜΟΣ - ΓΕΦΥΡΑ HΜΙΥΠΑΙΘΡΙΟΣ ΧΩΡΟΣ E=35.68 M2
3.20
2.87 2.44
5.6 5.5
1.12
ODUCED BY AN AUTODESK STUDENT VERSION
3.21
0.20
5.6
BAR5.2 0.81
ΔΙΑΔΡΟΜΟΣ - ΓΕΦΥΡΑ HΜΙΥΠΑΙΘΡΙΟΣ ΧΩΡΟΣ E=35.68 M2
3.21
5.7
OT 100/24 DIM P
3.95
3.16
3.19
5.3
0.40
+0.35
2.7
3.23 3.24
5.15
2.60
3.25
0.41
0.25
2.1
3.26 3.27
3.28 Τ.ΣΤ 3.9+6.35/36.35 3.10 3.17 3.14 ΣΤ. ΜΠ. 6.20/36.20
5.11
5.9
2.15
3.22
3.2
2.58
0.55
ANOIΧΤΗ ΚΟΥΖΙΝΑ 3.1 E=140.44 M2
5.16
2.59
0.49
1.11
ΚΡΥΦΗ ΠΟΡΤΑ 5
OT 250/24 DIM P
SHAFT
1.15
80 τμ ξύλινο δάπεδο
5.18
1.10
1.12
2.8
ΧΩΡΟΣ ΚΑΘΑΡ. ΣΕΡΒ. ΠΡΩΙΝΟΥ E=15.20 M2
6
5.02
2
3.80
1.13
2.4 2.5 2.6
2.2
4.0
2.3
0.41
4.11
1
1.5
4.3
ACS K5 ΠΡ/ΚΟΥ
34
2.
1.14
5.8
0.55
4.2
1.1 1.6
7.3
1.7
ΦO 2
OT 250/24 DIM P
0.43
0.
6.2
1.8
PRODUCED BY AN AUTODESK STUDENT VERSION
01
4.4
4.1 15
.88
0.30
0.60
1.3
1.9
OT 130/24 DIM P
ΦO 4A
4
0.60
15
PRODUCED BY AN AUTODESK STUDENT VERSION
1.2
B
OT 250/24 DIM P
1
4.4
OT 100/24 DIM P 1.4
OT 60/24 DIM P
+3.90
2.
4.1 1.93
4
4.1
ΧΩΡΟΣ ΚΑΘΑΡ. ΣΕΡΒ. ΠΡΩΙΝΟΥ E=15.20 M2
Α
+3.20 +3.40
4.6
4.5
1.70
4.5
1.81
4.11
4.7
4.9
1.98
4.9 4.10
0.40
4.6
0.70
4.7
PRODUCED BY AN AUTODESK STUDENT VERSION
0.20
4.8
construction process (personal archive)
complete project photos ŠYannis Kontos
15
“Waterfront” Main Restaurant 1650 m2 Level -5.50 m (G.P.) interior design (false ceiling, wall covering, lighting, decorative elements, materials, buffet counters), technical drawings, construction supervision on site 11.10
9.7
Τ.ΣΤ -5.35/24.65 7.9 7.6 ΣΤ. ΜΠ. -5.50/24.50 7.8
8.17
ΣΥΝΤΗΡΗΣΗ ΚΡΥΑΣ ΚΟΥΖΙΝΑΣ
7.12
11.10
8.1
7.12
7.1
9.24
9.18 9.27
7.2
08
7.4
7.11
7.3
9.30
9.29
11.3
ΑΠΟΘΗΚΗ ΣΕΡΒΙΤΟΡΩΝ
9.4 9.16
11.2
11.10 1.16
1.8
1.3
ΣΥΝΤΗΡΗΣΗ ΗΜΕΡΑΣ
1.2
9.4
9.30
11.4
1.17 1.13
9.21
7.5
8.13
2.00
1.4
9.13
9.21
7.4
1.80
11.1
11.2
9.41
9.26
9.25
9.3
7.7
1.13
1.7
9.21
9.26 9.41
9.15
1.11 ΣΥΝΤΗΡΗΣΗ ΕΤΟΙΜΩΝ
9.21
9.2
07
8.3
1.5 9.14
9.23
9.22 9.15
9.1
8.8
9.16
09 ΖΕΣΤΗ ΚΟΥΖΙΝΑ 9.17
9.35
7.10 8.11
PRODUCED BY AN AUTODESK STUDENT VERSION
9.8
9.36 ΑΠΟΘΗΚΗ ΗΜΕΡΑΣ
11.10
1.14
1.1 1.13
2.00
1.80
0.25
8.6
8.9 11.8
8.14
0.15 2.60
0.15
-0.30
0.15
Τ.ΣΤ -5.35/24.65 ΣΤ. ΜΠ. -5.50/24.50
11 ΣΕΡΒΙΤΟΡΟΙ 11.6
WALL COVERING: WOOD PANELS -0.15 AND PARTS OF GREENERY WITH HIDDEN LIGHTING
-0.25
HANGING LAMP (INDICATIVE)
-0.20
-0.20
0.30 0.15
0 0 0.30.3
+0.20
+0.20
+0.30
+0.30
+0.10
+0.30
+0.20
+0.10
2 0.7
+0.20
2 0.7
0.10
Τ.ΣΤ -5.35/24.65 ΣΤ. ΜΠ. -5.50/24.50
PARTITIONS-"COCOONS" (DETAIL D5)
0.00 (level defined as the false ceiling at +4.05)
PRODUCED BY AN AUTODESK STUDENT VERSION
1
-0.15
0.30
+0.10
0.30 +0.30 0.30
0.30 0.30
+0.20 +0.30
2
0.03
0.30 0.2
+0.10
BARRISOL
3
ΜΗΧΑΝΟΛΟΓΙΚΕΣ ΕΓΚΑΤΑΣΤΑΣΕΙΣ - ΑΕΡΑΓΩΓΟΙ
INTERIOR COLUMNS COVERED WITH MIRROR AND WOOD STRIPES (DETAIL D4) +0.10 PARTITIONS-"COCOONS" (DETAIL D5)
0
AIR VENT
0.10
0.30
0.30
PART OF THE FALSE CEILING LOWERED BY 30cm max
+0.10
+0.10
4
HANGING LAMP (INDICATIVE)
-0.25
-0.30
0.15 0.30
-0.30
-0.25 +0.10
5
HANGING LAMP (INDICATIVE)
-0.15 0.50
0.30
0.15
0.15
HANGING LAMP (INDICATIVE)
6
11.6
-0.15
-0.10
0.30
11.9
11.7
11.5
K2
0.30
8.17
8.15
11.10
1.51
8.4
8.4
11.10
4.79
8.12 8.14 8.16
10 11 27 28 29 30 31 32 33
ΚΛΙΜΑΚΟΣΤΑΣΙΟ ΑΠΟ -5.50 ΠΡΟΣ 0.00 ΥΨΟΣ 5.50m ΠΑΤΗΜΑ 30 33Ρ 9 Χ830Π 7
9.31
11.10
0.50
4
9.28
9.31
11.10
0.30
3
1.15
8.2
0.15
2
ΚΛΙΜΑΚΟΣΤΑΣΙΟ K1 ΑΠΟ -5.50 ΠΡΟΣ 0.00 ΥΨΟΣ 5.50m ΠΑΤΗΜΑ 30 33Ρ Χ 30Π 5 6 7 8 9
DETAIL 4.7
1
8.7
8.10
33 32 31 30 29 28 27 11 10
0.15
3.72
+0.10
0.30 HANGING LIGHTING STRUCTURES (DETAIL D6)
HANGING LIGHTING STRUCTURES (DETAIL D6)
+0.30
0.30
MIRROR
14.9
0.20
+0.30
14.6
14.7
MIRROR
14.10
0.15
14.11
14.7
14.6
+0.30
+0.20 +0.10
+0.20 14.3
14.4
14.5
+0.10
Τ.ΣΤ -6.90/23.10 ΣΤ. ΜΠ. -7.00/23.00
0.15
0.15
14.2
14.2
14.1
14.1
0.10
3.95
12.17
0.15
14.1
0.15
14.1
3.95
STRIPE ON THE DROPPED CEILING ALONGSIDE THE OPENINGS WITH HIDDEN LIGHTING
Τ.ΣΤ -5.35/24.65 ΣΤ. ΜΠ. -5.50/24.50
+0.20 +0.10
0.30
14 DISPENCE BAR-SERVICE
14.8
0.30
+0.30
6.74
0.30
+0.20 12.07
0.20
0.30
0.15
WOOD
+0.10
2.17
3.85 STRIPE ON THE DROPPED CEILING ALONGSIDE THE OPENINGS WITH HIDDEN LIGHTING
Τ.ΣΤ -5.40/24.60 ΣΤ. ΜΠ. -5.50/24.50
1.27
00
22
55
10 10
13.6000
ceiling plan (G.P.) PRODUCED BY AN AUTODESK STUDENT VERSION
SCALE BAR 1:100
PRODUCED BY AN AUTODESK STUDENT VERSION
16
floor plan (G.P.)
RODUCED BY AN AUTODESK STUDENT VERSION
PRODUCED BY AN AUTODESK STUDENT VERSION
construction process (personal archive)
complete project photos ŠYannis Kontos
17
0.25
0.25
1.35
1.59
Πυραντοχη
0.54
0.16 0.56
3.40
0.25
SCALE BAR 1:100 00
22
55
10 10
9.12 0.79
0.20
0.24
1.40
14.36
1.87 2.91
2.90
11.34 0.25
0.25
0.25 2.36 0.25
0.25 1.38
0.25
floor plan (G.P.)
ΣΤ. ΜΠ. +2.80
1.95
PRODUCED BY AN AUTODESK STUDENT VERSION
0.25
1.66
2.98
3.14
3.76
6.61
1.75
0.25
14.36 0.25
18
4.29
PRODUCED BY AN AUTODESK STUDENT VERSION
Θ20_μs 1.90 2.35
PRODUCED BY AN AUTODESK STUDENT VERSION
0.25
3.14 2.07
2.42
0.11
2.86 5.79
0.22
3.40
3.45 1.82
1.58
1.44
1.34 0.76
0.42
0.52
1.16
11
2.04
0.43
0.16 0.51
ΠΑΝΩ 25 ΕΚ. ΕΞΩ
0.59
0.38
0.76 0.33
5.61
0.56 0.67
0.83
0.25 0.22 0.78
0.24
0.64
2.90
2.65
Πυραντοχη
Πυραντοχη
Θ20_ξs 1.90 2.35
0.37
0.23
0.78
1.44
1.68
0.45
2.41
ΚΛΙΜΑΚΟΣΤΑΣΙΟ D1 ΑΠΟ -11.00 ΠΡΟΣ -7.00 4m ΥΨΟΣ ΠΑΤΗΜΑ 30 23Ρ Χ 30Π
0.28
0.03
0.25 2.36 0.25
0.35
2.76 3.08
1.68 3.46
0.31
0.30
1.95
10
3.59 3.66
0.20
2.96
15.85
2.63
0.67
0.25
0.05
1.37
0.88
3.45
0.30
ΠΑΝΩ 15 ΕΚ. ΜΕΣΑ
2.44
1.86
3.75
4.55
0.31
0.40 0.24
0.31
0.81
1.55
0.33 0.42
0.22 0.26
1.40
1.35
1.84
1.82
2.93
0.27
Θ9_ξs 1.20 2.15
2.09
1.40 5.15 0.81
0.84
0.12
Θ19_μΠ90's 1.90 2.15
2.14
4.69
1.54
3.75
0.02
Θ21_μgaraz 2.90 2.35
ΚΡΥΦΟΣ ΦΩΤΙΣΜΟΣ
0.15 0.15 0.57 2.69
17.98
2.26
0.90
0.46
0.57 0.83 0.16
0.16 0.54
0.56
6.30
0.20
0.63
0.78
1.68
0.85
0.20
1.60
1.82
15.85
1.63
0.38
4.07
0.59
0.76
ΠΑΝΩ 20 ΕΚ. ΕΞΩ
2.95
3.23
0.90
1.40
1.08
1.04
0.84
0.39
0.16 0.10
0.25
6.05
0.40
0.26
0.90
0.31
9
2.02
4.86
0.91
1.06
0.73 0.70
0.70
0.39
0.51 0.22
0.32
0.55
2.09
0.24
8 ΣΤ. ΜΠ. +3.80 2.79
4.19
0.60
0.45
0.62
Πυραντοχη
3.45
4.23
0.27
0.35 0.73
+2.75
2.24
0.02
3.75
ΚΡΥΦΟΣ ΦΩΤΙΣΜΟΣ ΚΡΥΦΟΣ ΦΩΤΙΣΜΟΣ
0.10
0.41
0.20
Θ6_γ_δ 1.00 2.35
+3.95
0.24
0.88
Πυραντοχη
0.44
0.28
0.04
0.32
0.16
0.43
0.45
0.05
0.56
Θ6_ξs 1.00 2.35
0.28
0.21 0.24
7
+3.50
6.00
0.37
0.23
0.32
0.38
0.22
ΕΛΕΥΘΕΡΟ ΥΨΟΣ 4,10
Τ.ΣΤ -6.70 ΣΤ. ΜΠ. -5.70
0.46
6.85
6.00
ΚΡΕΜΑΣΗ ΨΕΥΔΟΡΟΦΗΣ AΠΟ ΠΛΑΚΑ 1.00
6
1.80
Θ19_μΠ90's 1.90 2.15
Θ10_γ_δ 1.20 2.35 0.92
Θ6_γ_δ 1.00 2.35
0.18
0.50
0.26
0.12
0.28
0.26
0.31
0.29
1.35
0.51
+3.50
1.17
2.40
0.68 0.18
0.04 0.55
0.59
0.34
0.27
0.03
0.56
2.16
5
0.42
Τ.ΣΤ -6.70 ΣΤ. ΜΠ. -5.70
0.59
1.87
0.19
17.90
+3.50
ΚΡΥΦΟΣ ΦΩΤΙΣΜΟΣ
0.26
ΕΛΕΥΘΕΡΟ ΥΨΟΣ 4,10
8.20
4 ΚΡΕΜΑΣΗ ΨΕΥΔΟΡΟΦΗΣ AΠΟ ΠΛΑΚΑ 1.60 ΕΛΕΥΘΕΡΟ ΥΨΟΣ 3.50
1.01
Θ20_γ_δ_auto 1.90 2.35
0.20
ΚΡΕΜΑΣΗ ΨΕΥΔΟΡΟΦΗΣ AΠΟ ΠΛΑΚΑ 1.00
2.26
0.83
0.26
0.25
0.251.45 0.10
+3.00
1.40
2.02
0.16
2.09
17.98
3 +3.00 +3.50
0.69
1.35
0.82 0.83 0.42
Θ4_γ_δ 0.90 2.35
0.86
0.18
2.12
9.75
48.60
0.80
2.40
1.59
0.63
1.26
2.08
0.59
2.03
0.20
0.25 Τ.ΣΤ -7.30 ΣΤ. ΜΠ. -5.70
2
ΚΡΥΦΟΣ ΦΩΤΙΣΜΟΣ
ΕΛΕΥΘΕΡΟ ΥΨΟΣ 3.50 Θ2_ξs_συρομ 0.86 2.35
1
Πυραντοχη
+3.50
0.10
Θ6_ξs 1.00 2.35
1st
0.32
Θ6_ξs 1.00 2.35
1.26
0.34
0.20
Τ.ΣΤ -7.30 ΣΤ. ΜΠ. -5.70
1.17
0.04
0.20 3.00 0.20
ΚΡΕΜΑΣΗ ΨΕΥΔΟΡΟΦΗΣ AΠΟ ΠΛΑΚΑ 1.60 ΕΛΕΥΘΕΡΟ ΥΨΟΣ 3.50
Θ2_γ_α 0.86 2.35
+3.50
1.86
Θ2_γ_α 0.86 2.35
0.2
Sauna
Θ2_γ_α 0.86 2.35
3.72 Πυραντοχη
Πυραντοχη
1.15
Θ2_γ_α 0.86 2.35
2.30 0.25
ΣΤ. ΜΠ.+5.30
+3.50
2nd
4th
1.06
Θ2_γ_α 0.86 2.35
Πυραντοχη
1.50 1.40 1.50
0.64
Θ2_γ_α 0.86 2.35
0.02
0.39
0.31
5.38
9.12
3th
Πυραντοχη
7.27 Sauna
Θ2_γ_α 0.86 2.35
Θ20_γ_δ_auto 1.90 2.35
0.40
Θ23_μΠ90' 2.60 2.40
Θ2_γ_α 0.86 2.35
0.20 3.00
ΚΡΕΜΑΣΗ ΨΕΥΔΟΡΟΦΗΣ AΠΟ ΠΛΑΚΑ 1.60
0.42
Θ20_ξsHx 1.90 2.35
Θ9_μΠ90's 1.20 2.15
Πυραντοχη
Θ16_ξs 1.50 2.35
0.80
Θ20_ξsHx 1.90 2.35
Πυραντοχη
Πυραντοχη
Θ6_ξs 1.00 2.35
0.14
9.75
0.251.45 0.10
Θ20_ξsHx 1.90 2.35
1.90 2.15
Πυραντοχη
Πυραντοχη
48.60
Θ20_ξsHx 1.90 2.35
Θ1_ξ 0.86 2.15
Θ9_μΠ90' 1.20 2.15
Πυραντοχη Θ19_μΠ90's
27.54
Θ5_ξ+ 1.00 2.15
0.39
Θ1_ξ+ 0.86 2.15
0.20
Θ6_ξs 1.00 2.35
0.48
Θ7_ξ+ 1.10 2.15 Θ1_ξ+ 0.86 2.15
3.17
Πυραντοχη
PRODUCED BY AN AUTODESK STUDENT VERSION
7.27
Θ5_ξ+ 1.00 2.15
Θ1_ξ+ 0.86 2.15
1.50 1.40 1.50
PRODUCED BY AN AUTODESK STUDENT VERSION
Θ5_ξ+ 1.00 2.15
1st
0.25
Πυραντοχη
Θ5_μΠ90's 1.00 2.15
2nd
4th
10.42
Πυραντοχη
3th
Θ19_μΠ90's 1.90 2.15
Θ1_ξ+ 0.86 2.15
0.25 2.30
Θ19_μΠ90's 1.90 2.15
Θ19_ξ 1.90 2.15
Πυραντοχη
Θ1_ξ+ Θ1_ξ+ 0.86 2.15 0.86 2.15
Θ9_μΠ90's
1.20 2.15 Πυραντοχη
Πυραντοχη
Θ19_ξ 1.90 2.15
0.25
Πυραντοχη
Θ19_μΠ90's 1.90 2.15
Θ7_ξ+ 1.10 2.15
3.72
Πυραντοχη
Πυραντοχη
Πυραντοχη
Θ19_μΠ90's 1.90 2.15
2.30 0.25
Πυραντοχη
Πυραντοχη
1.50 1.40 1.50
0.16
Θ9_μΠ90's 1.20 2.15
0.20 3.00
0.20
0.25
27.54
0.25
0.25
0.25 5.38
12.95
0.20
3.45
3.17
10.42
Πυραντοχη
Θ9_μΠ90's
1.20 2.15 Πυραντοχη
ΚΛΙΜΑΚΟΣΤΑΣΙΟ K2 ΑΠΟ -11.00 ΠΡΟΣ -5.50 5.50m ΥΨΟΣ ΠΑΤΗΜΑ 30 33Ρ Χ 30Π
0.25
1.50 1.40 1.50
0.20 3.00 0.20
0.25 2.30
K1
Πυραντοχη
Θ9_ξ 1.20 2.15
1.20 2.15
0.25
Level -11.00 m
(G.P.) interior design (false ceiling, lighting, wall covering, materials), technical drawings, construction supervision on site
Θ19_μΠ90' 1.90 2.15
Πυραντοχη Θ9_μΠ90's ΚΛΙΜΑΚΟΣΤΑΣΙΟ ΑΠΟ -11.00 ΠΡΟΣ -5.50 ΥΨΟΣ 5.50m ΠΑΤΗΜΑ 30 33Ρ Χ 30Π
10.42
Πυραντοχη
Πυραντοχη
Πυραντοχη
Θ9_μΠ90' 1.20 2.15
0.25
Mayia Spa 825 m2
0.25
0.25
0.89
10.42
0.61
0.25
3.88
10.42
0.25
0.25
12.95
3.88
10.42
0.25
0.25
15.45
0.25
15.45
Θ19_μΠ90' 1.90 2.15
0.25
ceiling plan (G.P.)
construction process (personal archive)
complete project photos ŠYannis Kontos
19
2 Entrance to a Building Complex, Pafos, Cyprus ©2018 Delta Architects Studio All Rights Reserved personal work(G.P.): construction drawings
The project is about re-designing the entrance area of a building complex in Pafos, Cyprus. The proposal aims to upgrade the existing area and transform it into a more appealing attraction for tourists and property buyers. It involves the design of the main gate as well as a small plaza which is created right at the entrance of the complex. The proposed forms are shaped in a way that welcome the visitors into the area by using curves as a conseptual flow of movement, as well as give the place a unique significance, different than any other in the wider area.
WALL COATING (GRANULOMETRY 1,5mm) RAL COLOR 9003 BLACK GRANITE FILLET TUFF:JOINTS SAME AS EXISTING FENCING METAL BEAM 10Χ10
EXISTING FENCING CUTS 1mm DEPTH
BLACK GRANITE FILLET 1.04
0.10
2.65
1.70 1.80
WALL COATING (GRANULOMETRY 1,5mm) RAL COLOR 9003
20
0.10
0.65
1.05
1.10
1.65
BLACK GRANITE FILLET
1.95
2.65
0.08
20.
CUTS 1mm DEPTH BLACK GRANITE FILLET
METAL BEAM
50
17
170
10
56
0.36
50
0.36 0.36
0.35
100
16
0.50
50
FRAMEWORK CROSS SECTION
FIBERBOARD PASTE STYROFORM RAL COLOR 9003 PASTE PAINT GRANULOMETRY 1mm BLACK GRANITE FILLET STRUCTURE FRAMEWORK FIBERBOARD TUFF PASTE PAINT GRANULOMETRY 1mm BLACK GRANITE FILLET FIBERBOARD PASTE STYROFORM RAL COLOR 9003 0.02
50
50 35 30 35
0.50
FRAMEWORK DIMENSIONS
100
STRUCTURE FRAMEWORK
0.15
0.02
METAL FRAME
0.17 0.02 0.36 0.02 0.36 0.02 0.36 0.02 0.36 0.02 0.36 0.02 0.36 2.17
METAL FRAME
0.80
CONCRETE FOUNDATION
detail drawings (G.P.)
detail section(G.P.)
WALL COATING (GRANULOMETRY 1,5mm) RAL COLOR 9003 BLACK GRANITE FILLET METAL HINGED DOOR RAL COLOR 7022
5.50 .30
0.05
BLACK GRANITE FILLET
1.65
BLACK GRANITE FILLET
1.05 0.65
1.04
EXISTING FENCING
2.65
0.10
1.95
2.65
CUTS 1mm DEPTH TUFF:JOINTS SAME AS EXISTING FENCING
1.10
7.72
METAL BEAM 10Χ10
WALL COATING (GRANULOMETRY 1,5mm) RAL COLOR 9003
gate front view(G.P.)
21
20 10 17.5
BLACK GRANITE FILLET
BLACK GRANITE FILLET
FIBERBOARD STRUCTURE FRAMEWORK
20
75
17.5
PASTE PAINT RAL COLOR 9003 GRANULOMETRY 1mm
WALL COATING (TUFF OR STYROFORM)
30 10 20
100 17.5 30 10 100
20 17.5 75 17.5
FIBERBOARD STRUCTURE FRAMEWORK
detail drawings(G.P.)
detail drawings(G.P.)
BLACK GRANITE FILLET
WALL COATING (GRANULOMETRY 1,5mm) RAL COLOR 9003
BLACK GRANITE FILLET TUFF:JOINTS SAME AS EXISTING FENCING
WALL COATING (GRANULOMETRY 1,5mm) RAL COLOR 9003
CUTS 1mm DEPTH
2.40
BLACK GRANITE FILLET
0.55
0.70
1.00
1.10
1.60
BENCH
22
5.50 25.62
0.36 0.35 1.80 0.35 0.35
BLACK GRANITE FILLET STRUCTURE FRAMEWORK FIBERBOARD PASTE STYROFORM RAL COLOR 9003 PASTE PAINT GRANULOMETRY 1mm BLACK GRANITE FILLET STRUCTURE FRAMEWORK FIBERBOARD TUFF
0.26
0.50 1.35
0.02
0.02
0.10
0.19
0.02
0.54
0.45 0.02 0.28
FIBERBOARD PASTE PAINT RAL COLOR 9003 GRANULOMETRY 1mm
1.05 1.15
BLACK GRANITE FILLET STRUCTURE FRAMEWORK
2.40 0.12 0.02 0.35 0.02 0.35 0.02 0.35 0.02 0.35 0.02 0.35 0.02 0.36
CUTS 1mm DEPTH
CONCRETE FOUNDATION
SECTION AT THE SUPPORT ELEMENT
detail section(G.P.) BLACK GRANITE FILLET
WALL COATING (GRANULOMETRY 1,5mm) RAL COLOR 9003
BLACK GRANITE FILLET TUFF:JOINTS SAME AS EXISTING FENCING
CUTS 1mm DEPTH
WALL COATING (GRANULOMETRY 1,5mm) RAL COLOR 9003
0.70
0.55
1.00
1.10
1.60
2.40
BLACK GRANITE FILLET
BENCH
plaza front view(G.P.)
23
3 Space Narrative
Listening to the stories of the OXO Tower Wharf individual design thesis
The project attempts to identify the qualities that reveal the history of a building or space and constitute its identity, examining the possibilities of generating new spaces, stories and structures from the traces of the existing ones. Through research and experimentation an architectural proposal takes form inside the covered passageway of the OXO Tower, a space that combines interior as well as exterior features, and also carries the architectural history of the building, having been through various alterations in use and in form. Based mainly on an observational analysis of the space, the proposal follows the trails of history imprinted on the old structure and gradually takes the form of a new sequence of experiences, a new narrative that comes to life through emphasizing the existing one, leading the visitor to a live narration changing form and also function depending on the conditions.
United Kindom
24
Greater London
London
views from the site photos: personal archive
The OXO tower has been through different phases and uses in the past. It was originally built as a power station around 1900, used to provide electricity exclusively to the Royal Mail Post Office (Anon., 2007). In the late 1920s it was purchased by the Liebig Extract of Meat Company, the company that made the famous OXO beef stock cube, for which the building is now widely known in Britain. Its architect, Albert Moore, proposed to spell out the name in electric lights on a tower but was refused permission. He then decided to incorporate the design of the OXO as windows in “an elemental geometric form” on all four sides of the tower . The OXO “sign’” could no longer be classified as an advert. The windows shone out their message from what was at that time London’s second highest commercial building. It was known as Stamford Wharf and was used for cold storage, processing and packing. Meat was delivered by barge, off-loaded by large cranes fixed to the building and passed through loading bays (which you can still see on the riverside). 25
Materiality Regarding the textures of the space, personal observations were recorded and mapped out so that they give a better understanding of the space and break it down to its core. The variety of material changes from different short time frames and even longer periods of time were documented in order to give a better understanding of the spatial identity and also convey many tangible aspects of the space. The building appears to have multiple layers of materiality and almost all of it is damaged, stained or decayed, revealing the history underneath and giving away how people have treated it over the years. These traces reveal the building’s disposition to “continual flow, continual change, continual transformation� (Brand, 1994).
26
mapping of the materials of the site photos: personal archive
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Points of View
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viewpoints from the interior of the passageway photos: personal archive
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Royal Courts of Justice St. Paul’s Cathedral
Somerset House
Map of Thames that shows the visual connection of the site to significant buildings across from the river and how they become inspiration for an architectural intervention to the space.
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Final Proposal In order to enhance the effect of the building telling its own story a new narrative is introduced to the space, a piece of work that will generate from the old structure. The intervention to the site tries to incorporate the elements examined before, such as the views through the rythmic openings, the possible connection between the interior of the space and the surroundings (river, garden) and a “path� that emerges from the scars of the building that tell its story. The initial idea was about leading the visitor to certain spots through which they could have a specific point of view framing an object of significance across the river. There are a few buildings that are visible from inside the passageway of the OXO Tower, that also have a historical / architectural value. The newly introduced narrative should have a cohesive meaning and take the visitor to a storytelling of history and architecture of the space they are experiencing. After that, the design was developed into a three-dimensional structure. It becomes a sequence of past episodes and spatial experiences, folding and unfolding inside the linear passage, embracing the existing materiality, from which it emerges and takes form. It welcomes the walker, the visitor, the habitant from the surrounding environment, whether they approach it from Blackfriars Station in the East or the National Theater and the Southbank Center in the West, and leads them to a live narration inside and outside the site, changing form and also function depending on the conditions.
3D representation of the site and the proposed intervention.
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32
above: mapping of the scars/points from which the structure emerges below: 3D visualisations of the proposed intervention
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aluminium structure construction process & final installation photos : personal archive
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The material used for the 1:1 scale structure is polished aluminium, which instinctively reminds of the aluminium wrapping foil of the OXO meat cubes as well as reflects the existing structures and materiality in a subtle way, blurring the boundaries between the two. The model (scale 1:50) is a representation of the proposed aluminium structure folding and unfolding around the building which is conveyed in clear acrylic, as if its “ghost� is coming to life through the new structure. The aluminium changes form and use, sometimes it is one with the ground, reaching points of interest and letting people walk on it if they wish, and other times it becomes a spatial element, when it protectively rises over a broken tile, or a damaged pavement (depicted in wooden pieces) and takes the use of a bench or a small step. The letters O - X - O are imprinted on it repeatedly as a pattern, either embossed on it when it is one with the ground, reminding of the classic tread plate flooring, or in the form of perforation, when the structure lifts from the ground and wraps the traces of history, embracing and protecting the decay of the building.
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4 Wandering in the District of Light
New Archaeological Museum in Delos Island group project: Anastasia Voutsa (A.V.), Georgia Petri (G.P.) team work: synthesis, conceptual design, floor plans and sections personal work (G.P.): conceptual diagramms and sketches, 3d visualizations
The project is about a proposal for a New Archaeological Museum in Delos Island, Cyclades. The island of Delos is one of the most important mythological, historical and archaeological sites in the world. It had a position as a holy sanctuary for a millennium before Olympian Greek mythology made it the birthplace of Apollo, the God of sun light and Artemis, the Godess of moon light, the bithplace of light itself. The island acquired great religious and, later on, commercial significance, until its gradual decay. Since 1872 the École française d’Athènes has been excavating the island, the complex of buildings of which compares with those of Delphi and Olympia.
Greece
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Cyclades
Rhinia
Delos
Mykonos
views from the island photos: personal archive
sacred lake - birthplace of Apollo
sacred harbour
amphitheater
conceptual sketches(G.P.)
Archaeological Site
island map_relief(G.P.)
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the pathway
the concrete walls
the different functions of the museum +16.00 m pavillion- worship of the light supplementary museum about +09.00 m the island of Rhinia +09.00 m guest rooms +04.00 m maintainance labs
public facilities- entrance, cafe +00.00 m gift shop, exhibition space
the museum
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building uses diagramm(G.P.)
master plan(photoshop edit:A.V.)
The proposed design aims to transfer the feeling of wandering in the archaeological site, to emphasize the dialogue with the light as well as highlight the importance of the island and its history. The building is divided into several sub-sections, which are built underground following the slope of the ground, given that the site is very significant and any intervention should be very subtle. The one thing that is clearly visible on the topography of the site is the use of thick concrete walls, which create a bold form and resemble the ancient city’s ruins. The scattered spaces of the museum are connected through a pathway, the shape of which is defined by three axes, crossing the museum site and three important spots of the arcaeological site. So the whole building complex , including the atriums, tha pathway, the yards and the outdoors amphitheatre gives the visitor the impression of wandering around in another district of the archaeological site. model (G.P.)
view from the archaeological site_entrance(A.V.)
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6 10
5
13 15
7 10
8
9
5
14
13 12
11
Key
20
18 6
17
1
2
19 16 first floor plan
1. entrance_reception 2. foyer 3. gift shop 4. security watch 5. storage rooms 6. toilets 7. amphitheater 8. library 9. periodic exhibition space 10. permanent exhibition space
11. main atrium 12. lab foyer 13. administration offices 14. lab spaces 15. lab atrium 16. outdoor sculpture exhibition 17. entrance to the museum of Rhinia 18. exhibition space 19. guest rooms 20. pavillion
second and third floor plan
5
7
10
2
40
5 4
11
9
1
6
8
3
ground floor plan
entrance foyer view (G.P.)
atrium view (G.P.)
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Exhibition Narrative exhibition typology (G.P.)
A very important part of the proposal is designing the exhibition spaces, which are demonstrated in detail in the next pages. The goal is to transfer and interpret the atmosphere of each historic period the island went through. At first Delos was considered to be sacred, and it had a strong religious significance, until its economic growth, when it acquired mostly a commercial character. The design and planning of the exhibition spaces aim to depict this character and make the visitor feel they are “re-living� history.
intro to the exhibition
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birth of Apollo/ birth of light
early years/sanctity of the island/dark space and dim lighting
commercial significance of the island/ trading activities/ people walking in a wide bright space/ intense light
dark room/ decay of Delos/ abandonment
exit from the exhibition/ Delos’ rebirth in modern days through the excavations
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The Lions of Delos were dedicated to Apollo by the people of Naxos shortly before 600 BCE along the Sacred Way. Since then they are the eternal guardians of the sacred lake. The lions create a monumental avenue comparable to Egyptian avenues of sphinxes. They are the most important monuments found on the island and depict its long lost glory and magnitude. They are put in a very bright room with natural light and are separated from other exhibits to enhance their significance. 44
exhibition space view (lions of Delos) (G.P.)
exhibition space view (A.V.)
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5 Architecture History Museum group project: Athanasia Kalaitzidou(A.K.), Georgia Petri(G.P.) team work: synthesis, conceptual design and diagramms, floor plans and sections personal work (G.P.): exhibition typology illustration, 3d visualizations
The project is about a proposal for an Architecture History Museum in Thessaloniki, Greece. Thessaloniki is the second largest city in Greece and has a very interesting history. Throughout the years it went through many phases and adjusted to them, while always maintaining the main characteristics that constitute a city socially, financially and in form. This results to the fact that today’s urban landscape consists of “layers� of each historic period the city went through and it reveals buildings and ruins from the past. This layering and co-existance of multiple architectural forms is being realized by the visitors as well as the residents of the city by walking through it and is the jumping off point for the design process for the museum.
Greece
46
Macedonia
Thessaloniki
ruins scattered around the cityscape photos: personal archive
maintainance labs administration offices
entrance, reception, lockers cafe, library, workshop spaces
amphitheatre, periodical exhibitions space permanent exhibition space building uses diagramm(G.P.)
layering diagramm (A.K.)
‘Ioannis Vellidis’ Congress Centre Archaeological Museum of Thessaloniki
New Waterfront of Thessaloniki Town Hall
Museum of Byzantine Culture
Museum of Architecture archaeological site under 3is Septemvriou Str.
master plan diagramm(A.K.)
archaeological site under 3is Septemvriou Str. photo collage:personal archive
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The proposal for the New Museum of Architecture aims to create a public space and at the same time an alternative entrance to the Helexpo Site. The Museum is not immediately perceived as a bulding, more as an urban site as it is built in a way that takes advantage of the level difference between the street and the site. As a result, the entrance pavillion is on street level but the rest of the museum spaces are developed on lower levels, almost as if it was built ‘underground’. The terraces of those spaces are used as a public space that gradually connects the two different levels and ultimately provides access to the inside of the Helexpo site. The surrounding landscape is designed in a way that enhances the axis of the 3is Septemvriou Street and the connection to the Helexpo centre, the waterfront, the other cultural landmarks of the area and most importantly the archaeological site nearby. The concept of this project is to let the walkers pass by the site and be intrigued by it, experience it as it develops underneath them, just like every historic site in the city that is open to everyone that walks by. A connection between two levels, a connection with the past.
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entrance view +7.00m (G.P.)
Β
Α
3is Septemvriou Str.
Α
Β master plan
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section A-A
model (A.K.)
3
50
2
1
first level plan
Key
section B-B
1. entrance - reception 2. lockers 3. foyer 4. cafe - restaurant 5. gift shop 6. library 7. workshop spaces 8. conference room
9. “museum friends� room 10. administration offices 11. storage room 12. periodic exhibition space 13. multiple use room 14. delivery room 15. packaging room 16. maintainance lab 17. preparation lab
14 17
16
15
10
9
8
12
4 11 5
7
6
13
second level plan
thrid level plan
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The exhibition space is divided into smaller ones, each of which represent a different era of the city’s architectural history. Given that the findings of each period are scattered across the urban landscape, the exhibition space also consists of a variety of different levels and typologies that are scattered in it. As a visitor walks by many excavations and architectural sites in Thessaloniki , they experience the same feeling as they wander in the exhibition of this Museum. The main characteristics of each era are depicted in space qualities through the floor material and the organization of the exhibits, that are taken from the basic architectural rules that determine the different categories.
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exhibition space view (G.P.)
Modern Architecture +0.00m
characteristics: use of concrete in structure, variety of facades in the urban landscape used matherial: concrete
Eclecticism
Ottoman Architecture
-0.30m
-0.45m
characteristics: decoration, turkish and baroque influences used material: wood
characteristics: square plan, decorations, arabesque, articulated light and shadow (hamam, baths) used material: crushed iznik tiles
Byzantine Architecture -0.60m
characteristics: long plan, churches, holy atmosphere used material: crushed roof tiles, bricks, stone
Hellenistic-Roman Architecture -0.90m
characteristics: temples, arches, colonnades, arcades, majestic roman culture used material: marble exhibition typology (G.P.)
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6 Designing on the boundary between Land and Sea group project: Athanasia Kalaitzidou(A.K.), Georgia Petri(G.P.) team work: synthesis, conceptual design, plans personal work (G.P.): sketches, 3d visualizations
The project is about a proposal for a landscape and urban planning at the seafront of Krini, Thessaloniki. The site is adjacent to Mikra Sports Centre and it is abondoned and neglected. The goal is to create a marine and a public space which will also host some facilities for leisure, commerce and transport and attract the citizens to walk by the sea and enjoy themselves. An important factor taken into consideration is the future boat station which will be part of the sea transportation system of the city , as long as the future Metro station which will be built nearby.
Greece
Macedonia
Thessaloniki
views from the area_existent condition photos: personal archive
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view to the city center
area diagramm (A.K.)
the two poles of the site turn to each other view to the shipyards and the suburbs
conceptual sketches (G.P.)
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56
wooden floor - deck
concrete floor
1 2
trees
packed earth
sea
coastline - rocks
gravel
5 6
4 3
Key 1 canteen 2 boat station - public transport 3 mini market, restaurant 4 stores, pot office, bank 5 administration offices 6 boat repair and conservation, store rooms 7 security watch, gas station/ bridge 8 marine
vegetation
7
8
master plan (photoshop edit: A.K.)
section of the bridge on the seafront (G.P)
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7 Landscape design group project: Athanasia Kalaitzidou(A.K.), Korina Varvatou(K.V.), Georgia Petri(G.P.) team work: synthesis, conceptual design and sketches, master plan and sections personal work (G.P.): 3d visualizations
The project is about re-designing and re-activating an abandoned creek area in the city of Thessaloniki. The proposal transforms the empty area into a vibrant and dynamic part of the urban tissue. The old trail of the stream is reminded with a broken zigzag path that is inclined, acquiring different heights along the way. It can be a pathway or a bench, or even an installation for children’s play. At the point where the stream normally would end up, some amphitheatrical seating is created, following the slope of the ground. Also, some paths connecting opposite sides of the urban tissue,so that the park facilitates the circulation around the area.
Greece
Macedonia
Thessaloniki
views from the area_existent condition photos: personal archive
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the trail works either as pathway
points of entrance to the site intiguing spaces
or as seating
connections
stream trail
conceptual site diagrams (G.P.)
high vegetation
works as boundary/ hides the appartment buildings
low vegetation allows visual contact
sketches (K.V.)
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concrete foundation
ground aggregate sand gravel
steel beam (I) joint cover steel beam (I) COR-TEN steel
ground wooden stake wooden beam concrete wooden beam gravel floor aggregate wooden deck
urban lighting proposal metal skirting board landscape bark
detail sections
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section A-A (G.P.) section A-A
section B-B (G.P.)
landscape bark
earthen floor
concrete grass blocks
gravel floor
vegetation
gravel
conrete blocks
wooden deck
B
A
A
B
master plan
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8 Office Tower
Multinational Oil Corporation in Stavanger, Norway individual project
The objective of this project is the design of an office tower, that serves as an extension to the existing facilities of the company in Stavanger, Norway. The main concept is to create a building that resembles a gemstone, a diamond. Petroleum is a fossil fuel and is usually called liquid gold, given it is widely used as an energy source for a variety of purposes. Therefore, the design of this new building aims to reflect the company’s status and become a landmark for the city. Since it is located in a northern country, where the sunlight is very much needed, the building has a prismatic form and translucent skin allowing natural light to enter the workspaces. This is achieved also by creating large spaces of great height, with the retraction of the floor outline towards the middle of the space, in order to encourage interpersonal relations and communication between all employees of the company.
Europe
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Norway
Stavanger
views from the area_existent condition photos: ŠGoogle Maps
diagram sections
section
10th floor plan
9th floor plan
ground floor plan
3D representations (G.P.)
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