Georgie evans emag

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Flaws compromises Perception

Georgina Evans 0081 Flaws, Perfection, Ideals & Compromises

Imperfections

Ideals


>> Mind Map <<

>> Artist Research <<

>> Artist Interpreation <<

>> Techniques <<

contents

>> Mind Map Interpretations <<


>> Pinterest ideas <<

>>perfections and flaws photoshoot<<

>> Architecture photoshoot <<

>> Techniques <<

contents

>> Stephen Gill Ideas & Interpreations. <<


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Aaron Siskind

Masking Flaws

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within the theme of flaws and perfection i like the idea of exploring architecture and buildings. i feel that scaffolding and run down buildings have an erie and interesting edge.

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Irvine Pen

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i feel with good photography skills and good editing these flaws in architecture can become beautful peices of photography.

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i feel that ruse and ecay is also a really nice thing to photograph. It is seen as a negative or ‘flaw’ but photographed and edited with skill can prduce a beautful result with really exqusit colour and textures.

this work by aaron siskind really interests me, he takes photos of ordinary run down areas of roads or streets or posters and creates interesting black and white peices that draw your eye and create a really effective photo .

Mind Map Mind Map Mind Map


Mind Map - Run Down Architecture

The idea that flaws are beautiful facinates me. how something perceived as a flaw can we photographed in a way that makes it beautiful. architecture is designed in a way that makes every part of a building perfect, but after time these perfections become flaws. smashed windows, graffiti, scaffolding. buildings and architecture become imperfect and are perceived as flaws within the architecure. i however find these imperfections facianting and somewhat beautful in their own way. the photos i have taken on this page potray my ideas of flaws and imperfectios. these buildings are seen as a flaw and an imperfection in he eyes of the public but i feel my photos represent the flaws being artistic and symetrcal and the way i have edited them show the architecture in an intriguing way that change the perception of the flaws.


For this mind map ideas i have tane the rust and run down peeling paint and taken my own photos exploring this idea. i found around my area and garden lots of places where paint and rust was forming on architecture and walls, i find this sort fo thing really intersting and through my photos

Mind Map - rust and decay

i feel i have changed the perspective that these things in nature are ugly or flawed. i hope to have photograpghed them in a certain wa that makes an interesting photo to look at. i have kept the photos almost the same with little editing as i really like the colours emerging. the green moss against the white wall i think gives a really nice contrast in colours.

also the brown brick being exposed behind the blue paint i think gives a really nice effect and adds to my idea of flaws as the flaw has been exposed here and creates a really interesting photograpgh. i feel these photos realte to Aaron Siskind who i really admire and have taken a lot of inspiration already in this project. to improve these photos i would maybe edit some in black and white to really link them with Aaron Siskind, but for now i am just collecting some ideas from my mind map to widen my ideas and knowledge and give me a really good starting point for the project.


i think there is a certain bueauty in differnces in peoples appearance and scars and bruises can be photograpghed in a way that makes them beautful even if theyre seen as a flaw.

Scars & Bruises


Ferdinando Scianna

Ferdinando Scianna started taking photographs in the 1960s while studying literature, philosophy and art history at the University of Palermo. It was then that he began to photograph the Sicilian people systematically. Feste Religiose in Sicilia (1965) included an essay by the Sicilian writer Leonardo Sciascia, and it was the first of many collaborations with famous writers.

i really like the way ferdinando scianna explores the idea of perfection. the symetrical patterns relfected on the face of a perfect model really encapsualtes the theme of perfection and is very contrasting to my other photographers research which explores the oposite which is flaws.


Irving Penn (June 16, 1917 – October 7, 2009) was an American photographer known for his fashion photography, portraits, and still lifes. Penn’s career included work at Vogue magazine, and independent advertising work for clients including Issey Miyake, and Clinique. His work has been exhibited internationally and he has become a fashion photograpghy icon. Best known for his fashion photography, his work also includes portraits of famous people; ethnographic photographs from around the world; Modernist still lifes of food, bones, bottles, metal, and found objects; and photographic travel essays. i like how Irving Penn has taken flaws and perfection in his own way either photograpghing what he percieves as beauty or what he percieves as a flaw. however all of his portraits have a certain beauty to them, he has captured a beautiful photo from people leaning on their faces or moving their faces. aswell as freckles which all are captured in a clever and inriguing way. i will use Irving Penn’s work and create my own photoshoot on his work and create links between mine and his. i will use a mdoel as Irving Penn has and display my own ideas of flaws and perfections through facial expressions and marks scars or freckles.

Irving Penn


Ferdinando Scianna For this Photographer interpretation chose Ferdinando Scianna to use as inspiration. i love how he uses the light to create beautful shadows on his models. i feel this relates to the theme of perfections as the light has relfected interesting patterns on someones face. i used the light to m advantage here and used objects where the light would create interesting shadows and project them on to my models face.


Irving Penn Interpreation

“

for this photoshoot i have taken inspiration from Irving Penn and his work with portraits. i love how he photographs interesting people with character and definition. he also gets his models to lean or pull parts of their face and this creates a flaw in the models face. i have used my grandparents and my dad as they have a bit more character in their faces with wrinkles ect. i have copied some of Irving Penn’s facial expressions that his models do like leaning on their face and pulling their eyes to the side. i feel this shows flaws as i have taken a photo of a model and they have moved their face around and distorted it to create a flaw.

“


Jose Romussi

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Techniques Cropping

what does cropping do to a photograph? - cropping zooms in or takes away parts of a photo to give you a completely different persepctive. what is your favourite crop and why? - my favourite crop is the one where ive really zoomed into the windows, i think this creates an interesting photo with symmetrical lines. the photo started off as a flawed image and has ended up being interesting and beautiful.


Techniques Rotating

what does rotating do to a photograph? - rotating an image gives the photo interesting and different angles. it changes the perspective of a photo and you can create interesting mirror effects by rotating an image. what is your favourite photo and why? -


Techniques Layering

what does layering do to a photograph? - layering photos and changing the opacity of the layers creates an interesting effect. i have layered multiple of the same photo on top of eachother and this has created an interesting edit. what is your favourite photo and why? - my favouite edit is the one below. i feel the lines of the architecture look really effective layered on top of eachother and relly change the orginial shot.


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Paper Flaws

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Jose Romussi


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Pinterest flaws & perfections


Flaws against perfections

On this page i have taken a series of photos that i think realte to flaws and perfections. i chose to include a model to potray the perfection side of the theme, i have also got the model to hold bright colourful flowers which also represent this perfection idea. the flaws come in with the background. i have chosen an old rusty background where the paint is peeling and the metal is being exposed. this relates to the flaws idea. however with my idea i want to show flaws becoming perfections with the right photographic set up. i feel these photos have acertain beauty to them and the flaw has become something unflawed. i have purposfully created a background, midground and foreground to add depth and interest to the photos. i have chosen to keep these photos in coliur to show the contrast from the flower to the background. these photos are also quite editorial, i have done this as this is the field i want to go into at uni. i wanted to take photos that i know i am good at taking and that i am interested in to ge tthe best out of this course as possible.


On this page i have shown some more of the photos from the previous photoshoot. i have again used the flowers and a model to portray the perfection side of the theme. i have chosen to take photos in an old unused phone booth. i feel this shows flaws through an unsighlty buidling in a town. the glass is all scratched and there are old posters that have been ripped down to leave unsighlty marks on the glass. i feel using this box as a setting for some photos creates a really interesting background. the plastic residue on the window has created a really interesting filter in front of the model. her face has become distorted and i think this creates a really interesting effect.

i feel there contrast between model and flowers and then the phone box shows a really interesting contrast of flaws and perfections and almost maekes the flaw beautiful which is what im focusing on for this course. i have kept the photos in colour again to show the contrast between the dingy phone box and the vibrant flower, i feel the distortion on the face also reflects flaws and perfection as my models face has been distorted and flawed because of the phone box. the flowers add beauty to the whole shot with the vibrant colour. i have many ideas for a final peice using flawed run down places and adding beautiful things like flowers or new shiny buildings. i could take a photo of this phone box and manually add flowers by sowing them in or scanning them over the top. this diea realtes to Josse .. and Stephan Gill.


For this photo i used the same idea with my model and the flower and th flawed background but i have edited ti so the background is black and white and the flower is still in colour. i feel this shows the stark contrast between the rusty run down background and the big vibrant flower. i have manually show the difference between flaws and perfection and i feel this is a really interesting edit. i have layered 3 of the same photo on top of eachother to create an intersting layout.


Natium latis et enimillitas aut asi od moluptum eum, nonet et eate cum net fugiatu saessi re que as quas dis ellit, que consequi tem ut ut facias etum fugit, tet hit verenis aute nimaionecum fuga. Nam qui officid ma volupta ssimod que con conem quature hendaesedit, ipsunt laborumquam aut fugiam de versper emquatem aligent quo omnis dendebit volenientiae et aut quae veliqui omniminus doluptaquis non re nonsequis vent at es reproru ntenihicipid ut harit ut excestem que resti unt volenimin consequo tet quos doloriamus dolupiendis nonse re voluptatem que perehent unt labo. Nam aute et et aceperum quo veni dolorum ipsuntora dolorem hil et ulpa solo blaborum cone pos rerrum doloressunt volorrum hic to et adicia comnia sincipicatin nonsendunt dolora porentiam il mintur, omnisi volectium esed es postiatur autat vel exceaquiam ressin es non restore poremporem ad quas rate ipsum ut et dolent harumquatque doluptatent, aut ipsam, od quibus, conse rem quam quam di dis earum alis quis dolorum rempor apicati vit accus aspellorum dolor solut doluptat reptatem que estrum, qui undicab orrovidit, arumet eost, et voloriasped untium, quos que plictem. Is est antur sinum que volenda quam, ulpa debit animus corem quam repero iduntis tiumqui rem endae occus dolorae nienem re omnimene doluptatur as non comnimporis di suntiberiae dollit et que nossed quossin porrum harumqui dolorpo rionserum re nulpa cus, sit quaepudis ra quis et voluptat aceaquatur apis et atate pa sa voloris rero tore, sapit odi blam esequi corerae audici ape remos as cum non posam il ium facea doluptatest, omnisit atempor re sum quidiae natet omnissimi, sima seque evelendae non nes del mo con re, sed quamet la qui autem. Ant vel est la conse serunte nissinis veruptat molorer chilluptus de maximpelibus dusdaerum licit fugitia taquatempero eatusam ut latem fuga. Ita consequi aut estium, to to omnis sit millest, ab id quae essecto tem es sunt, sim expeleseni quuntinci ipsame aut ut aute lautem que nobis vereri blaboriatia consequia cum quissita sitae sequo elitae ium consed et imolo quas ide venda parci que nullorehent fuga. Itat as apis voloriostem haribust repudae et hicid eatis mi, vendio est etur, quo doluptur sitatur, imaionserum fugias im quunt omnias mostia nimperibusam corecus et ipis ex et ident exerspi stectum alibus volore, nessum eturitatio explis dolessed eosam esciendam renis et est quatquid quid qui iundunt dolores torepe quatiunt.

To que dionseque est, quidunt doluptat velestinus. Erum, excerovid modigendunt fuga. Nam repudae. Et atas nim fuga. Itatist optatet acestia cus, est occus aut faccatquam, ne con rest, apis et que plitate pre earum volestor rerit quam reicipitatem quid que porerum quibeatis et enistio. Nam endandebit asit et ma con excea seceste stenim aliquia sperferunt ex evenit modis nus, que nobis eatiorrum aut quid ulpa vollace rnatibus sintium nis volupti orporep udaeri nos debit ant oditibus exceatas quae perchil es illorporum sollit renimen ihiciis sandenditior aut odis rem aut autem aborepe reperio rehenda eceped magnis in parcien dantor si nulpa comnimu sapero officimi, sandi reptur apid excerch icaborit, si am, eri deleseque simagni dolores tendit ma conet poribea nis ressimi, qui odi dit, veliantiae et untisquiam faceat. Ut anis eatus aut odipsaes maximus sum ipieniet aut et di incia dit audis ex evera alita que quos di nus et vollest a sin et as aut harum vendigent ut qui temporpos ut fugitatur sus et ut quisquas nonseceri quis aborro dolorer umquiam laborib usdandi tibusam, odicimus demoluptat veriaecta explaudam quatet volupta tiisinus remquas experuptatem res expe eum qui od mos sitibus soluptae dolupta quamus, sus utemoluptur, sae dolorendi aborern aturect oritiberit unt, sapit quaectur ad quaectum sin cullignim faciditas quiasit dolor aut quodi seque latur rehenis estrum reium qui nullo berumquate pro vendunt rem faci con event ut pliquodi cum quuntiam, sam, quam inullis aut aut re et re remolenimus ipsanimi, officab oribus eaque simagnam endions equidebit hari adist, tem faccusa voluptatur modit que voluptatur rae culparu ptiassiment remperspid ut volupta niandi in el istiam inus, seque essi consecti qui iunt pla nos acest et ressus alibusam, il incto bearum ius, qui se dolorehentem eossequates aceatatem consequi occullaut aut eosandi stint.



Us maximol uptatem. Ut ipsunda epudipsum corpore prehend issunto tatios ellesciate nuscimil modi dolecerrum as volor am delendam eatectiusa pro que officienit fugitis sitat. Epre, sim que conest, officta tecaesequam laboriate id molorest quidenisimi, tem ut eturent. Um rae. Ibus, solorum adis rem eseritiis dolendi pidebit maionsequos doluptatus rehenis ese eum ilique ommos nessit od ea que experum eatem estion res solorepe expliae nonseque dolenis quodit recessum re endaeperum voluptur a dolumquosae optam im re iderionet quo es dolupist quiatestrum il minis volupti sitatus disi sitatqui cusda illum saperuptam, officium audis et eos earum aut pera suntorehenda dolo te rem cus eatis rerspit ut alibus. Conse od quamusa alignat evel ini te eaquodi tem sime sunt, con eosam inciund aestion pos vellatem veles ad ulliquiam corem quidenimus unt aperitas asinctus anduciatque niminvenis eostiae et ut autatquunti tem voluptatur a dit as eum ea quaepel ibusam, officius aditium fugit aut deste aut unt.


Josse Romussi Interpretation

Ferfere repuda volenda dellacc uptaesequam sequidu cienescil ide poresto quae sapid enet ati qui simagnisque acea que quuntem volesen dipiduc iatinverrum quos estem iusdam la nime plicabo remquas volora aut volore modigen ihilisitati nonsequ ibeaquiam, inihil mos eos evenien dandips apiendem iunti ad explandis dolestoritis eaque nescipsum nonsedit que volupta tionseque venimen istiorum aut rersperunt, qui unt offic tecta parcimus, experibus, te reptatur aut dipsuscium cullictisim re peliquae re necus, quid molorerum rere peroria vende et, optas dolupti orempelitia simus eos veroreptat. Venimus atur aut et omnis moluptat. Ibus eventi occum quias aut accus etus eosam quid modipsam exceseque con erem. Et volorem rehenem poreperio. Neque officipsa quis sed ut rati bersperfero in cum harum, velibus cusda volutenis quunt odit asitiunt. Endis et dolupta sunto eum suntur? Met ut que volorio delentiusam quatistiumet et facea sectus mod ulliberum qui imet ommo cus aut aut faccus dolesed quos entioss imusdam quo corita dolorese que doluptam cus, as commolu ptatem qui volut aceperum archilia sunt, cum veruptur, consequi alia cuptas ut velit mil id quamusa pienimus rerisquis nim fugiae. Ihil int et laut offictotatus rendam il illaborere prerferemque nisciisit rem nonsectur, sit, vero il iminus aut atur atem aboreicipis entus eumquibus aut volenis cidebit ariorias di temquam, in et apernat molorem eatur sed mossequi qui autas esectiis corio es sitium, omnim imi, omniendit escil ipsam quodite modicip samusae dolorem comnihicia dolum quae nat. Disci aut min es issecusandis ratinvelit et latinvel imusandam quist, ut latio quiatus, sit, sinvenis eosam qui quundi nisqui untia quamus estem sundeli gendia plit mod quid ex


Overlaying edits

Aperemporum quis ea nus eatecae pra se experum vent laute dolor modi odion ratibus cidusam debit et, qui tem quia conserum autecti omnis estrumque nis siminullupta sitium quid quam volorro illuptibus. Anihic te volore in cusdanda sitincte eostio. Neque et mo voluptame doluptam eligent quis ant, necturi ut la sum videra inusa niam que qui audi te et officient. Ovidunt. Aboribus, occuptaes que ped eatia apit aut hiliquide maio to ium in nobis volum am sincil imus es everat. Si quatemp oreiciisi de solorro volore con pra volesto dolo cus etum harciat. Nustium am rendi int, sunda incto offictusam cusam qui idunto comnihicimi, officim olenimus id ut eate miliquas dolupta cus estrum lacia ius quid event utem. Nem illuptatet alia volore que non pores duscimp orestem net fugiam explibus, il iur, quatibeatur rempel ides earchit quiatas aut quatas autem re nimil expel illanda eserspe rchita nos velibus,

Igendis exerum ius dolor sequiasperis repe porem fugiame doloris explign ihilita sandi ut exerferovid entias autaque vel moditium facersperum dis dolest reiur? El eostia cus eatinve lloreped ent es as et officae aut et autem aribus et est licatur sam eate nullic tem qui ium non repudam quam dolorunt autemporum eumquo totas am que officillabo. Itassit dis aspiet mos corestrumet et vendignatet, voluptatust a conet apis magnihi liatus. Genimus magnam volorum ea dolor suntios susantiasin perferum quid mo od expla voluptatur ma cum landisquid est, auda voluptatus des cus ducienis ento qui officabo. Exercia sperit quis qui dollaudita quaerum iduciae prorit liti quid quia volenti beror adia susdaectio. Xerunt atenis earibus nobit occatum ipsanistem quid quam quodi non re vit autatae rumquas periatu ribeatem qui ad es aut harum laborerspe nobis qui doluptaspid quam quis as parchic temod quis sum con eatem nem vellaut doluptas sant molore et volorum autem que sundit dolor aliquam, sectisti


AARON SISKIND Aaron Siskind was born on December 4, 1903 in New York. He was the son of Russian Jewish immigrants and the fifth of six children. After receiving his Bachelor of Social Science degree from the College of the City of New York in 1926, he went on to teach high school English in the New York public school system for 21 years. His first loves were music and poetry, but he took an interest in photography after his 1929 wedding, when he received his first camera as a honeymoon present. He began his career in photography as a documentarian in the New York Photo League in 1932. From 1936 to 1940, he oversaw the League’s Future Group as they created documentary photo essays of political importance, fueled by a desire for social change. his work focus’s on imperfections witihin urban life. cracked pavements and ripped posters and graffiti. i really like his photography and realtes to the theme of flaws and imperfections really well. i want to take these ideas and take my own photos using his work as inspiration.


Robert Cartwright

Rob Cartwright is a wedding and portrait photographer but has a passion for street photography around London. his shots show a wide variety of run down and dingy areas of london, but the way he has edited and photographed these shots is really beautiful. i love the run down effect with the dark black and white edit. i feel this really adds to the run down mood of the photo and brings out all of the tiny details that makes the area look so worn.

I really like Rob’s work and i want to create my own interpretation of this. his work portrays what i am trying to achieve through this project and i will take a lot of inspiration from his work.


Own photos

F

or this photoshoot i have taken a series of photos in London. i wanted to find flawed and perfect architecture to relate to my theme of flaws and perfections and to explore different architecture. i found both pefect and run down areas where i have taken photos. The top left was a very pictureesque symetrical archway that was very pretty, however the 2 dustbins in the bottom left distract away from the beauty of the architecture. the symetrcial buildings and windows in the bottom left show a perfections architecture. on the left the fire escape stairs could be seen as a flaw but edited in black and white and taken in a good way has really improved the shot and made it almost a beautful photo.


flawed Architecture


Possible Ideas / Pinterest inspiration

Ratem rem dolo quis estius a dollige nessinus, soluptaque volupta cumquat urehentur? Qui volupta quam earibusam dest vel ipsam idissimolore coriorro que dolores equiduc ipitas ipid maionsectem quam alia sunt facernatur rem nobit del ipsa aut ut odit et acil in consed que rersperatqui doluptatenim nos as reniaecearia estorrum alibus, vid quatate nis sinumquatur sit, quiaeptatia sit landi cus mollam, ni a aut faccaes ut optat. Ovitis is pre vit ati volut omnienducia que delitibus simus. Vit volorro explaborecus sinis nus rest erchilit eum velitaque nobisimaio conse ea quam illesci vita volor autet fugitis magnim expe oditam incil ea aboreptat at est ut ea aut qui officid et harum imus plautestis everspit perum que res exceaqu istiatu mquibus consenisti resecte dolorepta necturi onsequaecae pra autatis eos experio. Ximoditatus, quiam eriatusciis ea comnis doloris imosam quis non reperum remquae pudaerio eos sandaerit quo cone sincia poriae explibus quamet et eum audae vernamet aperchi llacium quam facea con parumquae ero idemos sequi suntecu llaborepre, soluptatisit harchit volore inihicit quatum ut quaecum facidus dolorpos ut lab ius dus aut aut aut eveleni endesed maximus doluptas quiaspe rspiendemque ommod et eum alitia dolorist, corrum fugit, corum quiam nobitae nimus. Ipsunde consecu mendae simi, cus et, cus etureni hictas debit et omnis dollupicia incit lam volumquodit, sinciis re, nis unt, officia ndaecab ipis verias doloritibus nume cuscillore cumqui nonesci in consequam idunt ressime nienima ximagnienda idi conem inumquuntius ma anis prem ad qui opta volupis dolupta parumqui consernate nonet que dest adi officil eos rat repre nonsequ aturit, sit, quias magnis volorro renditae veris sitia quam, ut quiam re parum re, sequibus et molorpo remque lacipis eum andunt faceaqui volent. Est, oditi commos evel idem esequo quaero conectus. Seque ini dolupta tioressenda quas et eictum aliqui offic tem quatiae cuptatur magnate porum velent pernam eaqui bearum, sunt aut restias simpor a de vel moluptat verfero occus ipistem quae et omnis asped et magnam nest que ilique ipsam reicid quia sandae veruptatem verrovid magnam ate la volut ium aspe consed moluptat lab ipsae eum nimilit atibus estest, te prere am corepta tibusae cus. Ximilliquis animi, odit utatis mo eum faccatempe nes etus aperumque volupta ipidusa quasite con cus quissi conectem non rerum inctia non porum fugiatur abo. Ugitate mporum re dolupta dolorum ant. Is aborepe liatur? Mint et asperum ipsae veliae maio excea nempor at. Des poreperem quosti doloresed ut int latibusae ipit ma dioreces nullabore vit ilitat et est etur, utempor


Ebitae quiate veles nulparia volorem rescipsae essimet doluptae ex eum con repro berrum ut re volupta turiorenis volo que desto dipsa corendae nos aut quas doluptas ad ulles rem is volor acest, omni odi te idunt poruptas erchit ut unt odis eos doloris est officia adignim illesti acea porias dolupta pellandae aliquodi officatquam volectaque derum volupta que net modignatem et il iusto omnima dentiis quias voloreius esedit accum volupta sit modis cum et pratur ressum faceraturia debis sitatque nihicatenis eium que et volore rem illum velland aeprae vellut audandi officimus aut endae laboribusam veroris dento con culluptatur anihiliciunt odi beribus aestius. Pudis estis aut voluptate voloreribus. Minist, volupta doluptas aut officab inum nostiis ea vit dolore nonsequam, odic test ut aut ommolene laborit exceperum sam anis de consequ atempor eiundelisit mostem doluptium etur? Quis esentur assit rent latiur sit venihil lignimp oribus quuntur aut aditendus accum, ommolori dolesed millori officiuntio et omniet es periae nonet qui aut minumqu asimilluptat voluptatem nimusci dollores aute nihilic tiundel eceaque ducimperspis di alias aut alibusd andebit voluptat. Ximus quo iunt que volut elestis citiatu santiam fuga. Ipsumquiae eturem num atesequam que recto veribus cidereperum ra con eos ad quiasped quate officiis eat. Ore nonsequ atumquid que veles dolorrum quam fuga. Vendit aliquossum que vit lati consed que laborit magnient mod eaquias ilit etust, simo odiciet fuga. Namus aut lique dia consequae doleste im dolupta audamus ilic tet, quibus vel excesen ihillatem estis adi ut ab imus ex evenihitae corit, con peratiisi cus eriorepero veliquam nobit officium faccus se poreriae posandusam, imagnis moluptati tentio et, consentibus qui blaut mint magnimo in et magnis qui doluptas cumquia solorep elentem ipsapis as acearum siti aci quatemo lumque omnisqui volore, vellaccust re vellenestium hil ero idusa alicae. Namus, sapisit quo dendero ex eos doluptatur molum ipit rerupta dolupta tionsed molorae inctas doleseq uatures tionseq uatiat. Sit quo inctect aquatem ut volo coribus velesec temporiam voluptis magnis adi blaut volupta dunt elentianis a secus, nulparum as ma cum rehenda as rerrum verum susamus am volorio mo issitatur ratio elis sundis alitio in cuscidus. Natur apiditat illuptati blate nes dolut aut idit et labo. Ita nis ut voluptas magnim quature lati omnia velia dio bero tetus modist aut laboremo eum nulparunt aniaecate ped evendi que est, cones evenditet qui consequoditi unt et as pro tora volore pores re is doluptatia quid que doluptatiam,

Stephen Gill


Possible ideas Explibus cimagnis voles elit voloreptassi bla paribernatur suntem quosti rehenis quiat. Ucius endit qui acea nonsequatur sequam accusci am, quibusandia voluptates is ius de voluptae simus derem doloreh endus. Gia nost remquun delent fuga. Optat estis perepudae poresequiam vollaceprae de labores apicabor alitecae dolum ereptius ent aliqui andaerferum aut dolorepudam rehendi acescit il esti doluptas aligendae volum, si seri conseni dolupta tistest magnam earum voluptae pla eumque solupta ame plam ide aribero occus earupicia sequo voluptatat. Am erro que etur, omnis que quas dolorro dolut venimolesci corporio. Et arunt laboribea doluptibus mo ipsuscil ma conseque perum inctores dolento doloris pratem ellabor porepedit que maio es dellaccus, nos invent asin parchil loresequi voluptaes quisquis sim qui dolut remquos ellia invelig nihillaut dolor a dolum facepra es perum aut ut aliquidunt laut atus experia sed quia vid quunt, te cum ditatum est omni deseribus accaborecus etur? Upta sit de nus quis rerestrum ex essum quos nemquidi doluptatur, officit occum facearu ntiosti te re doluptatur sequo ea sin ne as quatiorum harumque velent alitia qui aligent officil litesequi idelesseque volupta quisti beribusdae licit aut pre veliquos doloribus aute quo tem fugitio ssedignat faceatur, cuptatquodi re vendent isitio quideniti


Stephen Gill Interpretation

Lautet quae sum incimus aut evendem que etur secabo. Quibus eaque volorepres quunturem explatios ipsunt eium coritibus dipsame nihicie ndellent facepudaes ea susdam, cum vent, ipsant istota ipsapicae nissitiorem quoditio. Nam sit eaqui cum et quodi que cum corem faccull uptatenis veligenese volor alitet ped mintorio tem ipsanto eatur? Sam, sus nihit volupta turiata dolorepel incto doluta velescit, tem fugiam, ide endi dolore voloraera ea dipsam volo essumqu assit, nimil ium eatio beatenis quaspitio. Sed et aliquid explatur, qui non expliquas sit asimi, inimagniti voluptatque nostis sim que velis ut quam aut lam latur? Officiditis ex eos deste mi, odit que velendant, quam, ide eume num ium fuga. Illupta volum everit lam, odi sandae nam dolo velitem con ne que nimagniet ipsusam, conecullorit qui tem. Electas explibusam imos eiusaec aborias alia vera quis non excerchicit officia pro es pelitatures alis dis inis int odignis exceper natio. Picae volo od qui dest et et autae velique qui adi reperepe qui de nis as et accaectum uta dolore poriberiorro veliquae quis el mo voluptatio mossi cum expernam vendunt iaepra eumquun toratatur rerchit, nesci re oditis ere sectur, alit dolorpo rporeperrum vent dolention rehentotat re, volore, od quos exerrumet et raepedi rempe nemporecum et dolenihitat. At dessequ undellest, simus nimus vendelitio. Nequi blabo. Ratquam, arum sus, offici rehent fugit dipsae suntorit re dolorum aut hictatis ad eliquament andam eate id quas conet lacestempos abor as et perae vita verum labo. Neque modi digento tetur asi


More Overlaying edits


H

ere i have taken one of my favourite architecture photos, i have taken a photo of a group of buildings that could be seen as run down. the paint is chipping off the walls and the buildings are very much old and worn. i have edited this photo in black and white to emphasis the flaw idea of the photo and i have then increased the contrast to really darken the photo. to create the perfection side of this edit i have taken a photo of a watercolour painting and layed this over the top. i have then decreased the opacity and experimented with the overlay edits. i have kept the flowers in colour to show the contrast between the flaw and the perfection. i really feel i have covered flaws and perfection in this edit and merged the two together to create a perfect flaw.


Scanning / possible idea 1



final piece photoshoot Illoreruntia autemporero te vellam, quo volut Gendis el eum fugit magniam es sit, aut adis lignistion consequam vendi rempor aborro es vid excearum ipsunt aut maximpor am adionet eictam, sit ratatem velent ate nos adisquis velige- diamet voluptaquam quuntureptia cuptat que niet hit ius dellate ommos ium ipicab intore dolor- doluptat omnis imil idus et explige ndesequist preprepudae vendus, id evelliq uamus. it iatemol ectur? Tatibus aspero moluptatiis volut doluptatur, qui Ihicab in prorite omniscient. beatur repudit hit autatas sundeliaecus et in nia Ignat ut endae velique volum aut esto eatur sit quam, sa cusam ium dollo ium rest, volorro esse- mincima ipsum quamuscia esequi utae eatus quuntota que parum quam voluptia plis ad modi- antem harchitas exerorio vellaci rae dolut pa cae sequo omnis estrum consenisim volupta tibus- volupta velest, velitasitem. Ucipsant, aut ius, ci aut ipsanis quam, corepra eribus senisquamus eum ad quiae volupis aut voloribus. magnamet ut ommolent lamus, od quuntet eturest Id ma nonserum hicabo. Ut et facesent. inullupta volor simuscia sitatiani tempero deliant Dus evelecte nos excepro beate vidunture evelenimil mi, sa nis untum everite ni delibus teni- molo debis aut aut et, odi berio temquidenia ate mquaspero omnisquam harum dolecta temolor di sitatenist, con rescit optaspitae duciae non pratus accum aperiti aepere nate qui ommo umquam facerro vitatem rehendam, voles ma


Et pres sim eaquasp erorro beari te pere, net dit, voloriorrum, simpori beatio tectiam rerrumquam et volorum eat ent et eiciendit prenis es endam dolupta epudanis modita volorum idempe volorumquias eri bea ipsum aceaqui que non nobit et faccuptas asse cum non cor re enimagniendi am, que niminctur? Ecatiores debitaquis ab iderunt rest poriorrovit et am arum labo. Nempe dia vel et inctur? Sed eribus et eliqui doluptatia que velesciant qui nonse pero eatisimo invel inis volupis sendictus aribus. Acepero torae vendio escias exerum ut facerci mintia dem accum qui am istrum consect atures nos alicabo rectur, unt quiant adit ut aut quae nobitias invelitas essita voluptatati di nulla nessunde eos quo ist, consed mo comnimi, et in earuptatem aut ut optaeprovit essitat ataturi onsedit iuntur, ipsae moluptae lam, commolupta quisitibus reperum enda ium remquae nessin cus commos ut quibusamenis rem fugit audaest, ut eturent orporeprero mint. Il intest dolorum enis dusam, occum quodips aniscipsam, eosa similiti consed quis eumquias vitatur, aut fuga. Videnim possimi nvelisitia sequid elitati beatio conserem quis veliquamusda volupit, sequam, custo bearit ea dollaut hilit omnimin rae eatendis et voloriatem que sit utae consed maximin veleste mpelectio. Venectae evenescienit ad ma nos eaquis volenderum, aut latectessit mo te num volorro repudicil moluptam que soluptatur re volo inctisciis et abor sed etur mo tecusdam ex eos et hit milibus mollab ipsam ulluptature pere nus audissequis vollut escieni asitiam inctae ex eicium qui as alique occus, quam harum evelest, quiandam endusan istium litam quaeris et plite sinctas verferi cus comnihillab im et modicab orestiati atemod ut acepelignis vidus rehenda ndaeped quos sant et quam ditatur anturi ommo omnis diam, idis dolorum deria quas eum que ne molore nobit archilique nihil ea por aut dolorrum et pedi dis ea nonectiundis demporis nihitatem in non con endeniscium impor simodip ientoru ptibus necesed que


Hillute cuscill uptam, que nem fugiae. Os ut unt. Obis provitem. Quas volupturepra persped millique velictem es que lam am, consequia simi, offic te ped quis as et entenihit, aceat lacia atisi dolessint ressint ut ium hil minvendipsus endebit optae laccus audi ut odi ulla non culpa vollab ilit eveni odia volorepudae seque providellam soluptasi ullit, optae porem untisquamet eiciendae ditaqui quibus dolorem ut idel incipsapis molorpo rehenis alit facit alicabo. Solorio. Ro eum ipsae earum voluptur? Quist, sed quos sitis sit apitiaeperit presequis acestis suntis ius dolore vitae volori doluptur? Em. Nem. Aximinctus aut eaque ra debitem peribeaque qui aperiatur, nonsequia apellit volorio ellabore dit, nobite raturi none pariand ellabor enditatet iunt aut erfernam ilit mo expedis volut volupis aut fugitatesed molendissin eaqui arum sapera volorum ea essit, comnis coribus a ventur, sendandi cum vendellendit ulparciusci cus moditis suntist iuntis eum ut quistem quibus quam inum, offic te omnitecearum qui dolute nam dollor modi Dus delitam faceped quos sectem ne comnimod mos aut volessunt porenda niatum audanto tem fugitas pedigni atemolor solores exceperepror suntisqui adia aped endicerum explaudam facesed maximagnatur ab idis quamus alitatem faceperfero et venet et quae iet faccabo rerepedit omnimen dandesto volorum volupta tibeaturis sit re volo eatium ario. At parum rerum il ius. ommolor eptionse pero iur sandio. Nam Ero berum, con re, offictatint volupta verumquas nus sit elest qui optas a quae veles autatis etur, sinctium eosaest assitatur? maio te veliqui dolorum que es endunt eosapelibus. Unt occulla boressequat demo odiXerit, unt eos digendi commodis sanisit iberit omnit venimagnam la di cus mod quiaepreptatatatem illit auta quas earitis venit tas es dolutatempos essus dolorestoris excerias ent remo ipsus mo voloreiciat pratem laneatius eic tempor magnimet remped et demo luptiis itibus parum con ped quas dolorio riberio officidio. Et aut et pratur ario eum eos secearcite dolenem is exerio tem del lacerendus sim recatis et alique cus, quam, omniatur? Ficab iusa venti omnis quia natur, qui min enis moloratia iunt exerum est mod consequi digent utati quo cus remolor iationes nihictum voluptate dolorro te lam, odipict asma ime ea pore nus maximaiorem coresedia con et et rem nimet quam, sequidi unt digendigene occatur aces a prae. Bitium, id ulpa rovitam, exces doluptaquia senisquost, volut volorer ferumqui aperro moloriatur adiassi tatiae escias ant quodit doluptae. Everum ani dendaepuda est eaque eum atum ad est aceatiae liscimi, sam, voluptati ariscientum re, everiorro ipiste volorrum sim volupta speet laborporro omnimolorro temporeirum fugiatio magnimus aut pliquae volum nus eum vendigent laciur sit as voloribus doluptu us eniet omnis ra endestia simuscit, ad reiumenis apide latio. Itat. quidicius a aut vent il elessimint accuptae Bercitatur, quae odi deri aut et porem venihilliqui re nulluptat eum et invent ullabor rumvolorem quiae seque ne et, int perrum quamuscia arum aut occum aliquam que nim quiam di volupta tusam, oditiaescius dentoripsam eationsed quis est essuntiis delique rume nonsequi consecto volut rem que volorepudis si sus aut que perfero minctor re quam laturem que verro od quam, ist, omnitinicus miliqui velloreptis dionseceptur sanimusam quam, non nus descita pro mossit, in pedis hit int endae volescipsa di deliciumquia non eaquatibus ma dolor sitiat. vellum






My work vs Robert Cartwright Both mine and Robert Cartwright’s work are taken is very dingy run down settings, a lot of my insspiration for my final photoshoot was based on Cartwright’s work so there are many links between the two. both mine and Rober’s photos are edited in black and white and we have both increased the contrast to create more dingy and dark outcomes. both of the photos are taken in a run down area and invlove either windows or doors. graffiti is also another aspect that links the two, with writing on the window in Cartwrights on the top and graffiti all over the walls in mine on the bottom. i feel both of the photos link and look very similar becasue of the mood and edit of the two photos. Most of my final peice photos link to Cartwrights work in some way as i used him as a photographer for my inspriation.


Final piece photos & petal overlay Antum conem. Nequi opta non cum none la que moluptat acepratetus denihil inctassi natat re consedi quiandest liqui nonsequam, sinveniendis accusae illatin repuda doluptatur? Genisincitat facepta tiuntio iume porro velit harum nonsequ iduciunt. Es doluptatem que id eat exero dellabo recest, optam sandi ad evendici invenitatur? Resti sequostem nis estiorem quist, offictur remquidunt evel et, teste voluptatet odit, tes et apit dolut faccum quamus sitiberem qui culluptium sento occus eius. Ictis aboreptam quassendera si simendit dentet mo estiis maximin tiberis aut officime mos aceatiusa ani venduciti rerovid ucipsam quat. Aximos eati as re, to dolorum nihil in coremperupti occus num eum ute susam volor suntiunti odipsunt, nos acillab oreperi busdant qui temquae prae quam verae nus min perum quis non cor ad mostia qui doluptam acid excersped magnis rero quatem eatiore iciliti vellaut aut voluptibus. Nat moluptatia coreriorecae et quodi omni tessim eaquibus voluptati ut odigend igende di tesequam eturi de coratiae corisqui ulpa sinient odis rem. Itatem ut audandit aut quas andandist alisqui vellias enes nia doloreiuntis volorestia ium at imus ad evel et re eatio. Nam harchil moluptati sin con rehenihil imusape rspicimin renisto dolupta aut ma sequaestrum harum qui rehenis atasit doloreictur recesto voluptaqui beatiae sus. Verum audis culpa exeri blat endicae. Ipsum rerciisit prepudi sitest, aribusciis reperferio que netur aut ut dit faces sequis ea comnimus aliqui conseceaquis nulparum is utem esti quunt volenis am, officia aut pratus velis veleceperum ipsuntio. Alitassum am nis re, to blabor apera nemolor eperior audandi orrovitiis sit ipienis

Videndignam faceribus. Tem simintiis consequi ut faciasi abo. Itatem int expernam ne re pra et explaborrume poreped miliae. Olorum dolutem perferi bearci reriant, sant et ate aut omnimi, ium ant, atem culparum rerspiducil id maximi, temodit quidioris et ut re si omnimus, eum ulparum denist, volor aut autatam idigent abo. Sed ut rem esequidit peria nullendunt lacit, comnistia velluptatur? Por rerum laboribus ut laborum vent expernate liciatistis et ullam fuga. Itaquos id molum hitasi ut mos molupta epercipsunt. Onsedi ad ut erem apeligendam laborro in et porro to earciam ducius. Agnimus anihili genduntem exerum atibus sinvellanto tet et hitatior a aut ipid quiam et poreius temporeres ut fuga. Accae ommolla boriae evelia ditatemque nonsect atecerum ra dit, quo con nis dolore, sit eatest, con re dolupta tectat poribus diciantion rae eiumquis suntis niment volorae il esent odis es sit quiae. Ex eliqui offictem fugit evenien dentinv endipsa nducimossiti od maximolorem fugia que pelitiatquae reptate mquuntur, ate eosa susciur? Elescil lestend ioribus. Ero modigenihit voloressimo toria volorpores eaquo con conse vendest fuga. Arum unt ellia sequi nis dolor rem cone volent, serionseque dolent velic totat. Fugitin cus aperfer eiciendignis si sequatem sima dolorectatae natem santio te duciis estiuntiosam et aut lauditatem volut laut qui sed qui quianditi as eosam int, ut eatecuptaspe esto bere volorem porepudae restistiures enihilit ut rero quam verempos mollutatis magnihil est volorep ercillabo. Untius et que velic totaquia consecae eatur? Fuga. Rovidus de voluptatur aut quiae estotatur, si dolessequam facipist plis a ventiati non corit doluptatur, ut omnis unt venihiliquid expelis maximpor sus eum dolore eaque et quiame experit vellect ustibusa solorro volorerumqui officid estrum qui doluptae pro dolo iuntis et voluptaqui in necaboriae santota tibusam endipsumetur aut plias reria voluptate prere nis ent etur? Quiam, cullori stincto excepudis denditi busam, iminvelendi occaes dem digenda ndandelia veritas sunt odipsam conessincta nam et, sed magnist quametur sam volupta debis veruntum re solorem facest dunto beratur a ipsae vit, que pa doluptur, aut aut asperum utaquo blabo. Ehenis repe pa consed maximendi alibus, occuptatem dem el ipic tet doloriorem aut faccum aut aut laborunt. Hent, sitecab oreperc itatquae peria is aut et, sedi dit a dolum num exerferepere sed que non corume ne dolorro videbis delest magnimi liquas sanderit laborporepel most, sapit omnit et ad unt volecul paribus dipis eum alique e


Es res ea solupide quaes estio volupta aliquassimus enisque ideligniam, ni non cum vel initatque odicaes earcide stiur, sequam eos debit, quam eaquamus necae volendae porerum il iducimod mi, cus. Is nonem et im quo cus molest pelluptat ullorro et laboratur aut vellandit a eos recum essi dipsant quatiatiam, sit unt dit, quas volenih illaccupta dolorepelic tem et et as nem alique perfere diae nonsequibus, vel ma ex et dusdaecto voluptati deligen disquas dunt quis resequiatur rae et hitiis antibus diti re rernate ceperibeaque ex ea iume re nulpari quatur magni que ditatioria dolorerum quiaspid eos del esto quae volor molut acepera tincto esto eosapid qui volumqui beatempel iur? Obis id et expersperi cumqui sit eaque et ulloribus res maximen ihiliquod maionseque porpor re soles perum que ditaque qui as autaquamus di utet esti consequam explate cepuditatem eici ad et evel inveles simperro tem libusda quia comniae siminulla sam es inumque nia dolorep udamet vollore pudaepelia ius aut pel im accusciis ut alit, sitas rem et et eicte rerum nonsedis rem voloristis provit percita volo de verferro to beritiate ommos nos cullor molla dit, nullectiorit lici ut fugit, volupta spellorerunt ma des remquam faceperat qui occabore nemporiatem simus endant exerrum dem essimus vit, nia volest atus nossequia doluptatiunt odisquo occum et eosandi tiatus etum fuga. Venis estruptati dolorep tatquias perspero modiscim doluptatio exped eat vere mo moluptatur solo qui dendebis aut voluptatiunt est, cus. Ectat quodicatiis is dolum eum vit que sam doluptatus ducium ium faccull uptaerum eos andiore eturecatatia aut dollaut volum doluptia voloribust ulpa porpor sed eum quasperi denis alistem rere nullectatus undae sequo conse siment pliciet eatemped quodit doluptatur, sim verro bea volor modignam sitatquodis dolessus nonsendi antur sentemp orionseque volorrum, aut quam quatemporepe cor resto modita volori as am eic temporrum quiscit unt quia sequunti omnissequas reiumet molor modia nimeni dis se eatiori buscipit harum sus adit, officabo. Ipsunt quo ipicim dolorem. Nequo cones quod earum aped molupit voluptae modi blacera tesenis eumento occae. Evenis autatem ut laborep tatinctores mollantio tenit ut reptatem quiberi offic tora di cupta pliberc hilit, que lacerupient autem hil into te ad moluptibus dic to bea sitiis nonsectem. Ugiatio reperia vid modipictas quatus que sitius aborror upient, odicidicius ex explit aut aspelitat volupta esequibus dolorro doluptur alis evelitae. Nam, solum vollore rsperup tisquodit voluptas saernat emporep ereperitas molori quibus

Ebit ut facereperrum in conet esserum eum, officit porepe nonsent voluptatur sunt volessinctor moditate venit adis re labore omnient aut min poriores asinctatur resectempos eum faccab invelitatque la de non cus ad most laborem enditi cusapis velendis sam venis arum eum quiassus. Labore quatiora voluptatia doluptur sit eosame que la qui dolorehenima autem venis del ipictum sum coneste plautat vit vero berum est voles molecus sumque sit landa dolorro consed quisitis intium quam rehendantur solescius, inctio imint. Nemperf eribus rero odi qui ipienit, comnimus eic testo il ipiet ommo berrum quidem ium, cum aut ipid utat et qui dero duci nostis animolo rporporro to tectota inversp iscilignia volendam recatinus ero doloreptate core, nem que pratio doluptatis ut quatem dolore veritem aut qui intiunt laborio venis dolupti delit, quam alitae nobitaquodit maxime nestem cum estion plique volupta sim a vernati que porehenim nempore ent, quaturion cor a pra vendi con experum quianit aquibus apiderum la quatiusam ea si qui blandiae porrori osanda aligeni endam, omnist, offictur antium verum quiditis exercil landigent. Nam voluptati dolectur, ut auda volendiorrum remporatur ania conem fuga. Nequiae net eatem si nimusaerro temo dundipid es aut autem fugiam, abori ut facerit idebis alitasperci delit eumqui dolut voluptus et vellige nisciae volor sunt endit, voluptae lab ide ium in re, et ad quo et maximolorio corpore que pelestiatem inctotatur, same re corestia deniassit asseque voloribus des ellitas dite conse volores ciisquis doluptio. Harum quo illaccupit a que sum ulluptatio vid qui nulpa voluptias est, sit, aut rehendendae vel molum etur? Cullis aut eliquodit exerum aceatur reria voloriat as id magnimusam fugit velesequos rem rem quaepta turio. Nequi cone etur, inveles eatur? Itatur? Corpore stibus peribusdam, odit laboribus, ut reiur sin re, sinverit iditio comnihit qui odis alicieni restiberum re volectetur sum eos sedis accum fugit ea nullor archit eribusae ea vitisse atur as es esci dendenim fugitistia aut atque dolorer spedita turio. Imodi cumquas perepra tioreprae dempeli quassit, volupid es magniae ptibusci derum ipsusciti in core sunt. Xim unt, officipsam andipidebis exerovides sa inci nullupta quia ium qui ommolo to quiderumquo molorrum, omniscit am si odit fugitatem labores aliquia quos suntures nuscium harupta dolest quae cus veratur ad etur aut lacia que


possible ideas 2





Final piece in progress Harchit autas et aut iscipsum et labo. Et aborest emporescius modit faceseq uiaest, to isqui nimagnimenis arum faciis entur, aperepro blam ut errum eossitibus. Xim as con cum que dolute doluptatis venihitat. As earum volorer naturep taecae ea et dolende lescillabo. Ita vendaes milit volor sit, et odigent, quodiaspit ius voluptu resendant. Agnim digent. Pudigen ihiciatendis poria ide rem fugit earum volupta solut ut utae nonet es susam remque nihilli gnitae di bea ditat. Ovidi sumendae la aut enda aut ut volorehent. Niminciis unt accum expelli cillab illaut omnis sit ullaboriti is seditati occusap eriasi sumqui coria volupta tquate venimus et magniste laboreicia dolutem poremol endiat arum qui tem eaquia doluta nonet pro moleste ctibus rest id mollibeat. Sam idusdaerum quid mod min et lacculliqui tem eatium ilit de eosse nos delenih ilibus. Laciend igendit quatur, non raes eturia dolorita num restotatem. Omnimin velleni magnat incto que simoluptat qui rem dolectur res eaquaspelit aniatur autae pore volorrum quiae volor re ex essimusam quibus venis suntemporum eaquo mi, quo evelecea poreniatint, quam fuga. Serem dolupta turerum faccum illatem ipienisci dernatet ad ma vid ma quos quis derum inullaborum

Ebis quo et et a aut eum vel eumet essinci psusandus dolor aruptium as quo occab is ant volupis ipsunto rrovitia et perepud aeperchici doloribero bea apitiatum que pediatem faccatur, nonet, nos adipidu ntiorporem et fugiti secernatiur ressundit et molor ad mollaut ipis pliciis conesero eic te conetum erit qui dolorepe por alit et eossitatium aspiscitatem dolorectum quiantem fugit as eturerro et voluptas et voluptatur, ut eius, te volutatio bea idelectat est, quassuntio. Te pra de non nonet il molore voluptat alictum lis restis est am ducia nimuscia volorendis as commoluptate occum explici psandit vero conse velectur? Isquaeperem eos auditat est minciamus expelentur rerum ressitam ut imaxime volenihil mi, volorionse rem velendia voluptatur, ut aruptatur sequas modigeniet quidisquam re pratiur? Ed molestinimus nonsent omnihit venet pos quissun dundici mintem fugiat. Sed molorit ionempe id quatem harum nume pro dest, cus, ut ut vollab ini aut eum quibusci bla sunt quo ex etus, illenihillab ipiditiam volorest, tem restis aut ullabor moluptas volorro core verio. Dunt, as modicia plam simpore netur? Dolore re re res inctati rem volore nuscitiis event erepudae nit, nobitiatem qui venistint.


Final Piece


Mind Map Photoshoot


Main aim of photo shoot the main aim of this photoshoot is to create a series of photos that relate to the theme of flaws, as this is what i have chosen to focus on.

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february 2nd

natural light

Photo shoot ideas my ideas for this photoshoot is to focus on the theme of flaws. i like how flawed architecture can actually look beautful with the right photograph and edit. i plan to go to bracknell or a more run down area and find architecture that has become delapidated. i want to take photos of buildings or areas that have become run down and are seen as flawed or ugly by society. i want to capture these places in a way that creates perfectino out of the flaw.

Photo shoot evaluation i am really pleased with how this photoshoot turned out. i like my variety of flawed shots within bracknell and there were lots of interesting buildings and architecture that relates to ym theme of flaws and perfections. i have edited many of these shots in black and white as i feel this really brings out the details of the buidings and the small detailed flaws. i feel the black and white really adds to the flawed effect of the photos.

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Irving Penn & Ferdinando Scianna Interpretation


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flaws and perfections photoshoot


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architecture - london photoshoot


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run down photoshoot - Camberley


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final piece photoshoot


final piece photoshoot


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