Georgie evans emag

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Flaws compromises Perception

Georgina Evans 0081 Flaws, Perfection, Ideals & Compromises

Imperfections

Ideals

>> Mind Map <<

>> Artist Research <<

>> Artist Interpreation <<

>> Techniques <<

contents

>> Mind Map Interpretations <<

>> Pinterest ideas <<

>>perfections and flaws photoshoot<<

>> Architecture photoshoot <<

>> Techniques <<

contents

>> Stephen Gill Ideas & Interpreations. <<

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Aaron Siskind

Masking Flaws

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within the theme of flaws and perfection i like the idea of exploring architecture and buildings. i feel that scaffolding and run down buildings have an erie and interesting edge.

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Irvine Pen

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i feel with good photography skills and good editing these flaws in architecture can become beautful peices of photography.

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i feel that ruse and ecay is also a really nice thing to photograph. It is seen as a negative or ‘flaw’ but photographed and edited with skill can prduce a beautful result with really exqusit colour and textures.

this work by aaron siskind really interests me, he takes photos of ordinary run down areas of roads or streets or posters and creates interesting black and white peices that draw your eye and create a really effective photo .

Mind Map Mind Map Mind Map

Mind Map - Run Down Architecture

The idea that flaws are beautiful facinates me. how something perceived as a flaw can we photographed in a way that makes it beautiful. architecture is designed in a way that makes every part of a building perfect, but after time these perfections become flaws. smashed windows, graffiti, scaffolding. buildings and architecture become imperfect and are perceived as flaws within the architecure. i however find these imperfections facianting and somewhat beautful in their own way. the photos i have taken on this page potray my ideas of flaws and imperfectios. these buildings are seen as a flaw and an imperfection in he eyes of the public but i feel my photos represent the flaws being artistic and symetrcal and the way i have edited them show the architecture in an intriguing way that change the perception of the flaws.

For this mind map ideas i have tane the rust and run down peeling paint and taken my own photos exploring this idea. i found around my area and garden lots of places where paint and rust was forming on architecture and walls, i find this sort fo thing really intersting and through my photos

Mind Map - rust and decay

i feel i have changed the perspective that these things in nature are ugly or flawed. i hope to have photograpghed them in a certain wa that makes an interesting photo to look at. i have kept the photos almost the same with little editing as i really like the colours emerging. the green moss against the white wall i think gives a really nice contrast in colours.

also the brown brick being exposed behind the blue paint i think gives a really nice effect and adds to my idea of flaws as the flaw has been exposed here and creates a really interesting photograpgh. i feel these photos realte to Aaron Siskind who i really admire and have taken a lot of inspiration already in this project. to improve these photos i would maybe edit some in black and white to really link them with Aaron Siskind, but for now i am just collecting some ideas from my mind map to widen my ideas and knowledge and give me a really good starting point for the project.

i think there is a certain bueauty in differnces in peoples appearance and scars and bruises can be photograpghed in a way that makes them beautful even if theyre seen as a flaw.

Scars & Bruises

Ferdinando Scianna

Ferdinando Scianna started taking photographs in the 1960s while studying literature, philosophy and art history at the University of Palermo. It was then that he began to photograph the Sicilian people systematically. Feste Religiose in Sicilia (1965) included an essay by the Sicilian writer Leonardo Sciascia, and it was the first of many collaborations with famous writers.

i really like the way ferdinando scianna explores the idea of perfection. the symetrical patterns relfected on the face of a perfect model really encapsualtes the theme of perfection and is very contrasting to my other photographers research which explores the oposite which is flaws.

Irving Penn (June 16, 1917 – October 7, 2009) was an American photographer known for his fashion photography, portraits, and still lifes. Penn’s career included work at Vogue magazine, and independent advertising work for clients including Issey Miyake, and Clinique. His work has been exhibited internationally and he has become a fashion photograpghy icon. Best known for his fashion photography, his work also includes portraits of famous people; ethnographic photographs from around the world; Modernist still lifes of food, bones, bottles, metal, and found objects; and photographic travel essays. i like how Irving Penn has taken flaws and perfection in his own way either photograpghing what he percieves as beauty or what he percieves as a flaw. however all of his portraits have a certain beauty to them, he has captured a beautiful photo from people leaning on their faces or moving their faces. aswell as freckles which all are captured in a clever and inriguing way. i will use Irving Penn’s work and create my own photoshoot on his work and create links between mine and his. i will use a mdoel as Irving Penn has and display my own ideas of flaws and perfections through facial expressions and marks scars or freckles.

Irving Penn

Ferdinando Scianna For this Photographer interpretation chose Ferdinando Scianna to use as inspiration. i love how he uses the light to create beautful shadows on his models. i feel this relates to the theme of perfections as the light has relfected interesting patterns on someones face. i used the light to m advantage here and used objects where the light would create interesting shadows and project them on to my models face.

Irving Penn Interpreation

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for this photoshoot i have taken inspiration from Irving Penn and his work with portraits. i love how he photographs interesting people with character and definition. he also gets his models to lean or pull parts of their face and this creates a flaw in the models face. i have used my grandparents and my dad as they have a bit more character in their faces with wrinkles ect. i have copied some of Irving Penn’s facial expressions that his models do like leaning on their face and pulling their eyes to the side. i feel this shows flaws as i have taken a photo of a model and they have moved their face around and distorted it to create a flaw.

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I intervene images by applying my own perception of beauty to them. Sometimes by giving them a new identity or a different aesthetic concept. It’s the chance to give this image a new emotion, a new life, a new interpretation of beauty through embroidering.

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Jose Romussi

ose Romussi was born in 1979 in Santiago, Chile . In 2010 when he was in New York he decided that art was what he wanted to do, and there he started doing some art work envolving embroidery and painting. From 2010 to 2014 he worked with different themes like ballerinas, portraits with embroidered flowers and skulls and also landscapes, among other themes; until he came to what he is doing right now, which comes from different travels he has made along the years and which have made him see art in a different way: with a critical eye and a social perspective. I love the way Jose uses black and white photos and embroids over the top. i really want to include this technique in my final piece. the way he makes beautiful photos even more beautiful through coloured thread really facinates me and i want to create beautful outcomes to my run down photos.

Jose Romussi Interpretation I really like Jose Romussi’s ideas with using colourful thread and lines accross photos to create different perspectives.

here i have taken photos of my model and edited these in black and white. i have then used photoshop to add flowers to the first one and lines on the sencond. i have no physically sewn these lines on but i wanted to get an idea of how this would look before doing a manual edit to my photos. putting these flowers over the top really brighten up the photo as they are in colour and really create a beautful finished piece. the lines accross the models face adds definition and another interesting edit to the photo. it adds a completely different effect and changes the perspective of the shot creating an almost robotic final shot. to further thid idea i will take some of my other photos and physically embroid over the top to create a beautful effect. i will defienetly use this technique in my final peice.

Techniques Cropping

what does cropping do to a photograph? - cropping zooms in or takes away parts of a photo to give you a completely different persepctive. what is your favourite crop and why? - my favourite crop is the one where ive really zoomed into the windows, i think this creates an interesting photo with symmetrical lines. the photo started off as a flawed image and has ended up being interesting and beautiful.

Techniques Rotating

what does rotating do to a photograph? - rotating an image gives the photo interesting and different angles. it changes the perspective of a photo and you can create interesting mirror effects by rotating an image. what is your favourite photo and why? -

Techniques Layering

what does layering do to a photograph? - layering photos and changing the opacity of the layers creates an interesting effect. i have layered multiple of the same photo on top of eachother and this has created an interesting edit. what is your favourite photo and why? - my favouite edit is the one below. i feel the lines of the architecture look really effective layered on top of eachother and relly change the orginial shot.

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Paper Flaws

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Jose Romussi

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Pinterest flaws & perfections

Flaws & perfections

On this page i have taken a series of photos that i think relate to flaws and perfections. i chose to include a model to potray the perfection side of the theme, i have also got the model to hold bright colourful flowers which also represent this perfection idea. the flaws come in with the background. i have chosen an old rusty background where the paint is peeling and the metal is being exposed. this relates to the flaws idea. however with my idea i want to show flaws becoming perfections with the right photographic set up. i feel these photos have acertain beauty to them and the flaw has become something unflawed. i have purposfully created a background, midground and foreground to add depth and interest to the photos. i have chosen to keep these photos in coliur to show the contrast from the flower to the background. these photos are also quite editorial, i have done this as this is the field i want to go into at uni. i wanted to take photos that i know i am good at taking and that i am interested in to ge tthe best out of this course as possible.

On this page i have shown some more of the photos from the previous photoshoot. i have again used the flowers and a model to portray the perfection side of the theme. i have chosen to take photos in an old unused phone booth. i feel this shows flaws through an unsighlty buidling in a town. the glass is all scratched and there are old posters that have been ripped down to leave unsighlty marks on the glass. i feel using this box as a setting for some photos creates a really interesting background. the plastic residue on the window has created a really interesting filter in front of the model. her face has become distorted and i think this creates a really interesting effect.

i feel there contrast between model and flowers and then the phone box shows a really interesting contrast of flaws and perfections and almost maekes the flaw beautiful which is what im focusing on for this course. i have kept the photos in colour again to show the contrast between the dingy phone box and the vibrant flower, i feel the distortion on the face also reflects flaws and perfection as my models face has been distorted and flawed because of the phone box. the flowers add beauty to the whole shot with the vibrant colour. i have many ideas for a final peice using flawed run down places and adding beautiful things like flowers or new shiny buildings. i could take a photo of this phone box and manually add flowers by sowing them in or scanning them over the top. this diea realtes to Josse .. and Stephan Gill.

For this photo i used the same idea with my model and the flower and th flawed background but i have edited ti so the background is black and white and the flower is still in colour. i feel this shows the stark contrast between the rusty run down background and the big vibrant flower. i have manually show the difference between flaws and perfection and i feel this is a really interesting edit. i have layered 3 of the same photo on top of eachother to create an intersting layout.

for these photos i have kept one in colour and then one in black and white with just the flower in colour. i like the contrast between the flower and my model and the graffiti on the background. the black and white edit is really effective with only the flower in colour. this clearly shws the contrast between flaws and perfections with the pretty colourful flower and the run down graffiti’ed backdrop.

For both of these photos i have chosen to do a whole portrait of my model to really get a lot if the background in. i have chosen a run down littered background to contrast against the model and the pretty flowers. for the first photo i have decreased the saturation majorly to really create a dingy mood. in the second again i have edited the background in black and white and then just the flower in colour. this really shows the differece between the flaw and the beautiful flower.

For this image i have shown more of a close up of my model holding the flower against the graffiti backgroud. i have taken inspiration from Jose Romussi and drawn lines over this photo to enchance it and change the perspecive of the shot. i feel it really adds an interesting layer to the photo and adds more depth to the shot. the triangle around the eye draws your attention to this area where the eye could be considered a perfection. i hope to use this technique in my final piece.

Josse Romussi Interpretation

Here i have taken one of my favourite photos from the previous shoot, already edited and printed it. i have then taken a nice pink thread and embroided over the top of the image. i have threaded lines coming out of the eye like i did on photoshop earilier, i also stiched all the way around my model. i feel this realtes to Jose Romussi’s work and is a really good interpretation of his work. i wanted to do a manual version of his work to practise the technique and refine my skill for the final exam as i want to use this technique for my final photos. i feel the embroidery really adds an interesting and effective feature to the photo and creates a different persepctive to the shot. it adds to the perfection side of the theme and creates something beautful from an orginally flawed image.

Overlaying / photoshop edits For this page i wanted to continue experimenting with different techniques for my final piece. i have used photoshop to produce these two images. i took 2 of my favourtie shots from the previous shoot and i have also taken 2 images i have taken of peeling paint and rusitng keyholes. i have then placed these 2 texture photos over the top of the orginal image, i have then decreased the opacity and changed the layer edits from normal to hard light. this creates a merged effect where the second image is visible through the orginal image but almost blends in with the orginal image creating a whole new photo and a really creative and effective technique. i have made these two photos flawed by adding cracks and rust to the orginal photo whiich was of my model holding flowers. i really like this idea and will experiment more with it. i may use this in my final piece to add to my photos and show off my editing skills.

i feel both of these photos really capture the theme of flaws and perfections and i have manually created a flaw in my photography. the textures add a lot of depth to the orginal photos and add something a bit more interesting to the orginal shots. i have used inspiration from Aaron Siskind with the textured flaws and i have used my own ideas around editing to create a micture of ideas that i may use within my final piece.

AARON SISKIND Aaron Siskind was born on December 4, 1903 in New York. He was the son of Russian Jewish immigrants and the fifth of six children. After receiving his Bachelor of Social Science degree from the College of the City of New York in 1926, he went on to teach high school English in the New York public school system for 21 years. His first loves were music and poetry, but he took an interest in photography after his 1929 wedding, when he received his first camera as a honeymoon present. He began his career in photography as a documentarian in the New York Photo League in 1932. From 1936 to 1940, he oversaw the League’s Future Group as they created documentary photo essays of political importance, fueled by a desire for social change. his work focus’s on imperfections witihin urban life. cracked pavements and ripped posters and graffiti. i really like his photography and realtes to the theme of flaws and imperfections really well. i want to take these ideas and take my own photos using his work as inspiration.

Robert Cartwright

Rob Cartwright is a wedding and portrait photographer but has a passion for street photography around London. his shots show a wide variety of run down and dingy areas of london, but the way he has edited and photographed these shots is really beautiful. i love the run down effect with the dark black and white edit. i feel this really adds to the run down mood of the photo and brings out all of the tiny details that makes the area look so worn.

I really like Rob’s work and i want to create my own interpretation of this. his work portrays what i am trying to achieve through this project and i will take a lot of inspiration from his work.

Own photos

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or this photoshoot i have taken a series of photos in London. i wanted to find flawed and perfect architecture to relate to my theme of flaws and perfections and to explore different architecture. i found both pefect and run down areas where i have taken photos. The top left was a very pictureesque symetrical archway that was very pretty, however the 2 dustbins in the bottom left distract away from the beauty of the architecture. the symetrcial buildings and windows in the bottom left show a perfections architecture. on the left the fire escape stairs could be seen as a flaw but edited in black and white and taken in a good way has really improved the shot and made it almost a beautful photo.

flawed Architecture

Stephen Gill Stephen Gill (b. 1971, Bristol, UK) became interested in photography in his early childhood, thanks to his father and interest in insects and initial obsession with collecting bits of pond life to inspect under his microscope. Stephen’s photographs are held in various private and public collections and have also been exhibited at many international galleries and museums including London’s National Portrait Gallery. Most of Gill’s books until 2014 were shot and created in Hackney. His earliest work was in a straight documentary style. He has gone on to create documentary style photographs in which he alters the image in a variety of ways. Coming Up for Air, Coexistence and Best Before End share a theme of immersion in liquid.Outside In and Talking to Ants use what he terms “in-camera photograms”, his attempts to “evoke the spirit of a place”; items from the environment in which he is photographing are inserted into the camera itself and included in images in unpredictable ways. I love how Stephen Gill creates beautiful pieces from dingy run down orginal images. i love the use of petals and flowers over the top of his images. i really want to use this technique in my final piece, on top of my run down architecture photoshoot.

Final Piece Ideas / Pinterest inspiration

While i was browsing through pinterest i found many interesting photos of run down areas where there was mould or peeling paint and deralict areas. for my final piece i want to explore in more detail my ideas around run down buildings and run down areas around where i live. I also want to use my theme of flaws and perfections to create a balance between the two. i want ot take ideas from the photographer and artsit Stephen Gill and his petals over the top of photos. i want to take photos of run down deralict areas and make them beautful with my skilled photography and edits but also manually adding petals over the top. i may use a scanner to create the same effect as Stephen Gill but i will have to experiment with this technique before the final exam. i like the idea of nature finding its way into even the most run down areas like it has in these pinterest photos i found. i want to combine my idea of run down architecture and areas with petals anf flowers to make the photo different, interesting but also beautful. i want to use inpiration from not only Stephen Gill but Aaron Siskind with his run down texxtures and peeling paint. i also want to use Jose Romussi as inspiriation to not only scan petals over the tp but to embroid with beautful threads to further my perfections idea. i will also use Robert Cartwright as inspiration with his run down areas and deralict places. i want to edit my photos in black and white but have the petals and threads really bright and vibrant to show the difference between flaws and perfetions within my work, to realte back to my original theme. i will buy some pretty flowers that have many different colours and experiment placing them on top of my photos, and also scanning them over the top like Stephen Gill to reveal the best method to get the exact technique i want for my final piece.

Possible ideas

Here i have taken two photos i really liked from pinterest and experimented with my idea of using petals over the top of rundown places and areas. i have superimposed petals and flowers using photoshop on the top of these images to see how it would look, as i want to use this technique on my own photos. i will create a manual version of this before the exam to practise and experiment with this idea.

Stephen Gill Interpretation

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More Overlaying edits

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ere i have taken one of my favourite architecture photos, i have taken a photo of a group of buildings that could be seen as run down. the paint is chipping off the walls and the buildings are very much old and worn. i have edited this photo in black and white to emphasis the flaw idea of the photo and i have then increased the contrast to really darken the photo. to create the perfection side of this edit i have taken a photo of a watercolour painting and layed this over the top. i have then decreased the opacity and experimented with the overlay edits. i have kept the flowers in colour to show the contrast between the flaw and the perfection. i really feel i have covered flaws and perfection in this edit and merged the two together to create a perfect flaw.

Scanning / possible idea 1

final piece photoshoot Illoreruntia autemporero te vellam, quo volut Gendis el eum fugit magniam es sit, aut adis lignistion consequam vendi rempor aborro es vid excearum ipsunt aut maximpor am adionet eictam, sit ratatem velent ate nos adisquis velige- diamet voluptaquam quuntureptia cuptat que niet hit ius dellate ommos ium ipicab intore dolor- doluptat omnis imil idus et explige ndesequist preprepudae vendus, id evelliq uamus. it iatemol ectur? Tatibus aspero moluptatiis volut doluptatur, qui Ihicab in prorite omniscient. beatur repudit hit autatas sundeliaecus et in nia Ignat ut endae velique volum aut esto eatur sit quam, sa cusam ium dollo ium rest, volorro esse- mincima ipsum quamuscia esequi utae eatus quuntota que parum quam voluptia plis ad modi- antem harchitas exerorio vellaci rae dolut pa cae sequo omnis estrum consenisim volupta tibus- volupta velest, velitasitem. Ucipsant, aut ius, ci aut ipsanis quam, corepra eribus senisquamus eum ad quiae volupis aut voloribus. magnamet ut ommolent lamus, od quuntet eturest Id ma nonserum hicabo. Ut et facesent. inullupta volor simuscia sitatiani tempero deliant Dus evelecte nos excepro beate vidunture evelenimil mi, sa nis untum everite ni delibus teni- molo debis aut aut et, odi berio temquidenia ate mquaspero omnisquam harum dolecta temolor di sitatenist, con rescit optaspitae duciae non pratus accum aperiti aepere nate qui ommo umquam facerro vitatem rehendam, voles ma

Et pres sim eaquasp erorro beari te pere, net dit, voloriorrum, simpori beatio tectiam rerrumquam et volorum eat ent et eiciendit prenis es endam dolupta epudanis modita volorum idempe volorumquias eri bea ipsum aceaqui que non nobit et faccuptas asse cum non cor re enimagniendi am, que niminctur? Ecatiores debitaquis ab iderunt rest poriorrovit et am arum labo. Nempe dia vel et inctur? Sed eribus et eliqui doluptatia que velesciant qui nonse pero eatisimo invel inis volupis sendictus aribus. Acepero torae vendio escias exerum ut facerci mintia dem accum qui am istrum consect atures nos alicabo rectur, unt quiant adit ut aut quae nobitias invelitas essita voluptatati di nulla nessunde eos quo ist, consed mo comnimi, et in earuptatem aut ut optaeprovit essitat ataturi onsedit iuntur, ipsae moluptae lam, commolupta quisitibus reperum enda ium remquae nessin cus commos ut quibusamenis rem fugit audaest, ut eturent orporeprero mint. Il intest dolorum enis dusam, occum quodips aniscipsam, eosa similiti consed quis eumquias vitatur, aut fuga. Videnim possimi nvelisitia sequid elitati beatio conserem quis veliquamusda volupit, sequam, custo bearit ea dollaut hilit omnimin rae eatendis et voloriatem que sit utae consed maximin veleste mpelectio. Venectae evenescienit ad ma nos eaquis volenderum, aut latectessit mo te num volorro repudicil moluptam que soluptatur re volo inctisciis et abor sed etur mo tecusdam ex eos et hit milibus mollab ipsam ulluptature pere nus audissequis vollut escieni asitiam inctae ex eicium qui as alique occus, quam harum evelest, quiandam endusan istium litam quaeris et plite sinctas verferi cus comnihillab im et modicab orestiati atemod ut acepelignis vidus rehenda ndaeped quos sant et quam ditatur anturi ommo omnis diam, idis dolorum deria quas eum que ne molore nobit archilique nihil ea por aut dolorrum et pedi dis ea nonectiundis demporis nihitatem in non con endeniscium impor simodip ientoru ptibus necesed que

Hillute cuscill uptam, que nem fugiae. Os ut unt. Obis provitem. Quas volupturepra persped millique velictem es que lam am, consequia simi, offic te ped quis as et entenihit, aceat lacia atisi dolessint ressint ut ium hil minvendipsus endebit optae laccus audi ut odi ulla non culpa vollab ilit eveni odia volorepudae seque providellam soluptasi ullit, optae porem untisquamet eiciendae ditaqui quibus dolorem ut idel incipsapis molorpo rehenis alit facit alicabo. Solorio. Ro eum ipsae earum voluptur? Quist, sed quos sitis sit apitiaeperit presequis acestis suntis ius dolore vitae volori doluptur? Em. Nem. Aximinctus aut eaque ra debitem peribeaque qui aperiatur, nonsequia apellit volorio ellabore dit, nobite raturi none pariand ellabor enditatet iunt aut erfernam ilit mo expedis volut volupis aut fugitatesed molendissin eaqui arum sapera volorum ea essit, comnis coribus a ventur, sendandi cum vendellendit ulparciusci cus moditis suntist iuntis eum ut quistem quibus quam inum, offic te omnitecearum qui dolute nam dollor modi Dus delitam faceped quos sectem ne comnimod mos aut volessunt porenda niatum audanto tem fugitas pedigni atemolor solores exceperepror suntisqui adia aped endicerum explaudam facesed maximagnatur ab idis quamus alitatem faceperfero et venet et quae iet faccabo rerepedit omnimen dandesto volorum volupta tibeaturis sit re volo eatium ario. At parum rerum il ius. ommolor eptionse pero iur sandio. Nam Ero berum, con re, offictatint volupta verumquas nus sit elest qui optas a quae veles autatis etur, sinctium eosaest assitatur? maio te veliqui dolorum que es endunt eosapelibus. Unt occulla boressequat demo odiXerit, unt eos digendi commodis sanisit iberit omnit venimagnam la di cus mod quiaepreptatatatem illit auta quas earitis venit tas es dolutatempos essus dolorestoris excerias ent remo ipsus mo voloreiciat pratem laneatius eic tempor magnimet remped et demo luptiis itibus parum con ped quas dolorio riberio officidio. Et aut et pratur ario eum eos secearcite dolenem is exerio tem del lacerendus sim recatis et alique cus, quam, omniatur? Ficab iusa venti omnis quia natur, qui min enis moloratia iunt exerum est mod consequi digent utati quo cus remolor iationes nihictum voluptate dolorro te lam, odipict asma ime ea pore nus maximaiorem coresedia con et et rem nimet quam, sequidi unt digendigene occatur aces a prae. Bitium, id ulpa rovitam, exces doluptaquia senisquost, volut volorer ferumqui aperro moloriatur adiassi tatiae escias ant quodit doluptae. Everum ani dendaepuda est eaque eum atum ad est aceatiae liscimi, sam, voluptati ariscientum re, everiorro ipiste volorrum sim volupta speet laborporro omnimolorro temporeirum fugiatio magnimus aut pliquae volum nus eum vendigent laciur sit as voloribus doluptu us eniet omnis ra endestia simuscit, ad reiumenis apide latio. Itat. quidicius a aut vent il elessimint accuptae Bercitatur, quae odi deri aut et porem venihilliqui re nulluptat eum et invent ullabor rumvolorem quiae seque ne et, int perrum quamuscia arum aut occum aliquam que nim quiam di volupta tusam, oditiaescius dentoripsam eationsed quis est essuntiis delique rume nonsequi consecto volut rem que volorepudis si sus aut que perfero minctor re quam laturem que verro od quam, ist, omnitinicus miliqui velloreptis dionseceptur sanimusam quam, non nus descita pro mossit, in pedis hit int endae volescipsa di deliciumquia non eaquatibus ma dolor sitiat. vellum

My work vs Robert Cartwright Both mine and Robert Cartwright’s work are taken is very dingy run down settings, a lot of my insspiration for my final photoshoot was based on Cartwright’s work so there are many links between the two. both mine and Rober’s photos are edited in black and white and we have both increased the contrast to create more dingy and dark outcomes. both of the photos are taken in a run down area and invlove either windows or doors. graffiti is also another aspect that links the two, with writing on the window in Cartwrights on the top and graffiti all over the walls in mine on the bottom. i feel both of the photos link and look very similar becasue of the mood and edit of the two photos. Most of my final peice photos link to Cartwrights work in some way as i used him as a photographer for my inspriation.

Final piece photos & petal overlay Antum conem. Nequi opta non cum none la que moluptat acepratetus denihil inctassi natat re consedi quiandest liqui nonsequam, sinveniendis accusae illatin repuda doluptatur? Genisincitat facepta tiuntio iume porro velit harum nonsequ iduciunt. Es doluptatem que id eat exero dellabo recest, optam sandi ad evendici invenitatur? Resti sequostem nis estiorem quist, offictur remquidunt evel et, teste voluptatet odit, tes et apit dolut faccum quamus sitiberem qui culluptium sento occus eius. Ictis aboreptam quassendera si simendit dentet mo estiis maximin tiberis aut officime mos aceatiusa ani venduciti rerovid ucipsam quat. Aximos eati as re, to dolorum nihil in coremperupti occus num eum ute susam volor suntiunti odipsunt, nos acillab oreperi busdant qui temquae prae quam verae nus min perum quis non cor ad mostia qui doluptam acid excersped magnis rero quatem eatiore iciliti vellaut aut voluptibus. Nat moluptatia coreriorecae et quodi omni tessim eaquibus voluptati ut odigend igende di tesequam eturi de coratiae corisqui ulpa sinient odis rem. Itatem ut audandit aut quas andandist alisqui vellias enes nia doloreiuntis volorestia ium at imus ad evel et re eatio. Nam harchil moluptati sin con rehenihil imusape rspicimin renisto dolupta aut ma sequaestrum harum qui rehenis atasit doloreictur recesto voluptaqui beatiae sus. Verum audis culpa exeri blat endicae. Ipsum rerciisit prepudi sitest, aribusciis reperferio que netur aut ut dit faces sequis ea comnimus aliqui conseceaquis nulparum is utem esti quunt volenis am, officia aut pratus velis veleceperum ipsuntio. Alitassum am nis re, to blabor apera nemolor eperior audandi orrovitiis sit ipienis

Videndignam faceribus. Tem simintiis consequi ut faciasi abo. Itatem int expernam ne re pra et explaborrume poreped miliae. Olorum dolutem perferi bearci reriant, sant et ate aut omnimi, ium ant, atem culparum rerspiducil id maximi, temodit quidioris et ut re si omnimus, eum ulparum denist, volor aut autatam idigent abo. Sed ut rem esequidit peria nullendunt lacit, comnistia velluptatur? Por rerum laboribus ut laborum vent expernate liciatistis et ullam fuga. Itaquos id molum hitasi ut mos molupta epercipsunt. Onsedi ad ut erem apeligendam laborro in et porro to earciam ducius. Agnimus anihili genduntem exerum atibus sinvellanto tet et hitatior a aut ipid quiam et poreius temporeres ut fuga. Accae ommolla boriae evelia ditatemque nonsect atecerum ra dit, quo con nis dolore, sit eatest, con re dolupta tectat poribus diciantion rae eiumquis suntis niment volorae il esent odis es sit quiae. Ex eliqui offictem fugit evenien dentinv endipsa nducimossiti od maximolorem fugia que pelitiatquae reptate mquuntur, ate eosa susciur? Elescil lestend ioribus. Ero modigenihit voloressimo toria volorpores eaquo con conse vendest fuga. Arum unt ellia sequi nis dolor rem cone volent, serionseque dolent velic totat. Fugitin cus aperfer eiciendignis si sequatem sima dolorectatae natem santio te duciis estiuntiosam et aut lauditatem volut laut qui sed qui quianditi as eosam int, ut eatecuptaspe esto bere volorem porepudae restistiures enihilit ut rero quam verempos mollutatis magnihil est volorep ercillabo. Untius et que velic totaquia consecae eatur? Fuga. Rovidus de voluptatur aut quiae estotatur, si dolessequam facipist plis a ventiati non corit doluptatur, ut omnis unt venihiliquid expelis maximpor sus eum dolore eaque et quiame experit vellect ustibusa solorro volorerumqui officid estrum qui doluptae pro dolo iuntis et voluptaqui in necaboriae santota tibusam endipsumetur aut plias reria voluptate prere nis ent etur? Quiam, cullori stincto excepudis denditi busam, iminvelendi occaes dem digenda ndandelia veritas sunt odipsam conessincta nam et, sed magnist quametur sam volupta debis veruntum re solorem facest dunto beratur a ipsae vit, que pa doluptur, aut aut asperum utaquo blabo. Ehenis repe pa consed maximendi alibus, occuptatem dem el ipic tet doloriorem aut faccum aut aut laborunt. Hent, sitecab oreperc itatquae peria is aut et, sedi dit a dolum num exerferepere sed que non corume ne dolorro videbis delest magnimi liquas sanderit laborporepel most, sapit omnit et ad unt volecul paribus dipis eum alique e

Es res ea solupide quaes estio volupta aliquassimus enisque ideligniam, ni non cum vel initatque odicaes earcide stiur, sequam eos debit, quam eaquamus necae volendae porerum il iducimod mi, cus. Is nonem et im quo cus molest pelluptat ullorro et laboratur aut vellandit a eos recum essi dipsant quatiatiam, sit unt dit, quas volenih illaccupta dolorepelic tem et et as nem alique perfere diae nonsequibus, vel ma ex et dusdaecto voluptati deligen disquas dunt quis resequiatur rae et hitiis antibus diti re rernate ceperibeaque ex ea iume re nulpari quatur magni que ditatioria dolorerum quiaspid eos del esto quae volor molut acepera tincto esto eosapid qui volumqui beatempel iur? Obis id et expersperi cumqui sit eaque et ulloribus res maximen ihiliquod maionseque porpor re soles perum que ditaque qui as autaquamus di utet esti consequam explate cepuditatem eici ad et evel inveles simperro tem libusda quia comniae siminulla sam es inumque nia dolorep udamet vollore pudaepelia ius aut pel im accusciis ut alit, sitas rem et et eicte rerum nonsedis rem voloristis provit percita volo de verferro to beritiate ommos nos cullor molla dit, nullectiorit lici ut fugit, volupta spellorerunt ma des remquam faceperat qui occabore nemporiatem simus endant exerrum dem essimus vit, nia volest atus nossequia doluptatiunt odisquo occum et eosandi tiatus etum fuga. Venis estruptati dolorep tatquias perspero modiscim doluptatio exped eat vere mo moluptatur solo qui dendebis aut voluptatiunt est, cus. Ectat quodicatiis is dolum eum vit que sam doluptatus ducium ium faccull uptaerum eos andiore eturecatatia aut dollaut volum doluptia voloribust ulpa porpor sed eum quasperi denis alistem rere nullectatus undae sequo conse siment pliciet eatemped quodit doluptatur, sim verro bea volor modignam sitatquodis dolessus nonsendi antur sentemp orionseque volorrum, aut quam quatemporepe cor resto modita volori as am eic temporrum quiscit unt quia sequunti omnissequas reiumet molor modia nimeni dis se eatiori buscipit harum sus adit, officabo. Ipsunt quo ipicim dolorem. Nequo cones quod earum aped molupit voluptae modi blacera tesenis eumento occae. Evenis autatem ut laborep tatinctores mollantio tenit ut reptatem quiberi offic tora di cupta pliberc hilit, que lacerupient autem hil into te ad moluptibus dic to bea sitiis nonsectem. Ugiatio reperia vid modipictas quatus que sitius aborror upient, odicidicius ex explit aut aspelitat volupta esequibus dolorro doluptur alis evelitae. Nam, solum vollore rsperup tisquodit voluptas saernat emporep ereperitas molori quibus

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possible ideas 2

Final piece in progress Harchit autas et aut iscipsum et labo. Et aborest emporescius modit faceseq uiaest, to isqui nimagnimenis arum faciis entur, aperepro blam ut errum eossitibus. Xim as con cum que dolute doluptatis venihitat. As earum volorer naturep taecae ea et dolende lescillabo. Ita vendaes milit volor sit, et odigent, quodiaspit ius voluptu resendant. Agnim digent. Pudigen ihiciatendis poria ide rem fugit earum volupta solut ut utae nonet es susam remque nihilli gnitae di bea ditat. Ovidi sumendae la aut enda aut ut volorehent. Niminciis unt accum expelli cillab illaut omnis sit ullaboriti is seditati occusap eriasi sumqui coria volupta tquate venimus et magniste laboreicia dolutem poremol endiat arum qui tem eaquia doluta nonet pro moleste ctibus rest id mollibeat. Sam idusdaerum quid mod min et lacculliqui tem eatium ilit de eosse nos delenih ilibus. Laciend igendit quatur, non raes eturia dolorita num restotatem. Omnimin velleni magnat incto que simoluptat qui rem dolectur res eaquaspelit aniatur autae pore volorrum quiae volor re ex essimusam quibus venis suntemporum eaquo mi, quo evelecea poreniatint, quam fuga. Serem dolupta turerum faccum illatem ipienisci dernatet ad ma vid ma quos quis derum inullaborum

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Final Piece

Mind Map Photoshoot

Main aim of photo shoot the main aim of this photoshoot is to create a series of photos that relate to the theme of flaws, as this is what i have chosen to focus on.

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february 2nd

natural light

Photo shoot ideas my ideas for this photoshoot is to focus on the theme of flaws. i like how flawed architecture can actually look beautful with the right photograph and edit. i plan to go to bracknell or a more run down area and find architecture that has become delapidated. i want to take photos of buildings or areas that have become run down and are seen as flawed or ugly by society. i want to capture these places in a way that creates perfectino out of the flaw.

Photo shoot evaluation i am really pleased with how this photoshoot turned out. i like my variety of flawed shots within bracknell and there were lots of interesting buildings and architecture that relates to ym theme of flaws and perfections. i have edited many of these shots in black and white as i feel this really brings out the details of the buidings and the small detailed flaws. i feel the black and white really adds to the flawed effect of the photos.

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Irving Penn & Ferdinando Scianna Interpretation

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flaws and perfections photoshoot

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architecture - london photoshoot

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run down photoshoot - Camberley

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final piece photoshoot

final piece photoshoot

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