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GERGANA NEGOVANSKA

PORTFOLIO 2025

+359897943316 gergana.negovanska@gmail.com

The Tallinn Quarry Theme Park Masters graduation project 2024

Factory of Dust MSc1 design project 2022

The Last Straw : Ratho Community Centre Bachelors graduation project 2021

Professional practice projects

Assistant designer practice 2021-2025

THE TALLINN QUARRY THEME PARK

What is the value of deceit in architecture?

Location

Tallinn, EST

Type

Academic | Individual Date

September - June 2024

Supervisors

Dr Jorge Mejia, F.J. Speksnijder, Dr Eric Crevels

Software

AutoCAD, Rhino, Illustrator, Photoshop, BambuLab

Reflecting on the touristification and disneyfication of Tallinn’s Medieval city centre, ‘The Quarry Theme Park’ is a theoretical and design exploration of deceit in architecture, questioning normative understandings of value, beauty and honesty. The project proposes the transformation of the soon-to-be-depleted Väo quarry in the avoided and rather unattractive residential area of Lasnamae into a theme park. Taking Estonia’s national material as its theme, the park aims to bring awareness of the properties, uses, value, beauty and temporality of limestone through the architecture. It argues for the value of deceit in architecture by bringing out the qualities of theme parks to immerse, surprise, make us wonder, instill imagination and make us suspend our habits and beliefs.

Principles for Deceit

Tallinn’s centre resembles a medieval theme park, with carefully maintained colorful facades and a concentration of leisure-oriented architecture. To provide quality leisure spaces for the citizens in the outskirts, the proposal envisions the redevelopment of the Vao Quarry into a theme park. For the creation of immersion, such architectures rely on a set of techniques for deceit, which were analysed though personal experience and precedent studies. I came to understand theme parks and their components as a series of threshold spaces that the visitors go through. This preparatory spaces create a sense of anticipation and a moment of revelation and wonder.

symbolic space / iconic architecture

aggregation of themed attractions

structural deceit

surface deceit

circulation deceit

Stable block hiding disorienting paths. Structurally: a stone warehouse solid stone walls hiding steel roof
1. Problem statement
2. Typology choice
4.Methods of achieving 3. 5. Form concept 3. Essential qualities of TP
Changes in the physical, aesthetics, operational value of limestone
Lack of diversity in outdoor leisure spaces in the outskirts
A THEME PARK FOR TALLINN
How the post-industrial landscape of a quarry could be re-integrated into the city?
Depletion of resources in the Vao Quarry
The lost traditon of limestone carving The fetishisation of decay in the old town The softness of limestone - decay due to local climate and pollution
Preservation practices leading to the disneyfication effect in the centre
Observational sketches from Tallinn Group work with Iveta Nikolova and Lyndsay Menasse

The theme park, situated in the central area of the quarry, is conceived as a sequence of thresholds in a typical loop plan, whose purpose is to immerse people into the world of the quarry.

(1) To dislocate people from the city, a new road is created to the south of the quarry, taking the flow from the main Peterburg tee through the existing forest, where the parking for 3000 cars is located.

(2) The landscape is used to divide the areas via water bodies and greenery into zones with varying intensity or experience.

(3) It has three main parts (thresholds): the parking, the main entrance, and a typical attraction entrance.

MainRoad

New Road

Defining project area

Deceit at the main entrance

Through multiple iterations and rigorous analysis of the form and its perception from incoming visitors, I arrived at the optimal solution. The facades use opposition to highlight the quarry’s depth. The low front facade features raw stone panels juxtaposed with intricately carved ornaments, emphasising the park’s theme. The sloped roof at the front exaggerates the towers’ heights and deceiving visitors upon their walk to the ticket office

Massing models for main entrance
Scale 1:1000
Elevation, section and plan iterationsmnipulating form for deception

Form-finding for deception

THE TALLINN QUARRY
Function division. Inserting disorienting core in the middle.
Covering the passage and further deceitful moves to the form
Openings for public service. Fountains use rainwater from the roofs.
juxtaposed stable blocks
Turnstiles
Lockers
Toilets
Lobby
Tower
Elevator tower
Offices

The vertically of the stairs is empasised by the extra height, contrasting the low building at the entrance and giving a false sense of the scale and depth of the quarry. The tower is conceived as an attraction in itself - having a non-standard, mazelike staircase that has dead ends, loop turns and multiple levels with views.

1:100 Physical model 3D printed, copper silk

Section BB 1:100

700

100

8-10

A Stone Warehouse

The steel roof truss structure, accommodates the mechanical systems required by the attractions, including light, ventialtion and sound. A number of sustainable measures ensure the attraction contributes to a positive visitor experience and improvement of the landscape. The proposal argues for the environmental, social and cultural sustainability and value of solid stone construction due to its high thermal storage capacity and local availability.

Rainwater is collected from the roof via hidden gutter
Cross-ventilation through the loading and unloading of roller coaster
Plant in the quarry

FACTORY OF DUST

How to apply circular principles to an ‘unworthy’ building?

Location

Zaandam, NL

Type

Academic | Group work with L. Fung Role

site analysis, material research, concept, technical, design, renders

Date

September - January 2023

Supervisors

Dr Al. Stanicic , P. Jennen, H.Dale

Software

AutoCAD, Rhino, Illustrator, Photoshop, Vray, PromeAi

The Factory of Dust is an experimental preservation project that questions the notions of value in architecture through the narrative of dust. We developed our own instruments to uncover the story of dust at the former military site of Hembrug terrain. We explored how to deal with toxic materials in architecture, such as asbestos, but also heritage buildings when they are toxic, how to evaluate and re-intergrate such buildings. Dust becomes from a condition of danger to one of creativity; and from a product of decay to a secondary material for the production of art. The project integrates a novel approach to dealing with asbestos with a community-oriented function by combining a decontamination facility with pottery workshops, where the detoxified asbestos can be reused by the community.

Site (Dust) research

In 1895, Hembrug became a military production site for the Dutch army, with buildings designed around the production process. Today, artists are re-inhabiting and redefining its meaning. Using a tracing paper scroll and clay, we explored heritage through its “unwanted” time stains. Uncovering the invisible toxicity but also atmospheric qualities of the dust in Hembrugh, we explored what dust is and what role it plays in architecture.

Envisioning

The envisioned factory of dust symbolizes a change in how we value dust as a material. The building would commemorate and create new things with it, introducing a circular approach to toxic heritage. The building is divided into productive and public areas, where toxic dust (asbestos) is first collected and then it is used to create clay for the community.

proposed alternative common approaches

Detoxification process from toxic asbestos to usable clay
Section B-B, 1:150
Section A-A, 1:150

THE LAST STRAW

How to apply circular principles to an ‘unworthy’ building?

Location

Edinburgh, the UK

Type

Academic | Individual and group work

Date

January - April 2021

Supervisors

Dr Simone Ferracina, Dr Moa Carlsson

Software

AutoCAD, Rhino, Illustrator, Photoshop

Designed for a circular economy in the built environment, the project explores the potential of reusing a soon-to-be-demolished shed on the outskirts of Edinburgh: the Ratho library. Influenced by Steward Brand’s concept of ‘shearing layers,’ the project reuses a building that would be typically considered of no value, questioning how architects might transform notions of preservation, permanence and appropriateness in response to the climate emergency, and by considering a building’s specific social, environmental and historical context. By carefully surveying, cataloging and evaluating the existing modular building, the proposal responds to and enhances its social, ecological and historical relationships to its site. Finding value in the ‘temporary‘ library shed’s components, the project challenges the linear model of resource use and promotes the rehabilitation, reuse and extension of this muchloved community building.

RIBA Sustainable Design Award Part I

EAA JR McKay Student Medal

ESALA Tectonics Prize

RIAS Sustainable Design Award

Existing shed

Isometric view of proposed scheme

Concept development

Identifying reuse opportunities

The choice of new materials for the retrofit and extension was governed by a careful analysis of the corresponding production processes, performance, durability, embodied carbon, local availability, and dry construction assembly to allow for recurring waves of disassembly, reassembly, and reuse.

Existing reused

Relocated from original position

Removed from existing building

New Straw bales

Component inventory and reuse opportunities of components

Reuse Strategy : Step by step process

Existing cladding unscrewed and reused elsewhere.
New foundations and timber floor installed.
Module reassembled onto extension. New truss is installed via crane.
Sheep wool insulation and straw bale installed.
Re-cladding the facade.
Pine columns and truss for foyer installed

Using local, renewable and biodegradable materials the existing structure is adapted and many of its inefficiencies addressed.

The choice of new materials for the retrofit and extension was governed by a careful analysis of the corresponding production processes, performance, durability, embodied carbon, local availability, and dry construction assembly to allow for recurring waves of disassembly, reassembly, and reuse.

Roof

18 mm larch cladding

10 mm larch cladding

30 mm timber battens

10 mm hydroisolation

breather membrane

22 mm OSB board

100 mm sheep wool insulation between pine rafters 600 mm centres

100 mm existing fibre insulation between timber rafters

VCL membrane plywood board

Top plate

150x50 mm battens placed vertically with 18 mm nailed plywood and

Straw Bale - Bookshelf Wall

320 mm bookshelf

22 mm board

60 mm service cavity with 60x50 mm spacer battens

VCL membrane

11 mm OSB

400 mm straw bale insulation between I-posts

100 mm existing fibre insulation between posts breather membrane

34 mm timber battens

34 mm counter battens

2x18 mm vertical larch cladding

Outdoor library / Habitat wall

320 mm outdoor bookshelf supported on 100x50 timber battens.

Plywood box with sides 24 mm thick

Floor

21 mm plywood board

membrane

100 mm sheep wool insulation between timber studs 600 mm centres

100 mm existing fibreglass insulation between structural timber members

membrane

22 mm OSB board

100x100 mm existing timber joists

500x500x2000 mm existing brick-concrete foundations

Intersecting Human and Animal Communities

The building's facades are designed with consideration for the nonhuman inhabitants – swifts, linnets, bats, hedgehogs and their habitat requirements.

The habitat wall provides shelter, nesting spaces and food resources, while also prompting the community take care of the local wildlife.

Closing the Loop

From the start, the building is designed for disassembly. Its modular design and the materials chosen for it promote its continuous circulation in technical and biological nutrient cycles.

DISASSEMBLE DISMANTLE

After some period of time, the building is disassembled into its comprising modules.

The modules are transported to a new site.

At the end of their lifetime the modules are dismantled and their materials are used for compost or bio-fuel, closing the energy cycle.

The library leaves the site and it goes back to what it was - part of the Woodland.

REUSE CYCLE: MODULES AND PARTS

ASSEMBLE

Modules are assembled in the new city.

If needed, the building is extended using local materials.

The building is used by the local communities.

Reciprocal landscapes of the used materials.

END OF LIFE CYCLE: RETURNING BIOLOGICAL NUTRIENTS

frame is dismantled, starting from the roof.

Building Circular: Continuous lifecycle and End-of-life

existing reused relocated from original position removed from existing building new straw bales

Cladding is unscrewed. Roof is dismantled.
Straw bales are taken away. Plywood panels are dismounted.
Timber

CANOPY

Location

Sofia, BG

Type

Internship

Role

survey and technical drawings, tender documents, schedules, renders

Date

July 2022

Supervisors

arch. Angel Savlakov

Software

AutoCAD, Rhino, Vray

The project consisted of a proposal for an intervention on an existing terrace. Three structural solutions were explored the canopywooden frame, steel frame with polycarbonate and steel frame with thermopanels. I produced accurate and detailed survey and technical design drawings, tended documentation and cost calculations under my mentor’s supervision. For each option I made renders to assess the light penetration, atmosphere and aesthetics, which were praised by both client and my superiors. Here I will present the final design chosen by the client.

Plans : roof and structure, 1:100

Cross sections 1:100 through solid thermopanels and transparent polycarbonate Drawings made by G.Negovanska, courtesy of conveyer

DETAILS 1:5

Location

Sofia, BG

Type

Internship

Role survey and technical drawings, tender documents, schedules, renders

Date

July 2022

Supervisors

arch. Angel Savlakov

Software

AutoCAD, Rhino, Vray

The project consisted of a proposal for an intervention on an existing terrace. Three structural solutions were explored the canopywooden frame, steel frame with polycarbonate and steel frame with thermopanels. I produced accurate and detailed survey and technical design drawings, tended documentation and cost calculations under my mentor’s supervision. For each option I made renders to assess the light penetration, atmosphere and aesthetics, which were praised by both client and my superiors. Here I will present the final design chosen by the client.

Detail through expansion joint between house 1 and roof of swimming pool

MINI KITA PLAYGROUND

Location

Sofia, BG

Type

Internship

Role

concept, design, renders, presentation

Date

August 2022

Supervisors

arch. Ivailo Andreev

Software

AutoCAD, Rhino, Vray, PromeAi

During my internship at coneyer, I worked on a project for a children’s playground inside one of the rooms of KITA kindergarten, designed by the studio in 2013. Following my mentor’s guidance, I produced concept sketches for the layout and activities to be provided. The final design plays on the architectural style of the kindergarten. I developed the CAD drawings at 1:50, 3D render and a short experiential video, which were later presented to the client.

The room’s layout dictated the placement of the playground along the wall, with its square windows serving as a key design element. My concept centers on the dynamic movement of children and their scale, incorporating two levels of activity. The design encourages interaction with the architecture, where the shape and positioning of the windows are seamlessly integrated into the experience.

The room’s layout dictated the placement of the playground along the wall, with its square windows serving as a key design element. My concept centers on the dynamic movement of children and their scale, incorporating two levels of activity. The design encourages interaction with the architecture, where the shape and positioning of the windows are seamlessly integrated into the experience.

Concept sketch with children movement
Kita kindergarten concept Designed by conveyer in 2013

INTERIORS

Location Sofia, BG

Type Insternship

Date 2019 - 2024

Supervisors arch Lilia Draganova

Software AutoCAD, Rhino, Photoshop

During my internship at Sogal Furniture, I have worked on various projects for furniture and entire interior design for both residential and commercial buildings. I worked on all stages of the projects - from intial suvey measurements and design proposal to final CAD drawings, quantitycost calculations and visualisations. I consistently delivered design proposals that were highly praised by both clients and senior management for their creativity, functionality, and alignment with project goals. More recently, i have been involved in supporting the company’s marketing strategy by producing visually engaging content for the official Instagram account.

Plan and Elevation

FOYER OF PARK HOTEL MOSKVA

Location Sofia, BG

Type Freelance

Date 2025

Supervisors arch Lilia Draganova

Software AutoCAD, Rhino, Photoshop

During my internship at Sogal Furniture, I have worked on various projects for furniture and entire interior design for both residential and commercial buildings. I worked on all stages of the projects - from intial suvey measurements and design proposal to final CAD drawings, quantitycost calculations and visualisations. I consistently delivered design proposals that were highly praised by both clients and senior management for their creativity, functionality, and alignment with project goals.

More recently, I assisted in the conceptual design phase of a renovation project for the foyer space of one of the most emblematic hotels in Sofia. While preserving the original plaster ceiling and floors, the design adresses the functional and modern aesthetic requirements of the client. The quality of the presentation, renders and design were hihgly praised by the client and helped secure the development of project for the firm.

Photo of existing design

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