PORTFOLIO 2020

Page 1

GI A N L U CA P O RT F O L I O

M A GL I


C O N TEN TS 04

-

CONTA CT

06

-

CURRICULUM

08

-

A RCHITECTURE

44

-

INTERIOR

DESIGN

60

-

CREATIVE

DIRECTION

80

-

LA NDSCAPE

3

AND

BIO VITAE

DESIGN


GIANLUCA MAGLI

BIOGRAPHY & DESIGN VISION

magli.gianluca@gmail.com

Born and raised in the fascinating city of Reggio Emilia, I grew up a creative, curious and extroverted kid knowing that my hometown, despite being a beautiful cradle of my early creativity and inspiration, was just one of my many destinations.

+39 347-1949384 +86 131-6722-1195

Such correlation exists by means of creating environments that do more than serving a functional purpose. They indeed create an experience by evoking a unique emotional response.

Driven by a strong interest in experiencing Architecture from multiple cultural perspectives, I moved to China, while studying at the Politecnico of Milan, and graduated from the Tongji University with a Double Master’s Degree in Architecture and Urban Planning.

@gianlucamagli.public

in

In fact, the study of space and architectural shapes easily transforms into graphic and digital communication as the result of a hierarchy of symbols.

linkedin.com/in/gianlucamagli @gianlucamagli - @bewhiteaddicted

The intersection between these disciplines is where my passion lies. I find these two sectors of design inseparable: they rely on each other by informing relations between external and internal experiences.

Living in China represented an incredible opportunity to experiment with new techniques and to acquire multi-perspective approaches which, in turn, both enhanced my competences and expertise in architectural design and further refined my tastes in terms of the innovative solutions I since then apply to my works.

@gianlucamagli google.com/+GianlucaMagli

I am interested in exploring the connection from the scale of a person sitting in a chair to the relation they have to the city context. They are of equal importance.

Over time I learned and became aware that Architecture cannot be held within a single field, as it represents the expression of the synergy connecting different elements which interdependently coexist.

4

5


EDUCATION

AWARDS AND PRIZES

WORK EXPERIECE

SOFWARES AND SKILLS

2014 - 2015

2016

Hold Chocolate - Packaging Design Contest, SAMBIRANO Reggio Emilia Winner of Packaging Design Competition “Hold Chocolate”. The focus of the competition meant the creation of a take-away packaging for a bottle containing a drink of handmade chocolate within its labels design and information.

2019 - prsnt

Adobe Creative Cloud Photoshop, Illustrator, InDesign, Lightroom, After Effects

Media Environment, EGAR, Venice First Place at the Workshop “MEDIA ENVIRONMENT_ New Technologies and Tools Communication and Enhancement of the Built Environment “, organized by Elastic Group of Artistic Research.

2016 - 2017

Benta Wiley Architects Architect and Interior Designer

2015 - 2016

Hangar Design Group Architect and Graphic Designer

2013 - 2014

Archiplan Studio Architect

2012 - 2013

Screen City_International Academic Journal Magazine Contents Writer

2012 - 2012

Recovery of the Architectural Heritage International Architectural Workshop of Fortification

2013 - 2015

2010 - 2013

2005 - 2010

TONGJI UNIVERSITY, Shanghai, China Master of Architecure and Urban Planning

POLITECNICO DI MILANO, Milano, Italy Master of Architecture Mark: 110/110 with honours

2013

POLITECNICO DI MILANO, Mantova, Italy Bachelor of Architecture Mark: 110/110 2012

ISTITUTO D’ARTE G.CHIERICI, Reggio nell’Emilia, Italy Artistic High School Diploma in Applied Art, Designer section of Architecture Mark: 100/100

2011

6

Prize Sustainable Building, ALER, Mantova First place in the contest “prize sustainable building” organized by aler Mantova in collaboration with the Politecnico di Milano. The Lands of Matilde Photography Contest, ROTARY CLUB, Reggio Emilia First Place

2017 - 2019

Duccio Grassi Architects Project Architect and Interior Designer

Office Word, Excel, Power Point

IKOS | Architettura della Comunicazione Project Architect

Autodesk AutoCAD, Revit, 3D Studio Max + Vray Graphisoft ArchiCAD Maxon Cinema 4d + Vray Italian Mother Tongue English B2 TOEIC Certification

CERTIFICATIONS

7

Febr 2016

3ds Max 2016 + VRay - Architecture and Design

Jan 2014

Autodesk Revit Architecture


M A X K Y OTO ,

I. FASHI O N SHO P IV. A RCHI CAD

M A R A J A PA N

2 0 1 9

II. I NTE RI O R D E SI GN V. CI NE MA 4D

III. R ETAIL

VI. PHOTOS HOP

While working for Duccio Grassi Architects studio, I get the chance to improve my skills into Retail design for a local fashion Brand which is Max Mara Fashion Group. Max Mara is one of the most famous brand in the women clothing, wolrdwide speaking. The industry is spread in diffrent countries with stores, mainly designed by DGArchitects. I learnt the management of a retail design from the concept and layout of the store, to the Executive drawings. I participate in the design of a specific case which is the JR Kyoto Isetan store,locate into a fashion mall. After drafting a layout concept, it followed the 3d render visualisation of the store for the interiors. The interior design was very focused to the choose of materilas and the attention to the details was fundamental. The strenght of this layout project is the open space feeling that the design approached in order to provide a welcoming sensation and a wide view of the total space.

8

9


OD

STOCK

Delabré brass (furnitures only) Ottone delabré (arredi) Stone Tile 80x80 cm (or 75 / 90 cm to exploit slab) Pietra 80x80 cm "Grigio olivo fiammato" MARMI FAEDO

GO GFM

#5-0 CASH DESK

Green forest marble - flamed coated finish Marmo Green Forest - finitura fiammata patinata

SY-04

Hidden wooden structure Struttura in legno nascosta

SY-03

1195

WRAP DESK

SY-02

IRB

Existing structure Struttura esistente

0

50

250

500

80

IRB

cm 61

56

PWP GFM

GO

PWP

121

PWP

For details marked with the letter B refer to sheet 0-0. For details marked with the letter E refer to sheet 0-0.

IRB 4828

112

60

1361

SX-01

1175

80

1215

10

1522

120

PLEASE FOLLOW STRICTLY THE DIMENSIONS ON SHEETS. EVERY CHANGE MUST BE APPROVED BY DUCCIO GRASSI ARCHITECTS.

2397

1147

161

SX-01

155

845

345

154

2185

599

lighting box

IRB

STOCK 766

2021

24

472

120

SX-02

1098

80

1805

SX-02

88

7

94

88

7

24

3

BR

40

71

7

BR

884

669

21

MEM 116

25

77

IRB

307

1325 SY-03

15

IRB frame SY-02

SY-01

IRB frame

SIGN 108,4 x 22,6 cm SX-03 SY-04

SX-03

IRB frame

240

1273

73

SIGN 108,4 x 22,6 cm

160

155 15

2486

90

#FT-01 MEM 116

MEM 116 25

IRB bulkhead

MEM 116

#FT-01

115

20

60

884

1615

554

PLAN

1:50

SHOP

Max Mara - Kyoto

GENERAL DATA

U. M.

Ground f.

TOTAL

A

Intervention area

mq.

82,02

82,02

B

Selling area

mq.

80,14

80,14

C

Stockroom area

mq.

20,14

20,14

D

Global area

mq.

102,16

102,16

E

Settable shop-windows (number)

num.

0

0

F

Shop-windows (display lenght)

0,00

0,00

G

Fitting rooms

num.

2

2

DISPLAY CAPACITY

U. M.

Ground f.

TOTAL

H

Totality of hanging (x 13 garment/l.m.)

l.m. n.gar.

14,70 191

14,70 191

l.m.

ducciograssi a r chitects www.ducciograssiarchitects.com Via Jodi 14 B/C 42121 Reggio Emilia Italia NOTES FOR WORK CONTRACTORS AND WORK COORDINATOR. The project drawings have been developed through the interpretation of the measurements and the geometry of the premises as per the surveys received. The project measurements shall be verified and probably adjusted when the project is put into operation. Allowances are made to the project for some minor alterations. All the furnishings for hanging elements and hooks in the shop and the shop-window, included in this design, must be firmly attached to wall or ceiling. They shall support a minimum load of 65 kg/ linear meter, and shall be implemented and put in place under the full responsibility of the supplying company furniture, that shall verify the sustainability of the maximum load with proper loading tests before completing its job. All glasses used shall meet with the national regulations and requirements. Each glass used in the furniture shall be tempered and marked with the word “tempered” on it. All the external glasses used shall meet with the national regulations and requirements and to be antireflected. NOTE FOR THE PROFESSIONAL WHO PRESENTS PERMITS. The professional should verify the compliance of the project to local and national regulations. The professional shall inform enough in advance for DGA to make corrections. If the professional does not see any discrepancy rules and proceeds with permit applications, it is understood that he automatically assumes full responsibility. NOTE FOR THE A/C SYSTEM. The distributive scheme of the A/C system is approximative, and shall be verified by a qualified technician; possible changes shall be agreed with DGA.

I

Totality of shelves (x 3 garment/l.m.)

l.m. n.gar.

0,00 0

0,00 0

L

Totality of tables(if display) (x 5 garment/l.m.)

l.m. n.gar.

6,90 35

6,90 35

M

Total(H+I+L)

l.m.

21,60

N

Accessories(shoes and bags) (x 1 garment/l.m.)

l.m. n.pc.

6,21 6

0.0621 6

O

Glasses

num.

0

0

P

TOTAL of linear meter (acc.incl.)

l.m.

27,81

27,81

Q

TOTAL of garment (no glasses)

n.pc.

231,81

231,81

NOTES FOR THE CONTRACTORS, THE WORK COORDINATOR AND THE DESIGNER OF THE ELECTRIC SYSTEM. Unless otherwise specified in the drawing, place the cabinet and counters outside the selling area. Verify the compliance of emergency lighting to the national standards. Provide timer on shop window lamps and exterior lighting. Provide, on request, intercommunicating intercom. Provide, on request, settings for anti-theft system and alarm system. Define the power lines with the customer. Provide separate lines for night lighting, shop windows and signs. Provide outlet for external lights in facade and on the floor. Each adjustable spotlight should be directed.

Client

MAX MARA Via G. Maramotti 4,42100 Reggio Emilia

Project

Max Mara - KYOTO ISETAN Kyoto Isentan 3rd floor

10

REFERENCE VALUES

R. V.

G. f.

TOTAL

Stock area (C) / Global area (D)

1

0,20

0,20

Total l.m.(M) / Intervention Area (A)

1

0,26

0,26

Sheet Description:

FURNISHING AND FLOORING PLAN 11 Scale

Project N°

1:50

19022

Sheet N°


M A X D U S S E L D O R F,

I. FASHI O N SHO P IV. A RCHI CAD

M A R A G E R M A N Y

II. I NTE RI O R D E SI GN V. CI NE MA 4D

2019

III. R ETAIL

VI. PHOTOS HOP

Another great work that was followed during the collaboration with Duccio Grassi Architects was the Dusseldorf Flagship Store for the brand of Max Mara, distributed on two levels. Being a flagship store this needed a more specific attention to the detail drawing and for the application of materials. Inside, the main element is represented by the staircase with its helical shape, enhanced by the covering material: a distinctive natural-looking metal that highlights the curves with its luxury and amber glares. interiors denote the choice of an extremely limpid design, with few notes of colour, and where the design and the clear disposition are armonically created by the plain volumes and by the choice of materials: rough stone, concrete, corten, opaque or translucent filters able to meet the communicative need and osmosis of the company. The last floor is dedicated to the most elegant collections and reveals the most important concept’s evolution, particularly through the preciousness of the materials and their combination: a brass grid embraces the elegant cenere wood and the charming platinum glass forming two irregular vol- umes that contain the VIP fitting rooms and define a non-conventional space.

12

13


G

F

DISP

B03 B03

IRB

STOCK

H

T (

I

T (

L

T (

M

T

N

A (

O

G

P

T

Q

T

B04

LIFT

B12

B12

149

B12

B01

RVR

MM-BOX-03

B01

125 KVA M223

955

B01

MM-BOX-13 MM-BOX-01B B02

5

STOCK

366

#A-03

IRB

B06

SX-02

PWP 219

655

357

246

725

5

B01

B03

IRB 5295

PWP

RVR

B03

T B06

B12

119

B02

MM-FLO-07A

MM-BOX-01A

625

325

123

MM-FLO-07A

MM-BOX-01B

MM-BOX-01B

80

2185

50

Hang

502

B01

B01

MM-FLO-07A

MM-FLO-02

121

Tota

MM-WALL-02A

IRB

B03

1825

PWP 0,0

MM-ACC-12

B16 B18

B18

B18

IRB

B17 B18

5965

18 17

8

16

IRB 80

100

70

MM-FLO-07A + MM FLO-08 281

13

106

1905

106

#5-0 CASH DESK

2065

3605

181

5

12 11

1575

B03

2225

14

IRB

CD-01

B03

57

215

MM-FLO-07A + MM FLO-08

B18

B17 815

15

10

53

GFM B18

B18

5

B01

7

9

7065

140

300

IRB

349 MM-ACC-06B

SX-01

B16

SX-01

B17 815

100

5 6

1285

B18

19

B04

GFM

4

T

B17

89

B17 89

3

B17

T

B11

B03 95

B04

161

B17

B17

1 2

IRB B03

MM-BOX-13

140

MM-ACC-03

1595

B16 PWP

B01

1505

1405

B01

B01

1505

1595

15

B03

IRB

PWP

83

1605

B07

T

5

140

1595

1405

1595

PWP

MM-EXT-02

T

T

MM-EXT-01

SY-07

SY-06

SY-04

SY-03

SY-02

15 SY-01

14

SY-05

B16

B16

74

B01

IRB

97 PWP

B04

B16

B01

Stoc

5 5

B02

KVA M223

100

795

67

655

1565

B01

PWP

1565

MM-FLO-10A

63

PWP

SX-03

MM-BOX-03 1715

RVR

RVR

80

#A-01 725

REF

RVR closet

B12

MM-BOX-13 MM-BOX-11A MM-BOX-14

T 67

SX-04

RVR

5

MM-FLO-07A MM-FLO-07A

241 3605

MM-FLO-02

KVA M223 FT-03 B

#A-02

134

5

B14

100

MM-ACC-10 695

5

B01

#A-01

80 MM-FLO-10A

6465

MM-FLO-02

#FT-03

B10

PWP

10 128 70 134

5

5

187 B12 FT-03 A KVA M223

W2

B05

RVR

MM-FLO-02

MM-FLO-07A MM-FLO-07A

128 18 130

MM-FLO-02

PWP

MM-WALL-02A

B10

B05

B06

160 14 70

MM-FLO-07A

FT-02 B

MM-FLO-03

69

B03

B01

144 14

229 B06

B03

5

95

1785

1785

IRB

B03

14

MM-FLO-07A

4625

160

MM-BOX-01A

MM-BOX-13 MM-BOX-11A

RVR

2485

128

SX-05

PWP

MM-FLO-06

735 205 130

MM-FLO-02

MM-FLO-14C

SX-02

70

B01

MM-BOX-13

B12 MM-BOX-14

1895

705

B12 B10

RVR

IRB

96

B14

KVA M223

55

B01

DR-02

MM-FLO-02

B10

MM-WALL-02A MM-BOX-03 1735

B14

B06

B01

B01

LIGHT BOX

FT-02 A

138

1445

MM-BOX-12

1205

735

MM-FLO-05

RVR

1915

144

795

T

B12 B02

B11

MM-BOX-01B

#FT-02 55

MM-BOX-11A

W2

B12

B01 68

MM-BOX-13 B01

MM-FLO-07A

PWP

MM-FLO-07A

2475

100

25

MM-FLO-07A

KVA MM-BOX-03 1735 M223

125

MM-BOX-01A

B01

MM-FLO-07A

PWP

T

120

14 PWP

MM-WALL-02A

B05

6

DR-01

FT-01 C

MM-BOX-14

B07

55 B07

50

B03

IRB

B14

B07

BR

91

B04

12

B13

229

FT-01 B B03

1575

FT-01 A

355

B13 MM-BOX-01A

1645

KVA M223

MM-BOX-11A

W2

MM-BOX-14

B12

B01

MM-FLO-10A

KVA M156

25

B12 MM-BOX-01B

B01

118

B14

2325

PWP

MM-BOX-14

B05

MM-BOX-01B

55

160

LIGHT BOX

IRB

MM-BOX-01A

B04

MM-ACC-06A

2525

SX-03

MM-WALL-02A BR

B01

BR

1525 B04

B03

MM-BOX-03

MM-BOX-11A

#FT-01

55

KVA MM-BOX-01A M156

B01

T

SX-04

W2

B03

B07

BR

198

B13

MM-BOX-13

B03

B12

B13

SX-05

MM-BOX-01B

B12

MM-BOX-11A

MM-BOX-13

B03

FT-01 C

MM-WALL-02A BR

1755 MM-BOX-14

IRB

MM-BOX-03

PWP

68


887,5 292,5

887,5 292,5 PWP

885

PWP

435

T

PWP

85,0 B08

PWP B03

MM-FLO-07A

MM-FLO-02

MM-FLO-10A

MM-FLO-07A

B03

MM-FLO-07A

W1

MM-FLO-02

B01

0,0

595,0

1345

B03

SC-01 A

MM-FLO-07A B03

MM-WOOD-06A MM-WOOD-06B MM-WOOD-06C

B02

545,5

#6-0 STAIRCASE

0,0

B04

MM-ACC-10

595,0 W1

B01

2145

OSB

2065

2065

OSB

DET E02

PWP PWP

DET E01

100

367,5

PWP

349,0

PWP

339,0

W 01

380,0

PWP

339,0 MaxMara sign 90x18,5 cm

MM-EXT-02

MM-FLO-02

T 57,5

T 0,0

B01

B01

SX-01

B01

575

57,5

B01

B01

B01

B01

B01

1:50

16

MM-ACC-10

IRB

MM-FLO-10A

PWP

MM-FLO-02

340

MM-FLO-10A

380

VEX 110,0 90,0

B03

PWP

#A-03

MM-BOX-01B

97 MM-FLO-10A

159

2815

1415

MM-FLO-02

159

1505

MM-EXT-01

MM-ACC-06A

MET

#A-01 MM-BOX-01B

1405

#5-0 CASH DESK

#A-01

MaxMara sign 125x25,5 cm

B04 137

B01

OSB

BR

512

W1

OSB

DET E01

PWP 339,0

B01

#A-04

100

OSB

PWP

#A-04

545,5

PWP 380,0

RVR PWP

MM-FLO-02

MM-FLO-10A

OSB carter on existing frame

IRB PWP

PWP

MM-ACC-10

T

B03

0,0

SX-02

MM-BOX-13

285

RVR

MM-FLO-07A

2805

2075

IRB

IRB

MM-ACC-03 280 cm B05

MM-FLO-05

B09

PWP

875,0 280,0

MM-WOOD-07 292,5 cm

MM-FLO-06

PWP

MM-FLO-07A

IRB

875,0

MM-FLO-07A

280,0

279,0 MM-BOX-01B

PWP

125

271,0

FT-07 A

MM-ACC-12

B03

B03

B03

1:50

17


M A X &C O . R E G G I O

I. FASHI O N SHO P IV. A RCHI CAD

E M I L I A ,

I TA LY

II. I NTE RI O R D E SI GN V. CI NE MA 4D

2019

III. R ETAIL

VI. PHOTOS HOP

The new generation store is characterized by a large and spectacular glass portico. An open space, with vaults almost 6 meters high, in continuous dialogue with the context that hosts it: the exhibition area, over 400 square meters, develops in the name of the modularity of the spaces, which are transformed from sales areas to locations for exclusive lifestyle workshops, exhibitions and pop-ups, from green to culture, and for the offer of smart shopping services such as Click & Collect, to collect purchases made online in boutiques. The renovation project of the spaces has deliberately rediscovered and preserved valuable traces of past eras, such as the Romanesque pillar that emerges from the structure. In the heart of the boutique, the dressing room area welcomes customers with structures with organic shapes in natural and precious materials. In the center, a sculpture sofa by Pierre Paulin for La Cividina in shades of red, the symbolic color of the brand.

18

19


SY 03

SY 04

SY 01

SY 02

SHOP GENERAL DATA

B01

B01

INT 1

INT 1

B02

Ground f.

Intervention area

mq.

333,27

B

Selling area

mq.

312,54

C

Stockroom area

mq.

55,76

D

Global area

mq.

389,03

E

Settable shop-windows (number)

num.

F

Shop-windows (display lenght)

G

Fitting rooms

num.

6

DISPLAY CAPACITY

U. M.

Ground f.

H

Totality of hanging (x 13 garment/l.m.)

l.m. n.gar.

45,00 585

I

Totality of shelves (x 3 garment/l.m.)

l.m. n.gar.

6,75 20

L

Totality of tables(if display) (x 5 garment/l.m.)

l.m. n.gar.

1,00 5

M

Total(H+I+L)

l.m.

52,75 11,00 11

15

15

U. M.

A B02

#A-05

#A-12

142

17

80

10

INT 2

#FT-04

INT 2

#FT-03 vip 14470.162

ELETTRA Bombay 68 (rosa)

R = 255

105

B02 VIP 1

VIP 1

#A-12

SX 04

SAG

70

INT 1/ INT 2

#A-11 730 red

182

142

105

#A-08

104

B01

#A-04

182

#A-04

182

SAG INT 2

104

B01 INT 1

182

#A-14

VIP 2

SX 04

VIP 1

3

l.m.

12,00

#FT-01

INT 1

18,00 m2

OSAKA / La Cividina colore UNIFORM M CORAL 330

15

VIP 2

#A-01

#A-05

INT 1/ INT 2

B01

VIP 1

B01

#FT-03 vip 14470.162

15

142

INT 2

B02

INT 1

tavolo market

#FT-04

#A-08

stock area 56,49 m2 MC-FLO-38

#A-04

SX 03

INT 1/ INT 2

VIP 2

162 #A-16

colonna da mantenere invariata

400

#FT-03 vip 14470.162

#A-01

#A-07

#FT-04

#A-10

B01

142

#A-15

#A-01

5

#A-15

INT 2

21

205 51

295

legno laccato opaco

NCS 1505 Y 30 R

C 05

B02

5

2615

#FT-06

185

2455

7 11

R. V.

G. f.

10

400 155 5

#A-05

VIP 2

1

0,16

Hanging l.m. (H) / TOTAL of l.m. (M)

1

0,85

H

VIP 2 VIP 2

VIP 4 VIP 3

#A-12

#A-04

INT2 INT 2

112

INT 2

porta scorrevole rivestimento in boiserie legno Pamarco

INT 2

#FT-05

MC-FLO-38

100

LOOP MELANGE Smoked Paprika 7506 250x350 cm

D

#FT-03 vip 14470.124

1365

#A-02

0,14

Total l.m.(M) / Intervention Area (A)

B02

INT2

B02

142

142

B04

MC-FLO-43A vip 14470.172

C 03

B04 C 03

SX 02

B02

du ar

cambio pavimento prevedere giunto ottone min 3 mm / max 5 mm

INT 1/ INT 2

INT 1

1

F+C

#A-07

VIP 3

VIP 3

B02

Stock area (C) / Global area (D)

VIP 2

B02

70

70

B01

INT 2

MC-FLO-43B vip 14470.172 #FT-02

#FT-02 VIP 2

#FT-03 vip 14470.124

B02

#5-0

INT 1

#A-01

621,25

350

#FT-03 vip 14470.124

INT2

INT2

VIP 4

142

70

250

INT 1/ INT 2

INT 1 INT 1

250

63,75

n.pc.

VIP 4 VIP 2

MC-FLO-43C vip 14470.162

108

#FT-05

#A-15

#A-04

#A-05

INT 2

INT 2

INT2

#FT-05

5

9

10

C 05

108

SX 01

l.m.

TOTAL of garment (no glasses)

505

INT 1/ INT 2

INT 1 zerbino colore da definire profilo ottone

200

TOTAL of linear meter (acc.incl.)

INT 2

142 B02

B01

P Q

SY 07

SY 05 SAG

#A-04

INT 1

LOOP MELANGE Smoked Paprika 7506 250x200 cm

num.

REFERENCE VALUES

prevedere griglia per circolo aria dimensione da verificare

B02

SX 02

l.m. n.pc.

Glasses

SY 06

vetro extrachiaro a copertura della base della colonna resistente al calpestio

INT 1

42

Accessories(shoes and bags) (x 1 garment/l.m.)

SAG INT 1/ INT 2

B01

SAG

MC-FLO-43A vip 14470.112 #A-13

142

prevedere griglia per circolo aria dimensione da verificare

N O

VIP 1

INT 1

895

SX 03

sagramatura sopra capitello

INT 1

425 5

VIP 1 INT 2

VIP 1

MC-FLO-43B vip 14470.112

MC-FLO-43C vip 14470.162

#A-09

SX 01

261

MC-FLO-43A vip 14470.124 B04

ELETTRA Bombay 68 (rosa)

C 03 tubolare ferro RAL 9005 25x25 mm posizionare H 175 cm INT 2

#A-07

#A-04

#A-04

SAG

#A-16 SAG

SAG

4115

C 05

INT 2

B02

INT 2

C 03 porta scorrevole rivestimento in boiserie legno Pamarco

B04

181 INT 2

245

w Via Jo

B02

142

cambio pavimento prevedere giunto ottone min 3 mm / max 5 mm

#A-06

102

SY 05

SY 04

SY 03

SY 02

SY 01

HAUKI Vescom 1069.16

B03

B03

B03

HAUKI Vescom 1069.16

legno laccato opaco SIKKENS C4.60.40

Sikkens C5.33.31

Sikkens E0.10.70

legno laccato opaco SIKKENS C4.60.40

NOTES FOR THE CON ELECTRIC SYSTEM. Unless otherwise speci Verify the compliance o Provide timer on shop w Provide, on request, int Provide, on request, se DeÞne the power lines Provide separate lines Provide outlet for exter Each adjustable spotlig

B03

B03

HAUKI Vescom 1069.16 HAUKI Vescom 1069.16

B03

#7-0

HAUKI Vescom 1069.16

legno laccato opaco SIKKENS C4.60.40

Sikkens C5.33.31 legno laccato opaco SIKKENS C4.60.40

CE1

CE1

Client

B03

Maxima

Sikkens C5.33.31

Sikkens C5.33.31

legno laccato opaco SIKKENS C4.60.40

NCS 1505 Y 30 R

Sikkens C5.33.31

CE1

CE1

legno laccato opaco SIKKENS C4.60.40 legno laccato opaco

CE1

1865

Sikkens C5.33.31 CE1

B03

10

B03 B03

CE1 da H 80 a 150 cm Sikkens E0.10.70 da H 150 cm a soffitto

CE1 / HAUKI Vescom 1069.16

NOTE FOR THE A/C S The distributive scheme technician; possible ch

215

HAUKI Vescom 1069.16

CE1

INT 1 / INT 2

NOTE FOR THE PROF The professional shoul The professional shall i If the professional doe understood that he auto

Sikkens C5.33.31

B02

CE1 da H 80 a 150 cm Sikkens E0.10.70 da H 150 cm a soffitto

B04

B02

INT 2

INT 2

Sikkens E0.10.70

B03

#A-04

INT 2

#A-04

INT 2

142

346

142

5

985

885

108

905

109

B01/ B02

NOTES FOR WORK C The project drawings h geometry of the premis The project measurem operation. Allowances are made t All the furnishings for this design, must be Þr linear meter, and shall company furniture, tha before completing its jo All glasses used shall m Each glass used in the All the external glasses antireßected.

188

B01 INT 1

25

102

255

25

181

#A-04

25

B02

tubolare ferro RAL 9005 25x25x2100 mm

5465 180

INT 2

142

142

#A-12

INT 1

C 04

B01

10

80

#A-05

1345

INT 1

SAG

70

B01

#A-01

478

10

70 INT 2

#A-05

#A-01

25INT 1

INT 1/ INT 2

142

25 25 40

#A-08

142

tubolare ferro RAL 9005 25x25x2100 mm

Via G. Maram

B03

30

infissi + davanzale Sikkens C5.33.31

Project

SY 06

infissi + davanzale Sikkens C5.33.31

MAX&Co

1:5

Piazza Pram

SY 07

1:5

Sheet Description:

prospetto C0 3

10 15

20

pianta 1:5

0

50

250

cm

INT 2 INT 2

C0 3

500

FURNISHING

501

10

21

For details marked with the letter B refer to sheet 2-0. For details marked with the letter E refer to sheet 3-0.

Scale

1:20 1:50 Revision

02/MAY/2019 PLEASE FOLLOW STRICTLY THE DIMENSIONS ON SHEETS. EVERY CHANGE MUST BE APPROVED BY DUCCIO GRASSI ARCHITECTS.

Date

01/MAR/2019


C E R S A I E B O LO G N A ,

I. E X HI B I TI O N IV. PHOTO SHO P

I TA LY

II. ARCHI TE CTURE V. AUTO CAD

2 0 1 9 2 0 19

III. STAND DES IG N VI. 3D S TUDIO MAX

A rigorous, solid and innovative box displays reliability through a dynamic design moving towards the future. A modern-finishing factory, a capsule which holds inside many different expressions of making ceramics. The external skin conveys a solid and authoritative image and is projected towards an avantgarde and technological scenario, expressed through the dematerialization and decomposition of volumes and the matter. The color black, eternal symbol of elegance and rigour, represents the leading element of the outer facing which is characterized by a metal framework with a dual configuration, smooth and drilled. The outer configuration aims at displaying a running factory/living factory, thanks to the use of scenographic lighting which runs through the metal structure in some of its parts, giving life and emphasizing the magnificence of the building. The box opens up through diagonal cuts, diaphragms and openings which astonish visitors by permeating the space. In doing so, the inner flows are signaled welcoming visitors to discover and experience what goes on inside the building. These dynamic cuts “fracture” the capsule’s rigour to communicate the idea of an ever-evolving project, which expands towards newer directions. 22

23


PROSPETTO ANTERIORE

24

PROSPETTO POSTERIORE

25


26

27


28

29


30

31


PROSPETTO ANTERIORE

32

PROSPETTO POSTERIORE

33


D E J A V U

F A H I O N

M O D E N A ,

I. FASHI O N SHO P IV. PHOTO SHO P

I TA LY

2 0 1 8

II. I NTE RI O R D E SI GN V. AUTO CAD

S H O P

III. R ETAIL

VI. 3D S TUDIO MAX

Interior design for a local fashion shop located at the outskirts of Modena. Dejavu is the interpretation of the fresh modernism that meets the iconic minimalism with the industrial and urban style. An atmosphere, a design, an idea. A new and functional place that conveys the passion and taste of fashion in a sophisticated, refined and avant-garde way. Innovation and minimalism that coexist through an expression of spaces that can also enhance the most simple thing as something unique with its shapes, colors and dimensions. The idea is to convert the pre-existence concept towards a newer sophisticated typology. The mood is harmonious and embraces those who experience the place. This is achieved by using dusty tones that merge with contrasted materials which are both smooth and shiny. Colored floor resin that optically expands the environment becomes the main protagonist and unique element of pleasure and richness. The space is enriched with elements and objects tone on tone but with different finishing that conclusively define a matter change. This generates a feeling of calm and quite atmosphere. Necessary will be to insert fine details with touches of warmness and refinement, using metals and consistent fabrics like velours.

34

35


4380 100

130

100

1000

6779

C’

1250

SEZIONE A-A’

D

D’

1630

100

C

4380

A

A’

100

B

B’

1380

2260

6220

80

2100

4380

PLANIMETRIA NEGOZIO CON ARREDI

SEZIONE B-B’ 36

37


SEZIONE C-C’

SEZIONE D-D’ 38

39


C E R S A I E B O LO G N A ,

I. E X HI B I TI O N IV. PHOTO SHO P

I TA LY

II. ARCHI TE CTURE V. AUTO CAD

2 0 1 8 2 0 18

III. STAND DES IG N VI. 3D S TUDIO MAX

New exhibition stand with an enormous eclecticism for the display of innovative products at the International fair of CERSAIE 2018. Classic and contemporary styles come together and mix together in a completely renovated shape, in order to give space to the design and innovative style of the company. In this edition, color is the backdrop of a real interior design project, where original compositions and furnishings are made with a mix of ceramic materials. A multifunctional space for meetings and exchanges with a strong identity designed to highlight the creative and sophisticated character of the Brand. Halfway between a coffee bar and a soap shop, the project follows the eclectic style where the relationship between materials, shapes and colors become the protagonist. Everything has been accurately thought to work as a whole. Spaces are wide open but still welcoming, thanks to the attention to the human scales. Pastel colors please the sight of the visitors and harmoniously contrast the glossines of the ceramic floor. Hanging plants emphisize an eclectism that goes beyond any expectation. Nature is ever present, contaminating the modern world.

40

41


A’ 615

285

125

770

110

400

460

ESPOSIZIONE 1

180

ESPOSIZIONE 2

1400

PROSPETTO FRONTALE INGRESSO 180

pittara verde NCS S 3020-B90G

Parete perimetrale spessore 20cm

AREA BAR

ESPOSIZIONE 3

380

Travatura in legno portante 30x30cm

400

460

pedana posata H 45cm posata

ACCOGLIENZA

1240

215

110

2000

1400

A’

42

SEZIONE A-A’

pittara blu NCS S 4040-R90B

pedana tecnica posata H 15cm

43


44

45


D I M ME L O R E G G I O

I . CO CK TA I L B A R

E M I L I A ,

I TA LY

II. I NTE RI O R D E SI GN

IV. PHOTO SHO P

T U

V. AUTO CAD

2018

III. BR AND IDENTIT Y VI. SKETCHES

The project consisted in the new restyling and renovation of the interiors and brand image of the iconic bar Dimmelo Tu, located in one of the most fascinating squares of Reggio Emilia. Since the place wears a cafè function in daytime while a cocktail bar during the night, it was was neccessary to design the space with an accurate attention to the versatility of it. Most of the attention was given to the lighting design that needed to work with a Nordic Scandinavian style requested by the owner. Thus the idea of ​​a total look with a Scandinavian taste was born, with cool colors in shades of blue, combined with darkened and bleached oak. The customer’s attention is immediately captured by the white marble counter: a special process enriches these surfaces that at the same time make them meticulously lined and spontaneously rough. Also here the lighting plays a winning effect, thanks to the close-to-fall effect, which creates an effect of stone washed out.

46

47


48

49


H U M A N IV. PHOTO SHO P

II. CO MME RCI A L V. AUTO CA D

2 015

WUSONG ROAD

I. HI GH D E NSI T Y

C H I N A

ROAD ZHAPU

S H A N G H A I ,

THE HUMAN HIVE

H I V E III. R ES IDENTIAL I. 3D STUDIO MAX MAIN ENTRANCE

The concept of sustainable development has nowadays become the most prominent, overarching objective of city development and in countries such as China and Japan architects are fascinated by exploring and developing new architecture strategies aimed at tackling urban high-density through compact-city solutions.

Another key point is the permeability inside the building in order to avoid a massive construction inaccessible for anybody. This is the reason why the ground floor has many entrances facing every direction.

TIANTONG

ROAD

ENTRANCE

The building from the outside appears like a beehive as a result of the particular way in which the cubes are stacked and takes the shape of a mountain which has lost some parts that have fallen down on the ground.

In facts, to those architects and scholars who are engaged in studying and designing architecture in such cities, urban high-density often represents a kind of precondition. Urban high-density districts very often obscure the historic and heritage urban surroundings and it is urgent and necessary to create cutting-edge approaches and strategies to renew and insert new functions into those districts for the purpose of achieving a dynamic, integrated urban space while maintaining its context.

ENTRANCE

NORTH SUZHOU ROAD

G RO

The site is located in the West of Wusong Road, close to the Suzhou Creek in the south, and in the north-west of the renowned Garden Bridge of Shanghai (Waibaidu Bridge). The district belongs to the historic and cultural reservation area in Shanghai, which is intended to be planned and developed as a renovated center of commercial and public buildings. Simultaneously, it should be thought as a whole with its surroundings, the urban space, roads and landscape (especially the water front landscape).

MAIN ENTRANCE

DAMIN

This mountain, or beehive, displays a strong cut of the building in the center. This is created as a main axis to connect the opposite sides of the area toward the Suzhou Creek and The Bund. Other important points are the aeration and lighting systems of the building that are achieved through the creation of caves inside the building opening the shape to the outside.

AD

The two different parts of the building are linked together by bridges that create more fascinating flows to walk inside the beehive. Every floor presents different studies of green rooftop and terraces that are going to offer more valuable spaces for the citizen.

The project was born as a result of the desire to create a high-density building with strong attention paid to the human scale. For this reason, the cube as modular volume was chosen as design concept. The cube permits the approach to a mixed use and mixed functionality of the building and offers at the same time more opportunities and services to visitors. 50

51

SITE PLAN 1:1000


GROUNDFLOOR PLAN 1:500 2ND BASEMENT PLAN 1:500

2ND FLOOR PLAN 1:500

52

SOUTH FACADE 1:500

3RD FLOOR PLAN 1:500

4TH FLOOR PLAN 1:500

53

INTERIOR FACADE 1:500


54

55

5TH FLOOR PLAN 1:500

6TH FLOOR PLAN 1:500

7TH FLOOR PLAN 1:500

8TH FLOOR PLAN 1:500

9TH FLOOR PLAN 1:500

10TH FLOOR PLAN 1:500


N . 1 H O T P O T S H A N G H A I ,

I. SK I N FACAD E IV. PHOTO SHO P

C H I N A

II. P UB L I C SPACE V. AUTO CA D

2 017

III. RENOVATION I. 3D STUDIO MAX

Design Concept ID of a Hot Pot Restaurant located in Shanghai. The public space is developed on three levels dedicated to both public and private dining areas. The main details of the existing interior are preserved in order to give that industrial and rusty touch to new design of the restaurant. Interior design meets branding for No.1 Hot Pot Restaurant. The owner wishes to invest on a Restaurant place in Shanghai City. Architecture and Corporate image go together in a sophisticated picture that integrates the feel of the place within the brand. The goal is to create something vivid and shining, with a touch of ultra-lux, in order to distinguish the No.1 Hot Pot from the others that already exist in the city. Also the facade has been treated as a wall which becomes ornamental thanks to the integration of the logo.

56

57


5670 2270

5530 2270

6300

4400 1480 360

1170

58

2550

450

59

4050

450

4020

430

2100


60

61


O N E L E V E L A P T M I L A N O ,

I. P RI VATE VI L L A IV. PHOTO SHO P

I TA LY

II. CO UNTRYSI D E V. AUTO CA D

At the borders of the city of Milan, within a landscape context characterized by channels, ditches, rows, shrubby stains, gardens, villas and agricultural houses, lays the “One Level Apt”.

2 0 1 4

III. R ES IDENTIAL I. 3D STUDIO MAX

The attics are made of tiles and concrete with riddles in reinforced concrete, coibentated and separated while the roof has a layer of 22 cm of isolation, coupled with a coverage mantle in corrugate iron, connected to a system that picks up the rain water.

Immersed in the rural landscape, suspended by the ground in memory of the “terramare” installations, the residence is composed by two staggered elements facing north-east: the porch or climatic mitigator and the housing space or insulating body. With an 18°-orientation towards the west, the house takes full advantage of the natural contributions which anticipate the opening to the “winter sun” and the protection from the “summer afternoon sun”, as a result of the geometry of the porch, the ample surfaces south glass door and the flowing obscuring, The combination of some characters of the agricultural houses are put forward through a framework that, in the key form-function, shows elements as the “porta morta” (passing space in the residence with a scope of ventilation), the “sporto di gronda” ( coverage’s extension for the protection of the vertical masonries) and the “portico” (integrated coverage or juxtaposed for the protection of open and external spaces of the building). The residence is characterized by a structural walls system (smaller presence of thermal bridges), constituted by bricks with pores of 38 cm, coupled with a layer of coat insulator on the external side of 10 cm.

62

63


64

65


C R A F T E D M A N TOVA ,

I . P RI VATE VI L L A IV. PHOTO SHO P

I TA LY

II. I NTE RI O R D E SI GN V. AUTO CAD

2 0 1 5

III. R ES IDENTIAL VI. 3D S TUDIO MAX

The present work represent the interpretation of a total white house. After being restructured, the building has taken on the features of a museum space, without a domestic dimension. Through the insertion of natural elements such as stone, fire, water, nature, which are primitive signs possessing a distinctive energy, the project covers the existing presence. These elements alleviate the sensation of space-space estrangement with their intrinsic expressive force, but they retain the character of representativeness and amazement.

66

67


68

69


C E R A M I C A

F O N D O V A L L E

C R E AT I V E

I . S T YL I NG

C O N S U LTA N C Y

II. I NTE RI O R D E SI GN

IV. SK E TCHUP

V. PHOTO SHO P

III. CRE ATIV E DIR ECTION VI. INDES IG N

Creative direction for Brands’ image. Styling and Interior design as the visual experience of the brand’s unique identity expressed through rendering productions used into the company’s catalogues. Product and style research are the main focus of the work and are simultaneously carried out with the design project of an imaginary place that best represents the identity of the company. Ceramic surfaces are meticolusly combined with iconc product designs and architectural materials of every finishes in order to define the most realistic interpretation of an interior that can also be realized or even sold as a fully developed design.

70

71


72

73


CE R A M I C A

C O T T O

C R E AT I V E

I . S T YL I NG

C O N S U LTA N C Y

II. I NTE RI O R D E SI GN

IV. SK E TCHUP

D ’ E S T E

V. PHOTO SHO P

III. CRE ATIV E DIR ECTION VI. INDES IG N

Creative direction for Brands’ image. Styling and Interior design as the visual experience of the brand’s unique identity expressed through rendering productions used into the company’s catalogues. Product and style research are the main focus of the work and are simultaneously carried out with the design project of an imaginary place that best represents the identity of the company. Ceramic surfaces are meticolusly combined with iconc product designs and architectural materials of every finishes in order to define the most realistic interpretation of an interior that can also be realized or even sold as a fully developed design.

74

75


76

77


C E R A M I C A C R E AT I V E

I . S T YL I NG

P A N A R I A

C O N S U LTA N C Y

II. I NTE RI O R D E SI GN

IV. SK E TCHUP

V. PHOTO SHO P

III. CRE ATIV E DIR ECTION VI. INDES IG N

Creative direction for Brands’ image. Styling and Interior design as the visual experience of the brand’s unique identity expressed through rendering productions used into the company’s catalogues. Product and style research are the main focus of the work and are simultaneously carried out with the design project of an imaginary place that best represents the identity of the company. Ceramic surfaces are meticolusly combined with iconc product designs and architectural materials of every finishes in order to define the most realistic interpretation of an interior that can also be realized or even sold as a fully developed design.

78

79


80

81



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