Ginger N e t w o r k e d Fe m i n i s m
Issue 21
Summer 2020
Mission
SOPHIE KNIGHT COLLEEN DURKIN HANNAH MODE
• • • • • • • • • • •
ISSUE 1 ISSUE 2 ISSUE 3 ISSUE 4 ISSUE 5 ISSUE 6 ISSUE 7 ISSUE 8 ISSUE 9 ISSUE 10 ISSUE 11
• • • • • • • • • •
AMY BERENBEIM
CLARE BOERSCH
Ginger maps networks of creative people. In keeping with the logic of a network, all of the contributors to this issue were referred by an editor or contributor from a previous issue. As a feminist publication, we are committed to supporting the work of womxn, non-binary, and gender nonconforming individuals. Our goal is to produce a zine with a diverse range of forms, content, and perspectives.
HANNAH NELSONTEUSCH
COREENA LEWIS LAUREN ARIAN
SOPHIE OAKLEY
STEPHANIE VON BEHR
ABIGAIL HENNING
KAYA YUSI NEELA KLER
LANI RUBIN
ISSUE 12
MOLLY ADAMS ALEX CHOWANIEC
ISSUE 13
CAROLINE LARSEN
ISSUE 14
PARADISE KHANMALEK
ISSUE 15 ISSUE 16
JULIANA HALPERT
MARTHA WILSON
ISSUE 17
DREA COFIELD + GABY COLLINSFERNANDEZ
ISSUE 18 ISSUE 19
LEAH JAMES
BRE WISHART
GABRIELLA PICONE
ALANNAH FARRELL
ISSUE 20 ISSUE 21
EMILY LUDWIG SHAFFER
NINO SARABUTRA
JENNY BLUMENFELD
AVIVA ROWLEY
SALTY XI JIE NG JESSI LI S.E.A.
MISIAN TAYLOR
ANDREA GUSSIE
CARMEL BROWN
DEVON GRIMES
JUNE T. SANDERS ELIZABETH TANNIE LEWIN
MS. NIKO DARLING
CAITLIN ROSE SWEET
SARAH MIHARA CREAGEN
JEAN SEESTADT
HEATHER LYNN JOHNSON
EMILY WUNDERLICH
ALISON VIANA
PAOLA DI TOLLA
JEN COHEN
KATY McCARTHY
JILLIAN JACOBS
KAVERI RAINA
FELICIA URSO
LAURA PORTWOODSTACER
JORDAN REZNICK
CRAIG CALDERWOOD
NICKI GREEN
ERI KING
JULIE ZHU
CONNAR WESTON
LAURA BERNSTEIN
LEJLA KALAMUJIĆ + JENNIFER ZOBLE
ANNA GURTONWACHTER
CARLY FREDERICK
SHALA MILLER STAVER KLITGAARD
ASHNA ALI
ERIC DYER
C. CHAPIN
CHRISTINE SHAN SHAN HOU
CHARMAINE BEE
AMIA YOKOYAMA
ANNIK HOSMANN
Ginger is run by Markee Speyer and Jacqueline Cantu. Reach us at gingerthezine@gmail.com.
Summer 2020
1
• • • • • • • • • • •
• • • • • • • • • •
ISSUE 1 ISSUE 2 ISSUE 3 ISSUE 4 ISSUE 5 ISSUE 6 ISSUE 7 ISSUE 8 ISSUE 9 ISSUE 10 ISSUE 11
GRACIE BIALECKI
ISSUE 12
JULIA DUNHAM
EIRINI PAPAEFTHEMIOU
ISSUE 13 ISSUE 14
NP SANCHEZ
ISSUE 15
LIANA IMAM
ISSUE 16 ISSUE 17 ISSUE 18
ANNA CONE
KRYSTA SA
ALLI MALONEY
ISSUE 19 ISSUE 20 ISSUE 21
LANE SPEIDEL
CARLA AVRUCH CLAUDIA GERBRACHT
MARTY MANUELA
CAITLIN WRIGHT
MARIE HINSON
BRIE ROCHELILLIOTT
ALEX VALLS KASIA HALL KATIE MIDGLEY JESSE HEIDER
JENNIFER WEISS LEIGH SUGAR JOEY BEHRENS KAITLIN McCARTHY
LAUREN BANKA
KATHERINE PATIÑO MIRANDA
ANNE MAILEY
LEANNE BOWES
ISA RADOJČIC
KERRI GAUDELLI HAYLEE EBERSOLE
MEREDITH SELLERS
KATIE FORD
DEVIN DOUGHERTY NATASHA WEST
JAN TRUMBAUER HEIDI BENDER
AMANDA LÓPEZKURTZ
COURTNEY KESSEL + DANIELLE WYCKOFF
MADELINE DONAHUE HALA ABDULKARIM JANE SERENSKA
GIMO JENNIFER FANDEL
ASTRID KAEMMERLING + BECCA J.R. LACHMAN
AMBER HOY
CARRIE GREEN
MOLLY SCHOENHOFF
JESSICA LAW TALI HALPERN
ELESE DANIEL
MICHAELA RIFE
KIRUN KAPUR
BRITLYNN HANSENGIROD
ALEXIS CANTU
WOLFGANG SCHAFFER ERICA McKEEHEN
ABBY FRIEND
ELAINE HEALY
LORI LARUSSO
DELILAH JONES LETITIA QUESENBERRY
MEGAN BICKEL
NATALIE EICHENGREEN
JACQUELINE MELECIO
MIMI CHIAHEMEN
JORDAN LANHAM
JULIANA LUJAN
MEGAN SICKLES
NATASHA MIJARES
2
Ginger
JAZZY MICAELA SMITH
ITZEL BASUALDO
ALEX PATRICK DYCK
DEVYN MAÑIBO
MARIA R. BAAB
AGROFEMME
MARIE SÉGOLÈNE
BONNIE LANE
KATHERINE TARPINIAN
DOROTEA MENDOZA
MAKEDA FLOOD
MOLLY HAGAN
OLIVIA JANE HUFFMAN
BIA MONTEIRO JESSICA KIRKHAM
TONI KOCHENSPARGER
CAMERON RINGNESS ISSACHAR CURBEON
VANJA BUČAN
KATRINA SORRENTINO
SAM CROW
MINNY LEE
GROANA MELENDEZ
VERÓNICA PUCHE
ALESSANDRA CALÒ
ARIEL JACKSON
BRIE LIMINARA
ANA GIRALDOWINGLER YI-HSIN TZENG
MARTHA NARANJO SANDOVAL
EEL COSTELLO
KAT SHANNON
LUCA MOLNAR
NANDI LOAF
TRACI CHAMBERLAIN
COURTNEY STONE
IVY HALDEMAN
SOFIE RAMOS
JESSICA PRUSA
SONYA DERMAN
KAITLIN McDONOUGH
HARRIS BAUER
EMMALINE PAYETTE
HANNAH RAWE
MARIA STABIO
NATALIE GIRSBERGER JESS WILLLA WHEATON
VANESSA GULLY SANTIAGO
LEXI CAMPBELL
BIRAAJ DODIYA
MARISSA BLUESTONE
KATIE VIDA KATHARINE PERKO
RACHEL WALLACH KELSEY KEATON
RACHEL ZARETSKY
PAULAPART REBECCA BALDWIN
ENA SELIMOVIĆ
LEIGH RUPLE LA JOHNSON JESSICA WOHL
SARA LAUTMAN
MAYON HANANIA
MOLLY RAPP
EMILY ROSE LARSON
ELIZABETH SULTZER
IRENE CAVROS
INDIA TREAT
TYLER MORGAN
TIFFANY SMITH
LEYLA TULUN
MARIA NIKOLIS
RACHEL KANN
BECKY BRISTER LINDA STONEROCK
PRIYANKA RAM
HERMIONE SPRIGGS
LAURA COOPER
ERIN MIZRAHI
ASHLEIGH DYE B. NEIMETH
SOFIA PONTÉN
DEENAH VOLLMER
NATALIE BAXTER
JOLENE LUPO
KATE WHEELER
FREDRIKA THELANDERSSON
ULRIKE BUCK
ANNELIE McKENZIE
KRISTINA HEADRICK
LAURA McMULLEN
HANNAH MCMASTER
RACHEL BRODY KATHLEEN GRECO
DEBORAH DAVIS
CATHERINE AZIMI
ALYCE HALIDAY MCQUEEN
Summer 2020
3
Issue 21 contributors Paradise Khanmalek ................. Connar Weston ......................... Heather Lynn Johnson ............. Alessandra Calò ........................ Elese Daniel ............................... GIMO ......................................... Katherine Patiùo Miranda ........
PAGE 07 PAGE 11 PAGE 17 PAGE 24 PAGE 31 PAGE 36 PAGE 41
A note from the editors
On the cover: I Hate The Way You Love Me 2, 2018, by Heather Lynn Johnson
Ginger's mission is to create a diverse, intersectional publication and to support the artists we feature. In light of the murder of George Floyd, which has sparked over 40 days (at the time of publication) of ongoing protests demanding justice for racial inequality in the United States, this is more important than ever. Though this issue of Ginger may have fewer pages than normal, we are so in awe of our contributors were able to make space for our publication during a time of such active protest. A zine built through recommendation can lead to homogenous demographic representation. While we have always encouraged our contributors nominate womxn of color, queer womxn, and trans, NB and GNC people, we are now more actively seeking out these contributors to make Ginger an equitable, rather than equal, playing field. We're also working on ways in which we can provide support to the Ginger community at large and create pathways to directly support our Black contributors. Networked Feminism is Intersectional Feminism! JACQUELINE + MARKEE
Summer 2020
5
Paradise Khanmalek
Summer 2020
7
PARADISE KHANMALEK
eggy curd cream clouds brush against my fuzzy face. Springy taps crunch sound into the thick orange air. Oily violin sounds spiral into my open ears. A human smile creeps shy and slow on my face. Cool blue bursting bubbles breathe flowery gasps in my rib cage. Pluck a perfect finger across a trembling chord. Stems smell green and pungent. Aroma mutters breathy existence into my nose. Clicking piano streams sing melody deep into my woody ears. Sharp stinging song. Long humming bird feather creak. Clotted sounds ink drop wine splatters into a lovely chorus. Popping flower beaks sprinkle pollen all around, coating our feet. Saffron clouds dust light delicious feelings into our minds. A chirping sun nips at my bristling neck. Hot pink rays tickle my skin. Every orange breath hits my hollow wind chime lungs like a drum. Life beads drop down my earthly string one at a time, clinking with every kinetic kiss.
8
Ginger
PARADISE KHANMALEK
People exist, tipping lava glasses into the fumbling green ocean. Salt steam crackles up, tearing the air. Blinking wet eyes feel the salty sting on the coast. Tempting pomegranate savory stew cools into a thick paste we eat with rice and barbeque chicken. Oily fingers drip drops onto thick paper plates. A big round sun clutters behind the rubber tree. Chatting cousins giggle and roar, proud confused playful darting anxious eyes. Human buzzing. Feet clapping dust tremors. Happy beards hug munching mouths. Black bean puddles pool around potato salad mounds. Hot pita licks finger tips.
Paradise Khanmalek is a visual artist, writer, and graphic designer exploring science fiction, color theory, the fabric of reality, and the sensual richness of our world through digital and mixed mediums. Their general interests include science, cultural analyses, delicious food, and nature. They are Iranian American and from Los Angeles, California, where they currently live and reside.
Summer 2020
9
Connar Weston
Farm Subsidies are Still Welfare, 2019, oil on canvas, 54" x 44"
Summer 2020
11
CONNAR WESTON
12
Ginger
CONNAR WESTON
Orwell, 2020, oil, charcoal, graphite, cold wax, modeling paste, and plaster on canvas, 60" x 72"
Summer 2020
13
CONNAR WESTON
Gorgons: Girls Come in Threes, 2019, oil on canvas, 72" x 60"
14
Ginger
CONNAR WESTON
An ‘87 Ford Cortina, 2018, oil on canvas, 56" x 60"
Weston is a painter from Bridport, Vermont who received a BFA from the Rhode Island School of Design in 2020. She currently resides in New England and creates work which focuses on the re-contextualization of traditional Americana. Weston exhibited in 2015 at the Feick Arts Center in Poultney, Vermont as well as Providence, Rhode Island at both the Memorial Hall Gallery and the Gelman Gallery from 2017-2020. connarweston.com @connarweston
Summer 2020
15
Heather Lynn Johnson Selected works from I Owe You Nothing: How to be Black and Free
I’m calling my soul back Back from between your legs Back from under your feet.
I Hate The Way You Love Me 3, 2018, photo collage
Summer 2020
17
HEATHER JOHNSON
HOT COMB [A metal comb that is heated by placing it directly on a source of heat, or can be electronically heated, and used to straighten coarse or curly hair from the roots.]
Sundays spent on kitchen floors Hot combs and baby hairs that sizzle “Sit still,” grandma would say Or you gonna get burned My perceptions skewed By history books And grandma Stoves that ping When the fire gets hot The smell of hair fire hot Stick-straight until the first bath Let me get this kitchen Grandma would mutter Head bent forward Breath held Waiting for the heat From that comb with teeth so tiny Female friendly fire Grandma and her hot comb She would run the hot comb over my edges That first touch of heat against the back of my neck Hisss, tsssss the sound of knots in my kitchen being smoothed down
18
Ginger
This was a generational thing Every female in my family Got use to the idea of pain early That pain is part of being black Grandma would say. That pain is part of being a woman Grandma would say. Sometimes the heat got too hot But, we was born of fire Ashes to ashes Became my brother Ashes to ashes Became my sister We mulched your toxins We laid down in your fields And grew into flowers While you sprinkled your seed on Virginal ground that didn't belong to you If the world does nothing, did we ever exist? Sundays spent on kitchen floors Breathing in fire and exhaling flowers I mulched and ate my own toxins I sweated out the reasons for why not Which made knots in my kitchen Knots that even grandma's hot comb couldn’t straighten out.
HEATHER JOHNSON
Golden Child, After Basquiat series, 2019, oil on canvas
Summer 2020
19
HEATHER JOHNSON
HOW TO BE BLACK AND FREE (In honor of Amiri Baraka)
Fear is the negros only adversary Fear robs niggas at knife point In broad daylight Fear keeps the whites on their side of the street And the people of color on another. It’s the “Look, a negro! Mama, see the negro! I’m frightened!” Fanon type of fear That shoots my brother in the back Or handcuffs my baby girl Or murders my lover Then calls her a man in a skirt Fear makes me better than you Fear makes you think you’re better than me Fear makes me black and you light-skinned Fear makes institutions police my hairstyle Fear makes money for those who are afraid to end up like me
Fear keeps me out of your bathrooms Fear keeps me in closets Fear keeps me out of castles and moves me to Canada Fear keeps me locked in prisons for selling weed Even now when it’s legal Fear kills my leaders and visionaries while yours get monuments Fear of a black planet Fear of the browning of America Fear enslaves Fear subjugates Fear empowers weak minds to do weak things Fear is what grounds me Fear makes me an American amongst other Americans The America that is home to the free I’m afraid. I’m afraid I’m afraid I’m afraid Put that on repeat and Add Drake to the hook
Fear makes me gender non-conforming Fear gentrifies our ghettos Fear gives me ¢.65 to your dollar Fear is my light and your salvation Fear makes:
Fear of dying. Fear to be alive. Fear to speak Fear to trust Fear fear fear fear
The coronavirus, AIDS, Ebola, bird flu, flesh eating bacteria, Mexicans, the Chinese, bat soup, Muslims, atom bombs, North Korea, acid rain, holes in our ozone layer, climate change, terrorism and carbs.
I’m afraid that I’ll never be heard But most of all I’m afraid of the reasoning mind
Whom shall I fear today FOX News, ABC, CNN, NBC, CBS? Huh. Whom shall I fear today?
20
Ginger
Sometimes I whisper “I’m afraid,” to no one in particular Or in a crowded room
HEATHER JOHNSON
I’m afraid of good ole boys I’m afraid of white people with fire arms I’m afraid of the cops I’m afraid of the kkk I’m afraid of the Trumps and the Bushes I’m afraid of that guy standing on the corner I’m afraid of that sexy woman with box braids I’m afraid that she won’t love me I’m afraid that I’m not enough I’m afraid of falling in love I'm afraid of never finding love I'm afraid of losing my job, my disability benefits, health insurance I’m afraid of being alone I’m afraid of the silence that comes at 2am. And silence is afraid of me. To be Black and free is to Start with knowing That this is not your father’s house This is not your father’s home In his home all bodies belong to him And I give my black body freely But you can’t have My wings That grow on trees And flutter against The sky to catch my fall Young black and freeFalling Hurt is hurt is hurt is hurt But up here we are free Up here we are free Up here we are free.
I Hate The Way You Love Me, 2018, photo collage
Summer 2020
21
HEATHER JOHNSON
NEVER KNOW
Wear the mask that all black people carry The expression that says Neither here, nor there Yes and no. If I cared, y’all would never know.
Virgin Mary, 2019, collage on paper
Heather Lynn Johnson is a poet, artist and a performer living in Brooklyn. She is currently a fellow at the Leslie-Lohman Museum, author of The Survival Guide For Queer Black Youth (Inpatient Press, 2017), and the 2017 literary fellow for the Queer|Art|Mentorship program. Johnson's work is characterized by its lyricism and cultural critique. Her formal approach to the narrative, whether visual or poetic, is distinguished by her willingness to lay bare her own existence. She is working on her next book of poetry I Owe You Nothing: How to be Black and Free. Johnson received an MFA from the Rhode Island School of Design. @heatherjmet
22
Ginger
Alessandra Calò Kochan
K
ochan is a reflection on gender identity. The work highlights the act of understanding of one’s own body and desires, something that remains essential for every woman considering that, in today’s world, the female identity is still defined by a socially subordinate position, disconnected from a woman’s needs, and constrained by moral obligations and social conventions. Through the self-portraits, the artist does not shift her gaze outward, but focuses on the role of her own body, comparing it to a territory to explore. Through that exploration we see that the search for one’s self is a journey through (sometimes) unfamiliar territory, without precise coordinates, that seeks and finds space, asserting the possibility of a different and more conscious way to exist in the world. The works use double photographic exposures on ancient archival maps recovered from the New York Public Library. They trace a possible connection among the transformations related to emancipation—political and sexual—characteristic of two “territories” so differents, yet so similar.
24
Ginger
ALESSANDRA CALÃ’
Summer 2020
25
ALESSANDRA CALÃ’
26
Ginger
ALESSANDRA CALÃ’
Summer 2020
27
ALESSANDRA CALÃ’
28
Ginger
ALESSANDRA CALÒ
Alessandra Calò works and lives in Reggio Emilia, Italy. Artist and photographer, she has been experimenting from the beginning of her career the use of new languages that allow her to deepen her grasp of themes related to memory, identity, and to the language of the photography itself. The dominant theme in her work is “recollection”: a state of mind combined with reality and not simply a nostalgic evoking of the past. She is passionate about old print photographic processes (silver salts, Van Dyke Brown, Cyanotype). She has participated in internationals residency, exhibitions and festivals such as Circulation(s) festival de la jeune photographie européenne (Paris), Les Rencontres (Arles), Fotografia Europea (Reggio Emilia), Open House (Rome). She has realized several self published photobooks and some of her artworks have been published in specialized magazines and acquired in private collections, foundations and museums. alessandracalo.it Facebook: thesecretgardenproject Instagram: alessandra__calo
Summer 2020
29
Elese Daniel Four Poems
s w e l l
after the Kavanaugh Supreme Court Hearings
staring at the five tomatoes i’ve harvested from outside my apartment / in tahirah’s old plastic pot / windblown from the second floor fire escape / thinking about all the water chris and i filled / from the tub faucet and poured into the dirt / for the fruit in my palm at some point in the summer / i abandoned the garden / let stalks fall over with their weight dragging against the patio cement / leaves brushed by bodies / and bags of trash collected from the upstairs neighbors i sometimes thanked the sky for remembering the effort / chris too / but today / i am fisting five tomatoes with a headful of men / shouting and throwing their hands about / until they collide into desks or a past / they’ve since erased / or around a voice / a truth / a woman / and questioning / whether or not to squeeze
Summer 2020
31
ELESE DANIEL
i made a pie
and ate it from the center on Mark’s birthday the three of us with forks bodies splayed across his living room floor half-interested in Independence Day which we watched through the large front window of the house — tv/vhs combo turned toward us from the porch. Chris lived in Chicago still and i kept driving up with some baked good (or some thing for somebody) who made me feel whole, if only for a weekend. the last time i saw those floorboards and that porch Kelly offered me cut sunflowers and had already broken Mark’s heart (or he hers). i let the sunflowers live in the windshield of my truck for a year until someone stomped through it.
32
Ginger
ELESE DANIEL
( i still live here ) i keep writing the same line in different ways essentially asking
how much more will we age
anyway
… hiatus ...
* lays beneath an unmarked pile of rocks in an overgrown alleyway *
says, “ I am ---
trying
too hard
to remain
soft. ”
Summer 2020
33
ELESE DANIEL
(i stay up late watching a docuseries about cults)
Elese Daniel has a chaotic habit of writing and performing poetry. She seeks presence and progress. Not often published conventionally, her work has ghosted as lyrical text for choral and music compositions and scaled the walls, windows, and floors of galleries. She has upcoming exhibitions at the Weston Art Gallery this Summer/Fall 2020 and poems in Dinner Bell Magazine. Elese lives in Cincinnati, Ohio and rides a bicycle in the street. @_____trying
34
Ginger
GIMO
Everything You Give Is Life
36
Ginger
GIMO
Interplanetary Vacancy
Summer 2020
37
GIMO
Sorry For Cryin'
38
Ginger
GIMO
Intertwined
GIMO is a non-binary/queer Mexican-American fine artist from Chicago, IL. Now currently based in Los Angeles, CA. Their work explores all forms of identity, gender constructs, the subconscious, metaphysical understanding of time and space, surrealism, and psychological epiphanies through detailed self-portraits. They have shown their work in renowned DIY spaces, salons, and cafĂŠ establishments in Chicago, Peoria, Kansas City MO., and Los Angeles. They attended and studied fine arts at The School of the Art Institute of Chicago and Illinois State University.
Summer 2020
39
Katherine PatiĂąo Miranda Practice 62. (The Expanded Field)
Where does a painting start or end? Cooking black beans Eating them Making ink with them Painting with them Sprouting them I become one with my painting Time is my canvas Creating layers of color in the form of Leaves, flowers, cells and beans
Black beans, flower pot, frame, water, sun rays, air, time; Video, Digital C-Print, artist's frame; Diverse sizes; 2020
Summer 2020
41
KATHERINE PATIÑO MIRANDA
42
Ginger
KATHERINE PATIÑO MIRANDA
Summer 2020
43
KATHERINE PATIÑO MIRANDA
Katherine Patiño Miranda’s art honors living forms. Her works, which she calls practices, are time meditations always in the process of becoming dealing with cycles of life and decay and the interdependent relationship between the human and non-human. Born in Cali, Colombia and based in Brooklyn, her works, merit awards and residencies include HnC MANIFESTA11 in Zürich ,Kate Oh Gallery in NY, III Biennale DESDE AQUÍ in Colombia and El Centro Rural de Arte, Argentina to name a few. She holds a BA from Hunter College and an MA from Zürich University of the Arts. katherinepatinomiranda.com @katherine_patino_miranda
44
Ginger
Ginger gingerzine.net