Giselle penny architectural portfolio

GISELLE PENNY ARCHITECTURAL PORTFOLIO

Q U T - 2ND / 3rd Y E A R A R C H I T E C T U R A L D E S I G N - S O N A R E P 2 0 1 4 EXPERIENCE AT COLLARD MAXWELL ARCHITECTS

PORTFOLIO CONTENTS Personal Information Design Philosophy Architectural Design 4 Architectural Design 3 Architectural Design 2 Architectural Documentation Visual Art SONA Representative Stop-Motion Film Making

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PERSONAL INFORMATION

EXPERIENCE

SKILLS

ACADEMIC

Giselle Penny Queensland University of Technology Contact Details M- 0422 899 593 E - giselle.penny@hotmail.com Linkedin: https://www.linkedin.com/pub/ giselle-penny/71/116/59 Fine Art: gisellepenny.tumblr.com

Bachelor of Engineering University of Queensland (first year) 2012.

Adobe Photoshop Google Sketchup Autodesk Revit 2014 Adobe InDesign Hand Drawing and Rendering Handmade Architectural Models

Dean’s List for Excellent Academic Performance Semester 2 2013 Semester 1 2014

Student Roles: SONA Representative for QUT 2014.

Executive member of Architects Anonymous Student Society QUT 2013, 2014.

Secretary for 2015.

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Bachelor of Design (Architectural Design) at Queensland University of Technology 2013-Current.

Worked for Collard Maxwell Architects Dec 2013 - Feb 2014 and Currently.

Contact: Charles Fortin 0432 916 799 Current Employee at Hands on Art, Brisbane Contact: Jeff Cheyne 0409 929 946

Current GPA 6.286

ARCHITECTURAL DESIGN PHILOSOPHY A poetic interpretation of life manifested into an aesthetically stimulating, purposeful and thoughtfully constructed architectural structure which inspires and evokes positive change in those who experience it.

A building should be timeless and have a soul. The connections to those who perceive it, live in it and pass through it are what make a building.

An intelligent integration of high density design for a sustainable future for our built environment, and vernacular architecture which maximises natural ventilation, natural lighting and belongs to its environment.

Materials are what truely make a building. Tactile surfaces, craftsmanship and intelligent use of materials are the physical realisation and true architecture.

A need to understand and appreciate life and human behaviour in order to create architecture that allows this life to reach its fullest and truest potential.

Ideas are simple, yet significant.

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ARCHITECTURAL DESIGN 4 -

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STOPMOTION , DIFFRACTION OF LIGHT AND VARIATIONS IN POROUS FORM AND MATERIALITY // A FILM STUDIO AND CINEMA ON SURFER’S PARADISE

MOUNTAINS OCEAN

PLANNED

CULTURAL

PRECINCT RIV ER EDGE ACTIVITIES AND RESTAURANTS

FERRY WARF

BEACH SIDE SEATING

FERRY CONNECTION

CAVILL

AVENU

E

ROOFTOP PARK

SPORT AND RECREATIO N

RIVER EDGE

URBAN 1:

PART 1 SITE ANALYSIS OF S U R F E R ’ S P A R A D I S E IN THE FORM OF A SHORT FILM. S T O P M O T I O N TRANSFORMED THE BUILT ENVIRONMENT INTO A HYPERAWARE SUBCONCIOUS. PART 2 THE BUILDING ENVELOPE BROUGHT LIFE AND LAYERS. PART 3 THE SITE CHOSEN TAKES ADVANTAGE OF ACTIVE EDGES AND CONNECTS EXISTING AREAS WHICH CURRENTLY LACK ACCESS AND REALISATION. MOVEMENT PAST THE BUILDING IS AT THE FOREFRONT OF DESIGN DECISIONS TO CREATE AN ACTIVE CULTURAL COMMUNITY. DIFFRACTION OF LIGHT AND STOP MOTION TECHNIQUES CREATE A UNIQUE ARCHITECTURE.

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MATERIALISING THE PHENOMENA OF DIFFRACTION OF LIGHT AND DISINTEGRATION CINE OF CINEMATOGRAPHY MATTER.

URBAN CONTEXT

ROOF PLAN 1:500

MOUNTAINS OCEAN

PLANNED

CULTURAL

PRECINCT RIV ER EDGE ACTIVITIES AND RESTAURANTS

FERRY WARF

BEACH SIDE SEATING

FERRY CONNECTION

CAVILL

AVENU

E

ROOFTOP PARK

SPORT AND RECREATIO N

RIVER EDGE

URBAN SCHEME 1:2000

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GISELLE PENNY N8796611 ARCHITECTURAL DESIGN 4 - 2014 HARM HOLLANDER

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8

9

5

10 11

3

13

12 15

2

1

6

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1 ROOFTOP BAR AND LOOKOUT 2 CIRCULATION SPACE 3 LONGITUDINAL CORRIDOR 4 OBSERVATORY POINT 5 STAIRS DOWN TO LEVEL 1 6 ELEVATOR S 7 FIRE STAIRCASE 8 OBSERVATORY PLATFORM 9 STAIRS UP TO LEVEL 2 10 STAIRS DOWN INTO CINEMA 11 CIRULATION SPACE 12 OPEN CINEMA SEATING SPACE 13 OUTDOOR STAIRD TO PARK CINE 14 CINEMA FOYER 15 ENTRANCE CORRIDOR

7

7

6

LEVEL 2 FLOOR PLAN 1:200

LEVEL 1 FLOOR PLAN 1:200

GISELLE PENNY N8796611 ARCHITECTURAL DESIGN 4 - 2014 HARM HOLLANDER

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15

13

16 12

17 20

26 25

29

27

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21

18

22

FLOORPLANS

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19

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12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30

TOP OF CINEMA PATH PROJECTION ROOM POST SOUND EDITING POST FILM EDITING ENTRANCE SPACE TO CINEMA STUDIOS FOOTPRINT OF EXTERNAL STAIRS F FOYER SPACE SHADING TO KITCHEN AND OFFICES COURTYARD OPENING EXTERNAL SCREENING SEATING ELEVATOR FIRE STAIRCASE PRIVATE FILM VIEWING SLOTS CINE CINEMA SCREEN 300-SEAT CINEMA CAPACITY FEMALE TOILETS MALE TOILETS PWD TOILETS EXTERNAL SCALLOPED SEATING AREAS

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23

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MAJOR FLOORPLAN

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8

ARCHITECTURAL DESIGN 3 -

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EXPEMPLAR ANALYSIS OF KENGO KUMA SHAPES THE IDEAS FOR A HOUSE AND STUDENT COMMUNE IN KELVIN GROVE, BRISBANE.

MATERIAL IS DETERMINED BY PLACE DETAIL IS CREATED BY MATERIAL FORM IS THE RESULT OF DETAIL

WEARABLE ARCHITECTURE

INSPIRED BY T H E G R E A T B A M B O O W A L L HOUSE BY KENGO KUMA

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THE NOW HOUSE

INSPIRED BY K E N G O K U M A “SHADOW IS SPIRIT”

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O R I E N T A T I O N, P O S I T I O N I N G, P L A N N I N G , F O R M AND D E T A I L I N G ALL DESIGNED TO OPTIMISE THE EXPERIENTAL AND SPATIAL QUALITIES OF S H A D O W.

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STUDENT COMMUNE

INSPIRD BY THE EXPERIMENTATION OF L I N E IN SIGHT, MOVEMENT AND STRUCTURE

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STUDENT COMMUNE FOR ARCHITECTURE STUDENTS INSPIRED BY MATISSE’S LINE DRAWINGS AND THE IDEAS OF LINE WITHIN ARCHITECTURAL DESIGN.

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ARCHITECTURAL DESIGN 2 -

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H E R O I C AND H U M B L E SPACES COMBINE TO FORM A M U S E U M O F M U S I C WITHIN THE SHELL OF AN EXISTING BUILDING ON EDWARD ST, BRISBANE CITY.

PART 1 - HEROIC AND HUMBLE, SPERATE. PART 2 - HEROIC AND HUMBLE, COMBINED. PART 3 - HEROIC AND HUMBLE COMBINED WITHIN THE SHELL OF A PRE-EXISTING STRUCTURE. OPPOSING AESTHETICS AND EXPERIENTAL REALISATIONS ARE SUCCESSFULLY FUSED BY CONSIDERED INSERTION.

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17

LONGITUDINAL SECTION

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ARCHITECTURAL DOCUMENTATION -

4.

5

R E V I T ARCHITECTURAL DRAWINGS OF ARCHITECTURAL DESIGN 2 MUSEUM OF MUSIC

26

3

15 76 81 RP

L

2

E

64 22 63

0 T4 LO

2.

5

7

IX

5 6.

F

T LO T2 LO

14 01 14 SP

3.

5

4

169

GISELLE PENNY N8796611

197

S

6

T

5.

5

5A 18

T LO

133 67

E N

58 29 18 RP

P C

264

E

5

R L N

T LO

W

2

3 90 56 RP

0 50 28

A

74 00 20 RP

째 42

R T

Y TR EN 4" 5'2 8째 13 at

S

DATUM

6'' 8'3 째4 42

T LO

00 93

D

47

at

4

41 90 12 91 CP

M

A

R

G

A

R

E

T

S

T 5

at

51

D

50

0 50 28

SS CE AC

E

T LO

1

3 90 56 '' '36 RP 48

LE HIC VE

T LO

5 4.

4

07 37 18 RP

4" 5'2 8째 13 IT at EX

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60

T LO

00 93

82 29 11 SP

4.

5

1

53 10 RP

S

T LO

1

0.5 CONTOUR EXISTING STRUCTURES SITE BOUNDARY AND BUILDING FOOTPRINT

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EXISTING TREES SEWERAGE LINE WATER LINE 65/46

77/46

46 4

T2 LO

ELECTRICITY LINE

6 00 12 SL

MUSEUM OF MUSIC

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65/46

SITE PLAN 76/46 Date

58 29 18 RP

40

Drawn by

240

0 T3 LO

81 79 13 SP

Checked by

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SITE PLAN

OCTOBER 2014 GISELLE PENNY CHRIS BOWERBANK

A102

NORTH

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PROJECT NUMBER 2

Scale

24/10/2014 4:57:14 PM

T2 LO

Project number

9300

1 A107

135 2685

1050

2210

1300

DATUM: 0.00

1120

1965

6700

135 1300

9

3275

1

EXISTING MASONARY FRONT FACADE

1620

D1

FFL:+300

GLASS CURTAIN WALL

3140

A105

EXISTING STREETFRONT CONCRETE PAVEMENT

3515

1655

FFL:0.00

ENTRANCE CONCRETE PAVEMENT

8

450

FFL:+300

FOYER 3390

CONCRETE WITH TIMBER FINISH

3825

EXISTING DOUBLE BRICK MASONARY WALL 270

STRUCTURAL CONCRETE COLLUMN 300X450

9505

450

7

EXHIBITION SPACE

TIMBER FLOOR FINISH

4000

19725

3550

CONCRETE WITH TIMBER FINISH

450

6

STRUCTURAL STEEL IBEAM 300X450 SUPPORTED

BY CONCRETE COLLUMNS

1100 23210

FFL:+300

14

4

13 12

6

11

7

10

19 X 190 RISERS 19 X 250 TREADS

9

-

8 6

12

5

13

4

16 X 190 RISERS 16 X 250 TREADS

3

14

-

7

11

4060

4500

STRUCTURAL STEEL I-BEAM 150X200 FOR STAIRCASE SUPPORT

CIRCULATION VOID

9 10

5

7865

3 5

8

1 A106

2

15

1 DN

16

FFL:+300

17 18

4

450

19 FFL: 3800

CONCRETE PRE-CAST ELEVATOR SHAFT 2110

3480

3930

D2

SINGLE ELEVATOR BASEMENT 1 TO LEVEL 5

EXHIBITION SPACE

W2

2 125

D1

450

W2

2635

450

3

2185

5705

TIMBER FINISH

LANEWAY EXIT

4010

OUTDOOR ENTERTAINMENT SPACE

3785

EXISTING MASONARY BACK FACADE 3635

-

8150

-

15

3625

STRUCTURAL STEEL IBEAM COLLUMN 150X200 FOR STAIRCASE SUPPORT

2

450

1UP

29985

1100

4010

3545

900 RAILING ROUND 40 HANDRAIL

CONCRETE PAVEMENT

EXISTING BACK LANEWAY CONCRETE PAVEMENT

1300 470 300

6700 -

2055 2315

300

3285

1

1300 6505 300

1945

300

9030

430

3585

B

2245

C

430

D

N O R TH

A

2615

9300

FIRST FLOOR PLAN

20

29985

9

8

7

6

5

4

3

2

1

1

3515

3825

4000

4010

A106

4060

3930

2635

4010

ROOF FFL: +25115

5315

5MM ALUMINIUM SHEET ROOF 30째 ROOF PITCH

1505

900 STEEL RAILING ROUND 40MM HANDRAIL

300X300 STEEL COLLUMN

HUMBLE SPACE

2110

ROOF TOP BAR

CONCRETE ROOF-TOP FLOOR WITH CERAMIC TILE FINISH

PERFERATED STEEL CURTAIN WALL

5900

LEVEL 6 FFL: +19800

600X300 STEEL COLLUMN 900 STEEL RAILING ROUND 40 HANDRAIL

RESTAURANT EXISTING STREET FRONT FACADE DOUBLE BRICK VENEER

3000

150X200 STEEL I-BEAM HUMBLE SPACE SUPPORT BEAMS

500X280 STEEL I-BEAM

CONCRETE RAMP LEVEL 5 TO LEVEL 6 4950

LEVEL 5 FFL: +16800

5730 8330

EXISTING DOUBLE BRICK VENEER AJOINING WALL W2

3600

EXISTING FACADE WINDOWS W5 STRUCTURAL COLLUMNS PRESS DOWN ON COUNTERLEVER CONCRETE

6180

6180

CIRCULATION

CONCRETE ARCH ROOF-SUPPORT COLLUMN

120 GLASS PANEL RAILING

VIEWING DECK

1020

2800

115X115 HANGING STEEL COLLUMNS FROM SLAB

W2

900 RAILING ROUND 40 HANDRAIL

LEVEL 3 FFL: +10400

620

220 PRE-CAST CONCRETE FLOOR TIMBER FLOOR FINISH

170 CONCRETE WAFFLE SLAB CERAMIC TILE FINISH 180X280 STEEL I-BEAM ADDITIONAL DECK SUPPORT

W2 W2

EXHIBITION SPACE

1

350X700 CONCRETE COLLUMN COUNTERLEVER STRUCTURE

A108

2800

300X400 CONCRETE STRUCTURAL COLLUMN

LEVEL 4 FFL: +13200

350 CONCRETE SLAB COUNTERLEVER

W2

EXISTING FACADE WINDOWS

LEVEL 2 FFL: +7600

300X450 CONCRETE STRUCTURAL COLLUMN

W2

EXHIBITION SPACE

2800

7890

INTERIOR CURTAIN WALL 30MM PLY

900

W2

35915

EXISTING FACADE DOUBLE BRICK VENEER

LEVEL 1 FFL: +3800 240X400 STEEL I-BEAM

EXHIBITION SPACE

150X200 STEEL I-BEAM STAIRCASE SUPPORT STRUCTURE

D1

D1

3500

240X400 STEEL I-BEAM

FOYER

ENTRANCE

150X200 STEEL I-BEAM COLLUMN STAIRCASE SUPPORT STRUCTURE GROUND FLOOR FFL: +300

EXHIBITION SPACE

BASEMENT 2 FFL: -2700

EXHIBITION SPACE

D5

STAFF OFFICE SPACE

300X300 PRE-CAST CONCRETE PILONS 9670

7830

9205

20

300

3970

300

3620

300

3710

300

3760

300

3630

300

2335

300

3550

310

1315

2955

1315

2605

1315

2695

1315

2745

1315

2615

1315

1320

1315

2535

1315

500

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LONGITUDINAL SECTION

6100

4730

CAST-IN-SITU CONCRETE SLAB EDGE

1000X1300 CONCRETE FOOTING

BASEMENT 1 FFL: -5700

300 400170

400 REINFORCED CONCRETE SLAB CAST IN SITU

3000

TOILETS

2830

170

EXHIBITION STORAGE

3000

TOILETS

2700

130 170

EXIT

FOOTINGS -11800

7

6

A111

1900

A111

A

940

150

3000

50MM TOILET PARTITIAN LAMINATE FINISH

2210

A111

195X2135MM OUTSWINGING TIMBER DOOR AND FRAME

3

A111

D5

2135

895

FW

2830

915

A111

3000

A111

915

2

WB

625

225 505 1625

7 A111

695

150MM CONCRETE FLOOR SLAB

50MM TOILET PARTITION LAMINATE FINISH 1

3000

20MM TIMBER FLOOR FINISH

A111

WC

Basement 2

15020

Basement 2 20MM TIMBER FLOOR FINISH 150MM CONCRETE FLOOR SLAB

6

280MM CONCRETE CAST-IN-SITU BASEMENT WALL CERAMIC TILE FINISH

50MM TOILET PARTITIAN LAMINATE FINISH

40MM DIAM STAINLESS STEEL HANDRAIL 620

CERAMIC TOILET BOWL FLOOR WASTE

B

Basement 1

170MM CONCRETE FLOOR SLAB WITH CERAMIC TILE FINISH 140

1925

115115

100

1850

6

7 A111

Basement 1 0

165

2065

SECTION 6

SECTION 6

A111

6

7

A111

A111

A

Basement 2

Basement 2

Basement 2

3000

3000

3000

3000

1900

ELEVATION 1

790

1075

2135

2210

260

Basement 1

Basement 1

Basement 1

0

0

0

0

170

Basement 1 170

170

305

480

2210

290 1145

3000

2830

2830

75

620

790

170

Basement 2 170

170

505

1625

AMBULANT TOILET FLOOR PLAN

A

85

170

330

670

170MM CONCRETE FLOOR SLAB WITH CERAMIC TILE FINISH

0

170

A

15020

85

4

1625

550

ELEVATION 2

75

915

ELEVATION 3

BATHROOM DETAILS

85

5050

1850

165

ELEVATION 4

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A R T

23

A R T

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ALTHOUGH THE PROCESSES AND OUTCOMES OF ART ARE PERSONALLY EXTREMELY ENJOYABLE AND REWARDING - I HAVE FOUND THAT ARCHITECTURE TAKES THIS A STEP FURTHER BY PROVIDING A TANGIBLE SATISFACTION THROUGH BOTH SUBSTATIAL AND SUBTLE DESIGN DECISIONS. THESE DECISIONS ARE THE RESULT OF PROBELM SOLVING THAT IN TURN CREATES INSPIRATIONAL HABITABLE ENVIRONMENTS.

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SONA

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S O N A IS THE STUDENT ORGANISED NETWORK FOR ARCHITECTURE - THE STUDENT BODY OF THE AUSTRALIAN INSTITUTES OF ARCHITECTS A I A. EACH UNIVERSITY ACROSS AUSTRALIA HAS A REPRESENTATIVE TO ORGANISE EVENTS, TALKS AND COMPETITIONS TO BRIDGE THE GAP BETWEEN UNIVERSITY AND INDUSTRY PROFESSIONALS.

ONE : ONE A COLLABORATION OF STUDENTS AND PROFESSIONAL ARCHITECTS DESIGNED AND CONSTRUCTED INSTALLATIONS AND FURNITURE AT A SCALE OF ONE : ONE IN ONE DAY WITH SALVAGED MATERIALS. CONCLUDING THE DAY THE STUDENTS AND ARCHITECTS SOCIALISED AND EXHIBITED THEIR CONSTRUCTIONS TO THE PUBLIC. HELD AT “THE SUBSTATION,” HANDS ON ART, BRISBANE.

SUPER STUDIO ABEDIAN SCHOOL OF ARCHTIECTURE THE NATIONALLY RUN 2 4 H R D E S I G N C O M P E T I T I O N HELD AT THE BOND UNIVERSITY’S ABEDIAN SCHOOL OF ARCHITECTURE. TEAMS FROM THE FOUR QUEENSLAND UNIVERSITIES COMPETED ALONGSIDE IN A FAST-PACED TEST OF DESIGN SKILL, TEAM WORK, TIME MANAGEMENT AND CREATIVITY TO PRESENT AN INTELLIGENT, INNOVATIVE RESPONSE TO THE UNIQUE BRIEF WRITTEN BY NICHOLAS SKEPPER AND ZUZANA KOVAR.

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STOP-MOTION F I L M MA K I N G

“H O T A N D B O T H E R E D - OLD STATE LIBRARY” https://www.youtube.com/watch?v=wG5ZD3O2QQg STOP MOTION SHORT FILM. ENTRY TO HOT-MODERNISM EXHIBITION RUN BY THE QUEENSLAND STATE LIBRARY 2014.

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ARTICLE AVAILABLE - http://issuu.com/thedubdesigners/docs/dzine_issue_5_materiality

S T O P M O T I O N A N I M A T I O N IS PERSONALLY A RECENT CREATIVE INFATUATION, GIVING A PHYSICAL AND TANGIBLE QUALITY TO FILM THROUGH THE MANIPULATION OF STILLS. THE OLD FASHIONED PROCESSES CREATE AN A N O L O G U E ANIMATION, RESULTING FROM THE HANDCUT CHANGES TO THE PHYSICAL FRAMES OVER TIME. “ H O L D I N G “ A FRAME AND THE REALISATION OF ITS CHARACTER RESULTS IN ITS ANIMATED L I F E.

D U B D - Z I N E PROMOTIONAL VIDEO

https://www.youtube.com/watch?v=ftpm2Lf7ILU

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THANK YOU