giulia zucchiatti | architecture portfolio

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a r c h i t e t t o

a rc h ite c t u re po r t f olio

EDUCATION Esame di Stato, Sezione A - Architetto Abilitazione all’Esercizio della Professione di Architetto

2016 2012 2015

Master Degree in Architecture Politecnico di Milano vote 109/110

Erasmus Program Universidad Europea de Madrid

2012 2013

Bachelor Degree A in Architecture Politecnico L I di Milano

2009 2012

U 105/110 vote

TI AT I H G I U L I A C U CScientific High School Diploma Z Istituto D’Istruzione Superiore “Cremona”, Milano Z U CA C H I A T T I vote 78/100 L I I I U TT G HIA C C INTERNATIONAL WORKSHOPS ZU G

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I am a young architect who recently graduated from Politecnico di Milano with a thesis called “Milano Progetto Brera. Nuovi spazi per la Pinacoteca e il Museo dell’Accademia” (Milan, Project Brera. New Spaces for the Pinacoteca and Museo dell’Accademia).

Raised in a family of artists I have always been attracted to all forms of art (especially photography and graphic design). This background has never been cast aside during my architectural studies, thereby developing interdisciplinary knowledge that enables me to meet diverse needs.

My enthusiasm and curiosity about architecture have led me to traveling to many countries and gaining experience in several areas of expertise.

2004 2009

Athens Programme - “Couleur, arts, industrie” MINES ParisTech, Paris | 2 weeks

2014

International Workshop of Urban and Architectural Design A “Seoul, Contemporary L I Cities and Urban Regeneration” Korea University, Seoul |I 2 weeks I U

2013

T IAT H “Progetti per C CMilano. Idee per la città dalla ridestinazione delle ZU G

caserme e delle aree militari” with the partecipation of Philippe Daverio Politecnico di Milano, Milano | 2 weeks “ Sculpture for Architecture” Laboratorio Luigi Corsanini, Marina di Carrara | 1 week

2014

2015

PRIZES Nomination for “Premio Neolaureati 2015” Ordine degli architetti, P.P.C della provincia di Milano

2015

Nomination for “Premio Mantero” Facoltà di Architettura Civile del Politecnico di Milano

2015

WORK EXPERIENCES

CONTACTS & INFO Collaboration ID&AA ASIA, Milan

present

private houses interior design

Collaboration | 3 months EPTA - Emilio Pizzi Team Architects, Milan

2015

private house design, Santo Domingo

Assistant at “LabLitArch | Matteo Pericoli” Centro Tecnologico del Legno, Poschiavo

2015

20 July 1990, Milan date of birth

Piazza dei Daini, 3 Milano address

+39 340 3281531 phone number

info@giuliazucchiatti.com mail

construction and design of models

2013

Collaboration | 3 month Arch. Luigi Rovere Querini, Milan private house design, Milano

Assistant at “Architettura Letteraria” di Matteo Pericoli Scuola Holden, Turin

2013

construction and design of models

Internship | 3 months Arch. Marcella di Natale, Milan

2012

academic internship

COMPETITIONS

2016

Lighthouse Sea Hotel Young Architects Competitions finalist project

2013

The Archaeological Park of Siracusa Università degli Studi di Catania

LANGUAGES italiano

mother tongue

english

C1 ielts exam

español français

DIGITAL SKILLS Adobe Photoshop Adobe Illustrator Adobe InDesign

Adobe Premiere AutoCAD Rhinoceros

SketchUp

PUBLICATION & EXHIBITION 2015 2014

Exhibition | “Progetti per Brera” Chiesa di San Carpoforo, Accademia di Belle Arti di Brera

Contribution to the volume | “Milano. Caserme e aree militari” Maggioli Editore, p.46-53

Cinema 4d Microsoft Word Microsoft PowerPoint Microsoft Excel

T A B L E

O F

CONTENTS

ARCHITECTURE p.07

New spaces for Pinacoteca di Brera , Milan Master Thesis Project

p.13

Cabarete House, Dominican Republic Collaboration

p.19

Lighthouse Sea Hotel, Plemmirio, Siracusa

p.25

Exposition Pavilion at Eurialo Fortress’ ruins, Siracusa INTERIOR

p.29

“Progetti per Brera”, San Carpoforo Church, Milan Exhibition

p.33

Installation at Porta Venezia subway station, Milan

UNIVERSITY PROJECT professor: Angelo Torricelli master degree thesis

NEW EXHIBITION SPACES FOR PINCOTECA DI BRERA AND THE NEW ACADEMY MUSEUM

The thesis has its starting point in the project by Mario Bellini on museum Pinacoteca di Brera in Milan and has the aims to integrate it with the development of a new museum, formed from the vast heritage of the Accademia delle Belle Arti. The project is formed on one side by the desire to continue the contemporary debate on the expansion of the Pinacoteca exhibition space and on the other side by the wish not to lose the roots of what Brera has always been.

p.7

Brera museum’s function has always been linked to the Academy but, in recent years, this relationship has become more and more tenuous. The desire to design a museum dedicated to the works in the ownership of the Academy is intended as a gesture of “rediscovery of the origins” which goes to highlight the equal importance of teaching and exposition in Brera.

The project is therefore the union of two exhibition paths: that of the new Museum of the Academy, which develops in the underground building complex of Brera and the other one, an extension of the Pinacoteca di Brera, which finds place in the former church of Santa Maria di Brera. The former is given the same role that was once of the Pinacoteca, which are spaces designed for the exhibition of the works of art belonging to the Academy where students have the opportunity to work in the presence of these pieces of fine art. The latter, before being a space in which to exhibit the sacred works in the property of the Pinacoteca di Brera, is the recovery of the original space, as far as possible, of what was the church of Santa Maria di Brera before the construction of the Napoleonic halls in nineteenth century.

location

Milano, Pinacoteca di Brera in collaboration with Mattia Depredati

Study and analysis of complex events (enlargements, demolitions, changes of ownership) that have taken place around the building complex of Brera over the centuries.

Summary of the project proposals for the reorganization of the Brera bulding complex that have taken place over the last century. Report on design intentions of the thesis project.

Collection of works selected for the exhibition in the new space designed for the Pinacoteca. Among these works, there are two frescoes that belonged to Santa Maria di Brera.

COLLABORATION with Emilio Pizzi Team Architects

CABARETE H O U S E

p.13

The program involves the construction of a detached house on two levels that privileges outdoor spaces in the shade, as the weather permits.

In both preliminary projects, distribution is designed so as to allow different uses and various forms of movement inside and outside of the house.

The first approach was to create volumes on the ground floor separated between them, so as to form succession of small patios between one and the other that creates airiness. Set upon these, a single volume, more massive than the volumes of the first floor, is only open at the ends and at the central patio from floor to ceiling with windows that allow the melding with the outer space.

In the second version, according to the customer’s wishes, the house was to be resized in a more accurate volume and content to gain more space for the garden. The central patio becomes a double-height living room on the inside and the heart of the house.

The elongated shape of the lot, in both cases, is lost thanks to the absence of fencing in the lagoon where it blends with the surrounding landscape.

location

Cabarete, Domenican Republic in collaboration with Michele Fumagalli Pietro Pizzi Alessandro Rossi

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INTERNATIONAL COMPETITION organized by Young Architects Competition finalist project

LIGHTHOUSE SEA HOTEL

p.19

The most notable aspect of the Murro di Porco’s cliff is the power of the natural environment that characterizes it.

Such virgin and pure environment, although spectacular and fascinating, conceals a difficult environment for human beings more in theory than in practice.

To enjoy such a pure and powerful ecosystem human beings need a filter, an understandable reference scale.

The design strategy has two sides: on one side it is pure shape, recognizable as artificial and the result of anthropic action, creating a secure shelter from nature’s power; on the other side the placement of the building where the cliff falls off saves the integrity of the panoramic view from land, and the cuts and excavations in the building, recalling to mind the porosity of the cliff stone, recreate the dynamics of the precipice’s morphology.

The project provides for the recovery of the lighthouse building and nearby ruin to use them respectively as restaurant and patio where to place the tables.

The new building, serving as a hotel, will be placed in a pure volume lying along the cliff that will be cut and excavated following itinerary that provides great privacy for each room where the sea and the cliff will be protagonist thanks to the glass wall in each room.

location

Plemmirio, Siracusa, Italy in collaboration with Michele Fumagalli

“… Diversamente da un paesaggio naturale, nel Cretto la frattura regolata, accompagnata, composta non parla più degli elementi scatenanti forze ignote o catastrofi incipienti, ma diviene specchio del pensiero, della sua domanda insistente, assetata, inappagabile.”

(Bruno Corà, catalogo della mostra “Burri I Cretti”)

INTERNATIONAL COMPETITION

by Università degli Studi di Catania

EXPOSITION PAVILION AT EURYALUS FORTRESS’ RUINS

p.25 The Dionysus walls park winds for about 25 km around the city of Syracuse.

The competition announcement invited participants to reconsider the relationship between the city and its past, landscape, symbols, natural and manmade environment.

The project is limited to the Euryalus Castle area; now as in the past this spot represents the peak of the defensive walls, and we have interpreted this area as the point where the entire park system converges.

An exposition pavilion has been considered for this setting. It is characterized by a covered walkway designed to have picture the castle’s ruins and to reach the edge of the moats.

This path guides visitors, step by step, to the discovery of the past history of the castle, up to its end where it climbs up to the belvedere tower, which allows the viewers to reach a comprehension of the integrity and completeness of the castle.

In this way archaeology is made more enjoyable and more immersing within the park setting and becomes an active and completing part of the dynamics of the city’s urban development.

location

Siracusa, Italy in collaboration with Mattia Depredati Jason Huleux Maddalena Pornaro Luca Vatteroni

Euryalus Castle of Syracuse is the largest castle dating back to Greek times that survives until the present day and one of the most important Greek monuments in Sicily.

Built during the V century B.C. by the tyrant Dionysus, the Castle is now almost completely destroyed.

Paths are not well-designed and vegetation has invaded large regions of the complex, originating a peculiar picturesque landscape. The project assumed the context and condition of the ruin itself as a starting point.

The entrance to the site, as well as the ticket office and the system of pathways, has been redesigned. The project for the new pathway have been carefully placed and studied in order to fully respect the archeological site.

EXHIBITION at Accademia di Belle Arti di Brera, Milano curated by Luca Monica and Sandro Scarrocchia

PROGETTI PER BRERA AT SAN CARPOFORO

p.29 The project reinterprets the Palazzo di Brera as a whole and in its relations with the Contrada, the old district. The Campo di Brera is acknowledged in its configuration based on the courts system and tunnels that are similar to covered streets and squares with arcades, in an uninterrupted dialogue of Via Brera, Via Fiori Scuri, the Strettone.

The integration between the different institutions in Brera becomes credible with the aim to structure the headquarters of the Academy’s teaching spaces by expanding the “Campus of Arts”, feasible with the recovery of the former quartiere delle Milizie (Militia district) adjacent to Sempione Park and the Palace of the Triennale.

The enhancement of the Palace courts, the recovery of underground spaces and reconfiguration of Santa Maria di Brera classroom, originally unified, makes feasible the suggestion that the Academy could find the environments appropriate to laboratory-museum activities for study purposes and the exhibition of their collections.

The Botanical Gardens, open-sky room, as it were, are joined with Palazzo Citterio garden and find a new background in connection with the exhibition path of Palazzo Brera, which draws the so-called “pratone” along the west border.

location

Milano, Italy in collaboration with Angelo Torricelli Giovanni Comi Gianluca Sortino Giulia De Toma Mattia Depredati Luca Peroni

UNIVERSITY PROJECT professor: Giuseppe Giannoccari

INSTALLATION AT PORTA VENEZIA SUBWAY STATION

p.37

This project, born from the analysis of the place and its path, is formed by wrap of a ribbon, between ceiling and floor creates different places: exhibition areas, resting areas with tables and chairs or other where possible buy.

It is evident the desire to maintain the character of passage, own of the place but at the same time, also to create a unitary place and characteristic, which can be crossed or in which you can stop. In fact the space is equipped with many resting places used by everyone for a quick meal, for a break or meeting. In several cases the ribbon forms some rooms in which are designed street food kitchens. The stands are divided into: a transition zone, which overlooks the point of sale; a central area dedicated to kitchens, hidden by opaque panels on which are printed the stand information and recipes for main dishes; an exhibition area connected with the kitchen.

Three routes, marked with different colors on the pavement, guide people in the space: one connects the rest areas, the other linking the sale spaces and the last one crosses the kitchens where, thanks to a glass wall, the visitor may watch how you can cook the main dishes. The design goes up near the entrance tube to draw the attention of the city. Outside a strip creates resting areas onto the sidewalk and, ideally after being passed over in the street, we find him in the form of a shed on the other side of the roadway.

An area that is now a passing zone becomes a place where you can buy food before you take the subway.

location

Milano, Italy in collaboration with Marina Garcia Fornons Aida CĂ lix

+ 3 9 340 3281531 info@giuliazucchiatti.com p i az z a dei daini, 3 milano