Gizem Fidan Architectural Portfolio

Page 1

GİZEM FİDAN

ARCHITECTURAL PORTFOLIO ISTANBUL TECHNICAL UNIVERSITY



EDUCATION İZMİR ATATURK HIGH SCHOOL ISTANBUL TECHNICAL UNIVERSITY -ARCHITECTURE

2006-2010 2011-2017

EXPERIENCE PATTU ARCHITECTURE- INTERNSHIP & INTERN ARCHITECT SOYAK HOLDING- INTERNSHIP MELIKE ATLINIŞIK ARCHITECTS- INTERNSHIP & INTERN ARCHITECT STUDIO VERTEBRA- INTERNSHIP & ARCHITECT

GİZEM FİDAN tel: +90 546 728 22 25 mail: gizemfidann@gmail.com

SKILLS PROGRAM

rhinoceros revit sketcup autocad photoshop illustrator indesign

LANGUAGE english

OTHER

photography drafting

2014 2015 2016 2016-2017

PARTICIPATIONS EXHIBITIONS SALT BEYOGLU- SUMMERHOUSES ISTANBUL MODERN- YUZYILLIK ASK ISTANBUL ARCHEOLOGY MUSEUMS- MENDEL ANAMED- CAMERA OTTOMANA PERA MUSEUM- BİZANS’TA ŞİFA SISMANOGLIA MEGARO- BLUE VOYAGERS

exhibition designer & installation

COMPETITIONS KOÇTAŞ AÇIK FİKİR BAKIRKÖY BİR KENTİN SUYLA BULUŞMASININ HİKAYESİ ÇUHADAROĞLU ALUMINYUM ÖĞRENCİ YARIŞMASI SİVAS KIZILIRMAK KÖPRÜSÜ ULUSAL YARIŞMA

group project-1st mention reward MAA - 1st honourable mention

OTHER INTERNATIONAL FESTIVAL OF ART AND CONSTRUCTION EAA 14’ CONFERENCE

01

02


TABLE OF CONTENT SCHOOL WORK

5-26

01 REGENERATING CITY 02 SELF SUFFICIENT ZB 03 B - VILLAGE

COMPETITION 04 BAKIRKÖY KENTİN SUYLA BULUŞMASININ HİKAYESİ 05 ÇUHADAROĞLU ALÜMİNYUM- HİSART MUSEUM

27-38


OFFICE WORK

39-46

06 SAKVA 07 SAPANCA VILLA

OTHER

47-52

08 EXHIBITIONS 09 IFAC 10 PHOTOGRAPHY

03

04


01

REGENERATING CITY GRADUATION PROJECT

WHAT WENT WRONG?

Architecture starts with undertanding situations that leads to destruction. Understanding what went wrong, will give designers to power of creating something that should have been done at the fist place. Understanding urban transformation of Fikirtepe is mainly about examining and questioning methods of modifying. Transformation of Fikirtepe has started with good and innocent intentions. But with the blink of an eye destructions and evictions started. This so called urban renewal was sudden, topdown. Environmental protection didn’t taken into consideration as well as renters role in this occasion. It contiuned more like economical developmetn and politicalporedominance was unchallanged. New contructions didn’t only interrupt entire life routine, they increased infrastructural problems, gentrification and otherization that was already there in the city’s fabric instead of trying to solve these problems. But how did architecture become a failure in this process?

QUESTION: IS NEWER ALWAYS NECESSARY?

Tranformation in Fikirtepe requires demolish and build process. That brings out the question in title. In the most pragmatist thinking, this process will cost more than doing necessary research about infrastructural problems. New contructions does not guarantee to harmonise with district’s fabric. There are no projects regarding district’s general condition. So, can smaller and smarter interventions be better than building everything from zero? In this context, proposel should be about demolishing unsafe and unhabitable buildings and designing new volumes while observing what lies in the original forms. What works in the original fabric, should work with the new constructions too.


movie diagram

05

06


site plan


07

08


ground floor plan


09 1st floor plan

10


housing type- studio apartments

housing type- family apartments


11

12



13

14


02

SELF-SUFFICIENT ZEYTÄ°NBURNU ARCHITECTURAL PROJECT 7

Self sufficient community project is based on an expected earthquake scenario in Istanbul. It covers for any possiblerequirement for post earthquake such as protection, sheltering, housing and nutrition. Zeytinburnu district is a first degree earthquake zone. Since the old skyscrapers are not suitable for earthquake, the proposal suggests new housing and cultural zones. In order to do so, new disaster assembly zones and escape routes are necessary. Project divides district into five circular zones to make sure everbody has enough time to escape under extreme conditions. Districts are created from three circular sub-zones. Center sub-zones are connected to each other and created a green spine. Green spine is basic public area for self sufficient Zeytinburnu during regular times, and it can become temporary housing zone at post earthquake. Spine is wide enought to let emergency cars to pass, still close to any air pollution activity during daily life. In order to create new housing zones and demolish old ones, a timeline is drawed according to the data of current households. According to that timeline, it is possible to create all five district with their own quality equipments and attach them to he main green spine.


Current Situtation

// connection with Zeytinburnu

Intervention Area

// protecting hippodrome’s imprint

Zonning of the Area

// cretaing 5 main boundaries and zoning of the area according to min. walking distances

Grouping of Zones

// dividing main boundaries into 3 subzones and shaping squares at the centers

Joining of Centers as Green Spine

// drawing of green spine in between of centers in order to create continuity and metrobus-sea connection

Shaping Main Roads

// drawing of main road connections in order to connect construction area to Zeytinburnu and providing continous vehicle transition

Dividing sub-zones according to function

// deciding function and size of every sub-zone part in order to create self sufficient zones

timeline starting of 1st module construction housing green zones square education center health center cultural center soup kitchen storage fire department

starting of 2nd module construction

starting of 3rd module construction

starting of 4th module construction

starting of 5th module construction

housing green zones square education center health center storage soup kitchen eartquake deparment entartainment center

housing green zones square education center health center storage bazaar zone

housing green zones square education center health center storage horse care center children center soup kitchen sports enter adding walking routes to hippodrome

housing green zones square health center soup kitchen cultural center bazaar areas working spaces atelier// offices water sports the prototype

housing construction

//designing houses according to height restriction with green zones //demolishing dangerous high buildings //creating new green zones and housing areas at the empty fields from dmolished buildings

forming secure zones //stating on the most necessary facilities’ construction

//multiplying the prototype within Zeytinburnu and creating all eartquake safe districts

15

16


1.ZONE HOUSING ACCOMODATION CULTURAL CEN. SOUP KITCHEN EDUCATION CEN.

5.MIN WALKING HOUSING 2 36.000 m 3000 people

GREEN ZONE 2

70.000 m 8000 people//emergency

PEOPLE

5000 people

3.MIN WALKING HOUSING 2

FIRE DEPARTMENT

20.000 m 1600 people

HEALTH CEN.

30.000 m2 3500 people//emergency

STORAGE SPORTS GREEN ZONES TRESHOLD NATURAL BORDER

GREEN ZONE PEOPLE

5000 people

1.MIN WALKING HOUSING 2 0m 0 people

GREEN ZONE 2

10.000 m 2000 people//emergency

PEOPLE

5000 people

2.ZONE HOUSING ACCOMODATION

6.MIN WALKING HOUSING 2 67.000 m 7000 people

GREEN ZONE 2

55.000 m 5000 people//emergency

PEOPLE

6000 people

CULTURAL CEN. SOUP KITCHEN EDUCATION CEN. EARTHQUAKE CEN. HEALTH CEN. STORAGE SPORTS ENTARTAİNMENT CEN. GREEN ZONES TRESHOLD NATURAL BORDER

4.MIN WALKING HOUSING 2 25.000 m 2000 people

GREEN ZONE 2

20.000 m 3000 people//emergency

PEOPLE

6000 people

1.MIN WALKING HOUSING 2 0m 0 people

GREEN ZONE 2

13.000 m 2000 people//emergency

PEOPLE

6000 people

3.ZONE HOUSING ACCOMODATION CULTURAL CEN. SOUP KITCHEN EDUCATION CEN. EARTHQUAKE CEN. HEALTH CEN. STORAGE SPORTS ENTARTAİNMENT CEN. GREEN ZONES TRESHOLD NATURAL BORDER

6.MIN WALKING HOUSING 2 20.000 m 1500 people

GREEN ZONE 2

120.000 m 15000 people//emergency

PEOPLE

8000 people

4.MIN WALKING HOUSING 2 8.000 m 1600 people

GREEN ZONE 2

40.000 m 8000 people//emergency

PEOPLE

8000 people

1.MIN WALKING HOUSING 2 0m 0 people

GREEN ZONE

15.000 m2 4000 people//emergency

PEOPLE

8000 people


TEMPORARY HOUSING AREA Immigrants’ Accomodation Sports-Event Center Hotel Max %45 Construction HOUSING AREA Commercial Areas Sports Center Green Areas Max. %35 Construction EDUCATION AREA School BuildinG Ateliers Open Exhibition Zone Max. %30 Construction HEALTH AREA Hospital Theraphy Center Veterinary-Animal Shelter Max. %25 Construction FIRE DEPARMENT Fire Station Closed Fire Department Carpark Max. %30 Construction

SQUARE

Emergency Zone/ Temporary Accomodation

STORAGE Food Storage Medical Storage Water Tanks Max. %40 Construction CULTURAL ZONE Library Cinema Museum Max. %35 Construction SPORTS AREA Sports Hall Open Sports Area Pool Max. %30 Construction ENTERTAINMENT CENTER Theatre Opera Concert Area Max. %40 Construction EARTHQUAKE RESEARCH CEN. Awareness Center Laboratory Earthquake Museum Max. %35 Construction

CAMPUS Faculty Building Conference Hall Sports Max. %40 Construction HORSES’ AREA Horse maintenance Syce accomadation Seats Max. %25 Construction CHILDRENS’ AREA Youth Center Theraphy with Horses Max. %40 Construction SOUP KITCHEN Kitchen Building Restaurant Carpark Max. %35 Construction

Tram

Bcycle Pedestrian Road Road Escape Route

Vehicle Road

GREEN ZONE

Emergency Zone/ Temporary Accomodation

GREEN SPINE

Pedestrian Road Vehicle Road

BAZAAR Open Market Closed Market Max. %30 Construction ATELIER Offices Ateliers Production Max. %30 Construction TRANSPORTATION HUB Bus Terminal Heliport Max. %10 Construction WATER SPORTS CENTER Sports Hall Sailing Max. %35 Construction

SQUARE

Emergency Zone/ Temporary Accomodation

DAILY SCENE

17 EMERGENCY SCENE

18


FIRE DEPARTMENT HOUSING EDUCATION HEALTH STORAGE TEMP. HOUSING SOUP KITCHEN EARTHQUAKE AWARENESS BAZAAR CHILDRENS’ AREA HORSES’ AREA SPORTS ATELIER CULTURAL UNIVERSITY LIBRARY ENTERTAINMENT


Current Situation

ZONE AND SQUARE LAYERS

Cleaning and Starting Const.

Continue cons. and immigration

Emergency Use

Post Disaster Scene

ZONE-SQUARE-WATER RELATION

Layers touch buildings New heights of square

Buildings shaped with square Forming around water with water

Continous square fuction on upper levels with social areas Creating new traces of city square on different levels and dissolving within zones Moving housing areas to upper levels in order to create strong bonds with square Forming escape routes from upper levels and connecting them to main emergency gathering area

Section of Layered Sqaure

19

20


03

B VILLAGE-HOUSING PROJECT ARCHITECTURAL PROJECT 6

Master plan has designed in order to connect port to Beylikdüzü. To do so, it is planned to design a unique museum out of containers to make area more attractive for inhabitans. Due to the survet between Beylikdüzü locals, fingerpiers are added to masterplan area to create a public space which can make the shore side enjoyable for everyone. Another important point is to care about low income people at the port. This point created the backbone of whole project, creating housing areas that also can produce enough to live within the area that still depends on outside and connects to Beylikdüzü. To do so, housing area is divided into units and these units connected to the street level home production areas. Bringing basic home production to street will ensure friendly neighbourhood relations. Minimum privacy is one of the main purposes of project. With minumum privacy people are forced to get out of their houses and socialize with other people in designed masterplan social zones and on streets themselves. Project focuses on creating a sustainable 21st century village with proper technology and friendly environment.


masterplan

21

22



23

24



25

26


04

DOKUNAÇ

ARCHITECTURAL COMPETITION

Bakırköy coastline used to be the main element of districts’ character. Now, sea and inhabitans are disconnected from each other with shopping malls, new ports and turning shore into private properties. This disconnection causes for Bakırköy to lose its identity and creates a new unpleasent profile. The new proposal of coastline reminds Bakırköy the importance of the sea for both itself and its locals. In order to fix isolation of shore caused by Kennedy street, elevation difference between sea level and main pedestrian road is integrated with a new landscape design. Old overpass on Kennedy Street is a weak link between residential part and social areas which are supposed to take place near by the sea. This overpass and pedestrain circulation should be considered elegantly and united with coastline. Proposal suggests to create new social zones that surrounds sea. New zones are on different levels to melt down the isolation effect caused by elevation difference. To make sure existing circulation of inhabitans goes on, a new overpass is shaped around the idea of combining the axes of coastline and the axes of residential area with a new square. Ensuring that every point is a new vista point for sea and square is one of the main concerns of the project, creating attraction points is another. The “Dokunaç” is a landscape and architectural proposal that touches the sea with new parks and performing points.


C O A S T I N E C H A N G E S

WALKING ON DOKUNAÇ

27

28


SECTION 1

SECTION 2

SECTION 3

section1 detail

section2 detail

section3 detail

section3 detail


WEST ELEVATION-SQUARE VIEW

SOUTH ELEVATION-SEA VIEW

+2,50 ELEVATION PLAN

+5,50 ELEVATION PLAN

29

30


05

HİSART MUSEUM

ARCHITECTURAL COMPETITION

History of the city is one of the major elements which makes the city what it is today. Yedikule dungeons and Goldenhorn is not only important historic area of Istanbul, they also forms city’s public memory. In this position, re-creting land’s stories is important. Looking back into the past hundred years of gasometer, aerial photographs prove that there were tree diffrent vertical structures of gasometer that are build and destroyed over the years. In the architectural design process, it is decided to create tree different spatial imprint to generate history for visitors’ point of view. Adding new buildings according to architectural requirement list is inevitable, but while creating new buildings,it is important to consider not to push existing structure into the background. New building is shaped according to ramp which connects gasometer structure to the new building, old to the new. New building is shaped according to area and the ramp. Ramp works as both interior and exterior architectural element since it is located on the outside but creates a circulation path for the inside. While ramp is creating one part of the “trio instillation” by rising up vertically, other part is created by going down as its negative. Third part is located on the horizontal gasometer buildings, to emphasize their importance. One of the most important decition during the design process is not to damage any of the historic buildings in area and creating new ways to use them in order to protect them. A controlled entrance point is located on the north side of the land. Exhbition areas are located on the northwest, an open carpark and bicycle rent area is located on east side of the land with cafe area within the tree storey height historic building.An open theatre is located on the third circle to make it work with children’s playground.


31

32



33

34


New building’s form is shaped around Yedikule dungeons and view from the entrance. New building and the ramp is not visible from the entrance so that it wouldn’t disturb area’s historic value. It gets visible by walking through the landscape that connects every element of design. Roof of building protects 12 meter height restriction and it slopes trough the south of area towards the sea view so the dungeons are still visible from the silhouette. Main entrance of museum is from the gasometer. At the entrance reseption and auditorium is located to seperate circulation of museum from auditorium’s. At the first and second floor of gasometer temporary exhibiton areas are located. At the new building, permanent exhibition areas are located with the addition to requirement list, an view terrace of Yedikule dungeons. Light enters to the building from both south and the west, but the amount of light entering the museum is filtered by the facade layers. Exit of the museum is from the ground floor of new building. There are two basement floors within the area, one for carpark and one for permanent exhibiton area, storage and offices. Ramp goes down to the first basement floor creating a hole and a courtyard that will hep to luminate the floor.


35

36


FUTURE PREDICTION Historic gasometer area is important for not only for goldenhorn but also for Istanbul city too. It is essential for the area to give it a new purpose to create attraction for different people from the city and museum is one of the best ways to do it. Auditoruim and educational areas is another way to create attraction for citizens too. The trio installation will bring back land memories to visitors’ minds and form a new cultural zone for city.


37

38


06

SAKVA SOCIAL CENTER

MAA- COMMISION PROJECT


39

40


class entrance

public entrance

kitchen personal resting

cellar

food enginneer

soup kitchen

storage

class soup kitchen

restaurant

storage

tech.room

waiting kitchen

kitchen shelter

storage

kitchen

stuff

cafe stuff

cafe entrance


41

42


07

SAPANCA VILLA PROJECT

STUDIO VERTEBRA- CONCEPT PROJECT


43

44



45

46


08

EXHIBITONS

PATTU ARCHITECTURE “...There is a name for temporary houses on the coast of Marmara, Eagean and Mediterrian Sea and the life shaped around them: Summerhouses. This houses which are in use for tree months in a year , became a trend holiday style for middle class families since 1980’s. Popular coast towns have been turned into a strange city extensions from old country towns with new roads, water systems, phones and stores. In time, the ones that decorated their summerhouses with old furniture from their winterhouses, teared down anything possible and build new: Rooms got bigger, closed kitchen walls demolished and opened to living rooms, gardens covered with porches. While gold sand of beach turned into construction dust, houses changed owners, building altered. Ones that spent their twenty years on a summerhouse, immigrated to shores which does not have chained coffehouses, for another twenty years...” “...Summerhouses: Claiming the Coast examines the topic of sumerhouses as an invension of culture; combines geographical and social influences on historical background...” “...One Hundred Years of Love, examines cinema halls, spaces that create concrete connection between audience and movie, as “audience chapels” and presents them nostalgically from the very first halls to todays’ festival theaters. Objects which provides a link between audience and movies such as newspaper announcements, movie brochures, magazines and posters are exhibited in addition to cinema fanaticism on different sections....” “...This exhibition covers for the most striking aspects between photography and modernity in the context of Ottoman Empire. The biggest part of the exhibition material is about presentation of modernity through photographs like the photos ordered by Empire in order to introduce Ottoman to western countries. Modernity became a part of photoghraphy and make it an ordinary practice. The visual world we are living in today, borned about 150 years ago. Camera Ottomana, is a critical evaluation and reflection of importance of photography that has the biggest transforming power than any other technological invention at the last century....”


47 summerhouses: claiming the cost

one hundred years of love

camera ottomana

48


09

IFAC

4 STEPS FROM BALANCE WORHSHOP

“4 Steps from Balance is a place to rest, to reconnect with nature. It’s a raised wooden cradle to take care of a young oak that will grow through it. It has been built inside IFAC 2015 an International Festival of Art and Construction with a team of young students coming from Basque Country, Lebanon, Macedonian, France, Turkey and Egypt. It’s made of larch and oak wood coming from a local saw windmill. A cradle born on site, through a partecipatory design and building process, involving the local community, the Ecodorp ecovillage.”


49

50


10

PHOTOGRAPHY


51

52



Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.