Architectural Portfolio by Gizem Özdemir

GİZEM ÖZDEMİR ARCHITECTURAL PORTFOLIO

2016-2020

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EDUCATION

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September 2019- June 2020 Architectural Design Faculty Of Architecture, Krakow University of Technology, VOLUNTARY LANGUAGELANGUAGE V Krakow / POLAND BAU’MAP Mentor BAU’MAP Studen 3.80 /4 Erasmus Program (1 year) Turkish : Turkish Native : Native English Italian EDUCATION

Mentoring Architectural Mentoring Design Arch Students to getStudents used to schoo to ge and departmen

: English Upper-Intermediate : Upper-Intermediate : Italian Beginner : 2019 Beginner June- August

Architectural Design

EDUCATION Faculty Of Architecture, Mukogawa Women’s University,

Nishinomiya / JAPAN

EDUCATION EDUCATION Icsa in Japan Program September 2019Present

PERSONAL INFORMATION Name : Gizem Özdemir Date of Birth : İstanbul, August 1998 Nationality : Turkish Tel(Turkey): +905313201966 gizemozdemr1@gmail.com

June 2019 - August 2019

2016-2020 Erasmus Program (1 Erasmus year) Program (1 year) Architectural Design Faculty Of Architecture, Bahcesehir Architectural Design Architectural Design University, Istanbul/TURKEY June 2019 - August Faculty Of Architecture, Faculty Mukogawa Of Architecture, Women’sMukogawa University Women’s , Nishinomiya University / JAPAN , Nishinomiya / JAPAN 3.38/4 2019

2016-2020

Architectural Design Architectural Design 2016-2020

2018-2020

2018-2020 Architectural Restoration Architectural Restoration

Turkish English Italian 2

: : :

Icsa in Japan Program Icsa in Japan Program

2018-2020 Faculty Of Architecture, Faculty Bahcesehir Of Architecture, University, Bahcesehir Istanbul/University, TURKEY Istanbul/ TURKEY Architectural Restoration 3.38 /4 – High Honour3.38 Student /4 – High Honour Student Cultural Heritage and Tourism, Istanbul University, Istanbul/TURKEY Cultural Heritage andCultural Tourism, Heritage Istanbul and University Tourism,Istanbul/ Istanbul TURKEY University Istanbul/ TURKEY

AWARDS

AWARDS AWARDS Design A Station For Student Competition 2018 May 2018 November 2018

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LANGUAGE

September 2019Architectural Design Architectural Design Present Faculty Of Architecture, Faculty Krakow Of Architecture, University ofKrakow Technology University , Krakow of Technology / POLAND, Krakow / POLAND

‘’Second Award’’

Design A Station ForDesign Student A Competition Station For Student Competition May 2018 Second Prize

Second Prize

CAUMME PAUMME 2018 CAUMME November 2018 PAUMME CAUMME PAUMME Projects of Architecture Projects & Urbanism of Architecture the Mediterranean & Urbanism in&the Middle Mediterranean East & Middle East Projects of Architecture & inUrbanism in the Mediterranean Dean’s Project AwardDean’s Project Award & Middle East ‘’Dean’s Project Award’’

SOFTWARESOFTWARE Native Intermediate Beginner

SOFTWARE

• • • • •

Autodesk AutoCAD • Autodesk AutoCAD • Google SketchUp Google SketchUp Adobe Photoshop • Adobe Photoshop Adobe InDesign• Adobe InDesign Microsoft Programs • Microsoft Programs

• • • • •

Rhinoceros Lumion 8 Grasshopper Archicad Revit

• • • • •

Rhinoceros Lumion 8 Grasshopper Archicad Revit

EXPERIENCES May 2019- August 2019 Internship BUDCUD

• Competition for exhibition arrangement of Photography Museum MUFO (Cracow, Poland). I worked on base materials preparation-making base drawings and 3D model - as well as presentation of the Project in form of collages. • Competition for revitalization of Taksim Square (Istanbul, Turkey). I was working on initial materials preparation and research, but also concept development.

June 2019- August 2019 ICSA in JAPAN Program MUKOGAWA WOMEN’S UNIVERSITY

• Before the program to take special course that is about the Japanese Traditional and Modern Architecture style and the Japanese culture. • To take design course in Mukogawa Women’s University. • Trip to Major cities of Japan such as: Tokyo, Osaka, Kyoto, Kobe, Nara, Hiroshima • Participate to Ikebana and Wood workshops. • To introduce the Turkish culture to japanese students.

May 2019- June 2019 Worksite Internship HILL INTERNATIONAL

• To take part in the The Address Residence Istanbul of Emaar Square Project. • To help in the supervision of Works done to the construction site and office.

March 2019 - May 2019 Internship ADDOFFICE (ADDARCHITECTS)

• Worked on Mosque Design Competition. Took part in the 2 different stage Competition with a capacity of 1000 people and 200 people. • Helped to preparing diyagrams, modelling, conceptual works.

September 2018- February 2019 Corparate Communication Department BAHCESEHIR UNIVERSITY

• Being an intern student in corporate communication unit. • To give information about architecture department and university. • Data organization and entering the system.

June-July 2018 Internship ARCHIST ARCHITECTURE

• Worked on Çanakkale Municipality Bazaar National Architectural competition. • Prepared diyagrams,sections and elevations for competition. Also designed special kiosk for landscape design of project. • Helped for digital model and created renders of project. • Redesign Office’s portfolio.

REFERENCES Cemil Ceyhan GÖNEN Founding partner of MARK ARCHITECTURE & Instructor at BAHCESEHİR UNIVERSITY ceyhan@arch.ist

Doç. Dr. İrem Maro Kırış Architecture Department Head at BAHCESEHİR UNIVERSITY irem.kiris@arc.bau.edu.tr

Mateusz Adamczyk Founding partner of BUDCUD Architecture (POLAND) adamczyk@budcud.org 3

CONTENTS KRAKOW CULTURE CENTER PROJECT (ERASMUS-POLAND) -Poland PK Studio Project 2020

42-49

6-13

-Studio Project 20

MAHALLE MOSQUE

-ADDOFFICE Architecture Professional Competition 2019

TAKSIM MIXED U PROJEC

SEA SCIENCE MUSEUM -Studio Project 2020

54-59

60-

MUFO PHOTOGRAPHY MUSEUM

USE CT

019

-65

HAYAT MOSQUE

-BUDCUD Architecture Professional Competition 2020

14-23

24-33

34-41

MUKOGAWA WOMENS UNIVERSITY STUDEN HALL PROJECT (ICSA JAPAN PROGRAM)

CIHANGIR APARTMENT

-Studio Project 2018

-CAUMME PAUMME 2018 Deanâ&#x20AC;&#x2122;s Project Award

-ADDOFFICE Architecture Professional Competition 2019

66-71

-Japan MWU Studio Project 2019 Summer

OTHER WORKS

72-75

-A Station For Student Competition, -Modular Living Units

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KRAKOW CULTURE CENTER PROJECT KRAKOW UNIVERSITY OF TECHNOLOGY STUDIO PROJECT SPRING SEMESTER 2019 MENTOR: DR. PIOTR WINSKOWSKI KRAKOW/POLAND

Culture center project is in Krakow/POLAND. Project has different functions; office rooms, workshops areas, exhibitions areas, restaurants etc. The social, cultural and commercial elements of the city were brought together and the idea of the space is for the society. During the design of this project, different design factors were considered. Sun light, location of the project, needs are some of them. The area location is examined and design is shaped according to these elements. A modern building design that respects and references the historical texture is aimed. The project has curvilinear form. According to existing trees and existing buildings, form of the building were designed. For the front facade, full of glass were used and some designing elements were added.

NORTH FACADE AT BISKUPI STREET

AA SECTION

BB SECTION

WEST FACADE

CC SECTION

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TAKSIM MIXED USE PROJECT 3002 STUDIO PROJECT 2019 MENTOR: İREM MARO KIRIŞ TAKSIM/ISTANBUL

Project area is located on Taksim. The area location is examined and design is shaped according to these elements. Due to the location on Istiklal, a modern building design that respects and references the historical texture is aimed. The first factor taken into consideration during the mass formation was the continuation of the continuity of the harmony of the surrounding buildings and Istiklal. With the natural reference given by the slope, terraces were made in the Project. Bosphorus and sunlight direction are other important design elements. The social, cultural and commercial elements of the city were brought together and the idea of the space is for the society. For this reason, it is aimed to bring the Bosphorus which is not visible from Istiklal Street to the public. Sea view part of the project is designed in such a way that people can get away from the crowds and high buildings of İstiklal. There are many areas with different functions; blackbox theater scenes, cafes, restaurants, shops, exhibition areas and art school. The facade and material are designed to respect the historical fabric. At the back, a modern design is aimed with vertical elements references taken from Istiklal.

TEAM: Agata Wozniczka, Mateusz Adamczyk, Gizem Özdemir, Lisa Fera

MUFO PHOTOGRAPHY MUSEUM

BUDCUD PROFESSIONAL COMPETITION 2020 MENTOR: BUDCUD KRAKOW/POLAND COMPETITION FOR THE DEVELOPMENT OF MAIN EXHIBITION OF THE MUSEUM OF PHOTOGRAPHY IN CRACOW IN THE BUILDING AT RAKOWICKA STREET 22

1. THE MAIN IDEA OF THE DEVELOPED CONCEPT IN RELATION TO THE SUBSTANTIVE AND ARRANGEMENT GUIDELINES OF THE MAIN EXHIBITION Exhibition " What makes a picture?” it is a stage space whose form and choice of materials underline the technological nature of this field of art. The exhibition design builds thematic interiors that provide further perspective and emphasize the character of the Armory building. 2. ASSUMPTIONS, PRINCIPLES AND IMPLEMENTATION SOLUTIONS. DESCRIPTION OF ASSUMED EXPOSITION TECHNIQUES RECOMMENDED FOR USE IN THE EXECUTION OF THE EXPOSURE When designing the arrangement we followed the substantive and arrangement guidelines indicated in the rules of competition. All exhibits have been designed in accordance with MUFO conservation requirements. Prologue At the front of the entrance is the wall of the "prologue" set at an angle to indicate the direction of the tour. The wall, designed in steel construction, was finished with painted and stainless steel sheet. Technology After reading the " prologue "we are directed to the" technology " section, which consists of 6 chapters. Photographer To the right of the staircase is the "photographer/ka"section. The department consists of 6 free-standing interactive exhibits representing the characters of various photographers and photographers and a modular installation "crowd". In addition, the departments are defined by the walls - backs of the two shelves of adjacent departments Shooting To the left of the staircase is the "shooting"section. In the department we designed 3 displays for manual slide browsers and an installation consisting of approximately 100 framed original photographs Information At the end of the room behind the staircase is the "Information" section with an installation of 20 exhibition niches and two horizontal displays in the form of countertops with drawers and a viewer for viewing stereoscopic photographs Future In the "Future" section on the upper level of the exhibition, we designed a perimeter wall with free-standing displays and platforms for photographic equipment, presenting the wealth of cameras from the MUFO collection.

PROJECTION OF THE EXHIBITION HALL ON THE GROUND FLOOR

1 3 5

4 5

AXONOMETRIC VIEW OF THE EXPOSITION ROOM ON THE GROUND FLOOR

1. Prologue 2. Technology 3. Photographer 4. Shooting 5. Information 6. Stairway

DISPLAY VIEW SHELF-DISPLAY CASE WITH UNUSUAL OBJECTS

AXONOMETRIC VIEW OF WALL DISPLAY SHELF / DISPLAY CASE FOR PHOTOGRAPHS

THEME ZONE " WET COLLODION. WALERY RZEWUSKI. TURY PHOTOGRAPHER”

WIDOK P7. DZIAŁ „TECHNOLOGIA” ZE STREFĄ SIEDZISK PRZY KLATCE SCHODOWEJ TECHNOLOGY FROM THE SEAT AREA NEAR TO STAIRCASE

A. Stainless steel

B. Glass case

B. Suspended glass case

C. The president

C. Monitor

D. Illuminated panel of milky glass

E. Illuminated and glazed mini

F. Furniture type 0.3

G. Panel with name of Department

STUDIO OF A 19TH-CEN-

" WET COLLODION. WALERY RZEWUSKI. STUDIO OF A 19TH-CENTURY PHOTOGRAPHER”

" AUTOCHROM, DIGITAL PHOTOGRAPHY. COLOR PHOTOGRAPHY. TADEUSZ RZĄCA”

" AUTOCHROM, DIGITAL PHOTOGRAPHY. COLOR PHOTOGRAPHY

PROJECTION OF THE EXHIBITION ROOM ON THE FLOOR

1. Photo equipment display-wall 2. Photo equipment display 3. photo equipment display 4. Multimedia essay Pavilion 5. Stairway

AXONOMETRIC VIEW OF THE EXPOSITION ROOM ON THE FLOOR

View P4 exit zone from the exhibition " futureâ&#x20AC;?

View of the P5 arrangement of the exhibition "future" with the exposition of cameras

View of the P15 display for cameras of larger dimensions exhibition " future”

View P16 exhibition Wall " future”

DEVELOPMENT OF THE FACADE OF THE EXHIBITION FURNITURE FOR PHOTOGRAPHIC EQUIPMENT

ENTRY ZONE WITH PROLOGUE TO THE EXHIBITION

THEMATIC ZONE "SHOOTING" WIT

TH THEMATIC ATLAS OF EXHIBITS

THEMATIC ZONE "INFORMATION" WITH THEMATIC NICHES AROUND THE EXHIBITION TABLES

"PHOTOGRAPHER / KA" SECTION WITH TOTEMS OF SELECTED PHOTOGRAPHERS AND INSTALLATION " CROWD”

PLAN

A. Perforated sheet B. Stainless steel

ELEVATION E1

ELEVATION E2

ELEVATION E1

ELEVATION E2

C. Backlit mini-display cases for photos D. Retractable image viewer E. Glazed display case F. Illuminated panel with iconography G. Monitor

VIEW OF THE TOTEM " KLEMENTYNA ZUBRZYCKA-BĄCZKOWSKA. AMATEUR PHOTOGRAPHER”

AXONOMETRIC VIEWS OF THE TOTEM " BY KLEMENTYNA ZUBRZYCKA-BĄCZKOWSKA. AMATEUR PHOTOGRAPHER

PLAN

A. Perforated sheet B. Stainless steel C. References D. Retractable display drawer with photos E. Illuminated panel with iconography F. Monitor G. Button for audio guides

TOTEM VIEW " ALBUM ”

AXONOMETRIC VIEWS OF THE TOTEM " ALBUM ”

VERTICAL CROSS SECTION A-A

ELEVATION

A. Stainless steel B. Monitor C. Glazed display cases for photos D. Buttons for audio guides

VIEW INTERACTIVE MODULAR INSTALLATION " CROWD”

AXONOMETRIC VIEW OF INTERACTIVE MODULAR INSTALLATION " CROWD”

HORIZONTAL SECTION B-B

TEAM: Ece Doğan, Çağlar Barış, İ. Tolga Han, Gizem Özdemir, Emre Söker, Öznur Aktaş, Reyyan Çulcu

HAYAT MOSQUE

ADDOFFICE PROFESSIONAL COMPETITION 2019 MENTOR: ADDOFFICE TURKEY A Place of Worship I Mosque It emphasizes itself in the meaning of the word “collecting, gathering, putting together”. In addition to worship, mosques have formed the whole of places where people gather, gather and feel the feeling of togetherness. Project Area I Learning from the Ground The fact that the building belongs to the "place" and makes it feel like it is always there was one of the focal points of the project. Courtyard and archaic building typology, open circulation system, massive terraces coming together, terraces, shady passage spaces specific to the spirit of urban space; narrow streets; In addition to creating the identity of the region, it also gives clues about life-climate and structural interaction. Formation and Segmentation I Settlement In the project area, which has a linear form, the surrounding street tracks have been maintained in order to maintain urban continuity. After the pedestrian axes received have been divided into the project area, two axes, namely 'qibla axis' and 'ground axis', have been defined in order to use the area effectively. The spatial potential of the area was evaluated by making the main settlement in the direction of 'ground axis', and the place of worship was located in the direction of 'qibla'. On the axis of the city square, a courtyard was designed to define worship and social functions. The arcad system, which feeds the courtyard, creates shady streets as a precaution against hot climate. The ceiling tile of the worship mass is designed as a geometric depiction of the dome structure, which is no longer a structural necessity. The prayer body, which is quite simple and modest, is illuminated with the mentioned geometric openings and this strengthens the perception of eternity. While the commercial street is connected to the courtyard, it is also designed to work with the commercial structure in the surrounding parcel and the shops belonging to the building are located on this axis. Front Character I Identity In order to strengthen the sense of respect and belonging to the “place”, the characteristic basalt stone of the region was used on the front. Facade openings are designed in a controlled manner due to the climate characteristics of the southeast region.

TEAM: Ece Doğan, Çağlar Barış, İ. Tolga Han, Gizem Özdemir, Emre Söker, Öznur Aktaş, Reyyan Çulcu

MAHALLE MOSQUE

ADDOFFICE PROFESSIONAL COMPETITION 2019 MENTOR: ADDOFFICE TURKEY Overview - On Mosque Architecture and Its Concept

The word masjid means “prostrated place”. In the field of Islamic worship, which has the main idea of creating the widest ranks in the direction of the Qibla in a courtyard, there is no spatial coercion in this sense, but simplicity and semantic abstraction can be perceived. In this context, the place of worship in the design has been reduced to the essence and no form concern has been made.

Placement Decisions

The project area is located in the Southeastern Anatolia Region. In this context, the climate data of the land and the region are examined. In the project area, the continuity of circulation was provided by continuing the pedestrian axis coming from the city. In line with this axis, a courtyard gap was opened by interpreting the traditional courtyard typology on a neighborhood scale. The 7 meter elevation difference in the land offers different sections at this point. The water element was taken inside the floor elevation in the place of worship, which has a unique atmosphere. This place of worship, which is plain and unpretentious, reflects the essence of Islamic philosophy, and with this state, it has created an attraction space that is free from the outside world and invites. The place of worship creates a feeling of being there all the time with its plain and buried form, thereby strengthening the sense of belonging. The masses surrounding the place of worship and the courtyard of the neighborhood were covered with a fringe. Thus, the place of worship came into contact with the ground and gently attached to the land. While the upper eave defines a shady exterior, it symbolizes the orientation towards the Creator with its sky rising. The building is designed as a meeting point where the neighborhood courtyard and the neighborhood community meet. The water element used in the neighborhood courtyard creates a calm atmosphere while providing air conditioning. The “cypress tree” is the symbol of human life's efforts to exist from birth to death and to be one. The cypress tree is symbolically identified with the minaret. For this reason, the minaret was designed with the abstraction of the cypress tree and was located in the courtyard of the neighborhood.

Facade and Material

Facade partitions and materials are very straight forward, designed to be free of exaggeration and exaggeration. Facade openings are kept at the maximum level to ensure air conditioning. The facade material is basalt stone extracted from the region.

AFTER 100 YEARS

World scenario which has become uninhabitable due to acid rain WORLD / 2118 This project is about our world 100 years from now. Unfortunately, we are devastating to our world and nature, so after 100 years the world will become almost untouchable. Although it is not known exactly how, 100 years later, in our world, various natural disasters can be realized if we continue to devastate our world. According to my scenario, the fossil fuel wastes that we use a lot in the natural water cycle will cause acid rain. As a result of the burning of fossil fuels such as coal and oil, sulfur and nitrogen containing gases will accumulate in the atmosphere. Due to these acid rains, the living quarters we use now cannot meet our needs. We will need living units that are suitable for new conditions. This design has been designed to prevent acid rain and to create a suitable space for human life and to live in the possible world. Therefore, the upper side is wider and the material used is resistant to acid rain. It is designed to cover open areas in the life unit. Modeled was done 3D and laser cutting. We hope that we protect our world and such natural disasters never happen.

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SEA SCIENCE MUSEUM PROJECT 4002 STUDIO PROJECT 2020 MENTOR: TANSU ACIMERT MAÇKA/İSTANBUL

Project area is located on Maçka. The area location is examined and design is shaped according to these elements. Due to the location on Maçka Park, a modern building design that respects and references the historical texture is aimed. With the natural reference given by the slope, terraces were made in the Project. Bosphorus and sunlight direction are other important design elements. There is gasholder structure near to project area so I wanted to use it with new function which is a pool for divers. Sea science museum has different functions, such as laboratories, library for searchers and students. Project has a coffee shop and restaurant that are looking to bosphorus view. Museum part of the projects has different exhibition areas. It is divided 3 different areas; temporary exhibition, dynamic permanent exhibition and static permanent exhibition areas. It has special exhibition area into water. Pool which is located middle part of project, is connected with the gas holder with pool function. It is aimed to give different and special sense of experience. The facade and material are designed to respect the historical fabric. A modern design is aimed with vertical window elements.

-CAUMME PAUMME 2018 ‘’Dean’s Project Award’’

CIHANGIR APARTMENT PROJECT 2002 STUDIO PROJECT 2018 MENTOR: AHMET ERGELEN CIHANGIR/İSTANBUL

We are working on Cihangir. In site analyses, I searched user profile and I saw that kids and elderly are minority in Cihangir and there are not enough place for them. So my scenario depends this issue. And I create a semi-public place that is used by kids and old people. There are 2 main purposes of this place; one of them provide life energy for old people. The other one satisfy the need of love for both of them. And I add a funicular system for them because the slope is not good for elderly and funicular separete public garden and apartment garden. Also I add the slope to the my mass in order for gardens go take advantages from sun light. I did not add different form to street facade because streeet has a harmony so I did not want to change it. And I do not want to show facades of near houses so I play with mass so this volute form was occured. Also I add the form to front facade for showing entrances and circulation area of the apartment.

HAND DRAWN PROJECT

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MUKOGAWA UNIVERSITY STUDENT HALL PROJECT MUKOGAWA UNIVERSITY STUDIO PROJECT SUMMER-2019 MENTORS:TOMOKO UNO & MURAT DĂ&#x153;NDAR NISHINOMIYA/JAPAN

This project was created for mukogawa women's university in Japan. It a student hall for university, it is located garden of the university. While designing this project, the De stijl architecture was inspired.Traditional Japanese houses and De stijl architecture has same functions. In the project, verticality and horizontality were emphasized first. The interior has also provided continuity, and an interior space that continues to the user is defined. For this reason, the spaces are defined only by the walls not separated by doors. The water element, which is in traditional Japanese architecture, is interpreted differently and placed in the entrance parts of the project. The aim was to design a space in the interior where students can feel comfortable and enjoy themselves. For this, a library with 1 amphitheater area and different resting areas has been added. The main concept of Arata Endo, the student of Tadao Ando, is to design a student house compatible with Koshien Kaikan and respect the building. HAND DRAWN PROJECT

A STATION FOR STUDENT COMPETITION 2018 BAHCESEHIR UNİVERSITY -‘’Second Award’’

A WORKING,SITTING AND EXHIBITION ELEMENTS FOR BAU NORTH CAMPUS This competition asked to design a station for students from us. Firstly, I examined the area where the project will be happen. I tried to look over the needs of the area and students, and I tried to do my best for design the most suitable chair unit. When I examined the school, I identified the needs as follows; - Classic table top should has a different design when we considered that; this is a architecture faculty. They should be different but, at the same time compatible. - There should be enough space when needed, and when we do not need, there should be little space. There should be a match between our needs and design. - The tables just should be there for work, and for our goods (bags, laptop, etc.) there will be a place under the table. In this way you feel comfortable without compression. - Yes, it should be comfortable but for me comfortable means there is no restrictive. You can adjust the backrest to your need. - It should be handy/convenient when it comes to jury time. What I mean is; You should be able to put your model and poster on your project and get ready to do presentation in a short time. You should not waste your time to paste the papers on the wall. - When we considered all these needs, finally I gave my decision about my design. - So, the design is modular and easily stored.....

MODULAR LIVING UNITS DESIGN FOR PUBLIC AREAS

1. 1. SINGLE MODULE LIVING UNIT 2. DOUBLE MODULAR LIVING UNIT 3. UNIT FOR BIKE 4. UNIT FOR THE WALKING AREA 5. MULTI MODULAR LIVING UNIT The aim of this project is to create modular living spaces using specific units. The units meet the user (human) needs and define the living space within the animals. At the same time, it is aimed to adapt to the garden environment and to return to nature so plants were used. The main theme is nature so the material as wood, Ä±t was used for living units.

ARCHITECTURAL PORTFOLIO gizemozdemr1@gmail.com +905313201966 +48514740773