Architecture Portfolio - M.M. Konig dos Santos

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Portfolio architecture & design selected works 2010 / 2014

Felix Pakhuis, Antwerp

M. M. Konig dos Santos



ACADEMIC

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THE MONOSTERION

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SERPENTINE PAVILION

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TEA HOUSE

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WORKSHOP

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RESTAURANT

Grad Project | Public | Religious

Public | Temporary | Parametric

Public | Mobility | Parametric

Extension | Parametric

Public | Urban

On the left Handdrawn panel from 2nd year bachelor degree

PROFESSIONAL

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CASA ATLÂNTICA

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CONTAINER

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CASA VALE DA VISTA

Private | Renovation

Private | Re-Use

Private | Renovation | Expansion


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Master thesis THE MONOSTERION year location supervisors

2013/2014 Prague, Czech Republic Juliette Bekkering, Sjef van Hoof

Stvanice island in Prague seemed the perfect location for a new typology of the monastery. It serves as a refuge from the hassle of city daily life, as well as demonstrates the fragility of quietness. The topology of the monastery represents many things in different cultures, but the most precious traits are universal. The objective of this design was to re-create the safe place where one can heal without judgement, but in this case, also without theological restrictions. Model picture


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1 Meeting Room 2 Vegetable garden 3 Kitchen and refectory 4 Tea garden 5 Tea room 6 Workshop 7 Group meditation hall 8 Discussion room 9 Individual meditation 10 Library 11 Art storage room 12 Spa 13 Sauna 14 Flower garden 15 Washing and storage room 16 Main cloister

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+6

+5

+6

+5

+3 +6 +3

+3

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0

0

On the left Main floor plan | -1 floor plan | -2 floor plan On the right Main functions plan | Section drawing


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1/20 Section Detail 1 Pitched Roof Red Oak cladding - 200mm width and 20mm thick. 50x75mm timber joist. Waterproof membrane. 20mm plywood. 130mm thermal insulation. Damp proof membrane. 20mm plywood. Laminated veneer timber beam. Red Oak lining - 200mm width and 20mm thick.

3 2

27mm plywood. 170mm thermal insulation. Damp proof membrane. 20mm plywood. Laminated veneer timber beam. Red Oak lining - 200mm width and 20mm thick. 3 Steel capping to roof parapet 4 Walls and Columns Textlile-reinforced concrete.

2 Flat Roof River stones. Waterproof membrane. 1

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4

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Detail | Section | Perspective

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SERPENTINE PAVILION year location

2013 London, England

The objective was to design a tea pavilion for the Serpentine Gallery at Kensington Gardens, Hyde Park. The pavilion would follow the same requirements and purpose of the annual Summer Serpentine Pavilion, with the added purpose of being a place to drink tea. The design is based on the feeling of sitting under a tree canopy and being able to experience the aromatic plants used for the making of tisane tea. By sitting lower than ground level, the visitors would feel further enveloped by the elements and isolated from the bustling city. Model picture


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TEA HOUSE year

2012

“A world hidden inside, where time flows at it’s own pace, a vacant space leaving an impression just by it’s spaciousness.” Tea House, A1 Architects The design was based on the analysis of the Tent Tea House by Tadao Ando with the objective of creating a mobile tea house, which can be assembled and dissembled on various locations. The shape resembles that of a sea shell creating a separate world within. The waffle wooden structure transmits a feeling of structural security covered by slightly transparent canvas providing a glimpse of the outside world. A wooden platform with 41/2 tatami mats is placed for relaxing and tea drinking. Model picture


Contemplation

Security

Tea

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WORKSHOP year location

2013 TU/e Campus, Eindhoven, Netherlands

This design serves as a temporary extension of the workshop at the department of Built Environment. It’s a place where students would work long, hard hours, and as such it has to be a place of inspiration and creativity. The use of the honeycomb hexagons correlates with it’s origin of the bee hive, during the day the hard-working students glimpse the outside world through the gaps, while at night outsiders view the busy students furiously working inside. Due to the building facing south, the daily hours would be represented by the hexagon shaped lights creeping along the floor until the day ends and they go outside instead.


10000

A

A'

10000

B'

B'

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3700 3300

230

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23


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RESTAURANT HAHNENSTRASSE year location collaborators

2012 Cologne, Germany Gabriela Koziel, Wenlei Ma, Jiazou Hou

The objective of this project was to primarily analyse the urban environment of the Hahnenstrasse and it’s surroundings, in order to then re-design two outdated building blocks. As a group we analysed the atmosphere and architecture of this area and proceeded by making a plan of re-building the front and centre of the block we were assigned. This block was divided in four parts, each assigned to one student. Each part had a distinct architectural function.


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CASA ATLĂ‚NTICA year location supervisor

2011 Carvoeiro, Portugal Arnold Aarssen

This project was a renovation of a seaside villa from the 70’s, the property occupying 2500m2 of area offering a large garden around the building. As a junior architect my role was to design several proposals to discuss with the clients. Thereon to provide with the construction drawings, windows and doors drawings and arrange material suppliers.


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2.00

2.80

3.35

2.60

2.75

0.50 0.20

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CONTAINER year location supervisors

2011 S.B. de Messines, Portugal Arnold Aarssen, JosĂŠ Pedro Braz

The re-furbished container serves as an extension for the villa, with a common are, fully equipped bathroom and kitchenette. My role in this project was to alternate the drawings and prepare them for construction and material suppliers, and then assisting on construction site management. http://www.designboom.com/architecture/nomad-living-by-studio-arte-is-ashipping-container-retreat-09-29-2013/


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Casa Vale da Vista year location supervisors

2011 Caramujeira, Portugal Arnold Aarssen, JosĂŠ Pedro Braz

Complete renovation of a property with a vila at Caramujeira. This included alteration of the interiors, re-designing the pool area and garden surrounding the house and designing an outdoor kitchen area. My role in this project was designing all the alterations, both conceptually and on technical drawings, discussing the new design with the clients and making the materials list.


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Handdrawn sketches.



Thank you.


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