Chiharu Shiota Magazine by Glenda Chia

ISSUE

SINGAPORE I DO N OT TH I N K TI M E IS SOM E TH I N G L I N E A R B U T H A S R AT H E R A C I R C U L A R N OTION “

F E AT U R I N G

CHIHARU SHIOTA 塩田千春 SPECIAL EDITION

23 MARCH 2021

PUBLISHER

LOFI MAGA ZIN E

ARTWORKS C H I H A R U S H I OTA

01 “Changing. Quiet and calm, but also exhausting – weaving never ends; at the beginning it looks like it is not enough, it will never be finished. Everything changes. Then you get the sense of fun and achievement.”

CO N T

YEAR OF BIRTH 1972

AGE 49

HOROSCOPE CAPRICON

ABOUT HER

Exploring the life and growth of Chiharu as her life takes many ups and downs and highs and lows

PL ACE OF STU DY

K YOTO SEI K A U N IVERSIT Y

K YOTO, 19 92 – 19 9 6 C A N B E R R A S C H O O L O F A R T, A U S T R A L I A N N AT I O N A L U N I V E R S I T Y AUSTRALIA , 1993 – 93

100 YEARS

HOCHSCHULE FÜR BILDENDE KÜNSTE BERLIN, 1999 – 2003

U N I V E R S I TÄT D E R K Ü N S T E

A place influences an individual in how they percieve the world and in this exhibition . we see chiharu express her view of Berlin

06 KEY EXHIBITION

2012

2015

I N F I N I T Y, G A L E R I E

THE KE Y IN THE HAN D,

DANIEL TEM PLON ,

JA PA N E S E PAV I L I O N ,

PA R I S , FR A N C E

BIENNALE DI VENEZIA

HARNESSING FEAR Learning the ropes of how Chiharu uses her life’s events and traumas to reflect into her work and finding out how her artworks are more than meets the eye

13 INTERVIEWS

Getting up close and personal with Chiharu and gaining insights into her inner-thoughts and feelings and how her art was created and thriving today

CONNECT WITH HER COUR AGE

Honest opinions of the behind the scenes of chiharu’s installations as well as her special exhibition “beyond time” that features a chapel as the holding of the exhibition

THEMES

PERSEVERANCE

PA S S I O N

OVERCOMING

E NT S

2010

ART & IDENTITY

WA LL

“She’s part of her art, but separated from it moving away from the structures she actualizes.”

2018 DANCING

2017 B ELO NG I NG

15 S O L O C ATA L O G U E S Featuring all the solo cataglogues Chiharu has published throughout her journey as an artist

COLLECTION

1999

2020

MORI ART MUSEUM Taking a bird’s eye view of all the artworks that chiharu is presenting at the Mori Musuem titles “ The Soul Trembles “ DISCLAIMER 2016

2008

U N C E R TA I N J O U R N E Y

IN SILENCE

All images and words were taken online from various sources. None of the words belong to me. All copywriters and photographers are credited. This magazine should not be taken seriously, it is a mock magazine for the purpose of a school assignment. This will also not be publishesd officialy.

PHOTOGRAPH Y- J E A N M U N - D E L S A L L E

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G R A P / L

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ABOUT HER 04

projects berlin

alexander rentsch

zach andrews

W E AV I N G through HISTORY

100 jahre revolution berlin

WORDS

I N S TA L L AT I O N

ZACH ANDREWS

PERFORMANCE ART

chiharu shiota weaves webs around two seated performers, 100 years after WWI

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100 YEARS 05

WORDS Y- J E A N M U N - D E L S A L L E

HARN ESSING FEAR

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FEBRUARY 15, 2021

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I make my art not as a kind of therapy for internal anxiety, since in my case the fear is necessary to actually make art. I create out of emotion. Everyone has a universe inside of them and I think it is our goal to connect our inner universe with the outside universe. This is something I try to make sense of with my work. I create to understand my emotions and myself and to connect with others.

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WORDS

CONCEPT

YSP

P U R I T Y A N D D E AT H

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CO N N EC TING

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I"06$),0#% 29 158310#% \/06% SI2\V% ,$% 3)#% 5#/!,*;% ,*> 3#0*/3,"*/5% 9 #*30#% :"0% &"!#0*% /*!% 9 "*3#&8"0/0'% $9 158310#%(),9 )%9 #5#+0/3#$%,3$%_F3)%/**,?#0$/0'%,*% EFGU<%B3%,$%/*%,*!#8#*!#*3%9 )/0,3/+5#%301$3%/*!%0#;> ,$3#0#!% &1$#1&% S*1&+#0% GFHUTFkV% $,31/3#!% ,*% 3)#% ZFF>/9 0#@%Gk3)>9 #*310'%W0#33"*%Q/55%#$3/3#%,*%Y#$3% I"06$),0#<% X"1*!#!% ,*% GTUU% +'% lK#9 1 3,?#% ^,0#9 3"0% \#3#0%=100/'@%I2\%(/$%3)#%:,0$3%$9 158310#%8/06%,*%3)#% ML@%/*!%,$%3)#%5/0;#$3%":%,3$%6,*!%,*%l10"8#@%80"?,!> ,*;%3)#%"*5'%85/9 #%,*%l10"8#%3"%$##%W/0+/0/%Q#8> ("03)c$%R)#%X/&,5'%":%=/*%,*%,3$%#*3,0#3'%/5"*;$,!#%/% $,;*,:,9 /*3%9 "55#9 3,"*%":%$9 158310#@%,*9 51!,*;%+0"*D> #$% +'% Q#*0'% =""0#% /*!% $,3#>$8#9 ,:,9% ("06$% +'% J*!'%O"5!$("03)'@%^/?,!%N/$)%/*!%A/&#$%R100#55< I2\% &"1*3$% /% ("05!>9 5/$$@% '#/0>0"1*!% 3#&8"0/0'% #K),+,3,"*$% 80";0/&&#% ,*9 51!,*;% $"&#% ":% 3)#% ("05!c$% 5#/!,*;% /03,$3$% /9 0"$$% :,?#% ,*!""0% ;/55#0,#$% /*!%3)#%"8#*%/,0<%]#9 #*3%),;)5,;)3$%,*9 51!#%#K),+,> 3,"*$%+'%J5:0#!"%A//0@%R"*'%.0/;;@%N"3%[,3/5@%LJY2@% W,55% [,"5/@% J*3)"*'% ./0"@% X,"*/% W/**#0@% J,% Y#,> (#,@% M0$15/% ?"*% ]'!,*;$?/0!@% J&/0% L/*(/0@% I,*6/% 2)"*,+/0#%=Wl@%A"/*%=,0m%/*!%A/1&#%\5#*$/<%="0#%

3)/*%kF%("06$%"*%!,$85/'%/9 0"$$%3)#%#$3/3#%,*9 51!#% &/P"0% $9 158310#$% +'% \)'55,!/% W/05"(@% J,% Y#,(#,@% ]";#0% Q,"0*$@% 2"5% `#Y,33@% A"/*% =,0m% /*!% ^#**,$% C 88#*)#,&< I2\c$%!0,?,*;%8108"$#%:"0%_F%'#/0$%)/$%+##*%3"%#*> 9 "10/;#@%*10310#%/*!%$1$3/,*%,*3#0#$3%,*%/*!%!#+/3#% /0"1*!%9 "*3#&8"0/0'%/03%/*!%$9 158310#@%#$8#9 ,/55'% (,3)% 3)"$#% *"3% 3'8,9 /55'% :/&,5,/0% (,3)% /03% 8/03,9 ,8/> 3,"*<% B3% #*/+5#$% "8#*% /9 9 #$$% 3"% /03@% $,31/3,"*$% /*!% ,!#/$@%/*!%9 "*3,*1#$%3"%0#>#?/51/3#%/*!%#K8/*!%3)#% /880"/9 )% 3"% 9 "*$,!#0,*;% /03c$% 0"5#% /*!% 0#5#?/*9 #% ,*% $"9 ,#3'<% 2188"03,*;% _Z@FFF% 8#"85#% #/9 )% '#/0% 3)0"1;)%I2\c$%5#/0*,*;%80";0/&&#@%3),$%,**"?/3,?#% ("06% !#?#5"8$% /+,5,3'@% 9 "*:,!#*9 #% /*!% 5,:#% /$8,0/> 3,"*%,*%8/03,9 ,8/*3$< I2\c$% 9 "0#% ("06% ,$% &/!#% 8"$$,+5#% +'% ,*?#$3&#*3% :0"&% J03$% ."1*9 ,5% l*;5/*!@% Y/6#:,#5!% ."1*9 ,5@% `,D% /*!% R#00'% W0/&/55% X"1*!/3,"*% /*!% 2/610/6"% /*!% Y,55,/&%X,$)#0%3)0"1;)%3)#%2/6/*/%X"1*!/3,"*<%I2\% (/$%*/&#!%J03%X1*!%=1$#1&%":%3)#%I#/0%,*%EFG_<

“ I would like to have access to another person’s brain – feel what they are feeling, think what they are thinking.

We s t r u g g l e to really understand each other. ”

THE

CONNECT 07

T HRE ADS i n t e rWORDS ANA BOGDAN

C O L L A B O R AT I O N C H I H A R U S H I OTA

twining

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DIRECTION C E N T R O C U LT U R A L

KARLSRUHE, GERMANY

B%3),*6%&'%+,;%$9 /5#%,*$3/55/3,"*$%/0#%/9 31/55'%#/$,> #0%3"%1*!#0$3/*!%/*!%:/$3#0%3"%;0/$8%#&"3,"*/55'<%B% !"*c3%(/*3%3"%!#5,?#0%/%0/3,"*/5%&#$$/;#%+1 3%9 0#/3#% /*%#&"3,"*/5%,&80#$$,"*<%B%!"*c3%(/*3%3"%#K85/,*%&'% /03%+#:"0#)/*!< R)#% /1!,#*9 #% *##!$% 3"% :##5% 3)#% ,&8/9 3% :,0$3% /*!% B% )"8#% 3)/3% 3)#% :,0$3% ,&80#$$,"*% 0/,$#$% ,*3#0#$3% /*!% j1#$3,"*$<% Y)/3% B% $##% ,*% &'% /03% ("06% ,$% *"3% /+$"> 51 3#@% #?#0'+"!'% )/$% ),$% "0% )#0% "(*% 5#;,3,&/3#% ,*> 3#080#3/3,"*<

,#+*(-!)#-$

2021 T WO B OAT S , O N E

ZENTRUM FÜR KUNST UND MEDIEN,

*%++($% 4#$87DD78%"#E1 $978%7D1 :'$%(#E1 ! "#! '98& 7D1 7681 76'1 #"81'7$518"16'7:1?"618@'17& :%'#! '178171?%6$81$%(@8A1 F"15"&1?''D18@'1#'':1"?1'G9D7%#%#(18@'1>'$$7('$1 8@7815"&617681<'@%! D'$1"615"& ;:1678@'61D'815"&617& H :%'#! '1?6''18"1%#8'696'81%8C

2021 CONNECTED TO LIFE

M"&61 $! @':&D'1 %$1 <'651 8%(@8E1 5"& ;6'1 'G@%=%8%#(1 7! 6"$$1 8@'1 I"6D:E1 $">'8%>'$1 5"&61 %#$87DD78%"#$1 76'1?'78&6':1%#19'6>7#'#81'G@%=%8%"#E1$">'8%>'$1 %#1 8'>9"67651 "#'$A1 F"'$1 :%$>7#8D%#(1 7#1 %#$87DD78%"#1@7<'17#1'>"8%"#7D1%>97! 81?"615"&C

R)#% !,$&/*35,*;% )/$% *"3% /% $30"*;% ,&8/9 3% :"0% &#<% B3c$%3)#%9 "10$#%":%*/310#%/*!%3)#%/03%("06<%="0#%,&> 8"03/*3% :"0% &#% ,$% 3)/3% 3)#% /1!,#*9 #% $3/'$% (,3)% /*% #&"3,"*/5%,&8/9 3%:0"&%3)#%,*$3/55/3,"*<%`,6#%3),$%3)#% ,*$3/55/3,"*$% !"#$*c3% 9 #/$#% 3"% #K,$3% /*!% 8#0$,$3$% ,*% 3)#%&#&"0'%":%3)#%8#"85#<

BANCO DO BRASIL, RIO DE JANEIRO, BRAZIL

CONNECT 08

Out of My Body Exhibition “The Soul Trembles “

2019

! "I@%:'1 D'78@'6E1 =6"#J 'E1 :%>'#$%"#$1 <76%7=D'

W#),*!% 3),$% (/$% 3)#% #K8#0,#*9 #% ":% :##5,*;% 3)/3% /$% $)#% :"1*!% )#0$#5:% "*% 3)#% 30#/3&#*3% 9 "*?#'"0% g% )/?,*;%8/03$%":%)#0%+"!'%0#&"?#!@%/*!%1*!#0;",*;% 9 )#&"3)#0/8'% g% )#0% $"15% (/$% +#,*;% 5#:3% +#),*!<% X"0% 2),"3/@% ()"% )/$% /5(/'$% $#*$#!% 3)#% 80#$#*9 #% ":% 5,:#c$% ("06,*;$% ,*% /+$#*9 #@% 1$,*;% )#0% +"!'% /$% /% ("06%":%/03%&/'%,*?"5?#%,&/;,*,*;%3)/3%/+$#*9 #<

Accumulation – Searching for the Destination 2014/2019

2),"3/% 1$#!% /0"1*!% _hF% "$9 ,55/3,*;% $1,39 /$#$% 9 "**#9 3#!% (,3)% /*!% )1*;% +'% 0#!% 3)0#/!<% 2),"3/% (/$% ,*$8,0#!% +'% 3)#% !,$9 "?#0'% ":% "5!% *#($8/8#0$% ,*% /% $1,39 /$#% $)#% :"1*!% ,*% W#05,*<% O",*;% +/9 6% 3"% )#0% +#5,#:% 3)/3% /55% 3),*;$% )/?#% 3)#,0% "(*@% ,**/3#% &#&"0,#$@% $)#% 1$#!% $1,39 /$#$% 3"% #K85"0#% *"3,"*$% ":%!,$85/9 #&#*3@%5"$$%/*!%&#&"0'@%$1;;#$3,*;%3)#% &#&"0,#$@% &"?#&#*3% /*!% &,;0/3,"*% ":% $30/*;#0$@% 3)#% 0#:1;##c$% P"10*#'% "0% 3)#% P"10*#'$% ":% 8#"85#c$% 5,?#$<%

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Uncertain Journey 2016/2019

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MORI 09

2018

2019

In Silence 2002/2019

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Collection At The Mori Art Musuem

2008/2019

MORI 10

TITLE

PHOTO

B ECO M I N G PAI NT | 1 9 9 4

B EN STO N E

ART & (I)DENTITY WORDS AVA N T M AC A B R E

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ART & IDENTITY

WORDS MARCO GUILIANO

GETTING UP CLOSE

INTERVIEW WITH CHIHARU S H I OTA

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C O L L A B O R AT I O N C H I H A R U S H I OTA

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SKILLFUL PR ACTICE ”

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INTERVIEWS

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SMALL ROOM

B'6'18@'1,!!5%&6/15"&1?'D81:&6%#(18@'19'6H ?"6>7#! '18@'1$7>'17$18@'1"#'$15"&+,!5)1%#1

GALERIE DANIEL

8@'1:6'7>C

TEM P LO N , PA R I S , FRANCE

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DAT E 10/10/2019

I always thought that when death takes my body that I will be gone, I won’t exist anymore. But now, I know that my mind and my body act separate from another.

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ME SOMEWHERE ELSE

DIALOGUE FROM DNA 2018

B E YON D TIM E

2004

WHERE ARE WE GOING? 2018

2017

DURING SLEEP 2002

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AFTER THE DREAM

P"I1:"15"&18791%#8"18@"$'+.!.-$%!/+I%8@1 5"&61I"6LC

C A R R É S T. A N N E , MONTPELLIER, FRANCE

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INTERVIEWS 14

* +* + 01

BETWEEN US

COUNTING MEMORIES

WO R KS O N PA P ER

THE SOUL TREMBLES

* +,05

LIFELINES

THE SOUL TREMBLES

LINE OF THOUGHT

* +,2 08

C H I H A R U S H I OTA

B E YON D TIM E

LOST WORDS

* +,. 12

DIRECTION

UNTER DER HAUT UNDER THE SKIN

WHERE ARE WE GOING

BETWEEN THE LINES

* +,/ 16

AN INTERVIEW BY ANDREA JAHN

TH E LOCKED ROOM

EMLEKESO

* +,1 19

THE KEY IN HAND

* +,# 20

PRESENCE IN THE ABSENCE

THE HAND LINES

* +,0 22

OTH ER SI DE

AFTER THE DREAM

LETTERS OF THANKS

S O LO C ATO LO G U E

* +,* WHERE ARE GOING ?

* +,, CHIHARU

S H I OTA

* ++-

WHEN MIND TA K E S S H A P E

F LO W I N G WAT E R

* ++. FROM

SILENCE

* ++2

S TAT E O F B E I N G

B R E AT H O F

THE SPIRIT

* ++1 RUAM

* ++# IN SILENCE

* ++0

/A - I - R L A B O R ATO R Y

T H E WAY I NTO SI LEN C E

* ++, UNDER THE SKIN 200/01

,- - DIAG LOGU E FROM DNA

S O LO C ATO LO G U E

L O

M A G A

Z I

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