The Gay Men’s Chorus of South Florida, Seminole Hard Rock Hotel & Casino Hollywood and The Westin Fort Lauderdale Beach Resort presents
with Artistic Director GABE SALAZAR
Sponsored by AARP South Florida, Holman and OutClique Magazine
Friday, March 21, 2025, 8:00 pm at The Parker, Fort Lauderdale
Performances by TROPICAL WAVE and the AVN DANCE COMPANY
GUEST CONDUCTOR Jonathan Arden | NARRATOR Robert Beaulieu
PRODUCTION
Anthony Cabrera – Assistant Conductor & Tropical Wave Conductor
James Smith – Production Director
Darren Matias – Principal Accompanist
Bruce Anderson – Costumes & Wardrobe
Kevin Smith – Costumes & Wardrobe
Marcus Saitschenko - Assistant Production Director
Tom Michalak – Production Assistant
ORCHESTRA
Emin Huseynov – Violin 1
Sol Ochoa – Violin 1
Laura Gonzalez – Violin 2
Jerome McCoy – Viola
Megan Hagel – Cello
Christine Pascual-Fernandez – Clarinet and Tenor Saxophone
Luis Carlos Pulido Orjuela – Trumpet 1
Juan Guillermo – Trumpet 2
Adrian Corredor – Trombone 1
Jhonder Salazar – Trombone 2
Roberto Borbone – Guitar
Teresa Flores – Drums
Julian Rauh – Bass
THANK YOU
Seminole Hard Rock: Erick Eldridge, Director of Special Events; Sunshine Cathedral: Bishop Durrell Watkins, Bishop Robert Griffin, and Kurt Litzenberger, Facilities Manager; The Parker: M. Tate Tenorio, Theater Manager, and The Production Team; Broward Center for the Performing Arts: Tracy Schneider, Director of Ticketing Services & Sales, Heather Silvia, Premium Sales Manager and Customer Contact Coordinator.
The program book is developed and produced through generous support from:
Note: Audio, video recording, and flash photography are prohibited during the performance.
GABE SALAZAR
Welcome to Broadway Blockbusters!
Broadway has been the beating heart of American musical theater for over a century—a place where stories come to life through unforgettable melodies, bold storytelling, and raw emotion. These productions have reflected our greatest struggles and triumphs, giving voice to the human experience in ways that resonate across generations. More than just entertainment, Broadway has sparked social change, challenged norms, and reminded us of our shared humanity.
Tonight, we celebrate the power of Broadway with a collection of show-stopping songs that inspire, uplift, and move us. From the satirical humor of Turn It Off (The Book of Mormon) to the revolutionary passion of Do You Hear the People Sing? (Les Misérables), our program captures the spirit of resilience and transformation. Light (Next to Normal) offers hope in the face of struggle, while our Rent medley reminds us of the importance of love, community, and living life fully. And of course, we take to the skies with The Wizard and I (Wicked) and a breathtaking arrangement of Over the Rainbow and Defying Gravity songs that remind us to dream big, break barriers, and embrace our true selves.
Music has always been a guiding force—a source of comfort in difficult times, a call to action in moments of change, and a celebration of the beauty that connects us all. We are honored to use our voices not just to entertain but also to inspire, advocate, and build bridges through music.
To our audience, supporters, and friends, thank you for believing in our mission and standing with us as we share our voices and hearts. Your presence tonight is a testament to the power of music and community. We are grateful for you, and we hope this evening fills you with joy, inspiration, and the undeniable magic of Broadway.
Enjoy the show!
GAY MEN’S CHORUS OF SOUTH FLORIDA (GMCSF)
The Chorus is a vibrant community of singers, uniting diverse voices across generations and cultures with a shared commitment to shaping a brighter future for all. Beyond the artistry of music, GMCSF emerges as a formidable force dedicated to transcending social barriers while visibly and powerfully advocating for the LGBTQ+ community. Being a part of the Chorus is more than simply singing; it’s a profound expression of LGBTQ+ identity. The members become living embodiments of positivity, serving as role models for the younger generation, actively contributing to the community, and helping those in need.
GMCSF’s impact resonates far and wide as it brings live music to the region through grand-scale concerts in prestigious venues, far-reaching community engagements, and meaningful volunteer initiatives. Boasting over 180 talented singing members, GMCSF proudly stands as one of the top, award-winning LGBTQ+ nonprofit arts organizations in the State of Florida, the largest gay men’s chorus in the southeastern United States, and one of the nation’s top ten LGBTQ+ choruses. Led by Artistic Director Gabe Salazar, the Chorus’s performances captivate more than 30,000 individuals each year, solidifying its position as a vital cultural asset in the heart of South Florida. GMCSF reached a significant milestone in December 2016 when we collaborated with SEMINOLE HARD ROCK HOTEL & CASINO HOLLYWOOD to perform our holiday concert at Hard Rock Live! The two entities have continued this partnership, which is now in its seventh year. Prior guest artists have included Linda Eder, Alan Cumming, Matthew Morrison, Jordin Sparks, Shoshana Bean, Amber Riley, and most recently, Todrick Hall.
MISSION & VISION:
We sing so that LGBTQ+ people can live their truth through quality music experiences that inspire audiences, open minds, change hearts, and affirm our common humanity. Our vision is a diverse world united.
GAY MEN’S CHORUS OF SOUTH FLORIDA
GABE SALAZAR, ARTISTIC DIRECTOR
Gabe is a vibrant and seasoned conductor, tenor, and music educator renowned for nurturing the artistic development of musicians from all walks of life. With 20 years of professional experience in choral conducting and performance, Gabe brings a wealth of expertise to his role with the Gay Men’s Chorus of South Florida. Gabe earned his Master of Music degree in Voice from Lee University, with additional studies specializing in choral conducting at California State University, Fullerton. His impressive career includes pivotal roles including Director of Music at the United Methodist Church of Thousand Oaks in California, Director of the New Life Singers, and Voice Faculty member at Grand Canyon University in Phoenix, AZ. Gabe has also performed with distinguished ensembles like the Chicago Symphony Chorus and the Pacific Chorale in Costa Mesa, CA, and led choral programs at Champs Charter High School of the Arts in Los Angeles and Osceola County School of the Arts in Kissimmee, FL. His leadership at these institutions has been marked by remarkable achievements, including a choral program that doubled in size within a year and won numerous awards at festivals and competitions. A career highlight came in March 2019 when Gabe led his Chamber Singers in a celebrated debut at Carnegie Hall, winning a prestigious competition to headline a concert at the iconic Isaac Stern Auditorium.
Now entering his fourth season as the Artistic Director of the Gay Men’s Chorus of South Florida, Gabe is eager to continue guiding the ensemble’s growth and success. Under his visionary leadership, GMCSF has expanded rapidly to include 180 singers and has featured collaborations with renowned artists like Deborah Cox, Shoshana Bean, Amber Riley, and Todrick Hall. Gabe’s innovative spirit was pivotal in presenting the groundbreaking Disney Pride in Concert, and the chorus remains a trailblazer in the LGBTQ+ community. Recent highlights include a standout performance at Minneapolis’s 2024 GALA Choruses Festival. In addition to his role with GMCSF, he serves as the Director of Music for Sunshine Cathedral in Fort Lauderdale. Most recently, he was selected to join the board of directors for the Gay and Lesbian Association of Choruses (GALA Choruses). GALA Choruses is the leading organization supporting LGBTQ+ choral groups across North America, providing professional development, conferences, festivals, online tools, and guidance for new and established organizations.
GAY MEN’S CHORUS OF SOUTH FLORIDA
ANTHONY CABRERA, ASSISTANT CONDUCTOR
Anthony is the former Artistic Director of the Miami Gay Men’s Chorus, serving them for 14 years. Under his leadership, the chorus has introduced ground-breaking choral works for men’s voices (Through the Glass Darkly (2010), Alexander’s House (2013), and I Am Harvey Milk (2016), dealing with issues integral to the story and history of the LGBTQ+ community. The chorus also saw the development and expansion of the MGMC South Florida Choral Festival, which, for five years, featured over three hundred singers representing a broad spectrum of communities in South Florida.
Cabrera is the Assistant Director of Music Ministries at Coral Gables Congregational United Church of Christ (UCC), where he is also the Minister of Liturgical Arts. He is a singer with the Chancel Choir and CGCC’s professional vocal ensemble in residence. In addition, Anthony is the Choral Director at the Young Women’s Preparatory Academy–Miami Dade County Public Schools’ single-gender public preparatory academy for girls. He teaches Humanities, AP Music Theory, and AP Human Geography and is the school’s Director of Student Activities. In 2021, Anthony accepted the position of Assistant Conductor for GMCSF and also conducts their vocal ensemble, Tropical Wave.
VOCAL ENSEMBLE, TROPICAL WAVE
Tropical Wave is a GMCSF vocal ensemble with approximately 20 singers, led by Anthony Cabrera, the Assistant Conductor. This group performs at special events and venues too small for the entire chorus. It is also frequently showcased in mainstage concerts and community events.
Tenor
Darren Matias, Accompanist
Ginny McCulloh, Tropical Wave Administrator Matthew
GMCSF SOLOISTS
ASSOCIATE PRODUCERS
We thank the following donors who contributed to our production.
ARTISTIC DIRECTOR | Paul Rolli and Bennett Quade
SET DESIGN | Phil Cordell TENOR
Jim Aguilar Eric Alayon
Sandy Allen
Matthew Almeida Samantha Alvarez
Bruce Anderson Reynaldo Araque
David Baier
Derek Barbara
Robert Beaulieu
Aaron Bell Andrew Bendik Jorge A Bernal-Geschier Miguel Bernard-Rivera Luke Bertaux
Gaston Betoled Rex Beyer
Nate Bisco Mark Blackburn
Christopher Bollinger
Fred Boykin
Fernando Brierley
Renato Brito John Burch
Bradley Bush
Scott Campbell Jonathan Casanas John Chaffin Bert Cohen Ian Cohen
Edwin Cruz Craig Cunningham
Doug Cureton
Craig Dannenbrink Don Dennis
Nick Dryfuse Jeannine Everett
Doug Ferguson
Felix Fidelibus Micheal Foley
Steven Freeman
Richard Fulks Wyatt Gaff Walter Gardner
Steven K. Goldman
Jeff Goodwin Mark Gracy
Rafael Gragert
Joanna Grandel-Everett
David Gray
Michael Halpner Elan Harari Jason Hardie Dean Hitsos David Hopper
Jim Houser
Faris Hu
John Ingino
Jeffrey Jackson John Jackson
Fred Johnson Gregory Johnson
Justin Johnson
Paris Kessinger
Herb Knowles
Aaron Lauer
Douglas Leader
John Lewis
Kenny Lewis
David R. Littlefield
Aaron Lockley
Leo Luberecki
Colin Ludlow
Brian Lundy
Samuel Martin
Ginny McCulloh Alan McKnight Patrick McLendon Peter Meerwirth Rick Melchionno
Mel Melendez Scott Messenger Glen Miller
Tony Minella Terry Moore
Adam Neal Ed Niese
Adrian Novello
Joshua Oberfoell Jorge Ornelas Jr.
Nick Orr Gilles Ouellet
Clayton Paterson
Bruce Patrick
Steven Patterson
Michael Pellicone Michael Ping
Eduardo Pinto
Carter Poust
Clive Ray
Justin Robbins Curtis Robertson
Charles Robinson
Geraldo Rodriguez Raymond Rodriguez
Not Pictured
Brandon Barker, Charles Gracy
John Hooper, Elijah Roe
Marcus Saitschenko
Cristopher Santos
Jose Santos Jonathan Sanz Rob Sheiffele
Donald Small Kevin Smith Bill Spinosa
Dennis St. Jean Don Tomasello
Carlos Torres Johann Torres Titus Tucker
David Van Cleaf Kely Van Eaton
Israel Vinas Jem Walker
Rashad Webb K. David Weidner Jason Weston
Aubrey Williams Joshua Williams Paul Williams
Durward Womack
Tim Yarbrough
Q. Yepez Rob Young
Music and Lyrics by Barry Mann, Cynthia Weil, Jerry Leiber, and Mike Stoller
Arranged by Steve Milloy
Solo 1: Richard Fulks Solo 2: Israel Vinas Solo 3: Jeff Goodwin
“Dedicated to my husband Dr William E. Gannon Jr and newest GMCSF board member who truly taught me about Broadway” – David Weidner
Oh What A Beautiful Mornin’
Music and Lyrics by Oscar Hammerstein II and Richard Rodgers | Arranged by Joseph Joubert
Guest Conductor: : Jonathan Arden
“We must all continue to look forward to each beautiful morning as it is our hope for a better day.” – Tony Minella
Everybody Says Don’t
Music and Lyrics by Stephen Sondheim | Arranged by Mark Hayes
“And Yet, David Weidner, we still do and will continue” – Bill Gannon
Make Them Hear You
Music and Lyrics by Stephen Flaherty and Lynn Ahrens | Arranged by T. Dobson
“Now more than ever, we must make them hear us” – Don Tomasello and Bob Pagano
The Wizard and I
Music and Lyrics by Stephen Schwartz
Solo: Jonathan Casanas
“Dedicated to my dear friends: Joseph Fletcher and Kerry Waldee. May you continue to defy gravity!!!” – Judy Paul
Company Sunday (TW)
Music and Lyrics by Stephen Sondheim | Arranged by Ben Riggs
Performed by TROPICAL WAVE
Music and Lyrics by Stephen Sondheim | Arranged by Mac Huff
Performed by TROPICAL WAVE
“We dedicate Sunday to those feeling insignificant like a dot in Impressionist art. Step back—you’re part of a beautiful canvas. We see you!” – Tropical Wave
Do You Hear The People Sing?
Music and Lyrics by Claude-Michel Schönberg, Alain Boublil, Jean-Marc Natel and Herbert Kretzmer
Solo 1: Felix Fidelibus Solo 2: Jem Walker Solo 3: Aaron Bell
“Sponsored by James Mallon, whose generosity empowers our voices. May this song inspire hope, unity, and the unwavering pursuit of justice for all.” – James Mallon
ACT ONE INTERMISSION Classics Medley
ACT TWO
Music and Lyrics by Lin-Manuel Miranda | Arranged by David Maddux
Solo: Jonathan Sanz
Sponsored by Paul Rolli and Bennett Quade
In the Heights Light
Music and Lyrics by Brian Yorkey and Tom Kitt | Arranged by Neal Richardson
Solo 1: John Ingino Solo 2: Kely Van Eaton
“One of my favorite Broadway songs. In a dark world, this powerful piece reminds us that family, connection, and resilience can guide us back to the light.” – Mike Pellicone
A House is Not a Home
Music and Lyrics by Hal David and Burt Bacharach | Arranged by Mac Huff
Performed by TROPICAL WAVE
“In memory of my sister, Joan Brown, who loved and introduced me to the velvet tones of Luther Vandross.” – Sponsored by John Lewis
Turn It Off
Music and Lyrics by Trey Parker, Robert Lopez, and Matt Stone | Arranged by David Maddux
Solo 1: Elan Harari Solo 2: Matthew Almeida Solo 3: Justin Johnson
“They are trying to make us “Turn it Off.” But we will not be silenced or erased. We will continue to raise our voices and “Turn It Up!” – Michael Ping and Brad Winnie
No One is Alone
Music and Lyrics by Stephen Sondheim | Arranged by Scott Henderson
“To my Little Red and Steward: In chaos, look beyond your reflection in the mirror. Your values make YOU. You are not alone. We will not surrender—we sing on.” – Steve Freeman
Rent Medley
Music and Lyrics by Jonathan Larson | Arranged by David Maddux
Solo: Derek Barbara
“To all my friends and clients who struggled with the effects of HIV/AIDS in their lives. We continue to fight for your voices to be heard.” – Fred Boykin
Over the Rainbow/Defying Gravity
Music and Lyrics by Harold Arlen, E.Y. Harburg, and Stephen Schwartz
Arranged by Saunder Choi
“To my fellow first tenor, scuba diving buddy, and dearest friend Dr Patrick McClendon who always defies gravity.” – David Weidner
A HOUSE IS NOT A HOME “A House is Not a Home” was the title song from the 1964 film starring Shelley Winters and Robert Taylor. This was one of many hits for the famed songwriting duo of Burt Bacharach (music) and Hal David (Lyrics). Along with singer Dionne Warwick, the Bacharach-David team created a string of popular recordings including “What the World Needs Now,” “Walk on By,” “Alfie,” and “Do You Know the Way to San Jose.” Warwick also popularized “Promises, Promises” and “I’ll Never Fall in Love Again” from Bacharach and David’s 1968 hit Broadway musical Promises, Promises. “A House is Not a Home” was originally recorded by Warwick in 1964. Although it was not included in the original production of Promises, Promises, it was added to the score of the 2010 revival, starring Sean Hayes and Kristin Chenoweth. Chenoweth sang the song in the show, along with the addition of Bacharach and David’s classic “I Say a Little Prayer.”
COMPANY This is the opening number of Stephen Sondheim’s 1970 Broadway musical Company. Sondheim contributed both the music and the lyrics for the production. The show was nominated for fourteen Tony Awards, winning six awards including best musical, best score, and best lyrics. The plot of Company was one of the first musicals that dealt with such contemporary issues as dating, marriage, and divorce. The story revolves around the protagonist, Bobby, a single man whose best friends are married or engaged. The opening number introduces the various characters who have come together for Bobby’s surprise 35th birthday party. The show is a series of vignettes highlighting the relationships he shares with his friends and the women he is dating. A British reimagining of the show in 2018, introduced a female protagonist named “Bobbie.” This gender-reversed version opened on Broadway in 2021, winning a Tony Award for Best Musical Revival.
DO YOU HEAR THE PEOPLE SING? “Do You Hear the People Sing?” is one of the many stand-out numbers from the nowclassic musical Les Misérables, based on the novel by Victor Hugo. The score was written by Claude-Michel Schönberg (music) and Alain Boublil (Lyrics). The musical opened on Broadway in 1987 and became the sixth longest running musical in Broadway history, with over 6,000 performances. The show garnered eight Tony Awards including best musical, best book of a musical, and best original score. This song is performed by a group of revolutionaries calling for people to unite in defiance of the injustices they face. The song’s message is one of hope and solidarity, standing for the voices of the oppressed rising against tyranny. It is viewed by many as an anthem, with themes of social justice, equality, and the fight against oppression.
EVERYBODY SAYS DON’T Stephen Sondheim wrote the music and lyrics for the avant-garde and unconventional Anyone Can Whistle, one of the first musicals for which he contributed music and lyrics. The show was produced on the New York stage in 1964. The plot dealt with an economically depressed town whose mayor (played by Angela Lansbury in her first Broadway musical) created a fake miracle to attract tourists. The show was a flop, closing after only 12 previews and nine performances. However, the show has become a cult favorite among Broadway musical aficionados. “Everybody Says Don’t” is a satirical, biting number sung by J. Bowden Hapgood, a phony psychiatrist. The song is about conformity and how society expects us to behave. This song challenges those constraints and has a theme that challenges societal norms and expectations, encouraging us to live our truth.
IN THE HEIGHTS The musical In the Heights (music and lyrics by Lin-Manuel Miranda), involves people’s lives in the Dominican American neighborhood of Washington Heights in Manhattan. The score blends hip-hop, salsa, soul, merengue, and traditional Broadway music. The play opened Off-Broadway in 2007 and transferred to Broadway in 2008. In the Heights won four Tony awards, including best musical and original score. The song, “In the Heights,” is the musical’s opening number and is led by a bodega owner, Usnavi de la Vega, the protagonist of the musical. The song introduces the neighborhood and its inhabitants, focusing on the local, tightly-knit community’s cultural identity, aspirations and hardships. The music is upbeat and energetic, blending the melody with spirited and energetic storytelling.
LIGHT The song “Light”, by Brian Yorkey (lyrics) and Tom Kitt (music), comes from the groundbreaking musical Next to Normal, which won the Pulitzer Prize for Drama in 2010. Light also earned three Tony awards, including best original score. The focus of the show is on a mother coping with bipolar disorder and the impact it has on her husband, son, and daughter. The show is revolutionary in its focus on mental illness and grief and their effects on family dynamics. “Light” occurs at the end of the musical. It serves as a beacon of hope for the family and the future. The lyrics provide a sense of positivity and confidence, offering a message of strength and hope in the face of difficult conditions. As the lyrics suggest, “Day after day, we’ll find the will to find our way. Knowing that the darkest skies will someday see the sun. When our long night is done, there will be light!”
MAKE THEM HEAR YOU “Make Them Hear You” is part of the Tony Award-winning score of Ragtime, with music by Stephen Flaherty and lyrics by Lynn Ahrens. The musical, based on the novel of the same name by E.L. Doctorow, opened on Broadway in 1998. The story takes place in the early 20th century and intertwines the lives of the white upper-class, Eastern European immigrants, and African Americans. “Make Them Hear You” is sung by Coalhouse Walker, Jr., an African American musician, whose life is shaken by racial injustice when the mother of his child is tragically murdered. The song calls for social action and highlights the importance of using one’s voice to bring about change. As the lyrics assert, “Your sword can be a sermon, or the power of the pen. Teach ev’ry child to raise his voice, and then my brothers, then….Make them hear you.”
NO ONE IS ALONE “No One is Alone” is from Into the Woods, with music and lyrics by Stephen Sondheim. The show opened on Broadway in 1987 and won a Tony Award for best score. The plot intertwines the story of a childless baker and his wife, a witch who puts a spell on them, and characters from several popular children’s fairy tales including “Little
Red Riding Hood”, “Jack and the Beanstalk”, “Rapunzel”, and “Cinderella”. By the end of Act I, everyone seems to be living happily ever after. However, Act II focuses on what happens afterwards. Or as the story’s narrator states “once upon a time…later.” “No One is Alone” occurs toward the end of the second act, following a series of tragic events, leaving several major characters facing loss and adversity. The song acts as a reminder that even in the worst of times, no one is truly alone; others can provide support, comfort, and love. The song serves as a message of hope, solidarity, and reassurance in times of hardship.
OH, WHAT A BEAUTIFUL MORNIN’ “Oh, What a Beautiful Mornin’” is from the pioneering musical Oklahoma!, the granddaddy of all Broadway musicals. Oklahoma! was the first collaboration of Richard Rodgers and Oscar Hammerstein II. Of course, they went on to compose many smash hits including Carousel, The King and I, South Pacific, Flower Drum Song, and The Sound of Music. Based on the 1931 play, Green Grow the Lilacs by Lynn Riggs, the musical opened on Broadway in 1943 to rave reviews. It is considered a landmark musical because it is the first to be written that integrated song and dance into the book, or libretto, of a musical, advancing the story line. Oklahoma! won the Tony award for best musical and boasts the very first original cast recording of a Broadway musical. “Oh, What a Beautiful Mornin’” is sung by Curly, the leading male character, as the curtain goes up at the beginning of the first act. The song “Oklahoma!” became the official state song of Oklahoma in 1953!
RENT Rent opened on Broadway in 1996, following its premiere Off-Broadway. The show was created by Jonathan Larson who wrote the book, music, and lyrics. The musical was loosely based on Puccini’s La bohème. Tragically, Larson died the night before the show opened. Rent won not only the Tony Award for Best Musical, but also the Pulitzer Prize for Drama. The show ran for twelve years on Broadway and is the 12th longest running musical in Broadway history. Rent takes place in the East Village of New York City, focusing on a group of friends with varied personal and artistic pursuits. The musical addresses several serious issues including HIV/AIDS, homelessness, and the impact of gentrification in New York City. Rent stresses the importance of living life to its fullest, even in adversity. The medley you will be hearing tonight was arranged by David Maddux, and features several songs, including “Rent,” “Seasons of Love,” “Will I,” “La vie Bohème,” and “No Day But Today.”
SOMEWHERE OVER THE RAINBOW/DEFYING GRAVITY This composition, blending “Over the Rainbow” and “Defying Gravity,” was cleverly arranged by Saunder Choi, a Filipino composer, conductor, and singer. “Over the Rainbow,” was written by Harold Arlen (music) and E.Y. “Yip” Harburg (lyrics) for “The Wizard of Oz” in 1939, and “Defying Gravity” was written by Stephen Schwartz for the Broadway musical Wicked. Of course, both songs come from shows based on the novel The Wonderful Wizard of Oz, written in 1900 by L. Frank Baum. “Over the Rainbow” is sung by Dorothy Gale, a young girl dreaming of a more colorful and exciting world “somewhere over the rainbow” where the “dreams that you dare to dream do come true.” “Defying Gravity” is sung by Elphaba, the “Wicked Witch of the West”, who is also looking for a better world in her own way. However, as Dorothy takes quite a passive approach in her longing for a better existence, Elphaba’s approach is more active in creating her true identity to live on her terms. The song, one of empowerment, emphasizes Elphaba’s decision to break free from societal expectations, and to reject limitations imposed by others. “Over the Rainbow” won the Academy Award for best original song in 1940 and has been inducted into the National Recording Registry by the Library of Congress. The score for Wicked won the Grammy Award for best musical show album in 2005.
SUNDAY “Sunday” is from the 1984 musical Sunday in the Park with George, with music and lyrics by Stephen Sondheim. The musical was honored with the Pulitzer Prize for drama in 1985. The story was inspired by French impressionist Georges Seurat’s painting “A Sunday Afternoon on the Island of La Grande Jatte.” The musical explores the relationship between the artist and the world around him. The stirring and beautiful song “Sunday” occurs at the end of the first act when George finishes work on his masterpiece. It is a choral number sung by the individual characters in the painting coming together in a unified vision.
THE WIZARD AND I “The Wizard and I” is just one of the songs from the musical Wicked that have become “Popular” since it opened on Broadway in 2003. Wicked is the 4th longest running show in Broadway history, trailing The Phantom of the Opera, the 1996 revival of Chicago, and The Lion King. The song, written by Stephen Schwartz, is sung by Elphaba, the “Wicked Witch of the West” during the musical’s first act. In this upbeat and optimistic song, Elphaba imagines what it would be like to be no longer considered an outcast because of her green skin. She sings with hope, ambition, and excitement at the thought of being accepted by others because of her abilities. She especially hopes for a special relationship with the “Wizard of Oz”, whom she imagines will take her under his wing, and give her the recognition she deserves.
TURN IT OFF “Turn it Off” is from The Book of Mormon, a satirical and irreverent musical comedy written by Trey Parker and Matt Stone (the creators of South Park) and Robert Lopez (co-creator of Avenue Q). Lopez and his wife Kristen Anderson-Lopez co-wrote the Academy Award-winning songs “Let it Go” (from Frozen) and “Remember Me” (from Coco). The Book of Mormon opened in 2011, and, in 2025, became the 11th longest running show of all time on Broadway. It won nine Tony awards, including those for best score and best musical. “Turn it Off” is a satirical song that uses humor to critique how religion or particular social situations can promote the idea of suppressing personal issues, rather than addressing them head on. In the song, the Elders sing of how they were taught to turn off emotions and desires considered inappropriate, similar to flipping a switch, “a cool little Mormon trick.” Even though the song is played for laughs, the song deals with personal and emotional struggles the Elders have had to face in their lives, such as coming to terms with being gay.
MARK B. KENT
Broadway and the world of theater have long been a magical sanctuary for our community—a place where we can leave the worries of the outside world behind. Through soaring voices, dazzling costumes, and breathtaking sets, we’ve experienced the full spectrum of human emotion, laughing and crying together. Tonight, we invite you to embrace that same magnificent escape. As you take in the magic of the moment, look around— onstage and in the audience—at the countless faces that have gathered in unity. This gathering is just the beginning. The LGBTQ+ community is vast, vibrant, and truly extraordinary.
In times when threats against our community rise, we at GMCSF remain steadfast in our mission to uplift and unite. We focus on our strengths, channeling our energy to celebrate the incredible, beautiful, and powerful individuals who make up our LGBTQ+ family. With unwavering belief in my heart, I know that no matter our challenges, we can rise above them. We may not always like it or even find it painful, but we are resilient. We will persevere. We have always been fabulous, and we always will be.
To the younger members of our community, I offer my deepest gratitude. Many before you have fought, endured, and even sacrificed their lives so that you would never know the shame or hatred that once defined so many of our lives. We were making progress, and though we now face new challenges, our collective strength remains. My hope for you—and all of us—is that we don’t get caught up in the individual letters that make up “LGBTQ+,” but instead, embrace the power of the singular, unified community those letters represent. We are stunning. We are magnificent. We are survivors.
I refuse to live in fear. It would be easy to let the hate and fear of others consume us, especially when we see attacks being made against our community. But I choose joy. I choose strength. I choose to celebrate who we are. Tonight is not about fear; it is a testament to our community’s incredible love, joy, and fabulousness. Tonight, we shine brighter than ever.
Warmly,
Mark B. Kent Executive Director
Support us as we give voice to the LGBTQ+ community.
OUR ORGANIZATION
Tenor I
Samantha Alvarez
Reynaldo Araque
Derek Barbara
Brandon G. Barker
Robert Beaulieu
Mark Blackburn
Fred Boykin
Bradley Bush
Antonio Corrente
Matthew Craig
Edmound Davis
Jeannine Everett
John Figueras
Michael Gillespie
Rafael Gragert
Joanna Grandel-Everett
Michael Halpner
Jason Hardie
David Hopper
Faris Hu
Fred Johnson
Justin Johnson
Douglas Leader
Ginny McCulloh
Patrick McLendon
Adam Neal
Nick Orr
Carter Poust
Geraldo Rodriguez
Elijah Roe
Jonathan Sanz
Jeff Sigler
Israel Vinas
Israel Rashad Webb
K. David Weidner
Tenor II
Charlie Alguera
Matthew Almeida
Christian Andaya
Bruce Anderson
Andrew Bendik
Jorge A Bernal-Geschier
Luke Bertaux
Jonathan Casanas
Rich Cinquepalmi
Bert Cohen
Doug Cureton
Don Dennis
Doug Ferguson
Gerald Garcia
Walter Gardner
Jeff Goodwin
Charles Gracy
Elan Harari
Rick Heal
John Hooper
Peter Konrath
Aaron Lauer
Kenny Lewis
Aaron Lockley
Samuel Martin
Adrian Novello
Joshua Oberfoell
Jorge Ornelas Jr.
Michael Pellicone
Michael Ping
Eduardo Pinto
Brent Simmons
Kevin Smith
Dennis St. Jean
Johann Torres
Titus Tucker
Jem Walker
Jason Weston
Joshua Williams
Durward Womack
Q. Yepez
Baritone
Jim Aguilar
Eric Alayon
Aaron Bell
Miguel Bernard-Rivera
Gaston Betoled
Nate Bisco
Christopher Bollinger
Fernando Brierley
Scott Campbell
John Chaffin
Edwin Cruz
Craig Dannenbrink
Nick Dryfuse
Joseph Fletcher
Michael Foley
Steven Goldman
David Gray
Paul Guariglia
Jay Hartford
Donny Hill
Dean Hitsos
John Ingino
Jeffrey Jackson
Gregory Johnson
Ronnie Jones Jr.
Paris Kessinger
John Lewis
Mark Lincoff
David R. Littlefield
Leo Luberecki
Tom Ludwiczak
James Mallon
Waylon McInturff
Rick Melchionno
Scott Messenger
Glenn Miller
Tony Minella
Ed Niese
Gille Ouellet
Bruce Patrick
Clive Ray
Justin Robbins
Curtis Robertson
Charles Robinson
Raymond Rodriguez
Cristopher Santos
Rob Sheiffele
Bill Spinosa
David Van Cleaf
Kely Van Eaton
Rick Vaughan
Paul Williams
Eric Ziegler
Bass
Sandy Allen
David Baier
Rex Beyer
Renato Brito
John Burch
Ian Cohen
Craig Cunnigham
Felix Fidelibus
Steven Freeman
Richard Fulks
Wyatt Gaff
Mark Gracy
Terry Hirsh
Jim Houser
John Jackson
Ryan Knepp
Herb Knowles
Jim Lopresti
Colin Ludlow
Brian Lundy
Alan McKnight
Terry Moore
Clayton Paterson
Steven Patterson
Scott Raven
Marcus Saitschenko
OUR ORGANIZATION
Jose Santos
Andrew Serkin
Donald Small
Don Tomasello
Carlos Torres
Aubrey Williams
Tim Yarbrough
Rob Young
Non-Singing
Bob Artale
Cary Giacalone
Larry Small
Ansel Thompson
Michael Valdez
ARTISTIC TEAM
Artistic Director
Gabe Salazar
Assistant Conductor/ Tropical Wave Conductor
Anthony Cabrera
Production Director
James Smith
Principal Accompanist
Darren Matias
Costumes & Wardrobe
Bruce Anderson
Joseph Fletcher
Kevin Smith
Assistant Production Director
Marcus Saitschenko
Production Assistant
Tom Michalak
ADMINISTRATIVE
Executive Director
Mark B. Kent
Director of Marketing & Sponsorship
Edward Otto Zielke
Development Manager
Fidel Garcia
Office Manager & Bookkeeper
Doug Leib
Office Volunteer
Howard M. Yopp Jr.
BOARD OF DIRECTORS
Board Chair
Fred Boykin
Board Vice-Chair
Kerry Waldee
Board Secretary
Ronni Arden
Treasurer
Michael Foley
Directors
Bradley Bush
Erick Eldridge
Dr. William Gannon, Jr.
Glen Jack
Johnnie Mejia
Tom Nichols
Judy Paul
Paul Rolli
Bill Spinosa
Chorus President
Jonathan Sanz
Chorus Representative
Dennis St. Jean
LEADERSHIP TEAM
President
Jonathan Sanz
Vice President
Michael Ping
Secretary
Marcus Saitschenko
Treasurer
Michael Foley
VP of Community Relations
Douglas Leader
As of February 28, 2025
VP of Equity, Access & Belonging
John Lewis
VP of Membership
Bill Spinosa
Section Administrators
Reynaldo Araque, Tenor 1
Kenny Lewis, Tenor 2
Craig Dannenbrink, Baritone
Felix Fidelibus, Bass
Ginny McCulloh, Tropical Wave
Risk Assessment Advisor
Dr. Jack Killen
Librarian
Larry Small
Volunteer Coordinator
Kris Jarmann
One Voice Newsletter
David Gray, Editor
Paris Kessinger, Asst. Editor
Miguel Bernard-Rivera
Proofreaders
John Burch
John Chaffin
Larry Small
HONORARY ADVISORY COUNCIL
Committee Chair
Harvey Shapiro
Members
Fred Boykin
Don Croxton
Mike Dager
Dino Georgiou
Gary Hoffman
Gerry Kennedy
John Olson
Bob Pagano
Joe Pallant
Don Tomasello
Rick Vaughan
BOARD OF DIRECTORS
ARTISTIC TEAM
ADMINISTRATION
HONORARY ADVISORY COUNCIL
Council Chair: Harvey Shapiro
Members: Fred Boykin, Don Croxton, Mike Dager, Dino Georgiou, Gary Hoffman, Gerry Kennedy, John Olson, Bob Pagano, Joe Pallant, Don Tomasello, Rick Vaughan
Gabe Salazar
Glen Jack Johnnie Mejia
Paul Rolli
Fred Boykin
Judy Paul
Bill Spinosa
Kerry Waldee
Anthony Cabrera
Erick Eldridge Dr. William E. Gannon, Jr.
Jonathan Sanz
Ronni Arden
Dennis St. Jean
Michael Foley Bradley Bush
James Smith
Tom Nichols
Mark B. Kent
Edward Otto Zielke Fidel Garcia
Doug Leib
Howard Yopp
DR. WILLIAM E. GANNON, JR. AND DR. K. DAVID WEIDNER
Bill and David’s journey with LGBTQ+ choruses is a testament to their dedication to music, advocacy, and community building. Bill’s introduction to the choral world began through a friend in the Gay Men’s Chorus of Washington. David’s involvement dates back to 1998 when he moved to Washington, D.C., after previously auditioning for the Philadelphia Gay Men’s Chorus. Their paths converged at a strategic planning event for the Gay Men’s Chorus of Washington, D.C., where Bill was actively fundraising, and David had just joined as a first tenor—their bond formed within the chorus, proving that GALA Choruses foster connections far beyond the music.
Over the years, Bill and David found a strong support system within the choral community, strengthening their relationship and connecting them to various LGBTQ+ philanthropic causes. Their commitment to service continued as they relocated to Fort Lauderdale, drawn by the welcoming climate and vibrant LGBTQ+ presence. Even before moving, they supported the Gay Men’s Chorus of South Florida through donations and attending events. Naturally, David auditioned for the chorus, and Bill brought his fundraising expertise to the organization. Longtime friends and chorus members, including Fred Boykin, Dan Chadburn, and Tom Nichols, warmly welcomed them into the GMCSF family.
With experience in multiple GALA choruses, David recognizes each chorus’s universal mission—celebrating diversity, choral excellence, and activism. He stresses that now, more than ever, LGBTQ+ voices must be heard, and GMCSF plays a vital role in amplifying that message. Bill echoes this sentiment, emphasizing the importance of fundraising to ensure the chorus continues its work.
Music and LGBTQ+ advocacy have enriched their lives individually and as a couple. For David, singing is a means of education and healing, while Bill contributes by helping sustain the chorus through leadership and fundraising. Together, they advocate for increasing GMCSF’s reach through ticket sales, sponsorships, and community engagement. They encourage every member and supporter to actively promote the chorus, reinforcing that participation extends beyond singing—it is about growing a movement.
In today’s world, where misinformation and hostility toward LGBTQ+ individuals persist, Bill and David believe GMCSF’s mission is more critical than ever. They urge others to support the chorus by joining, donating, or simply sharing its message. They aim to ensure that the music and the fight for equality continue by raising their voices together.
VIRTUOSI
Our treasured Virtuosi are truly the consummate artists in philanthropy and generosity. Their support substantially sustains the Chorus and helps build our future.
Impresario $60,000+
This is a unique opportunity for our most dedicated donors to make a multiyear commitment to supporting the continued harmony of voices.
* Maestro-level benefits plus photo recognition in each mainstage concert program.
Maestros ($20,000+)
All benefits below, PLUS: Photo and biography in program once each season
Invitation to sit with the Chorus during a rehearsal Customized naming opportunity for the season
Composers ($10,000 - $19,999)
All benefits below, PLUS:
Private dinner with GMCSF’s Artistic Director and Executive Director
Name announced at concerts
Featured donor e-blast at least once each season Invitation to the Chorus’s end-of-year dinner
Divas ($5,000 - $9,999)
All benefits below, PLUS: Name announced at concerts
Invitation to a rehearsal and wine reception
Producers ($2,500 - $4,999)
All benefits below, PLUS: Concierge ticketing service
VIP parking at Sunshine Cathedral concerts
Invitations to exclusive Virtuosi receptions and events
CONDUCTOR’S CIRCLE
he Conductor’s Circle is a passionate community of supporters who generously invest in our season, enabling us to spread our messages of love and inclusion through song.
Benefactors ($1,500 - $2,499) Friends and Supporters benefits, PLUS: Invitation to select donor events
Supporters ($500 - $1,499) Friends benefit, PLUS: Priority access to the best seats for our concerts
Friends ($1 - $499) Listing in concert program books and GMCSF’s website
*For more information, contact Fidel Garcia, Development Manager fgarcia@gmcsf.org or 954-7693-2266.
*Denotes chorus members.
As of 12 months ending February 28, 2025
VIRTUOSI
IMPRESARIO ($60,000+ multi-year commitment)
Joseph Fletcher* and Kerry Waldee
MAESTROS ($20,000+)
Fred Boykin* and Jack Killen
Dan Chadburn and Tom Nichols
Douglas J. Pew and Donald K. Croxton, LGBT Trust Fund at The Our Fund Foundation
James Mallon*
Paul Rolli and Bennett Quade
COMPOSERS ($10,000 - $19,999)
Ronni and Jonathan Arden
Charles Klucka and Daniel Zeugin
Dr. K. David Weidner* and Dr. William E. Gannon, Jr.
DIVAS ($5,000 - $9,999)
Andrew Bendik*
Ian Cohen* and Thomas Lenahan
Philip Cordell
Bert Corona and Rob Russo
William Elliott and David Bacher
Cary Giacalone* and Kris Jarmann
Joseph A. Grano
Michael Grosberg
Mark Kent and Kevin Daft
George Kling (in loving memory)
George “Dan” Prigmore and Marcia Hayes
William Spinosa* and Frank Molano
Don Thompson and Gene Ramey
PRODUCERS ($2,500 - $4,999)
Rex Beyer* and Nick Meyer
Bradley Bush* and Ray Dala
John Chaffin* and Douglas Ferguson*
Craig Dannenbrink* and CJ Jensen
Ginny Dixon and Gisella Oliveira
David Fuerst
Fidel Garcia
Paul Guariglia*
Tyler Healis
Peter Zimmer Glen Jack
Gerry Kennedy and Paul Smith
Tony Minella*
Joseph Pallant
Judy Paul
Michael Ping* and Brad Winnie
Jonathan Sanz*
Harvey Shapiro and Michael Dager, Stronger
Together Fund at The Our Fund Foundation
Donald Tomasello* and Robert Pagano
CONDUCTOR’S CIRCLE
BENEFACTORS
($1,500 - $2,499)
Anonymous
Bruce Anderson*
Steven Beakley
Robert Beaulieu*
Scott Bennett
Ray Brush
Antonio Corrente* and Douglas K. Leib
Doug Cureton*
Nick Dryfuse*
David Hohimer
Matthew Kent and Brenda Moons
SUPPORTERS
Frank Alvarez
William Alverson
Christopher Ambs and Scott Clearwater, Charitable Fund at The Our Fund Foundation
Christian Andaya
Kenneth J Arruda
David Baier*
Steven and Thomas Begert-Clark
Jose Batalla
Bryon Bowlby and Robert Baldwin
Edward Breeden
Doug Carl and Sumner Riddick
Jerry Chasen
Christopher Chouinard and Harold Rodriguez
Christopher Clark
Dorothy Correnti and Lance Miller
Denise DiGioia
S Michael Ereshena
Michael Foley* and Tommy Zhang
Steven Freeman*
Steve Glassman
Marc Grossman
Mark Haggard
Phyllis Hershman
Terry Hirsh*
Gary Hoffman
Jim Houser*
David Jobin and Angel Burgos
John Klomp and Joseph Brannen
Kate Kominars
Gregg Kurek
Dean Lester
Steve Lutz
Ron MacDonald
Ken Manford and Jeffrey Roach
Virginia McCulloh*
Johnnie Mejia
Andrew Riddle
Raymond Rodriguez*
Marcus Saitschenko*
Dennis St Jean*
Jason Stefani
($500 - $1,499)
Jeffrey Lammers and James A. McLaughlin
Robert Lee
John Lewis* and Louis Hemmerich
A. Ray Lockley* and Marty Onieal
Dorothy Lombardi
Jason MacMenamin and Andrew LaVault
Patrick McLendon*
Julio Mendez
Wayne Morris
Mark Nogal
Chris O’Neill
Jorge Ornelas*
Mimi Pink
David Pitre
Dr. Runar Polluson and Robert Pinsky
Elbert Ruff
Jose Santos*
Joel Shapiro
Jeff Sigler*
Damian Siriani and Dave Oeskovic
Larry Small* and David Burba
Stephen Smith
Constance St Jean
Michael Valdez* and Jeffrey Thomas
Richard Vaughan* and Walter Sherman
Randy Villarreal
Jerry Vroegh
Tom Wahl Jr.
The Jane L. Wexton Revocable Trust
Rob Young*
GMCSF CHORAL SOCIETY
Eric Alayon*
B.J. Albright and Philip Morris (in loving memory)
Anthony Alivo
Sandy Allen*
Judith Annunziata
Arturo Arambullo
Stephen Barnhart
Mark Barr
Cheryl Barth
Charles Beavin
Thomas Beckwith
Jorge Bernal-Geschier*
Miguel* and Ronald Bernard-Rivera Von Biggs
Robert Billington
Lorraine Bisco
Mark Blackburn*
Dean Bordelon
John Boscarino
Wade Boyles
Michael Bracchi and Tommy Walser
James Brenner
Fernando Brierley*
Tab Brown-Pulliam
Sean Burke and Duni Bauta
George Burgan
Anthony Cabrera and Arnaldo Elguezabal
Tina Caines and Larry Bellezzo
Brice Carnahan
Benjamin Carter
Ray Cazamayou
James Chastanet
Mun Wye Chng
Carolyn Cilla
Alan Cohen
Jimmy Cohen
Larry Cohen
Lucy Cohen
Robert Collier
Christopher Collins
Tracey Cranz
Patrick Cuccaro
Craig Cunningham
Robin Day-Schmierer
Joseph DeMartino
Vincent DeVirgilio
Harold Dioquino and Marty Childers
Whitney Dutton
Charley Egan
Perry Eisman
David Engler
Meagan Evans
Jeannine Everett* and Joanna Grandell Everett*
Stephen Fallon
Mark Ferrante
Stephen Ferrante
Frank Ferri and Tony Carparco
Felix Fidelibus*
John Figueras*
Melody Fiore
Andy Fischman
George Fisher
Kenneth Flick and D.C. Allen
Peter Flyzik and William Beck
Susan Foley and Albina Preys
Rainey Foster
Zachary Freeman
Richard Fulks* and Chris Wilcox
FRIENDS ($1 - $499)
Gerald Garcia*
Virginia Gascoigne
Jack Gerard
Kenneth Gragert
Cathleen Graham
Deborah Graham
David Gray*
Philip Haine and Samuel Martin
Steven Haines
Michael Halpner*
Paul Hamaty
Bruce Harshman
David Hopper*
Charles Horvath
Alan Hueck
Tom Hughes
Valerie Jaques
Keith Jennings
Fred Johnson*
Glen Jones
Hillary Josephs
Scott Kallister
Kevin Kane and Keith A. Smith
Herb Knowles*
Stacey Koltonow
Bradley Koogler
Christopher M Kron
Rosie Kurlander
Laura Lanou
Ronnie Larsen
John Lee and Tim Flenner
Robert Lindsay
David R. Littlefield*
Robert Lombardo
Crystal Lopez
Leo Luberecki*
Frank Maguire
Derek Mann
Oscar Marin
Melissa Martin
Timothy Martin
Irene Martinez
Todd Masnicki and Michael Guttierez
Erwin Mayer
Philip McChesney
Bryan McGreal
Patti McLendon
Jim McNab
Richard Melchionno*
Michael Mendillo and Michael Albericci
Klein Merriman
Glenn Miller*
Mark Miller
Robert Miller
John Moore
Terry Moore* and Christopher West
Ed Niese*
Adrian Novello*
Francis O’Brien
Michael Oluich
Dianne Orr
Gilles Ouellet
Joseph Pakyz
Denise Panariello
William Paolini
Clayton Paterson*
John Patrick
Steven Patterson* and Stuart Kisselovich
Michael Pellicone*
Jose Perez
Philip Petri
Gladys Petrone
Sarah Phillips
Jason Pitt
Carter Poust*
Harold Prasse
Douglas Prew
Blanca Puerta
Patrick Quillen and Bert Cohen*
Asa Ratliff
Terry Regnier
Willie Rhine
Robyn Riccardo
Bradley Rickel
Mark B. Rinder and Dennis R. Ferioli Family
Joel Risch and Richard Smith
Charles Robinson*
Elijah Roe*
Ivonne Rolon
Maria Roman-Torres
Aaron Rosenberg
Kenny Russell
Richard Sacher and Stanley Wilson
Edwin Samayoa
Richard Sanders
Thomas Santaniello
Shari Santell
Phil Santomaso
George Sauvigne
Andrew Scott
Russell Skop
Christopher Smith
Henry Smith and William Sandrik
Kevin Smith*
Gail Solari
Rodrigo Soria
Richard Sorian
Melissa Spear
Murry Stegelmann
Jack B. Stein and Peter Meccariello
Lee Streby
Arthur Strouse
Brian Swallow
Lee Terrell
Andrew Tobin
William Toole
Carlos Torres
Robert Turlington
Joseph Turney
Kely Van Eaton*
Blake Velde
Andrew Vitrone
Jem Walker*
Joseph Watkins
Norma Wells
David Welsh
Jason Weston*
Sharon and Edwin Wigutoff
Aubrey Williams* and Christopher Michaels
Henry Wiseberg
Gary Wojciechowski
Ray Wolf
Durward Womack*
Howard Yopp
Aimee Zadak
Alexandra Zadak
Eric Ziegler* and Ross Kemp
Edward Otto Zielke
David Zury
NOTE: Every effort has been made to ensure our donor listing is accurate. If, for some reason, we have made an error or omission, please accept our most sincere apologies and contact the office so that we can immediately correct our listing.
Town of Davie
WE’VE COME SO FAR IN OUR LIFETIME
Let’s Keep the Momentum Going! So many of us recall when television would never show two people of the same gender sharing a kiss… or holding hands. Now, we live in a time when the U.S. Supreme Court ruled in favor of marriage equality. We’ve accomplished so much, yet there is much more to do. Since the late 1970s, the LGBTQ+ Choral Movement has been a crucial tool for advocacy, unity, and education. GMCSF is proud to continue this legacy through our music. We are pleased to serve as cultural ambassadors for our community and provide a voice for those who do not have one. Help ensure this work continues by joining The Pegasus Society’s planned giving program. In addition, by including GMCSF in your estate planning, you can help sustain our organization and keep our voices active long into the future.
We invite you to join the members of The Pegasus Society today. If you want to amend your current estate, contact Fiel Garcia at (954) 763-2266 ext. 111 or fgarcia@gmcsf.org.
Establish a Legacy Fund with our community partner, The Our Fund Foundation; contact Mark Blaylock at 954-565-1090 or email legacy@theourfund.org.
