2015-05-21 Las Vegas Weekly

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GROUP PUBLISHER TRAVIS KEYS (travis.keys@gmgvegas.com) ASSOCIATE PUBLISHER MARK DE POOTER (mark.depooter@gmgvegas.com)

EDITORIAL EDITOR SPENCER PATTERSON (spencer.patterson@gmgvegas.com) MANAGING EDITOR ERIN RYAN (erin.ryan@gmgvegas.com) ASSOCIATE EDITOR BROCK RADKE (brock.radke@gmgvegas.com) NIGHTLIFE EDITOR MIKE PREVATT (mike.prevatt@gmgvegas.com) WEB EDITOR MARK ADAMS (mark.adams@gmgvegas.com) FILM EDITOR JOSH BELL STAFF WRITERS KRISTEN PETERSON (kristen.peterson@gmgvegas.com) KRISTY TOTTEN (kristy.totten@gmgvegas.com) CALENDAR EDITOR LESLIE VENTURA (leslie.ventura@gmgvegas.com) CONTRIBUTING EDITORS DON CHAREUNSY, JOHN KATSILOMETES, KEN MILLER CONTRIBUTING WRITERS DAWN-MICHELLE BAUDE, JIM BEGLEY, CHRIS BITONTI, JACOB COAKLEY, MIKE D’ANGELO, SARAH FELDBERG, STEVE FRIESS, SMITH GALTNEY, JASON HARRIS, TOVIN LAPAN, MOLLY O’DONNELL, DEANNA RILLING, CHUCK TWARDY, ANDY WANG, ANNIE ZALESKI LIBRARY SERVICES SPECIALIST/PERMISSIONS REBECCA CLIFFORD-CRUZ OFFICE COORDINATOR NADINE GUY

ART ASSOCIATE CREATIVE DIRECTOR LIZ BROWN (liz.brown@gmgvegas.com) SENIOR DESIGNER MARVIN LUCAS (marvin.lucas@gmgvegas.com) DESIGNER CORLENE BYRD (corlene.byrd@gmgvegas.com) STAFF PHOTO & VIDEO JOURNALISTS L.E. BASKOW, CHRISTOPHER DEVARGAS, STEVE MARCUS PHOTO COORDINATOR MIKAYLA WHITMORE CONTRIBUTING ARTISTS FRED MORLEDGE

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kaskade at encore beach club by ebc photographer/courtesy; lago by mikayla whitmore

Contents 7 mail No one is pleased about

42 noise Sacré Bruit! brings back

Bar+Bistro’s patio. Vegas Girl Walk!

the cassette. Who to see at PRB.

8 as we see it LIB plays to the

46 comedy Who got more

locals, while Cosmo visitors marry themselves in the name of art.

laughs, Dave Attell or Jeff Ross?

12 weekly Q&A Bianca Del Rio, “the Joan Rivers of drag.”

14 Feature | in harmony

47 the strip Michael Grimm has a new album and residency.

48 fine art In a haven for kids, Sush Machida paints comfort.

The Las Vegas Philharmonic is reaching out to untapped ears.

49 print The Wright Brothers.

16 Feature | this party

50 food Sublime small plates at

won’t stop (ever) It’s MDW, and Las Vegas is the headquarters for getting down—until you drop.

Lago. Dining in a VW bus tent.

54 calendar A neon history.

FREE BUILD YOUR OWN

24 nights Where the real folks go to club, and news on DJ Danny Tenaglia’s famous equine friend.

39 A&E Go see Craig Ferguson! 40 screen Clooney and Disney take us to Tomorrowland. Nicole Kidman channels Princess Grace.

Cover illustration By corlene byrd

GRAND SLAM when you sign up for Diner Perks at dennys.com/loyalty* *Diner Perks is only available in select cities


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YES, YOU CANNES Film critic Mike D’Angelo reports from the latest edition of the prestigious Cannes Film Festival, where he saw new films from international masters of cinema and some of this year’s top potential awards contenders. Read on at lasvegasweekly.com.

STARRY STORIES Secrecy is sexy, Scorpios. And it’s high time to rebel for all you Libras. What about Virgos, you ask? Unexpected assistance is in the near future. Find more on the story of the stars with this week’s horoscopes, only at lasvegasweekly. com.

LET’S BE FRIENDS!

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MOST READ STORIES lasvegasweekly.com 1. ‘Vegas Girl Walk’ breaks down the Strip’s post-club stumbles 2. Why is Bar+Bistro’s patio suddenly off-limits? 3. Colosseum resident Mariah Carey opts for elegance over adrenaline 4. ‘Weird Al’ Yankovic’s mini-residency played to a small but appreciative crowd 5. Rock in Rio gives Las Vegas a chance to see Taylor Swift in all her glittering glory


Mail

PATIO DENIED Bar + Bistro’s outdoor space is out of commission, and nobody’s okay with it.

This does suck. When I go to First Friday the first thing I think of is sitting outside on that patio. –Anna Marie Binder Wes Myles has made a sizable investment in the redevelopment of Downtown and deserves to be treated with the utmost respect by city leaders. His restaurant and bar are unique and a place my family enjoys visiting. The City Council should be helping him and other Downtown business owners to bring their properties up to their highest and best use. –SteveMiller2 Gotta pay those fees, man. –Julie Smith Penalizing him and making it difficult for his valuable local business to operate is not in the best interest of the community. –Ramsey Hong

STAY IN SCHOOL? Collision Con sparked discussion over whether traditional college is a hindrance in the tech startup world.

I do not believe that entrepreneurs need college, but it certainly would help one to further his schooling. The biggest problem with college is all of the corerequirement classes. I took classes such as botany, environmental film, meteorology ... I did not need and did not use at all. The schools add these to get at least another year out of you, and it frustrates students who just want to get out and experience life beyond the blackboard. –VegasIndependent

KIDS THESE DAYS CatalystCreativ’s Amanda Slavin says millennials and younger generations want to change the world.

Very true, Ms. Slavin, “generations before [millennials] aren’t really

in the same mind-set.” Instead, we have changed and continue to shape the world. It’d be best for our collective moral fabric of humanity if we remind millennials to focus first on sustaining the massive change of statesmen, innovators, makers and soldiers living and dead who paid dearly for change so that you might even dream of learning what being “a part of something that’s bigger than” yourself is. Then figure out where change is actually value added, as change is not the same as progress. Meaningful change’s epicenter isn’t online, in an app, a selfie, or a picture of food someone else made, and the fruits of this labor of love are not about you “feeling heard.” Be heard by being the change. –MattyJames1

VISIT OUR NEWLY REMODELED TAVERN 215 & DECATUR

NEXT TO CARTER POWERSPORTS

VEGAS’ BEST HAPPY HOUR

RIO RECAP Rock in Rio’s second Vegas weekend allowed for additional analysis.

Pop weekend was lame. –Chris Ulloa-Padilla The forced use of the RFID bracelet, with the exception of admission, is something I would feel no heartburn over if they never had again. If you didn’t spend all the money you loaded, you have to spend $3.50 more to have the unused funds returned to you. But not until June sometime. –Shawn Barker

CASUAL ATMOSPHERE BRAND NEW TVS

KEEP IT REAL The viral music video “Vegas Girl Walk” is funny, but ...

These are not “Vegas girls.” They are tourist girls who come in ill prepared for a night on the town. A real Vegas chick who is from here will rock those heels and bring back-up foldable flats as an emergency just in case she gets tired. *Flips hair.* Also, I find it annoying that he pronounces it “Nevahda” and not “Nevada.” Clearly he doesn’t know squat about us! –Rosanna Lopez

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AsWeSeeIt OPINION + POLITICS + HUMOR + STYLE

> CHOOSE YOUR OWN DESTINY (From left) Duran Duran, Stevie Wonder and Kendrick Lamar sit near the top of LIB’s 2015 lineup.

A CROWDSOURCED LIB ∑ Congratulate yourselves—you

booked the upcoming Life Is Beautiful festival. Well, sort of. To hear it from organizers, the lineup for the 2015 Downtown festival—moved up to September 25-27, when it’ll start and end an hour later (3 p.m.-1 a.m.)—was chosen essentially by crowdsourcing online fans and Vegas music lovers. As a result, the city’s biggest musicians—Imagine Dragons (who are headlining), Killers’ frontman Brandon Flowers and skyrocketing buzz act Shamir (playing his firstever local solo gig)—earned spots

HOME OF THE NOW Better living through millennial extras

on this year’s lineup, as did some of Vegas’ most popular concert acts, two of a handful of barometers used for booking LIB. “Certainly [an artist’s] history in the market and how they’ve done in a live setting has been helpful,” Another Planet Entertainment Head of Concert Division Allen Scott says. “We did social media polls. [LIB Head of Music and Live Performances] Craig [Nyman] and a lot of the LIB staff that live in Vegas are constantly talking to people and taking the pulse. And then it’s kind of

∑ A home designed specifically for Generation Y? That’s what Pardee Homes and Builder Magazine aim to do with their Responsive Home project, which surveyed millennials on their opinions of the ideal living space. The results have been tabulated, and two Responsive Homes conceptualized, each featuring adaptable floor plans with “powerful” indoor-outdoor workflow,

8 LASVEGASWEEKLY.COM MAY 21-27, 2015

contemporary aesthetics and technology-enabled automation and energy performance. As construction begins at Henderson’s Inspirada community June 1, we thought we’d offer a few additions: Social media voice commandassisted bathrooms. Why wait until you’re off the throne to throw up that #TBT post?

a feel for what people want to see.” Using that loose rubric, Nyman and Allen also booked Hozier (whose April Cosmopolitan show quickly sold out), regularly appearing guitar groups Weezer and Against Me!, nightclub-packers Major Lazer, veteran New Wave band Duran Duran and—an LIB first—a trio of reggae acts, which do very well at Vegas box offices. Joining Imagine Dragons as headliners are white-hot rapper Kendrick Lamar and Motown legend Stevie Wonder, the latter’s hits a natural for the festival’s uplifting ethos. Homegrown acts include blistering rockers Mercy Music and

Instagram filter-lit walk-in closets. Choosing an outfit will be easier to do in Aden or Valencia, right? Selfie-stick mounts. When you’re looking fleek you’ll want that extra hand for more posing potential. Snapchat doorbells. Because: kids these days. –Mark Adams

LA-residing Parade of Lights. Another Vegas-bred act will be chosen during June 5’s Music Is Beautiful edition of First Friday, which will boast a battle-of-thebands-type contest. (Interested artists must email musicisbeautiful@ firstfridaylasvegas.com). In keeping with what works in Vegas, new partner and EDC producer Insomniac will brand one of LIB’s four stages and devote it to ascendant dance acts such as Kygo, Madeon, Jauz and Giraffage, largely eschewing the big Strip exclusives. One exception: Porter Robinson, who will finally deliver his acclaimed live act to Las Vegas. –Mike Prevatt


as we see it…

> One of the greats B.B. King passed away on May 14 at age 89.

The Thrill is Gone

During his long and colorful life, bluesman B.B. King stuck close to Las Vegas By Dennis Mitchell We’d had word earlier this month that B.B. King was in hospice care, so the news of his death at age 89 didn’t come as a shock, but our hearts sank just the same. There was a special kinship between King and Las Vegas, where he spent the last 40 years of his life. I had a number of friends who worked at local record stores, and each had stories of the days when B.B. strolled in and started

picking through the bins. There was no way we could ever keep him to ourselves, but when he returned from world travels and entertaining sold-out crowds everywhere, we had the special distinction that the concert here would be a homecoming. He was one of us. I lived here a long time before I got to see him perform, but finally made the pilgrimage to the Aladdin

Theatre for the Performing Arts in 1994 for a “Bluesfest” that had Dr. John and Little Feat as opening acts. King was resplendent, making a grand entrance after his band had warmed us up for about 20 minutes and then taking his place on a chair at center stage. As he coaxed his trademark notes and style out of his guitar Lucille, I knew that I was watching history, and that B.B. had already taken his place among the greats of the genre. Just five months later, he was a headliner at a blockbuster concert to mark the grand opening of the Hard Rock Hotel’s Joint venue.

It was a splashy affair featuring a wildly varied lineup that included Iggy Pop, Al Green, Weezer, Sheryl Crow and Duran Duran. It was all taped for an MTV special, and just before headliner John Fogerty came on, King took the stage alongside Bo Diddley. As he dutifully played Bo’s trademark riff and then stole the show with his own virtuosity, we were again flush with that sensation that this was something we’d never see again. How ironic that a guy who had so much invested in the blues was able to make so many so happy. Rest in peace, Riley.

I promise to love me

b.b. king by Paul A. Hebert/ap

Gabrielle St. Evensen turns self-marriage into performance art You’ve known yourself for a while now, you live with yourself, you love yourself. So why not tie the knot … with yourself? In Marry Your Self, New York City artist Gabrielle St. Evensen leads P3Studio guests MARRY through the matrimonial process, from the ring to the outfit to the vows, photos and celebratory YOUR SELF (cup)cake. St. Evensen was inspired by astrologer Rob Brezsny, who married an audience to themselves, Through June and decided to take the plunge on her own; in 2000, she wed herself as a performance-art piece.  ¶  7; Wednesday“On one hand it was very satisfying,” St. Evensen recalls. “But on the other it was a little lonely. At the Sunday, 6-11 p.m. end I was like, ‘Do I wash the dishes now? What do I do?’” Fast-forward to today, and the ordained artist Cosmopolitan’s has conducted more than 1,000 self-weddings in Brooklyn, in New Orleans and even at Burning Man. P3Studio, 702St. Evensen has polished her ceremonies over time, taking them offstage and tucking them into more 698-7000. intimate spaces. At the Cosmopolitan, casino guests can see those entering the spiral chapel, but can’t make them out once they reach the center to face a mirror and repeat their vows. Brides and grooms can write their own, but usually check boxes off a suggested list. The vows are tender, empowering and often amusing. (“I promise to ... cherish my strange wonder and accept that I’m a magical creature ... ”)  ¶  “We do need ritual,” St. Evensen says. “That’s why we join sororities. That’s why we have bachelorette parties. We need that rite of passage. What do you do when you have a personal rite of passage? You should have a place where you can go and have a church or whatever it is you need.” –Kristy Totten

May 21-27, 2015 LasVegasWeekly.com

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as we see it…

IN BRIEF VEGAS ON MY MIND

The Vegas pipeline

Strip acting alum Michael James Scott goes on to success in hot Broadway hit Something Rotten! By Steve Friess Since the Broadway boom began in Las Vegas a dozen years ago, the Strip stages have been an important proving ground for a list of talented young stars who have gone on to much bigger success since their Nevada days. And now here comes another name to memorize: Michael James Scott. Scott was an ensemble player in the original production of Jersey Boys when it opened at the Venetian in 2008. Now, as the Minstrel, he’s performing in the hottest new musical on Broadway, the 10-time Tony nominee Something Rotten! When the cast appears on the Tony Awards on June 7, it will be difficult to miss his deep, booming tenor and largerthan-life stage presence. Something Rotten! is a raucous comedy set in Elizabethan England, in which two brothers, frustrated by all the attention and success that some playwright named Shakespeare is enjoying, invent the musical. It opened on April 22 with an impressive pedigree in its director, Casey Nicholaw, of the Tonywinning The Book of Mormon—a show that also featured Scott. Scott also appeared in two other Nicholaw productions, Elf and Aladdin. Scott’s Vegas tenure was brief— about seven months—in part because he needed to return to New York to appear in the revival of Hair, which also won a fistful of Tonys. Yet his impressive post-Vegas résumé is a testament, he says, to what he learned not just on the stages of the Venetian but also in one-man shows he staged around town. “Vegas was a lovely time for me,” he told me by phone from an alley outside New York’s St. James Theater during a three-hour gap between matinee and evening performances of Something Rotten! All those one-man performances—including fundraisers at the Liberace Museum—were an opportunity unique to Vegas compared with New York, where it’s “harder to get a venue. It’s a very, very tough thing to do. There’s a lot more hoops to jump through, whereas in Vegas, the town is built for that. … I was just able to see what I could do as a performer, what I can bring. I learned that I could just go for it.” Scott seemed to find it strange that I asked whether there’s a stig-

10 LasVegasWeekly.com May 21-27, 2015

> HOMECOMING Jersey Boys’ Michael James Scott has returned to New York.

Anti-bullying bill Last week, the Nevada Assembly passed SB 504, an anti-bullying bill now awaiting Gov. Sandoval’s signature. The law would redefine the state’s definition of bullying and create a new Department of Education entity called the Office for a Safe and Respectful Learning Environment, which will operate a 24-hour hotline you can call to report bullying. LGBTQ lobbying organization Human Rights Campaign lauded the passage for the bill’s inclusiveness of LGBTQ youth. –Mark Adams In the running Music, mushroom clouds, hot air balloons and snowboarding. With these imaginative designs, students made Henderson’s Foothills High School one of five finalists in Vans Shoes’ Custom Culture Competition. The young artists are in the running to win $50,000 for their school’s art department, plus a chance to have their designs produced. The winner will be decided June 9 in New York City. Here’s to stomping the competition! –Kristy Totten

ma among Broadway performers about performing in Las Vegas. Yet the very fact that he rejected the premise was telling; many actors in the early days of the Broadwayin-Vegas trend from shows like The Producers, Mamma Mia! and Avenue Q told me they suffered sidelong glances and even outright hostility from Broadway snobs who saw appearing in a Vegas production as somehow debasing. “I don’t think it’s looked down upon anymore,” Scott said. “I know a lot of people loved that I did Jersey Boys in Vegas, and they were really excited about it.” Of course, by now Scott is just one in a parade of talented musical-theater entertainers to go on to bigger prominence. Sierra Boggess, the first Christine Daae of the long-running, now-gone Phantom—the Las Vegas Spectacular, went on to open several shows on Broadway and in the West End, including The Little Mermaid and the Phantom sequel. Erich Bergen, a Jersey Boys alum, reprised the role of Bob Gaudio in the 2014 film and now appears weekly on the hit CBS drama Madam Secretary. Ty Taylor, a star of the short-lived Queen musical We Will Rock You, is now frontman for the rock band Vintage Trouble, which performed

on Leno and Letterman and tours this summer with AC/DC. Scott thinks the challenge of performing in Vegas helps hone talent because the audience is sometimes harder to win over. “When you’re coming to a Broadway show, you’re coming in for a story, but sometimes in Vegas it seems like people aren’t necessarily coming for a story; they just want to sit down and not have to think and just be entertained,” he said. “When they gave over to the fact that there was a story that was really happening, it worked. But sometimes it was tougher because Vegas is Fun City, so you have a group of people coming to have a good time, have drinks and what-not, rather than just coming for a story.” Scott still has some friends in Vegas—namely in the Jersey Boys cast along with that of Mamma Mia!, which he was part of in the original Broadway production back in 2001. They’ll surely be rooting for Something Rotten! come Tony time. “They really took great care of us in Vegas, but I always knew I wouldn’t be there longer than six to nine months,” he said. “While Vegas has great things going for it, for me it’s not New York City. It’s tough being away from my own city. It was a great time for me, though, while it lasted.”

The new guy at BMI He wrote the most-read story in the history of The Atlantic’s website, he advises The Moth storytelling podcast, he champions mental health, he has webbed toes, and now Joshua Wolf Shenk is the director of the Black Mountain Institute at UNLV. The author/journalist/activist has penned New York Times-acclaimed books and contributed to all the impressive national magazines, and now he’s bringing literary journalism to BMI, which outgoing leader Carol Harter hopes will one day rival the Iowa Writer’s Workshop. –KT

Random Photo of the Week By Spencer Patterson

Email your random photo and full name to randomphoto@lasvegasweekly.com.


as we see it…

> the hot seat 2013 PBR World Champion J.B. Mauney takes on Long John.

Hand of fate Top 10 rider Reese Cates champions having fun and letting the chips fall Ranked No. 10 right now in the PBR’s Built Ford Tough Series, Arkansas rider Reese Cates is one to watch at Last Cowboy Standing. But he’s not thinking too much about strategy. He’s focused on enjoying the ride and making the best of the hand he’s dealt, whether he’s drawing bulls or blackjack cards. Bull riders have such impressive injury lists. Do you ever ride through pain? The longer I’ve been a part of the PBR and the longer my career’s been going on, one thing I can definitely say is that I’ve learned my body. I know whenever I’m just sore and I’m still able to ride and I know when I’m hurt and I need to go home and heal up. ... Under certain circumstances that may not be the case. If you’re in the contention for world champion that year, then you might ride through something that you would otherwise say, “Hey, I’m only in the top 15, I broke my ankle and I need to take a couple weeks and let it get to feeling better.” If it’s, “Hey, I’m No. 2 in the world, I broke my ankle and I need all the points I can get,” there’s a little bit of a different mind-set. What’s your plan for Last Cowboy Standing? You’re somewhat called to make the best out of every situation that you’re presented with in the arena. ... The only thing that you can control is putting out as much effort as you possibly can when you get there and making a vow to enjoy yourself. Those are two things I can guarantee that I’m gonna do.

the buck starts here

The PBR is back with Cowboy Spring Break, a three-day festival of bull riding, big music and slices of Western life By Erin Ryan

wrong notes, and she’ll bring breezy Spring break conjures images of bikinis and fun to the lineup. May 23, 4:30 p.m., beers, not boots and bulls. But the Professional Monster Energy Stage. Bull Riders might change that this weekend with Cowboy Spring Break. Ryan Bingham This LA singerWhile the athletes will be celebrating their songwriter’s heartfelt work can fifth consecutive Last Cowboy Standing combe dark, but latest album Fear and petition—the top 50 riding for $250,000 and Saturday Night is full of color. precious points in the Built Ford Tough From the words to that signature Series—this is the first time an entire rasp, the live experience is haunting. festival is coming with them. We’re PBR COWBOY May 23, 8:30 p.m., Main Stage. talking big-name musicians, parties that SPRING go from pool to lounge to bar, and enterBREAK May The Band Perry Siblings Kimberly, taining challenges for brave people (and 22-24, 10 a.m.Neil and Reid have many hit singles their brave dogs). 11:30 p.m., $50 and award-show hardware. Like their All three days are packed with consingle day; $99sound, their stage style is exuberant certs and other fun, but here’s a high$449 three-day and infectious. Anyone who covers light reel to get you started: packages. MGM “Fat Bottomed Girls” on Letterman ... Resorts Village, May 24, 9 p.m., Main Stage. MUSIC cowboyspring Montgomery Gentry Eddie and break.com. GRAB BAG Troy soak their music in Southern rock Meet the bull riders at the Cowboy and realness. On cmt.com, Troy says, Spring Break Kickoff Pool Party on May 22 “We lived the songs that we sing.” The duo from 10 a.m. to 2 p.m. at Luxor’s North Pool (free drops Folks Like Us in June—here’s hoping for a for CSB ticket-holders, $10 otherwise). And sample. May 22, 10:30 p.m., Main Stage. wander the Monster Energy Cowboy Festival, with food, shopping and Western fun, including Lauren Alaina After touring in support of demos of wakeboarding and fishing-rod casting, country-music royalty, the American Idol alum and competitions for dogs catching air off docks is reportedly finishing her long-awaited sophand humans catching air off mechanical bulls. omore album. Her voice never seems to hit

Favorite bull? There’s one that I’ve had both times this season when I won an event, and his name’s Percolator, so I gotta be partial to him. He’s just a cool bull. He’s at nearly every stop. He’s been everywhere from New York City to Anaheim, California, and all points in between, and he still tries his heart out every time and he’s still one of the best bucking bulls in the world. And he’s got some really big horns and he jumps way in the air and he takes really cool pictures. And whenever he’s done, he’s done. You hit the ground, he turns around and walks off—he’s not a mean bull. He’s got a lot of personality. Why do you ride? It’s a passion for the sport, and it’s a passion that we’ve all had since we were just young kids. People always want to look at the negative things about the sport, about how dangerous it is or how little we get paid as opposed to what most professional athletes do. But it’s not even about that. I think more than anything it’s a way of life. Everybody that’s there, they may not have been raised a cowboy, but they were born a cowboy. Are you always in uniform? When we’re traveling and we’re in our comfortable clothes people don’t really believe we’re bull riders. ... It wouldn’t make much sense to wear Wranglers, cowboy boots and a cowboy hat when I’m sitting in the car for 12 hours. For more with Cates, visit lasvegasweekly.com.

May 21-27, 2015 LasVegasWeekly.com

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Weekly Q&A

Queen of shade Drag superstar on labels, lip syncs and Joan Rivers Bianca Del Rio

After years as a costume designer and nightclub performer, the hilarious veteran drag queen Bianca Del Rio is finally getting her due. Known as Roy Haylock when not in her signature over-the-top looks—Del Rio has likened herself to “a clown in a dress”— the oft-described “comedy” queen has experienced a whirlwind year of fame and fortune since being crowned America’s Next Drag Superstar (and taking home the $100,000 prize) on the sixth season of Logo reality favorite RuPaul’s Drag Race. Sometime between appearing in a Starbucks commercial and performing at nightclubs around the globe, the rising star decided to take a comedy show on tour. We caught up with Del Rio ahead of her Sunday night Rolodex of Hate set at Hard Rock Live. What has life been like since being crowned America’s Next Drag Superstar?

I haven’t slept much, and I’ve been traveling a lot, which has been great. It has opened many, many doors, and I’ve been able to see the world. It’s been surreal. You’re currently on your Rolodex of Hate tour. Who are you throwing shade at? Can you give our readers a taste of what to expect Sunday night at Hard Rock Live? With this particular show,

a majority of the shade is thrown at myself … I kind of go with the flow. There is a huge part of the show that is scripted … and then the beginning and ending I have some fun with. The New York Times called you the Joan Rivers of the drag world. That’s pretty high praise. It’s something not in a

million years would you expect. … I’ve always loved her and respected her, so it’s a huge compliment. It’s just been part of my process, I’ve been doing this for 19 years. … I did lip syncs, I did drag numbers, but that didn’t fit me quite well.

> WOKE UP LIKE THIS Bianca Del Rio’s look is fierce, but she’s made a name by being funny.

We don’t see a lot of comedy from drag performers in Vegas. Lip-sync performances tend to dominate the local drag shows, with a few wisecracks here and there from the host. Do you think drag is missing comedy right now? I think that

they used to call people comedy queens because they were ugly … a lot of people fall into the labels. … I am a comedian who just happens to be in drag. … I think it’s always there; there are always gay men who are funny and hysterical, but they’re usually not in drag. I think there’s a market there, for sure.

Do you prefer performing in drag? Yes.

time to figure out what you want. I spent my time trying to figure out what I wanted to do. … People ask what’s next. You have to stay ahead of the game.

I’m used to it now. … There’s also a sense of theatricality to it. … Whenever RuPaul does an interview, people are upset [if ] he’s not in drag … If you’re not in a wig, oh God! … They think I wake up like that!

How long will you be in Vegas? Will you have time to explore a little? No, they

RuPaul’s Drag Race is about to crown another winner. What advice would you give?

don’t let me have that opportunity. I’m literally there for a night. … I can vacation when I’m dead! –Mark Adams

Just to use it wisely, and the same advice I’d give anyone is: The only thing you’re in control of is yourself. You don’t know what’s going to come next. Take that

ROLODEX OF HATE May 24, 7 p.m., $39-$85. Hard Rock Live, 702-733-7625.

“They used to call people comedy queens because they were ugly. I’m a comedian who just happens to be in drag.” 12 LasVegasWeekly.com May 21-27, 2015



Setting the tempo From bold new sounds to bigger outreach, the Las Vegas Philharmonic is evolving under new conductor Donato Cabrera By Kristen Peterson

I

t’s March 20, 2011, and composer Mason Bates, known for incorporating techno into his orchestral works, is playing an electric drum pad and laptop onstage at the Sydney Opera House with the international YouTube Symphony. It’s the world premiere of his work, “Mothership,” and nearly 2 million viewers are watching the live broadcast online, a linking of classical music with 21stcentury technology. The Bay Area composer, recently appointed the Kennedy Center’s first composer in residence, is known for this kind of thing. He’s young, good-looking and, when not DJing nightclubs around San Francisco (as DJ Masonic), he’s writing and performing works for some of the world’s greatest symphonies. To fans, he’s essential to moving the symphonic world forward, that artist who crosses genres (and generations). So it’s of interest to Las Vegas that when Bates and his laptop were premiering his “Mass Transmission” with the San Francisco Symphony in 2012, the guy waving the baton was Donato Cabrera, the Las Vegas Philharmonic’s new conductor, whose energy and enthusiasm have been so embraced by local audiences that 2015-16 season subscriptions more than quadrupled all of last season’s in the first five weeks. Bates, of course, is on next season’s lineup, along with works by Philip Glass, D.J. Sparr and Dan Visconti. Their inclusion represents what Cabrera champions: new music, living composers, an evolving art form. But injecting fresh works into the programming with symphonies by Tchaikovsky, Rachmaninoff, Sibelius and Brahms is only part of the Philharmonic’s effort to rebrand. The orchestra has increased the number of performances next season from 11 to 19, presenting some programs over two days rather than one evening (including Sunday matinees). It will offer chamber music in the Smith Center’s Troesh Theater and a special engagement featuring genrecrossing “little orchestra” Pink Martini. And composer surveys will serially present symphonies, giving audiences “a real sense over a longer period of time of what this composer is all about.” Then there’s the chance to mingle with Cabrera, who plans to continue inviting all of Reynolds Hall to Mundo restaurant for meetups after Saturday concerts, something he experienced while guest-conducting in Columbus, Ohio, in February. “I thought it was such a cool idea. This is such a great way to get the audience connected with the orchestra,” says Cabrera, who was selected to lead the Las Vegas Philharmonic last spring. “We’re looking into all kinds of ideas, and he wants to be a part of it,” says

14 LasVegasWeekly.com May 21-27, 2015

> watch the baton Cabrera, in his element.

Philharmonic President and CEO Jeri Crawford. “He’s very committed to this community, very committed to building this orchestra. And he’s lived here,” Crawford adds, referring to the conductor’s childhood in Las Vegas. “This is not unfamiliar territory.” Cabrera’s connection to Southern Nevada played in his favor. He understands that Las Vegas is a different animal when it comes to performing classical music and building audiences, says concertmaster Dee Ann Letourneau. The city is relatively new. Many residents have lived here 10 years or less, and are often still loyal to the arts programs of the cities they’ve left, meaning Las Vegas doesn’t have the generations of cultural supporters that have proven paramount for symphonies in older cities. Letourneau, who’s been with the orchestra since its famous last-minute launch on July 4, 1998 (when the Nevada Symphony Orchestra fell apart just before the holiday), says creativity, innovation and flexibility go a long way here. “Every orchestra across the country, from the top 10 down to the small orchestras, the ticket sales are dwindling. People aren’t caring as much.” Some orchestras, she says, are out of touch with what the public wants.


> the sound of las vegas The Philharmonic doesn’t just play onstage. Its musicians bring music into the community.

His mother and father met at UNLV. Cabrera, who lived here until he was 10 before moving to Northern Nevada, says he has always wanted to find a way to come back to Las Vegas. “I still have family that lives in Las Vegas, so from the very beginning it was a sense of homecoming and intrigue,” he said when we first spoke a year ago. “I feel very connected to Nevada, and I’ve always felt that at one point in my life I’d be able to have a connection to it other than just a familial one.” This new connection also means highlighting the talents of the orchestra beyond the usual programming. Letourneau will be the soloist in Brahms’ Violin Concerto in March. Principal clarinet Cory Tiffin will be showcased in Leonard Bernstein’s Prelude, Fugue, and Riffs in April. There is also the world premiere of “Desert Flight,” commissioned by the orchestra and composed by principal trombone Nathan Tanouye. Cabrera believes that the chamber music series will also spur “I want to break down all of these walls. I want them to feel they engagement: “Chamber music repcan go to a Philharmonic concert just as easily as a ertoire is really chosen by the musicians of the orchestra. There is a real Lady Gaga concert.” –Donato Cabrera sense of ownership, involvement in the artistic process.” Of the orchestra, Cabrera says that Elitist performers existing only at a distance in a concert hall are not as effecits “wonderful willingness” to work with 17 different conductors during and tive as musicians weaving themselves into the community through social, after the Philharmonic’s search, including last season, is a great testament educational and cultural outreach. Cabrera has already introduced himself to the musicians’ abilities. Now that he’s settled in, they can move forward outside the hall by rehearsing with Las Vegas Academy musicians and the together with a singular vision. UNLV orchestra, and by giving talks to senior groups, bringing parts of the As for the new music, Letourneau says the trust in Cabrera in learnPhilharmonic to those who can’t always attend concerts. Additionally, the ing unfamiliar material transfers into the war horses, including a recent Philharmonic’s new partnership with the Boys & Girls Club brought 20 kids Tchaikovsky performance that was preceded by John Adams’ “The Chairman to a Friday-night rehearsal where they met the musicians then attended a Dances,” a contemporary piece from the opera Nixon in China. concert the next night, part of an ongoing initiative. “We’ve played Tchaikovsky 5 before. The difference was astronomical,” And while the conductor—who is also resident conductor of the San she says. “He’s a teacher at heart, and he wants to teach us how to be a betFrancisco Symphony and music director of the San Francisco Symphony ter orchestra.” Youth Orchestra, the California Symphony and the New Hampshire Music Festival—remains loyal to excellence, he also relishes in such Portland crosses Symphony No. 2 (January 9 moments as an audience member yellgenres—Latin, jazz, & 10); Mozart, Symphony ing “Yeehaw!” during a performance classical, pop No. 38 (March 5); Tchaifrom Aaron Copland’s Rodeo. “I want and lounge (yes, kovsky, Symphony No. 6 to break down all of these walls,” lounge)—and will (May 21 & 22). Cabrera says. “I want them to feel take the stage with they can go to a Philharmonic concert the Philharmonic for Works by living Commission: “Desert Flight” by just as easily as a Lady Gaga concert.” a special engagement. American composers: composer and principal trombonist In that vein, the Philharmonic February 6. Dan Visconti’s “Breakdown” Nathan Tanouye, who has lent his talintroduced itself to new listeners in a (September 12); Mason Bates’ ent to Sante Fe and the Fat City Horns, Beatles tribute with Cirque performGuest soloists: pianist Andrew Tyson “Devil’s Radio” (January 9 & 10); Philip Strip productions and artists from ers during last year’s Life Is Beautiful (September 12); violinist Alexi Kenney Glass’ “Company” (March 5); D.J. Natalie Cole and Barbra Streisand to festival. While it doesn’t necessarily (November 21); pianist Martina Filjak Sparr’s “Dreams of the Old Believers” Usher. November 21. mean those spectators will turn out (January 9 & 10); pianist Andrew (May 21 & 22). for a Brahms concerto, “it’s visibility,” Armstrong (April 2 & 3); cellist Oliver Symphonies: Brahms, Symphony No. Cabrera says. Herbert (May 21 & 22); Broadway’s Pink Martini: The elegant and 2 (September 12); Sibelius, Symphony Connecting with the commuAlexandra Silber (June 4). sophisticated “little orchestra” from No. 1 (November 21); Rachmaninoff, nity is personal for him. In 1959, his mother’s parents moved to Las Vegas.

Spotlight on Next season

May 21-27, 2015 LasVegasWeekly.com

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How is it possible, you might ask, that Memorial Day Weekend in Las Vegas can continue to outdo itself as the most massive, music-charged superparty year after year? Well, in the case of MDW 2015, you have to consider that the Strip didn’t have the gigantous Omnia Nightclub in the mix last year, nor the SLS resort’s dynamic duo of Life Nightclub and Foxtail Pool Club. Plus, Drai’s had just barely opened in time for Memorial Day 2014, whereas today it’s a fully functional, three-pronged party machine with intriguing nightlife, daylife and afterhours activity. ¶ Add ’em all up and it becomes obvious: This (five-day!) weekend will be bananas. Chart a course for excessive fun with our checklist of globetrotting DJs, parties and events, and don’t forget to take some pictures ... you may not remember everything on Tuesday.

DILLON FRANCIS AT SURRENDER

Francis recently made waves in the EDM world via an unexpected collaboration with PartyNextDoor, who assembled some tracks for Drake’s last record. Look for literal waves when you launch your MDW at this nighttime pool party, which spills from Surrender into Encore Beach Club. 10:30 p.m., $25+ women/$35+ men. METHOD MAN & REDMAN AT FOXTAIL POOL CLUB If you missed Meth and Red

at Brooklyn Bowl in November, get with the program Thursday night, as SLS continues to fashion its indoor/outdoor venue with interesting versatility. 10 p.m., $20+/$30+. BRODY JENNER & WILLIAM LIFESTYLE AT TAO 10 p.m., $20+/$30+. DJ ROSS ONE AT DRAI’S

STEVE AOKI ALBUM RELEASE PARTY AT HAKKASAN The cake-slinger’s new

Neon Future II, featuring Snoop Dogg, Rivers Cuomo, Nervo, Linkin Park and more, just dropped last week. So even though Aoki’s doing Wet Republic Friday, Hakkasan might be the set to catch, with guest Kryoman. DJ Crooked plays the Ling Ling Club. 10 p.m., $20+/$30+.

ZEDD AT XS

Looking for more fresh music from a DJ who also just happened to unleash a new album? The suddenly omnipresent Zedd is prepping for a fall tour behind the days-old True Colors. Check him out at home-court XS before the world sees him at the Staples Center and Madison Square Garden. 10 p.m., $20+/$30+.

10:30 p.m., $20+/$30+.

photograph by danny mahoney/courtesy

May 21-27, 2015 LasVegasWeekly.com

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FEDDE LE GRAND AT FOXTAIL POOL CLUB 10:30 a.m., $30+/$40+. MORGAN PAGE AT DAYLIGHT BEACH CLUB Let’s take a break from all this

partying to recognize that versatile, Grammy-nominated DJ/producer Morgan Page drives a Tesla powered by the solar panels that also power his home studio. What does that mean? Well, in more ways than one, your Daylight experience with Page will be powered by the sun. DJ Scene and DJ Sincere will be there, too. 11 a.m., $20+/$30+. CHROMEO AT DRAI’S BEACH CLUB Yes, Drai’s is

doing lots of live shows these days. No, this Chromeo gig is not one of them. But yes, when Dave 1 and P-Thugg get behind the booth, it’s for real. 11 a.m., $30+/$50+. ZEDD AT ENCORE BEACH CLUB

11 a.m., $30+/$50+. CLINTON SPARKS AT LIQUID Perhaps you haven’t noticed the way the posh Liquid Pool Lounge can come alive when energized. Rest assured that will be the case when the Grammy-nominated DJ,

all-star musical collaborator and TV personality lands to help launch Memorial Day Weekend. 11 a.m., $20+/$40+. ANDREW RAYEL AT MARQUEE DAYCLUB Twenty-two-year-old

Moldovan DJ/producer and trance mainstay Rayel—actually Andrei Rata, which is, let’s face it, just as cool a DJ name—has been referred to as the new Armin van Buuren. And that, friends, is the beauty of MDW Vegas, as the old Armin van Buuren is here, too, playing a half-day later at Omnia. 11 a.m., $20+/$30+. STEVE AOKI AT WET REPUBLIC

11 a.m., $30+/$50+. FATMAN SCOOP AT DITCH FRIDAYS AT PALMS POOL The Friday before

Memorial Day must be the most-ditchedFriday of the year, so you’re just not making any sense if you don’t swing through the Palms Pool institution. Hypeman extraordinaire Fatman Scoop supports, along with DJ Supa James. Noon, $20+/$25+.

According to the Matinee party schedule, gay men don’t sleep, because there really doesn’t seem to be a time during Memorial Day Weekend when there isn’t a Matinee bash happening. From Friday night until Monday evening, the creators of this circuit-party festival make sure its patrons are covered, from the primetime-to-dawn ragers at Share, to the daytime frolicking at the Rumor pool, to the nighttime dance-offs scheduled at Vanity and Rain (both reopened for Matinee). And, for the main event: WaterPark! isn’t just the name of the big Saturday evening party, it’s the actual venue—as in Cowabunga Bay, which will likely go down in history as having hosted the gayest, wildest party in Henderson’s history. Scheduled DJ talent includes LGBT nightlife faves such as Hector Fonseca, DJ Grind and Taito Tikaro. May 22-25. For schedule & pricing, visit matineevegas.com.

MDW, and right now it doesn’t get bigger than Kaskade, who attracted some of the biggest crowds in the history of the Coachella music festival last month as one of two electronic artists to play the main stage. On the Strip, XS is his main stage. 9:30 p.m., $20+/$50+. CLOCKWORK AT LIGHT Clockwork’s big, bassy sound got him signed to Aoki’s Dim Mak label. His remix of Avicii’s “Levels” took over radio and YouTube. As RL Grime, he’s produced music that plays around in that hip-hop/EDM/trap world. Step into the Light and see which musical personality shows up. 10 p.m., $20+/$30+.

PORTER ROBINSON AT MARQUEE The self-taught North

Carolina native and multi-genre producer is off to the East Coast for some festival gigs right after he finishes his Memorial Day Marquee DJ sets, because even though he’s been a big deal since the age of 18, he’s still an artist on the rise and still riding high after last year’s debut album Worlds. Frank Rempe supports. 10 p.m., $20+/$40+.

FABOLOUS AT TAO 10 p.m., $30+/$75+. KASKADE AT XS All the

ARMIN VAN BUUREN AT OMNIA Plus

heavyweight DJs will be making the Vegas rounds for

Rev Run & DJ Ruckus at Heart of Omnia. 10 p.m., $30+/$50+.

KHLOE KARDASHIAN HOSTS AT 1 OAK 10:30 p.m., $60+/$70+. ARIANNY CELESTE & BRITTNY PALMER HOST AT THE BANK

With DJ Que. 10:30 p.m., $20+/$30+. 50 CENT AT DRAI’S After almost 15 years, big hits and bigger money, nine bullets and G-Unit and a movie career and Vitaminwater ... after all this time, you can still find him in da club. 10:30 p.m., $20+/$50+. HARDWELL AT HAKKASAN DJ Mag’s two-year reigning No. 1 DJ brings his fusion-y electro/nu-progressive house beats to Hakkasan. Joining him in the main room will be his fast-rising fellow Dutchman Kill the Buzz, and catch DJ Irie in the adjacent Ling Ling Club. 10:30 p.m., $30+/$50+. ZEN FREEMAN AT HYDE Freeman—the guy who co-created “Dance Bitch” with Aaron Paul from Breaking Bad—has transitioned from a Hakkasan residency to a spot in the rotation at SLS’ Life. Now he slides over to the other SBE club in town, Hyde Bellagio, which kinda makes sense considering his popularity on the fashion and film circuits and the cinematic style of this fountain-fronting venue. 10:30 p.m., $20+/$30+. R3HAB AT LIFE > MIXING IT UP Porter Robinson just made the Life Is Beautiful lineup, but he’s back at Marquee this weekend.

10:30 p.m., $30+/$40+. LIL JON AT SURRENDER

10:30 p.m., $30+/$40+.

18 LasVegasWeekly.com May 21-27, 2015

porter robinson photograph courtesy marquee


Megaclubs not your speed? Do MDW your own way

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> PARTY UP NORTH DJ R3hab sets it off at SLS’ Foxtail Pool Club.

KASKADE AT ENCORE BEACH CLUB

10 a.m., $40+/$100+.

WYCLEF JEAN AT LIQUID Live performance plus DJ Scene. 11 a.m., $40+/$75+.

FRENCH MONTANA AND DJ SPADE AT PALMS POOL 10 a.m., $22+/$44+.

BENNY BENASSI AT MARQUEE DAYCLUB

With Investo. 11 a.m., $20+/$50+.

R3HAB AND GARETH EMERY AT FOXTAIL POOL CLUB

10:30 a.m., $30+/$40+.

SCOTT DISICK BIRTHDAY CELEBRATION AT BARE And now a

special message from Bare Pool: “Please be aware that during Scott’s appearance, bathing-suit tops for all patrons will be required.” So yeah, plan accordingly. Disick is back at the Mirage Saturday night at 1 OAK. 11 a.m., $30+/$50+. ALESSO AT DAYLIGHT BEACH CLUB

You’ll notice many of the biggest and baddest DJs in town for MDW start with a night set and hit the affiliated dayclub the next day. Swedish superstar Alesso is doing it his own way, Daylighting Saturday with DJ Stellar and DJ Kidfunk before moving inside Mandalay Bay at Light at night. 11 a.m., $20+/$40+.

KESHA AT REHAB Simply put, this performer and venue were made for each other, in every possible way. (And we don’t mean that in a mean way; Kesha isn’t the first to do Rehab after rehab.) 11 a.m., $50+/$80+. CALVIN HARRIS AT WET REPUBLIC

With Burns. 11 a.m., $60+/$125+. AVICII AT XS After a health-oriented

hiatus, Wynn cornerstone DJ Avicii is back, having returned to Vegas to headline XS Nightclub’s sixth anniversary in March. The club was recently renovated, too, and now everything is ready for the big weekend reunion of XS and one of its most beloved residents. 9:30 p.m., $20+/$50+. JOE JONAS AT HYDE DJ set. 10 p.m.,

$20+/$30+. ADVENTURE CLUB & 3LAU AT DRAI’S BEACH CLUB Now that it’s been open

for a full year, Drai’s Beach Club has found its groove. It is, after all, the only venue of its kind, a rooftop pool with peerless views, knockout programming and all the VIP trimmings. A couple of its most intriguing artists, Las Vegas’ own 3lau and high-powered Canadian duo Adventure Club, team up for a Saturday to remember. 11 a.m., $40+/$60+.

DASH BERLIN AT MARQUEE

With Lema. 10 p.m., $20+/$50+. MARTIN GARRIX AT OMNIA

In some ways, you’ll have more fun than Martin Garrix this MDW in Las Vegas. He’ll turn 20 next year, so you can do things he can’t. Then again, he’s played the biggest festivals in the world since “Animals” catapulted

R3Hab at Foxtail photograph courtesy; banger brewing by steve marcus

him to dance-music fame and up the DJ Mag Top 100 chart. But you can buy drinks. And you can catch D-Nice at Heart of Omnia. 10 p.m., $20+/$75+. SNOOP DOGG’S SNOOPADELIC CABARET AT TAO

Snoop’s got some surprisingly fresh sounds at his disposal, as the Pharrell-produced Bush just arrived this month, album No. 13 for the Long Beach legend. Will you get a taste at Snoopadelic Cabaret? Seems likely. 10 p.m., $30+/$75+. WALE WITH DJ HOMICIDE AT CHATEAU 10:30 p.m., $30+. PUFF DADDY AT LIFE 10:30 p.m.,

$40+/$60+. THE WEEKND AT DRAI’S How big can The Weeknd get? Ariana Grande collaboration “Love Me Harder” and 50 Shades of Grey soundtrack smash “Earned It” are inescapable hits, and he closed out his final victorious Coachella set by bringing out Kanye. The Weeknd is a major score for Drai’s live lineup and an edgy artist for the Strip. Catch him while you can. 10:30 p.m., $60+/$100+. CALVIN HARRIS AT HAKKASAN

With Burns, plus Jesse Moreno at Ling Ling Club. 10:30 p.m., $50+/$100+. GARETH EMERY AT FOXTAIL

10:30 p.m., $30+/$40+. DIPLO AT SURRENDER

10:30 p.m., $25+/$35+. SUITS FOR NO REASON WITH JERMAINE DUPRI AT TRYST

Soulkitchen 12-year anniversary at Vanguard Lounge If celebrating the enduring Downtown house party’s 12th year in existence—an especially momentous milestone for a local underground party—isn’t enough impetus to visit Vanguard Lounge on Thursday, witnessing a set by Canadian technooriented house DJ Jay Tripwire ought to seal the deal. With resident/founder Edgar Reyes, London-based live/DJ act DDR and local percussionist Cayce Andrew. May 21, 10 p.m., free. Locals Only Beer Festival at Neonopolis The title is sorta tricky. While your buddies from LA can come to this Downtown suds-fest located at Neonopolis’ center court, you can’t ask for a Stone or Rogue or Deschutes, because only Las Vegas-based craft beers and homebrews—like Sin City Brewing Co., Banger Brewing, Tenaya Creek Brewery and Bad Beat Brewing— are on offer. Live bands, DJs and grub from the Hummus Factory food truck round out the event, which benefits the Nevada Craft Beer Association. May 23, 2-6 p.m., $25. Super Soaker at the Bunkhouse Not too many of us hang out at the Bunkhouse before sunset, but the fellas behind Nickel F*cking Beer Night give us a prime reason to visit after breakfast with its newest party. Summer backyard favorites like Slip ’N Slide, portable pools and, of course, the party’s namesake complement DJ sets by Eric Melvin (from punk band NOFX) and local residents The Creeps and Biz:E. May 23, doors at 11 a.m., free. Taboo at Foundation Room Want to catch a huge name performing in a small room? The Black Eyed Peas’ Taboo—a regular club DJ much like his bandmate, Will.i.am—will offer an alternative from the frenetic Strip big rooms when he DJs an open-format set for an intimate gathering at House of Blues’ Foundation Room high atop Mandalay Bay. That’s going to be a lot of energy for one compact space, so hold on tight to your cocktails. May 23, 10 p.m., $20/$50. –Mike Prevatt

10:30 p.m., $20+/$30+.

May 21-27, 2015 LasVegasWeekly.com

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> MARQUEE ATTRACTION The Illmatic one is back on the Strip Sunday.

puff daddy and rae sremmurd AT FOXTAIL POOL CLUB 10:30 a.m.,

$75+/$100+. AVICII AT ENCORE BEACH CLUB

11 a.m., $40+/$100+. DJ E-ROCK AT LIQUID 11 a.m.,

$20+/$30+. CEDRIC GERVAIS AT MARQUEE DAYCLUB With Investo. 11 a.m.,

$20+/$30+. bad boy bill and jump smokers at rehab 11 a.m., $50+/$100+. FABOLOUS AT TAO BEACH

11 a.m., $40+/$125+. MARTIN GARRIX AT WET REPUBLIC

11 a.m., $40+/$60+.

NAS AT MARQUEE Nas loves Vegas. He’s co-owner of the Linq’s supercool 12AM Run sneaker store. He swept through Cosmo’s Boulevard Pool last fall to celebrate the 20th anniversary of the classic Illmatic with a classic concert. And he’s back to blow up MDW at Marquee with versatile LA hip-hop DJ Politik. 10 p.m., $20+/$30+.

AFROJACK AT OMNIA Another Dutch dance-music titan, Afrojack also falls into the category of an artist completely enamored with Las Vegas. Last year, he told DJ Mag, “There’s a lot of people working or living there with the same passion for music,” but more obviously, he named his daughter Vegas. That’s devotion. He takes over at Omnia with Apster, plus DJ Jazzy Jeff at Heart of Omnia. 10 p.m., $20+/$30+. KEVIN HART AFTER PARTY AT TAO Not only does he do approximately 800 movies a year, he’ll also play Mandalay Bay Events Center Sunday and pop up at Tao to keep the party rocking. 10 p.m., $40+/$50+. T-PAIN AT THE BANK

Certainly there will be some folks trying to “Blame It” on the alcohol this weekend, but did you know you can go to t-pain.net to answer the question, “Which drink are you?” Pick your favorite T-Pain song and discover your boozy identity; “I’m N Luv (Wit a Stripper)” is peppermint Schnapps with Irish cream and coffee liqueurs. 10:30 p.m., $30+/$50+. CHRIS BROWN AT DRAI’S During his last long weekend in Vegas, Chris Brown partied, got his picture taken a lot, got into a scuffle while playing basketball at the Palms and fell off a stage. Pretty typical long weekend in Vegas, no? 10:30 p.m., $60+/$100+. WALE AND DJ DRAMA AT FOXTAIL

10:30 p.m., $40+/$60+. SUNDOWN WITH DANNY TENAGLIA AT DAYLIGHT BEACH CLUB Turn to Page 24

for our interview with Tenaglia, who plays Daylight with Justin Baulé, Frank Rempe and Brett Rubin. Noon, $20+/$30+.

Rae Sremmurd and DJ KONFLIKT AT HYDE 10:30 p.m., $20+/$30+. TIËSTO AT HAKKASAN With Tigerlily,

plus DJ Ruckus at Ling Ling Club. 10:30 p.m., $20+/$30+. ERICK MORILLO AT LIFE Dance legend and hard-house pioneer Morillo is a prominent presence in every destination where clubbing is a big deal. In Vegas, he has a new home on the north Strip, sliding from Marquee to SLS’ signature nightlife experience at Life. 10:30 p.m., $30+/$40+. SUNDAY NIGHTSWIM WITH DAVID GUETTA AT XS We can’t decide if Guetta’s

anthemic style—he has sold 30 million singles—plays better at Encore Beach Club’s daytime parties or at these rowdy XS night gigs. Maybe go to both? 10 p.m., $20+/$50+. AFTER HOURS WITH CARL COX AT LIGHT

House legend and dance-music pioneer Cox’s Light residency has been a smashing success, and he’s always been all about the afterhours in Vegas (think Utopia). Sunday night, he’s going to keep you moving until 7 a.m., at least. 11 p.m., $20+/$30+.

> ALL DAY LONG Nobody rocks EBC like David Guetta.

EC TWINS AT FOXTAIL POOL CLUB

Manchester brothers Marc and Allister Blackham have been dedicated for a decade now to their mission of spreading EDM across the U.S. Monday morning marks only the second time the twins’ high-energy production lands at Foxtail Pool Club. 10:30 a.m., $20+/$30+. DAVID GUETTA AT ENCORE BEACH CLUB 11 a.m., $40+/$50+.

fun way to finish your MDW. With Lema. 10 p.m., $20+/$30+. CALVIN HARRIS AT OMNIA It’s a tough life if

you’re Calvin Harris, one of the most recognizable DJs and most sought-after dance-music producers in the world. And then, you know, there’s that whole Taylor Swift girlfriend thing. Poor guy closes out the wild weekend with Burns at the hottest new spot on the Strip, with Fred Matters at Heart of Omnia. 10 p.m., $20+/$30+.

CASH CASH AT MARQUEE DAYCLUB

With Eric Coomes. 11 a.m., $10+. TIËSTO AT WET REPUBLIC With

Tigerlily. 11 a.m., $20+/$30+. CARNAGE AT MARQUEE The Guatemalan-raised, Chipotle-loving, trapevolving Carnage might just be the most

20 LasVegasWeekly.com May 21-27, 2015

DIPLO & SKRILLEX AT XS What do Ü get when Ü put these two mega-DJs together? The trap team-up known as Jack Ü, that’s what. And if you’re skipping town early, Ü can always come back and catch Jack Ü at the Gumball 3000 Las Vegas Festival on May 29 and 30. 10:30 p.m., $20+/$30+.

Encore Beach club by ebc photographer/courtesy


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NIGHTS

> IN THE LAB Tenaglia is tinkering with his studio and looking forward “to getting back in there and doing it right.”

the Wizard of vibe

Legendary NYC DJ Danny Tenaglia brings his meticulous craft to Sundown By Deanna Rilling Danny Tenaglia is the DJ your favorite DJs only wish they could be. The New York native is a master of all layers of house and techno. He’s a wizard at creating the perfect vibe for digging deep and dancing like no one’s watching. Las Vegas will be treated to his veteran skills on May 24 for Sundown at Daylight when he takes over at sunset. You’re a legend for your parties at Twilo in New York back in the day, and the vibe you created that’s often imitated. What will you bring to the tables for your Sundown set at Daylight? I always like to get there a significant amount of time before I start, feel the vibe and see what the DJ is doing before me and see how the people are responding. … I’m always prepared to go in different directions, but I pretty much know that my energy is going to be up in the daytime setting. If I’m the last DJ on the bill, then I would probably get into the direction of closing. I wouldn’t just go “bang, bang, bang, bang!” and all of a sudden the music stops. I always try to do something a little more theatrical to bring it home. Speaking of theatrical, will there be a giant white horse for you to ride in on that’s made an appearance at your parties in the past? (Laughs) They’d have to put it on wheels and pull me. I had this white horse, and it’s just so funny because there really is no significance to it. I had gotten my loft about 11 years ago, maybe like 6,500 square feet, and it was empty. I passed this place in the Hamptons, and they had all this crazy stuff on the grounds so people driving by could see what they had to sell: cows, Elvis, Marilyn Monroe—like, party rental things. … As we were walking around, I just said to the guy, “How much for the horse?” He said like $500, so I said, “All right, throw it in the truck.” No one’s ever really asked me in detail, but that’s how it came about. It was a very spontaneous kinda thing and having a massive place to put it. What happened to it? It’s still here [in my loft]. The last time we had an event up here was Native Instruments, Traktor and Beatport and …

recording studio just to overall make it a better we brought the horse up to the roof, and it’s been environment, fix anything that wasn’t working and up there since, because it’s really awkward to get getting all my vintage keyboards out and up and down stairs. So if anybody’s flying everything in working order, because I’m overhead in a helicopter, they see this really looking forward to getting back in big, white horse lying on its side. … By Danny there and doing it right. I devote so much the way, the horse’s name is Roofus. The Tenaglia time as a DJ, for me to really make music reason why he’s called Roofus is because with Brett needs that same kind of dedication, but my manager Kevin [McHugh], a couple of Rubin, Justin I’m always traveling. … I’m probably going times would put it on the top of the truck Baule, Frank to take a break from some of the overseas and drive it to Vinyl for parties. Rempe. May 24, travels when the holidays come around, doors at noon, and I’ll stick to more of the local stuff … Balance 025 was amazing, but it was $20+ women, and put some of those two or three weeks your first release in six years. What’s $30+ men. away at a time so I can make music. I next? I always tell people, “I’m working Daylight Beach really want to do it right. I don’t want to be on this” or “I’m working on these ideas Club, like those guys that have this attitude like, and concepts.” But then they always stay 702-588-5656. “Oh yeah, I made that track in 3-4 hours.” inside the computer or on a shelf, so to I want people to be able to tell it took a week or speak. But right now as we speak, actually, I have two or three. three people here helping me reconfigure my

club hopping Nightlife News & Notes

24 LasVegasWeekly.com May 21-27, 2015

Steve Aoki’s days of crowdsurfing in an inflatable raft could be over soon if a court finds him responsible for injuries a fan alleges she sustained at a May 2012 event at the Hard Rock Hotel. The producer/DJ/Las Vegas resident and the property are being sued by Brittany Hickman, who says Aoki threw his raft atop her and jumped in, knocking her down and breaking her neck and ankle. Singer-songwriter Ed Sheeran jumped into the DJ booth during David Guetta’s XS set on May 16, hoisting up a large photo avatar of the French EDM icon. Sheeran played Rock in Rio up the street the night before. –Mike Prevatt

ed sheeran AND david guetta by Danny Mahoney

Announced this week: Imagine at Omnia, a 14-week summer event series aiming to “transport partygoers into a world unknown” using interactive performances, theatrical décor and more. The venue-transforming Sunday parties begin May 31 with headlining DJ Chuckie. –Brock Radke A charity auction held earlier this month by Insomniac raised nearly $70,000 for Culture Shock Las Vegas. Dance fans bid on onstage selfie

opportunities with Hardwell at EDC, making sushi with Krewella at Nobu and sharing a helicopter ride to EDC with Pasquale Rotella and Holly Madison, among other experiences. Deadmau5 might not be playing EDC, but he has three local gigs scheduled. He’ll return to XS on July 5 for the club’s Nightswim party, and again on July 11. He’ll also perform at the Gumball 3000 Las Vegas Festival on May 29 at MGM Resorts Village. It’ll be the producer/DJ’s second Gumball race; this year he’ll show off his blackjackthemed 2016 McClaren P1—or the Meowclaren, as he calls it.


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NIGHTS

A club for all mankind

Sampling the Valley’s best unpretentious hangs, where the music is sweet (and so are the Jell-O shots) CARLOS’N CHARLIE’S Ever since LGBT-themed burger bar Hamburger Mary’s closed in the early ’00s, we’ve been waxing nostalgic for a kitschy, tropical restaurant to step up and fill the void. Our wish was finally granted this month when the Mexican grill inside the Flamingo launched its new weekly outdoor LGBT party, Sunset Sundays, featuring appearances by long-standing drag staple Divas Las Vegas. With no cover and no dress code (plus a $20 all-you-can-drink bar until 2 a.m.), the no-fuss vibe at Carlos’n Charlie’s makes the restaurant and bar an ideal spot to wind down as the weekend comes to close. Bring a few buddies or make a few new ones while throwing back margaritas, noshing on chips and salsa and dancing on the patio—and when you hear the whistle, you better make sure your ass is at the bar, ’cause that free shot has your name on it. Flamingo, 702522-9254. Monday & Tuesday, 8 a.m.1 a.m.; Wednesday-Sunday, 8 a.m.-3 a.m. –Leslie Ventura Havana Grill One by one the dining-room lights wink out, leaving banana-leaf wallpaper washed with specks, squiggles and kaleidoscopes of neon coming from the booth. DJ Krazy eases the Cuban restaurant into its nightclub alter ego with some shimmery EDM, weaving it into traditional salsa, banging reggaeton and stick-in-your-head hip-hop, bouncing from Romania’s Edward Maya to Jamaica’s Ini Kamoze, Bolivia’s Azul Azul to Puerto Rico’s Daddy Yankee. Later in the Saturday night set, singer Gladys will add live talent to the beats making teen girls start conga lines, parents twirl their toddlers and older women dance like it’s four drinks in and 40 years ago. It’s joyous and totally relaxed, like the best wedding reception of your life. But that doesn’t mean you won’t see gorgeous girls in stilettos and sequined booty shorts showing you how cumbia is done. And there is bottle service, but why bother when you can have a table for an $8 mojito? 8878 S. Eastern Ave. #100, 702932-9310. Live entertainment FridaySunday, times vary. –Erin Ryan FREEZONE It might be the cheap drinks. Or that it’s not somewhere to

26 LasVegasWeekly.com May 21-27, 2015

> green-light your groove The beats are too good and the vibes way too friendly for you to be shy at Havana Grill or (below) Insert Coin(s).

at Insert Coin(s), still the most singular and welcoming bar along Fremont East. Sipping on a Red Stripe, browsing the old-school arcade cabinets and mixing it up with friends while mellow hip-hop thumps ... this is the relaxed early vibe. But when the DJ takes over around 10—like Silent John did last week, pushing the pace with funk and soul—it’s time to ditch the joystick and join the nerdy-cute crowd on the dancefloor. If there’s an easier place to have fun Downtown, show me. 512 Fremont St., 702-477-2525. WednesdaySunday, 8 p.m.-close. –Brock Radke

see and be seen. Or maybe it’s the dancefloor’s communal stripper pole, not strictly reserved for ab-tastic gogos. Whatever it is, people seem to be comfortable at FreeZone. Just ask any of the girls (or boys!) who attempt their sexydance skills on that pole. And while a lot of the nightlife geared toward the gay community caters to niche communities like bears, Burners and the I’m-Never-Missing-Leg-Day set, you’ll find a more diverse crowd at the Fruit Loop staple. Men, women, young, old, all different scenes and styles and usually every part of the LGBTQ spectrum will be represented, (though the weekly Ladies Night obviously skews one way). So come as you are for the friendly service, fierce drag

queens and those inexpensive cocktails. Why not stop in next time on the way to Piranha? The pole’s calling your name. 610 E. Naples Dr., 702-794-2300. 24/7, karaoke Monday & Tuesday; drag shows Wednesday, Friday & Saturday; Latin Night Thursday; Ladies Night Sunday. –Mark Adams INSERT COIN(S) Frogger is life. Think about it. In the beginning, you realize patience is a virtue, that if you take your time, survey your surroundings and move carefully, everything comes easy. But as you advance through Frogger/life, everything gets complicated and moves faster. If you chill on any lily pad or floating log for too long, a snake could bite you. So it goes

REVOLVER The northwest isn’t known for its nightlife, but for country fans, the action is at Revolver at Santa Fe Station. Wear your favorite buffalo plaid tee and put on your best cowboy boots, then get your dance on underneath Delilah, the saloon’s 6-foot mirrored armadillo. On Saturday night, Dee Jay Silver’s on the decks, spinning the latest in chart-topping country, and Revolver offers up plenty of drink specials like $2 drafts, $2 moonshine, Jell-O shots and $2 well drinks for ladies. Got two left feet? Revolver isn’t the best place for the uninitiated, but the country bar offers complimentary line-dancing classes from 8 to 9:30 p.m. every Wednesday and Friday, so you can learn the basics, then show off your new skills to a lucky partner—or at the very least, a big, shiny armadillo. Santa Fe Station, 702-515-4390. Wednesday & FridaySunday, 8 p.m.-2 a.m. –LV


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NIGHTS | club grid

Listings are accurate as of press time. For more info, contact venues directly.

VENUE

THURSDAY

FRIDAY

SATURDAY

1 OAK

Closed

Khloe Kardashian

Pornstaraoke

Sound

ARTISAN

THE BANK

CHATEAU

DRAI’S AFTERHOURS

DRAI’S NIGHTCLUB

hosts; doors at 10:30 pm; $70+ men, $60+ women

SUNDAY

MONDAY

hosts; DJ E-Rock; doors at 10:30 pm; $50+ men, $40+ women

Closed

Closed

Doors at 10:30 pm; $40+ men, $30+ women, locals free

DJ M!KEATTACK

Social Sunday

Lounge open 24 hours

Lounge open 24 hours

Closed

Closed

Closed

Closed

Closed

Doors at 10:30 pm; $30+ men, $20+ women, locals free

Closed

Doors at 1 am; $30 men, $20 women, industry locals w/ID free

Doors at 1 am; $30 men, $20 women, industry locals w/ID free

Closed

Closed

Closed

DJ Casanova

DJ Kay theRiot

DJ SINcere

Scott Disick

DJ Justin Key; 10 pm; $10, women and locals free; lounge open 24 hours

Porn actresses host; 10 pm; free; lounge open 24 hours

DJ Justin Key, others; 10 pm; $10; women, locals free

DJ Kid Conrad

Doors at 10:30 pm; $30+ men, $20+ women

Arianny Celeste, Brittney Palmer host; DJ Que; doors at 10:30 pm; $30+ men, $20+ women

DJ G-Squared; model takeover; doors at 10:30 pm; $30+ men, $20+ women

Closed

Doors at 10:30 pm; $30+ men, $20+ women, locals free

performs; DJ Homicide; doors at 10:30 pm; $30+ men, $20+ women, locals free

Afterhours

Doors at 1 am; $30 men, $20 women, industry locals w/ID free

DJ Ross One

Doors at 10 pm; $30+ men, $20+ women

#FollowMe Fridays

Afterhours

Doors at midnight; $30+ men, $20+ women

50 Cent

live; doors at 10 pm; $75+ men, $50+ women

Music With a View

FOUNDATION ROOM

DJ Peter Shalvoy

GHOSTBAR

Doors at 8 pm; $20 men, $10 women, locals free before midnight

HAKKASAN

DJ Crooked; Kryoman; doors at 10:30 pm; $30+ men, $20+ women

DJs Kill the Buzz, Irie; doors at 10:30 pm; $50+ men, $30+ women

HYDE

Doors at 5 pm

10 pm, $30+ men, $20+ women; doors at 5 pm, free

10 pm, free; Like Totally: The 80s Experience, 9 pm, free

DJ Benny Black

Steve Aoki

DJs Earwaxxx, Sam I Am, Marc Mac, 6 pm, free; Heightened Shenanigans comedy, 9 pm, free

DJ Exodus

DJ Mark Stylz; doors at 8 pm; $25 men, $20 women

Hardwell

DJ Zen Freeman

DJ Five

Wale

Afterhours

Doors at midnight; $30+men, $20+ women

The Weeknd

live; doors at 10 pm; $100+ men, $60+ women

Taboo

DJ set; 10 pm; $50 men, $20 women

DJ Mark Stylz

DJ Exodus; doors at 8 pm; $25 men, $20 women

Calvin Harris

DJs Burns, Jesse Marco; doors at 10:30 pm; $75+ men, $40+ women

Joe Jonas

DJ set; 10 pm, $30+ men, $20+ women; doors at 5 pm, free

TUESDAY

WEDNESDAY

DJ Turbulence

DJ Justin Key, others; midnight; free; open 24 hours

Closed

Energy Reset

DJ 360, MC Ray, 10 pm; health & beauty showcase, 8 pm; $10, $5 local men, women free; open 24 hours

T-Pain

performs; doors at 9 pm; $50+ men, $30+ women

Doors at 10:30 pm; $50+ men, $30+ women, locals free

DJ Reaction

Afterhours

Doors at 1 am; $30+ men, $20+ women, industry locals w/ID free

Afterhours

Afterhours

Chris Brown

live; doors at 10 pm; $100+ men, $60+ women

DJ Eric Forbes 10 pm; $30

DJ b-Radical

Doors at 8 pm; $20 men, $10 women

10 pm; $30, locals free

DJ Seany Mac

10 pm; $30

DJ Seany Mac

10 pm; $30

DJ Presto One

Doors at 8 pm; $20 men, $10 women

Doors at 8 pm; $20 men, $10 women

Doors at 8 pm; $20 men, $10 women

Closed

Closed

Closed

Doors at 5 pm

DJ Spider, 10:30 pm, $30+ men, $20+ women; doors at 5 pm, free

Tiësto

DJs Tigerlily, Ruckus; doors at 10:30 pm; $30+ men, $20+ women

DJ Konflikt

10 pm, $30+ men, $20+ women; doors at 5 pm, free

Lost Angels

Infamous

DJ D-Miles; 10:30 pm; doors at 5 pm, free

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NIGHTS | club grid

VENUE

THURSDAY Throwback Thursdays

Listings are accurate as of press time. For more info, contact venues directly.

FRIDAY

SATURDAY

SUNDAY

MONDAY

TUESDAY

WEDNESDAY

Doors at 10:30 pm; free open bar for women until midnight; $30 men, $20 women

Doors at 10:30 pm; free open bar for women until midnight; $30 men, $20 women

Closed

Closed

Closed

Closed

Closed

Closed

Closed

Closed

Closed

Doors at 10 pm; $30+ men, $20+ women

Closed

Closed

LAX

Doors at 10:30 pm; free open bar for women until midnight; $20-$30

LIFE

Closed

Doors at 10:30 pm; $30+ men, $20+ women

LIGHT

Closed

Doors at 10 pm; $30+ men, $20+ women

R3HAB

Clockwork

Porter Robinson

MARQUEE

Closed

OMNIA

DJ Mondo; doors at 10 pm

PBR ROCK BAR

SURRENDER

TAO

XS

Armin van Buuren

Alesso

Doors 10 pm; $50+ men, $20+ women

Dash Berlin

DJs Lema, M!KEATTACK; doors at 10 pm; $50+ men, $20+ women

Martin Garrix

Omnia Thursdays

DJs Rev Run, Ruckus, Dimitry Ko; doors at 10 pm; $50+ men, $30+ women

DJs D-Nice, Dimitry Ko; doors at 10 pm; $50+ men, $20+ women

Ladies Night

2-for-1 beer pong, $22, 11 am-9 pm; 100 oz. beer tower, $35; doors at 8 am

2-for-1 beer pong, $22, 11 am-9 pm; 100 oz. beer tower, $35; doors at 8 am

$1 vodka for women, 9 pm, $5; 2-for-1 beer pong, $22, 11 am-9 pm; doors at 8 am

Closed

Brody Jenner & William Lifestyle

DJ set; doors at 10 pm; $30+ men, $20+ women

The Affair

TRYST

DJs Frank Rempe, M!KEATTACK; doors at 10 pm; $40+ men, $20+ women

Puff Daddy

Doors at 10:30 pm; $60+ men, $40+ women

DJ Saint Clair; doors at 10 pm; $30 men, $20 women, local women & industry free

Zedd

Doors at 10 pm; $30+ men, $20+ women

Lil Jon

Diplo

DJ set; doors at 10:30 pm; $40+ men, $30+ women

Doors at 10:30 pm; $35+ men, $25+ women

Fabolous

Snoop Dogg: Snoopadelic Cabaret

live; DJ Eric D-Lux; doors at 10 pm; cover

DJ Tay James

Doors at 10 pm; $30+ men, $20+ women

Kaskade

Doors at 10 pm; $50+ men, $20+ women

Erick Morillo

Doors at 10:30 pm; $40+ men, $30+ women

Carl Cox

Afterhours set; doors at 11 pm; $30+ men, $20+ women

Nas

DJs Politik, Frank Rempe, M!KEATTACK; doors at 10 pm; $30+ men, $20+ women

Afrojack

Carnage

DJs Lema, Lisa Pittman; doors at 10 pm; $30+ men, $20+ women, locals free

Calvin Harris

DJs Apster, Jazzy Jeff, Tyler Sherritt; doors at 10 pm, $30+ men, $20+ women

DJs Fred Matters, Mark Eteson; doors at 10 pm, $30+ men, $20+ women

#Social Sundays

Beer Pong Tournament

$20 open bar 9 pm-1 am w/ social media follow; doors at 8 am

DJ Bassjackers

9 p.m.; $25 open bar until 2 a.m.; doors at 8 am

Showtek

DJs Five, D-Lux, Fergie; doors at 10 pm; $30+ men, $20+ women, locals free

Karaoke Night

10 pm; 2-for-1 beer pong, $22, 11 am-9 pm; doors at 8 am

Closed

2-for-1 beer pong, $22, 11 am-9 pm; 100 oz. beer tower, $35; doors at 8 am

DJ Flosstradamus

Closed

Closed

Closed

Doors at 9 pm; $45+ men, $35+ women, locals free

Closed

Closed

Closed

Closed

Closed

Closed

Closed

Closed

Closed

Closed

live, DJ set; doors at 10 pm; $75+ men, $30+ women

Jermaine Dupri

DJ set; doors at 10 pm; $30+ men, $20+ women

Avicii

Doors at 10 pm; $50+ men, $20+ women

David Guetta

Doors at 10 pm; $50+ men, $20+ women

Skrillex & Diplo

Doors at 10 pm; $30+ men, $20+ women

May 31, 2015


LAS VEGAS WEEKLY POOL GRID

VENUE

THURSDAY

BARE

Doors at 11 am; $20+ men, $10+ women, locals free

DAYLIGHT

Closed

DJ Tony Arzadon; doors at 11 am; $30+ men, $20+ women

FRIDAY

DRAI’S BEACH CLUB

Doors at 11 am; $20; locals free

DJ set; DJ Mike Hawkins; doors at 11 am; $40+ men, $20+ women

DJ Gusto

Doors at 11 am; $40+ men, $10+ women

Morgan Page

ENCORE BEACH CLUB

FOXTAIL POOL CLUB

EBC at Night

DJ Dillon Francis; doors at 11 am; $35+ men, $25+ women

Method Man & Redman

live; doors at 10 pm; $30+ men, $20+ women

Industry Day

LIQUID

Free Champagne for women, 11 am-1 pm; doors at 11 am; $20+ men, $10+ women

Chromeo

Zedd

Clinton Sparks

Doors at 11 am; $40+ men, $20+ women

Andrew Rayel

Doors at 8 am; $10, local women free

Fatman Scoop performs; DJ Supa James; doors at 8 am; $20 men, $10 women, local women free

TAO BEACH

Pink Cookies

Ditch Fridays

DJ Ace

Doors at 11 am; $30+ men, $20+ women

Steve Aoki

Doors at 11 am; $50+ men, $30+ women

MONDAY

DJ Fashen

Industry Mondays

Doors at 11 am; $20+ men, $10+ women

Adventure Club

The Weeknd

DJ 3Lau; doors at 11 am; $50+ men, $30+ women

Kaskade

Gareth Emery

Wyclef Jean

live; DJ Scene; doors at 11 am; $50+ men, $20+ women

Benny Benassi

hosts; doors at 11 am; $40+ men, $20+ women

Avicii

Doors at 11 am; $100+ men, $40+ women

Puff Daddy & Rae Sremmurd

live; doors 10:30 am, $50$75+; Wale live, DJ Drama, doors 10:30 pm; $40-$60+

DJ E-Rock

Doors at 11 am; $30+ men, $20+ women

Cedric Gervais

DJs Investo, Lema; doors at 11 am; $50+ men, $20+ women

DJs Frank Rempe, Investo; doors at 11 am; $30+ men, $20+ women

Doors at 8 am; $20 men, $10 women, local women free

Doors at 8 am; $10+, local women free

Brody Jenner & William Lifestyle

DJ set; doors at 11 am; $40+ men, $20+ women

Calvin Harris

DJ Burns; doors at 11 am; SOLD OUT

TUESDAY

WEDNESDAY

Doors at 11 am; $20+ men, $10+ women, locals free

Closed

Closed

Closed

Closed

Closed

Danny Tenaglia

DJs Brett Rubin, Justin Baule, Franke Rempe; doors at noon; $30+ men, $20+ women

w/DJ R3HAB, doors 10:30 am, 40+ men, $30+ women; doors 10:30 p.m., $40+ men, $30+ women

PALMS POOL

DJ Gusto

Alesso

SUNDAY

DJs Stellar, KidFunk; doors at 11 am; $100+ men, $40+ women

Fedde Le Grand

Doors at 10:30 am; $30+ men, $20+ women

DJ Lema; doors at 11 am; $30+ men, $20+ women

Doors at 11 am

Scott Disick

hosts; doors at 11 am; $40+ men, $10+ women

Doors at 10 am; $100+ men, $40+ women

Closed

WET REPUBLIC

SATURDAY

Doors at 11 am; $50+ men, $30+ women

MARQUEE DAYCLUB

Doors at 11 am

SPONSORED BY: drai's beach club

Listings are accurate as of press time. For more info, contact venues directly.

Fabolous

live; doors at 11 am; cover

Martin Garrix

Doors at 11 am; $60+ men, $40+ women

Drai’s Yacht Club

Doors at 11 am; $20; locals free

David Guetta

Doors at 11 am; $50+ men, $40+ women

EC Twins

Doors at 10:30 am; $30+ men, $20+ women

DJ Dante

Doors at 11 am; $30+ men, $20+ women

Cash Cash

DJ Eric Coomes; doors at 11 am; $10+

Cabanas For a Cause

Doors at 8 am; $10, local women free

Doors at 11 am

Tiësto

DJ Tigerlily; doors at 11 am; $40+ men, $30+ women

DJs Chris Garcia, Shift; doors at 10 pm; $20-$30+. Day: doors at 11 am; $20; locals free

Doors at 11 am; $20; locals free

Closed

Closed

Closed

Closed

Closed

Closed

Closed

Closed

Doors at 8 am; $10, local women free

Doors at 8 am; $10, local women free

Doors at 11 am

Doors at 11 am

Closed

DJs Chainsmokers; doors at 10 pm; $30+ men, $20+ women

WET at Night



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Arts&Entertainment MOVIES + MUSIC + ART + FOOD

GLIB FOREVER

> SURF’S UP! Wet ‘N’ Wild has a new slide! And you can shoot stuff while riding it!

A few of our favorite recent Noel Gallagher quotations On Alt-J: “Do you know that track by Alt-J, “Left Hand Free”? That is a great track. But Alt-J can f*ck right off as far as I’m concerned. It’s a great tune, and I paid 79 pence for it, but I am in no way a fan of Alt-J. One of them’s got a mustache, and that’s unacceptable.” (February, Rolling Stone) On Spotify: “I don’t Spotify. I don’t agree with streaming. I prefer to buy my music rather than rent it.” (February, Stereogum)

TRUST US

Stuff you’ll want to know about GO COWABUNGA BAY & WET ‘N’ WILD Memorial Day Weekend is the time for amusement parks to open new attractions, and both Valley water parks are keeping with tradition. Henderson’s Cowabunga Bay debuts the 60-foot-tall wave slide Wild Surf, while Summerlin’s Wet ‘N’ Wild introduces the hi-tech Slideboarding, which has riders zapping targets while twisting down a slide. Hours & pricing at cowabungabayvegas.com & wetnwildlasvegas.com. RUMPSHAKER STORYTELLING Founder of hardcore indie zine Rumpshaker Eric Weiss heads Downtown to share tales from the ’80s and ’90s New York punk scene, rife with bloody noses, brawls and the angst-fueled culture that produced bands like Minor Threat, Ceremony and F*cked Up. May 23, 2 p.m., free, the Writer’s Block.

HEAR HIATUS KAIYOTE Another week,

another buzzing Australian act. This time, it’s a Grammy-nominated, Melbourne nu-school soul/funk act, introducing its complex rhythms, jazz-esque structures and fusion grooves to Las Vegas with a live set at Insert Coin(s).

With Idesia, DJ 88; May 23, 9 p.m., $15. ACTION BRONSON Wu-Tang’s Raekwon might be nicknamed “The Chef,” but this Queens rapper actually worked as one before trading his knives for rhymes. His new album features Mark Ronson and Chance the Rapper, among others; get a taste of his vivid lyricism and sharp delivery Monday night at House of Blues. May 25, 8 p.m., $25. BIG TALK Killers drummer Ronnie Vannucci introduced us to his side project with a 2011 debut that nodded at Tom Petty, The Cars and ELO. Recent Facebook photos show the band back at work, so Tuesday’s crowd could be among the first to hear some fresh tunes. With The Dirty Hooks, May 26, 8 p.m., $15, Bunkhouse.

LAUGH CRAIG FERGUSON The former host of The Late

Late Show was so ballsy on TV, he used to improvise his monologue. Catch the Peabody Award winner’s cheeky comedy at the Cosmo. May 23, 7 p.m., $25-$65.

On music: “I don’t make NOEL art, I make pop GALLAGHER’S music. I’m not HIGH FLYING saying pop BIRDS with music is not art: Rusty Maples. fundamentally, May 22, 9 p.m., it is art, because $35-$150. you’re creating The Joint, something from 702-693-5222. nothing. I mean in the flowery sense. I wouldn’t consider myself to be an artist like, f*cking, I don’t know, Kate Bush, Thom Yorke. (February, The Quietus) On album titles: “How many great album titles are there in the history of rock? I can think of about f*cking six. The rest are all sh*te, aren’t they? As I’ve said a million times, you’ve got to go pretty far to find a worse title than (What’s the Story) Morning Glory?” (March, Huffington Post) On Tidal: “I thought that the people on the stage might want to be a little bit aware that they don’t look like Jay Z’s minions. … I think ultimately that the spiel they came out with, it was like, ‘Do these people think they’re the f*ckin’ Avengers? They’re going to save the f*ckin’ [world].’” (May, Rolling Stone)

SEBASTIAN MANISCALCO The

Italian-American comic, riding the success of his special Aren’t You Embarrassed?, Embarrassed? is calculating in his pace. His unique presentation, juxtaposed with the relatable topics he tackles, make him one to watch. May 24, 7:30 p.m., $60, Venetian.

MAY 21-27, 2015 LASVEGASWEEKLY.COM

39


A&E | screen

> ESCAPE FROM REALITY Is this Dubai, or is this just fantasy?

L I ST

Horror do-overs With the new version of Poltergeist opening this week, here are four horror remakes that got it right

FILM

Odd future

Tomorrowland is an amusement-park ride to nowhere By Josh Bell At amusement parks like Disneyland, from which Brad Bird’s Tomorrowland takes its name, visitors who spend hours waiting in line for rides are often entertained by supplemental material exploring the (generally superfluous) backstory behind the ride. Tomorrowland is like one of those explanatory videos expanded to feature length, building up to a ride that never comes. The 130-minute film is almost all setup for a disappointing payoff, with a handful of exhilarating set pieces that aren’t enough to counterbalance the slow pacing, the exposition-heavy plotting and the oddly preachy message that shows up in the final act. Tomorrowland is a story of exceptionalism, Director and co-writer Bird has brought with Casey positioned as the genius who can a lively sense of adventure and wonder aabcc save the world from itself. to his previous films, both animated (The TOMORROWLAND When the movie finally gets down to savIron Giant, The Incredibles) and live-action Britt Robertson, George (Mission: Impossible – Ghost Protocol), and Clooney, Raffey Cassidy. ing the world, though, it’s not all that exciting, and Bird stops the story in its tracks for he works hard to give Tomorrowland that Directed by Brad Bird. same wide-eyed tone. Teenage heroine Rated PG. Opens Friday. a long, heavy-handed diatribe about apathy and pessimism that exemplifies the movie’s Casey Newton (Britt Robertson) is a science thematic clumsiness. Instead of an actual prodigy and an inveterate optimist who sees adventure story, Tomorrowland is more of a presentation the ills of the world and wants only to fix them. When about the concept of adventure stories, and while the she discovers a mysterious pin with a “T” logo, she expedesign of the futuristic city is impressive, it’s also a bit riences glimpses of a gleaming world of the future, one sterile. Only once, when Casey and Frank are attemptwhere technological advancements have helped bring ing to escape robot assassins in Frank’s booby-trap-filled about peace and prosperity. house, does the movie capture the same sense of fun that With the help of a cheerful robot girl named Athena Bird has brought to his previous films. (excellent newcomer Raffey Cassidy), Casey tracks down Otherwise, it’s more interested in telling the audience grumpy ex-inventor Frank Walker (George Clooney) and about the importance of fun than in actually having any. learns the truth about Tomorrowland, which turns out to In the vision Casey gets from the pin, a fresh-faced astrobe a sort of whiz-bang version of Galt’s Gulch from Atlas naut promises that they’ve saved her a place on a rocket Shrugged, an alternate-dimension enclave where the ship headed to space. By the end of the movie, we’re still world’s best and brightest seclude themselves to develop waiting for her to take that ride. innovations the world isn’t ready for. Like The Incredibles,

40 LasVegasWeekly.com May 21-27, 2015

The Thing (1982) John Carpenter’s version of the movie about an alien presence stalking the inhabitants of a remote Antarctic outpost is much better-known than the 1951 original, but both create effective senses of paranoia and isolation, and both feature cutting-edge effects for the time period. Even the 2011 re-remake has its merits, thanks primarily to star Mary Elizabeth Winstead. The Fly (1986) David Cronenberg took a cheesy 1958 creature feature and made it into a brilliant examination of body horror, with Jeff Goldblum as a scientist who finds himself slowly turning into a human fly. Gross, creepy and unexpectedly touching, The Fly encapsulates Cronenberg’s cerebral and unsettling approach to horror. POLTERGEIST Sam Rockwell, Rosemarie DeWitt, Saxon Sharbino. Directed by Gil Kenan. Rated PG-13. Opens Friday.

The Ring (2002) This film spawned a lot of bad American remakes of Japanese horror movies, but on its own it does a great job of translating Hideo Nakata’s creepy film about a stringy-haired girl who haunts viewers of a cursed videotape. Director Gore Verbinski balances Nakata’s style with his own, and Naomi Watts anchors the movie with a strong lead performance. Dawn of the Dead (2004) George Romero’s zombie movies have been remade many times by many different filmmakers, but Zack Snyder’s feature debut is probably the best take on Romero’s oeuvre, keeping much of what made the original work (including the survivors taking refuge in a mall) and combining it with a hyperactive, intense approach to the zombies themselves. –Josh Bell Check out lasvegasweekly.com for Josh Bell’s review of the new Poltergeist.


A&E | screen FILM

> Her royal highness Kidman’s Grace uses her royal powers to deliver a muffin basket.

Life under jihad Timbuktu is a timely story of struggle

TV

17 minutes shorter than the cut that was released in other countries, making the already jumbled narrative even more disjointed. Although the production values are far more lavish than a typical Lifetime movie (the movie was shot primarily in Monaco, where Kelly reigned as princess for 26 years after marrying the Biopic Grace of Monaco goes from Cannes country’s ruler, Prince Rainier), the storytelling is stilted and lifeless, full of awkward exposition and to Lifetime By Josh Bell misguided re-creations of historical figures. Rather than cover Kelly’s entire life, the movie focusIn May 2014, Grace of Monaco was the openinges primarily on a period during the early 1960s when night premiere at the Cannes Film Festival. With star Monaco was in the midst of a trade dispute with France, Nicole Kidman, director Olivier Dahan (the man behind and Kelly was considering a return to acting to the Oscar-winning La Vie en Rose) and American star in Alfred Hitchcock’s Marnie. Screenwriter distributor the Weinstein Company, the Grace Kelly biopic was positioned as one of 2014’s top aaccc Arash Amel envisions a scenario in which Kelly was instrumental in resolving the international awards contenders. Then the reviews came in. GRACE incident, although a disclaimer at the beginning Grace of Monaco was savaged by critics, more than OF one of whom compared it to a Lifetime movie. MONACO announces the movie as a fictional take on real events. It’s not a particularly convincing storyline, Dahan and TWC’s Harvey Weinstein began a May 25, nor does it offer much insight into Kelly as a perprotracted feud over the cut of the film. The 9 p.m., son outside of this limited time period. Kidman’s American release date was pushed out of awards Lifetime. aloof demeanor has a regal quality, but she fails to season, and then indefinitely. capture Kelly’s humanity (Dahan’s reliance on extreme Now, a little over a year later, Grace of Monaco close-ups is poor compensation). The lovely costumes is making its American debut, fittingly enough, on and locations give a sense of the luxury of Kelly’s life, Lifetime. Not only is the movie not Dahan’s preferred but nothing in the movie manages to get below that cut, but it has been edited even further to fit into a glittering surface. two-hour slot with commercials. At 86 minutes, it’s

Fall from grace

The regular horrific news emanating from territories invaded by ISIS gives the Oscar-nominated Timbuktu, with its portrait of life under sharia law in Mali, an extra dose of topical interest. (It premiered almost exactly a year ago, at the 2014 Cannes Film Festival.) Directed by Abderrahmane Sissako, one of Africa’s most acclaimed filmmakers, the film cuts back and forth among several different narratives, with their commonality being people’s struggle to maintain their lifestyles and traditions in the face of repressive strictures imposed by newly arrived Islamic jihadists. To his credit, Sissako concentrates as aaacc much on beauty as TIMBUKTU he does on oppresHichem sion. The jihadists imYacoubi, mediately outlaw all Abel Jafri, music, for example, Toulou Kiki. and a woman who Directed by defies this edict gets Abderrahmane 80 lashes. But her Sissako. Rated whipping is ultimatePG-13. Opens ly less affecting than Friday. is the lazy, gentle scene in which she sings on her own couch, accompanied by friends playing equally forbidden instruments. Eventually, however, as dissidents are gunned down and adulterers get buried up to their necks and stoned, Timbuktu comes to resemble a typical social-justice tract. At that point, it becomes politically worthy and dramatically tedious, as such cinematic wake-up calls usually do. –Mike D’Angelo

FILM

Gett: The Trial of Viviane Amsalem is a courtroom drama in the truest sense: The entire movie takes place in an Israeli courtroom and the waiting area just outside, following the years-long case as the title character (Ronit Elkabetz) attempts to obtain a divorce from her husband Elisha (Simon Abkarian). Thanks to Israeli law, divorce can only be granted by a rabbinical council, and only if the husband consents, which Elisha does not. So Viviane has to endure a series of humiliating hearings, rounding up testimony from friends and neighbors to “prove” that she deserves a divorce. The movie could just be a two-hour lecture, but star Elkabetz and her brother Shlomi, who co-wrote and co-directed, make it into an affecting and even suspenseful human drama. The limited locations and claustrophobic shooting style help align the audience with Viviane’s sense of being trapped and helpless. For both Viviane and the viewer, aaabc GETT: THE TRIAL OF VIVIANE AMSALEM the end of the trial eventually brings equal parts catharsis and Ronit Elkabetz, Simon Abkarian, Menashe Noy. Directed by melancholy. –Josh Bell Ronit Elkabetz and Shlomi Elkabetz. Not rated. Opens Friday.

Divorce court

May 21-27, 2015 LasVegasWeekly.com

41


A&E | NOISE

> NEW NOISE Lyxzén (far right) and Refused are set to drop their first album since 1998 on June 30.

F E ST I VA L

THE SHAPE OF REFUSED TO COME

Vocalist Dennis Lyxzén talks new album (and competitive bowling)

In 2012, Swedish hardcore pioneers Refused reunited unexpectedly, playing together for the first time since the band broke up after releasing seminal record The Shape of Punk to Come in 1998. Several weeks ago, the group revealed another surprise: a fiery new song called “Elektra” produced by pop svengali Shellback, which will appear on new album Freedom, due out June 30. We caught up with Lyxzén on the eve of the band’s headlining slot at Punk Rock Bowling, May 24 at 10 p.m. Your bandmates had been writing music for several years with no vocalist. What did they have to do to make room for you on this record? It was very dense, instrumental music, so there wasn’t a whole lot of room for vocals. Then when we started touring in 2012, I guess [guitarist] Kris [Steen] was impressed by my stage presence, but also the fact that I became a singer. We hadn’t been in touch that much over these

past 14 years, and along the line, I learned how to sing. And he was like, “Wow, Dennis can actually sing. Maybe we can use some of these riffs to turn it into a few songs.” And that’s what happened. They had to rethink some of the structures of the songs, some of the arrangements, and actually leave some room for the vocals. They showed me some riffs, I started singing and that was it. We were on our way. There are plenty of musical detours on Freedom, but when I listen to the album, there’s something about the songs and the lyrics and the songwriting that makes it identifiable as Refused. When we get together in the practice space, it becomes Refused. Even though “Servants of Death” is a weird amal-

the ashes” (laughs). gamation of a Michael Jackson song or something, it does sound like Refused, You’re headlining Punk Rock but in a weird way. Once we got into Bowling on Sunday. Are any of the mind-set that we were going to you guys good bowlmake new Refused music, ers? Not at all. I mean, it was very important that it was going to be PUNK ROCK BOWLING we do bowl once in a while, and it always new Refused music. If May 23-25; doors at 3 ends on a sour note, it wasn’t going to sound p.m. Saturday & Sunday, because everybody like Refused then it didn’t 2 p.m. Monday; $120 make any sense to label three-day/$45 single day. wants to win, and then it gets really competiit Refused. We could’ve Downtown (entrance tive. We’re not very started a new band, which at Stewart & 7th), good, but it still gets in hindsight would’ve punkrockbowling.com. very competitive. It’s been the safe way to do not good for us to bowl it—like, “Let’s start a new (laughs). It’s not good for us to do band, build our reputation, and we sports together. Me, [drummer] David will have a lot of free leverage, because [Sandström] and Kris get very comwe used to do Refused.” But then we petitive very fast. We’re going to stay decided, “Let’s do it as Refused. Let’s clear of bowling as much as possible. f*ck with the past and sort of kill our–Annie Zaleski selves and rise up as this phoenix from

PERFECT GAME PLAN

first record in a decade, a combo of shambling garage, girl-group pizzazz and raucous pop-punk.

Six more bands to catch at Punk Rock Bowling THE MIGHTY MIGHTY BOSSTONES (Saturday, 8:55 p.m.) Who: Boston ska-punk vets, led by sandpaper-voiced Dicky Barrett. Punk cred: Bosstones concerts continue to feature dancer/hype man Ben Carr, whose moves are as integral to the band as its horn section. Spin on the way: “Someday I Suppose” off 1993’s Ska-Core, the Devil, and More EP. Its laid-back verse grooves and staccato horns give way to an electrified chorus ideal for car-ride sing-alongs.

42 LASVEGASWEEKLY.COM MAY 21-27, 2015

RANCID (Saturday, 10 p.m.) Who: A Bay Area-founded street-punk group lovingly indebted to The Clash. Punk cred: Half of Rancid was also in influential ’80s skapunk group Operation Ivy. Spin on the way: 1995’s ...And Out Come the Wolves, which the band will play in its entirety on Saturday night.

THE MUFFS (Sunday, 5:25 p.m.) Who: Sassy SoCal punks with a gravelly power-pop bent. Punk cred: For a while, they supported themselves with royalties earned by placing the song “Everywhere I Go” in commercials for uber-’90s drink Fruitopia. Spin on the way: Last year’s Whoop Dee Doo, the band’s

TURBONEGRO (Sunday, 7:50 p.m.) Who: A self-proclaimed deathpunk band cut through with glam tendencies. Punk cred: Former frontman Hank von Helvete was notorious for dangerous stage antics … like sticking a sparking Roman candle where the sun don’t shine. Spin on the way: Apoca-lypse Dudes, the ’98 record where the Norwegians’ Stooges-y tendencies reached peak scuzz. MURDER CITY DEVILS (Sunday, 8:50 p.m.) Who: Keyboard-singed garage-punks from Seattle.

Punk cred: MBD Mach II—the band broke up in 2001 and returned in 2006—sounds even more ferocious than the first go-’round. Spin on the way: 2000’s In Name and Blood—its posthardcore agony is unsettled by a devilish, organ-fried underbelly. THE BUSINESS (Monday, 5:10 p.m.) Who: Authentic, anthemic Oi! punks straight outta South London. Punk cred: The band still doesn’t have an official website, preferring MySpace as an online home. Spin on the way: The compilation 1979-1989 captures The Business at its scrappy, pub-punkin’ best. –Annie Zaleski


A&E | noise

CIGARETTES ©2015 SFNTC (2)

> WARDROBE PARADISE Dude brought some clothes.

C O N C E RT

Smells like Al

photograph by david becker

“Weird Al” Yankovic’s mini-residency plays to a small but appreciative crowd By Josh Bell on his latest getup, and someIf “Weird Al” Yankovic’s fivetimes the lulls got a little tirenight mini-residency at the Planet some (although it’s amazing how Hollywood Showroom is a test many TV, movie and viral-video run for a possible longer-term appearances Yankovic has at his Vegas gig, then the attendance at disposal to fill out the show). Thursday night’s show was not Yankovic balanced that out a bit a particularly good sign. On the by mixing the production-heavy third night of his stay, Yankovic numbers with some low-key veronly filled a little more than half sions of his non-parody originals. the place, leaving the balcony comHe also packed 10 songs into a pletely empty. Those who were in single rapid-fire medley at one attendance caught a strong show point, and later parodied from the veteran comedy the rock-concert staple of musician, who gave every the sit-down acoustic segounce of his energy over aaabc the course of two hours. “WEIRD AL” ment by offering another medley of incongruously Since so much of YANKOVIC mellow versions of “Eat Yankovic’s material is May 14, It,” “I Lost on Jeopardy,” based in pop-culture paro- Planet “I Love Rocky Road” and dy, he went through more Hollywood “Like a Surgeon.” costume changes than Showroom. He also presented amusLady Gaga, making sure ing twists on audience to have a corresponding interaction, awkwardly accosting outfit for each of his hit parodies. female fans during faux-salacious So he was in his Michael Jacksonlove song “Wanna B Ur Lovr” and styled fat suit for “Fat,” a blond asking “Are you ready to polka?” Kurt Cobain wig and striped before “Now That’s What I Call shirt for “Smells Like Nirvana,” Polka” (the audience was definitely a Jedi robe for Star Wars-themed ready). The show’s overall tone was encore “The Saga Begins” and goofy and exuberant, and Yankovic “Yoda,” and so on. proved that he has both the stage Costume changes take time, presence and musical chops to though, so the show was filled carry a Vegas production. Now all with video interludes while he needs is a bigger crowd. Yankovic went backstage to put

* Visit NASCIGS.com or call 1-800-435-5515 PROMO CODE 96088 *Plus applicable sales tax Offer for two “1 for $2” Gift Certificates good for any Natural American Spirit cigarette product (excludes RYO pouches and 150g tins). Not to be used in conjunction with any other offer. Offer and website restricted to U.S. smokers 21 years of age and older. Limit one offer per person per 12 month period. Offer void in MA and where prohibited. Other restrictions may apply. Offer expires 12/3115.

Las Vegas Weekly 05-21-15.indd 1

4/14/15 1:16 PM


A&E | Noise

> Wheel in the sky Rock in Rio’s planners are already at work on 2017.

F E ST I VA L

Exit interview

Rock in Rio USA Executive VP Roberta Medina reflects on the fest’s first Vegas edition By Mike Prevatt As festival launches in new cities go, how do you think the first Rock in Rio USA went? It was similar. Explaining Rock in Rio was the biggest challenge. The U.S. is so divided with regards to media and communication. We spent a lot of money and invested in communication, much more than any other music event we did, and it was still hard for people to know what Rock in Rio is about. In California, for example, we had 71 percent of people [tell us] before the event that they knew the brand, but that didn’t mean they knew what it was. But [MGM Resorts Festival Grounds] worked better than the others during their first editions. We didn’t have many things to address. It was more the access to the venue than the venue itself. We addressed that on the second day [of the first weekend]. Did it go just like you imagined it would, or were there any surprises? We weren’t sure what to expect, or how the American audience would react to the event. But people were really happy. A good sign from the first weekend was that 84 percent who came to Vegas came because of Rock in Rio, and that was surprising. That was one of the things our local partners [were hoping for], that it would affect the economic impact. Only 15 percent of attendees were from Vegas, which was interesting. Were you disappointed more Las Vegans didn’t come? It was a good number, but it was smaller than the ones from outside Vegas. What we discussed today—we met with the directors and crew and talked about what was good and bad—was

maybe creating a special ticket for locals with different pricing. Which act had the most surprising buzz or social media response? Bruno Mars. There was more about him than anyone else. He was amazing. But what we saw on the social networks [was people] talking more about the experience itself. That’s more important than the talent … that’s what we want to create, a special place where the atmosphere is fantastic.

Star power Taylor and Bruno deliver the hits—and the crowds

44 LasVegasWeekly.com May 21-27, 2015

Rock in Rio had loose plans to expand to three days each weekend for 2017. Are you still aiming for that? No. But it’s a possibility for the future. There’s lots of conversation for us to do it every year, but not for now.

I thought it was a little strange that a recent Vegas regular would also headline the Strip’s first major music festival, but Bruno Mars is at the top-of-his-game, and Saturday night he didn’t disappoint, playing to a massive throng of festivalgoers around midnight. The pop sensation doesn’t have the extensive catalog Rock in Rio’s top names—No Doubt, Metallica, Taylor Swift—were armed with, but he still churned out hits, from “Treasure” and “Marry You” to “Grenade” and “Locked Out of Heaven.” Mars didn’t engage with the audience much, but that might have been because he was too busy busting moves alongside his on-point backing band, The Hooligans. But what might have been most impressive was Mars’ stamina—he never showed signs of slowing down. After mainset closer “Just the Way You Are” (and a rather extensive wait), he returned to inspire a Strip-side dance party to Mark Ronson collabo “Uptown Funk.” And it didn’t end there, as Mars closed the two-song encore with the anthemic “Gorilla.” What do they say about “too much of a good thing” again? Oh yeah, it doesn’t exist. –Mark Adams > Taylor Power Swift gave her fans what they came for.

For more of our weekend one and two recaps, visit lasvegasweekly.com.

photographs by fred morledge

Taylor Swift’s blue skirt, sequined jacket and glittery black crop top sparkled as she slinked around the stage with an entourage of male dancers in all white. From there, she moved through costume changes, monologues that introduced nearly every song and appearances on a 50-foot platform in the middle of the crowd, performing. Sometimes, she played video of celeb friends like Lena Dunham and Selena Gomez, talking about how humble and awesome she is—which is actually the opposite of humble—but she gets a pass because she’s Taylor Swift. Dunham delivered the best line: “I’m surprised when she walks down the street stray cats don’t follow her like the patron saint.” The 18-song set ran for two hours and featured some older hits like “We Are Never Ever Getting Back Together” (when she played electric guitar), an ’80s synthrock redux of “Love Story” and even a duet with Ed Sheeran. But the show wasn’t without major mishaps—her vocals kept cutting out, and the mix was way too quiet. Still, the highlights outweighed the pitfalls, like when that giant, Taylor-tethered platform rose above the crowd during the finale, “Shake It Off.” –Leslie Ventura

When do you begin to prepare for 2017? We’ve already started! We have very important meetings to make sure we have a full evaluation, seeing what was good and not good and what we can make better.


A&E | noise Lo c a l S c e n e

Noise on tape

Local label/collective Sacré Bruit! brings the weird By Leslie Ventura Who is Roy Carousel? According to legend, the Pahrump-based “outsider musician” was a clown in his earlier years, making balloon animals for kids at birthday parties and bat mitzvahs and bringing that unnecessary dose of terror to an otherwise happy event, as clowns often do. And according to Joshua Cohen, founder of local label Sacré Bruit!, the retired jester also happens to be a musical genius. Carousel composed Sacré Bruit’s latest release, Smile Again for Me, though Cohen says he had “limited contact” with Carousel, only adding to the former clown’s mysterious mythology. Over months of archaic communication (handwritten letters), the experimental, acoustic-noise tape came together with the help of local noise musicians performing under Carousel’s loose direction. “Brian Gibson [of local band Wax Pig Melting] was our courier service,” adds Sacré Bruit co-conspirator William Davenport. “We would record some stuff, burn it onto a CD and give it to Brian, and he would go to Pahrump and come back with some notes,” Cohen adds. When I ask if Carousel is actually Gibson—which would be the more obvious backsto-

ry—the guys pause and giggle. “I don’t think he’s that good at voices,” Davenport says. No matter who Carousel might be, Smile is the unusual, noisy result, created at Carousel’s discretion—full of chaotic guitar plucking, strings, chimes and percussion. And the album’s slightly-derangedclown artwork (created by Gibson) puts the music in an even weirder context. For Sacré Bruit, the stranger, the better. The

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tape-only “experimental hivemind” started releasing cassettes in December, starting with one of Cohen’s improvisational noiseguitar sets he dubbed Sacré Bruit!, later chosen as the label’s name. “It seems that tapes, even going back to the ’70s, were the main form of expression for this kind of music,” Cohen says, who dubs each cassette, one by one. But Sacré Bruit goes beyond tapes. “People started asking me, ‘Do you know about Friday Noise at Photo Bang Bang? And I didn’t.” Set up by Aaron Dunham (who goes by Frying-Mindset), Friday Noise has turned into its own eclectic collective—something Cohen calls a “natural harmony” with Sacré Bruit. “In the past six months, that has exploded into this incredible thing,” says Cohen, who also released Frying-Mindset’s Best Not Listen to This in January. “It’s bringing people out of the woodwork who share similar tastes. If you want to participate, drop us a line, [and] we’ll put you up next month, front-row center.”

> dose of terror Wonderfully creepy clown art is part of the Smile Again for Me package.

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A&E | comedy

> fighting words Attell (top) and Ross doubled up on the trash talk.

sIxth AnnUal

High-wire act

Attell and Ross team up for a night of Ball Busting fun By Jason Harris

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Not that the Roast Master Risk-taking. In stand-up comGeneral didn’t match the former edy, it’s one of the essential eleInsomniac host at times. Attell: ments separating the greats from “You look like a backup player in the pack. Dave Attell and Jeff Ross the E Street Band and the E is for have both proven willing to walk éclair.” Ross: “You look like you’re the high wire throughout their going to a plumber’s funeral.” careers, and Friday at House of The last hour of the show feaBlues, during the first announced tured the duo roasting crowd date of their Ball Busters Tour, members who were brought they might have moved that wire onstage. It was spontaneous fun a little bit higher. With the wind for a while, but the show could blowing hard. have used a different third act. At From the moment they took some point, no matter how the stage, the two Comedy good you are at slamming Central stalwarts worked the room together, for the aaacc people’s clothing, life choices and drunken speech patwhole show minus one Ross DAVE terns, it gets monotonous. song. The first third of their ATTELL What we lost in that set featured the comedians & JEFF setting one another up for ROSS May time was more of Attell’s hammer throws. On signature bits, skewering 15, House Subway: “I like to start at each other’s wardrobes and of Blues. the wrong end and work playing with the audience. my way backwards. Do you ever Ross, best-known for his Comedy do that? It freaks the guy out. Central Roasts, is no slouch. But He’s like ‘What kind of bread Attell, one of the most respected do you want?’ I’m like, ‘We’re comics’ comics in the game, was not even there yet, dude. I’d like on a different level. some mayo, please. Put it in your “You can do anything in this little f *cking CSI gloves and keep town,” he said. “You can shoot a moving to the right.’” machine gun, drive a dune buggy, At one point even Ross had skydive. The only thing you can’t to admit the night belonged to do is walk across the street. You Attell, saying, “Dave, you’re on fire gotta take an escalator over a tonight.” Attell’s response: “Thank bridge run by a troll, answer a you ... for slowing me down.” riddle, get in a gondola.”


A&E | the strip

T H E K AT S R E P O RT

Current events

Catching up with Michael Grimm, as he drops a new album and starts a new residency

photogrpah by Jerry Metellus

By John Katsilometes

Not long after winning America’s Got Talent, Michael Grimm spoke of feeling like a cork in the ocean. Asked once more, five years after winning that title, if the metaphor still holds true, Grimm is swift to respond: “You put it right. That is about the way I feel, since that show. A cork in the ocean, drifting with the current, wherever it takes me.” In September 2010, Grimm vaulted from the lounges of Las Vegas to the top of the NBC talent contest. In the finals he famously topped Jackie Evancho, the then-10-year-old phenom producer David Foster said would have a 60-year career. The look of abject shock on Grimm’s face told the whole story. Now 36, Grimm is experiencing the latest shift of tide in a remarkably topsy-turvy career. The singer-songwriter/musician splashes down at Vinyl on May 23 for a show celebrating the release of his new album, Grimm, and to kick off an extended residency at the Hard Rock Hotel’s rock club that runs through the end of August. Grimm will be the room’s primary music headliner Fridays through Sundays, for four shows a week (8:30 p.m. nightly, plus 6:30 p.m. Saturdays) from May 29 thought the end of August. It’s the latest of several venues in which Grimm has performed over the past several months. He has played regular Saturday night shows at Ron DeCar’s Event Center, the supper club and entertainment venue on Las Vegas Boulevard just south of Charleston Boulevard operated by former Folies singer and current Viva Las Vegas wedding chapel proprietor Ron DeCar. He performed a pair of shows at Veil at the Silverton, an autobiographical showcase also titled Grimm. And,

> KEEPING PERSPECTIVE “I’m a simple guy ... and I am also my own worst critic.”

stealthily, Grimm popped up for informal, intimate performances at Brooklyn Bridge at New York-New York and Mizuya Lounge at Mandalay Bay. These are the very types of venues Grimm played before he auditioned for AGT. Back then, he was a favorite at the since-closed Ovation at Green Valley Ranch and also at Hank’s steakhouse in that same resort. If Grimm’s fairly-tale story of beating incalculable odds to win that show’s championship were conveniently laid out, by now he would be one of the music industry’s top recording and touring artists. Maybe he would have become the

Daughtry of AGT, or even the musical version of Terry Fator, who parlayed his championship on the show into an extended headlining residency in a theater named for him at the Mirage. But life has not always been convenient for Michael Grimm. His fellow entertainers have watched his post-AGT career unfold with great curiosity, wondering just where this cork will land. Musicians love playing behind him, but are then maddened that he’s not at the level of commercial success of, say, Ed Sheeran or Sam Smith, those in his talent class. Grimm is acutely aware of such concerns, and answers:

“If I am playing music, I am in a good place.” He remains satisfied that he consistently delivered performances every week on AGT worthy of a championship. But for a long while, Grimm has said he was not prepared mentally to win that title, nor was he interested in all the purported benefits. The $1 million prize has been spent, as Grimm built a house for his grandmother in Louisiana that went way beyond budget. The recording contract with Epic Records was long ago fulfilled. The initial buzz of fame from winning the show—like the appearance he made on Good Morning America the following morning, where he

proposed to his wife, Lucie— has ebbed away. Lucie now manages Grimm’s career and brokered the deal at Vinyl. This residency represents yet another tidal shift. “I’m a simple guy, when it comes down to it, and I am also my own worst critic,” he says. “There are two ways of looking at this: If I’d known back then what I know now, I don’t know if I would have actually done the show, because of the lack of experience I had at the time. … I don’t think anyone really knows what it means to win a show like that, and I had no clue how that was going to affect me and those around me.” Winning the championship meant that Grimm was contractually bound to the show for a year. He recorded an album with Don Was and opened for Stevie Nicks on tour, but a limited engagement at Flamingo Las Vegas underperformed and Grimm was soon back to playing the bar-and-lounge circuit. “If I could go back in time,” he continues, as if still working out the course of events from five years ago, “I would rather have taken fifth, actually. I was up there with Jackie [Evancho], who is a superstar now. I guess if you look at it one way, I was honored to be next to her at the beginning of her career.” Grimm pauses for a moment, then adds, “I do feel very fortunate and happy to be where I am now. If it weren’t for the show, I’d just be another guy trying to find a place in this world. It gave me a place, at least, even though I am not sure where it is sometimes (laughs). It’s an honor to play music for people, and I always feel that way.” Some might ask for more, but not Michael Grimm, still riding the currents, staying afloat and singing to his heart’s content.

May 21-27, 2015 LasVegasWeekly.com

47


A&E | fine art

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Institutional to inspiring

Sush Machida’s murals are transforming the mood at Child Haven By Kristen Peterson The clean lines, bright colors, pop sensibilities and harmonious compositions of artist Sush Machida are so inviting, soothing and energizing that it seems as if the artist has found a way to extract the brilliant lifeblood of nature itself. Smart and accessible, Machida’s stylized works inspired by the Japanese Edo period have a kind of friendly, Zen-like allure that made the Las Vegas artist a perfect candidate for a public art project designed to uplift the human spirit at Child Haven, where 300 children a month are admitted for emergency protection and other issues. Only four weeks into his multi-room murals, Machida has already transformed the “institutional beige” and drab green walls of Child Haven’s intake area. “This walk could be just really lonely and scary,” says Child Haven Director Jolie Courtney, standing in a hallway already marked with the floor-to-ceiling outline for Machida’s trees, giant koi, mountainous waves and popstyle animals. “We see kids from ages 0 to 17 with a variety of family issues. When the county approached us we didn’t hesitate for a second.” The $65,000 project, financed

by the nearly 3-year-old Clark County Art Fund, is one of the fund’s first large endeavors. It includes the entrance lobby, a waiting room, play area and three intersecting hallways at the emergency shelter protecting abused, abandoned and neglected children. Machida may even extend the work onto the ceiling for an arboretum effect. Machida, whose works often include clouds, Japanese-style waves, birds and hidden objects to be discovered over time, was one of 33 artists who applied for the project. Using colors and animals that are symbolic (including goldfish and whales), his trademark style is evident even with the addition of child-friendly subjects and imagery—a carousel, unicorns and a camel near the drinking fountain, all of which supervisor Cindy Fischer says replace a “pretty sterile environment.” “The first time I came through this place it was not happy,” Machida says. “I feel more responsibility because kids come through here. These kids, they need to have something happen here rather than a plain wall. Murals in this kind of place are more about experience than appreciation of art.”

photograph by steve marcus

SUMMER MEALS FOR KIDS

> new environment A schematic of the art Machida is working on at Child Haven.


A&E | PRINT

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THE WRIGHT STUFF

David McCullough probes deeper into a well-known historical tale BY CHUCK TWARDY

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ularity. With that in mind, they Most people know that Wilbur managed to live for months at a and Orville Wright made the stretch at desolate Kitty Hawk, first powered-aircraft flight on North Carolina, where they testDecember 17, 1903, but few know ed gliders for two seasons before that only a week before, a betterattempting motored flight. funded flight attempt failed specStill, in McCullough’s genial tacularly. As veteran biographer telling, two plucky brothers sucDavid McCullough recounts in ceeding where favored others The Wright Brothers, Smithsonian had failed is appealing. Neither Institution Secretary Samuel was a high school graduate, but Langley, backed by funds from the both were articulate, cultured and War Department, had built the wise about business and public“Aerodrome,” which pitched into ity. After the Aerodrome debacle, the Potomac River moments after the War Department was leery of launching. the Wrights, so they investigated “Not incidentally,” McCullough offers from other nations. Wilbur points out, “the Langley project spent a year in France, had cost nearly $70,000, testing, flying and trainthe greater part of it pubaaabc ing French pilots—and frelic money, whereas the THE quenting the Louvre. When brothers’ total expenses WRIGHT the U.S. government finally for everything from 1900 BROTHERS came around, Orville conto 1903 … came to a little By David ducted highly popular less than $1,000, a sum McCullough, test flights in Washington, paid entirely from the mod$30. including a crash that nearest profits of their bicycle ly killed him. business.” You may conTheir younger sister Katharine, clude that private initiative suca Dayton schoolteacher, often ceeds while government-funded shared the limelight with her efforts founder, but that’s not brothers. More influential was McCullough’s point. If it was on their father, Milton, a Protestant the Wrights’ minds at all, they bishop who not only encouraged never said so. Although they were his sons but imparted to them leery of Langley’s interest in their modesty and probity. McCullough work, they defended him publicly notes that Parisian women found as a fellow flight pioneer. Wilbur attractive, but he said he Many would-be aviators were was too busy for romance. If either at work on the problem of powbrother had a sex life, he managed ered flight, and the Wrights had it with great care, and that it does written others, including Langley, not matter is actually refreshing. for information and advice. What distinguished their efforts was Find more Chuck Twardy at the Wrights’ focus on controls chucktwardy.com. that adjusted to the wind’s irreg-

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FOOD

> THE FUTURE PERFECT Lago looks like a spaceship, and its 57-item menu is a journey in itself.

Another Serrano success

Fabulous, futuristic Lago adds excitement to Bellagio’s lineup By Brock Radke

Re-watch it and tell me I’m wrong. Every Strip casino needs to refresh its restauMaybe Lago is Bellagio’s way of enticing the rants every few years. Until now, Bellagio has younger set to spend more time on property, but been the only exception to that rule, rarely makthat doesn’t mean the cuisine drifts from the ing changes to a dining lineup constructed with always-impeccable Bellagio standard. great care 17 years ago. Chef Julian Serrano has maintained Lago is that exception, and its striking Picasso as one of the elite fine-dining decor—starting with the multicolored, LAGO Bellagio, rooms on the Strip and proven he can faux-stained-glass front wall—makes it 702-693-8888. out-small-plate anybody with his eponclear this is something very different Sunday-Thursday, ymous Spanish tapas spot at Aria. Here from the rest of the resort. Created by 5-11 p.m.; Friday & at Lago, his massive menu of Italian Toronto firm Munge Leung, Lago is Saturday, 5 p.m.treasures is only hard to handle because bright and futuristic, absolutely unidenmidnight. everything sounds so good. tifiable from the whimsical primary colMost diners don’t think of Italian ors that defined former occupier Circo. food coming in small portions, but Serrano It’s louder, too. Something sci-fi-ish about it knows that if it looks beautiful and tastes that seemed familiar: the circular nature of the space, way, too, we won’t object. There are larger main the hostesses’ angular, bright blue dresses, the courses that satisfy on every front, from a peerspaceshippiness of the posh patio resting over less veal osso buco ($45) to a whole lobster with Bellagio’s lake. Then it hit me. Lago is the ressquid ink garganelli ($55), but the smaller stuff taurant version of Fhloston Paradise, the luxury is too much fun to bypass. Some are simply mini intergalactic cruise-ship from The Fifth Element.

50 LasVegasWeekly.com May 21-27, 2015

portions of dishes we love, like cute pizzettes or shortrib-stuffed cannelloni ($16), while others are tiny flavor bombs that don’t need upsizing. Don’t miss the raw crudo of Skuna Bay salmon with crispy capers ($16) or the lemon oil-doused broiled langostinos. I’m most impressed by Lago’s seafood and vegetable dishes. The chilled shrimp-stuffed squid, totano ripieno ($18), is one of the cleanest ocean bites I’ve ever encountered. The branzino livornese ($16), perfectly crisp and layered with briny, acidic goodness from olives, capers and tomatoes, couldn’t be better. And the all-veg take on papardelle ragu is so rich, I couldn’t care less about its meatlessness. This is the one small plate I wish were bigger. That’s just a sampling of the approximately 57 dishes on Lago’s menu. It’s a good thing it’s so much fun to hang out in this spaceship, because we’re going to have come back again and again to work our way through it all.

photographs by mikayla whitmore


FIVE THINGS TO KNOW ABOUT CAFE DARAK

> TRUE FUSION Darak’s globetrotting owner drew on her travels to create the menu.

Darak means “loft” or “attic” in Korean. Owner Nauen Yun, who goes by Crystal, has lived in Australia, New Zealand and several Asian countries. Her worldly experience helped concoct the concept for her café. “In all the different places, you learn the different cultures and see different things. I was always thinking I should gather them and show people where they come from. I was looking to make some- CAFE thing you could not see any DARAK other place. I always wanted 8665 W. to open a place like this.” Flamingo The space is home to Road #105, weird children’s desk chairs 702-370with the desk part attached 4657. Daily, to the back of them, tennis noon-3 a.m. rackets with mirrors instead of strings and a Volkswagen bus tent. Inside the tent, you’ll sit on a patch of fake grass. The tent has special meaning to Yun. Her first concept was to buy an old VW Bus and convert it into her kitchen, but that didn’t work within her budget. She found the tent online and considers it the next best thing. The food menu is small but scrumptious. The croissant sandwich ($6.25), with thick slices of turkey, tomato and melted mozzarella, is just right. All plates have caramel syrup splashed on the bottom. Yun likes the sweet dipping component. The drink menu is vast with assorted frappuccinos, smoothies, coffees, teas, lattes, fruit-ades and even shaved ice. The sweet pistachio latte delivers that perfectly nutty dessert flavor. –Jason Harris

STOLI SNAP

INGREDIENTS 2 oz. Stoli vodka 4 oz. Rekorderlig Pear Cider 1 lime wedge 2 slices fresh ginger (garnish) 1 dehydrated pear slice (garnish) Sprig of mint (garnish)

SMALL BITES Dining News & Notes Familiar restaurants are busy expanding their Vegas presence these days. Hussong’s Cantina, of Ensenada, Mexico, and the Shoppes at Mandalay Place, is set to open at Boca Park this summer. The Miracle Mile Shops at Planet Hollywood will add a huge Buffalo Wild Wings in the fall, along with Texas Land & Cattle Steakhouse, a popular Dallas-based franchise making its first mark in Las Vegas. At Downtown’s Premium Outlets, the Cheesecake Factory just opened its fourth local spot on May 14. ¶ Local chefs John Courtney and Christian Dolias team up for the “Raise the Bar” pop-up dinner at Old School Brewing Company on May 27. The five-course dinner is designed to complement brewmaster Jim Wilson’s Old School creations, priced at $50 with an optional pairing upgrade of $10. Make reservations by calling 702-273-9782. ¶ RA Sushi’s annual “Nicky’s Week” fundraiser is back May 25-31, when you can help kids battling cancer by eating tasty food. Dine on special menu items like the Tootsy Maki roll, pork gyoza and garlic citrus yellowtail at RA at Fashion Show Mall that week and 100 percent of your bill will benefit St. Jude Children’s Research Hospital. ¶ Roy’s Restaurant hosts an “Eat Creative Korea” cooking class on May 30 at 11:30 a.m., a special event taking place at different Roy’s locations across the country. Chef Quy Trinh will introduce guests to regional ingredients and spices unique to Korea, and the luncheon also includes several courses of cuisine including beef mandoo dumplings, sesame-crusted shrimp and mung bean salad. Reservations are $60 and can be made by calling 702-691-2053. –Brock Radke

CAFE DARAK BY MIKAYLA WHITMORE; RA SUSHI COURTESY

METHOD Build drink over crushed ice in a highball glass. Squeeze lime wedge and drop in drink. Stir and serve. Garnish with ginger slices, dehydrated pear slice and mint.

Inspired by the Moscow Mule, this drink combines cold vodka and sparkling pear cider, while incorporating the familiar notes of ginger and zesty lime. The cider makes this drink a bit sweeter than the original, but the kick is just as strong.

Cocktail created by Francesco Lafranconi, Executive Director of Mixology and Spirits Education at Southern Wine & Spirits.

MAY 21-27, 2015 LASVEGASWEEKLY.COM

51


A&E | Short Takes Special screenings

> the eyes have it Some scary stuff goes down in Poltergeist.

Boozy Movie Wednesdays Wed, 8 pm, free with cocktail purchase, 21+. 5/27, Caddyshack. Inspire Theater, 107 Las Vegas Blvd. S., 702-489-9110. Cinemark Classic Series Sun, 2 pm; Wed, 2 & 7 pm, $7-$10. 5/24, 5/27, Full Metal Jacket. Theaters: ORL, ST, SF, SP, SC Hispanic Film Series 5/21, The Milagro Beanfield War, discussion led by scholar Luis Bonilla, 6:30 pm, free. Charleston Heights Arts Center, 800 S. Brush St., 702-229-6383. Midnight Brewvies Mon, movie plus popcorn, midnight, free. Elixir, 2920 N. Green Valley Parkway, Henderson, 702-272-0000. Sci Fi Center Sun, Game of Thrones viewing party, 6 pm, free. Mon, Cinemondays, 8 pm, free. 5/23, The Rocky Horror Picture Show with live shadow cast, 10 pm, $9. 5/24, Charlotte’s Web (2006), noon, $5 suggested donation for V Animal Sanctuary. 5077 Arville St., 855-5014335, thescificenter.com. Stratford Festival HD 5/21, broadcast of Antony and Cleopatra from Canada’s Stratford Festival, 7 pm, $16-$18. Theaters: COL, ST, VS. Info: fathomevents.com. Tuesday Afternoon at the Bijou Tue, 1 pm, free. 5/26, Those Magnificent Men and Their Flying Machines. Clark County Library, 1401 E. Flamingo Road, 702-507-3400.

New this week Gett: The Trial of Viviane Amsalem aaabc Ronit Elkabetz, Simon Abkarian, Menashe Noy. Directed by Ronit Elkabetz and Shlomi Elkabetz. 115 minutes. Not rated. In Hebrew with English subtitles. See review Page 41. Theaters: VS Good Kill (Not reviewed) Ethan Hawke, Bruce Greenwood, January Jones. Directed by Andrew Niccol. 102 minutes. Rated R. A military drone pilot deals with stress and doubts. Theaters: TC Lambert & Stamp aaacc Directed by James D. Cooper. 117 minutes. Rated R. This documentary about the early managers of The Who tells a pretty compelling behind-the-scenes rock story, although it sometimes gets a little lost in minutiae. It’s also hampered by the lack of interviews with key players who’ve passed away, which isn’t the filmmakers’ fault but still makes the story feel incomplete. –JB Theaters: SC

Theaters: VS Timbuktu aaacc Hichem Yacoubi, Abel Jafri, Toulou Kiki. Directed by Abderrahmane Sissako. 97 minutes. Rated PG-13. In Arabic with English subtitles. See review Page 41. Theaters: VS Tomorrowland aabcc George Clooney, Britt Robertson, Raffey Cassidy. Directed by Brad Bird. 130 minutes. Rated PG. See review Page 40. Theaters: AL, CAN, CH, DI, GVL, ORL, PAL, RP, RR, SF, SHO, SP, SS, ST, TS, TX, VS

Now playing The Age of Adaline aabcc Blake Lively, Michiel Huisman, Harrison Ford. Directed by Lee Toland Krieger. 110 minutes. Rated PG-13. Lively’s stilted, mannered acting actually works in her favor playing a seemingly immortal woman born in 1908. Adaline falls in love and wistfully looks back on her long, lonely life, but neither the romance nor the regret is particularly convincing. The plot is dull and predictable, especially in its turgid second half. –JB Theaters: DTS, PAL, RP, SC, SF, SP, TS

Poltergeist (Not reviewed) Sam Rockwell, Rosemarie DeWitt, Saxon Sharbino. Directed by Gil Kenan. 93 minutes. Rated PG-13. A family is terrorized by evil spirits after moving into a new home. Theaters: AL, BS, CAN, CH, DI, FH, GVL, GVR, ORL, PAL, RP, RR, SC, SF, SHO, SP, SS, TS, TX

American Sniper aaccc Bradley Cooper, Sienna Miller, Luke Grimes. Directed by Clint Eastwood. 132 minutes. Rated R. Cooper’s performance is the strongest element of this biopic about Navy SEAL sniper Chris Kyle. It’s a simplistic, pandering tribute to the American military, aimed at an audience that prizes patriotism over drama and isn’t interested in complexity when telling the stories of so-called American heroes. –JB Theaters: TC

Tanu Weds Manu Returns (Not reviewed) Kangana Ranaut, Madhavan, Eijaz Khan. Directed by Aanand L. Rai. 128 minutes. Not rated. In Hindi with English subtitles. Four years after getting married, couple Tanu and Manu experience some relationship troubles.

Avengers: Age of Ultron aaabc Robert Downey Jr., Chris Evans, Chris Hemsworth. Directed by Joss Whedon. 141 minutes. Rated PG-13. The Marvel superheroes (including Iron Man, Thor, Captain America and more) team up for their latest adventure, taking on evil robot Ultron. Writer-director Whedon

52 LasVegasWeekly.com May 21-27, 2015

manages to include an impressive amount of character development and clever dialogue, although eventually the action set pieces and cluttered plot steamroll over the drama. –JB Theaters: CAN, CH, DI, GVL, ORL, PAL, RP, RR, SF, SHO, SP, ST, TS, TX, VS Bombay Velvet (Not reviewed) Ranbir Kapoor, Anushka Sharma, Karan Johar. Directed by Anurag Kashyap. 149 minutes. Not rated. In Hindi with English subtitles. In 1960s Bombay, a boxer and an aspiring jazz singer follow their dreams. Theaters: VS Chappie AACCC Sharlto Copley, Dev Patel, Ninja, Yolandi Visser. Directed by Neill Blomkamp. 120 minutes. Rated R. Writer-director Blomkamp (District 9) proves to be a one-hit wonder with his third feature, about a future police robot given artificial intelligence. Chappie is inconsistent, overreaching and often preachy, the second movie in a row in which Blomkamp demonstrates visual flair but fails at both social commentary and basic storytelling. –JB Theaters: TC Cinderella aabcc Lily James, Richard Madden, Cate Blanchett. Directed by Kenneth Branagh. 105 minutes. Rated PG. Branagh’s live-action remake of the 1950 Disney animated classic about a downtrodden girl who falls in love with a prince is a straightforward retelling of the fairy tale, without any twists or stylistic innovations. It’s a lavish production, but it’s also dramatically inert, led by a pair of good-looking but forgettable actors. –JB Theaters: SC, SF Danny Collins aabcc Al Pacino, Annette Bening, Jennifer Garner. Directed by Dan Fogelman. 106 minutes. Rated R. Pacino plays a legendary rock star who discovers, decades after he’d started coasting on his success, that John Lennon had written him a fan latter that might have inspired him to try harder, had he only read it at the time. Pacino himself could use such a letter from Laurence

Olivier. –MD Theaters: SC

misguided. –JB Theaters: ST, TX

Ex Machina aaacc Domhnall Gleeson, Oscar Isaac, Alicia Vikander. Directed by Alex Garland. 108 minutes. Rated R. Isaac plays a tech genius who invites one of his employees (Gleeson) to conduct a series of interviews with his latest creation: a humanoid robot named Ava (Vikander). The film raises plenty of probing questions about artificial intelligence, but it isn’t as smart as it pretends to be. –MD Theaters: DTS, GVR, ORL, PAL, SC, SHO, TS

Home aabcc Voices of Jim Parsons, Rihanna, Steve Martin. Directed by Tim Johnson. 94 minutes. Rated PG. After the cute, clueless alien Boov invade and take over Earth, human tween Tip (Rihanna) teams up with misfit alien Oh (Parsons) to save the planet. It’s a familiar mismatched-friends story, tolerable enough for children who like funnycolored aliens but forgettable enough that parents should be able to easily ignore it. –JB Theaters: CH, DI, ST, TS, TX, VS

Far From the Madding Crowd aaabc Carey Mulligan, Matthias Schoenaerts, Michael Sheen. Directed by Thomas Vinterberg. 119 minutes. Rated PG-13. Danish filmmaker Vinterberg (The Celebration, The Hunt) takes a stab at one of Thomas Hardy’s most famous novels, cutting and condensing it in a way that underlines the author’s protofeminism. And he gets a quietly terrific performance from Mulligan, who makes Bathsheba Everdene very much her own. –MD Theaters: BS, DTS, ORL, SC

Hot Pursuit aaccc Reese Witherspoon, Sofia Vergara, John Carroll Lynch. Directed by Anne Fletcher. 87 minutes. Rated PG-13. Witherspoon and Vergara have minimal chemistry as a cop and a criminal, respectively, in this lazy, unfunny action-comedy, which combines weak, repetitive jokes with desultory copdrama plot points. The jokes mostly rely on tired gender stereotypes and jabs at Witherspoon’s short stature and Vergara’s curves and incomprehensible accent. –JB Theaters: CAN, CH, GVR, ORL, PAL, RP, RR, SF, SP, ST, TS, TX, VS

Furious 7 aaacc Vin Diesel, Paul Walker, Jason Statham, Michelle Rodriguez. Directed by James Wan. 137 minutes. Rated PG-13. Replacement director Wan freshens the seventh film of this ridiculous series with a great villain (Statham) and several razzle-dazzle set pieces, and replaces the usual machismo with “family”-type bonding. But he also can’t stop the movie from raging too long and running out of gas early. –JMA Theaters: CH, DI, GVR, ORL, PAL, RP, RR, SP, ST, TS, TX, VS Get Hard aaccc Will Ferrell, Kevin Hart, Alison Brie. Directed by Etan Cohen. 100 minutes. Rated R. A buffoonish finance executive (Ferrell) hires a man he believes to be an ex-con (Hart) to help him prepare for prison after he’s falsely convicted of fraud. For all its ill-advised humor about race and sexuality, Get Hard is less offensive than inconsistent and

Insurgent aabcc Shailene Woodley, Theo James, Kate Winslet. Directed by Robert Schwentke. 119 minutes. Rated PG-13. The sequel to Divergent bypasses the exposition about its dystopian future, but it remains just as nonsensical. There are more exciting action sequences and better special effects, but the characters are still flat, and the plotting is still an incoherent mess. –JB Theaters: RR It Follows aaaac Maika Monroe, Keir Gilchrist, Daniel Zovatto. Directed by David Robert Mitchell. 100 minutes. Rated R. Mitchell, who made the sweet teen romance The Myth of the American Sleepover, returns with a terrific, discomfitingly creepy horror film about a malevolent force that’s always walking in a straight line toward its victim (Monroe), no matter where on the


A&E | Short Takes planet she goes. –MD Theaters: TC Kingsman: The Secret Service aabcc Taron Egerton, Colin Firth, Samuel L. Jackson. Directed by Matthew Vaughn. 129 minutes. Rated R. A street tough known as Eggsy (Egerton) is recruited to join super-secret private spy organization Kingsman in this loose adaptation of the comic book by Mark Millar (Kick-Ass). Meant as a self-aware parody of James Bond-style superspies, Kingsman lacks the wit and style of the best Bond adventures. –JB Theaters: TC Little Boy (Not reviewed) Jakob Salvati, Kevin James, Emily Watson. Directed by Alejandro Monteverde. 106 minutes. Rated PG-13. An 8-year-old boy relies on his faith to end World War II and bring his father home. Theaters: ST, VS The Longest Ride (Not reviewed) Britt Robertson, Scott Eastwood, Melissa Benoist. Directed by George Tillman Jr. 139 minutes. Rated PG-13. The lives of a young couple intersect with an older man who recalls his own youthful romance. Theaters: SC Mad Max: Fury Road aaabc Tom Hardy, Charlize Theron, Nicholas Hoult. Directed by George Miller. 120 minutes. Rated R. Taciturn drifter Max Rockatansky (Hardy, replacing Mel Gibson) returns for the first time in 30 years, on another post-apocalyptic adventure. The thin plot is an excuse for director Miller to stage bravura car chases and action sequences, which should be more than enough to satisfy fans. –JB Theaters: CAN, CH, DI, GVL, GVR, ORL, PAL, RP, RR, SF, SHO, SP, ST, TS, TX, VS McFarland, USA aabcc Kevin Costner, Maria Bello, Carlos Pratts. Directed by Niki Caro. 128 minutes. Rated PG. Costner’s weary, livedin performance as a high-school coach is the best thing about this predictable underdog sports drama, based on the true story of a cross-country team from the impoverished, primarily Latino central California town of McFarland that achieved surprising success in the late 1980s. –JB Theaters: TC Monkey Kingdom (Not reviewed) Directed by Mark Linfield and Alastair Fothergill. 81 minutes. Rated G. Nature documentary featuring the monkey population of Sri Lanka. Theaters: VS Paul Blart: Mall Cop 2 abccc Kevin James, Raini Rodriguez, Neal McDonough. Directed by Andy Fickman. 94 minutes. Rated PG. Six years after thwarting a heist at a New Jersey mall, bumbling security guard Paul Blart (James) ends up doing the same at a Las Vegas hotel. Mall Cop 2 suffers from indifferent plotting, listless action and apathetic jokes that often don’t appear to have punchlines. –JB Theaters: CH, ORL, PAL, RP, RR, SC, SF, TX Piku (Not reviewed) Deepika Padukone, Amitabh Bachchan, Irrfan Khan. Directed by Shoojit Sircar. 135 minutes. Not rated. In Hindi with English subtitles. A successful architect and her aging father bond during a road trip. Theaters: VS Pitch Perfect 2 aabcc Anna Kendrick, Rebel Wilson, Brittany Snow. Directed by Elizabeth Banks. 115 minutes. Rated PG-13. Everything in this

sequel to the 2012 surprise hit college a cappella comedy is a little bigger, but none of it is better. The songs are still catchy, the stars are still charming, and some of the jokes are still funny, but the original’s freshness has been replaced by a dutiful retread. –JB Theaters: CAN, CH, DI, DTS, GVL, ORL, PAL, RP, SF, SHO, SP, ST, TS, TX, VS

> military family Ethan Hawke and January Jones in Good Kill.

The Second Best Exotic Marigold Hotel aabcc Dev Patel, Maggie Smith, Bill Nighy, Judi Dench. Directed by John Madden. 122 minutes. Rated PG. Nearly all of the characters return for the continuing story of a ramshackle retirement home for British pensioners in India. The storylines are mostly half-hearted, centered on the romantic couplings that blossomed in the previous movie. The talented actors make the experience pleasant enough, even if it drags on for too long. –JB Theaters: SC The SpongeBob Movie: Sponge Out of Water aabcc Voices of Tom Kenny, Clancy Brown, Mr. Lawrence. Directed by Paul Tibbitt. 92 minutes. Rated PG. The second movie starring animated undersea creature SpongeBob SquarePants features all the familiar characters in an adventure to track down the stolen recipe for Krabby Patties. The story drags over the course of 90 minutes, with mild humor and a strained climax that mixes the animated characters with live action. –JB Theaters: TC The Water Diviner aabcc Russell Crowe, Olga Kurylenko, Yilmaz Erdogan. Directed by Russell Crowe. 111 minutes. Rated R. For his directorial debut, Crowe plays an Australian farmer searching for the remains of his sons after the World War I Battle of Gallipoli. The movie’s pseudo-mystical elements never quite connect with Crowe’s old-fashioned, melodramatic storytelling, especially the cheesy romance, and Crowe slathers every emotional moment with a sappy, overbearing score. –JB Theaters: GVR Where Hope Grows (Not reviewed) Kristoffer Polaha, David DeSanctis, McKaley Miller. Directed by Chris Dowling. 95 minutes. Rated PG-13. A self-pitying former professional baseball player befriends a man with Down syndrome. Theaters: SC, TS Wild Tales aaabc Ricardo Darín, Oscar Martínez, Leonardo Sbaraglia, Érica Rivas. Directed by Damián Szifrón. 122 minutes. Rated R. In Spanish with English subtitles. A more sophisticated, less gory version of movies like the V/H/S series, Wild Tales features six segments that start with mundane events before building to violence, betrayal and (sometimes) death. It’s an inconsistent anthology, but a deft mix of comedy and thrills keeps things fresh and surprising. –JB Theaters: SC Woman in Gold aabcc Helen Mirren, Ryan Reynolds, Tatiana Maslany. Directed by Simon Curtis. 109 minutes. Rated PG-13. The true story of Maria Altmann, an Austrian Jew who fled the Nazis during WWII and later battled to reclaim paintings that the Nazis stole from her family, is stirring and complex, but the filmmakers smooth it out and simplify it, making every courtroom battle into a clichéd, heavy-handed triumph. –JB Theaters: GVR, SC JMA Jeffrey M. Anderson; JB Josh Bell; MD Mike D’Angelo

Theaters (AL) Regal Aliante 7300 Aliante Parkway, North Las Vegas, 702-221-2283 (BS) Regal Boulder Station 4111 Boulder Highway, 702-221-2283 (PAL) Brenden Theatres at the Palms 4321 W. Flamingo Road, 702-507-4849 (CAN) Galaxy Cannery 2121 E. Craig Road, North Las Vegas, 702-639-9779 (CH) Cinedome Henderson 851 S. Boulder Highway, Henderson, 702-566-1570 (COL) Regal Colonnade 8880 S. Eastern Ave., 702-221-2283 (DI) Las Vegas Drive-In 4150 W. Carey Ave., North Las Vegas, 702-646-3565 (DTS) Regal Downtown

Summerlin 2070 Park Center Drive, 702-221-2283

(SF) Century Santa Fe Station 4949 N. Rancho Drive, 702-655-8178

(FH) Regal Fiesta Henderson 777 W. Lake Mead Parkway, Henderson, 702-221-2283

(SHO) United Artists Showcase 3769 Las Vegas Blvd. S., 702-221-2283 (SP) Century South Point 9777 Las Vegas Blvd. S., 702-260-4061

(GVR) Regal Green Valley Ranch 2300 Paseo Verde Parkway, Henderson, 702-221-2283

(SC) Century Suncoast 9090 Alta Drive, 702-869-1880

(GVL) Galaxy Green Valley Luxury+ 4500 E. Sunset Road, Henderson, 702442-0244

(SS) Regal Sunset Station 1301-A W. Sunset Road, Henderson, 702-221-2283

(ORL) Century Orleans 4500 W. Tropicana Ave., 702-889-1220

(TX) Regal Texas Station 2101 Texas Star Lane, North Las Vegas, 702-221-2283

(RP) AMC Rainbow Promenade 2321 N. Rainbow Blvd., 888-262-4386

(TS) AMC Town Square 6587 Las Vegas Blvd. S., 702-362-7283

(RR) Regal Red Rock 11011 W. Charleston Blvd., 702-221-2283

(TC) Regency Tropicana Cinemas 3330 E. Tropicana Ave., 702-438-3456

(ST) Century Sam’s Town 5111 Boulder Highway, 702-547-1732

(VS) Regal Village Square 9400 W. Sahara Ave., 702-221-2283

For complete movie times, visit lasvegasweekly.com/movies/listings.

May 21-27, 2015 LasVegasWeekly.com

53


Calendar LISTINGS YOU CAN PLAN YOUR LIFE BY!

ROADSIDE MAGIC During the mid-20th century, an organic uniqueness evolved in Downtown Las Vegas, a gift of sorts for the future, for that day when the quaint and personal motor courts with stunning signage would somehow outlast the more elegant destinations of yesteryear, providing historical depth in an ever-changing city. That gift, however, would play out in poached signs, painted-over Googie-designs and crumbling structures rich in economic and cultural potential, in a Palm Springs character-driven way. ¶ Knowing these gems have no protection, the Historic Preservation Commission recently decided to re-survey the areas and consider possible educational measures (and potential future incentives). Part of that begins with an upcoming panel discussion, “Motor Court Magic: MidCentury Architecture and the Roadside Motel.” Along with all the intrigue in the historical, cultural and design elements is the message that the time to preserve hasn’t passed. City of Las Vegas’ Historic Preservation Officer Courtney Mooney moderates, and the panelists will be Demion Clinco, president of the Tucson Historic Preservation Foundation Board; Jerry Stefani, roadside historian and creator of MOTOR COURT MAGIC “Then and Now - Las Vegas Motels Driving Tours;” Susanna Newbury, May 23, 6-8 p.m., free (tickets UNLV assistant professor of art history; and Craig Palacios and Tina required). Neon Museum, Wichmann of BUNNYFiSH studio. –Kristen Peterson 702-387-6366.

LIVE MUSIC T H E ST R I P & N E A R BY

Association, Bad Samaritans, Loose Change 5/23, 9 pm, $25. Duane Peters Gunfight, The Briggs 6/12, 9 pm, $8-$10. UK Subs 6/13, 9 pm, $12$25. Slaughter and the Dogs 6/19, 9 pm, $8-$10. 4110 S. Maryland Pkwy., 702-586-3483. Double Down Sluthammer, Punchcard, Beard 5/21. The Tiki Bandits, Grand Scovell, Mad Mike & The Pistoleros, Strange Mistress, Infecto Skeletons 5/22. Symbol Six, The Defects, 13 Scars, Terminally Ill, Agent 86 5/23. The Yeastie Boys, El Nada, R.O.U.S., The Skeevies, Chica Diabla 5/24. Death Whistle, Super Zeroes, Radio Silence, O’s of Presidential 5/29. The Brookhounds, Masaker69, Useless Intent, Death Youth Foundation, The Buzz 5/30. Franks & Deans’ Weenie Roast, Professor Rex Dart 6/3. The Quitters, Redbush, The CG’s 6/5. Bargain DJ Collective Mon. Unique Massive Tue, midnight. The Juju Man Wed, midnight. Punk Rock Bingo first Wed of the month. Blooze Brothers Third Sun of the month. Shows 10 pm, free unless noted. 640 Paradise Rd., 702-

CHECK OUT OUR COMPLETE CALENDAR LISTINGS AT LASVEGASWEEKLY.COM/EVENTS 54 LASVEGASWEEKLY.COM MAY 21-27, 2015

Midler 5/22, 8 pm, $95-$310. Eagles 5/24, 8 pm, $85-$275. Rush 6/25, 8 pm, $60-$180. Aerosmith 8/1, 8 pm, $50-$150. Madonna 10/24, 8 pm, $43-$383. Andrea Bocelli 12/5, 8 pm, $78-$403. Mötley Crüe 12/27, 7 pm, $25-$150. 702-891-7777. Orleans Air Supply 5/22-5/24, 8 pm, $40+. The Fab Four 6/13-6/14, 8 pm, $20. NiteKings Wed, 4 pm. Rick Duarte Fri, 9 pm. Acoustic Den Sat, 9 pm. Shows free unless noted. 4500 W. Tropicana Ave., 702-365-7075. Palace Station (Jack’s) Forget to Remember Fri-Sat, 9 pm, free. Shows free unless noted. 702-547-5300. Palazzo (Palazzo Theatre) Frank: The Man. The Music. ft. Bob Anderson Tue-Thu, Sat, 8 pm; Fri 9 pm, $72. (Laguna Champagne Bar) Jimmy Hopper Thu-Sun, 9:30 pm, free. 3355 S. Las Vegas Blvd., 702-4144300. Palms (The Lounge) Frankie and Friends 5/23, 10 pm, $10. Santa Fe and the Fat City Horns Mon, 10:30 pm, $10. 702-944-3200. The Pearl Tedeschi Trucks Band, Sharon Jones and the Dap-Kings, Doyle Bramhall II 6/9, 6:30 pm, $63+. Alice in Chains 7/18, 8 pm, $53+. Melissa Etheridge 8/7, 8 pm, $49+. Fifth Harmony 8/13, 7 pm, $33+. Jackson Browne 8/21, 8 pm, $63+. Alejandra Guzman 9/12, 8 pm, $33+. Palms, 702-942-7777. Piero’s Pia Zadora Fri & Sat, 9 pm, two-drink minimum. 355 Convention Center Dr., 702-369-2305. Planet Hollywood Britney Spears 8/5, 8/7-8/8, 8/12, 8/14-8/15, 8/18-8/19, 8/21-8/22, 8/26, 8/28-8/29, 9/2, 9/49/5, 9/9. $60-$195. Weird Al Yankovic 5/12-5/16, 8 pm, $59-$89. Na Ying 5/23, $28-$228. A.R. Rahman 6/7, 8 pm, $49-$179. Earth, Wind & Fire, Chicago 7/17, 8 pm, $70-$219. J. Cole, YG, Jeremih, Bas, Cozz and Omen 7/18, 8 pm, $41-$200. La Arrolladora 9/13, 9 pm, $59-$175. Ricky Martin 9/15, 8 pm, $50-$160. 702-234-7469. Rí Rá John Windsor 5/25, 8:45 pm. Derek Dempsey & Celtic Soul 5/21, 5/24, 8:45 pm; 5/22-5/23, 9 pm. The Black Donnellys 5/26-5/28, 5/31, 8:45 pm; 5/29-5/30, 9 pm. Mandalay Place, 702-632-7771. Route 91 Harvest Festival ft. Florida Georgia Line, Keith Urban, Tim McGraw and more. 10/2-10/4, times vary, $199. MGM Resorts Village, rt91harvest.com. Stratosphere David Perrico and Pop Evolution First & third Tue, 10:30 pm, $20. 800-998-6937. Silver Sevens (Corona Cantina) Justin Mather 4/30, 9 pm, free. 4100 Paradise, 702-733-7000. Tuscany Danny Lozada Sun & Thu 10 pm, free. Kenny Davidsen Celebrity Piano Bar Fri, 10 pm, free. Live music Sat, 10 pm., free. 255 E. Flamingo Rd., 702-893-8933. Venetian The Legend of Zelda: Symphony of the Godesses ft. Las Vegas Philharmonic 6/10, 8 pm, $66-$176. 3355 S. Las Vegas Blvd., 702-287-5922. Vinyl Alice: A Steampunk Concert Fantasy 5/20, 6/17, 7/15, 11 pm, $10+. Saxon 5/27, 8:30 pm, $22. Todd Rundgren 5/30, 8 pm, $30+. Amaranthe, Santa Cruz, I Prevail 5/31, 8 pm, $22+. Michael Grimm 6/56/7, 6/12-6/14, 6/19-6/21, 6/26-6/28, 7/3-7/5, 7/17-7/19, 7/24-7/26, 7/30-7/31, 8/2-8/3, 8/7-8/9, 8/14-8/16, 8/21-8/23, 8/28-8/30, Thu, Fri, Sun, 8:30 pm; Sat,

PHOTOGRAPH BY ADAM SHANE

Brooklyn Bowl Shakey Graves, Barr Brothers 5/21, 8 pm, $17. Big Sam’s Funky Nation 5/21, midnight, $9-$11. Xavier Rudd & The United Nations 5/26, 8 pm, $19-$22. Giant Panda Guerilla Dub Squa, The Simpkin Project 5/27, 9 pm, $10-$15. Robert Plant & The Sensational Space Shifters, JD McPherson 5/28, $77. Jenny Lewis 5/30, 8 pm, $28-$33. The Glitch Mob 5/31, 8 pm, $20-$23. Preservation Hall Jazz Band 6/11, 8 pm, $20-$22. Yelawolf, Hillbilly Casino 6/12, $15. Purity Ring, Braids, Born Gold 6/23, 8 pm, $22-$24. John Butler Trio, Anderson East 6/26, 8 pm, $28-$33. Adler 7/11, 8 pm, $22-$28. Kevin Fowler 7/15, 8 pm, $18-$22. Between the Buried and Me 7/18, $20. Everclear, Toadies, Fuel, American Hi-Fi 8/8, 8 pm, $40. George Parliament Funkadelic 8/20, 9 pm, $28-$33. Linq, 702-862-2695. The Colosseum Reba, Brooks & Dunn

6/24, 6/26-6/27, 7/1, 7/3, 7/4, 12/2, 12/4, 12/6, 12/9, $60-$205. Rod Stewart 7/31, 8/1, 8/5, 8/8, 8/9, 8/12, 8/15, 7:30 pm. Celine Dion 8/27, 8/28-8/30, 9/1, 9/4-9/5, 9/8-9/9, 9/11-9/12, 9/29-9/30, $55-$250, 7:30 pm. Aretha Franklin 8/14, 8 pm, $55-$160. The Who 9/19, 10:30 pm, $96-$501. Elton John 10/13-10/14, 10/16, 6:30 pm, $55-$500. Caesars Palace, 702-731-7333. The Cosmopolitan (Chelsea) Brian Wilson, Rodriguez 7/10, 7 pm, $50. Brantley Gilbert, Carter Winter 7/24, 8 pm, $65. (Boulevard Pool) Our Big Concert ft. Cage the Elephant, Dirty Heads, New Politics, Big Data, Joywave 5/28, 5 pm, $40. Billy Currington 5/29, 8 pm, $35. Neon Trees, Alex Winston 6/12, 8 pm, $20. Barenaked Ladies, Violent Femmes, Colin Hay 7/18, 8 pm, $50. Slightly Stoopid 8/14, 9 pm, $35. Damian Jr. Gong Marley, Stephen Ragga Marley, Morgan Heritage, Tarrus Riley 9/24, 8 pm, $43. Counting Crows, Citizen Cope 10/3, 7:30 pm, $55. Father John Misty, Mikal Cronin 10/15, 8 pm, $23. 702-698-7000. Dive Bar The Faction, Guilty by

791-5775. Flamingo Olivia Newton-John 5/265/30, 6/2-6/6, 6/9-6/13, 7/7-7/11, 7/14-7/18, 7/21-7/25, 8/4-8/8, 8/11-8/15, 8/18-8/22, 9/1-9/5, 9/8-9/12, 7:30 pm, $69-$139. 702-733-3333. Gilley’s Shows $10-$20 after 10 pm. Treasure Island, 702-894-7722. Hard Rock Hotel Kottonmouth Kings 6/19, 9 pm, $25+. Rusted Root 6/26, 9 pm, $30+. Nelson 7/10, 9 pm, $30+. South of Graceland 7/17, 9 pm, $30+. Puddle of Mudd 7/31, 9 pm, $25+. Tribal Seeds 8/21, 9 pm, $25. Blue October 9/18, 9 pm, $30+. Live 10/2, 9 pm, $35+. Hard Rock Live Bianca Del Rio 5/24, 7 pm, $39-$45. Dick Dale 6/3, 7 pm, $25-$29. Veil of Maya, Revocation, Oceano, Gift Giver, Entheos 6/4, 5 pm. Turnpike Troubadours 6/23, 7 pm, $17-$21. Say Anything, Cymbals Eat Guitars, Modern Baseball, Hard Girls 7/31, 7 pm, $20-$25. Hard Rock Cafe (Strip), 3771 Las Vegas Blvd. S., 702-733-7625. House of Blues Carlos Santana 5/22-5/24, 5/27, 5/29-5/31, 9/16, 9/189/20, 9/23, 9/25-9/27, 11/4, 11/6-11/8, 11/11, 11/13-11/15, $90-$350, 8 pm. Action Bronson 5/25, 8 pm, $25-$30. Ministry 6/10, 8 pm, $40-$90. Steel Panther 6/13, 6/20, 6/27, 9 pm, $22. Dizzy Wright 7/4, 6 pm, $25-$30. Corey Taylor 7/18, 7 pm, $23-$26. Tokio Hotel 8/1, 7 pm, $22-$25. Stephen Ragga Marley 8/4, 7:30 pm, $26-$31. Heart 8/13-8/15, 11/1911/21, 8 pm, $55-$70. Kelly Clarkson, Pentatonix 8/15, 7:30 pm, $40-$125. Roger Clyne & The Peacemakers 9/5, 8 pm, $29-$44. The Tragically Hip 10/3, 7:30 pm, $43-$55. Kamelot, DragonForce 12/7, 7 pm, $22-$25. Rhyme N Rhythm Mon, 9 pm, free. Live swing music Tue, 9 pm, free. Blues Wed, 8 pm, free. Phil Stendek Thu, 8 pm, free. Singles Sat, 9 pm, free. Gospel Brunch Sun, 10 am & 1 pm, $27-$50. PJ Barth Trio Sun, 8 pm, free. Mandalay Bay, 702-632-7600. The Joint Noel Gallagher’s High Flying Birds, Rusty Maples 5/22, 9 pm, $35+. Gipsy Kings 5/28, 8 pm, $40+. Whitesnake 6/4, 8 pm, $35. The Cult & Public Enemy 6/6, 8 pm, $45+. Steve Miller Band 6/25, 8 pm, $50+. Little Big Town 6/26, 8 pm, $35+. Kenny Chesney 7/3-7/4, 8 pm, $155+. Third Eye Blind, Dashboard Confessional 7/11, 8 pm, $40+. Juanes, Ximena Sariñana 7/30, 7:30 pm, $60+. Brit Floyd 7/31, 9 pm, $35+. Peter Frampton, Cheap Trick 8/22, 8 pm, $50+. Primus and the Chocolate Factory, The Fungi Ensemble 9/4, 8 pm, $43+. Scorpions, Queensrÿche 10/7, 8 pm, $60+. UB40 10/16, $40$55. J Balvin 10/24, 8 pm, $60+. Hard Rock Hotel, 702-693-5222. Mandalay Bay (Events Center) Nickelback 7/3, 8 pm, $25-$105. 5 Seconds of Summer 7/17, 7:30 pm, $50-$100. Fall Out Boy, Wiz Khalifa 8/7, 7 pm, $25-$70. (Mandalay Beach) 311 7/3-7/4, $55-$95. Sublime with Rome 5/22, $50. The Script 5/30, $45. Lee Brice 6/5, $45. Chris Young 6/7, $45. Switchfoot, Drew Holdcomb & The Neighbors, Colony House 7/10, $34. Pepper, Iration 7/17, $35+. Sugar Ray, Uncle Kracker, Eve 6, Better Than Ezra 7/16, $35, 9 pm. Ziggy Marley 7/31, $43. Lost ‘80s Live ft. ABC, Wang Chung, Naked Eyes, A Flock of Seagulls and more. 9/26, $35. 702-632-7777. MGM (Grand Garden Arena) Bette


Calendar TM

6 pm & 8:30 pm, $20+. Hard Rock Hotel, 702-693-5000. Wynn (Eastside Lounge) Michael Monge WedThu, 9 pm, $10. 3131 S Las Vegas Blvd.

D ow n tow n Artifice Vegas Blues Dance Tue, 7 pm, free. Thursday Request Live Thu, 10 pm, free. 1025 S. 1st St., Ste. 100., 702-489-6339. Art Bar Ryan Whyte Maloney Thu, 6 pm. Live music Fri-Sat, 6 pm. Downtown Grand, 206 N. 3rd St., 702-719-5100. Backstage Bar & Billiards Suckerpunch Records Presents: Doug C & The Blacklisted, Big Sandy, The Delta Bombers 5/21, 8 pm, $10. Aggrocats, Interrupters, Bohunks, DJ Gonzo 5/22, 8 pm, $20. Cadillac Tramps, Hagfish, Johnny Madcap, Drakulas 5/23, 8 pm, $20. Icons of Filth, Krum Bums, No Parents, Anti-Vision 5/24, 8 pm, $18. Negative Approach, Ill Repute, La Amarda 5/25, 10 pm, $12. The Colossal Heads, Yosemite Slam, Howlin’ King Crawdad, Lawn Mower Death Riders 5/26, 8 pm, $8. Toxin 5/27, 8 pm, $5. Agent Orange, In the Whale, Happy Campers, Assorted Jellybeans 5/30, 8 pm, $12-$15. 601 E. Fremont St., 702-382-2227. Bar & Bistro Out of the Desert Bluegrass Band Sun, noon, free. Arts Factory, 107 E. Charleston Blvd., 702-202-6060. Beauty Bar Dead Meadow, LA Witch, Electric Coronation 5/28, 9 p.m., $10. Cash’d Out, Eddy Bear & The Cubs, Will & The Hi Rollers 5/10, 9 p.m., $12. Diarrhea Planet, Left & Right 6/1, 9 p.m., $8. The Dillinger Escape Plan 6/12, 8 p.m., $15-$18. The Slackers, The Retrolites 6/19, 9 p.m., $12. 517 Fremont St., 702-598-3757. The Bunkhouse Crocodiles 5/21, $10. Frank Turner, Laura Jane Grace, Bob Log III 5/23, 10 pm, sold out. The English Beat, The Skints, Chris Murray 5/24, 10 pm, $20. Big Talk 5/26, 8 pm, $15. Pinata Protest 5/30, 9 pm, $10-$12. The Rentals, Rey Pila, Radiation City 6/3, 9 pm, $15-$18. E Life and Times 6/16, 9 pm, $8-$10. Melt Banana, Torche 6/26, $20. 124 S. 11th St., bunkhousedowntown.com. Clark County Government Amphitheater Jazz in the Park ft. Marc Antoine 5/23. Spyro Gyra 5/30. Brubeck Brothers 6/6. 7 p.m., free. 500 S. Grand Central Parkway, 702-455-8200. Fremont Country Club Streetlight Manifesto, Dan Potthast, Sycamore Smith 5/21, 8 pm, $21-$26. GBH, Infa Riot, Abbrasive Wheels, Schleprock, Evacuate 5/22, 8 pm, $20. Rezillos, Dickies, The Weirdos, The Crowd, Danger Friends 5/23, 8 pm, $20. Cheap Sex, Unseen, Clit 45, False Cause 5/24, 9 pm, $15. Squidhat Records Presents: The Bollweevils, The Nobodys, Guilty By Association, The Quitters 5/25, 9 pm, $10. 601 Fremont St., 702-382-6601. Fremont Street Experience Carl Ferris 5/21-5/22, 7 pm, free. free. Yellow Brick Road 5/21, 8 pm, free. Monroy 5/21, 10 pm, free. Zowie Bowie 5/21, 10 pm, free. Remix 5/22, 8 pm, free. ‘80s Station 5/22, 10 pm, free. KC and the Sunshine Band 5/23, 9 pm. Tonic, Vertical Horizon 5/30, 9 pm. Martha Davis and the Motels, The Tubes, The Smithereens 6/13, 9 pm. Smash Mouth, Toad the Wet Sprocket 6/27, 9 pm. Theory of a Deadman 7/18, 9 pm. Spin Doctors, Cherry Poppin’ Daddies 8/1, 9 pm. Kansas, Blue Oyster Cult 9/6, 9 pm. Downtown Las Vegas, vegasexperience.com. Golden Nugget Blood, Sweat & Tears 5/22, 8 pm, $32-$109. Night Ranger 5/29, 8 pm, $32$76. 129 Fremont St., 702-385-7111. Griffin Live music Wed, 10 pm, free. 511 Fremont St., 702-382-0577. LVCS Voodoo Glow Skulls, The Phenomenauts, Green Jello, Barbwire Dolls, Rule of Thumb, Since We Were Kids, Brutal Resistance 5/21, 8 pm, $15-$18. Eric Gales 5/31, 8 pm, $6-$8. J Stash 6/5, Kevy Los, Jayy, Banksta Quake, Day Duce, Burna Ben Franklin 6/5, 9 pm, $12-$16. Homeless Veteran Concert ft. Ira Black’s Hollywood Hustlers 6/6, 4 pm, $10. Decide, Entombed A.D., Hate Eternal, Black Crown Initiate, Pillars of Creation, Spun In Darkness, Levitron 6/11, 5 pm, $20-$25. Necro, Auxillaree 6/17, 8 pm, $15-$20. Jelly Roll,

Fate-Al, CremRo, Bobby Boulder, Cartel TZ, King QP 6/18, 8 pm, $12-$15. Sammy J, Finn, Peter T & Tenelle, Yung LB, Average Hoe, Peacemaker Nation 6/19, 8 pm, $15-$22. Potluck, Wrekonize, Prevail of Swollen Members 6/23, 9 pm, $10-$13. Ill Nino, Straight Line Stitch, Davey Suicide, Motograter, Society 1, Dim, Circa-Sik, Darkest Day, Thira, Darkc3ll 6/24, 5:30 pm, $12-$15. Geto Boys, Ne Last Words, Charlie Madness, The Tribe 6/28, 9 pm, $12-$15. Otep, The Reaction, Downfall 2012, Autumn in Stitches 6/30, 9 pm, $12-$15. Ces Cru, Joey Cool, Houston Zizza 7/9, 9 pm, $10. Moonshine Bandits, J Gamble, N.E. Last Words, Jelly Roll, Crucifix 8/21, 9 pm, $10. Insomnium, Ominium Gatherum 8/29, 9 pm, $12-$15. Krisiun, Origin Aeon, Alterbeast, Soreption, Ingested 9/17, 8 pm, $17-$20. 425 Fremont St., 702-382-3531. Mickie Finnz The Leeroy Jenkins Incident 5/21, 5/27, 9 pm. Blue String Theory 5/22, 10 pm. Crown Avenue 5/23, 10 pm. JV Allstars 5/18-5/19, 5/24-5/26, 9 pm. 425 Fremont St., 702-382-4204. The Smith Center Lon Bronson Band 5/22, 7 pm, $15+. Guys Sing Dolls 5/23, 2 pm & 8 pm, $35+. James Tormé 5/29-5/30, 7 pm, $37. Steve Tyrell 6/12-6/13, 7 pm, $39+. Samba Exotica 6/19-6/20, 7 pm, $35+. Frank Sinatra Jr. 6/20, 7:30 pm, $29+. Annaleigh Ashford 6/27, 7 pm; 6/28, 2 pm, $49+. Clint Holmes First Fri & Sat, 8:30 pm; first Sun, 2 pm; $35-$45. 361 Symphony Park Ave., 702749-2000.

7770 SOUTH JONES BLVD. LV, NV 89139 • 702-331-4647

Complimentary Potato Skins MENTION THIS AD, WITH PURCHASE OF $20 OR MORE

If Sporting Life Bar doesn’t become your favorite neighborhood bar, I’m not sure we can be friends anymore. It’s that good.

The ’Burbs Cannery Creedence Clearwater Revisited 5/30, 8 pm, $30+. The Spinners 6/6, 8 pm, $20+. Three Dog NIght 6/27, 8 pm, $20+. Shaun South 5/21, 5/27-5/28, 8:30 pm, free. Shaun South, Dean Bradley 5/29-5/30, 7 pm, free. Shaun South, Cat Daddy 5/22-5/23, 7 pm, free. Lugnutt 6/3-6/4, 6/10-6/11, 8:30 pm, free. Lugnutt, Saxman Brown 6/5-6/6, 6/126/13, 7 pm, free. Van De Guzman 6/17-6/18, 6/24-6/25, 8:30 pm, free. Van De Guzman, Jimi Brent 6/19-6/20, 6/26-6/27, 7 pm, free. 2121 E Craig Rd., 702-507-5700. Distill Summerlin Nick Mattera 5/30. Rick Foell 5/23. All shows free & begin at 8 p.m. 10820 W. Charleston Blvd., distillbar.com, 702-534-1400. Elixir Stefnrock 5/29. Nick Mattera 5/23, 5/30. All shows at 8 p.m., free. 2920 N. Green Valley Pkwy., 702-272-0000. Fiesta Henderson (Coco Lounge) Route 66 5/22-5/23. Greg Peterson 5/29-5/30. Shows at 7:30 pm. 702-558-7000. Fiesta Rancho (Club Tequila) Le Mar Le Warren 5/29. Queen Aries & Friends 5/22. Banda Destructora 5/23, 11 pm, $10. Proyeccion De Durango 5/30, 11 pm, $10. Shows at 9 pm, free unless noted. Take the Stage Thu, 7 pm. (Cabo Lounge) Cool Change 5/15. Pagie & Friends 5/22. Eagle One All Stars 5/29. Shows at 8:30, free unless noted. 702-631-7000. Green Valley Ranch (Hanks) Dave Ritz Tue, Thu, 6 pm; Sat, 7 pm. Nick Mattera Fri, 6 pm. Jeremy James Sat, 7 pm. Rick Duarte Wed, 6 pm. Shows free unless noted. 702367-2470. M Resort (M Pavillion) Hotel California 5/23, 7 pm, $20-$30. Elvis, The Aloha Concert Tribute 8/8, 7 pm, $30-$42. Shows free with drink purchase. M Resort, 800-745-3000. Rampart Casino (Addison’s Lounge) Wes Winters Tue, 6 pm. Mark O’Toole Wed, 6 pm. All shows free unless noted. JW Marriott. 221 N. Rampart Blvd., 702-507-5900. Red Rock (Rocks Lounge) Gary Street 5/29, 7 pm, $5. Zowie Bowie Fri, 10 pm. The Dirty Sat, 11 pm, $10. David Perrico Pop Strings Orchestra Sat, 11 pm, free. (Onyx) Jared Berry Thu, Sat, 9 pm. The Dirty Sat. 11 pm, $10. (T-Bones) Dave Ritz Wed, 6 pm; Fri, 7 pm. Rick Duarte Thu, 6 pm; Sat, 7 pm. Shows free unless noted. 11011 W. Charleston Blvd., 702-797-7777. Santa Fe Station (Chrome Showroom)Paul Charles Band 5/22. Corro Van Such 5/27, 6:30 pm. Chrome 5/29. Reckless in Vegas 5/30. All shows free unless noted. (Revolver) Bro Country Thu, 8 pm. (4949 Lounge) Jared Berry Thu, 7 pm, free. 4949 N Rancho Dr., 702-658-4900. Sienna Italian Authentic Trattoria Vegas

— Jim Begley, Las Vegas Weekly

B E ST N E W R E STAU R A N TS O F 2 0 14 B EST S P O R TS BA R 20 1 4

BEST N EW R ESTAU R A N T 20 1 4

C R ITIC ’S P IC K 20 1 4

Rancho and Craig Rd. 702.645.1404 | BigDogsBrews.com


Calendar INVITE YOU AND A GUEST TO AN ADVANCE SCREENING OF

ON THURSDAY, MAY 28 FOR A CHANCE TO WIN A PASS, PLEASE GO TO GOFOBO.COM/REDEEM AND ENTER THE CODE: SPYLVW *WHILE SUPPLIES LAST

SPY HAS BEEN RATED R FOR LANGUAGE THROUGHOUT, VIOLENCE AND SOME SEXUAL CONTENT INCLUDING BRIEF GRAPHIC NUDITY. PASSES RECEIVED THROUGH THIS PROMOTION DO NOT GUARANTEE ADMISSION - SEATING IS FIRST COME, FIRST SERVED. 20TH CENTURY FOX, LAS VEGAS WEEKLY, ALLIED INTEGRATED MARKETING AND THEIR AFFILIATES ACCEPT NO RESPONSIBILITY OR LIABILITY IN CONNECTION WITH ANY LOSS OR ACCIDENT INCURRED IN CONNECTION WITH USE OF A PRIZE. TICKETS CANNOT BE EXCHANGED, TRANSFERRED OR REDEEMED FOR CASH, IN WHOLE OR IN PART. WE ARE NOT RESPONSIBLE IF, FOR ANY REASON, WINNER IS UNABLE TO USE HIS/HER TICKET IN WHOLE OR IN PART. VOID WHERE PROHIBITED BY LAW. NO PURCHASE NECESSARY. NO PHONE CALLS!

IN THEATRES JUNE 5!

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TUESDAY, MAY 26TH 7:00 PM Please visit wbtickets.com and input the following code: LVWeekly Andreas to receive a screening pass for two. THIS FILM IS RATED PG-13 FOR INTENSE DISASTER ACTION AND MAYHEM THROUGHOUT, AND BRIEF STRONG LANGUAGE. Please note: Passes are limited and will be distributed on a first come, first served basis while supplies last. No phone calls, please. Limit one pass per person. Each pass admits two. Seating is not guaranteed. Arrive early. Theater is not responsible for overbooking. This screening will be monitored for unauthorized recording. By attending, you agree not to bring any audio or video recording device into the theater (audio recording devices for credentialed press excepted) and consent to a physical search of your belongings and person. Any attempted use of recording devices will result in immediate removal from the theater, forfeiture, and may subject you to criminal and civil liability. Please allow additional time for heightened security. You can assist us by leaving all nonessential bags at home or in your vehicle.

IN THEATERS MAY 29 SanAndreasmovie.com #SANANDREAS

Good Fellas Thu, 7:30 pm. Red Velvet Fri-Sat, 8:30 pm. 9500 Sahara Ave., 702-360-3358. Silverton Wine Down Wednesdays Wed, 6 pm, free. (Veil Pavilion) Los Lonely Boys 5/22, 8 pm, $25. 3333 Blue Diamond Rd., 702-263-7777. South Point Deana Martin and Big Band Swing 5/29-5/31, 7:30 pm. Dennis Bono Show Thu, 2 pm, free. Wes Winters Fri-Sat, 6 pm, free. Spazmatics Sat, 10:30 pm, $5. 702-797-8005. Suncoast Earl Turner 5/30-5/31, 7:30 pm, $16. 9090 Alta Dr., 702-636-7075. Sunset Station (Club Madrid) Barry Black & The Senzuals 5/21, 10 pm. Bruce Wallace, Michael Peterson 5/22, 8 pm, $10. Jay Knowles, Darrell Brown 5/29, 8 pm, $10. Billy Dean & The Steel Horses Band 6/20, 7 pm, $25. Lon Bronson Band Fri, 9:30 pm. Zowie Bowie Sat, 10 pm. (Gaudi Bar) Ryan Whyte Maloney, Cali Tucker Fri, Sat, 7 pm. Willplay Sat, 7 pm. (Rosalita’s) Tony Venniro Fri, 7 pm. Peter Love Sat, 7 pm. (Sunset Amphitheater) Junefest ft. Joan Jett and the Blackhearts, Berlin, The Romantics, John Waite 6/6, 5 pm, $29-$59. (Cabo) Vegas Voice Afternoon Affair 5/20, 1:30 pm. Shows free unless noted. 1301 W. Sunset Rd., 702-547-7777. Texas Station (Dallas Events Center) Mirage: Visiions of Fleetwood Mac 5/15, 8 pm, $15. (A-Bar) Darrin Michaels Fri-Sat, 7 pm. (South Padre) Elemental Fri, 9 pm. Yellow Brick Road Sat, 9 pm. 702-631-1000.

E v e ry w h e r e E l s e Arizona Charlie’s Boulder (Palace Grand Lounge) Desert Outlaws 5/22-5/23. Southern Cross 5/29-5/30. All shows 9 pm, free. 4575 Boulder Highway, 888-236-9066. Arizona Charlie’s Decatur (Naughty Ladies Saloon) The Good Fellas 5/22-5/23, 9 pm, free. San Fernando 5/29-5/30, 9 pm, free. Jerry Tiffe Fri, 4 pm. 740 S. Decatur Blvd., 702-258-5200. Babes RSB Swamp Pussy 5/22. Smashing Alice 5/23. Southern Stue 5/29. Children of the Damned 5/30. 5901 Emerald Ave, 702435-7545. Boomers Live music Wed, 10 pm, $5-$10. Hip Hop Roots Fri, 10 pm, $5. 3200 Sirius Ave., 702-368-1863. Boulder Dam Brewing Justin Mather 5/30, 7 pm. Mike Wojniak 5/21, 7 pm. Cletus and the Mexican Sweat 5/23, 8 pm. All shows free unless noted, Fri-Sat, 8 pm; Wed-Thu, 7 pm. 453 Nevada Way, Boulder City, 702243-2739. Boulder Station (Railhead) Guitar Shorty, Scott Rhiner & The Moanin Black Snakes 5/21, 6 pm, $5. Jonny Lang 8/21, 8 pm, $30$60. Yellow Brick Road Fri, 9 pm, $5. Bee Gees Gold Sat, 9 pm, free. El Moreno Carrillo Sun, 11 pm, $5-$10. (Kixx Bar) Joey Vitale Fri, 8 pm. Reflection Sat, 8 pm. 702-432-7777. Count’s Vamp’d John Zito Electric Jam Wed, 9 pm, free. 9:30 pm, free. 6750 W. Sahara, 702-220-8849. The Dillinger Marty Feick Thu, 7 pm. Stefnrock First & third Sat, 8:30 pm, free. 1224 Arizona St., 702-293-4001. Dispensary Lounge Uli Geissendoerfer Trio FriSat, 10 pm. 2451 E. Tropicana, 702-458-6343. Eastside Cannery (Marilyn’s Lounge) Claudine Castro Band Mon, 10 pm. Phoenix Wed, 9 pm. Spazmatics Sun, 9 pm. Shows free unless noted. 702-507-5700. Italian American Club 2333 E. Sahara Ave., 702-457-3866, iac.com. Milo’s Cellar Live Music Thu, 8 pm, free. 538 Nevada Hwy., 702-293-9540. Ron DeCar’s Event Center Jazz Conversations Big Band Series: Merv Harding 5/23, 6/20. Charles McNeal Big Band 5/30. Jimmy Wiklins 6/6. Bruce Harper 6/13. Jim Fitgerald 6/27, Sat, 1 pm, $15. Swingin’ Sundays Sun, 5 pm, $10. 1201 Las Vegas Blvd. S., 702-384-0771. Sam’s Town NiteKings Sun, 7 pm, free. Shows free unless noted. 5111 Boulder Hwy., 702284-7777. Star of the Desert Arena The Commodores 5/23, 8 pm. Lupita D’Alessio 5/30, 8 pm. Buffalo Bill’s Resort & Casino, 31900 S. Las Vegas Blvd., Primm, 800-386-7867. Winchester Cultural Center ‘Chelle Reed 5/31, 2 pm, $10-$12. Willie Wainwright 6/20, 2 pm, free. 3130 S. McLeod Dr., 702-455-7340.

Comedy Louie Anderson 7/24-7/26, 7:30 pm, $40+. South Point, southpointcasino.com. Big Al’s Comedy Club Wed-Sun, 8 pm, $20. Gold Coast, 702-251-3574. Bonkerz Comedy Club Downtown Grand Fri-Sat, 8:30 pm, free (with two-drink purchase). 206 N. 3rd St., 702-719-5100. Bonkerz Comedy Club JW Marriott Shows 7 pm, $15. 221 N. Rampart Blvd., 702-507-5900. Bonkerz Comedy Club Primm Fri, 8 pm & 10:15 pm; Sat, 10:15 pm; $10. Primm Valley Resort , 31900 S. Las Vegas Blvd., 800-386-7867. Bonkerz Comedy Club Silver Sevens FriSat, 10:30 pm; $10. Silver Sevens Hotel & Casino, 4100 Paradise, 702-733-7000. Brad Garrett’s Comedy Club All shows at 8 pm, $65-$87. MGM Grand, 891-7777. Jim Breuer 7/10-7/11, 7:30 pm, $25+. South Point, southpointcasino.com. Bill Burr 6/26-6/27, 10 pm, $70+. Mirage, 702792-7777. Carrot Top Wed-Mon, 8 pm, $50-$60. Luxor, 702-262-4900. Jeff Civilico Sat-Mon, Wed-Thu, 4 pm, $39$50. Quad, 888-777-7664. Andrew Dice Clay 5/22, 5/24-5/25. All shows at 9 p.m., $59+. Vinyl, hardrockhotel.com. Comedy After Dark Wed-Sun, 10 pm, $40$60. LVH, 702-732-5755. Whitney Cummings 5/22-5/23, 9:30 pm, $74$118. Venetian, 866-641-7469. Jeff Dunham Wed-Sun, 7 pm; Sat-Sun, 4 pm, $72. Planet Hollywood, 702-531-4320. Vinnie Favorito Nightly, 8 pm, $55-$100. Flamingo, 702-733-3333. Craig Ferguson 5/23, 8 pm, $25+ Cosmopolitan, 702-698-7000. Eddie Griffin Mon-Wed, 7 pm, $90-$182. Rio, 702-777-7776. Kevin Hart 5/24, 8 pm, $49-$129. Mandalay Bay Events Center, 702-632-7777. The Kids in the Hall 6/5, 9 pm, $50+. Treasure Island, treasureisland.com. HydroComics Unleashed Wed, 9 pm, free. Lucie’s Lounge, 3955 Charleston Blvd., 702776-6417. The Improv Steve White, Jack Cohen, David Gee Thru 5/24. Kivi Rogers, Gilbert Lawand 5/26-5/31. Dat Phan, Frances Dilorenzio, Brian McKim 6/2-6/7. Bobby Collins, Michael Palascak, Murray Valeriano 6/9-6/14. Tue-Sun, 8:30 & 10 pm, $30-$45. Harrah’s, 702-369-5000. Gabriel Iglesias 5/23-5/24, 10 pm, $60+. Mirage, 702-792-7777. Eddie Izzard 6/12-6/13, 8 pm, $53+. Pearl, 702942-7777. Jim Jefferies 10/3, 8 pm, $45. The Joint, 702693-5222. The Joe Show Thu-Sat, 8 pm, $30. Tuscany, 255 E. Flamingo Rd., 702-629-0715. Jokes With Friends Thu, 10 pm, free. Nacho Daddy, 9925 S. Eastern Ave., 702-462-5000. L.A. Comedy Club Tue-Sun, 9:30 pm, $39$62. Ballys, 702-777-2782. The Laugh Factory Shows at 8:30 & 10:30 pm. $29-$45. Tropicana, 702-739-2222. Laughternoon Adam London Daily, 4 pm, $20-$25. The D, 702-388-2111. Jay Leno 6/13, 7/4, 9/18, 11/20-11/21, 10 pm; 9/19, 9 pm, $60-$80. Mirage, 702-792-7777. M Resort Comedy Night Fri, 9 pm, free with drink purchase. M Resort, 702-797-1000. The Mac King Comedy Magic Show TueSat, 1 & 3 pm, $33. Harrah’s, 702-369-5000. Kathleen Madigan 6/12, 10 pm, $30+. Mirage, 702-792-7777. Party Improv Comedy Thu-Sun, 7 pm, $25, 2 drink minimum. Planet Hollywood, 702531-4320. Russell Peters 9/6, 8 pm, $49+. Pearl, 702942-7777. Paula Poundstone 6/19-6/20, 8 pm, $20+. Orleans, orleanscasino.com. Puppetry of the Penis 8 pm, $45-$49. Erotic Heritage Museum, 3275 S. Industrial Rd., eroticheritagemuseumlasvegas.com. Red Skelton Tribute Sat-Tue, 2 pm; $35-$40. Westin Las Vegas, 160 E. Flamingo Rd., 702245-2393. Riviera Comedy 40 is Not the New 20 MonSat, 10 pm, $40. Riviera, 855-468-6748. Sapphire Comedy Hour Fri-Sat, 8 pm, $20. Sapphire Gentlemen’s Club, 3025 Industrial Rd., 702-796-6000.


Calendar S.E.T. Improv Comedy Mon, 8 pm, $10. Onyx Theatre, 953 E. Sahara Ave., 702-732-7225. Side Splitting Sundays Sun, 10 pm, free. Boomers, 3200 Sirius Ave., 702-368-1863. Sin City Comedy & Burlesque Show 8:30 pm, $38-$49. Planet Hollywood, 702-777-7776. Christopher Titus 7/31-8/2, 7:30 pm, $20+. South Point, southpointcasino.com.

Performing Arts Annie 5/26-5/31, 7:30 pm; 5/30-5/31, 2 pm, $34+. Smith Center, 702-749-2000. Avenue Q 7/10-7/11, 7/16-7/18, 7/23-7/25, 8 pm; 7/12, 7/19, 7/26, 2 pm, $25. Las Vegas Little Theatre, 3920 Schiff Dr., 702-362-7996. The Composer’s Showcase of Las Vegas 5/27, 10:30 pm, $20+. Smith Center, thesmithcenter.com. Conversatioms with Norm: Remembering Sinatra 6/21, 2 pm, $25+. Smith Center, thesmithcenter.com. David De Alba’s Tribute to Judy Garland 6/21, 2 pm, $18. The Onyx, 953-16B E. Sahara Ave., onyxtheatre.com. Hansel & Gretel 5/22-5/23, 7 pm; 5/24, 2 pm, $10-$15. Winchester Cultural Center, 3130 S. McLeod Dr., 702-455-7030. Intercultural Exchange Show 6/9, 6 pm, $8-$10, Winchester Cultural Center, 3130 S. McLeod Dr., 702-455-7030. Izel Ballet Folklorico 6/27, 6 pm, $10-$12, Winchester Cultural Center, 3130 S. McLeod Dr., 702-455-7030. Izel Company Traditions, Music and Dance 5/30, 6 pm, $10-$12, Winchester Cultural Center, 3130 S. McLeod Dr., 702-455-7030. Jeff McBride’s Wonderground Variety show. Third Thu of the month; 8, 9 & 10 pm; $10. Olive Mediterranean Restaurant Lounge, 3850 E. Sunset Rd., 702-451-8805. Kickin’ It 5/23, 7 pm, $20-$35. Ron DeCar’s Event Center, 1201 Las Vegas Blvd. S., 702384-0771. Native Speech 6/12-6/14, 6/18-6/21, 6/25-6/28, times vary, $16-$20. Art Square Theatre, cockroachtheatre.com. Thom Pain (Based on Nothing) Thru 5/23, Thu-Sat, 7 pm; Sun, 2 pm, $20-$25. The Onyx, 953 E. Sahara Ave #16, onyxtheatre.com.

Special Events An Executive Chef’s Culinary Classroom With Executive Chef Edmond Wong. 5/26, 6/30, 7/23, 8/27, 9/29, 10/13, 11/10, 7 pm, $135. Bellagio, 866-406-7117. Carnival of Cuisine 6/5, 6 pm, $100-$150. Palazzo, palazzo.com. The Great Love Debate 6/3, 7:30 pm, $40. Baobab Stage at Town Square, 6587 S. Las Vegas Blvd., greatlovedebate.com. Gumball 3000 5/29-5/30, 3 pm-midnight, $40-$50. MGM Resorts Village, 3901 Las Vegas Blvd., gumball3000.com. LV Craft Show 5/24, 6 pm, free. Silverton, silvertoncasino.com. M.E.N.U.S. presented by Epicurean Charitable Foundation 9/11, $500. The Beach at Mandalay Bay, 702-932-5098. Monday’s Dark with Mark Shunock 6/15, 7/20, 8/17, 9/21, 10/19, 11/16, 9:30 pm, $20+. Vinyl, hardrockhotel.com. Movie in the Park The Amazing Spider-Man 2, presented by LVMPD. 5/29, 8 pm, free. Whitney Park, 5712 Missouri Ave. Miss Nevada 6/26, 7 pm; 6/27, 2 pm, $25+. Smith Center, thesmithcenter.com. Nevada: A History of the Silver State A reading with Michael S. Green. 6/4, 7 pm, free. The Writer’s Block, 1020 Fremont St., 702-550-6399. On the Magic Carpet with Barbara Eden 6/20, 7:30 p.m., $16+. Suncoast, 9090 Alta Dr., 702-636-7075 Ringling Bros and Barnum & Bailey Circus Extreme 6/11-6/13, 7 pm; 6/13, 11 am, 3 pm, 7 pm; 6/14, 1 pm, 5 pm, $13-$53. Thomas & Mack, unlvtickets.com. Rumpshaker An afternoon of punk rock storytelling with Eric Weiss. 5/23, 2 pm, free. The Writer’s Block, 1020 Fremont St., 702550-6399. Sevens Live Music, comedy & spoken arts. Mon, 7 pm, free with one drink minimum. Silver Sevens, 4100 Paradise, 702-733-7000.

Switch: Trans* Clothing Swap Thu, 5 pm, free. Gay & Lesbian Community Center of Southern Nevada, 401 S. Maryland Pkwy, 702-733-9800. Vegas Gone Yoga Festival 9/19-9/20, 8 am-4 pm, $89-$169. Springs Preserve, 333 S. Valley View Blvd., vegasgoneyoga.com. Vegas Valley Book Festival 10/15-10/17, times vary, free. Historic Fifth Street School, 401 S. Fourth St., vegasvalleybookfestival.org. Windmill Music Club Discussing the music of James Brown. 5/31, 4 p.m., free. Last Sun of the month. Windmill Library, 7060 W. Windmill Ln., 702-507-6036.

Sports Joe Weider’s Olympia Fitness & Performance Weekend 9/17-9/19, 7 pm, $72+. Orleans, orleansarena.com. Knockout Night at the D ft. Richard Comney vs. Bahodir Mamadjonov 5/22, 7:30 pm, $26-$59. Downtown Las Vegas Events Center, 200 S. 3rd St., dlvec.com. Las Vegas Outlaws vs. Spokane Shock 5/23. Cleveland Gladiators 6/7. San Jose Sabercats 6/21. Portland Thunder 6/28. New Orleans Voodoo 6/25, 2 pm, $18-$198. Thomas & Mack, unlvtickets.com. Last Cowboy Standing 5/22-5/23, times vary, $50-$99. MGM Resorts Village. Lion Fight 22 Kem Sitsongpeenong vs. Jo Nattawut 5/22, 5 pm, $45+. Sunset Station, sclv.com. UFC: Jones vs. Johnson 5/23, 4 pm, $128$1,003. Aldo vs. McGregor 7/11, 4 pm, $128$103. MGM Grand, ticketmaster.com. Tuff-N-Uff: The Future Stars of Mixed Martial Arts 5/15, 7 pm, $25+. Cannery, ticketmaster.com. WWE Live Summerslam Heatwave Tour 6/20, 7:30 pm, $23-$108. Thomas & Mack, unlvtickets.com.

Galleries Amanda Harris Gallery of Contemporary Art Thu-Fri, 5-8 pm, and by appointment. 900 S. Las Vegas Blvd., 702-769-6036. Arts Factory 107 E. Charleston Blvd, 702383-3133. Galleries include: Joseph Watson Collection Wed-Fri, 1-6 pm; Sat, noon-3 pm; Sun, 11 am-2 pm. Suite 115, 858-733-2135. Sin City Gallery Wed-Sat, 1-7 pm; Sun, 11 am-2 pm. Suite 100, 702-608-2461. Suite 135, 702366-7001, trifectagallery.com. Bellagio Gallery of Fine Art Daily, 10 am-8 pm, $11-$16. 3600 Las Vegas Blvd. S., 702693-7871. Blackbird Studios Fri-Sun, noon-7 pm. 1551 S. Commerce St., 702-782-0319. Brett Wesley Gallery Wed-Sat, 1-7 pm. 1025 S. First St. #150, 702-433-4433. Clark County Government Center Rotunda Abraham Abebe Thru 7/10. Mon-Fri, 8 am-5 pm. 500 Grand Central Parkway, 702-4557030. Clay Arts Vegas Mon-Sat, 9 am-9 pm; Sun, 11:30 am-6:30 pm. 1511 S. Main St., 702-375-4147. Downtown Spaces 1800 Industrial Rd., dtspaces.com. Galleries include: Wasteland Gallery Thu, 6 pm-9pm; Fri & Sat, 6 pm11pm, Sun-Wed by appointment. Emergency Arts 520 Fremont St., 702-6863164. Gainsburg Studio & Gallery Mon-Sat, 10am5pm. 1533 West Oakey Blvd, 702-249-3200. Left of Center Gallery Tue-Fri, noon-5 pm; Sat, 10 am-3 pm. 2207 W. Gowan Rd., 702647-7378. Michelle C. Quinn Fine Art Advisory By appointment only. 620 S. 7th St., 702-3669339. P3Studio Gabrielle St. Evensen Marry Your Self Thru 6/7. Wed-Sun, 6-11 pm. Cosmopolitan. UNLV Lied Library The French Connection Reception 5/17, 2 pm. Open thru Oct. Donna Beam Fine Art Gallery Mon-Fri, 9 am-5 pm; Sat, 10 am-2 pm. At UNLV, 702-895-3893. West Las Vegas Arts Center Wed-Sat, 9 am-7 pm. 947 W. Lake Mead Blvd., 702-2294800. Winchester Cultural Center Art Gallery Kim Johnson Thru 7/17. Tue-Fri, 10 am-8 pm; Sat, 9 am-6 pm. 3130 S. McLeod Dr., 702455-7340.

OWN IT ON BLU-RAY ™

JUNE 2 Please go to

www.lasvegasweekly.com/giveaways to enter for a chance to win

JOHN WAYNE WESTERNS FILM COLLECTION. Entries must be received by 5/28/2015. Winners will be notified by email and must pick up their prize no later than 6/12/2015.

© 2015 Turner Entertainment Co. and Warner Bros. Entertainment Inc. All rights reserved.


photographs by l.e. baskow

The BackStory

ART-CAR CARAVAN TO SEE MAD MAX: FURY ROAD | PLAYAWORKS WAREHOUSE | MAY 15, 2015 Blood and burned-out cars. That’s what any mention of Mad Max brings to my mind thanks to the indelible bleakness of the Mel Gibson-era films. Now that there’s a shiny reboot with outsize action sequences to match, I don’t see that changing. Although, there is something about the artfulness of the survivalist rigs cobbled together with scrap metal and bits of flash and function like pack-rat nests on furious wheels. In that vein, local arts group Playaworks organized a pre-party and caravan of art cars to go from its warehouse to the Palms’ Brenden Theatres to see Mad Max: Fury Road. The plan was to valet “any and all street-legal mutant vehicles,” and to dress accordingly. If there are movie theaters in the post-apocalyptic world, the crowd should definitely roll with fishnets and finger guns. –Erin Ryan



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