Facet (Winter 2020) by Georgia Museum of Art

facet

Tiffany

Green Symposium

Calendar of Events

www.georgiamuseum.org

Winter 2020

from the director

Department of Publications Hillary Brown Board of Advisors B. Heyward Allen Jr.*

Interns

Amalia K. Amaki**

Anika Chaturvedi

Linda N. Beard Karen L. Benson** Fred D. Bentley Sr.****

Design The Adsmith

Richard E. Berkowitz Sally Bradley Jeanne L. Berry Devereux C. Burch* Robert E. Burton** Debra C. Callaway** Shannon I. Candler* Faye S. Chambers Director William Underwood Eiland at ICOM’s 25th General Conference.

Harvey J. Coleman Sharon Cooper James Cunningham Martha Randolph Daura*** Martha T. Dinos** Annie Laurie Dodd***

If this report had a dateline, it would be early September from Kyoto, Japan, where I am attending the triennial meeting of the International Council of Museums (ICOM).

Sally Dorsey** Howard F. Elkins

Georgia Museum of Art

Judith A. Ellis

University of Georgia

Todd Emily

90 Carlton Street

James B. Fleece Phoebe Forio*** John M. Greene**

Athens, GA 30602-1502 www.georgiamuseum.org

Helen C. Griffith** Barbara Guillaume

facebook.com/georgiamuseum

Judith F. Hernstadt

While in Japan, I was involved as presenter or discussant in several sessions. One of them was devoted to the fundamental nature of the academic museum and its challenges. The organizer of the discussion recalled the words of one of our foremost thinkers about museology, Stephen Weil, when he answered the question “What makes a good museum?” by responding that its characteristics should be purposive, capable, effective and efficient. Those responses gave me pause, and I wondered to what extent the Georgia Museum of Art matched that description. So, I had another look at our strategic plan— somewhat in medias res, as it is a four-year endeavor from 2018 to 2022. I believe we know and strive for our goals and that we certainly have the capable, efficient and effective staff to achieve them, but what we and other academic museums lack is a clear and comprehensive system of metrics to judge our performance against colleague institutions. We already have extra- and in-house evaluations— generally favorable—but part of being “purposive” is, of course, climbing from one plateau to another. To that end, we are re-evaluating the strategic plan to be even more focused on achievement, and at an ever-higher level, i.e., reaching more students and extramural audiences, encouraging and disseminating research, re-evaluating our collections etc.

Georgia Museum of Art facet | Winter 2020

Rinne Allen June M. Ball

It is a privilege to meet colleagues from almost every country in the world and to learn about their concerns, issues and professional lives. Currently, it seems everyone in the museum world is debating colonization and restitution, due in part to President Macron’s decision to return African art to the nations from which it was “sourced.” (I hate that word used as a verb. As offensive to the ears as to the mind, it has come to mean the travels of everything from rutabagas to rucksacks.)

Candice Lawrence

As I write these words, I realize they are meant to explain museum practice, illusionary process, if you will, and thus, perhaps, of limited interest to our general audiences due to our internal vocabulary. Important then to add, in closing, is our commitment to presenting exhibitions both of high quality (a maligned word in categorizing theoretical parlance) and of general interest. In other words, we continue to climb the ladder to attainment of excellence rung by rung.

William Underwood Eiland, Director

Marion E. Jarrell** Jane Compton Johnson*

twitter.com/gmoa

George-Ann Knox*

instagram.com/georgiamuseum

Shell H. Knox* Andrew Littlejohn D. Hamilton Magill David W. Matheny, chair-elect

Admission: Free

Mark G. McConnell Marilyn M. McMullan

706.542.4662

Marilyn D. McNeely

Fax: 706.542.1051

Ibby Mills C.L. Morehead Jr.*

Exhibition Line: 706.542.3254

David Mulkey Carl. W. Mullis III* Betty R. Myrtle** Gloria E. Norris***

HOURS Tuesday, Wednesday, Friday and

Deborah L. O’Kain

Saturday: 10 a.m.–5 p.m.

Randall S. Ott

Thursday: 10 a.m.–9 p.m.

Gordhan L. Patel, chair Janet W. Patterson

Sunday: 1–5 p.m.

Christopher R. Peterson

Closed Mondays. Museum Shop closes

Kathy B. Prescott

15 minutes prior. (Museum members

Bill Prokasy**** Rowland A. Radford Jr.* Annemarie S. Reynolds***

receive 10% off all regularly priced items.)

Margaret A. Rolando* Julie M. Roth Alan F. Rothschild* Jan E. Roush Bert Russo Sarah P. Sams**

Mission Statement

D. Jack Sawyer Jr.*

The Georgia Museum of Art shares the

Helen H. Scheidt**

mission of the University of Georgia to

Henry C. Schwob** Mr. Ronald K. Shelp

support and to promote teaching,

Margaret R. Spalding

research and service. Specifically, as a

Dudley R. Stevens

repository and educational instrument of

Carolyn Tanner**

the visual arts, the museum exists to

Anne Wall Thomas*** Brenda A. Thompson, immediate past chair

collect, preserve, exhibit and interpret significant works of art.

William E. Torres C. Noel Wadsworth* Carol V. Winthrop Gregory Ann Woodruff

Partial support for the exhibitions and programs Ex-Officio

at the Georgia Museum of Art is provided by the

Lacy Middlebrooks Camp

Georgia Council for the Arts through the

Linda C. Chesnut

appropriations of the Georgia General Assembly.

William Underwood Eiland

The Georgia Council for the Arts also receives

Chris Garvin

support from its partner agency, the National

S. Jack Hu

Endowment for the Arts. Individuals, foundations

Kelly Kerner Marisa Anne Pagnattaro

and corporations provide additional museum support through their gifts to the University of Georgia Foundation. The Georgia Museum of Art

*Lifetime member

is ADA compliant; the M. Smith Griffith

**Emeritus member

Auditorium is equipped for deaf and hard-of-

***Honorary member

hearing visitors.

**** Deceased

contents

Exhibitions

The Green Symposium

The Art of Giving

Camera Roll

Exhibitions

The Green Symposium

The Art of Giving: The Forward Arts Foundation

Meet Jeff Richmond-Moll

Donors

Calendar

Museum Notes

Gifts

In the Shop

Camera Roll

On the big cover:

On the small cover:

Tiffany Studios, River of Life Window, 1900–1910, leaded

Tiffany Studios, Floriform Vase, ca. 1902, blown

glass, gilt-bronze. Photograph by John Faier. ©

Driehaus Museum.

2013 The Richard H. Driehaus Museum.

The University of Georgia does not discriminate on the basis of race, sex, religion, color, national or ethnic origin, age, disability, sexual orientation, gender identity, genetic information or military service in its administrations of educational policies, programs or activities; its admissions policies; scholarship and loan programs; athletic or other Universityadministered programs; or employment. Inquiries or complaints should be directed to the Equal Opportunity Office Fax 706-542-2822. https://eoo.uga.edu/

www.georgiamuseum.org

119 Holmes-Hunter Academic Building, University of Georgia, Athens, GA 30602. Telephone 706-542-7912 (V/TDD).

exhibitions

Tiffany Studios, Table lamp with peony shade, ca. 1903-05. Photograph by John Faier, © Driehaus Museum, 2013.

Museum of Art and the Richard H. Driehaus Foundation

Morris Charitable Foundation, the Friends of the Georgia

Foundation, Mark and Marjorie McConnell, the W. Newton

Sponsors: The Harry and Caroline Gilham Charitable

Family Galleries

Cosby Conway, Alfred Heber Holbrook and Charles B. Presley

Galleries: Lamar Dodd, Boone and George-Ann Knox I, Rachel

deputy director, Georgia Museum of Art

decorative arts at the Art Institute of Chicago; Annelies Mondi,

Curators: David A. Hanks, associate curator of American

and is toured by International Arts and Artists, Washington, D.C.

Collection” is organized by the Richard H. Driehaus Museum

exhibition. “Louis Comfort Tiffany: Treasures from the Driehaus

masterworks never before presented in a comprehensive

distinguished Richard H. Driehaus Collection, highlighting

artistry and craftsmanship of the Tiffany works from Chicago’s

windows, floral vases, lamps and accessories, revels in the

This exhibition, focusing on Tiffany’s magnificent stained-glass

sought after today.

collectors throughout his career, and continues to be highly

work was enthusiastically collected by art museums and private

awards in exhibitions across Europe and the United States. His

international acclaim for his artistic output, receiving prestigious

household items to one-of-a-kind masterpieces. He earned

the natural world through a range of objects, from common

in a wide variety of media enabled him to convey his awe of

metalwork, jewelry and painting. Tiffany’s technical brilliance

the late 19th and early 20th centuries — glass, ceramic,

in nearly all the media available to artists and designers in

America’s most renowned artists, Louis Comfort Tiffany worked

spanning over 30 years of Tiffany’s prolific career. One of

from the Driehaus Collection” features more than 60 objects,

A celebration of beauty, “Louis Comfort Tiffany: Treasures

Louis Comfort Tiffany: Treasures from the Driehaus Collection February 1 – May 10, 2020

Tiffany Studios, Floriform vase (rim detail), c. 1900-1903. Photograph by John Faier, © Driehaus Museum, 2013.

Tiffany Glass Decorating Company, Miniature vase, c. 1898-1900. Photograph by John Faier, © Driehaus Museum, 2013.

Master, Pupil, Follower: 16th- to 18th-Century Italian Works on Paper December 21, 2019 – March 8, 2020 This exhibition showcases approximately 30 drawings and prints dating from the 16th to the 18th centuries and drawn from the collections of Giuliano Ceseri of Lafayette, Louisiana, the Georgia Museum of Art and the Jeffrey Horvitz Collection. Curators selected drawings and prints to represent specific artistic styles and Italian regional schools. An examination of the drawings has revealed some previously erroneous assumptions. In a few cases, new attributions have resulted; in others, authorship remains unresolved. The museum has produced a fully illustrated exhibition catalogue containing this scholarship and publishing important drawings by Giulio Romano, Claudio Ridolfi, Palma il Giovane and Guercino for the first time. Other artists include Giulio Benso, Giovanni Battista Tiepolo, Giovanni Benedetto Castiglione, Salvatore Rosa and followers of Veronese and Tintoretto. Carracci School (Bologna, ca. 1590–1600), wall decoration with two scenes of the miracles of Christ. Pen and light brown ink, brush and light brown wash, on white paper, 6 9/16 × 10 1/2 inches. Georgia Museum of Art, University of Georgia; Extended loan from the collection of Giuliano Ceseri. GMOA 1995.180E

Curator: Robert Randolf Coleman, professor emeritus, Renaissance and Baroque art history, University of Notre Dame; Nelda Damiano, Pierre Daura Curator of European Art, Georgia Museum of Art; and Benedetta Spadaccini, Biblioteca Ambrosiana, Milano Galleries: Boone and George-Ann Knox Gallery II

This exhibition features selected works by the Atlanta-

Kevin Cole: Soul Ties January 25 – April 19, 2020

DON’T MISS

Kevin Cole (American, b. 1960) Spiritual Celebration with Miles, Dizzy and Coltrane, 1992 Mixed media 85 X 125 inches Collection of the artist

based painter and mixed-media artist Kevin Cole.

Curator: Shawnya L. Harris, Larry D. and Brenda A.

Cole’s multimedia works have used the motif of the

Thompson Curator of African American and African

necktie for decades in both decorative and symbolic

Diasporic Art

ways, to connote aspects of the African American

Galleries: M. Smith Griffith Grand Hall and Dorothy

experience. Cole has also been named the 2020 Larry

Alexander Roush Gallery

D. and Brenda A. Thompson Award winner for the museum’s annual Black History Month dinner.

Storytelling in Renaissance Maiolica April 27, 2019 – January 5, 2020

Drama and Devotion in Baroque Rome July 27, 2019 – August 23, 2020

This focused exhibition brings together a small selection of tin-glazed

Rome has long been a key destination for artists. At the beginning of the

earthenware produced in the duchy of Urbino, Italy, in the 16th century.

17th century, painters from across Europe flocked to the Eternal City to

Colorfully decorated with ornamental motifs and narrative scenes from

see the revolution caused by painter Michelangelo Merisi da Caravaggio

the Bible, classical mythology and ancient history, these ceramic vessels

(1571 – 1610). Everyone copied his stark contrast of light and dark,

demonstrate the extension of the Renaissance revival of Greek and

powerful realism and dramatic sense of staging. The works presented in

Roman antiquity into private and public life. In celebration of the Georgia

this exhibition, all from the Museum and Gallery at Bob Jones University,

Museum of Art’s acquisition of two objects from this period, “Storytelling in

celebrate how Caravaggio shaped the Italian Baroque and galvanized

Renaissance Maiolica” investigates the visual links between these objects

numerous followers. One of the main highlights is a Crucifixion by Peter

and the art of classical antiquity along with a range of decorative motifs and

Paul Rubens, who spent more than eight years in Italy.

subjects.

Material Georgia 1733–1900: Two Decades of Scholarship November 16, 2019 – March 15, 2020

Rediscovering the Art of Victoria Hutson Huntley March 28 – June 21, 2020 During the 1930s and 1940s, Victoria Hutson Huntley (1900 – 1971) was one of America’s leading lithographers. She produced more than 100 lithographs and a small number of intaglio prints from

This exhibition reviews 20 years of scholarly activity at the Henry D. Green Center for the Study of the Decorative Arts. It includes numerous examples of furniture, textiles, pottery and metal work, presents a synthesis of Green Center work, shows new research and points the way for future research in Georgia-related decorative arts. It is accompanied by an extensively illustrated book published by the museum and available in the Museum Shop.

M.W. Galt & Bro. (active Washington, D.C. 1847-1871) Oval Waiter Tray ca. 1857 Coin Silver 1 x 21 ¼ x 12 ¾ inches On loan from Jim Carter

1930 until her death. Major museums across the country purchased her work, as did many collectors. Her work can be divided into three periods, based on her earlier life in the North, her residence in Florida (1946 – 53) and her return north. This exhibition represents all three. It also shows her different areas of interest: landscape, human figures and close-up views

Curator: Dale L. Couch, curator of decorative arts

of the natural world. Nature, especially the Everglades,

Galleries: Philip Henry Alston Jr. and Virginia and Alfred Kennedy Galleries

was a common theme during her time in Florida,

Sponsors: The Forward Arts Foundation, the Frances Wood Wilson Foundation,

where she created many lithographs of bird life. The

Georgia Humanities, the W. Newton Morris Charitable Foundation and the

exhibition includes approximately 30 lithographs and

Friends of the Georgia Museum of Art

two paintings. It is accompanied by an issue of the museum’s Bulletin, with essays on Huntley’s life and work by the two curators.

The Monsters Are Due on Broad Street: Patrick Dean December 21, 2019 – March 29, 2020

Curator: Stephen J. Goldfarb and Lynn Barstis Williams Katz Gallery: Boone and George-Ann Knox Gallery II

Cartoonist Patrick Dean drew a weekly strip for Athens’ alternative

Old Fiddler Dreams, lithograph, 1943, 15 x 11.5” (sheet), GMOA collection

newsweekly, Flagpole magazine, from 1997 to 2006, as well as many covers. Influenced by Jack Davis, George Grosz, Tomi Ungerer and early Mad Magazine, he populates his scenes with a wide variety of characters interacting with one another, capturing a broad range of Athens’ population. Jokes abound, and monsters are humanized as much as people are monsterfied. In 2018, Dean was diagnosed with amyotrophic lateral sclerosis (ALS), also known as motor neurone disease (MND) or Lou Gehrig’s disease. He continues to draw, despite his increasing difficulties doing so. This

Rachel Whiteread September 7, 2019 —Mar 8, 2020

small retrospective begins with his student work at UGA, from which he graduated in 1998, and ends with his recent comics about illness and

Five cast-stone sculptures by Rachel Whiteread

mortality.

reinterpret the artist’s earlier resin castings of the space beneath chairs. The works are arranged in a table

Curator: Hillary Brown, director of

setting, reinforcing their domestic nature and origins.

communications

Variations in the stone type and surface textures of each

Gallery: Alonzo and Vallye Dudley

piece make use of changes in outdoor lighting over

Page from Monster Opera thesis project, 1998. Pen, ink, and markers on paper.

the course of a day. All loans are courtesy of Gagosian. The museum has also selected works on paper by Rachel Whiteread (English, b. 1963), untitled sculptures. Portland, Ancaster, Blue Forest Dean, and Bexhill stone. Courtesy of Gagosian.

exhibitions

Whiteread and related artists from its collections that are on display inside, in the galleries on the second floor. These works provide additional context to the use of negative space in Whiteread’s work. Curator: Annelies Mondi, deputy director

www.georgiamuseum.org

Gallery

Galleries: Jane and Harry Willson Sculpture Garden 7

THE GREEN SYMPOSIUM SYMPO SYMPOS SIUM Held every two years, the 10th Henry D. Green Symposium of the Decorative Arts will take place JANUARY 30 – FEBRUARY 1, 2020 at the University of Georgia Center for Continuing Education and Hotel. wide range of exhibitions at MESDA, including “Black and White all Mix’d Together: The Hidden Legacy of Enslaved Craftsmen” and “Our Spirited Ancestors: The Decorative Art of Drink.” Ackermann talk is titled “Drama on the Dining Room Walls: Anxiety, Abolitionism and Subversion on the Walls of a Columbia County, Georgia, Home” and is free and open to the public. The museum’s quarterly reception, 90 Carlton: Winter, will follow, with shuttles running from the UGA Center for Continuing Education & Hotel to the museum.

Daniel Kurt Ackermann, keynote speaker

Titled “Georgia Matters: Celebrating Two Decades of Scholarship,” this year’s symposium complements the exhibition “Material Georgia 1733 – 1900: Two Decades of Scholarship” at the Georgia Museum of Art. Speakers will include a variety of scholars in the field of decorative arts, with topics ranging from preservation of campus cornerstones to studies of specific artists’ contributions to the field. The weekend’s keynote speaker is Daniel Kurt Ackermann, curator of the Museum of Early Southern Decorative Arts (MESDA) at Old Salem Museums & Gardens in Winston-Salem, North Carolina, and director of the MESDA Summer Institute. Ackermann has organized a

Friday features six presentations. Janice Miller will present “Isabel C. Hamilton — An Artist of ‘Rare Talent.’” As stewards of Georgia’s decorative arts, Miller and her husband David consider research and provenance important aspects of their collection. Charlotte Gaillet, a master of arts student at the University of Georgia, will present “A Botanical View of Georgia.” Gaillet received her bachelor’s in art history and political science at UGA, and she views 18th- and 19th-century art through the lenses of politics and gender. Alisa Luxenburg, art history professor at UGA’s Lamar Dodd School of Art, will present on Masonic symbolism in Georgia. Luxenburg teaches undergraduate and graduate courses in 18th- and 19th-century European art and the early history of photography. Her research focus includes the intersection of freemasonry and visual art. John Waters, who founded the UGA College of Environment and Design’s master of historic preservation program, will present “UGA’s Architectural Legacy: A Walk Through Time, Campus and Surrounds.” Charlotte Crabtree, of the Silver Vault of Charleston, will present “And He Took the Cup: The Salzburger Chalice.” Gary Albert, director of research for MESDA, will present “Vessels of Merit: Georgia’s Silver Agricultural Premiums.” Dinner will be held at the museum for registrants of the full symposium, with shuttles provided.

The Other Atlanta China Painter.” Bush, a UGA graduate in physical anthropology, has worked as an archaeologist. Juliana Falk will present “Who was John Stoney? A Charleston-Augusta Conundrum.” After moving into a house built ca. 1810, she began researching the home and its builder. Corbett E. Toussaint will present “Alexander Shaw: A Cabinetmaker in South Carolina and Georgia.” Toussaint is a genealogist, independent researcher and graduate of Boston University’s genealogical studies program. Dale Couch, the museum’s curator of decorative arts, will present “But We Were First: A History of Decorative Arts Efforts at the Georgia Museum of Art.” Jeffrey Richmond-Moll, curator of American art at the museum, will present “A Note on a Colonial Georgia Portrait of the Bullochs.” Daniel Chamberlin, former Green Center intern, will present “A Georgia Portrait: Context and Narrative.” Nick Powers will present “Portrait of a Prince: The Life and Material World of a Connecticut Yankee in Antebellum Georgia.” Powers is curator of collections at the Museum of the Shenandoah Valley in Winchester, Virginia. William Underwood Eiland, the museum’s director, will conclude the symposium with “Musings on the Decorative Arts and their Presence and Future at the Georgia Museum of Art.”

Basic registration (lectures only): $100 Full registration, activities included: $325 Museum professionals: $200

The deadline to register is January 21. More information and a link to registration can be found at georgiamuseum.org/greensymposium.

On Saturday, eight speakers will discuss their work. Lynda Nelson Bush will present “Louise Rogers Green:

Anika Chaturvedi Intern, Department of Communications

Lead Sponsor: $2,500 – Featured Sponsors

$1,800 – Event Sponsors

Brunk Auctions

Lisa and Bill Douglas (Hedgerow Farm)

Dave & Devereux Burch

Mike & Martha Dover

$10,000

Linda & David Chesnut

Kathryn & Henry D. Green Jr.

Frances Wood Wilson Foundation, Inc.

Georgia Humanities Council

Helen C. Griffith

Jeffrey S. Evans & Associates

Shell & Wyck Knox

Material Culture & Arts Foundation

Julie Green Jenkins

MOTSTA Fund/The Community Foundation for Northern Virginia

Jackie & Tony Montag

$5,000 – Keynote Sponsors Drs. Larry H. & Linda N. Beard Gregory & Jennifer Holcomb John F. & Marilyn McMullan Ibby & Jimmy Mills Anne & Bill Newton

Carl & Marian Mullis Gloria Bryant Norris Tish & Rowland Radford Claire & Boone Smith III

Margaret R. Spalding William Dunn Wansley in memory of Louise Dunn Gibson Wansley and in honor of Stevi Smith Wansley and Elizabeth Dunn Wansley

Forward Arts Foundation members with museum director William Underwood Eiland and Parker Curator Asen Kirin

The Art of Giving:

THE FORWARD ARTS FOUNDATION Started by 12 women who had originally been on the Arts Women’s Committee of the High Museum of Art, the Forward Foundation’s commitment to innovation in philanthropy is evident even in its name, which looks to the future.

Based out of the carriage house of the Edward Inman estate in Atlanta, the foundation started by creating a restaurant, a gift shop and an art gallery, all of which would raise funds to move the arts in Atlanta forward. Its members added an annual flea market and fashion show (both still going strong) and published a cookbook, all more traditionally ladylike pursuits, but they also recognize an emerging artist every year with the Edge Award, named for longtime Forward Arts Foundation member and photographer Betty Edge and her husband Bob Edge. Those artists receive a monetary prize, a residency at Rabun Gap’s Hambidge Center for Creative Arts and Sciences and an exhibition in the Swan Coach House Gallery. Past recipients have included Matt Haffner and Lucha Rodriguez (both represented in the museum’s traveling exhibition “Cut & Paste: Works of Paper,” on view at the Museum of Arts and Sciences, Macon, through February 14), as well as Cosmo Whyte, Kellie Romany, Andrew Boatwright and María Korol. Their work isn’t always pretty, but the foundation has supported them wholeheartedly and in keeping with its focus on innovation.

Given its location in Atlanta and its focus on the visual arts, it’s no surprise that the Forward Arts Foundation has given community grants to the High Museum, the Atlanta History Center, the Michael C. Carlos Museum at Emory University, the Museum of Contemporary Art of Georgia, Atlanta Celebrates Photography and the Atlanta Contemporary Art Center. But why extend its giving to Athens?

Education has been a cornerstone of the foundation’s mission since the very beginning, with its members not only striving to educate themselves, but also giving where they could extend that knowledge and love of learning to others.

What better place could they choose than the oldest publicly owned art museum in the state, at the heart of the birthplace of public higher education in the United States? The Forward Arts Foundation and the museum have shared some members, among them Carolyn Vigtel, Marjorie and Betsy West (BBA ’89), Nena Griffith, Betty Edge, Shannon Candler (BSED ’64), Beverly Green and Elkin Alston, many of whom have been

regular attendees at the Georgia Museum of Art’s biennial Henry D. Green Symposium of the Decorative Arts. Their presence led them to understand just how important this event is to documenting, researching and spreading knowledge about the history of our state and its artistic production over the centuries. Since 2014, the foundation has been the lead sponsor of the symposium and it is repeating that generous donation this time, as well as sponsoring the exhibition “Material Georgia 1733 – 1900: Two Decades of Scholarship.” That exhibition makes the case that the Green Center has played a transformative role in the perception of Georgia decorative arts, and its accompanying publication will spread that thesis far and wide. In 2015, the Forward Arts Foundation published a book on its history to celebrate half a century of giving to the arts. Its conclusion reads, in part, “For the last fifty years, this majestic tapestry has been enhancing the visual arts community for the enrichment of a very public audience. As with a tapestry on a loom, every thread is unique, yet unmistakably important.” We couldn’t have said it better. We, too, are proud to serve a very public audience through weaving together a dizzying number of threads, and we feel that is what has made this such a wonderful partnership. Here’s to the future!

www.georgiamuseum.org

Since its founding 54 years ago, the Forward Arts Foundation has benefited the arts in Atlanta immeasurably. Thankfully for us, its vision extends outside of the state’s capital and all the way to Georgia’s flagship university. Started by 12 women who had originally been on the Women’s Committee of the High Museum of Art, the Forward Arts Foundation’s commitment to innovation in philanthropy is evident even in its name, which looks to the future.

Meet Jeff Richmond-Moll

Jeffrey Richmond-Moll, the new curator of American art at the Georgia Museum of Art, is a fox, not a hedgehog.

hilosopher Isaiah Berlin divided writers and thinkers into those two categories based on the statement of the Greek poet Archilochus: “a fox knows many things, but a hedgehog one important thing.” In other words, hedgehogs focus on one idea over time, while foxes are more interested in synthesizing ideas from a wide variety of fields. Coincidentally, Richard Serra made a sculpture titled “The Hedgehog and the Fox” that sits on the grounds of Princeton University, where Richmond-Moll did his undergraduate study and where he discovered he wanted to work in museums. Born and reared in the Princeton area, Richmond-Moll grew up immersed in American history, particularly that of the Revolutionary War era. He felt drawn to art history after taking his first class on the subject in high school, but he would not fall in love with American art until college, when he enrolled in “American Art after 1900,” taught by renowned art historian John Wilmerding. Like many courses at Princeton, the class took a hands-on approach and included many visits to the Princeton University Art Museum to learn directly from objects. Richmond-Moll had originally considered studying Italian architecture, but the way Wilmerding encouraged students to draw from many different fields of American history was appealing. He mentions one assignment in which Wilmerding asked his students to take a single work of art and write about its historical context by considering a development in American literature, economics, politics, technology, architecture or another field in the same year that the work of art was made. This synthetic, highly interdisciplinary approach was a revelation, he says, and turned his interest permanently toward art history. Time spent in Princeton’s museum as an intern made him see that working in an academic museum was a perfect way to apply that tendency toward making connections among disparate disciplines. He wrote

his senior undergraduate thesis on African American artist Henry Ossawa Tanner’s biblical pictures, an opportunity to examine the intersection of race, politics, religion and art. The Pennsylvania Academy of the Fine Arts in Philadelphia was planning a large retrospective of Tanner’s work around the time he graduated, and Richmond-Moll applied his newfound expertise to the curatorial field. In addition to digging through archives, he wrote for the catalogue, gallery labels and educational materials, learning how to reach many different audiences with the same trove of material.

He says that an academic museum seemed like the right fit because of its ability to do innovative, cuttingedge scholarship, with objects at one’s fingertips, and that he prefers the kind of groundedness that comes with organizing exhibitions. From PAFA, he moved on to graduate school at the University of Delaware, where he completed his master’s and doctoral degrees. Delaware, like Princeton, had a strong object-based focus to teaching and learning, and Richmond-Moll was now using collections to teach as well as to learn. His location in the Northeast Corridor made it easy to visit museums in New York and Washington, D.C., as well as in his new hometown of Philadelphia. Throughout graduate school, he continued to work on projects at Princeton and PAFA as well as at

the Delaware Art Museum. He says that an academic museum seemed like the right fit because of its ability to do innovative, cutting-edge scholarship, with objects at one’s fingertips, and that he prefers the kind of groundedness that comes with organizing exhibitions. Richmond-Moll says UGA has a lot in common with Princeton, given their classic college town status and large number of proud alumni. He sees challenges here, given our location far from the northeastern media centers, but opportunities as well. The Georgia Museum of Art’s strong collection of American art was one opportunity, given its breadth, depth and historic commitment to the discipline. The array of passionate, committed curators was another, and Richmond-Moll looks forward to working with Dale Couch, Nelda Damiano, Shawnya Harris and Asen Kirin as well as with Callan Steinmann in education. He points out that there are great Americanists on campus and that the museum’s director, William Underwood Eiland, is known as a leader among academic museums and museums in general. He was attracted by the fact that this museum takes publications seriously, publishing an average of four to six books a year, and by the opportunity to contribute to that legacy. Finally, of course, the Athens area is a great place for his family, who have already been regular attendees at the museum’s monthly Family Day program. Richmond-Moll looks forward to putting his stamp on the galleries. This includes a plan to highlight single objects from the museum’s permanent collection by showing them alongside important loans or new documentary evidence, as a way to provide new pathways to unfamiliar or hidden histories. He is eager to involve faculty from across campus even more deeply in the life of the museum and to put into practice those fox-like ideas about how we can look at and interpret great works of art. We can’t wait to see the results.

Donors July 1, 2018 – June 30, 2019 DIRECTOR’S CIRCLE $1,000 – $2,499

W. NEWTON MORRIS SOCIETY Anonymous Buddy & Lucy Allen Faye S. Chambers E. Stewart Coleman Suzanne C. Corbett Denny & Peggy Galis Caroline M. Gilham+ Marina S. Belosselsky-Belozersky Kasarda & Vladislav Kasarda Marilyn Loesberg Camille R. Love Gary & Margaret Motley William & Anne Newton Randall & Sheila Ott Frank A. Paulin Estate+ Kathy Prescott & Grady Thrasher Paul W. Richelson Brenda & Larry Thompson Clifford D. White Jr. Carol & Robert Winthrop

Anonymous Charles J. Ayers Estate+ Lacy Middlebrooks Camp & Thomas Camp Patricia Deitz Bill & Lisa Douglas Todd Emily Fritz & Gayle Felchlin Louis T. Griffith Jr. Charles Hooper & Karen Dean Scott & Heather Kleiner D. Hamilton & Brenda Magill David & Becky Matheny Lee & Betsy Robinson Margaret A. Rolando Lucy M. Rowland Janice C. Simon Dudley R. Stevens

PATRONS $2,500 – $4,999 Anonymous Linda & Larry Beard Jeanne L. Berry Eric Bransby E. Davison & Devereux Burch Joan B. Cravey Frances de La Rosa Howard & Helen Elkins James & Karen Fleece Charlie & Teresa Friedlander John M. Greene John & Judy Hill Mark & Marjorie McConnell M. Elizabeth McGhee Anthony & Jackie Montag Carl & Marian Mullis Clifton & Sylvia Pannell Gordhan & Virginia Patel Miriam & Levon Register Alan & Jewett Rothschild Margaret A. Spalding Carolyn Vigtel

CORPORATIONS, FOUNDATIONS & AGENCIES

Anonymous

The Fraser-Parker Foundation

The National Endowment for the Arts

Aiken Center for the Arts

The Gladys Krieble Delmas Foundation

Oconee Cultural Arts Foundation

Berkshire Hathaway HomeServices

Georgia Council for the Arts

The Parents Leadership Council

The Benevity Community Impact Fund

Georgia Humanities

Piedmont Charitable Foundation

Foundation for the Carolinas

Jacob Burns Foundation, Inc.

Samuel H. Kress Foundation

The Forward Arts Foundation

Junior League of Athens

The Turner Family Foundation, Inc.

Frances Wood Wilson Foundation, Inc.

Material Culture & Arts Foundation

W. Newton Morris Charitable Foundation

Anonymous June M. Ball Richard & Lynn Berkowitz Jill A. Wiltse & H. Kirk Brown III Travis & Susan Burch Allen & Phyllis Crowell William Underwood Eiland Robert and Janet Elkins John R. Friedlander Andrew & Karen Ghertner Barbara Guillaume Bruce & Paige Harvey Judith F. Hernstadt Margaret & Eugene Howard Joseph & Virginia Knappenberger Shell & Wyck Knox Thomas & Carolyn Latimer Erika C. Lewis Michael & Heather Malcom Sue W. Mann Sally E. Martin Parker & Kent Middleton Dan Minor Edgar & Betty Myrtle Edman D. Norris+ & Gloria Bryant Norris Dennis & Deborah O’Kain Stephen & Sherrie Olejnik Richard C. Owens Jane Payne Edward & Beverly Phares William & Amburn Power Jan E. Roush Peggy H. Suddreth Cecelia & David Warner Mary Lillie & Ray Watson W. Thomas Wilfong Margaret & Norm Wood +Deceased

www.georgiamuseum.org

BENEFACTORS $5,000 – $9,999

calendar Sun

january Mon

Tue

Wed

Thu

Fri

Sat

Special Events Third Thursday Thursday, January 16, February 20 and March 19, 6 – 9 p.m. The Georgia Museum of Art, the Lamar Dodd School of Art, Lyndon House Arts Center, Glass Cube & Gallery@Hotel IndigoAthens, Ciné, the Classic Center, ATHICA and CCBC Gallery at Creature Comforts Brewing Company will showcase their visualarts programming. Full schedules are posted at 3Thurs.org.

Keynote: Henry D. Green Symposium of the Decorative Arts Thursday, January 30, 5:30 p.m. Mahler Hall, UGA Center for Continuing Education & Hotel The symposium commences with a keynote speech titled “Drama on the Dining Room Walls: Anxiety, Abolitionism and Subversion on the Walls of a Columbia County, Georgia, Home,” by Daniel Ackermann, curator of collections at the Museum of Early Southern Decorative Arts. Sponsored by Georgia Humanities. Free and open to the public.

90 Carlton: Winter Thursday, January 30, 5:30 – 9:30 p.m. The Friends of the Georgia Museum of Art present this reception featuring winter exhibitions. Enjoy light refreshments, door prizes and Ask the Experts from 7 to 8 p.m. Free for current members, $10 for Friends of the Museum and Friend + Supporters, $15 for Not Yet Friends. RSVP to gmoarsvp@uga.edu or by calling 706.542.4199. Register at bit.ly/90c-winter2020.

Henry D. Green Symposium of the Decorative Arts Friday and Saturday, January 31 – February 1, 9 a.m. – 4:30 p.m. UGA Center for Continuing Education & Hotel

february

Sun

Mon

Tue

Wed

Thu

Georgia Museum of Art facet | Winter 2020

Sat

march

Fri

The 10th symposium, “Georgia Matters: Celebrating Two Decades of Scholarship,” will include presentations on Georgia material and decorative art, portraiture, historic preservation at UGA and more. Lead sponsor: Forward Arts Foundation. Advance registration is required. Visit georgiamuseum.org/greensymposium to register by January 21.

Music in the Galleries: Color and Contrast: Music of the Roman School of Composers Friday, February 7, 4 p.m. This program will feature performances of works by the Roman School of Composers alongside the composers who influenced them, performed by student musicians at the Hugh Hodgson School of Music with commentary by Dr. Peter Van Zandt Lane. Presented in conjunction with the exhibition “Drama and Devotion in Baroque Rome.”

Black History Month Dinner and Awards Celebration Friday, February 28, 5:30 – 9 p.m. The annual dinner and awards ceremony features the presentation of the Larry D. and Brenda A. Thompson Award and the Lillian C. Lynch Citation. Visit http://bit.ly/gmoa-bhma20 to sponsor and receive guaranteed tickets. Individual tickets available January 3. $55 for current members, $75 for Friends of the Museum and Friend + Supporters, $85 for Not Yet Friends. Call 706.542.4199 for ticket inquiries.

Student Night Thursday, February 13, 6 – 8 p.m.

Sun

Mon

Tue

Wed

Thu

Fri

Sat

Join the Georgia Museum of Art Student Association for a night of music, food, fun and themed activities to celebrate the latest exhibitions. Student Night is generously sponsored by the UGA Parents Leadership Council.

Make It an Evening Thursday, March 19, 5:30 – 7:30 p.m. Enjoy free coffee, dessert and a gallery tour at the museum prior to the performance in Hodgson Hall by George Hinchliffe’s Ukulele Orchestra of Great Britain. Jittery Joe’s Coffee and Cecilia Villaveces’ cakes. Purchase tickets for the concert at pac.uga.edu.

Lectures & Gallery Talks Gallery Talk: Richard Fausset Tuesday, January 7, 2 p.m. Richard Fausset, New York Times correspondent and former editor of Flagpole, will give a gallery talk about the work of comic artist Patrick Dean in the exhibition “The Monsters Are Due on Broad Street.”

Schedule a Visit to the Georgia Museum of Art To schedule a class visit or student assignment at the Georgia Museum of Art, please call us at 706.542.4662 at least two weeks prior to the visit. Scheduling in advance enables us to prepare for your visit, whether it is a self-guided tour led by an instructor, a docent-led tour or students coming on their own to complete an assignment.

Aralee Strange Lecture: Jamila Lyiscott “Black Appetite. White Food.” Thursday, February 20, 5:30 p.m. Dr. Jamila Lyiscott, social justice scholar and spoken word artist, will present a lecture critiquing traditional notions of what it means to be “literate” in our society. Sponsored by the Aralee Strange Fund for Art and Poetry.

Ben Ehlers, associate professor of history at UGA, will give a gallery talk in the exhibition “Master, Pupil, Follower: 16th- to 18th-Century Italian Works on Paper.”

Lecture: Jessica Harland-Jacobs Thursday, February 27, 5:30 p.m. Dr. Jessica Harland-Jacobs, associate professor of history at the University of Florida, will give a lecture entitled “Merchants, Methodists, and Masons: Atlantic Networks in 18th-Century Georgia.” Presented in collaboration with the Lamar Dodd School of Art and sponsored by the Willson Center for the Humanities and Arts.

Family Programs

“Malcolm X” Thursday, February 6, 7 p.m. Denzel Washington portrays Malcolm Little, a street hustler whose prison conversion to Islam finds him back in the world a free, changed man named Malcolm X — religious leader, political seer, American martyr. Directed by Spike Lee. 1992, PG-13, 202 min.

“Daughters of the Dust” Thursday, February 13, 7 p.m. Set on the Sea Islands in the early 20th century, this film by Julie Dash is a multigenerational, matriarchal epic about the preservation of memory and the necessity of change. 1991, NR, 112 min.

“Selma” Thursday, February 27, 7 p.m.

Family Day programs are sponsored by Heyward Allen Motor Co., Inc., Heyward Allen Toyota and the Friends of the Georgia Museum of Art.

Although the Civil Rights Act of 1964 legally desegregated the South, discrimination was still rampant. In 1965, Dr. Martin Luther King Jr. and his supporters embarked on an epic march from Selma to Montgomery. Their efforts led to President Lyndon Johnson signing the Voting Rights Act of 1965. 2014, PG-13, 128 min.

Family Day: Comic Strip Monsters Saturday, January 11, 10 a.m. – noon

“Don’t Worry, He Won’t Get Far on Foot” Thursday, March 19, 7 p.m.

Spot familiar humans and monsters in Athens cartoonist Patrick Dean’s exhibition. Join us for gallery activities and to make your own comic strip.

Toddler Tuesday: Primary Colors Tuesday, January 14, 10 a.m. Find reds, yellows and blues in abstract paintings, and then create new colors by mixing watercolors. This free, 40-minute program is designed for families with children ages 18 months to 3 years. Space is limited; please call 706.542.4883 or email madison.hogan@uga.edu.

Art Cart (After Class) Wednesday, January 15, 3 – 4:30 p.m. This free after-school program offers “choose your own adventure”-style gallery activities, art projects and games that explore a different gallery each month. Art Cart (After Class) is a program the whole family can enjoy at their own pace.

Art Cart (After Class) Wednesday, February 5th, 3 – 4:30 p.m. Explore drawing from contemporary cartoons to the drawings of 16th- to 18th-century Italian Masters.

Toddler Tuesday: Love Letters Tuesday, February 11, 10 a.m. Write love scribbles to your favorite gallery paintings, then create a valentine. This free, 40-minute program is designed for families with children ages 18 months to 3 years. Space is limited; please call 706.542.4883 or email madison.hogan@ uga.edu.

Family Day: Celebrating Black History Month Saturday, February 15, 10 a.m. – noon Explore important art by artists of color in two exciting special exhibitions and in the permanent collection. Enjoy Art Cart activities and create your own work of art.

Family Day: Women Sculptors Saturday, March 7, 10 a.m. – noon Learn about women sculptors including Rachel Whiteread, Beverly Buchannan and Beverly Pepper. Enjoy Art Cart activities and create your own sculpture.

Toddler Tuesday: Tiffany Patterns and Light Tuesday, March 17, 10 a.m.

After Portland slacker John Callahan reluctantly receives treatment for drinking after a near death accident, he discovers his gift for drawing edgy newspaper cartoons, garnering a national following. This film about art’s healing power is adapted from Callahan’s autobiography and directed by two-time Oscar nominee Gus Van Sant. 2018, R, 114 min.

Film Series: Alfred Hitchcock in Color This series features three films in which Hitchcock uses color to further the meaning and ideas of his films. Each screening will be introduced by Janice Simon, Josiah Meigs Distinguished Teaching Associate Professor of Art History at the Lamar Dodd School of Art.

“Rope” Thursday, January 23, 7 p.m. Just before hosting a dinner party, Philip Morgan and Brandon Shaw strangle a mutual friend with a piece of rope, as a philosophical exercise. The pair hide the body in a chest upon which they arrange dinner, then welcome victim’s oblivious fiancée and the college professor whose lectures inadvertently inspired the killing. 1948, 81 min.

“The Trouble with Harry” Thursday, March 26, 7 p.m. A local man’s corpse appears on a nearby hillside in Vermont and no one is knows what happened to him. Many of the town’s residents secretly wonder if they are responsible. 1955, PG, 99 min.

“To Catch a Thief” Thursday, April 9, 7 p.m. A notorious cat burglar has long since retired, but when a series of robberies is committed in his style, he must clear his name. The ex-thief begins following a jewelry owner, and when her jewels are stolen, their tentative romance is destroyed. 1955, PG, 107 min.

Films are generously sponsored by

Discover beautiful stained glass by Louis Comfort Tiffany, then create your own mosaics. This free, 40-minute program is designed for families with children ages 18 months to 3 years. Space is limited; please call 706.542.4883 or email madison. hogan@uga.edu.

Tours

Art Cart (After Class) Wednesday, March 18, 3 – 4:30 p.m.

Tour at Two: “Master, Pupil, Follower” Tuesday, January 14, 2 p.m.

Drop in and explore the museum’s Tiffany glass exhibition.

Join Nelda Damiano, Pierre Daura Curator of European Art and co-curator of the exhibition, for a special tour.

Films Black History Month Film Series

Sunday Spotlight Tour: Highlights from the Permanent Collection Sundays January 19, February 16, and March 8, 3 p.m. Led by docents.

Tour at Two: Highlights from the Permanent Collection Tuesdays January 21 and 28, February 4, March 10 and 31, 2 p.m. Led by docents.

Tour at Two: Kevin Cole: Soul Ties Tuesday, February 11, 2 p.m. Shawnya Harris, Larry D. and Brenda A. Thompson Curator of African American and African Diasporic Art, will give a tour of the exhibition.

Tour at Two: “Louis Comfort Tiffany: Treasures from the Driehaus Collection” Tuesday, February 18, 2 p.m. Join Annelies Mondi, deputy director and in-house curator of the exhibition, for a tour.

Tour at Two: Rachel Whiteread Tuesday, March 3, 2 p.m. Annelies Mondi, deputy director and curator of the installation, will give a talk on Whiteread’s work.

Tour at Two: Permanent Collection Tuesday, March 17, 2 p.m. Jeffrey Richmond-Moll, curator of American art, will give a gallery talk focusing on two newly reinstalled galleries in the permanent collection.

Artful Conversation: “Portrait of Marina Wister” by Diego Rivera Tuesday, March 24, 2 p.m. Led by Emily Hogrefe-Ribeiro, assistant curator of education.

Workshops & Classes Studio Workshop: Drawing Materials and Techniques Thursdays January 2, 9, 16 and 23, 6:30 – 8:30 p.m. Teaching artist Phil Jasen will lead a four-part series of studio-based courses presented in conjunction with the exhibition “Master, Pupil, Follower: 16th- to 18th-Century Italian Works on Paper.” Open to artists of all levels. A $15 materials fee covers all necessary supplies for the workshop. Space is limited; call 706.542.4883 or email madison. hogan@uga.edu to register.

Teen Studio: Twists, Knots, Loops, and Casting Thursday, January 9, 5:30 – 8:30 p.m. Teens ages 13 – 18 are invited to this free Kevin Cole and Rachel Whiteread inspired workshop led by artist Kristen Bach. Includes pizza dinner. Space is limited; call 706.542.4883 or email madison.hogan@uga.edu.

Morning Mindfulness Friday, January 10 and 24, February 7 and 21 and March 6 and 20, 9:30 – 10:30 a.m. Participate in free guided mindfulness meditation. Sessions include instructor-led techniques. Reservations are encouraged; please call 706.542.4883 or email madison. hogan@uga.edu.

Yoga in the Galleries Thursdays January 16, February 20 and March 19, 6 p.m. Join us for a free yoga class led by instructors from Five Points Yoga. This program is open to all levels. Space is limited and available on a first-come, first-served basis; tickets are available at the front desk starting at 5:15. Yoga mats provided.

Glass Mosaic Workshop Saturday, February 8, 1 – 4 p.m. Artist Jane Wright’s three-hour workshop will explore the exhibition “Louis Comfort Tiffany: Treasures from the Driehaus Collection.” A $40 materials fee covers all supplies. Open to all levels. Registration is required. Call 706.542.4883 or email madison.hogan@uga.edu

Teen Studio: Comic Strips and Monsters Thursday, March 19, 5:30 – 8:30 p.m. Teen ages 13 -- 18 are invited to this free, Patrick Dean inspired workshop led by artist Kristen Bach. Includes pizza. Space is limited; call 706.545.4883 or email madison. hogan@uga.edu.

www.georgiamuseum.org

Faculty Perspectives: Ben Ehlers Tuesday, February 25, 2 p.m.

museum notes AWARDS

SECAC (formerly the Southeastern College Art Conference) presented “Clinton Hill” by William Underwood Eiland with the Award for Outstanding Exhibition and Catalog of Historical Materials, and “Crafting History: Textiles, Metals and Ceramics at the University of Georgia” by Annelies Mondi, Ashley Callahan and Mary Hallam Pearse with the Award for Excellence in Scholarly Research and Publication. The Georgia Museum of Art received honorable mentions from the American Alliance of Museums for the exhibition catalogue design of “Clinton Hill” and “Vernacular Modernism: The Photography of Doris Ulmann.” The museum was one of only two museums to win two awards in this category. It was also one of only four university museums in the country to win awards. The M. Smith Griffith Volunteer of the Year Award was presented to Todd Emily at the Annual Meeting and Reception of the Friends of the Georgia Museum of Art.

STAFF NOTES

Jeffrey Richmond-Moll gave a talk at the 31st annual Southwest Art History Conference entitled, “‘I Saw You

in the shop

gifts

Candice Lawrence

Dance Domingo’: Marsden Hartley’s New Mexican Santos.” Richmond-Moll also presented the paper “Holy Rollers: Religion and Modern Mobility in the Art of John Steuart Curry” as part of a two-part session on “Road Matters in Art, Photography, and Visual Culture” at SECAC 2019. Callan Steinmann and Sage Kincaid gave a presentation on integrating visual art and math at the annual National Summer Learning Association conference in Atlanta. Their talk focused on hands-on gallery and studio activities they developed through a six-month collaborative research project with the Grandparents Raising Grandchildren program at the Athens Community Council on Aging and TERC, a STEM research organization. Emily Hogrefe-Ribeiro presented “Connecting the Arts and Different Disciplines: Using Close Looking and Gallery Teaching Techniques in the Classroom” at the STEM/STEAM Forum in Athens. Candice Lawrence joined the museum as assistant editor. She received a bachelor’s in English from Columbus State University and a graduate certificate from University of Denver’s Publishing Institute. She is currently completing her master’s degree in mass communications and public relations at UGA’s Grady College.

The Georgia Museum of Art received the following gifts between July 1, 2019 and October 1, 2019: In honor of Richard and Lynn Berkowitz by Michael and Rose Haber

In memory of Danielle Rice by William Underwood Eiland

In memory of Caroline Gilham by William Underwood Eiland

In memory of Hugh Southern by William Underwood Eiland

In memory of Richard Krajeck by William Underwood Eiland

In memory of Frances Yates Burdell Satterfield by William S. Burdell III and Mary Helen Burdell

In memory of Edman Norris by Gloria Bryant Norris

Our new exhibition, “Louis Comfort Tiffany: Treasures from the Driehaus Collection,” celebrates the sinuous lines and glowing colors popularized by the Art Nouveau movement in which Tiffany played a central role. Inspired by the natural forms of plants and flowers, Art Nouveau sought to break down the walls between fine arts, such as painting and sculpture, and the applied arts of interior design, graphic arts, furniture, glass art, textiles, ceramics, jewelry and metalwork. The Museum Shop is excited to offer a wide range of items which reflect not only the work of Tiffany and his artisans, but the timeless style of this distinct period. 14

1. The Lamps of Louis Comfort Tiffany: $35 2. Dragonfly silver & shell earrings: $40 3. Rose cloche: $85 4. Wisteria blown glass vase: $180 5. Bronze, lapis, carnelian and turquoise ring: $20

camera roll

For more photos, visit us on Flickr, Facebook or Instagram.

In the Museum

Tour

Mary Lee Bendolph

Family Day

www.georgiamuseum.org

Museum Mix

UNIVERSITY OF GEORGIA 90 Carlton Street Athens, Georgia 30602-1502 www.georgiamuseum.org

winter 2020

Patrick Dean

Victoria Hutson Huntley

Art of Giving

Georgia Museum of Art facet | Winter 2020

address service requested