Gmoa annual report fy11

Annual Report, 2010–2011

DIRECTOR The past fiscal year was one of the most exciting in the history of the Georgia Museum of Art. From the conclusion of the new construction and renovation to the outstanding efforts of my staff to get the building ready for reopening to the celebration that was our grand reopening week of events, and finally our returning to normal, with a building to program once again, it has been hectic but rewarding. Our supporters turned out in full force in January and February, and did they stop doing so after the events of the first few weeks. We cannot thank all who contributed to the new building enough. It remains a joy to show visitors, both ones who have never been here before and ones who have been with us for years.

Our permanent collection galleries are a showcase for many of the finest works in our collection, installed thoughtfully and with an eye to incorporating decorative arts of the period alongside both American and European paintings. Our educational programming has been rich and varied, and I know that department very much appreciates being able to create more permanent opportunities for our visitors now that Elizabeth Jane Gardner’s La Confidence and Georgia O’Keeffe’s Red Barn, Lake George, New York, to give two popular examples, are always on view.

This annual report details many of the activities in which we engaged from July 1, 2010, to June 30, 2011, and I hope you will find it useful, but it cannot completely capture the true wonder of our new space and the heights to which it continues to inspire us.

William Underwood Eiland Director

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Georgia Museum of Art | Annual Report, 2010–2011

CONSTRUCTION AND REOPENING The first half of FY11 was consumed with completing the construction of the new addition (Phase II) and the renovation of the original building. Holder had completed most of the exterior of the building, and we concentrated our efforts on the construction of the interior of the building, completing the sculpture garden and landscaping the entire site. Eleven trade contractors were on site for several more months.

Annelies Mondi, deputy director, continued to represent the museum at biweekly OAC (owner, architect, contractor) meetings through December.

In July, Holder did final grading of the site and worked on the landscaping of its south side.

We began testing the fountain in the sculpture garden and etched the donor name into one of the walls of the Jane and Harry Willson Sculpture Garden. Holder installed dichroic glass in the first-floor lobby and terrazzo tile on the first and second floors. Mondi worked with design architect David Mayner and Brenda Elrod of the Office of University Architects (OUA) to identify and purchase furniture and art storage units. The team redesigned the former Martha Thompson Dinos Gallery and A/V room into the larger Alonzo and Vallye Dudley Gallery and began work on the demolition and build out. Work also began this month on expanding the new catering kitchen. Holder readjusted the skylight well walls, worked with a local fabricator to install the new display cases in the new wing, and coordinated with the millworkers to set the new reception desk and the millwork in the collection study room. The new parking lot was completed with striping, the installation of lights, and the completion of the metal lattice fence. Holder and the design team began creating punch lists.

In August, exterior and interior signage was installed, and commissioning of the building began. GMOA and Physical Plant personnel were trained on a variety of building systems such as the HVAC system and the fountain works.

Michael Songster built the exterior concrete

benches, and window blinds were installed.

In September, the demolition and build-out of the former café space began, and Holder worked on procuring hanging storage racks. Deliveries of furniture and fixed equipment (FFE) began to arrive in October. Over the last several months, Mondi and others gave tours of the building site to numerous groups, including the museum’s docent and student corps, donors, and university and museum colleagues. After October, they withheld tours until the grand reopening. Staff began the installation of the exhibition Horizons in the sculpture garden, and Mondi oversaw the move of the collection from an offsite storage facility back into the museum at the end of the month.

In November, Holder formally submitted material completion, and most of their staff moved from the premises, as the building was turned over to the university. Early in December, after receiving the certificate of occupancy, the GMOA staff was finally able to move into the building. Additional new art storage hanging racks were built and installed by a local fabricator. With savings accrued through careful management of construction projects, it was possible to renovate the Museum Shop and demolition and design began.

January was a hectic month. The staff worked long days and through weekends to find, unpack, and install collections that were going on view. Mondi arranged the shipment and delivery of Ascension, the large cor-ten steel sculpture by Beverly Pepper now placed in the center of the Performing and Visual Arts Complex (PVAC) quad, and worked with Grant Collaborative in the design and installation of our opening banners. FFE and millwork continued to arrive. On January 21, an unfortunate incident occurred while staff was moving collections in the galleries. The large stained-glass window entitled St. George and the Dragon fell and shattered. With the help of a local conservator, Mondi was able to reach one of the top conservators of stained glass, Christopher Botti of Botti Studios in Chicago. Botti was able to fly down with his assistant the very next day, and they worked over the weekend to document

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and pack the glass for transport back to Chicago.

Ribbon-cuttings and dedications were held January 28, beginning on the third floor, with the reception area, in memory of C. Preston Stephens; the Friends of the Museum Conference Room; the Mullins Family Director’s Suite; the Patricia Irvin Cooper Office of the Secretary to the Director; the Registrars Suite, in memory of Bimby and John Conant; the Education Suite, gift of Bernie and Dudley Stevens; the thirdfloor classroom, in memory of W. Rhett Tanner Jr.; the four Study Centers in the Humanities: the Jacob Burns Foundation Center, the C. L. Morehead Jr. Center for the Study of American Art, the Pierre Daura Center, and the Henry D. Green Center for the Study of the Decorative Arts; and the Louis T. Griffith Library. First-floor and exterior dedications included: the Marilyn Memory McMullan Docent Lounge, the Mary and Michael Erlanger Studio Classroom, the Jane and Harry Willson Sculpture Garden; trees in memory of Miss Millie Dearing, Ambassador W. Tapley Bennett, Lamar Dodd, Edward L. McConnell, and Richard Paulson; benches given by Judge and Mrs. J. Carlisle Overstreet in memory of Shara Baker Overstreet and by William Dunn Wansley in memory of Louise Dunn Gibson Wansley and in honor of Stevi Smith Wansley and Elizabeth Dunn Wansley; Beverly Pepper’s sculpture Ascension, a museum purchase with funds provided by Don and Susan Myers and the W. Newton Morris Charitable Foundation; and the M. Smith Griffith Grand Hall.

A luncheon followed these dedications and included an acknowledgment of the federal support provided by the U.S. Department of Housing and Urban Development, a Neighborhood Initiative Grant, and the National Endowment for the Humanities Challenge Grant in support of the Georgia Museum of Art Study Centers in the Humanities; recognition of the Robert W. Woodruff Foundation;

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Georgia Museum of Art | Annual Report, 2010–2011

recognition of the W. Newton Morris Charitable Foundation; recognition of Georgia Museum of Art Student Association; acknowledgment of UGA administrative support; recognition of the architects and project staff: Gluckman Mayner Architects, New York, Stanley Beaman & Sears, Atlanta, UGA Office of University Architects, and Holder Construction Company; and recognition of volunteer fundraising efforts.

Second-floor dedications, following lunch, included: the Dorothy Alexander Roush Gallery; the Martha Thompson Dinos Gallery; the Martha and Eugene Odum Gallery; the Phoebe and Ed Forio Gallery; the Marilyn Overstreet Nalley Galleries; the Boone and George-Ann Knox Gallery II; the Barbara and Sanford Orkin Gallery; the Byrnece Purcell Knox Swanson Gallery; display cases given by Frances Y. Green, Caroline and Harry Gilham, and Sandra Strother Hudson, in memory of Lucile Adkins Strother; the Letitia and Rowland Radford Gallery; the Samuel H. Kress Gallery; the H. Randolph Holder Gallery; the Nancy Cooper Turner Gallery; the Patsy Dudley Pate Balcony; the opening of special exhibitions The American Scene on Paper: Prints and Drawings from the Schoen Collection and Tradition Redefined: The Brenda and Larry Thompson Collection of African American Art; the Alonzo and Vallye Dudley Gallery, gift of Clarence and Dorothy McLanahan; the Callaway Department of Prints and Drawings; and the Shannon and Peter Candler Collection Study Room.

A tea with Michael F. Adams, president, University of Georgia; Jere W. Morehead, Senior Vice President for Academic Affairs and Provost; Tom S. Landrum, Senior Vice President for Academic Affairs; and William Underwood Eiland, our director, finished the full day. Over the course of the next week and a half, numerous reopening events followed to christen the building, which are detailed within in this report.

MEMBERSHIPS AND PROFESSIONAL ASSOCIATIONS • American Association of Museums: Lynn Boland, Carissa DiCindio (EdCom), William U. Eiland, Tricia Miller, Paul Manoguerra, Annelies Mondi, Todd Rivers, Christy Sinksen, Cecelia Warner • American Association of Museums–Registrars’ Committee: Tricia Miller, Annelies Mondi • Art Art Zine Editorial Board: Lynn Boland • Art Libraries Society of North America: Lucy Rowland • Art Libraries Society of North America, Southeastern Branch: Lucy Rowland • Association of Art Museum Directors: William U. Eiland • Association of College and University Museums and Galleries: William U. Eiland • Associations of Historians of American Art: Paul Manoguerra • Athens Area Arts Council: Amy Miller • Athens Convention and Visitors Bureau: Jenny Williams • Church-Waddel-Brumby House Advisory Board: Dale L. Couch • College Art Association: Lynn Boland, Paul Manoguerra, Lanora Pierce • Georgia Art Education Association: Carissa DiCindio (board member and museum representative, 2008–10), Melissa Rackley, Cecelia Warner • Georgia Association of Museums and Galleries: Lynn Boland, Dale L. Couch, Carissa DiCindio (board member and education representative, 2009–11), William U. Eiland, Annelies Mondi, Cecelia Warner • Georgia Museum Educators Association: Carissa DiCindio, Cecelia Warner • Historic Heartland Travel Association: Jenny Williams • Museum of Early Southern Decorative Arts board: Dale L. Couch • Museum Store Association: Amy Miller • National Art Education Association: Carissa DiCindio, Melissa Rackley, Cecelia Warner • National Association of Museum Exhibitors: Todd Rivers • Oconee Cultural Arts Foundation Board of Directors: Lynn Boland • Packing, Art Handling, and Crating Information Network: Todd Rivers • Society for Science, Literature, and the Arts: Lynn Boland • Southeast Association of Museum Directors: William U. Eiland • Southeast College Art Conference: William U. Eiland, Paul Manoguerra • Southeastern Museums Conference: Lynn Boland (program committee), William U. Eiland, Tricia Miller, Annelies Mondi, Christy Sinksen • Southeastern Registrars’ Association: Tricia Miller (co-chair of nominating committee), Annelies Mondi, Sarina Rousso, Christy Sinksen

CONFERENCE ATTENDANCE • American Association of Museums annual meeting, Houston, Texas, May 22–25, 2011: Lynn Boland, William U. Eiland, Annelies Mondi, Todd Rivers • Art Museum Libraries Symposium, Peabody Essex Museum, Salem, Massachusetts, September 23– 24, 2010: Laura Rhicard Georgia Museum of Art | Annual Report, 2010–2011

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• College Art Association conference, New York, New York, February 9–12, 2011: Lynn Boland • Georgia Art Education Association Fall Professional Learning Conference, Pine Mountain, Georgia, November 2010: Carissa DiCindio • Georgia Association of Museums and Galleries Conference, Cartersville, Georgia, January 19–21, 2011: Cecelia Warner • Museum Store Association annual conference, Chicago, Illinois, April 2011: Amy Miller • A New Era of Collaboration and Digitized Resources: World War II Provenance Research Seminar at the United States National Archives, Washington, D.C., May 6–7, 2011: Lynn Boland • Southeastern Museums Conference annual meeting, Baton Rouge, Louisiana, October 12–14, 2010: William U. Eiland • Southeast Tourism Society Marketing College, North Georgia College and State University, Dahlonega, Georgia: Jenny Williams

AWARDS • Excellence in Scholarly Research and Publication, Southeastern College Art Conference, Corpus of Early Italian Paintings in North American Public Collections: The South • Lake Oconee Living Reader’s Choice Award • Education Program of the Year, Georgia Association of Museums and Galleries, Art Adventures • Museum Exhibition of the Year (budget < $100,000), Georgia Association of Museums and Galleries, Echoes from the Continent: Franco-Germanic Chairs in Georgia • Museum Professional of the Year, Georgia Association of Museums and Galleries, Cecelia Warner • Special Project of the Year, Georgia Association of Museums and Galleries, Corpus of Early Italian Paintings in North American Public Collections: The South • Volunteer of the Year, Georgia Association of Museums and Galleries, Betty Myrtle • Silver Award, Annual Reports, Southeastern Museums Conference, FY09 Annual Report • Southeastern Museum Art Educator Award, National Art Education Association, Carissa DiCindio 6

Georgia Museum of Art | Annual Report, 2010–2011

DEPUT Y DIRECTOR Annelies Mondi’s regular duties consist of assisting the director with day-to-day and long range planning for the museum related to exhibitions and collections, budget development, building operations, and personnel. In addition, in FY11, Mondi continued to serve as the primary liaison with the architects and builders for the museum’s Phase II construction project and managed construction activities, collection packing and storage, and all other aspects of the project. She was responsible for the prioritization of all programming decisions as well as making recommendations to the architects as to what construction priorities should be pursued. She met biweekly with the architects (Gluckman Mayner Architects of New York, Stanley Beaman and Sears of Atlanta [the architects of record in the state], and the Office of University Architects), as well as with Holder Construction and numerous subcontractors and craftsmen who worked on the building.

She was also intimately involved with the building’s LEED certification (Leadership in Energy and Environmental Design), a common standard of measurement that rates buildings in six different categories of environmental impact.

She also managed access to the construction site and, whenever safe to do so, gave numerous tours of the building to staff members, the board of the Friends of the Georgia Museum of Art, the Collectors, major donors, and many other

groups. Mondi was the spokesperson for the project and communicated regularly to various boards, donors, and the public. As such, she gave remarks at the ribbon-cuttings and dedications January 28 and introduced several guests during opening-week festivities.

The opening of the building did not mean that all work was complete, and Mondi worked with David Mayner and David Heald for several days and evenings to photograph the building for press purposes. Millwork and FFE continued to arrive throughout the rest of the fiscal year, and Mondi made sure that the last of the GMOA files and furniture were moved out of the Visual Arts Building in June.

Mondi was instrumental in negotiating the acquisition of the large outdoor sculpture Ascension, by Beverly Pepper, and worked with Dale Lanzone, Pepper’s representative and dealer, and the Office of University Architects on the siting for the installation of this work in the PVAC quad. She also sat in on meetings pertaining to the redesign of that quad.

She continued to work with UGA classes, such as Jose Blanco’s “Historic Collection Management,” and served as curator of the exhibition Stone and Steel: Small Works by Beverly Pepper. She had numerous speaking engagements and attended the Arch Foundation Executive Board Meeting and Dinner. During the course of the year, she also worked with Tricia Miller, head registrar, to identify and apply for funds for a new collections database.

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DEVELOPMENT Foundations, corporations, government agencies, and individuals supported the museum’s programs through grants and gifts in FY11, and the W. Newton Morris Charitable Foundation, in particular, provided support for every area of the museum’s programming.

The Audrey Love Charitable Foundation continued its support in FY11 with a grant for acquisitions. Other private foundations supported the museum and programs such as Just My Imagination, the museum’s statewide outreach program, which was funded by a grant from the Turner Family Foundation in memory of Nancy Cooper Turner. The Kress Project, an initiative to reinvigorate interest in the purpose of the Samuel H. Kress Study Collection at the Georgia Museum of Art, continued, supported by the second installment of a major grant awarded by the Samuel H. Kress Foundation of New York.

Heyward Allen Motor Company continued its longtime support of Family Days.

The National Endowment for the Arts, through its American Masterpieces Visual Arts Touring Grant Program in American Art, awarded a major grant in support of Art Interrupted: Advancing American Art and the Politics of Cultural Diplomacy. The exhibition is co-organized by the Georgia Museum of Art, the Jule Collins Smith Museum of Fine Art at Auburn University, and the Fred Jones Jr. Museum of Art, University of Oklahoma, and will open at the JCSM in September 2012. It will tour nationally, accompanied by a scholarly catalogue and extensive educational programming.

Support from state and federal agencies included a General Operating Support award from the Georgia Council for the Arts. The National Endowment for the Arts (NEA) awarded a grant for the exhibition and publication Cercle et Carré. The NEA continued to fund the position of adjunct curator of decorative arts, a two-year stimulus grant that supported this essential position through the grand reopening and beyond. Moreover, the museum was, in effect, able to leverage these federal funds to produce more funding: an anonymous donor has pledged three years of salary support for the adjunct curator following the end of the grant period.

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GMOA won two competitive grant awards from UGA’s Willson Center for Humanities and Arts, in support of Stone and Steel: Small Works by Beverly Pepper and a lecture by Elliott King in conjunction with Dalí Illustrates Dante’s Divine Comedy. The President’s Venture Fund provided generous support of the 2010 Trecento Conference in honor of Andrew Ladis.

Individuals remain the museum’s most important source of support. Hundreds of annual financial gifts, large and small, enable GMOA to maintain its level of excellence and serve a broad public. Phase II is a reality because of 340+ individual donors. Activities from staff to acquisitions to programs are funded by endowments established by our patrons. Among notable private contributions in FY11 was Lucy and Buddy Allen’s continuing support of FifthGrade Tours.

Betty Alice Fowler continued to assist the director in a wide variety of matters pertaining to major gifts, donor relations, correspondence, and other projects, including the museum’s self-study for reaccreditation. She also serves as recording secretary to the Board of Advisors and the Decorative Arts Advisory Committee. She handles all correspondence related to memorial and honorary gifts on behalf of the director. In the absence of a development director during most of the year, she handled many of the duties of that position, especially with regard to donor relations, major gift solicitation, and signage for named spaces in Phase II.

Fowler planned and assisted with a number of social events and, on occasion, served as host to special visitors to the museum. She planned and coordinated the ribbon-cutting and dedication events that took place on January 28, 2011, marking the opening of the new facility.

The publication of her biographical essay on Lucy May Stanton by the UGA Press in volume 2 of Georgia Women: Their Lives and Times is forthcoming in 2012.

In March of 2011, GMOA hired Caroline Maddox as the new director of development to assist the museum’s director in the cultivation and stewardship of museum patrons. Maddox is a Georgia native, born and raised in Perry. She graduated from the University of Georgia in

2007 with bachelor’s degrees in art history and studio art. In March of 2009, Maddox completed a master’s degree in art business from Sotheby’s Institute of Art in New York, accredited by the University of Manchester. Through this program, she developed a broad understanding of the art market and the organizations that make up the art world. Her curriculum consisted of classes in marketing and communication, ethics and the art market, art law, organizational behavior, and art research. At the completion of her program, she wrote a dissertation investigating the effects of gender on the market value and representation of contemporary female artists through the lenses of the Whitney Biennial exhibitions from 1989–2008.

Maddox’s development experience began at the Solomon R. Guggenheim Museum in New York. She received a scholarship from Sotheby’s

Institute of Art that provided a summer internship at the Guggenheim in Corporate Development. At the end of the internship, she was offered a full-time position as coordinator of major gifts and the capital campaign. In this position, she reported directly to the executive director of major gifts and the director of the capital campaign, experiencing firsthand how an international institution cultivates, solicits, and stewards its major donors.

Upon returning to Athens, Maddox was hired as a development officer for the Fine and Performing Arts Division at UGA, serving the Lamar Dodd School of Art, Hugh Hodgson School of Music, Theatre and Film Studies, and the dance department. Since her appointment at GMOA in 2011, Maddox has worked with the director to develop a strategic plan for development, specifically related to major gifts.

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FRIENDS OF THE GEORGIA MUSEUM OF ART Board of Directors 2010–2011 Executive Committee Ms. Karen Benson¸ president Dr. Karen Prasse, president-elect Mr. John Morrison, treasurer Mrs. Sarah Crain, secretary Dr. Paige Carmichael, past president Mrs. Laura Nehf, member at large to the executive committee Members at Large Mrs. Michael Adams Mr. John Ahee Mrs. Virginia Appleton Mrs. Deborah Dietzler Mr. Richard Dolson Mrs. Anna Dyer Mrs. Judith Ellis Mrs. Betsy Ellison Mr. Todd Emily Ms. Lisa Fiscus Mrs. Meghan Garrard Mrs. Beth Johnston Mrs. Cindy Karp Mrs. Christine Mills Mr. Michael Montesani Mr. Chris Peterson Mrs. Doris Ramsey Dr. Ira Roth Mrs. Julie Roth Mr. Kurt Strater Mrs. Michele Turner Mr. Matthew Winston Mrs. Betty Myrtle, Collectors’ chair Mrs. Cyndy Harbold, docent president Dr. William U. Eiland, ex officio The 2010–2011 Friends’ board of directors was officially elected at the Friends’ annual meeting on Friday, May 14, 2010. Because the museum was closed, the meeting was held next door at the Lamar Dodd School of Art. The evening’s hardhat tour of the new museum provided a glimpse of the amazing new facility under construction.

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Georgia Museum of Art | Annual Report, 2010–2011

New and outgoing board members were as follows: New Members Betsy Ellison Ira Roth Julie Roth Outgoing Board Members Kate Lynch Lewis Scruggs The evening culminated in the presentation of the 2010 M. Smith Griffith Volunteer of the Year award, which was presented to Ms. Karen Benson in appreciation for all of her hard work with the Friends during the past year.

Official meetings of the FY11 Friends’ board of directors were held on the following dates: • August 17, 2010 (board orientation, hosted by Karen Benson and Howard Scott) • September 14, 2010 (hosted by Dr. and Mrs. Michael Adams) • November 18, 2010 (hosted by Ira and Julie Roth) • January 13, 2011 (held at the Georgia Museum of Art) • March 17, 2011 (held at the Georgia Museum of Art) • May 17, 2011 (Friends’ annual meeting, held at the Georgia Museum of Art)

Strategic Planning The Friends began the board year on August 17, 2010, with a strategic planning session to discuss their vision for the future after the Georgia Museum of Art’s reopening in January 2011.

The strategic planning session was attended by representatives from the Friends’ board, the GMOA Board of Advisors, the Collectors, and the museum’s department of education. The discussion centered on finances, establishing concrete membership goals, and defining the role of the Friends’ membership coordinator. The committee set a goal for membership: to achieve 2,013 members during FY13. The group also discussed goals for the Collectors, which include having 500 Collectors’ members by 2013 and eventually hiring a separate coordinator for the Collectors.

GMOA Student Association Forms

Reopening

At the beginning of the 2010–2011 academic year, the Friends and the museum launched the GMOA Student Association in order to bring students into the life of the museum. The group, led by president Theresa Rodewald, a senior in art history, began the year very enthusiastically, although most of the members had never had the opportunity to visit the museum before its 2008 closure. On September 25, 2010, they visited the High Museum of Art’s College Night to assist in planning their own celebration for the museum’s opening, scheduled for February 3, 2011.

The Georgia Museum of Art’s reopening week was a smashing success from every perspective.

The Friends hosted four separate events in seven days, each of which brought a unique audience into the museum. The response to the new facility was overwhelmingly positive— the actualization of Phase II exceeded all expectations.

On January 29, 2011, the new Georgia Museum of Art was unveiled at Elegant Salute XII, the Friends’ gala biennial fundraiser, chaired

by Rinne Allen and Betsy Dorminey. Although the anticipated attendance was 300 people, the Friends ended up seating a record 375 people, comfortably, in the new M. Smith Griffith Grand Hall. The evening was a great success and a fitting way for the Friends to celebrate the new Georgia Museum of Art. Due largely to fundraising chair David Matheny’s efforts, the event netted almost $100,000 to benefit educational programming at the museum.

The next day, on Sunday, January 30, the Friends officially opened GMOA and hosted a reception exclusively for members of the Friends of the Museum. Chaired by Ann Scoggins and sponsored by A Divine Event, the day provided the first glimpse of the long-anticipated new museum to the general public and was attended by more than 500 people.

On February 3, 2011, perhaps the most important event of the week took place: “Up All Night with the GMOA Student Association” drew more than 2,000 UGA students into the Georgia Museum of Art on a single evening—a record attendance for any GMOA event. Sponsored by the dynamic new GMOA Student Association, the event included music, refreshments, and tours of the museum led by the new student docents.

On Friday, February 4, the Friends wrapped up their opening-week celebration with a performance by local musicians Modern Skirts.

Sponsored by the Young at Art committee, the rare acoustic performance was enjoyed by all in attendance, including the performers.

GMOA on the Move Comes to a Close In order to keep interest in the Georgia Museum of Art alive during its closure for Phase II construction, the Friends created “The Art Of” series of special events, which celebrated art in its many forms. Each “Art Of” event was held in a unique environment and focused on a different type of art. On November 14, 2010, the final “GMOA on the Move” event was held: “The Art of: Wine.” Hosted by John and Martha Ezzard of Tiger Mountain Vineyards, twenty people traveled to Tiger, Georgia, to learn about the art of making wine. The afternoon included a luncheon in the home of Mr. and Mrs. Ezzard, a wine tasting at the vineyard, and a tour of the grounds.

The 27th Alfred Heber Holbrook Memorial Lecture was held Thursday, November 11, 2010, at the Lamar Dodd School of Art. Art historian Marvin Trachtenberg presented “Building-in-Time: Thinking and Making Architecture in the Premodern Era” as part of the biennial Trecento Conference co-organized by the museum and the Lamar Dodd School of Art. A reception hosted by the Friends of the Museum followed. The 2010 Holbrook Lecture was the final off-site event sponsored by the Friends before the museum’s reopening.

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Celebration of Courage

The Collectors

The Georgia Museum of Art was honored to be chosen as the location for the final event for UGA’s Celebration of Courage, which observed the fiftieth anniversary of desegregation at UGA with two months of special activities. On February 28, 2011, the Friends hosted a lecture from artist and scholar David Driskell of the David C. Driskell Center for the Study of Visual Arts and Culture of African Americans at the University of Maryland.

On the evening of February 28, the Friends held their annual Black History Month celebration, which has become one of the most anticipated events at the University of Georgia.

Chaired by board members Paige Carmichael, Matt Winston, and Julie Roth, the evening included a rousing lecture from Michael L. Thurmond, who was presented with a certificate of appreciation for his service to the University of Georgia and Athens community.

On July 1, 2010, the Collectors held the first GMOA event of FY11 with a special viewing of “The Art of the Steal,” a documentary about the controversy surrounding the Barnes Collection in Philadelphia. Held at Ciné, Athens’ art-house cinema, the event began with a special dinner catered by The National in Cine’s private dining room. Afterward, a lively discussion ensued about the Barnes Collection. Fifty-five people were in attendance.

From August 24 through August 29, 2010, 31 Collectors traveled to New York’s Hudson River Valley. Staying at the Beekman Arms in Rhinebeck, New York, the Collectors journeyed to numerous cultural sites and private collections in the region each day. Locations visited included: the National Museum of Racing, Saratoga Springs, New York; the Hyde Collection, Glens Falls, New York; the Thomas Cole National Historic Site, Catskill, New York; the Olana House and Gallery, Hudson, New York; Lyndhurst, Tarrytown, New York; Boscobel, Garrison, New York; the Culinary Institute of America, Hyde Park, New York; The Mount, Lenox, Massachusetts; the Clark Art Institute, Williamstown, Massachusetts; and the Norman Rockwell Museum, Stockbridge, Massachusetts.

The Collectors enjoyed a day trip to Atlanta on September 29, 2011, to visit the home of Bob and Sandy London, whose collection of paintings focuses on early-twentieth–century artists such as William Glackens, Ernest Lawson, Maurice and Charles Prendergast, and Charles Demuth. The Collectors enjoyed lunch at Empire State South, the Atlanta venture of Athens chef Hugh Acheson in Midtown. Afterward, the group visited the High Museum of Art to see Dali: The Late Work. Thirty-four Collectors attended.

The Collectors returned to Atlanta on October 26, 2010, with a morning visit to the home of Bo and Eileen Dubose, whose vast collection concentrates on eighteenth-century Chinese armorial porcelain. After lunch at Canoe, the group visited Alan Arthur Oriental Rugs for a discussion of rugs, textiles, and tribal markings.

Twenty-seven Collectors attended.

The Collectors’ holiday party was hosted

by Margie Spalding at her home in Athens on

Spring 2011 The GMOA Student Association hosted a second successful Student Night on Thursday, April 21, 2011. Entitled “Keeping it Surreal,” the event celebrated the museum’s exhibition of work by Salvador Dalí that was on display. Although it did not draw the huge crowd of the first Student Night, “Keeping it Surreal” attracted almost 500 people to the Georgia Museum of Art.

On Tuesday, May 17, 2011, the Friends held their annual meeting in the M. Smith Griffith Auditorium at the Georgia Museum of Art, the first annual meeting to be held at GMOA in several years. The evening included a special exhibition of recent works in the Candler Print Study Room, organized by Paul Manoguerra.

During the annual meeting, Eiland presented the 2011 M. Smith Griffith Volunteer of the Year Award, which is nominated by the GMOA staff and given to a volunteer who has gone above and beyond the call of duty for the museum. The recipient of the 2011 M. Smith Griffith Volunteer of the Year award was David Matheny, honored for his work with fundraising for the Friends.

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Georgia Museum of Art | Annual Report, 2010–2011

December 7, 2010. The 1840s Gothic Revival house is decorated with period antiques, and her eclectic collection includes works by many local artists. Fifty-six Collectors attended.

On February 24, 2011, the Collectors visited the home of Jim and Karen Fleece in Greensboro to view their art collection, which includes many works by Catalan artist Alvar Suñol. The Fleeces have recently begun collecting works of the Indiana Brown County Impressionists’ school.

“Celebrating Our Collectors: A 10th Anniversary Bash” was held on April 29, 2011, at the Georgia Museum of Art, the first Collectors’ fundraiser to be held on-site since 2007. The evening began with a Collectors’ salute to Peg Wood at the Lyndon House Arts Center, where a retrospective exhibition of Dr. Wood’s paintings was on display. Afterward, attendees gathered at the Georgia Museum of Art for a gala evening of dinner and dancing. The focus of the event was the Collectors’ silent auction, which exceeded expectations in terms of fundraising. After all receipts were totaled, the event raised almost $10,000 for acquisitions to the museum’s permanent collection.

Membership The Friends of the Georgia Museum of Art finished FY11 year with 685 members in the following categories: 45 84 110 81 99 118 26 2 75 23 10 12

Student Senior individual Senior couple Individual Family/couple Contributing ($100) Donating ($250) Sustaining ($500) Director’s Circle ($1,000) Patron ($2,500) Benefactor ($5,000) Alfred Heber Holbrook Society ($10,000)

A complete list of members follows at the end of this report, on pages 88–95.

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MUSEUM SHOP This year was an exciting one for the shop as we finally moved into our newly renovated space at the museum. The first seven months of the year were spent at our temporary home on Jackson Street, where we continued to hold “pop-up” sales in our own lobby as well as maintaining our web shop through UGA Marketplace.

We took our catalogue sales on the road for the Trecento Symposium in November. A selection of books related to European art was available for purchase on-site for the symposium attendees.

January brought plenty of unpacking and preparing the shop for the museum’s reopening.

Shop manager Amy Miller and two dedicated Federal Work-Study students, Dakota Nesbitt and Caitlyn Searles, restocked and merchandised

the space so it was ready to welcome back our patrons. The shop kept expanded hours during much of the reopening celebration and sales were brisk.

In February, the shop assisted the School of Music with its festival for Liszt scholars.

Working with Dr. Richard Zimdars, the shop provided attendees with a selection of relevant books, sheet music, and CDs during the festival weekend. We hope to continue this partnership for future School of Music events.

The shop continued to process wholesale catalogue orders on behalf of the Publications Department. These sales for the current fiscal year came in at $6151.40.

Shop sales for this fiscal year totaled $29,038.81. These were predominantly book sales ($15,179.09), followed by jewelry and other personal accessories ($3503.71) and children’s items ($2369.12).

SPECIAL EVENTS Income Facility Income

Expenses Custodial Security AV Tech

Billed Income $13,132.50

Total Rental Income Total income collected Net Income

$13,132.50 $13,132.50 $12,263.55

Facility Expenses $406.00 $462.95

$0.00

Under the direction of special events coordinator Lauren Cook, the Georgia Museum of Art rented its facilities and services to numerous groups and organizations for a variety of special events during FY11. Events included wedding receptions, cocktail receptions, a one-woman play, lectures, and luncheons. Various university organizations hosted events at the museum, including UGA Press, UGA Libraries, the Arch Foundation Executive Board, Franklin College of Arts and Sciences, and the College of Education. Other events at the museum were hosted by private individuals.

The special events office strives to increase awareness in the community and among university departments regarding the museum’s event rental facilities. Athens and its surrounding community are quickly learning that the Georgia Museum of Art is an aesthetically pleasing and affordable venue for any special occasion.

The museum’s grand reopening week included various events, plus luncheons and receptions associated with meetings of the Friends Board, the Board of Advisors, and the Decorative Arts Advisory Committee.

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COMMUNICATIONS The public relations activities for the department of communications include promoting all exhibitions and programs at the Georgia Museum of Art and establishing the museum’s reputation on both a regional and national level.

FY11 was an exciting one. The department continued to assist with the maintenance of GMOA on the Move, then turned its focus toward the reopening of the museum, the launching of its rebranding efforts, and generating awareness of the museum’s impending grand reopening week-long celebration. Communications staff developed promotional material for the reopening including a comprehensive brochure of the weeklong celebration’s events and a corresponding postcard. A theme developed by Grant Collaborative, a branding firm out of Canton, Georgia, set the tone for the campaign with the slogan it developed: Art Expands.

As part of its rebranding efforts, the department worked with the Adsmith, an Athens-based firm, to help develop the museum’s new website and redesign its brand and promotional materials, including everything from refreshing the logo and developing a color palette to redesigning its newsletter (newly christened Facet and accessible in digital format through the website), gallery maps, letterhead, business cards, and reopening promotional materials. The various materials will be rolled out as funds allow and will include newly designed general information brochures and Friends brochures.

Other departments, including the Museum Shop, are aligning with the rebrand.

The shop was able to purchase all new bags and gift wrap with the newly enhanced logo and in the appropriate color palette as well as designing new logo items for purchase in the shop, including T-shirts in the regular color palette for adults and the kids’ color palette for our youngest members. The entire department is looking forward to the museum having a unified, cohesive, professional, and consistent look across all of its promotional and marketing materials, stationery, and publications. The new

website, which was launched with the reopening of the museum, is already proving to have better usability by visitors and its new url (www. georgiamuseum.org) is much easier to promote and remember.

Some of the improvements to the website include a better navigation system through its menus, an easy-to-use content management system for updating the website on the back end, the ability for users to download calendar events directly to their personal online calendars, an easier way to sign up for museum emails and to search the site, and, most important, more images of and information about what really matters: the art.

In addition to promoting the reopening events of the museum, the department was influential in the coordination of the week’s events, assisting with the scheduling of events and the booking of professional photography for major events. Public Relations was also responsible for the coordination of a press preview held prior to the reopening events and worked closely with members of the press and UGA’s department of Public Affairs to ensure the best coverage possible. Approximately eight members of the local media attended the event, receiving lunch, a special preview tour of the facility, and a brief presentation by museum director Eiland.

Jenny Williams serves as the staff liaison to the Public Affairs and Outreach Committee of the museum’s Board of Advisors, along with curator of education Carissa DiCindio. This past year, along with fulfilling the normal duties of the role (keeping the committee and entire board informed of the museum’s PR efforts), Williams began work on the GMOA Board of Advisors Speaker’s Bureau. She developed a PowerPoint presentation and script and gave the presentation at the BOA meeting held shortly after the museum’s reopening. It will be officially distributed to the soon-to-bedesignated speakers in the coming months. It will also serve as a development tool and can be done in various formats from a 30-minute presentation to a 5-minute presentation. The main purpose behind the speaker’s bureau is to present to various organizations such as Rotary Georgia Museum of Art | Annual Report, 2010–2011

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clubs, women’s clubs, and libraries, focusing on underserved areas that may be completely unaware of the museum and its offerings as well as anywhere outside the immediate Athens area. Volunteer speakers on the bureau will be designated from the Board of Advisors, Friends Board, and docent program. Public Relations produced more than 60 press packets for major donors and BOA members that were distributed at the BOA meeting. They included clippings from the numerous articles and mentions the museum received during its reopening along with photos from the ribbon-cutting ceremonies.

The latter half of FY11 was one of the busiest yet, as the museum was open for exhibitions to the public for the first time in more than two years. Public Relations produced and distributed 18 press releases leading up to and immediately after the reopening, including releases on exhibitions, programs, and numerous awards and accolades. With the expanded gallery space and exhibition schedule the museum has more to promote than ever before. In January alone, the museum received $85,793.94 in equivalent ad dollar coverage through the distribution and coverage of its release about the museum’s reopening. The release was picked up by media outlets such as Creative Loafing, the Associated Press, Channel 2 Action News WSBTV, the Atlanta Journal-Constitution and online with the Beaumont Enterprise, WIS-TV, WTVMTV, Greenwich Times, The Advocate, the Columbus Ledger-Enquirer, and the Connecticut Post.

In the remainder of FY11, the department’s release distributions resulted in $89,132.74 of free advertising for the museum.

Additional museum placements in the past year have included the Athens Banner-Herald, Art Daily, Art Knowledge News, Athens Patch, WALB-TV Online, the Washington Examiner, the Telegraph, the Republic, the San Antonio Express, and many more. The communications department was also responsible for 218 blog posts. It continued to enhance the museum’s social media campaigns through interactive contest and communication strategies. In FY11, the museum tweeted 282 times on Twitter and posted events to its Facebook page, which is now at more than 1,500 likes and growing daily.

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In May of this fiscal year, the department’s many months of work with the Georgia Association of Community Arts Agencies proved successful as the museum co-hosted the Association’s annual conference with AthensClarke County Leisure Services Arts Division. It was a wonderful way for the museum to connect with many other state arts organizations and gain more exposure.

The department’s publications arm completed two books in FY11 (One Hundred American Paintings and Tracing Vision: Modern Drawings from the Georgia Museum of Art), both of which served as overviews of the museum’s collections and arrived just in time to make wonderful gifts for major donors during the reopening festivities. Smaller publications included a rack card for American Watercolors from the Permanent Collection (which established a standard form for GMOA rack cards), a fourpage brochure for All Creatures Great and Small (produced in collaboration with the Airport Art Program), a rack card for the traveling exhibition Prints by Women, and a temporary rack card to promote membership. Publications due to arrive in finished form in FY12 but worked on in FY11 are Neighboring Voices: The Decorative Culture of Our Southern Cousins: The Fifth Henry D. Green Symposium of the Decorative Arts, Georgia Bellflowers: The Furniture of Henry Eugene Thomas, volume 23 of the museum’s Bulletin, and a twelve-page brochure to accompany Lamar Dodd: Paintings and Drawings.

The University of Georgia Press continued to serve as distributor for many of the museum’s publications, but this partnership concluded at the end of FY11, and GMOA will take over again as distributor of its own publications in FY12. The department continued to proofread all communications issued by the museum, including gallery labels, and to work with education, development, and the Friends on invitations, programs, and new media initiatives (including the museum’s blog, Curator’s Corner).

In addition to supervising its college-level interns, it also participated again in the Young Dawgs program, run by UGA human resources, which allows high school students in the AthensClarke County school district to experience office work on campus.

DESIGN AND PREPARATION In January, the design and preparation crew worked to finish the installation of the newly expanded museum. The new addition comprised thirteen galleries displaying the permanent collection in three categories: European art, American art, and American decorative arts. We installed more than 600 objects in a five-week period. The design and preparation staff worked long hours, starting at 7 a.m. and working until 10 p.m., to insure the museum opened on time.

In addition to the works of art installed in the permanent collection wing, four temporary exhibitions were installed in the seven renovated galleries of the museum. Throughout the year the design and preparation department installed sixteen temporary exhibitions, including at the T-Gate of Atlanta’s Hartsfield Jackson Airport.

that it will continue. This year, corrections were approved to the Emergency Manual and it is now in place. A new security system was installed, allowing for greater coverage of the galleries and other areas of the museum. The department continues to develop a working relationship with the university, UGA Police Department, and local, state, and federal emergency responders as time permits.

SECURIT Y July 1, 2010, began the fifth year of operation for the security department for the museum.

The security department has been fortunate in retaining its security staff during this year. We maintain a staff of one security coordinator, one supervisor, one guard who works 40 hours a week, three guards who work 30 hours a week, and one guard who works 20 hours a week.

On November 3, 2008, the museum closed its galleries for the preparation for the beginning of construction of the 30,000-squarefoot addition to the museum. In March of 2009, the staff of the museum moved to the Jackson Street location of the Lamar Dodd School of art.

One supervisor and the five guards also moved to that location for security purposes. One supervisor remained at the museum to supervise the remaining property that was stored in the galleries and vaults.

In October of 2010, the staff began the reoccupation of the museum when the art was brought back from the off-site storage area.

In January of 2011, the staff returned and somewhat normal operations began.

The public and academic response was wonderful for the first six months, and it appears

CURATORIAL American Art Paul Manoguerra, curator of American art and now chief curator at the museum, served the Georgia Museum of Art during his ninth full year in the position. The American art department remains an important resource for students, artists, university faculty and staff, scholars, collectors, and the general public. In the past year, the department has continued to serve as a primary focus of the museum’s collections, exhibitions, and programs.

Permanent Collection Displays FY11 saw the reinstallation of the museum’s permanent collection in its new wing. The American art department was directly responsible for six of the new thirteen galleries.

Also, special temporary displays of the museum’s drawings collection, recent acquisitions, and photography occurred during FY11.

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Docent Training

Pierre Daura Center

The curator conducted docent training sessions for the permanent collection wing and for the museum’s special exhibitions. The museum’s trained volunteers were also introduced to tour techniques and issues and gained knowledge to allow them to lead tours of the museum and its exhibitions more effectively.

Lynn Boland continued in his second full year as Pierre Daura Curator of European Art, directing the museum’s programming in European art—research, exhibitions, publications, and acquisitions—and overseeing the Pierre Daura Center. The Pierre Daura Center initiates and promotes the exhibition and study of the works of Pierre Daura and the contextualization of his oeuvre and career.

Laura Rhicard continued in her first full year as administrative assistant to the Daura Center. Thanks to the continuing generosity of the Pierre Daura Foundation, the Daura Center supported a paid graduate internship for a second year. Samantha Cole, a master’s student in art history in the Lamar Dodd School of Art (LDSOA) at UGA continued as the Daura Center graduate intern in fall 2010. Maggie Dieters, also a UGA graduate student in art history, served as the Daura Center graduate intern in spring and summer semesters of 2011.

The installation of GMOA’s new permanent collection wing marked the year’s greatest undertaking. The Daura Center’s responsibilities include the Samuel H. Kress Gallery, the H. Randolph Holder Gallery, two hallway display cases—one a gift of Sandra Strother Hudson in memory of Lucile Adkins Strother, which features modern European bronzes, and an as-yet unnamed case featuring nineteenth-century French animalier bronzes— and rotating exhibitions of works on paper in the Boone and George-Ann Knox II Gallery. In every instance, these installations allowed the display of significant works from the museum’s permanent collection that were not previously on view. This project included extended interpretive labels for each of the 49 objects in the Kress and Holder galleries.

The Daura Center’s major ongoing projects include the development of a finding aid for the Pierre Daura Archive, a collection of more than 60 linear feet of materials that provides significant insights into modern art.

The finding aid has been finalized and will be produced as both a printed publication and as an online resource accessible through the University

Publications • “Leap of Faith: Contemporary American Indian Art and American Visual Culture” in Elizabeth DeLaney Hoffman, ed., American Indians and Popular Culture. Santa Barbara: ABC-CLIO, February 2012, 2 vols., forthcoming.

• “Cooke, George,” “von Reck, Philip Georg Friedrich,” “Scott, Lorenzo,” and “Walker, Inez” in The New Encyclopedia of Southern Culture, vol. 15, Folk Art, ed. Carol Crown and Cheryl Rivers. Chapel Hill: University of North Carolina Press, Center for the Study of Southern Culture, forthcoming.

• Introduction to Amanda Mobley, ed., Dale Nichols: Transcending Regionalism. David City, NE: Bone Creek Museum of Agrarian Art, 2011.

• One Hundred American Paintings. Athens: Georgia Museum of Art, 2011.

• “Kenyon Cox,” catalogue entry in Carol Nathanson, ed., Tracing Vision: Modern Drawings f from the Georgia Museum of Art. Athens: Georgia Museum of Art, University of Georgia, 2011.

Outreach and Presentations • Panelist, gallery talk and tour, “A Museum Practicum: The Georgia Museum of Art as Laboratory,” Osher Lifelong Learning Institute at the University of Georgia, February 23 and 24, 2011.

• Gallery talk, “Tradition Redefined: The Larry and Brenda Thompson Collection of African American Art,” Georgia Museum of Art, University of Georgia, February 16, 2011.

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of Georgia Library’s website. Robert Lubar, associate professor of fine arts at the Institute of Fine Arts of New York University, undertook research in the Daura Archive in June 2011 for a forthcoming catalogue essay for a major exhibition to be held Museo Nacional Centro de Arte Reina Sofia, Madrid in 2012.

FY11 also marked the start of GMOA’s Kress Project, celebrating the 50th anniversary of the museum’s Samuel H. Kress Study Collection of Italian Renaissance and Baroque paintings.

The primary goal of the Kress Project is to promote the study of and response to these objects by the public at large, demonstrating their continued relevance to a contemporary audience and exploring new ways to interpret the collection by soliciting responses to the twelve Italian Renaissance paintings in the museum’s Kress Collection through early 2012.

Submissions may include a wide variety of forms, such as academic essays, visual art, choreography, musical composition, performance, film, design, or even a recipe inspired by a work in the collection. Other components of the Kress Project completed in FY11 include a family guide to the Kress Collection, available for free in the gallery, and the museum’s biennial Trecento Symposium on early Italian art.

The 2010 Trecento Symposium was co-hosted by the Georgia Museum of Art and the Lamar Dodd School of Art, with support from the Samuel H. Kress Foundation, New York, New York; Willson Center for Humanities and Arts, Athens, Georgia; the Friends of the Georgia Museum of Art; and Mr. C. L. Morehead Jr. Scholars and enthusiasts of early Italian Renaissance and late medieval art from around the world and the United States gathered at the art school November 11–13 to discuss a wide range of topics on the trecento period of Italian art history. Of the 33 presenters, 12 came from foreign institutions representing 8 different countries, an indication of the international scope of the symposium and its importance within the field. This year’s conference was dedicated to the memory of Andrew Ladis, who, with Professor Shelley Zuraw, founded the symposium in 1996. As part of this year’s proceedings, participants unanimously decided to dedicate the symposium permanently to the memory of Professor Ladis.

Publications • “Pierre Daura, Martha at Thirteen, 1942–43” catalogue entry in Paul Manoguerra, ed., One Hundred American Paintings. Athens: Georgia Museum of Art, 2011.

• “The Supreme Pleasure of Being Salvador Dalí: Hand-painted Dreams and Surrealist Nightmares,” video recording of a public lecture at the High Museum of Art, Atlanta, Georgia, November 4, 2010, broadcast on Georgia Public Broadcasting and available at PBS and NPR’s online Forum Network (http://forum-network. org).

Teaching and Outreach Boland conducted docent and student docent training for Dalí Illustrates Dante’s Divine Comedy, The Art of Disegno: Italian Prints and Drawings from the Georgia Museum of Art, Horizons, the Kress Collection, and eighteenth- through twentiethcentury paintings on view in the H. Randolph Holder Gallery. Additional presentations included the following: • “The Supreme Pleasure of Being Salvador Dalí: Hand-painted Dreams and Surrealist Nightmares,” public lecture, High Museum of Art, Atlanta, Georgia, November 4, 2010 • “Analogue to Digital: Changing Technologies in University Museums,” College Art Association conference, New York, New York, February 12, 2011 • “Careers in Art History,” panel discussion hosted by the Art History Society, Lamar Dodd School of Art, University of Georgia, April 14, 2011 • “Teaching with Museum Collections,” session leader for Council of Independent Colleges seminar, hosted by the High Museum of Art, Atlanta, Georgia, held at the Georgia Museum of Art, June 23, 2011 Presentations at GMOA included:

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• “Introduction to the Permanent Collection,” presentation to Osher Lifelong Learning Institute at the University of Georgia, February 23, 2011 • “Introduction to the Kress Collection,” gallery talk, March 9, 2011 • “Dalí and the Surrealists: An Introduction,” public lecture, April 14, 2011 • “Dalí Illustrates Dante’s Divine Comedy,” gallery talk, April 27, 2011 • “‘Un Chien Andalou’ and ‘L’Age d’Or’,” films introductions, May 12, 2011 • “The Art of Disegno,” gallery talk, June 8, 2011

Decorative Arts The Galleries This past year has seen the establishment and installation of permanent decorative arts exhibitions in the new GMOA gallery spaces.

This is a milestone for the museum and for the decorative arts programs especially. The Forio Gallery contains an impressive collection of objects that present the crafts and consumption of early Georgians. Especially strong in this venue is regional furniture of the Federal period.

The style expressions demonstrate not only specific regional experience in the use of native woods, but also show national and trans-Atlantic connections.

A body of sumptuary goods (gift of Lucy Rowland) linked to three interrelated Georgia families near the Savannah River communicates patterns of consumption by the Georgia elite in the first half of the nineteenth century. A Columbus, Georgia, silver olive spoon, gift of LaTrelle Brewster, presents the counterintuitive history of olive culture in Georgia, as well as the heavy presence of olives in early Georgia cuisine.

The collections exhibited in the Forio galleries provide meaningful connections to other disciplines, such as agriculture as referenced by olives, ecological history of early forests as indicated through native woods, and natural history presented by a continually changing exhibition of prints of the works of John Abbot, a late-eighteenth–century naturalist 20

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working in Georgia. This gallery also houses the exhibition of miniature paintings by Lucy May Stanton, an important artist of the early twentieth century and a resident of Athens.

Several examples of Stanton’s work have been added to the collection this year through gifts of Devereux Burch and Lucy Forbes Shevenell.

GMOA’s holdings by this artist are definitive.

The Odum Gallery houses significant vernacular furniture retaining original finishes.

Among these pieces is the Mary Cronic blanket chest, one of the best-known pieces of Georgia painted furniture. This chest is the subject of continued research and is among the bestdocumented examples of early painted Georgia furniture. Other pieces include the finest known Windsor chair made in Georgia, a gift from Mr. and Mrs. Levon Register. Also on display are several important examples from the permanent collection of GMOA. A cupboard and the finest Georgia quilting frame are on exhibition from Carl Mullis. The Mullis collection is also represented in an important assemblage of Southern pottery.

The past year saw the addition of select and very important works of pottery from several areas of the South. A large ovoid jar with strap handles is initialed LJ for Lucius Jordan, probably the earliest Georgia-born potter. A large and dated (1847) jug by Collin Rhodes presents a world-class quality piece of southern pottery in our collection and illustrates the development of slip decoration and alkaline glaze in the South. The Odum Gallery pottery includes two Edgefield face jugs (also on permanent loan from Carl Mullis) made around 1840 by enslaved potters in that area. These face jugs represent the most African of North American craft products and are highly comparable to examples from Ghana. Also in the collection are two vessels created by the well-known potter Dave Drake.

Dave Drake was an enslaved potter working in Edgefield, South Carolina who was literate and wrote poems and other communication in the glaze of his products. These items provide for important African American content in this gallery.

The Odum Gallery also has a riser designed to show selected examples of quilts in the GMOA collection. GMOA has approximately

seventy-eight quilts in its collection, dating from ca. 1815 into the twentieth century. Selected examples are rotated so one is always on display.

The Odum Gallery also presents ornamental needlework from GMOA collections, which now includes three rare Georgia samplers and related work.

The Collection This past year saw the significant growth of the decorative art holdings of GMOA. Total acquisitions for this program alone amounted to seventy-six works of art. In addition to the items referenced above, a number of pieces of silver were acquired including a rare Georgia silver julep cup, an iconic form lacking in our collections until this acquisition with funds provided by the Collectors Group. A group of ten berry bowls and a larger bowl donated by Ed Forio Jr. added important dimension to our Art Nouveau silver. Modern silver was represented in the purchase of a Strickland (ca. 1945–55) pie server with funds provided by the Collectors.

Three silver dippers, all with important state provenance, were added to the collection in gifts from Mr. and Mrs. Levon Register and Lucy Rowland. These dippers are a characteristic regional form not previously represented in our collection. An important silver cream pitcher was donated by Sally Hawkins in memory of Paul Hawkins. This piece was featured in an exhibition at GMOA in 2006, and represents an important example of post-bellum silver.

Fried chicken tongs were a regional expression that grew into a national form by the end of the nineteenth century. With funds provided by Beverly Hart Bremer, we acquired a second pair of these rare silver tongs.

We also added two important American Indian baskets of Choctaw origin as a gift of Devereux Burch. Denny and Peggy Galis donated an important early Athens miniature portrait of Augustin Clayton attributable to Picot L. de Cloriviere, a French artist working in the back country of Georgia in the early nineteenth century. Furniture gifts include a remarkable carved chest of drawers attributable to Thomas Day who was a free man of color working in

antebellum North Carolina. This chest was a gift of Martha Randolph Daura. An outstanding example of Federal furniture was given to the museum by Phoebe Gould Forio. This latter gift was a Washington, D.C., chair, the best of its type, which was created ca. 1795–1805, and attributed to the Ingle brothers who were cabinetmakers to most important Federal institutions. The acquisition of this chair puts GMOA on the cutting edge of decorative art collecting, as this material has only recently been fully understood. Three ornamental needlework samplers were added to the collection. One sampler was made in the area of Bainbridge, Georgia, ca. 1835, and is a gift of David and Linda Chesnut. Another sampler, dated back to the 1820s, was made in Washington County and was a museum purchase with funds provided by the Advisory Board of Advisors in memory of Shara Overstreet.

The Green Library The Green Library began as a gift of the reference library of Henry D. Green. After a decade, it has grown to more than 1,000 volumes. This past year about seventy volumes have been added to the library. No Green Library Endowment Fund monies were used for this past year, and almost all acquired volumes have been gifts.

Though formerly separately shelved, the Green Library is now interfiled with the other books in the Griffith Library. This is in compliance with sound professional practice. In fact, they fall in a separate section due to being catalogued as related material. Moreover, they retain the Green Library notation of spines, and book-plates are planned. In this manner, professional practice is accommodated and the Green Library retains its singular identity.

The Green Center Archival collections with the Green Center have been reprocessed and housed in sound archival boxes and are shelved in the Center’s study room.

The papers of William and Florence Griffin have been processed and are also available. This latter collection comprises some 7 cubic feet Georgia Museum of Art | Annual Report, 2010–2011

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of records of research pertaining to important exhibitions and preservation projects. The Center now houses the papers of the Griffins and Henry Green, two preeminent names in the history of Georgia collecting. Additionally, the Center houses the modern craftsmen files (which have been expanded), the Curry Chair collection (120 photographs of Georgia-made chairs from the nineteenth century), and the Colonial Dames Decorative Art Survey, a detailed record of 4,500 Georgia objects made before World War I. Educational Outreach With the attendance of more than 2,000 students in one evening alone, there have been many opportunities for educational outreach. The curator participated in a presentation to faculty and graduate students during a lunch-andlearn lecture about ways the collections can be used in teaching. The curator provided formal training to the docents and student docents on several occasions, and docents have joined him on most tours. Six interns have finished or are continuing internships with the curator and

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have been taught skills for research, cataloguing, and connoisseurship. The curator also presented to senior groups, groups of students, heritage organizations, and numerous visitors to the museum.

Community Outreach The curator has consulted with several regional museums and with private collectors. He presently serves on the Athens Welcome Centerâ&#x20AC;&#x2122;s Church-Waddel-Brumby historical house museum advisory committee.

Decorative Arts Advisory Committee The DAAC met once in Madison in October 2010 and once in Athens in June 2011. The curator regularly consults with the chairperson and makes regular efforts to inform committee members of activities and to solicit their input.

The present members of the committee are listed at the end of this report, with other governing and advising bodies.

EXHIBITIONS Echoes from the Continent: FrancoGermanic Chairs in Georgia October 15, 2010–January 31, 2011 Madison-Morgan Cultural Center Madison, Ga. This exhibition presented a large and distinctive group of nineteenth-century chairs made in Georgia and an examination of Continental Europe’s influence on chair technology and style from the late 1700s to 1910. Gathered from private collections and institutions in Piedmont Georgia, the chairs selected confirm that ethnic aspects of the earliest settlement in this region remained in Georgia’s culture for more than a century. The exhibition was presented in conjunction with the seventh biennial Museum of Early Southern Decorative Arts Conference on American Culture, October 28–30, 2010, at the Madison-Morgan Cultural Center. It was the last exhibition the Georgia Museum of Art presented before moving back into its renovated and expanded building.

Curator: Dale Couch Sponsors: The W. Newton Morris Charitable Foundation and the Friends of the Georgia Museum of Art

Horizons January 29, 2011–January 31, 2012 Jane and Harry Willson Sculpture Garden An installation of Horizons, by the Icelandic artist Steinunn Thórarinsdóttir (pronounced Stay-nun Thorens-daughter), inaugurated GMOA’s Jane and Harry Willson Sculpture Garden, which is dedicated to female sculptors. Thórarinsdóttir has exhibited widely in Europe, Japan, and Australia over the last thirty years, as well as in the United States, where Horizons has been traveling for the past three years. Previously installed in such contexts as fields, forests, galleries, and gardens, twelve androgynous, lifesized, cast-iron figures are connected as a group by a polished glass band inserted across each figure’s chest.

In-house curator: Lynn Boland Sponsors: Deborah and Dennis O’Kain, the W. Newton Morris Charitable Foundation, and the Friends of the Georgia Museum of Art Tradition Redef ined: The Larry and Brenda Thompson Collection of African American Art January 30–March 28, 2011 Virginia and Alfred Kennedy and Philip Henry Alston Jr. Galleries Seventy-two works by sixty-seven black artists who typically have not been recognized in the traditional narratives of African American art made up Tradition Redefined, an exhibition organized by the David C. Driskell Center for the Study of the Visual Arts and Culture of African Americans and the African Diaspora at the University of Maryland, College Park. Larry and Brenda Thompson have collected the work of both celebrated artists and work by artists who have been considered emerging, regional, or lesser known, and the strength of their collecting process lies in their considered attention to artists who have typically not been recognized in the traditional narratives of African American artists. The result is a collection that offers Georgia Museum of Art | Annual Report, 2010–2011

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a more in-depth, inclusive understanding of African American artists and their aesthetic and social concerns. Organized by the David C. Driskell Center’s curator in residence, Dr. Adrienne L. Childs, Tradition Redefined featured works from the 1890s to 2007 and displayed images and three-dimensional work by artists including Amiri Baraka, Romare Bearden, Camille Billops, Joseph Delaney, Norman Lewis, Charles E. Porter, William T. Williams, and Hale Woodruff. The David C. Driskell Center celebrates the legacy of David C. Driskell— distinguished university professor emeritus of art, artist, art historian, collector, and curator—by preserving the rich heritage of African American visual art and culture. Established in 2001, the center provides an intellectual home for artists, museum professionals, art administrators, and scholars of color, broadening the field of African diasporic studies. The Driskell Center is committed to preserving, documenting, and presenting African American art, as well as replenishing and expanding the field of African American art.

In-house curator: Paul Manoguerra Sponsors: Alfred Heber Holbrook Society Members D. Jack Sawyer Jr. and William E. Torres, M.D., and the W. Newton Morris Charitable Foundation The American Scene on Paper: Prints and Drawings from the Schoen Collection January 30–May 1, 2011 George-Ann and Boone Knox I, Rachel Cosby Conway, Alfred Heber Holbrook, Charles B. Presley Family, and Lamar Dodd Galleries Designed as a parallel exhibition to Coming Home: American Paintings, 1930–1950, from the Schoen Collection, which the Georgia Museum of Art organized with the Mobile Museum of Art in 2003, The American Scene on Paper included works by many of the same artists and addressed much of the same subject matter, from portrayals of the plight of the American farm laborer to the development of industry and the growth of the urban environment. Smaller versions of 24

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this exhibition traveled to the Gibbes Museum of Art in Charleston, South Carolina, and to the Columbus Museum of Art in Columbus, Georgia, in 2009. All 153 works featured in the companion exhibition catalogue were on view, for the first time, at GMOA. Curator: Paul Manoguerra Sponsors: BNY Wealth Management, the Landon Family Foundation, the W. Newton Morris Charitable Foundation, the Friends of the Georgia Museum of Art, and Alfred Heber Holbrook Society Members Mrs. M. Smith Griffith, Boone and George-Ann Knox, and Mr. D. Jack Sawyer Jr. and Dr. William E. Torres

Stone and Steel: Small Works by Beverly Pepper January 30–July 29, 2011 Dorothy Alexander Roush and Martha Thompson Dinos Galleries This exhibition displayed approximately twenty small works in steel and such materials as onyx, porphyry, marble, and granite by American sculptor Beverly Pepper as well as small-scale models of her site-specific work Ascension, which is permanently installed in the Performing and Visual Arts Complex quad.

Curator: Annelies Mondi Sponsors: Helen C. Griffith, Mr. D. Jack Sawyer Jr. and Dr. William E. Torres, the Willson Center for Humanities and Arts, the W. Newton Morris Charitable Foundation, and the Friends of the Georgia Museum of Art Anthony Goicolea: “Snowscape” January 30–November 30, 2011 Patsy Dudley Pate Balcony and Alonzo and Vallye Dudley Gallery Anthony Goicolea was born in 1971 in Atlanta, Georgia, and is currently based in Brooklyn, New York. He obtained a BA in art history and a BFA in painting from the University of Georgia and an MFA from the Pratt Institute. He was accepted into the “AIM” program at the Bronx

Museum of Art and has been awarded the Joan Mitchell Foundation Fellowship, the 2005 BMW Photo Paris Award, and the 2006 CINTAS Fellowship. His work is in the collections of the Whitney Museum of American Art, the Brooklyn Museum, the Guggenheim Museum, the Chicago Museum of Contemporary Photography, the Hirshhorn Museum and Sculpture Garden, the North Carolina Museum of Art, the Museum of Modern Art, New York, and many more.

Twin Palms Press has published three books of Goicolea’s work and a collection of videos. As part of the Georgia Museum of Art’s reopening, his work snowscape, a large photographic mural on Plexiglas, and a video installation were on view.

In-house curator: William U. Eiland Sponsors: The W. Newton Morris Charitable Foundation and the Friends of the Georgia Museum of Art Dalí Illustrates Dante’s Divine Comedy April 10–June 19, 2011 Virginia and Alfred Kennedy and Philip Henry Alston Jr. Galleries In 1957, the Italian Government commissioned Salvador Dalí to illustrate Dante Alighieri’s Divine Comedy. Dalí’s one hundred watercolors were to be reproduced as wood engravings and released as a limited-edition print suite in honor of the seven hundredth anniversary of Dante’s birth. When the project was announced to the public, Italians were outraged that a Spaniard had been chosen to honor the anniversary of Dante’s birth, and the commission was rescinded. Dalí, confident that a publisher could be found, continued to work on the project. In order to translate Dalí’s watercolors into printed plates, two artists hand-carved 3,500 blocks, a process that lasted five years. French Publishers Editions les Heures Claires and Editions Joseph Horet jointly produced the Divine Comedy Print Suite in 1964. Dalí considered this project to be one of the most important of his career.

Organized by the Las Cruces Museum of Art in New Mexico, this exhibition contained all Georgia Museum of Art | Annual Report, 2010–2011

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one hundred prints from Salvador Dalí’s Divine Comedy Suite and was part of a ten-city national tour developed and managed by Smith Kramer Fine Art Services.

In-house curator: Lynn Boland Sponsors: Shannon and Peter Candler in honor of Dr. Peter M. Candler Jr. and Matthew Warren Candler, the W. Newton Morris Charitable Foundation, and the Friends of the Georgia Museum of Art All Creatures Great and Small April 20, 2011–October 16, 2012 Hartsfield-Jackson Atlanta International Airport, T Gallery Part of the Airport Art Program, Department of Aviation, Hartsfield-Jackson Atlanta International Airport, this special exhibition from the Georgia Museum of Art’s permanent collection and the collection of Carl Mullis features works of art depicting animals created by self-taught American artists. Paintings, sculptures, and mixed-media creations by such folk masters as Howard Finster and Mose Tolliver and by such outstanding but relatively unheralded contemporary artists as Jim Lewis and Ted Gordon are on display in the Atlanta airport’s T gates. The majority of artists featured have spent their lives in the South, including the following artists from Georgia: Michael Crocker, Finster, Willie Jinks, R. A. Miller, and O. L. Samuels.

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Curator: Paul Manoguerra Sponsor: The Friends of the Georgia Museum of Art American Watercolors from the Permanent Collection May 14–August 7, 2011 Lamar Dodd Gallery This exhibition featured American watercolors from the mid-nineteenth century to the 1970s from the permanent collection of the Georgia Museum of Art. Paintings by Jasper Francis Cropsey, William Stanley Haseltine, and Frederic Remington demonstrated the importance of the medium in American nineteenth-century art while American moderns Charles Burchfield, John Marin, and Andrew Wyeth represented true masters of watercolor. Some American painters used the medium to create drawings or compositional studies, including Elaine de Kooning in her sketch of a sculpture in Paris. Others used it to make a final, finished product, emphasizing technique and enjoying its immediacy and spontaneity. Robert Bechtle’s Palm Springs Chairs (1975) is a highly detailed and meticulously painted watercolor that has the feel of a vacation snapshot of a motel pool.

Curator: Paul Manoguerra Sponsors: Kathy Prescott and Grady Thrasher, YellowBook USA, the W. Newton Morris Charitable Foundation, and the Friends of the Georgia Museum of Art

The Art of Disegno: Italian Prints and Drawings from the Georgia Museum of Art May 14â&#x20AC;&#x201C;August 7, 2011 George-Ann and Boone Knox I, Rachel Cosby Conway, Alfred Heber Holbrook, and Charles B. Presley Family Galleries This selection of fifty-three works on paper produced in the sixteenth, seventeenth, and eighteenth centuries by such renowned artists as Giovanni Battista Piranesi and Parmigianino draws largely on the collection of Giuliano Ceseri, on long-term loan to the Georgia Museum of Art. Guest curators Robert Randolf

Coleman and Babette Bohn chose prints and drawings that demonstrate the importance of disegno, or drawing, as an essential skill for artists of the period. As paper became more widely available, drawing was used as a preparatory stage for more finished works of art and prints enabled artists to disseminate their work more widely.

In-house curator: Lynn Boland Sponsors: Mrs. M. Smith Griffith, Boone and George-Ann Knox, C.L. Morehead Jr., the W. Newton Morris Charitable Foundation, YellowBook USA, and the Friends of the Georgia Museum of Art

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DEPARTMENT OF EDUCATION

Educational Programs

The department of education at the Georgia Museum of Art served the university, the community, and the state of Georgia with a variety of academic and outreach programs during FY11. This year saw some changes in the education department along with the reopening of the museum. Cecelia Hinton was married this year and is now Cecelia Warner. Warner, curator of education, who was in charge of academic programs for the past nine years, went part-time in January, and Carissa DiCindio, associate curator of education, was promoted to head of the department. Warner and DiCindio share the title of curator of education. Melissa Rackley, who has a background in studio art and art education, was hired as the curatorial assistant in the education department in December and now works with community programs. She has been a tremendous help as the department transitioned with these changes, with the reopening of the museum in January and through DiCindio’s maternity leave in March. DiCindio had previously worked with community programming and is now in charge of academic programs, with a focus on university audiences. Warner works with the community docents and special programs, including the Latin American Film Series each fall. The department relied heavily on the valuable assistance of docents, graduate students, student interns, artists, specialists, and volunteers.

Programming was both challenging and exciting this year. Warner and DiCindio spent the first part of the year reorganizing existing programs and revising materials and the second half implementing these programs and materials with Rackley when the museum reopened in January. Partnerships established in the past few years have continued, and new ones have been formed to benefit the university community, Athens, and Georgia. Descriptions of materials and programs, partnerships, and attendance are listed following this summary.

Through Art Adventures, 759 people at community centers and day camps in Clarke and surrounding counties participated in our summer program. Lindsay Rowan was the coordinator; Brian Hitselberger, Sarah Karp, and Erin McIntosh were instructors. Programs are scheduled in the mornings and afternoons and take place at other venues, which include summer camps, community centers, and parks in Athens-Clarke County and surrounding areas.

This year, although groups could not visit the museum, they learned about works from our collection. Each session included an introduction about the museum and an art activity. This year’s theme was printmaking. Art Adventures takes place over two fiscal years, and planning and scheduling begins early. The details and numbers for mid-June and July 2010 will be reported in the report for next year. For summer 2011, we hosted groups at the museum. Rackley coordinated these events, and education interns led the tours and hands-on projects under the theme “Summer in the City.”

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Art Adventures

Community Docent Education By leading tours for visitors each year, community docents play an integral role in carrying out the museum’s educational mission.

Docents undergo in-depth training in interactive teaching techniques and spend many hours studying and preparing to give tours to groups of all ages. Community docents sign up for a commitment of two years, although many have been docents for much longer. Officers for this year were Cyndy Harbold, president; Carol Dolson, vice-president; Jan Miller, secretary/treasurer; Jean Petrovs, our “e-scribe,” continued as head of the communications committee, and Ruthann Walton served as coach for new docents. Many activities were planned throughout the year. Docents attended educational sessions with curators and gave tours of exhibitions. Docents served on gallery duty this year in order to talk about the museum

to visitors, welcome them, and give informal tours. The docent book study group met throughout the year and discussion continues to be educational, interesting, and lively. A roster of docents and a syllabus of the program are included in this report. Twelve docents graduated from the program this year.

interns and other students from the university.

All Family Days are sponsored by Heyward Allen Motor Co., Heyward Allen Toyota, YellowBook USA, and the Friends of the Georgia Museum of Art.

Student Docents

Films were sponsored by the UGA Parents and Families Association. Janice Simon, Josiah Meigs Distinguished Teaching Associate Professor in Art, the Lamar Dodd School of Art, introduced a series of films entitled “Avant-Garde Short Films of the Twentieth Century” in the summer. For fall, we partnered with the Latin American and Caribbean Studies Institute (LACSI), the Georgia Museum of Art, the department of Romance languages, and the Athens-Clarke County Library in support of Hispanic Heritage Month for the annual Latin American Film Series. Three documentary films were shown and introduced by professors, graduate students, and guests of LASCI. The series ended with a Latin American Film Festival at Ciné. In the spring, we showed Salvador Dalí’s Un Chien Andalou and L’Age D’Or in conjunction with the Dalí exhibition and Herb and Dorothy, a film about art collectors.

These last two films were sponsored by the UGA Parents and Families Association, which will continue to support films in the next fiscal year.

In addition to the community docents, DiCindio started a student docent program this year.

Eighteen student docents completed the program in FY11 and gave tours to a variety of age groups. This program was started as a way to help more UGA students become involved with the museum. It is open to any major. Education sessions for this group included speakers such as Carole Henry, professor of art education, UGA, and Dale Gibson and Tim Carr from Disability Services at UGA. Curators and docents also spoke to this group. The focus of the education sessions was on dialogue with works of art and helping visitors use their own experiences to create connections with works. These student docents were instrumental to giving tours to audiences of all ages. They provided tours to their peers and helped the education department with hands-on activities during the GMOA Student Association’s student nights. A roster of docents and a syllabus of the program are included in this report.

Film Series

Family Days Eight family events were held this year with attendance totaling more than 2,521. In place of Family Day in October, the museum participated in Insect-ival at the State Botanical Garden of Georgia. Family Day themes and programs are listed below in the summary of programs. Until the reopening Family Day in February, family programs were held in at other venues including the State Botanical Garden of Georgia, and the Lyndon House Arts Center. Rackley now supervises these events and added creative ideas to them. Family Days have become important programs serving a diverse and international audience. Volunteers for Family Days included Georgia Museum of Art | Annual Report, 2010–2011

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Intern Program

School programs

The department is responsible for student interns and orientation programs each semester.

DiCindio, with the help of Rackley, coordinated the program and worked with university students. Interns worked on special projects related to their studies as well as assisted with departmental office work, Family Days, and special events. Theresa Rodewald, intern in European art and president of the GMOA Student Association, received the Louis T. Griffith Student of the Year Award at the annual reception held in Mr. Griffith’s honor.

For the sixth year, fifth-grade classes in the Clarke County school district visited the museum. Mr. and Mrs. B. Heyward Allen Jr. provided funding for transportation for all thirteen elementary schools, which consist of twenty-five fifth-grade classes. This year, Rackley incorporated a hands-on activity based on the exhibition Horizons with the tours of the permanent collection at the museum. An Evening for Educators reception kicked off these tours and featured teaching packets for school tours that incorporated instructional material for teachers, performance learning standards and curriculum guides for Georgia, and activities for each grade K–12.

Just My Imagination This program serves people throughout the state of Georgia, and workshops are available for all ages. Artists travel to libraries and community centers for programs, and sometimes JMI provides the only exposure to an organized program on art for many of the attendees. This program is sponsored by the Turner Family Foundation in memory of Nancy C. Turner. Toni Carlucci taught the workshops “Furry, Fluffy Felt Fun” and “Drawing from Nature,” and Jackie Slayton Methe taught “Watercolors from Apples to Zebras” and “Printmaking and Ink Painting.” Fifteen workshops reached 263 people throughout Georgia.

Lectures and gallery talks The museum hosted lectures and gallery talks, including the Alfred H. Holbrook Memorial Lecture and the Willson Center and GMOA Annual Lecture, co-sponsored by the Willson Center for Humanities and Arts, which featured GMOA director Eiland’s lecture on American printmaking. After the reopening, artist lectures

by Anthony Goicolea and Beverly Pepper were highlights of opening week. Larry and Brenda Thompson sponsored a panel discussion of the artists of Tradition Redefined: The Larry and Brenda Thompson Collection of African American Art in March.

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Georgia Museum of Art | Annual Report, 2010–2011

Senior Outreach Program Dr. Diane Barret prepared a three-part program for older adults at community centers and assisted-living homes in Clarke and surrounding counties. This program featured portraits from the permanent collection. It started in June 2011 and continued into the next fiscal year.

Suitcase Tours Docents visited local elementary schools and presented “Mr. Holbrook’s Suitcase Tour” for grades K–3. Docents are planning additional tours based on the collection and working this year on “Art of the Cameroon” based on objects in the Collection of C. L. Morehead Jr.

Educational Materials The education department produced a number of new publications in conjunction with the reopening of the museum. A new teaching packet with highlights of the permanent collection is now available in print and online. Gallery guides for the Kress Collection are the start of a series of gallery guides for the permanent collection.

Family Dialogue Labels that encourage discussion are on the walls of the galleries with selected works. Backpack tours are being

finalized for families to use hands-on materials in the galleries. Through a Target grant, Christina Westpheling, intern in the education department, designed a traveling trunk called the “Georgia History Trunk” that relates works from the museum’s collection with Georgia History.

These trunks will go to community centers and school support centers throughout Georgia and will be available in our Louis T. Griffith Teacher Resource Center. Finally, through the support of the Turner Family Foundation in memory of Nancy C. Turner, we worked with graduate student and art teacher Abby Newland to develop an interactive classroom that contains activities and books that relate to select works in the permanent collection.

Partnerships We value our partnerships with organizations at UGA and in the community, including the Lamar Dodd School of Art, the Lyndon House Arts Center, Latin American and Caribbean Studies Institute, and the State Botanical Garden of Georgia, and we strive to continue these partnerships in the future. We also are forming new partnerships. The Fanning Institute’s immigrant leadership programs, Leadership Sin Limites, visited the museum for a tour and activity based on text and art. Through the department of English, Dr. Judith Ortiz Cofer designed a program in which students in her advanced creative writing class wrote poetry and prose inspired by works in the museum’s collection.

They read their writings at a special event entitled “An Evening of Writing and Art: Judith Ortiz Cofer’s Advanced Writing Class.” In efforts to form additional partnerships at UGA, we organized a Lunch and Learn in which curators introduce aspects of the museum’s collection to university faculty to inspire connections to their curricula. We plan to have at least one of these programs each quarter.

Students at the University of Georgia are involved in all of our programs. In addition to assisting as student docents, interns, and volunteers, students attend lectures, films, discussions, and other programs.

6,408 people attended 257 programs and tours sponsored or assisted by the museum’s education department.

Selected Accomplishments DiCindio presented the session “Art Museum and Garden Collaborations: Developing Programming through Partnerships” at the Georgia Art Education Association Conference.

She spoke often to university and community groups about educational programs and completed the fourth year of the PhD program in art education, Lamar Dodd School of Art, University of Georgia, completing her comprehensive exams; she is now A.B.D. She was selected to attend the Teaching Institute in Museum Education, School of the Art Institute of Chicago, August 2010.

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Community Docents

Jan Miller, secretary treasurer Patty Cloar Millstead Berkeley Minor Karen Moncrief Jane Mullins* Betty Myrtle Laura Nehf Agnieszka Nickelson Janet Patterson Jean Petrovs, communications chair Kathy Rowan* Jeffie Rowland* Julia Sanks Mary Louise Stark Priscilla Sumner* Ruthann Walton, coach for new docents Patty Whitehead

Karen Benson Carol Brousse Samuel Carleton Nancy Clark Melody Croft Joanne Cutler* Carol Dolson, vice president Kitty Donnan Judith Ellis Bill Free Marya Free Susan Glover Cyndy Harbold, president Hannah Harvey* Peg Heckathron Charles Kauderer Barbara Laughlin Stanley Longman

*emeritus

Student Docents

Elizabeth Perry Sarah Quinn Theresa Rodewald Jessica Schwartz Emily Slaughter Amy Smoler Joan Tkacs Sheena Varghese Megan Watkins Christina Westpheling

Mary Caughran Mary Edmundson Hollis Griffith Molly Hoffmeister Katherine Coffey Jones Maria Kelly Amanda Lee Bermet Nishanova

Interns and Work-Study Students Name Paul Blakeslee Mary Kate Burnsed Mary Ora Carlson Amanda Castleberry Emily Corbin Lauren Cunningham Daniel Weston Davis Maggy Deiters Michael Tod Edgerton Margaret George 32

Department Registrars and European Art Decorative Arts European Art Decorative Arts Education Preparators Preparators European Art Communications Publications

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Semester Summer Fall Spring Spring Spring Summer Fall and Spring Spring and Summer Fall Fall

Interns and Work-Study Students Cont.

Name Andrew Giannakakis Alex Green Mary Bowden Green Hunter T. Hall Bryan Hilley Molly Hoffmeister Katherine Jones Maria Kelly Kaitlyn Leaf Amanda Lee Bridget Lonczak Courtney Magill Jennifer Mayer Wassim Zachary Mentouri Samantha Meyer Sabaneta Mujkic Jenn Nelson Carissa Pfeiffer Madeline Read Joanna Reisling Mary Catherine Robertson Ashley Robinson Theresa Rodewald David Savino Isabel Schneider Caitlyn Searles Christina Serra Kaitlin Springmier Sara Stansell Sheena Varghese Molin Wang Christina Westpheling Ally White Petra Zejfart

Department Preparators Decorative Arts Communications/Director’s Office Director’s Office Preparators Communications Publications Education Education Communications European Art Decorative Arts Communications Business Office Communications Museum Shop Communications European Art Special Events European Art Education Publications (Young Dawgs Program) European Art Preparators Education Museum Shop Education Publications Education Education Friends Education Preparators European Art

Semester Summer Summer Summer Spring Spring Spring Summer Spring Summer Fall Spring Summer Fall Fall and Spring Fall and Spring Fall Spring and Summer Summer Fall and Spring Fall and Spring Summer Summer Fall and Spring Summer Summer Fall and Spring Summer Spring Spring Fall Fall Fall and Spring Summer Summer

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SUMMARY OF PROGRAMS AND ATTENDANCE Lectures/Gallery Talks UGA Faculty Lunch and Learn Paul Manoguerra, chief curator and curator of American art; Lynn Boland, Pierre Daura curator of European art; and Dale Couch, curator of decorative arts Introduction to the Collection February 1, 2 p.m.

Attendance: 24 Artist Lecture Anthony Goicolea The Work of Anthony Goicolea February 1, 2 p.m.

Attendance: 66 Artist Lecture GMOA Special Reopening Lecture with artist Beverly Pepper at the Performing Arts Center February 2, 6 p.m.

Works by Beverly Pepper Attendance: 121 Lecture at the UGA Catholic Center Paul Manoguerra, chief curator and curator of American art Tradition Redefined: The Larry and Brenda Thompson Collection of African American Art February 20, (insert time) Attendance: 70 Lecture and Book Signing Dr. Peter Wood, author of Near Andersonville: Winslow Homer’s Civil War February 24, 5 p.m.

Organized by the Department of History, UGA, and co-sponsored by the Georgia Museum of Art Attendance: 103 Gallery Talk Carissa DiCindio, curator of education, Georgia Museum of Art Artful Conversation: La Confidence February 25, 2 p.m.

Attendance: 9 34

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Georgia Museum of Art /Willson Center for the Humanities Annual Lecture William U. Eiland, director, Georgia Museum of Art “Strike! A Look at Twentieth-Century American Printmaking” Co-sponsored by the Willson Center for Humanities Attendance: 56 Filmmaker Talk: Frank Cantor “The Making of Horizons and The Art of Collaboration” March 10, 5 p.m.

Attendance: 11 Panel Discussion Artists of Tradition Redefined: Moe Brooker, Carl Christian, Kevin Cole, Louis Delsarte, Stefanie Jackson, Larry Lebby, Richard Mayhew, Ealy Mays, Maria Lana-Queen, Preston Sampson, Freddie Styles, Larry Walker, Joyce Wellman, William T. Williams Moderated by Dr. Adrienne Childs, former curator at the David C. Driskell Center March 24, 5:30 p.m.

Supported by Larry and Brenda Thompson In conjunction with Tradition Redefined: The Larry and Brenda Thompson Collection of African American Art Attendance: 110 Artist’s Talk Steinunn Thórarinsdóttir March 29, 5:30 p.m.

In conjunction with Horizons Attendance: 70 Gallery Talk and Book Signing Carol Nathanson, professor emeritus of art history at Wright State University “Tracing Vision through Modern Drawings” April 7, 5:30 p.m.

Attendance: 20 Lecture Lynn Boland, Pierre Daura Curator of European Art “Dali and the Surrealists: An Introduction” April 14, 4 p.m.

In conjunction with the exhibition Dalí Illustrates Dante’s Divine Comedy Attendance: 43

Lecture Elliot King, lecturer in European modern art at the University of Colorado at Colorado Springs and the University of Denver “Hyperdimensionality in Salvador Dali’s Illustrations of Dante’s ‘Paradiso’” April 24, 5:30 p.m.

In conjunction with the exhibition Dalí Illustrates Dante’s Divine Comedy Co-sponsored by the Willson Center for the Humanities and Art Attendance: 65 Total Number of Lectures, 2010–2011: 13 Total Attendance for Lectures, 2010–2011: 768

Films Summer Film Series: Avant-Garde Short Films of the Twentieth Century Seven short avant-garde silent films: Manhatta (1921), Symphonie Diagonale (1924), H2O (1929), Ghosts before Breakfast (1927), Emak Bakia (1926), The Life and Death of 9413, A Hollywood Extra (1928), Lot in Sodom (1933) Wednesday, July 7, 7 p.m.

Selected and presented by Dr. Janice Simon, Josiah Meigs Distinguished Associate Professor in Art Co-sponsored by the Lamar Dodd School of Art Attendance: 82 Summer Film Series: Avant-Garde Short Films of the Twentieth Century The Man with the Movie Camera Wednesday, July 14, 7 p.m.

Selected and presented by Dr. Janice Simon, Josiah Meigs Distinguished Associate Professor in Art Co-sponsored by the Lamar Dodd School of Art Attendance: 48 Film The Seventh Seal (Det sjunde inseglet) Wednesday, July 21, 7 p.m.

Selected and presented by Dr. Janice Simon, Josiah Meigs Distinguished Associate Professor in Art Co-sponsored by the Lamar Dodd School of Art Attendance: 58

Latin American Film Series The Last Zapatista Discussant: Sergio Quesada, department of anthropology and Latin American and Caribbean Studies Institute curriculum coordinator Wednesday, September 29, 7 p.m.

Miller Learning Center, Room 248 Sponsored by the Latin American and Caribbean Studies Institute, the Georgia Museum of Art, the department of Romance languages, and the Athens-Clarke County Library in support of Hispanic Heritage Month.

Attendance: 25 Latin American Film Series Discovering Dominga Discussant: Erin Thompson, Campus Manager, UGA Hispanic Scholarship Fund Wednesday, October 6, 7 p.m.

Baldwin Hall Sponsored by the Latin American and Caribbean Studies Institute, the Georgia Museum of Art, the department of Romance languages, and the Athens-Clarke County Library in support of Hispanic Heritage Month.

Attendance: 38 Latin American Film Series Birdsong and Coffee: A Wakeup Call Discussant: Ben Myers, owner, 1000 Faces Coffee, Athens Wednesday, October 13, 7 p.m.

Athens-Clarke County Library Sponsored by the Latin American and Caribbean Studies Institute, the Georgia Museum of Art, the department of Romance languages, and the Athens-Clarke County Library in support of Hispanic Heritage Month.

Attendance: 25 Latin American Film Festival at Ciné Sponsored by the Latin American and Caribbean Studies Institute, the Georgia Museum of Art, the department of Romance languages, and the Athens-Clarke County Library in support of Hispanic Heritage Month.

October 22–23 Attendance: 85 Georgia Museum of Art | Annual Report, 2010–2011

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Salvador Dalí’s Un Chien Andalou and L’Age D’Or May 12, 7 p.m.

Sponsored by the UGA Parents and Families Association Co-sponsored by the Willson Center for the Humanities and Art In conjunction with the exhibition Dalí Illustrates Dante’s Divine Comedy Attendance: 22 Herb and Dorothy June 16, 7 p.m.

Sponsored by the UGA Parents and Families Association Attendance: 39

Family Day: People and Places March 5, 10 a.m.–noon In conjunction with the exhibitions Tradition Redefined: The Larry and Brenda Thompson Collection of African American Art and The American Scene on Paper: Prints and Drawings from the Schoen Collection Attendance: 320 Family Day: Make it Shine!

April 2, 10 a.m.–noon Attendance: 400

Family Events

Family Day: Go Figure!

June 4, 10 a.m.–noon In conjunction with the exhibition Horizons Attendance: 112

All Family Days are sponsored by Heyward Allen Motor Co., Heyward Allen Toyota, YellowBook USA, and the Friends of the Georgia Museum of Art

Total Number of Family Events, 2010–2011: 8 Total Attendance for Family Events, 2010– 2011: 2577

Family Day: Sketching Plants and Flowers at the State Botanical Garden of Georgia Saturday, August 21, 10 a.m.–noon Co-sponsored by the State Botanical Garden of Georgia Attendance: 56

Art Adventures

Total Number of Films, 2010–2011: 9 Total Attendance for Films, 2010–2011: 422

Art program at the 16th Annual Insect-ival! by the State Botanical Garden of Georgia Saturday, September 25, 2010 Attendance: 950 Family Day: Creating Quilts Lyndon House Arts Center November 20, 10 a.m.–noon Co-sponsored by Lyndon House Arts Center Attendance: 22 Family Day: Creating with Nature for the Holidays State Botanical Garden of Georgia Saturday, December 4, 10 a.m.–noon Co-sponsored by the State Botanical Garden of Georgia Attendance: 55 36

Family Day: Playing with Portraits February 5, 10 a.m.–2 p.m.

Attendance: 662

Georgia Museum of Art | Annual Report, 2010–2011

Workshops were held at the following venues: Boys and Girls Club of Athens Building Blocks Childcare Champions for Children Clarke Co. Superstars East Athens Community Center Garnett Ridge Boys and Girls Club Kiddieland Lay Park Little Ones Academy McPhaul Center New Freedom Christian Academy Oconee Preschool Academy Pinewoods Library and Learning Center State Botanical Garden of Georgia UGA Plant Pathology UGA Summer Preview Total Number of Workshops for Art Adventures, 2010–2011: 31 at 17 venues Total Attendance for Art Adventures, 2010– 2011: 759

Senior Outreach Program “Here’s Looking at You! Portraits in the Permanent Collection of the Georgia Museum of Art”* Greene County Seniors June 29, 12:15 p.m.

Attendance: 15 * Start of a new program continuing through Summer 2011.

Total Number of Senior Outreach Workshops, 2010–2011: 1 Total Attendance for Senior Outreach Workshops, 2010–2011: 15

Just My Imagination Drawing from Nature Smyrna Public Library July 10 Attendance: 14 Watercolors from Apples to Zebras Jefferson Public Library July 17 Attendance: 17 Furry, Fluffy Felt Fun Tifton-Tift County Public Library September 11 Attendance: 15 Drawing from Nature Irwin County Public Library September 11 Attendance: 12 Printmaking and Ink Painting Hickory Flats Library September 11 Attendance: 12 Watercolors from Apples to Zebras Savannah-Live Oaks Library September 25 Attendance: 28

Printmaking and Ink Painting Calhoun County Library October 16 Attendance: 19 Printmaking and Ink Painting Tarrell County Library October 16 Attendance: 13 Drawing from Nature Georgia Botanical Garden April 26 Attendance: 15 Furry, Fluffy Felt Fun Harold S. Swindle Public Library May 21 Attendance: 6 Furry, Fluffy Felt Fun Tifton Public Library June 4 Attendance: 25 Watercolors from Apples to Zebras Anthony Recreation Center June 11 Attendance: 18 Printmaking and Ink Painting Clarkston Library June 18 Attendance: 40 Furry, Fluffy Felt Fun Chickamauga Public Library June 18 Attendance: 11 Watercolors from Apples to Zebras Flat Shoals Library June 25 Attendance: 18 Total Number of Just My Imagination Workshops, 2010–2011: 15 Total Attendance for Just My Imagination, 2010–2011: 263 Georgia Museum of Art | Annual Report, 2010–2011

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Docent-Led Tours Total Number of Tours, 2010–2011: 124 Total Number of Visitors on Tours, 2010–2011: 2,406

Suitcase Tours Oconee County Primary School March 2 Attendance: 20 Oconee County Primary School 1st grade March 3 Attendance: 20 Oconee County Primary School 1st grade March 4 Attendance: 20 Oconee County Primary School 1st grade March 8 Attendance: 20 Chase Street Elementary School 3rd grade April 1 Attendance: 18

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Georgia Museum of Art | Annual Report, 2010–2011

Chase Street Elementary School 3rd grade April 5 Attendance: 18 Chase Street Elementary School 3rd grade April 8 Attendance: 18 Total Number of Suitcase Tours, 2010–2011: 7 Total Attendance for Suitcase Tours, 2010– 2011: 134

Miscellaneous Programs Leadership Sin Limites! Program Fanning Institute Collage workshop taught by Carissa DiCindio July 22, 11 a.m.

Attendance: 55 “An Evening of Writing and Art: Judith Ortiz Cofer’s Advanced Writing Class” April 28, 7 p.m.

In conjunction with the department of English, UGA Attendance: 137 Total Number of Miscellaneous Programs, 2010–2011: 2 Total Attendance for Miscellaneous Programs, 2010–2011: 192

Conferences and Symposia Trecento Conference in Memory of Andrew Ladis November 11–13, 2010 Support for this conference was provided by: Samuel H. Kress Foundation, New York, NY Georgia Museum of Art, Athens, GA Lamar Dodd School of Art, Athens, GA Willson Center for Humanities and Arts, Athens, GA Friends of the Georgia Museum of Art, Athens, GA C. L. Morehead Jr. This program was also supported in part by the President’s Venture Fund through the generous gifts of the University of Georgia Partners and other donors.

November 11, 2010, 5:30p.m.

Lamar Dodd School of Art, Room S151 Greeting from Associate of Graduate Art Students representative Kathryn Hall Welcome, William Eiland, director, Georgia Museum of Art 2010 Alfred Heber Holbrook Memorial Lecture Marvin Trachtenberg, Institute of Fine Arts, New York University “Building-in-Time: Thinking and Making Architecture in the Premodern Era” Attendance: 143 November 12, 2010 Morning Session I Session Chair: Shelley Zuraw, University of Georgia, Athens 9 a.m.

Lamar Dodd School of Art, Room S150

the Crucifixion in the National Gallery, Prague: texts, diagrams, and Italian narrative art” Sonia Chiodo, Università degli Studi di Firenze: “The formelle by Taddeo Gaddi and a new point of view: context and function of the Santa Croce sacristy in the Trecento” Marco Ciatti and Cecilia Frosinini, Opificio delle Pietre Dure e Laboratori di Restauro, Florence: “New results on Giotto’s panel paintings and wall paintings restoration at the Opificio delle Pietre Dure: the Ognissanti Crucifix and some prelimary remarks on the Peruzzi Chapel” Morning Session II Session Chair: Phillip Earenfight, Dickinson College, Carlisle, Pennsylvania

Amy Neff, University of Tennessee, Knoxville: “Landscapes of Revelation in Italian Art, ca.

1300” Peter Scholz, Kunsthistorisches Institut in Florenz (Max-Planck-Institut), Florence: “Creating Space and Constructing Identity. The Painted Architectures of Giusto de’Menabuoi and Altichiero” [did not attend: his paper was read.]

Amber A. McAlister, University of Pittsburgh, Greensburg: “Framing the Trecento: The Artistic Legacy of Giotto in the Migliorati Chapel, San Francesco (Prato)” Attendance: 82 Afternoon Session I Session Chair: Jeryldene Wood, University of Illinois, Champaign Urbana 2p.m.

Lamar Dodd School of Art, Room S150

Welcome, Georgia Strange, Director, Lamar Dodd School of Art

Laura Jacobus, Birkbeck, University of London: “Pascalino and the Mask of Death! Or, a ‘new’ trecento sculptor and an old problem”

Joanna Cannon, Courtauld Institute of Art, London: “An enigmatic Italian panel painting of

Gail E. Solberg. Associated Colleges of the Midwest, Florence: “The Tomb of Simone Georgia Museum of Art | Annual Report, 2010–2011

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Saltarelli (d. 1342), Florentine Archbishop of Pisa” Christopher R. Lakey, ACLS Postdoctoral Fellow, Johns Hopkins University, Baltimore, Maryland: “Rilievo before Alberti: Pacino da Bonaguida and the ‘Mixed-Media’ Image” Afternoon Session II Session Chair: Nancy Thompson, St. Olaf College, Northfield, Minnesota Matthew G. Shoaf, Ursinus College, Collegeville, Pennsylvania: “The speaking image, socialized: Visual articulation in trecento art” Judith Steinhoff, University of Houston, Texas: “Grieving in Trecento Tuscany: Representation and Regulation” Jennifer Webb, University of Minnesota Duluth: “Christ Standing in the Tomb & the Salimbeni Brothers: The problem of the ‘International Style’ in the Marche region” Cordelia Warr, Manchester University (UK): “Representing Stigmatics in Fourteenth- and Fifteenth-century Italian Art” Attendance: 70

Perri Lee Roberts, University of Miami, Florida: “The Trecento Cult of Sant’Egidio in Florence”

Morning Session IV Session Chair: Tiffanie Townsend, Georgia Southern University, Statesboro, Georgia

Dylan Rogers, University of Virginia: “Perfettissimo Marmo Lavorato: Influences and Meaning in the Pavement of the Cappella Palatina, Palermo” Rafal Quirini-Poplawski, Jagellonian University, Krakow: “On the Artists and Objects of Art in the World of the Genoese Colonies in the Late Middle Ages” Afternoon Session III Session Chair: Asen Kirin, University of Georgia, Athens 1:30 p.m.

Lamar Dodd School of Art, Room S150 Costanza Cipollaro, University of Vienna: “The Impact of Franciscan Art in the Levant, 1250– 1400” Anne Dunlop, Tulane University, New Orleans, Louisiana: “Trecento painting and the Pax Mongolica” [did not attend: her paper was read]

November 13, 2010 Morning Session III Session Chair: George Bent, Washington and Lee University, Lexington, Virginia 9 a.m.

Lamar Dodd School of Art, Room S150

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Anna M. Migdal, Université Lumiére Lyon II: “The development of the Italian “picturereliquary” from the Trecento to the Fifteenth Century in Polish painting” Attendance: 63

Anne Derbes and Mark Sandona, Hood College, Frederick, Maryland: “The Moral Topography of Hell in the Arena Chapel, Padua”

Afternoon Session IV Session Chair: Shelley Zuraw, University of Georgia

Allie Terry-Fritsch, Bowling Green State University, Ohio: “Giotto’s Hand of Justice: Criminal Viewers in the Chapel of the Magdalene in Florence”

Jack Freiberg, Florida State University, Tallahassee: “The ‘Image of Pity’ in Santa Croce in Gerusalemme, Pope Gregory the Great, and the Catholic Monarchs”

Georgia Museum of Art | Annual Report, 2010–2011

Yuri Pyatnitski, State Hermitage Museum, St. Petersburg: “Post-Byzantine Cretan Icons from the Collection of the State Hermitage and Their Italian Models” Asen Kirin, University of Georgia, Athens: “Late Byzantine Idiom with an Italian Accent: The 15th- and 16th-century Frescoes in the Cathedral of Turnovo, Bulgaria” Attendance: 73 Total Number of Conferences and Symposia, 2010–2011: 1 Total Attendance for Conferences and Symposia, 2010–2011: 431

Speakers: Docent officers and education staff Introduction to the Collection Speaker: Paul Manoguerra, chief curator and curator of American art Location: Lyndon House Arts Center Attendance: 24 October 11 Book discussion: The Forger’s Spell: A True Story of Vermeer, Nazis, and the Greatest Art Hoax of the Twentieth Century by Edward Dolnick Location: Home of Melody Croft Attendance: 12

Evening for Educators February 10, 4–6 p.m.

Attendance: 47

October 19 Field trip to Hope Farm, Bishop, Georgia Speakers: Gloria Early Norris, hostess Dale Couch, curator of decorative arts, Henry D. Green Center for the Study of the Decorative Arts Location: Farm home of Gloria Early Norris Attendance: 21

Total Number of Events for Teachers, 2010–2011: 1 Total Attendance for Events for Teachers, 2010–2011: 47

October 25 Tour of the Georgia Museum of Art Speaker: Annelies Mondi, deputy director Attendance: 26

Community Docent Education

November 8 Preview of film and discussion of exhibition, Horizons: The Art of Steinunn Thórarinsdóttir Speaker: Lynn Boland, Pierre Daura Curator of European Art, Daura Center Talking About Art and Designing a Tour Speaker: Carissa DiCindio Location: Athens Clarke County Library Attendance: 20

Events for Teachers

The Docent Program Syllabus, 2010–2011 Docents meet on Mondays, 10 a.m.–noon, unless otherwise noted.

August 2 Book discussion: The Glass Room by Simon Mawer Location: Home of Jean Petrovs Attendance: 15 September 13 Book discussion: Portrait of an Unknown Woman

by Vanora Bennett Home of Cece Hinton (now Warner) Attendance: 12 September 27 Welcoming Reception for the Docent Program, 2010–2011 Introduction to the Docent Program

November 16 The Basics. Provisional docents meet with Ruthann Walton Location: Home of Cece Hinton Attendance: 15 November 22 Kress Collection of GMOA Speaker: Lynn Boland Location: Central Presbyterian Church Attendance: 23

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November 29 American art at GMOA Speaker: Paul Manoguerra Location: Athens-Clarke Regional Library Attendance: 21 December 6 Reception and meeting with the director Location: Home of William U. Eiland Attendance: 29 Book discussion: The City of Falling Angels by John Berendt Location: Panera Bread Attendance: 12 December 13 Decorative arts at GMOA Speaker: Dale Couch Location: Athens-Clarke County Library Attendance: 22 From here on, docents met at GMOA unless otherwise noted January 18 Preparation for opening of GMOA Tues. Presentation of new catalogue One Hundred American Paintings Attendance: 25

January 24 Grand tour of galleries Speakers: director and curators Attendance: 30 February 7 Tours by experienced docents spotlighting selected works Preparation for fifth-grade tours.

Catalogue: Tracing Vision: Modern Drawings from the Georgia Museum of Art Attendance: 26 February 14 Todd Rivers, chief preparator, talks about the preparation department Decorative arts: speaker: Dale Couch Talks by docents based on One Hundred American Paintings Attendance: 24 42

Georgia Museum of Art | Annual Report, 2010–2011

February 21 Book discussion: Luncheon of the Boating Party by Susan Vreeland Attendance: 9 February 28 Lecture on Tradition Redefined: The Larry and Brenda Thompson Collection of African American Art Guest speaker: Brenda Thompson Gallery tour with Brenda Thompson and Stephanie Jackson Attendance: 38 March 7 Docent education workshop with Carole Henry, professor of art, graduate coordinator of LDSOA, and co-chair of art education Dr. Henry is author of The Museum Experience: The Discovery of Meaning.

Attendance: 23 March 14 Practice in the galleries Attendance: 12 March 21 Talks by docents on selections from One Hundred American Paintings Attendance: 20 April 4 Lecture in the auditorium followed by talk in the Kress Gallery “Saints and Their Attributes” Speaker: Sam Carleton Talks by docents on selections from One Hundred American Paintings Attendance: 16 April 11 Field Trip to Columbus, Georgia, to see exhibitions of works by Bo Bartlett Arranged by Jan Miller, curator of the exhibitions; organized by Berkeley Minor Trip included: Columbus State Museum and Illgess Gallery; and galleries of the W. C. Bradford Co., and Columbus Bank and Trust Co. Attendance: 9 docents plus 12 patrons from Columbus

April 18 DALI, part I. Tour: Dali Illustrates Dante’s Divine Comedy Speaker: Lynn Boland Talks by docents on selections from One Hundred American Paintings Attendance: 25

June 27 Book discussion: The Judgment of Paris: The Revolutionary Decade That Gave the World Impressionism, by Ross King Location: Home of Kitty Donnan for discussion and lunch Attendance: 15

Book discussion and lunch: William Glackens and the Eight: The Artists who Freed American Art, by Ira Glackens Attendance: 14

Total Number of Community Docent Sessions, 2010–2011: 31 Total Attendance for Community Docents, 2010–2011: 709

April 25 DALI part II. Tour: Dali Illustrates Dante’s Divine Comedy Talks by docents on selections from One Hundred American Paintings Attendance: 23

Student Docent Education

May 2 Planning session and workshop Talks by docents on selections from One Hundred American Paintings Attendance: 21

September 16 Welcome by Cecelia Hinton, curator of education, and Carissa DiCindio Introductions Syllabus and guidelines Overview of the program Attendance: 18

May 9 Annual meeting, graduation, and holiday luncheon at the Georgia Club Attendance: 33 May 16 Tours of new exhibitions American Watercolors from the Permanent Collection Speaker: Paul Manoguerra The Art of Disegno: Italian Prints and Drawings from the Georgia Museum of Art Speaker: Lynn Boland Attendance: 29 June 6 Docent education Talks by docents on selections from One Hundred American Paintings Attendance: 30 June 20 Docent education Five-minute tours on One Hundred American Paintings Attendance: 23

Thursdays: 5–6:30 p.m.

Fall 2010: Room N315, Lamar Dodd School of Art Spring 2011: Georgia Museum of Art

September 30 About the museum Introduction to the collection Speaker: Paul Manoguerra, curator of American Art Reading: Manoguerra, P. (2007). Georgia Museum of Art. American Arts Quarterly, 19(4), 86–97.

Attendance: 14 October 7 Designing a tour Themes and subjects Readings: Hubard, O. (2010). Three modes of dialogue about works of art. Art Education, 63(3), 40–45; Hubard, O. (2007c). Productive information: Contextual knowledge in art museum education. Art Education, 60(4), 17–23.

Attendance: 16

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October 14 Using dialogue with visitors Practice with a partner—conversation exercise Reading: Burnham, R. (1994). If you don’t stop, you don’t see anything. Teachers College Record, 95(4), 520–525.

Attendance: 18 November 4 Different audiences: Engaging Adult Audiences Speaker: Carole Henry, professor of art education, UGA Reading: Henry, C. (2007). Understanding the museum experience. In P. Villeneuve (Ed.), From periphery to center: Art museum education in the 21st century (pp. 158–164). Reston, VA: National Art Education Association.

Attendance: 16 November 18 Different audiences: Children Techniques and ideas for working with children Speaker: Karen Benson, docent at the Georgia Museum of Art Reading: Hubard, O. (2007). Complete engagement: Embodied response in art museum education. Art Education, 60(6), 46–53.

Attendance: 15 December 2 Introduction to the Decorative Arts Speaker: Dale Couch, curator of decorative arts Holiday party Reading: Information about the permanent collection Attendance: 16 January 13 Preparing for the opening: Activities in the galleries Attendance: 14

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January 20 Preparing for the opening: Activities in the galleries Attendance: 12 January 27 Different audiences: Diversity Speakers: Tim Carr and Dale Gibson, Disability Resource Center Introduction to European Art Speaker: Lynn Boland, Pierre Daura Curator of Art Attendance: 13 February 17 Practicing dialogue in the galleries Each student will pick a work of art from the permanent collection in the fall semester and lead a conversation about the work Attendance: 14 Spring: Student docents attended lectures and gallery talks in conjunction with the collection and special exhibitions on Thursday nights.

April 28 Final Meeting Attendance: 17 Total Number of Student Docent Sessions, 2010–2011: 12 Total Attendance for Student Docent Sessions, 2010–2011: 183

Total Number of Education Programs, 2010–2011: 257 Total Attendance for Education Programs, 2010–2011: 6,408

LIBRARY Lucy Minogue Rowland has been serving as the volunteer director of the Louis T. Griffith Library since the move back into the building.

She retired from UGA as Professor/Librarian IV Emerita on June 30, 2010, after more than 35 years in the Science Library, and as College Librarian, College of Veterinary Medicine, for 30 years. Rowland has been culling and organizing the library’s collection.

REGISTRATION DEPARTMENT Personnel Due to budgetary constraints, an assistant registrar position has not been filled since January 2010. Therefore, the registration department has been operating with only three full-time employees and expects to remain at this reduced staffing level into FY12. When the budget situation improves, the full-time fourth registrar position will be posted and filled.

While Tricia Miller, head registrar, was on extended medical leave from mid-August through November 2010, Christy Sinksen served as acting head registrar. In addition to her regular duties, she coordinated and processed all new acquisitions, tracking and reporting this activity to the collections committee; liaised with the museum’s Board of Advisors, donors, and sellers; coordinated movement and storage of new acquisitions between the museum’s temporary offices and off-site storage; arranged incoming loans and upcoming exhibitions; advised regarding collections storage needs and equipment for the renovated museum; made conservation arrangements for collections items; revised and submitted the collections management portion of the museum’s reaccreditation self-study report; supervised the assistant registrar and assisted staff interns; oversaw the departmental budget and tracked expenditures; and participated in the weekly department heads meeting.

Collections Management The department coordinates ongoing collections management tasks such as accessioning new acquisitions; updating and organizing artist, object, and exhibition information; assessing collections storage and updating storage facilities and techniques; assessing conservation needs and obtaining treatment for loaned works and works in the permanent collection; acquiring technical and other equipment needed for proper handling, storage, and tracking of the collection; working with visitors interested in viewing GMOA’s collections; responding to inquiries and correspondence from students, professors, museum professionals, and the general public regarding the museum collections and installations; tracking of non-accessioned objects; and updating policies and internal forms. This year, the registrars formalized the daily checks of the galleries by assigning particular galleries to each member of the department. Each registrar checks the works of art in her gallery every day.

Phase II Construction and Reopening Much of the first half of FY11 was devoted to preparations for the reopening of the museum.

Miller prepared the object inventory list and shipping lists for use during the return of the objects to the museum and for use during unpacking. New acquisitions and their locations were added to the lists and all the information sorted in several different ways to aid in tracking the objects during movement. Annelies Mondi, deputy and director, and Sinksen coordinated the return of the entire collection to the museum in October 2010. More than 8,000 objects, including extended loans, were packed and relocated to the museum from their temporary off-site collection storage space. Sinksen aided the deputy director in coordinating this shipment via multiple tractor trailer loads within a one-week period. She developed an inventory and routing template to be used at both ends of the shipment, performing the inventory and routing at the incoming end while maintaining Georgia Museum of Art | Annual Report, 2010–2011

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communication with the assistant registrar, Sarina Rousso, at the outgoing end to ensure a secure and orderly transport.

The packed objects were stored in the vaults and galleries. Unforeseen requirements by the fire marshal caused a significant delay in obtaining a certificate of occupancy for the building and the staff was unable to move into the building until December 6, 2010. With the reopening of the building to the public scheduled for January 30, 2011, the registrars and preparators focused on locating and unpacking objects for the opening exhibitions, moving all objects that remained packed into the storage rooms, and installing the exhibitions in the galleries for the grand opening.

The solander boxes containing the works on paper in the permanent collection were unpacked and placed on their shelving in the new print storage room in January 2011, but further unpacking of the collection did not begin in earnest until April 2011. To maintain progress on unpacking the collection while operating a normal exhibition and daily schedule, the registrars take at least two days a week to work solely on unpacking the collection. At the close of FY11, they have unpacked more than 1,200 objects and returned them to their locations.

Acquisitions During FY11, the Registrars Department accessioned 348 new objects into the collection (please see pages 59–86). This group includes 15 three-dimensional objects (sculpture, Asian or African objects, or folk art), 33 paintings, 75 decorative arts objects, and 225 works on paper (including photographs). Miller and Sinksen participated on the Collections Committee, and all of the registrars executed preliminary cataloguing for new accessions. The preliminary cataloguing process includes correspondence with donors, dealers, and appraisers, condition reporting, applying accession numbers, assigning permanent locations, tracking the cataloguing process on a shared excel spreadsheet, compiling curatorial files and typing curatorial sheets, data entry in the AIMS collections database, and working closely with the curatorial staff to obtain complete cataloguing information.

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Due to the construction of Phase II, new acquisitions were quickly taken to off-site storage, and, therefore, the registrars were able to perform only a portion of the usual preliminary cataloguing procedures during that time. While they are unpacking the collection and placing objects in the new storage areas, they are working to resume normal cataloguing procedures and to address the backlog of cataloguing compiled while the museum was closed.

Deaccessioning The museum initiated its deaccessioning procedures in FY11 with a proposal from Dale Couch, curator of decorative arts, to remove the following object from the museum’s possession: Manufacturer: Zuber et Cie Hand-painted wallpaper in the “Hindoustan Pattern,” depicting five major figural landscape scenes with duck egg blue skies and sky ground headers Approximately 1546 square feet Non-accessioned The wallpaper is a non-accessioned item and the collections committee followed all the procedures for deaccession as laid out in the museum’s deaccessioning policy and procedures.

The wallpaper will be sold at Brunk Auctions, Asheville, North Carolina, in September 2011.

Extended Loans The department currently manages 3,487 extended loans, including 1,772 objects owned by the University of Georgia Foundation. Of the latter, 1,147 are works belonging to the estate of Lamar Dodd. Eighty-two new extended loans were added this fiscal year and the registrars department is in negotiations with one other lender regarding extended loans. Four objects on extended loan were returned to their lenders in FY11. Tricia Miller and Christy Sinksen processed incoming extended loans.

Currently, the Georgia Museum of Art houses 106 works of art from the Jason Schoen Collection as an extended loan, 13 of which were installed in the permanent collection galleries for the reopening of the museum. In

addition, GMOA is storing the 152 works on paper from the Schoen collection that comprise the exhibition The American Scene on Paper: Prints and Drawings from the Schoen Collection. After the Gibbes Museum of Art showed this exhibition December 19, 2008–March 22, 2009 and the Columbus Museum (Georgia) hosted it July 12–September 20, 2009, the Georgia Museum of Art showed it among its inaugural exhibitions January 30–May 1, 2011. GMOA was the final venue for this exhibition.

Tricia Miller continues to work with Jason Schoen to manage his collection while it resides at GMOA. During FY11, nine of Mr. Schoen’s objects were loaned out or remained on loan to the following exhibitions: Exhibition: Venues:

Object(s):

Extended loan Columbus Museum of Art, Columbus, OH: April 6, 2006–indefinitely Dale Nichols Come to Supper Oil on canvas

Exhibition: Venues:

Object(s):

Robert Vickery retrospective Harmon-Meek Gallery, Naples, FL: February 20, 2007–indefinitely Robert Vickery Sunlight and Shadow, 1977 Acrylic on board

Exhibition:

Venues:

Object(s):

Higher Ground: A Century of Art in East Tennessee Knoxville Museum of Art: May 1, 2008–December 31, 2010 Charles Rain Eclipse, 1946 Oil on board [This work remains on loan to the Knoxville Museum of Art indefinitely.]

Exhibition:

Venues:

Object(s):

The 1930s: Selections from the Jason Schoen Collection Westmoreland Museum of American Art: January 24– May 16, 2010 Charles T. Bowling (1891–1985) Church at the Crossroads, 1936 Oil on Masonite

[This work remains on extended loan to the Westmoreland Museum of American Art indefinitely.]

Carl Frederick Gaertner (1898– 1952) Night in Pittsburgh, 1938 Oil on canvas [This work remains on extended loan to the Westmoreland Museum of American Art indefinitely.]

Kenneth Hayes Miller (1876–1952) Business of the Day, 1939–40 Oil on canvas [This work remains on extended loan to the Westmoreland Museum of American Art indefinitely.]

Exhibition:

Venues: Object(s):

Joe Jones: Painter of the American Scene St. Louis Art Museum: 2010 Joe Jones Threshing, 1935 Oil on Masonite [This work remains on extended loan to the St. Louis Art Museum indefinitely.]

Joe Jones Unemployed Oil on canvas [This work remains on extended loan to the St. Louis Art Museum indefinitely.]

Exhibition:

Venues:

Object(s):

To Make a World: George Ault and 1940s America Smithsonian American Art Museum: March 11–September 5, 2011 Nelson Atkins Museum of Art, Kansas City, MO: October 15, 2011–January 8, 2012 Georgia Museum of Art, University of Georgia: February 18–April 16, 2012 Edward Biberman Tear Gas and Water Hoses, 1944–45 Oil on canvas

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Art on Campus The Art on Campus database remains a useful tool for tracking reported changes in the inventory and for responding to inquiries from the public regarding works in the University of Georgia’s campus collections. To date, 96 departments have reported 2,319 objects.

The Georgia Museum of Art no longer lends works of art from its collection to campus departments or units except for the Provost’s and President’s Offices; a number of “grandfathered” campus loans remain at certain units and will be recalled when deemed appropriate. The Georgia Museum of Art currently has 77 permanent collection works on loan to campus departments.

This number includes 15 works from the Estate of Lamar Dodd, which prescribed that the works be placed in campus buildings.

Sinksen is responsible for assisting and advising departments or units with issues regarding art on campus. She also maintains a list of departments that have requested to be placed on a waiting list for the placement of works of art in their department or unit. There are presently 22 departments on this list.

Property Control Inventory Sinksen serves as the museum’s liaison with the university’s Office of Property Control, which she updates by sending periodic lists of the museum’s new acquisitions, receiving in return Property Control inventory numbers assigned to new acquisitions, which are subsequently entered into the museum’s collections database and filed. In addition, she conducted the annual spot-check art inventory mandated by Property Control and reported the results to that office.

At the request of this office, Sinksen also began an additional comprehensive inventory of 7,981 collections objects identified by the Property Control database, which is currently ongoing.

Photography and Rights to Reproduction Requests Sarina Rousso coordinates requests for reproduction of works in the museum’s collection by responding to emails and phone 48

Georgia Museum of Art | Annual Report, 2010–2011

calls from institutions—both nonprofit organizations and commercial publishers— seeking rental privileges and rights for the reproduction of images in GMOA’s permanent collection. This year, Rousso handled 25 photography and rights to reproduction inquiries and requests. Five of these requests have generated $535 in fees. She received five completed projects and publications containing reproductions of four works from the permanent collection and three works on extended loan from the Jason Schoen Collection. Please refer to pages 56–58 for details regarding rights to reproduction requests.

While working with these photography requests and inquiries, Rousso has kept abreast of current laws and issues related to copyright and added information to the museum’s list of artists for which GMOA does not own copyright up to date.

During FY11, Rousso coordinated the ongoing photography of works in GMOA’s collection, which included a total of 55 works of art. Of the objects photographed, 45 were items from the permanent collection and 10 were loans. She received and processed the digital images by adding the images to the image drive, backing up the images, and updating the curatorial information for the photographed objects.

Conservation In FY11, conservation work was completed on five objects from the permanent collection and three loaned objects. In addition, one object was examined by a conservator, but no conservation performed. At the close of FY11, three objects were in the process of being conserved. In the absence of a fourth registrar, Miller coordinated conservation activities which include assisting with the deliveries and pickups of conserved works and updating the conservation lists and curatorial files for each object conserved or assessed.

Objects Conserved

Loans (3 Objects for exhibitions)

Permanent Collection (5 objects)

Polly Knipp Hill Suwanee River Etching on paper Extended loan from Stephen J. Goldfarb GMOA 2010.1E

George Loring Brown (American, 1814–1889) Autumn on the Hudson, 1861 Oil on canvas

Georgia Museum of Art, University of Georgia; The Mr. and Mrs. Fred D. Bentley Sr. Collection of American Art, gift of Mr. and Mrs. Fred D. Bentley Sr. GMOA 1987.78

Unidentified maker (early 19th century, Savannah River valley) Server, or writing table, ca. 1800–25 Primary wood: river birch; secondary wood: southern yellow pine; inlay: holly (by microanalysis) Georgia Museum of Art, University of Georgia; Museum purchase with funds provided by Rowland and Letitia Radford GMOA 2010.37 Marsden Hartley (American, 1877–1943) In the Moraine, Dogtown Common, 1931 Oil on canvas Georgia Museum of Art, University of Georgia; University purchase GMOA 1969.2533 Henry Inman (American, 1801–1846) Portrait of a Woman Oil on canvas Georgia Museum of Art, University of Georgia; The Mr. and Mrs. Fred D. Bentley Sr. Collection of American Art, gift of Mr. and Mrs. Fred D. Bentley Sr. GMOA 2006.243 Lamar Dodd (American, 1909–1996) Festivity, 1963 Oil on canvas Georgia Museum of Art, University of Georgia; Extended loan from the University of Georgia Foundation GMOA 1975.57F

John Heliker Untitled (car), Ink on paper Collection of William U. Eiland John Heliker Early Evening Ink on paper Collection of William U. Eiland Conservation Examinations: No Treatment (1 Object)

Anonymous 18th -Century French (?) Copy after Nicolas Poussin (French, 1594–1665) Holy Family on the Steps, n.d.

Red chalk with red chalk wash on cream-colored paper 36 x 39 inches (frame) Georgia Museum of Art, University of Georgia; Extended loan from the collection of Giuliano Ceseri GMOA 2002.94E *Frame only Frame examined but no work performed at this time.

Conservation Facilitated by GMOA for patrons (0 Objects):

No conservation facilitated by GMOA for patrons or donors in FY 10.

Conservation in progress (3 Objects):

Unidentified maker Saint George and the Dragon, n.d.

Stained glass Georgia Museum of Art, University of Georgia GMOA 1964.1087 Georgia Museum of Art | Annual Report, 2010–2011

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Pierre Daura (American, b. Spain, 1896–1976) Green Apples (Still Life), 1939–55 Oil on panel Georgia Museum of Art, University of Georgia; Gift of Martha Randolph Daura GMOA 2003.327 18th-century gilded frame Collection of Giuliano Ceseri

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assistance with installation. Miller and Sinksen participate on the curatorial committee.

Exhibitions organized by other institutions, organizations, or individuals: • Tradition Redefined: The Larry and Brenda Thompson Collection of African American Art • Stone and Steel: Small Works by Beverly Pepper • Horizons (Steinunn Thorarinsdottir) • Dalí Illustrates Dante’s Divine Comedy

During FY11, the museum’s director secured and encumbered funds for the purchase of a new collections database system with accompanying software for providing online public access to selected collections information. In conjunction with Mondi, the registrars identified The Museum System (TMS) as the preferred database for GMOA. At the close of this fiscal year, Mondi was negotiating with the University’s EITS department on arrangements for the university to host and support the database on its servers and the cost for that service. Once these details are determined, the department will move forward with the purchase and implementation of the new system.

Exhibitions organized by GMOA curators or guest curators:

Exhibitions Management

Traveling Exhibitions and Outgoing Individual Object Loans:

The department coordinated 12 temporary exhibitions in FY11. Much of the first half of FY11 was devoted to preparations for the opening of the museum’s inaugural exhibitions on January 30, 2011, including the opening of eleven new galleries displaying objects from the permanent collection.

Four temporary exhibitions were organized by other institutions, organizations, or individuals, and eight exhibitions were organized by in-house staff.

Coordination of exhibitions includes correspondence with lenders, reviewing and negotiating contracts and loan agreements, reviewing or submitting facilities reports, working with insurance issues, incoming and outgoing shipping arrangements, courier arrangements, incoming and outgoing condition reports, maintaining exhibition files, and often

Both Miller and Sinksen coordinated traveling exhibitions, and Sinksen coordinated outgoing individual object loans during FY11. As the outgoing loan coordinator for the museum, Sinksen is concerned with the management of loans of individual objects and full exhibitions to other institutions. The number of venues requesting outgoing loans has increased since last year due to the expiration of the loan moratorium extending from February 2008– January 2011, which was necessitated by the museum’s Phase II expansion and renovation project.

As an expression of the Georgia Museum of Art’s role as the state museum of art in Georgia, a priority is placed on serving instate venues, which benefit from a discounted exhibition rental fee.

Georgia Museum of Art | Annual Report, 2010–2011

• The American Scene on Paper: Prints and Drawings from the Schoen Collection • The Art of Disegno: Italian Prints and Drawings from the Georgia Museum of Art • American Watercolors from the Permanent Collection • Selections from GMOA’s collection of works on paper • Recent acquisitions in works on paper • Selections from GMOA’s photography collection • Anthony Goicolea, snowscape • Gary Hudson, Pi Kuan

In FY11, the registrars department coordinated four outgoing exhibition loans and 20 outgoing object loans, bringing in a total of $10,975 in fees.

Please refer to pages 53–56 for a full report on both types of outgoing loans. A brief survey of statistics from these reports follows: Outgoing Individual Object Loans

Outgoing Exhibition Loans

(Current FY and future projects) Total works loaned/to be loaned: 20; 7* Total number of venues: 17; 9 Total fees: $2,975; $2,300

* This year’s figure; last year’s figure

(Current FY and future projects) Total exhibitions/venues: 4; 3* Total works: 161; 46 Total fees: $8,000; $2,000 Total attendance: 0 current; 2,523

The former slate of twelve traveling exhibitions offered by the Georgia Museum of Art had been unchanged since the redesign of the traveling exhibitions brochure in 2001, and several of these exhibitions had begun touring several years prior. To mitigate risk to the works of art from accumulated travel and reinvigorate the offerings of the traveling exhibitions program, a committee was formed in 2010 to develop a new slate of traveling exhibitions in conjunction with the museum's grand reopening this year. The committee, chaired by Sinksen and composed of the fine arts and education curators, deputy director, head registrar, chief preparator, editor, public relations coordinator, and shop manager, has developed a slate of twelve new traveling exhibitions, two of which have been fully completed and are now ready for booking.

All twelve of these exhibitions will be enhanced with extended label/wall text, educational packets and programming, a PR package and publication, traveling crates, and shop merchandise, as the museum’s funds permit. The exhibitions’ rental fees will be raised commensurately, with the same dual-pricing structure that affords a discount to Georgia borrowers.

Archway Partnership of the University of Georgia The museum’s traveling exhibition program has recently become a resource formally offered by the University of Georgia’s Archway Partnership, an outreach platform facilitated by the university to deliver a range of higher education resources to address economic and community development within eight Georgia partnership communities. In November 2009, Sinksen gave a presentation on the museum’s traveling exhibition program to a group of community arts leaders as part of a reception hosted by the Archway Partnership. As a result of this introduction, Arts Clayton Gallery of Jonesboro, Georgia, an Archway Partnership Community, will serve as the first venue for the Georgia Museum of Art’s re-launched traveling exhibitions program, hosting Prints by Women: Selected European and American Works from the Georgia Museum of Art from August 5 to September 24, 2011.

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Special Traveling Exhibitions Miller performed preliminary work this fiscal year on the following upcoming exhibitions to be traveled by GMOA. Preliminary work includes securing contracts, condition reporting, and planning for packing and shipment.

The Art of Disegno: Italian Prints and Drawings from the Georgia Museum of Art to be displayed at the Crocker Art Museum, Sacramento, CA, November 19, 2011–February 12, 2012

In-House and Incoming Exhibitions The registrars department has performed the duties associated with thirteen upcoming in-house and incoming exhibitions. Duties include preliminary correspondence, reviewing and negotiating contracts or loan agreements, submitting a facilities report, resolving insurance issues, making incoming and outgoing shipping arrangements, creating incoming and outgoing condition reports, maintaining exhibition files, and updating curatorial files for exhibited works in the museum’s collection.

The upcoming exhibitions are: • Lamar Dodd: Paintings and Drawings • The Art of Hatch Show Print

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Georgia Museum of Art | Annual Report, 2010–2011

• Hot Metal and Cool Paper: The Black Art of Making Books • Edmund Lewandowski: Precisionism and Beyond • Dale Nichols: Transcending Regionalism • Quiet Spirit, Skillful Hand: The Graphic Work of Clare Leighton • Georgia Bellflowers: The Furniture of Henry Eugene Thomas • A Divine Light: Northern Renaissance Paintings from Bob Jones University Museum and Gallery • To Make a World: George Ault and 1940s America • De Wain Valentine: Human Scale • Cercle et Carré and the International Spirit of Abstract Art • William H. Johnson: An American Modern • Art Interrupted

Other Duties All registrars continued to fulfill requests from students, professors, or the general public to study works in the museum’s collection or for assistance finding conservation, appraisal, or fine arts shipping resources. Miller and Sinksen serve on the museum’s collections and curatorial committees. Sinksen is currently the head of the museum’s ethics committee. Rousso maintained and updated the exhibition chronology file for 2002–present and updated the running acquisitions list. She also continues to update curatorial files and data on the AIMS database, copy information for the curatorial files, and organize the exhibition file folders.

Exhibition Loans Organized by the Georgia Museum of Art July 2010–June 2011

Exhibition Title

Dates, # of Works

Venue

Rental Fee, Attendance

4/20/11–4/20/12 82 works

Hartsfield-Jackson Atlanta International Airport (Atlanta, GA)

Fee to be paid in FY 12; attendance TBD in FY 12

Prints by Women: Selected European and American Works from the Georgia Museum of Art

8/5–9/24/11 47 works

Arts Clayton Gallery (Jonesboro, GA)

$4,000

Tentative: Impressions of the Georgia Coast: Selections from the Georgia Sea Grant College Collection of Coastal Art

2011–2012 (during school year) 32 works

Athens Academy (GA)

$4,000

The Art of Disegno: Italian Prints and Drawings from the Georgia Museum of Art

11/19/11–2/12/12 53 works

Crocker Art Museum (Sacramento, CA)

$7,000

Exhibitions Opening This Fiscal Year: All Creatures Great and Small Future Exhibitions:

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Outgoing Object Loans Organized by the Georgia Museum of Art July 2010–June 2011 Title of Work(s) Title of Exhibition Venue(s), Dates

Fees

Object Loans Opening and Closing This Fiscal Year: James Abbott McNeill Whistler, Rose and Red: The Barber’s Shop, Lyme Regis, GMOA 1945.96

Loan fee $150

Exhibition title: Taxing Visions: Financial Episodes in Late Nineteenth-Century American Art

Crating fee $500

Palmer Museum of Art, Pennsylvania State University (University Park, PA), September 28–December 19, 2010

Off-site retrieval fee $100

Object Loans Opening This Fiscal Year: Edmund Lewandowski, Devil’s Gateway, GMOA 1961.814 Edmund Lewandowski, Third Avenue N.Y.C., GMOA 1990.1

Loan fee $225

Exhibition title: Edmund Lewandowski: Precisionism and Beyond

Crating fee $1,000

Winthrop Galleries, Winthrop University (Rock Hill, SC); September 6– December 9, 2010 Mobile Museum of Art (AL), January 21–April 2, 2011 Flint Institute of Arts (MI), May 7–August 7, 2011 [organizing institution] * Georgia Museum of Art, September 10–December 4, 2011 Museum of Wisconsin Art (West Bend), January 11–April 8, 2012 [cancelled] Gary Noffke (Stencil Brothers), Ring on Fire, recent gift Gary Noffke (Stencil Brothers), 7 Cent Assassination, recent gift

Loan fee waived per Bill

Exhibition title: Attitude and Alchemy: The Metalwork of Gary Lee Noffke

Packing fee $100

Mint Museum Uptown (Charlotte, NC), April 2–September 11, 2011 Future Object Loans: Romare Bearden, Mecklenburg County, Lamp at Midnight, GMOA 1998.21 Exhibition title: Romare Bearden: Southern Recollections Mint Museum Uptown (Charlotte, NC), September 2, 2011–January 7, 2012 Venue 2 TBD, January 28–April 7, 2012 Venue 3 TBD, May 5–July 28, 2012 54

Georgia Museum of Art | Annual Report, 2010–2011

Loan fee waived per Bill Crating fee $500

Outgoing Object Loans Cont.

Title of Work(s) Title of Exhibition Venue(s), Dates

Fees

Tentative: Art Rosenbaum, McIntosh County Shouters, GMOA 1996.84

Loan fee TBD No packing fee (soft pack)

Exhibition title: TBD Morris Museum of Art (Augusta, GA), September 17–November 6, 2011

Exhibition title: Shared Treasure: The Legacy of Samuel Kress

Loan fee waived (reciprocal Kress loan)

Allentown Art Museum (PA), October 16, 2011–January 15, 2012

Crating fee $250

Tentative: Marsden Hartley, In the Moraine, Dogtown Common, Cape Ann, GMOA 1969.2533

Loan fee $150

Paolo di Stefano Schiavo, The Crucifixion, GMOA 1961.1887

Crating fee TBD

Exhibition title: TBD (Marsden Hartley Dogtown exhibition) Cape Ann Museum (Gloucester, MA), June 9–October 14, 2012 Tentative: Raymond Breinin, Her Lover’s Return, GMOA 1948.196 Adolf Dehn, Bowery Follies, GMOA 1948.201 O. Louis Guglielmi, Tenements, GMOA 1948.197 Julian Levi, Wasteland Images, Martha’s Vineyard, GMOA 1948.198 De Hirsh Margules, Color Mood, GMOA 1948.202 Reginald Marsh, Lifeguards, GMOA 1948.205 Hans Moller, The Cow, GMOA 1948.203 Ben Shahn, The Clinic, GMOA 1948.204 Everett Spruce, Owl on Rocks, GMOA 1948.199 Nahum Tschacbasov, Choir Boys, GMOA 1948.200

Loan fee waived Crating fee TBD (?)

Exhibition title: Art Interrupted: Advancing American Art and the Politics of Cultural Diplomacy Jule Collins Smith Museum, Auburn University (AL), September 1, 2012– January 5, 2013 Fred Jones Jr. Museum of Art, University of Oklahoma, Winter/Spring 2013 [Dates TBD)] Indiana University Art Museum (Bloomington), September 13–December 15, 2013 * Georgia Museum of Art, University of Georgia (Athens), Winter/Spring 2014 [Dates TBD] Georgia Museum of Art | Annual Report, 2010–2011

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Outgoing Object Loans Cont.

Title of Work(s) Title of Exhibition Venue(s), Dates

Fees

Tentative: Georgia O’Keeffe, Red Barn, Lake George, New York, GMOA 1945.70

Loan fee TBD (possible reciprocal loan)

Exhibition title: Modern Nature: Georgia O’Keeffe and Lake George

Crating fee TBD The Hyde Collection (Glens Falls, NY), June–September 2013 Georgia O’Keeffe Museum (Santa Fe, NM), dates TBD Venue 3 TBD

Income from Reproductions and Photography Requests

56

Image

Institute/Person

Publication/Purpose

Amount

Jacob Lawrence Children at Play GMOA 1947.178 and Ralston Crawford Test Able GMOA 1946.140

Patricia Hills, 6/2009 professor of art history and African American studies, Boston University

High res. digital image rentals for reproduction in scholarly pub. Nonprofit and rush rate for 8x10 TIFF 6-month rental 350 dpi, provided on CD

$210

Alexander H. Wyant On the Mountainside GMOA

Anthony E. Battelle The Wyant Website Brookline, MA, 2010

Black-and-white print purchase for personal use

$25

John Linton Chapman Via Appia GMOA 2010.62

Mario Erasmo, department of classics, UGA, 2010

For print: Nonprofit organizations fee, 8x10 TIFF 6-month rental 350 dpi of black-and-white image, provided on CD

$80

John LaFarge Mountain of Fuji-San from Fuji-Kawa GMOA 1945.58

James L. Yarnall, PhD associate professor, department of art Salve Regina University, 2011

Nonprofit organizations fee for rights to reproduction and 8x10 TIFF 6-month rental 350 dpi, provided on CD

$135

Georgia Museum of Art | Annual Report, 2010–2011

Income from Reproductions and Photography Requests Cont.

Image

Institute/Person

Publication/Purpose

Amount

Lamar Dodd 1. Open Heart Surgery – A, 1979–80 Georgia Heart Clinic, LaGrange, Georgia 2. Open Heart Surgery, ca.

1980 Private collection of Mr. C.L. Morehead (1 & 2 not in GMOA collection)

Guy Madden, professor University of Adelaide, Discipline of Surgery, the Queen Elizabeth Hospital, 2011

Nonprofit organizations fee for rights to reproduction

$85

Total

$535

Georgia Museum of Art | Annual Report, 2010–2011

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Reproductions from the Collection, 2009–2010 Hills, Patricia. Painting Harlem Modern, the Art of Jacob Lawrence. London, England: University of California Press, Berkley and Los Angeles.

Jacob Lawrence, Children at Play, GMOA 1947.178

Reproduced in color, figure 140, page 190.

Ralston Crawford, Test Able, GMOA 1946.140.

Reproduced in color, figure 193, page 256.

Koplos, Janet, and Metcalf, Bruce. Makers: A History of American Studio Craft. Chapel Hill: University of North Carolina Press, 2010.

Ilonka Karasz, Design for plate. GMOA 2005.99

Reproduced in color, figure 4.20, page 129.

Mariska Karasz, Phoenix. GMOA 2006.51

Reproduced in color, figure 7.17, page 237.

LaFleur, Richard A. Scribblers, Sculptors, and Scribes: A Companion to Wheelock’s Latin and Other Introductory Textbooks. New York: HarperCollins Publishers, 2010.

Unidentified coins Lugdunum, Gaul-Augustus Caesar, Richard E. Paulson Collection of

Ancient Coins. GMOA 1981.116.3

Reproduced in black and white, page 73.

Nemerov, Alexander. To Make a World. Washington, DC: Smithsonian American Art Museum, in association with Yale University Press, New Haven and London, 2011.

Bouché, Louis, The Summer of ’45 Woodstock, New York. GMOA 2005.166E

Reproduced in color, figure 4, page 23.

Rain, Charles, Eclipse, GMOA 2005.210E

Reproduced in color, figure 56, page 90.

Biberman, Edward. Tear Gas and Water Hoses. GMOA 2005.159E

Reproduced in color, figure 62, page 103.

Southgate, MD, Therese. M. The Art of JAMA III Covers and Essays from the Journal of the American Medical Association. New York: Oxford University Press, Inc., 2011.

Kantor, Morris, On the Beach, GMOA 2002.114E

Reproduced in color, page 169.

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Georgia Museum of Art | Annual Report, 2010–2011

GEORGIA MUSEUM OF ART ACQUISITIONS FY11 Pablo Picasso (Spanish, 1881–1973) Sueno y mentira de Franco (Dream and Lie of Franco), 1937 Etching with aquatint on paper Georgia Museum of Art, University of Georgia; Museum purchase with funds provided by the Board of Advisors in memory of Edward S. Hallman GMOA 2010.64 Franciso José de Goya y Lucientes (Spanish, 1746–1828) Nadie se conoce (No One Knows Himself), plate 6 from Los Caprichos, ca. 1799 Etching with aquatint on paper Georgia Museum of Art, University of Georgia; Museum purchase with funds provided by the Board of Advisors in memory of Edward S. Hallman GMOA 2010.65 Ferdinand Warren (American, 1899–1981) Kids Sledding, Brooklyn, 1939 Oil on canvas Georgia Museum of Art, University of Georgia; Gift of Harry Gilham GMOA 2010.66 Ferdinand Warren (American, 1899–1981) Untitled (abstract), n.d.

Oil on canvas Georgia Museum of Art, University of Georgia; Gift of Harry Gilham GMOA 2010.67 Tom Nakashima (American, b. 1941) Untitled (building), n.d.

Etching on paper Georgia Museum of Art, University of Georgia; The Andrew Ladis and William Underwood Eiland Collection, gift of William Underwood Eiland in memory of Dr. James Oliver Morris GMOA 2010.68

Mrs. F. B. Cole (American, Bloomingdale, Georgia) Pine straw basket with lid, ca. late 1940s–early 1950s Dyed pine straw Georgia Museum of Art, University of Georgia; Gift of June Frazier Johnston from the collection of Rachael D. Frazier GMOA 2010.69.1-2 Unidentified maker Pine straw basket with applied garden scene on lid, n.d.

Pine straw, wood, and applied paper decoration Georgia Museum of Art, University of Georgia; Gift of June Frazier Johnston from the collection of Rachael D. Frazier GMOA 2010.70.1-2 Unidentified maker (American, South Carolina) Pine straw basket with handle, n.d.

Pine straw Georgia Museum of Art, University of Georgia; Gift of Dale L. Couch GMOA 2010.71 Edward Glannon (American, 1911–1992) Everglades, 1976 Lithograph on paper Georgia Museum of Art, University of Georgia; Gift of the family of Edward Glannon GMOA 2010.72 Edward Glannon (American, 1911–1992) Moon over Hilltown, n.d.

Lithograph on paper Georgia Museum of Art, University of Georgia; Gift of the family of Edward Glannon GMOA 2010.73 Pablo O’Higgins (American, 1904–1983) Guerra Petrolera, published in Calavera, 1939 Lithograph on paper Georgia Museum of Art, University of Georgia; Museum purchase with funds provided by the W. Newton Morris Charitable Foundation GMOA 2010.74

Georgia Museum of Art | Annual Report, 2010–2011

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Ignacio Aguirre (Mexican, 1900–1990) La Adelita. Si por Teirra en un Tren Militar, cover for the portfolio Estampas de la Revolucion Mexicana, 1947 Block print on paper Georgia Museum of Art, University of Georgia; Museum purchase with funds provided by the W. Newton Morris Charitable Foundation GMOA 2010.75 Emmy Lou Packard (American, 1914–1998) Masonic Temple, Mendocino, 1960 Woodcut on paper Georgia Museum of Art, University of Georgia; Museum purchase with funds provided by the W. Newton Morris Charitable Foundation in memory of Dr. Elizabeth T. Sheerer GMOA 2010.76 Ramón Sosamontes (Mexican, birth and death dates undetermined) Diego Rivera, ca. 1948 Linoleum cut on paper Georgia Museum of Art, University of Georgia; Museum purchase with funds provided by the W. Newton Morris Charitable Foundation GMOA 2010.77 Mervin Jules (American, 1912–1994) Morning Practice, ca. 1955 Color woodcut on paper Georgia Museum of Art, University of Georgia; Museum purchase with funds provided by the W. Newton Morris Charitable Foundation in memory of Vicky Brown GMOA 2010.78 Mervin Jules (American, 1912–1994) Bach, ca. 1960 Color woodcut on paper Georgia Museum of Art, University of Georgia; Museum purchase with funds provided by the W. Newton Morris Charitable Foundation GMOA 2010.79

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Georgia Museum of Art | Annual Report, 2010–2011

Olivia Winefred Jordan (American, probably Washington County, Georgia) Sampler, 19th century Silk and linen Georgia Museum of Art, University of Georgia; Museum purchase with funds provided by the Board of Advisors in memory of Shara Overstreet GMOA 2010.80 Member of the Smith family (American) Sampler from the Smith family of Georgia, 19th century Cotton or linen mounted on linen Georgia Museum of Art, University of Georgia; Gift of Linda and David Chesnut GMOA 2010.81 David Driskell (American, b. 1931) Obama No Drama, 2009 Linocut on paper Georgia Museum of Art, University of Georgia; Museum purchase with funds provided by the W. Newton Morris Charitable Foundation GMOA 2010.82 Lucy May Stanton (American, 1876–1931) Untitled (two women sitting on deck), n.d.

Photograph Georgia Museum of Art, University of Georgia; Gift of Lucy Forbes Shevenell GMOA 2010.83 Lucy May Stanton (American, 1876–1931) Untitled (three women sitting by piano), n.d.

Photograph Georgia Museum of Art, University of Georgia; Gift of Lucy Forbes Shevenell GMOA 2010.84 Lucy May Stanton (American, 1876–1931) Untitled (woman with ribbon in hair), n.d.

Photograph Georgia Museum of Art, University of Georgia; Gift of Lucy Forbes Shevenell GMOA 2010.85

Lucy May Stanton (American, 1876–1931) Untitled (woman with ribbon in hair), n.d.

Photograph Georgia Museum of Art, University of Georgia; Gift of Lucy Forbes Shevenell GMOA 2010.86

Lucy May Stanton (American, 1876–1931) Untitled (woman wearing white dress), n.d.

Photograph Georgia Museum of Art, University of Georgia; Gift of Lucy Forbes Shevenell GMOA 2010.92

Lucy May Stanton (American, 1876–1931) Untitled (woman wearing satin dress and pearls), n.d.

Photograph Georgia Museum of Art, University of Georgia; Gift of Lucy Forbes Shevenell GMOA 2010.87

Lucy May Stanton (American, 1876–1931) Untitled (woman with ribbon in hair), n.d.

Graphite on paper Georgia Museum of Art, University of Georgia; Gift of Lucy Forbes Shevenell GMOA 2010.93

Lucy May Stanton (American, 1876–1931) Untitled (woman wearing satin dress and pearls), n.d.

Photograph Georgia Museum of Art, University of Georgia; Gift of Lucy Forbes Shevenell GMOA 2010.88 Lucy May Stanton (American, 1876–1931) Untitled (woman wearing beaded dress and silver drop necklace), n.d.

Photograph Georgia Museum of Art, University of Georgia; Gift of Lucy Forbes Shevenell GMOA 2010.89 Lucy May Stanton (American, 1876–1931) Untitled (woman wearing beaded dress and silver drop necklace), n.d.

Photograph Georgia Museum of Art, University of Georgia; Gift of Lucy Forbes Shevenell GMOA 2010.90 Lucy May Stanton (American, 1876–1931) Untitled (woman wearing white dress), n.d.

Photograph Georgia Museum of Art, University of Georgia; Gift of Lucy Forbes Shevenell GMOA 2010.91

Lucy May Stanton (American, 1876–1931) Untitled (woman with ribbon in hair), n.d.

Graphite on paper Georgia Museum of Art, University of Georgia; Gift of Lucy Forbes Shevenell GMOA 2010.94 Lucy May Stanton (American, 1876–1931) Untitled (woman with ribbon in hair), n.d.

Watercolor on paper Georgia Museum of Art, University of Georgia; Gift of Lucy Forbes Shevenell GMOA 2010.95 Lucy May Stanton (American, 1876–1931) Untitled (man with hat), n.d.

Drawing on paper Georgia Museum of Art, University of Georgia; Gift of Lucy Forbes Shevenell GMOA 2010.96 Lucy May Stanton (American, 1876–1931) Untitled (man with hat), n.d.

Drawing on paper Georgia Museum of Art, University of Georgia; Gift of Lucy Forbes Shevenell GMOA 2010.97 Lucy May Stanton (American, 1876–1931) Untitled (man with hat), n.d.

Drawing on paper Georgia Museum of Art, University of Georgia; Gift of Lucy Forbes Shevenell GMOA 2010.98

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Lucy May Stanton (American, 1876–1931) Untitled (man with hat), n.d.

Drawing on paper Georgia Museum of Art, University of Georgia; Gift of Lucy Forbes Shevenell GMOA 2010.99

Lucy May Stanton (American, 1876–1931) Untitled (group), n.d.

Drawing on paper Georgia Museum of Art, University of Georgia; Gift of Lucy Forbes Shevenell GMOA 2010.106

Lucy May Stanton (American, 1876–1931) Untitled (man with hat), n.d.

Drawing on paper Georgia Museum of Art, University of Georgia; Gift of Lucy Forbes Shevenell GMOA 2010.100

Lucy May Stanton (American, 1876–1931) Untitled (child), n.d.

Drawing on brown paper Georgia Museum of Art, University of Georgia; Gift of Lucy Forbes Shevenell GMOA 2010.107

Lucy May Stanton (American, 1876–1931) Untitled (woman sitting), n.d.

Drawing on paper Georgia Museum of Art, University of Georgia; Gift of Lucy Forbes Shevenell GMOA 2010.101

Lucy May Stanton (American, 1876–1931) Untitled (Christmas card with woman carrying star sign), n.d.

Watercolor on paper Georgia Museum of Art, University of Georgia; Gift of Lucy Forbes Shevenell GMOA 2010.108

Lucy May Stanton (American, 1876–1931) Untitled (woman), n.d.

Drawing on paper Georgia Museum of Art, University of Georgia; Gift of Lucy Forbes Shevenell GMOA 2010.102 Lucy May Stanton (American, 1876–1931) Untitled (woman and man with hat sitting), n.d.

Drawing on paper Georgia Museum of Art, University of Georgia; Gift of Lucy Forbes Shevenell GMOA 2010.103 Lucy May Stanton (American, 1876–1931) Untitled (man with hat and standing man), n.d.

Drawing on paper Georgia Museum of Art, University of Georgia; Gift of Lucy Forbes Shevenell GMOA 2010.104 Lucy May Stanton (American, 1876–1931) Untitled (woman), n.d.

Drawing on paper Georgia Museum of Art, University of Georgia; Gift of Lucy Forbes Shevenell GMOA 2010.105 62

Georgia Museum of Art | Annual Report, 2010–2011

Lucy May Stanton (American, 1876–1931) Untitled (woman wearing white dress), n.d.

Drawing on paper Georgia Museum of Art, University of Georgia; Gift of Lucy Forbes Shevenell GMOA 2010.109 Lucy May Stanton (American, 1876–1931) Untitled (woman wearing beaded dress and silver drop necklace), n.d.

Drawing on paper Georgia Museum of Art, University of Georgia; Gift of Lucy Forbes Shevenell GMOA 2010.110 Lucy May Stanton (American, 1876–1931) Untitled (woman wearing teal dress and silver drop necklace), n.d.

Watercolor on paper Georgia Museum of Art, University of Georgia; Gift of Lucy Forbes Shevenell GMOA 2010.111

Lucy May Stanton (American, 1876–1931) Untitled (woman seated wearing satin dress and silver drop necklace), n.d.

Drawing on paper Georgia Museum of Art, University of Georgia; Gift of Lucy Forbes Shevenell GMOA 2010.112 Lucy May Stanton (American, 1876–1931) Untitled (woman seated), 1926 Drawing on paper Georgia Museum of Art, University of Georgia; Gift of Lucy Forbes Shevenell GMOA 2010.113 Lucy May Stanton (American, 1876–1931) Untitled (woman standing with arms crossed), n.d.

Drawing on paper Georgia Museum of Art, University of Georgia; Gift of Lucy Forbes Shevenell GMOA 2010.114 Lucy May Stanton (American, 1876–1931) Untitled (group gathered sitting and standing), n.d.

Drawing on paper Georgia Museum of Art, University of Georgia; Gift of Lucy Forbes Shevenell GMOA 2010.115 Lucy May Stanton (American, 1876–1931) Untitled (seated and kneeling figure), n.d.

Drawing on paper Georgia Museum of Art, University of Georgia; Gift of Lucy Forbes Shevenell GMOA 2010.116 Lucy May Stanton (American, 1876–1931) Untitled (mother and child), n.d.

Drawing on paper Georgia Museum of Art, University of Georgia; Gift of Lucy Forbes Shevenell GMOA 2010.117

Lucy May Stanton (American, 1876–1931) Untitled (woman in rocking chair), n.d.

Drawing on paper Georgia Museum of Art, University of Georgia; Gift of Lucy Forbes Shevenell GMOA 2010.118 Lucy May Stanton (American, 1876–1931) Untitled (woman), n.d.

Drawing on paper Georgia Museum of Art, University of Georgia; Gift of Lucy Forbes Shevenell GMOA 2010.119 Lucy May Stanton (American, 1876–1931) Untitled (woman with white collar), n.d.

Drawing on paper Georgia Museum of Art, University of Georgia; Gift of Lucy Forbes Shevenell GMOA 2010.120 Lucy May Stanton (American, 1876–1931) Untitled (woman seated, Mrs.Vincent), n.d.

Drawing on paper Georgia Museum of Art, University of Georgia; Gift of Lucy Forbes Shevenell GMOA 2010.121 Lucy May Stanton (American, 1876–1931) Untitled (woman wearing hat), n.d.

Drawing on paper Georgia Museum of Art, University of Georgia; Gift of Lucy Forbes Shevenell GMOA 2010.122 Lucy May Stanton (American, 1876–1931) Untitled (woman with hair in bun), n.d.

Drawing on paper Georgia Museum of Art, University of Georgia; Gift of Lucy Forbes Shevenell GMOA 2010.123 Lucy May Stanton (American, 1876–1931) Untitled (woman with hair in bun), n.d.

Drawing on paper Georgia Museum of Art, University of Georgia; Gift of Lucy Forbes Shevenell GMOA 2010.124

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Lucy May Stanton (American, 1876–1931) Untitled (figure bent over), n.d.

Drawing on paper Georgia Museum of Art, University of Georgia; Gift of Lucy Forbes Shevenell GMOA 2010.125

Lucy May Stanton (American, 1876–1931) Untitled (woman with glasses), n.d.

Drawing on paper Georgia Museum of Art, University of Georgia; Gift of Lucy Forbes Shevenell GMOA 2010.132

Lucy May Stanton (American, 1876–1931) Untitled (figure standing with other head to left), n.d.

Drawing on paper Georgia Museum of Art, University of Georgia; Gift of Lucy Forbes Shevenell GMOA 2010.126

Lucy May Stanton (American, 1876–1931) Untitled (woman seated with legs crossed), n.d. drawing on paper Drawing Museum of Art, University of Georgia; Gift of Lucy Forbes Shevenell GMOA 2010.133

Lucy May Stanton (American, 1876–1931) Untitled (figure on horse), n.d.

Drawing on paper Georgia Museum of Art, University of Georgia; Gift of Lucy Forbes Shevenell GMOA 2010.127 Lucy May Stanton (American, 1876–1931) Untitled (figure on horse), n.d.

Drawing on paper Georgia Museum of Art, University of Georgia; Gift of Lucy Forbes Shevenell GMOA 2010.128 Lucy May Stanton (American, 1876–1931) Untitled (figures standing), n.d.

Drawing on paper Georgia Museum of Art, University of Georgia; Gift of Lucy Forbes Shevenell GMOA 2010.129 Lucy May Stanton (American, 1876–1931) Untitled (figures seated), n.d.

Drawing on paper Georgia Museum of Art, University of Georgia; Gift of Lucy Forbes Shevenell GMOA 2010.130 Lucy May Stanton (American, 1876–1931) Untitled (figure bent over), n.d.

Drawing on paper Georgia Museum of Art, University of Georgia; Gift of Lucy Forbes Shevenell GMOA 2010.131 64

Georgia Museum of Art | Annual Report, 2010–2011

Lucy May Stanton (American, 1876–1931) Untitled (boats), n.d.

Drawing on paper Georgia Museum of Art, University of Georgia; Gift of Lucy Forbes Shevenell GMOA 2010.134 Lucy May Stanton (American, 1876–1931) Untitled (boats), n.d.

Drawing on paper Georgia Museum of Art, University of Georgia; Gift of Lucy Forbes Shevenell GMOA 2010.135 Lucy May Stanton (American, 1876–1931) Untitled (woman), n.d.

Drawing on paper Georgia Museum of Art, University of Georgia; Gift of Lucy Forbes Shevenell GMOA 2010.136 Lucy May Stanton (American, 1876–1931) Untitled (two women), n.d.

Drawing on paper Georgia Museum of Art, University of Georgia; Gift of Lucy Forbes Shevenell GMOA 2010.137 Lucy May Stanton (American, 1876–1931) Untitled (boy standing), n.d.

Charcoal on paper Georgia Museum of Art, University of Georgia; Gift of Lucy Forbes Shevenell GMOA 2010.138

Lucy May Stanton (American, 1876–1931) Untitled (man sitting smoking a pipe), n.d.

Charcoal on paper Georgia Museum of Art, University of Georgia; Gift of Lucy Forbes Shevenell GMOA 2010.139

Lucy May Stanton (American, 1876–1931) Untitled, n.d.

Painting on ivory Georgia Museum of Art, University of Georgia; Gift of Lucy Forbes Shevenell GMOA 2010.146

Lucy May Stanton (American, 1876–1931) Untitled (man sitting wearing a hat), n.d.

Charcoal on paper Georgia Museum of Art, University of Georgia; Gift of Lucy Forbes Shevenell GMOA 2010.140

Lucy May Stanton (American, 1876–1931) Untitled, n.d.

Painting on ivory Georgia Museum of Art, University of Georgia; Gift of Lucy Forbes Shevenell GMOA 2010.147

F. E. Nute (nationality and dates unknown) Untitled (woman holding white flowers to arrange in vase, possibly Lucy May Stanton), n.d.

Painting on ivory Georgia Museum of Art, University of Georgia; Gift of Lucy Forbes Shevenell GMOA 2010.141

Horton & Rikeman (American, worked Savannah, Georgia, 1850–1856) Julep cup (one from a set of three), ca. 1850–56 Silver Georgia Museum of Art, University of Georgia; Museum purchase with funds provided by the Collectors of the Georgia Museum of Art GMOA 2010.148

Lucy May Stanton (American, 1876–1931) Untitled, n.d.

Painting on ivory Georgia Museum of Art, University of Georgia; Gift of Lucy Forbes Shevenell GMOA 2010.142 Lucy May Stanton (American, 1876–1931) Untitled, n.d.

Painting on ivory Georgia Museum of Art, University of Georgia; Gift of Lucy Forbes Shevenell GMOA 2010.143 Lucy May Stanton (American, 1876–1931) Untitled, n.d.

Painting on ivory Georgia Museum of Art, University of Georgia; Gift of Lucy Forbes Shevenell GMOA 2010.144 Lucy May Stanton (American, 1876–1931) Untitled, n.d.

Painting on ivory Georgia Museum of Art, University of Georgia; Gift of Lucy Forbes Shevenell GMOA 2010.145

Unidentified maker (French, Old Paris porcelain) Bowl with scene of children at play, ca. 1860 Porcelain Georgia Museum of Art, University of Georgia; Gift of Devereux Burch GMOA 2010.149 Unidentified maker (French, Old Paris porcelain) Plate with scene of children at play, ca. 1860 Porcelain Georgia Museum of Art, University of Georgia; Gift of Devereux Burch GMOA 2010.150 Unidentified maker (French, Old Paris porcelain) Plate with scene of children at play, ca. 1860 Porcelain Georgia Museum of Art, University of Georgia; Gift of Devereux Burch GMOA 2010.151 Unidentified maker (French, Old Paris porcelain) Plate with scene of children at play, ca. 1860 Porcelain Georgia Museum of Art, University of Georgia; Gift of Devereux Burch GMOA 2010.152 Georgia Museum of Art | Annual Report, 2010–2011

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Unidentified maker (French, Old Paris porcelain) Plate with scene of children at play, ca. 1860 Porcelain Georgia Museum of Art, University of Georgia; Gift of Devereux Burch GMOA 2010.153 Unidentified maker (possibly Choctaw) Basket with lid, late 19th or early 20th century Rivercane Georgia Museum of Art, University of Georgia; Gift of Devereux Burch GMOA 2010.154 Unidentified maker (possibly Choctaw) Basket with three tiers, late 19th or early 20th century Rivercane Georgia Museum of Art, University of Georgia; Gift of Devereux Burch GMOA 2010.155 Unidentified maker Door, paneled and joined, with “fancy-work” graining from the Wynn-LeGuin home, Henry County, Georgia, ca. 1850–70 Painted yellow pine Georgia Museum of Art, University of Georgia; Gift of LaTrelle Brewster GMOA 2010.156

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Thomas S. Spear (American, active Columbus, Georgia, ca. 1858) Soup ladle, 1850s Coin silver Georgia Museum of Art, University of Georgia; Museum purchase with funds provided by the Collectors of the Georgia Museum of Art GMOA 2010.159 Horton & Rikeman (American, worked Savannah, Georgia, 1850–1856) Sauce ladle with fiddle thread pattern, n.d.

Silver Georgia Museum of Art, University of Georgia; Museum purchase with funds provided by the Collectors of the Georgia Museum of Art GMOA 2010.160 Horton, Robertson & Co. (American, worked Savannah, Georgia) Humprey P. Horton, ca. 1822–ca. 1860; Robertson dates undetermined Sugar shell with fiddle thread pattern, n.d.

Silver Georgia Museum of Art, University of Georgia; Museum purchase with funds provided by the Collectors of the Georgia Museum of Art GMOA 2010.161

Howard Thomas (American, 1899–1971) Circus, 1951 gouache Georgia Museum of Art, University of Georgia; Museum purchase with funds provided by the Collectors of the Georgia Museum of Art GMOA 2010.157

Humphrey P. Horton (American, ca. 1822–ca.

1860, active Savannah ca. 1850) Berry spoon with Prince Albert pattern and shell bowl, n.d.

Silver Georgia Museum of Art, University of Georgia; Museum purchase with funds provided by the Collectors of the Georgia Museum of Art GMOA 2010.162

Asaph K. Childs (American, active Milledgeville and Athens, Georgia, 1820–1902) Soup ladle, ca. 1820–60 Coin silver Georgia Museum of Art, University of Georgia; Museum purchase with funds provided by the Collectors of the Georgia Museum of Art GMOA 2010.158

L. R. Menard (American, Macon, Georgia, active 1828–1859) Dessert spoon with fiddle thread pattern, n.d.

Silver Georgia Museum of Art, University of Georgia; Museum purchase with funds provided by the Collectors of the Georgia Museum of Art GMOA 2010.163

Georgia Museum of Art | Annual Report, 2010–2011

L. R. Menard (American, Macon, Georgia, active 1828–1859) Dessert spoon with fiddle thread pattern, n.d.

Silver Georgia Museum of Art, University of Georgia; Museum purchase with funds provided by the Collectors of the Georgia Museum of Art GMOA 2010.164 L. R. Menard (American, Macon, Georgia, active 1828–1859) Dessert spoon with fiddle thread pattern, n.d.

Silver Georgia Museum of Art, University of Georgia; Museum purchase with funds provided by the Collectors of the Georgia Museum of Art GMOA 2010.165 L. R. Menard (American, Macon, Georgia, active 1828–1859) Dessert spoon with fiddle thread pattern, n.d.

Silver Georgia Museum of Art, University of Georgia; Museum purchase with funds provided by the Collectors of the Georgia Museum of Art GMOA 2010.166 L. R. Menard (American, Macon, Georgia, active 1828–1859) Dessert spoon with fiddle thread pattern, n.d.

Silver Georgia Museum of Art, University of Georgia; Museum purchase with funds provided by the Collectors of the Georgia Museum of Art GMOA 2010.167 L. R. Menard (American, Macon, Georgia, active 1828–1859) Dessert spoon with fiddle thread pattern, n.d.

Silver Georgia Museum of Art, University of Georgia; Museum purchase with funds provided by the Collectors of the Georgia Museum of Art GMOA 2010.168

Harold Krisel (American, 1920–1995) Horizon, 1954 Silkscreen on paper Georgia Museum of Art, University of Georgia; Museum purchase with funds provided by the Collectors of the Georgia Museum of Art GMOA 2010.169 Harold Krisel (American, 1920–1995) Parade with Blue and Green, 1961 Silkscreen on paper Georgia Museum of Art, University of Georgia; Museum purchase with funds provided by the Collectors of the Georgia Museum of Art GMOA 2010.170 Harold Krisel (American, 1920–1995) Square Dance, 1962 Silkscreen on paper Georgia Museum of Art, University of Georgia; Museum purchase with funds provided by the Collectors of the Georgia Museum of Art GMOA 2010.171 Harold Krisel (American, 1920–1995) Dark and Light Forms, 1962 Silkscreen on paper Georgia Museum of Art, University of Georgia; Museum purchase with funds provided by the Collectors of the Georgia Museum of Art GMOA 2010.172 Lucy May Stanton (American, 1876–1931) Chum Wee, 1925 Watercolor on ivory Georgia Museum of Art, University of Georgia; Museum purchase GMOA 2010.173 Unidentified maker (English, Irish, or American, early 19th century) Compote with WW cipher, ca. 1800–25 (probably before 1816) Cut glass Georgia Museum of Art, University of Georgia; Gift of Lucy Rowland GMOA 2010.174

Georgia Museum of Art | Annual Report, 2010–2011

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Unidentified maker (probably American, possibly English or Irish, early 19th century) Port glass or “porter” with McK cipher, ca. 1800– 25 (probably before 1816) Cut glass Georgia Museum of Art, University of Georgia; Gift of Lucy Rowland GMOA 2010.175 Davenport China Factory (English, early 19th century) Plate with gold McK cipher, 1805–20 Earthenware or soft-paste porcelain Georgia Museum of Art, University of Georgia; Gift of Lucy Rowland GMOA 2010.176 Davenport China Factory (English, early 19th century) Plate with gold McK cipher, 1805–20 Porcelain Georgia Museum of Art, University of Georgia; Gift of Lucy Rowland GMOA 2010.177 Unidentified maker (British or French) Lidded bowl with attached plate, ca. 1830 Painted hard paste porcelain Georgia Museum of Art, University of Georgia; Gift of Lucy Rowland GMOA 2010.178 Unidentified maker (French, Old Paris porcelain) Water pitcher, ca. 1859 Gilt and painted porcelain Georgia Museum of Art, University of Georgia; Gift of Lucy Rowland GMOA 2010.179 Unidentified maker (American, North Georgia, possibly Oconee County) Basket, ca. 1900–50 Split oak Georgia Museum of Art, University of Georgia; Gift of Lucy Rowland GMOA 2010.180

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Georgia Museum of Art | Annual Report, 2010–2011

Unidentified maker (American, Savannah River Basin) Basket with lid, ca. 1840–90 Rivercane and split oak Georgia Museum of Art, University of Georgia; Gift of Lucy Rowland GMOA 2010.181 The Firm of Clarke and Co. (American, active Augusta, Georgia 1816–ca. 1840) Tablespoon with “Whitehead” monogram, ca.

1820–60 Coin silver Georgia Museum of Art, University of Georgia; Gift of Lucy Rowland GMOA 2010.182 Unidentified maker (American, New York, New York, 19th century) Teaspoon with “Whitehead” monogram, ca.

1820–60 Coin silver Georgia Museum of Art, University of Georgia; Gift of Lucy Rowland GMOA 2010.183 Robert Clements (American, b. 1937) March Morning at the Garden, n.d. acrylic and pastel Georgia Museum of Art, University of Georgia; Gift of the artist GMOA 2010.184 Claire Clements (American) Grasses, n.d.

Print on paper Georgia Museum of Art, University of Georgia; Gift of the artist GMOA 2010.185 Richard Diebenkorn (American, 1922–1993) Woman on a Sofa, 1965 Lithograph on paper Georgia Museum of Art, University of Georgia; Gift of William C. and Mary Levin Koch GMOA 2010.186

Howard Thomas (American, 1899–1971) Humboldt & North Avenue, 1934 Watercolor on paper Georgia Museum of Art, University of Georgia; Gift of Anne Wall Thomas in memory of Anne Thomas Junkerman GMOA 2010.187 Howard Thomas (American, 1899–1971) Third Ward, 1934 Watercolor on paper Georgia Museum of Art, University of Georgia; Gift of Anne Wall Thomas in memory of Anne Thomas Junkerman GMOA 2010.188 Howard Thomas (American, 1899–1971) Aftermath, n.d. intaglio on paper Georgia Museum of Art, University of Georgia; Gift of Anne Wall Thomas GMOA 2010.189 Howard Thomas (American, 1899–1971) Athens, n.d.

Lithograph on paper Georgia Museum of Art, University of Georgia; Gift of Anne Wall Thomas GMOA 2010.190 Howard Thomas (American, 1899–1971) Athens 2, n.d.

Lithograph on paper Georgia Museum of Art, University of Georgia; Gift of Anne Wall Thomas GMOA 2010.191 Howard Thomas (American, 1899–1971) Athens 4, 1962 Silkscreen on paper Georgia Museum of Art, University of Georgia; Gift of Anne Wall Thomas GMOA 2010.192 Howard Thomas (American, 1899–1971) Black Net, n.d.

Lithograph on paper Georgia Museum of Art, University of Georgia; Gift of Anne Wall Thomas GMOA 2010.193

Howard Thomas (American, 1899–1971) Brahma vs. Leghorn, n.d.

Lithograph on paper Georgia Museum of Art, University of Georgia; Gift of Anne Wall Thomas GMOA 2010.194 Howard Thomas (American, 1899–1971) Cat in the Night, n.d.

Lithograph on paper Georgia Museum of Art, University of Georgia; Gift of Anne Wall Thomas GMOA 2010.195 Howard Thomas (American, 1899–1971) Coal Hollow, n.d.

Lithograph on paper Georgia Museum of Art, University of Georgia; Gift of Anne Wall Thomas GMOA 2010.196 Howard Thomas (American, 1899–1971) Construction, n.d.

Etching on paper Georgia Museum of Art, University of Georgia; Gift of Anne Wall Thomas GMOA 2010.197 Howard Thomas (American, 1899–1971) Corn Farmer, 1937 Lithograph on paper Georgia Museum of Art, University of Georgia; Gift of Anne Wall Thomas GMOA 2010.198 Howard Thomas (American, 1899–1971) Element, 1952 Lithograph on paper Georgia Museum of Art, University of Georgia; Gift of Anne Wall Thomas GMOA 2010.199 Howard Thomas (American, 1899–1971) Exhibition Announcement, n.d.

Linocut on paper Georgia Museum of Art, University of Georgia; Gift of Anne Wall Thomas GMOA 2010.200

Georgia Museum of Art | Annual Report, 2010–2011

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Howard Thomas (American, 1899–1971) Farmer with a Chew, 1935 Wood engraving on paper Georgia Museum of Art, University of Georgia; Gift of Anne Wall Thomas GMOA 2010.201

Howard Thomas (American, 1899–1971) In Oconee Valley, 1952 Lithograph on paper Georgia Museum of Art, University of Georgia; Gift of Anne Wall Thomas GMOA 2010.208

Howard Thomas (American, 1899–1971) Fish, n.d.

Color lithograph on paper Georgia Museum of Art, University of Georgia; Gift of Anne Wall Thomas GMOA 2010.202

Howard Thomas (American, 1899–1971) Indian Pony, 1938 Wood engraving on paper Georgia Museum of Art, University of Georgia; Gift of Anne Wall Thomas GMOA 2010.209

Howard Thomas (American, 1899–1971) Fish, n.d.

Lithograph on paper Georgia Museum of Art, University of Georgia; Gift of Anne Wall Thomas GMOA 2010.203

Howard Thomas (American, 1899–1971) Jefferson County Farmer, 1935 Wood engraving on paper Georgia Museum of Art, University of Georgia; Gift of Anne Wall Thomas GMOA 2010.210

Howard Thomas (American, 1899–1971) George, n.d.

Woodcut on paper Georgia Museum of Art, University of Georgia; Gift of Anne Wall Thomas GMOA 2010.204

Howard Thomas (American, 1899–1971) Jones Island, 1935 Wood engraving on paper Georgia Museum of Art, University of Georgia; Gift of Anne Wall Thomas GMOA 2010.211

Howard Thomas (American, 1899–1971) Grotto, n.d.

Lithograph on paper Georgia Museum of Art, University of Georgia; Gift of Anne Wall Thomas GMOA 2010.205

Howard Thomas (American, 1899–1971) Jones Island Arrangement, 1941 Silkscreen on paper Georgia Museum of Art, University of Georgia; Gift of Anne Wall Thomas GMOA 2010.212

Howard Thomas (American, 1899–1971) Haymarket Square, 1936 Wood engraving on paper Georgia Museum of Art, University of Georgia; Gift of Anne Wall Thomas GMOA 2010.206

Howard Thomas (American, 1899–1971) Jones Island Boat, n.d.

Lithograph on paper Georgia Museum of Art, University of Georgia; Gift of Anne Wall Thomas GMOA 2010.213

Howard Thomas (American, 1899–1971) Hurricane, 1936 Etching on paper Georgia Museum of Art, University of Georgia; Gift of Anne Wall Thomas GMOA 2010.207

Howard Thomas (American, 1899–1971) Kinnickinnic Boats, 1937 Lithograph on paper Georgia Museum of Art, University of Georgia; Gift of Anne Wall Thomas GMOA 2010.214

Georgia Museum of Art | Annual Report, 2010–2011

Howard Thomas (American, 1899–1971) Mario, 1942 Silkscreen on paper Georgia Museum of Art, University of Georgia; Gift of Anne Wall Thomas GMOA 2010.215

Howard Thomas (American, 1899–1971) St. Paul’s Station, n.d.

Linocut on paper Georgia Museum of Art, University of Georgia; Gift of Anne Wall Thomas GMOA 2010.222

Howard Thomas (American, 1899–1971) Monday in Wick Haven, n.d.

Wood engraving on paper Georgia Museum of Art, University of Georgia; Gift of Anne Wall Thomas GMOA 2010.216

Howard Thomas (American, 1899–1971) Still Life, 1935 Wood engraving on paper Georgia Museum of Art, University of Georgia; Gift of Anne Wall Thomas GMOA 2010.223

Howard Thomas (American, 1899–1971) Morning Glory Country, n.d.

Lithograph on paper Georgia Museum of Art, University of Georgia; Gift of Anne Wall Thomas GMOA 2010.217

Howard Thomas (American, 1899–1971) Studio, 1952 Intaglio on paper Georgia Museum of Art, University of Georgia; Gift of Anne Wall Thomas GMOA 2010.224

Howard Thomas (American, 1899–1971) Navoo Hollow, 1937 Wood engraving on paper Georgia Museum of Art, University of Georgia; Gift of Anne Wall Thomas GMOA 2010.218

Howard Thomas (American, 1899–1971) Swallows Come Out, 1952 Lithograph on paper Georgia Museum of Art, University of Georgia; Gift of Anne Wall Thomas GMOA 2010.225

Howard Thomas (American, 1899–1971) North Avenue Market, n.d.

Lithograph on paper Georgia Museum of Art, University of Georgia; Gift of Anne Wall Thomas GMOA 2010.219

Howard Thomas (American, 1899–1971) Three Invaders, n.d.

Intaglio on paper Georgia Museum of Art, University of Georgia; Gift of Anne Wall Thomas GMOA 2010.226

Howard Thomas (American, 1899–1971) Prodigal, 1935 Woodcut on paper Georgia Museum of Art, University of Georgia; Gift of Anne Wall Thomas GMOA 2010.220

Howard Thomas (American, 1899–1971) To Church, n.d.

Etching on paper Georgia Museum of Art, University of Georgia; Gift of Anne Wall Thomas GMOA 2010.227

Howard Thomas (American, 1899–1971) Sixth Street Hill, n.d.

Lithograph on paper Georgia Museum of Art, University of Georgia; Gift of Anne Wall Thomas GMOA 2010.221

Howard Thomas (American, 1899–1971) Untitled, n.d.

Intaglio on paper Georgia Museum of Art, University of Georgia; Gift of Anne Wall Thomas GMOA 2010.228

Georgia Museum of Art | Annual Report, 2010–2011

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72

Howard Thomas (American, 1899–1971) Untitled (church), n.d.

Drypoint on paper Georgia Museum of Art, University of Georgia; Gift of Anne Wall Thomas GMOA 2010.229

Howard Thomas (American, 1899–1971) White Horse, n.d. (print and?) white gouache on black paper Georgia Museum of Art, University of Georgia; Gift of Anne Wall Thomas GMOA 2010.236

Howard Thomas (American, 1899–1971) Untitled (landscape), n.d.

Intaglio on paper Georgia Museum of Art, University of Georgia; Gift of Anne Wall Thomas GMOA 2010.230

Howard Thomas (American, 1899–1971) Untitled (church) [3rd state], n.d.

Drypoint on paper Georgia Museum of Art, University of Georgia; Gift of Anne Wall Thomas GMOA 2010.237

Howard Thomas (American, 1899–1971) Valley Houses, n.d.

Lithograph on paper Georgia Museum of Art, University of Georgia; Gift of Anne Wall Thomas GMOA 2010.231

Howard Thomas (American, 1899–1971) Untitled (church) [4th state], n.d.

Drypoint on paper Georgia Museum of Art, University of Georgia; Gift of Anne Wall Thomas GMOA 2010.238

Howard Thomas (American, 1899–1971) Wells Street Bridge, n.d.

Woodcut on paper Georgia Museum of Art, University of Georgia; Gift of Anne Wall Thomas GMOA 2010.232

Howard Thomas (American, 1899–1971) Untitled (church) [6th state], n.d.

Drypoint on paper Georgia Museum of Art, University of Georgia; Gift of Anne Wall Thomas GMOA 2010.239

Howard Thomas (American, 1899–1971) White Horse, n.d.

Wood engraving on paper Georgia Museum of Art, University of Georgia; Gift of Anne Wall Thomas GMOA 2020.233

Howard Thomas (American, 1899–1971) North Avenue Market, n.d.

Lithograph on vellum Georgia Museum of Art, University of Georgia; Gift of Anne Wall Thomas GMOA 2010.240

Howard Thomas (American, 1899–1971) White Virgin of St. Scholastica, n.d.

Etching on paper Georgia Museum of Art, University of Georgia; Gift of Anne Wall Thomas GMOA 2010.234

Howard Thomas (American, 1899–1971) Monday in Wick Haven, n.d.

Print and white gouache on black paper Georgia Museum of Art, University of Georgia; Gift of Anne Wall Thomas GMOA 2010.241

Howard Thomas (American, 1899–1971) Winter, n.d.

Linocut on paper Georgia Museum of Art, University of Georgia; Gift of Anne Wall Thomas GMOA 2010.235

Howard Thomas (American, 1899–1971) White Horse, n.d.

Etching (aquatint?) on paper Georgia Museum of Art, University of Georgia; Gift of Anne Wall Thomas GMOA 2010.242

Georgia Museum of Art | Annual Report, 2010–2011

Howard Thomas (American, 1899–1971) Valley Houses, n.d.

Lithograph on paper Georgia Museum of Art, University of Georgia; Gift of Anne Wall Thomas GMOA 2010.243 Howard Thomas (American, 1899–1971) Black Net, n.d.

Lithograph on paper Georgia Museum of Art, University of Georgia; Gift of Anne Wall Thomas GMOA 2010.244 Howard Thomas (American, 1899–1971) Grotto, n.d.

Lithograph on paper Georgia Museum of Art, University of Georgia; Gift of Anne Wall Thomas GMOA 2010.245 School of Thomas Day (American, Virginia or North Carolina, ca. 1801–1861) Chest of drawers, ca. 1830–60 Walnut, poplar, and yellow pine Georgia Museum of Art, University of Georgia; Gift of Martha Randolph Daura GMOA 2010.246 Barry Merritt (American, 1941–2008) Creamer, 2007 Sterling silver with tiger maple handle Georgia Museum of Art, University of Georgia; Gift of the artist GMOA 2010.247 The Firm of Hyde & Goodrich (American, active New Orleans, Louisiana, mid-19th century) Fried chicken tongs, ca. 1850 Coin silver Georgia Museum of Art, University of Georgia; Museum purchase with funds provided by Beverly Hart Bremer GMOA 2010.248

Leon Loughridge (American, b. 1952) Aspen Gold, n.d.

Woodblock print Georgia Museum of Art, University of Georgia; Museum purchase with funds provided by Phoebe and Ed Forio GMOA 2010.249 Howard Finster (American, 1916–2001) Howard Goes from Jackass Speed to the Speed of a Jet with Peter Paul, 1989 Oil on board Georgia Museum of Art, University of Georgia; Gift of Carl and Marian Mullis in honor of William U. Eiland GMOA 2010.250 Jay Robinson (American, b. 1915) Billie Holiday Singing the Blues, 1947 Oil on canvas Georgia Museum of Art, University of Georgia; Gift of Mr. and Mrs. Jason Schoen in honor of William Underwood Eiland GMOA 2010.251 Jay Robinson (American, b. 1915) Preparatory drawing for Billie Holiday Singing the Blues, 1947 Ink on paper Georgia Museum of Art, University of Georgia; Gift of Mr. and Mrs. Jason Schoen in honor of William Underwood Eiland GMOA 2010.252 Joseph Almyda (American, 1927–2011) Maquette for Brownsville, TX painting, 1982 Opaque watercolor on paper Georgia Museum of Art, University of Georgia; Gift of the artist GMOA 2010.253 Joseph Almyda (American, 1927–2011) Maquette for Brownsville, TX painting, 1982 Opaque watercolor on paper Georgia Museum of Art, University of Georgia; Gift of the artist GMOA 2010.254

Georgia Museum of Art | Annual Report, 2010–2011

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Joseph Almyda (American, 1927–2011) Balzac 1, n.d.

Silkscreen on paper Georgia Museum of Art, University of Georgia; Gift of the artist GMOA 2010.255

Gustave Baumann (American, 1881–1971) Malapai, ca. 1927 Gouache and graphite on tan paper Georgia Museum of Art, University of Georgia; Gift of Ann Baumann GMOA 2010.262

Joseph Almyda (American, 1927–2011) Balzac 2, n.d.

Silkscreen on paper Georgia Museum of Art, University of Georgia; Gift of the artist GMOA 2010.256

Gustave Baumann (American, 1881–1971) Malapai, 1927 (printed 1936) Color woodcut on cream laid paper Georgia Museum of Art, University of Georgia; Gift of Ann Baumann GMOA 2010.263

Joseph Almyda (American, 1927–2011) Balzac 3, n.d.

Silkscreen on paper Georgia Museum of Art, University of Georgia; Gift of the artist GMOA 2010.257

Gustave Baumann (American, 1881–1971) Malapai (10 progressive proofs illustrating six blocks/colors), 1936 Color woodcut on cream laid paper Georgia Museum of Art, University of Georgia; Gift of Ann Baumann GMOA 2010.264.1-10

Joseph Almyda (American, 1927–2011) Hue 3, 1991 Silkscreen on paper Georgia Museum of Art, University of Georgia; Gift of the artist GMOA 2010.258 Joseph Almyda (American, 1927–2011) Untitled (large drawing), ca. 1991 Opaque watercolor on paper Georgia Museum of Art, University of Georgia; Gift of the artist GMOA 2010.259 Charles Rosen (American, 1878–1950) Study for Poughkeepsie Post Office, n.d.

Conté crayon and graphite on paper Georgia Museum of Art, University of Georgia; Museum purchase with funds provided by the W. Newton Morris Charitable Foundation GMOA 2010.260 James Turnbull (American, 1909–1976) Military Court Room, 1944 Gouache on paper Georgia Museum of Art, University of Georgia; Museum purchase with funds provided by the W. Newton Morris Charitable Foundation GMOA 2010.261 74

Georgia Museum of Art | Annual Report, 2010–2011

Gustave Baumann (American, 1881–1971) Five of the six original woodblocks used for Malapai, n.d.

Woodblocks Georgia Museum of Art, University of Georgia; Gift of Ann Baumann GMOA 2010.265.1–5 Barbara Latham (American, 1896–1989) Untitled (figures on portal), ca. 1932 Woodblock print on paper Georgia Museum of Art, University of Georgia; Museum purchase with funds provided by the W. Newton Morris Charitable Foundation GMOA 2010.266 Unidentified maker Mustard spoon, ca. 1820–55 Coin silver Georgia Museum of Art, University of Georgia; Gift of Martha Randolph Daura GMOA 2010.267

Richard Estes (American, b. 1932) Sailing with David [Sailing Departure-Maine], n.d.

Gouache on board Georgia Museum of Art, University of Georgia; Anonymous gift in honor of William Underwood Eiland GMOA 2010.268 Ned Cartledge (American, 1916–2002) Self-portrait, 1998 Paint on wood Georgia Museum of Art, University of Georgia; Gift of Carl and Marian Mullis GMOA 2010.269 Eddy Mumma (American, 1908–1986) Eagle, ca. 1980 Acrylic on artist board Georgia Museum of Art, University of Georgia; Gift of Carl and Marian Mullis GMOA 2010.270 Noah Kinney (American, 1906–1991) Boy Fishing with Dog, ca. 1960s–70s Watercolor and pencil on paper Georgia Museum of Art, University of Georgia; Gift of Carl and Marian Mullis GMOA 2010.271 Ricky Barnes (American, b. 1959) Johnny Bench, 1993 Paint on carved wood Georgia Museum of Art, University of Georgia; Gift of Carl and Marian Mullis GMOA 2010.272

George Lowe (American, 1858–?)

Study from For Diana, 2003 Pen, graphite, and watercolor on paper Georgia Museum of Art, University of Georgia; Gift of Carl and Marian Mullis GMOA 2010.275 George Lowe (American, 1858–?)

Witness, 2003 Pen, graphite, and watercolor on paper Georgia Museum of Art, University of Georgia; Gift of Carl and Marian Mullis GMOA 2010.276 William Dawson (American, 1901–1990) Untitled, n.d.

Painted wood Georgia Museum of Art, University of Georgia; Gift of Carl and Marian Mullis GMOA 2010.277 Jim Clark (American, b. 1938) Pike, 1998 Metal and wood carving Georgia Museum of Art, University of Georgia; Gift of Carl and Marian Mullis GMOA 2010.278 Tubby Brown (American, 1929–2003) Devil Xmas Tree, 1991 Tin, wood, and acrylic paint Georgia Museum of Art, University of Georgia; Gift of Carl and Marian Mullis GMOA 2010.279

Royal Robertson (American, 1936–1997) Untitled (architecture), 1990 Pen, marker, and glitter on posterboard Georgia Museum of Art, University of Georgia; Gift of Carl and Marian Mullis GMOA 2010.273

Lonnie Holley (American, b. 1950) Sticks in Mind, ca. 1980s Cloth, string, sticks, and wire from original environment Georgia Museum of Art, University of Georgia; Gift of Carl and Marian Mullis GMOA 2010.280

Charles Munro (American, b. 1949) Baseball Scene on American Flag, 2003 Paint on wood Georgia Museum of Art, University of Georgia; Gift of Carl and Marian Mullis GMOA 2010.274

Eddie Arning (American, 1898–1993) Bird and Cage, n.d.

Mixed media on paper Georgia Museum of Art, University of Georgia; Gift of Carl and Marian Mullis GMOA 2010.281 Georgia Museum of Art | Annual Report, 2010–2011

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Lonnie Holley (American, b. 1950) Creation, 1993 Acrylic on canvas Georgia Museum of Art, University of Georgia; Gift of Carl and Marian Mullis GMOA 2010.282 Karen Cassara (American, b. 1938) Crane and Frog, 2006 Gourd, wood, reeds, and paint Georgia Museum of Art, University of Georgia; Gift of Carl and Marian Mullis GMOA 2010.283 Tim Lewis (American, b. 1952) Noah’s Ark, 1998 Sandstone Georgia Museum of Art, University of Georgia; Gift of Carl and Marian Mullis GMOA 2010.284 Clare Leighton (American, 1898–1989) Cotton “Telescope”, n.d.

Lithograph on paper Georgia Museum of Art, University of Georgia; Gift of Shannon Candler GMOA 2010.285

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Raymond Peers Freemantle (American, 1894– 1977) Untitled (fruit truck in market scene), ca. 1930s or 1940s Watercolor on paper Georgia Museum of Art, University of Georgia; Gift of John A. Weber GMOA 2010.289 Attributed to Joseph Pierre Picôt de Limoelan de Clorivière (French, 1768–1826) Augustin Smith Clayton, ca. 1800–20 Painted miniature on ivory with leather case Georgia Museum of Art, University of Georgia; Gift of Denny and Peggy Galis GMOA 2010.290 J. Hayden (American, active Columbus, Georgia, ca. 1850s) Olive spoon, ca. 1850 Coin silver Georgia Museum of Art, University of Georgia; Museum purchase with funds provided by LaTrelle Brewster GMOA 2010.291

Clare Leighton (American, 1898–1989) Colored Baptising, n.d.

Lithograph on paper Georgia Museum of Art, University of Georgia; Gift of Shannon Candler GMOA 2010.286

Beverly Pepper (American, b. 1922) Ascension, 2008 Cor-ten steel Georgia Museum of Art, University of Georgia; Museum purchase with funds provided by Don and Susan Myers and the W. Newton Morris Charitable Foundation GMOA 2010.292

Clare Leighton (American, 1898–1989) Three Curing Tobacco, n.d.

Lithograph on paper Georgia Museum of Art, University of Georgia; Gift of Shannon Candler GMOA 2010.287

Karl Fortess (American, 1907–1993) Untitled (Mt. Olive Rest), ca. 1940 Lithograph on paper Georgia Museum of Art, University of Georgia; Gift of Martin and Susan O’Brien GMOA 2010.293

Raymond Peers Freemantle (American, 1894– 1977) Untitled (horse and cart in town scene), ca. 1930s or 1940s Watercolor on paper Georgia Museum of Art, University of Georgia; Gift of John A. Weber GMOA 2010.288

Kristin Casaletto (American, b. 1967) Male Gaze, Reciprocated (printed by Kristin Casaletto and Laura Casaletto), 2008 Woodcut with watercolor on paper Georgia Museum of Art, University of Georgia; Gift of the artist GMOA 2010.294

Georgia Museum of Art | Annual Report, 2010–2011

Kristin Casaletto (American, b. 1967) Lost Cause/Jefferson Davis, Dead Fish, 2010 Color etching with aquatint and chine collé on paper Georgia Museum of Art, University of Georgia; Gift of the artist GMOA 2010.295 Antonio Cirino (American, 1889–1983) Stillness of Winter, Lincoln, Rhode Island, n.d.

Oil on canvas Georgia Museum of Art, University of Georgia; Gift of James B. Fleece GMOA 2010.296 Karl Zerbe (American, b. Germany, 1903–1972) Mexican Landscape: White Church, 1937 Gouache on paper Georgia Museum of Art, University of Georgia; Gift of Maria Zerbe Norton GMOA 2010.297 Karl Zerbe (American, b. Germany, 1903–1972) Dark Angel, 1969 Collage and encaustic on canvas Georgia Museum of Art, University of Georgia; Gift of Maria Zerbe Norton GMOA 2010.298 Everett Shinn (American, 1876–1953) Christmas card, 1925 Lithograph on card with addressed envelope Georgia Museum of Art, University of Georgia; Gift of Thomas S. Holman in memory of Dr. Donald Keyes, curator of American art, Georgia Museum of Art (1984–2000) GMOA 2010.299 Walt Kuhn (American, 1877–1949) Park, 1928 Lithograph on paper Georgia Museum of Art, University of Georgia; Gift of Thomas S. Holman in memory of Dr. Donald Keyes, curator of American art, Georgia Museum of Art (1984–2000) GMOA 2010.300

Unidentified maker (American, mid-19th century) Water dipper, ca. 1853 Silver and unidentified wood, possibly a closegrained exotic wood Georgia Museum of Art, University of Georgia; Gift of Mr. and Mrs. Levon Register GMOA 2010.301 The Firm of Gorham Silver Manufacturers (New York, New York, 1831–present) Footed berry bowl, ca. 1890s Sterling silver Georgia Museum of Art, University of Georgia; Gift of Ed Forio Jr. GMOA 2010.302 The Firm of Gorham Silver Manufacturers (New York, New York, 1831–present) Set of twelve berry bowls, ca. 1890s Sterling silver Georgia Museum of Art, University of Georgia; Gift of Ed Forio Jr. GMOA 2010.303-314 Thornton Dial (American, born 1928) Spirit of Grand Central Station—The Man that Helped the Handicapped, 1990 Enamel on braided rope carpet and industrial sealing compound on canvas mounted on plywood Georgia Museum of Art, University of Georgia; Gift of Ron and June Shelp GMOA 2010.315 Myrtice West (American, 1923–2010) Untitled, 1994 Oil on canvas Georgia Museum of Art, University of Georgia; Gift of Dr. and Mrs. Randall S. Ott GMOA 2010.316 Onis Woodward (American, b. 1926) Christ of the Ozarks Statue, 1994 Wood Georgia Museum of Art, University of Georgia; Gift of Dr. and Mrs. Randall S. Ott GMOA 2010.317

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Jack Wolfe (American, 1925–2007) Untitled, ca. 1958 Oil on canvas Georgia Museum of Art, University of Georgia; Gift of Dr. and Mrs. Randall S. Ott GMOA 2010.318

Lucy May Stanton (American, 1876–1931) Mrs. Hunnicutt (Mary Lewis Deupree), ca. 1910 Watercolor on ivory Georgia Museum of Art, University of Georgia; Gift of Devereux Burch GMOA 2010.324

Manufacturer: The Firm of Albert Coles & Company (active New York, NY, 1835–1877) Retailer: Lewis H. Wing (American, ca. 1837–after 1860; active Macon, Georgia, dates unknown) Cream pitcher or “creamer,” ca. 1869 Coin silver Georgia Museum of Art, University of Georgia; Gift of Sally Hawkins in memory of Paul Hawkins GMOA 2010.319

Attributed to Henry Ingle (American, 1764– 1822) or Joseph Ingle (American, 1763–1816, Alexandria, Virginia, or Washington, D.C.) Side chair, 1795–1805 Primary wood: mahogany; secondary wood: oak Georgia Museum of Art, University of Georgia; Gift of Phoebe Gould Forio GMOA 2010.325

Attributed to Aurelio Lomi (Pisa, 1556–1622) A Cleric with Arms Held Wide, Facing Right, n.d.

Black and white chalk on buff paper Georgia Museum of Art, University of Georgia; Museum purchase with funds provided by the Audrey Love Charitable Foundation GMOA 2010.320 Pier Antonio Novelli (Venice, 1729–1804) Hercules and the Hydra, n.d.

Pen and dark brown ink on off-white paper Georgia Museum of Art, University of Georgia; Museum purchase with funds provided by the Audrey Love Charitable Foundation GMOA 2010.321 Chinese (Han dynasty, 206 BC–220 AD) Walking horse, n.d.

Terra cotta (low temperature fired earthenware) Georgia Museum of Art, University of Georgia; Gift of Dr. Gerald Shepps in memory of Roslyn and Benjamin Shepps GMOA 2010.322 Chinese (Han dynasty, 206 BC–220 AD) Walking horse, n.d.

Terra cotta (low temperature fired earthenware) Georgia Museum of Art, University of Georgia; Gift of Dr. Gerald Shepps in memory of Roslyn and Benjamin Shepps GMOA 2010.323 78

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Ferdinand Warren (American, 1899–1981) Untitled (figures picking cotton), n.d.

Lithograph on paper Georgia Museum of Art, University of Georgia; Gift of Lidwina Kelly GMOA 2010.326 Unidentified maker (Athens, Georgia, early 19th century) Windsor chair, 1800–40 Hickory or ash stiles, probably soft maple arms, probably poplar seat, and unidentified ringporous hardwoods Georgia Museum of Art, University of Georgia; Museum purchase with funds provided by Mr. and Mrs. Levon C. Register GMOA 2010.327 Marian C. Schlesinger (American, b. 1912) Guatemalan Woman, n.d.

Watercolor on paper Georgia Museum of Art, University of Georgia; Museum purchase with funds provided by Betty Alice Fowler and High Schlesinger in memory of Katharine S. Kinderman GMOA 2010.328

Marian C. Schlesinger (American, b. 1912) Two Horses, n.d.

Pen and ink on paper Georgia Museum of Art, University of Georgia; Museum purchase with funds provided by M. Smith Griffith, Cecelia B. Hinton, Lidwina G. Kelly, Marguerite D. Massey, Ann Whatley Mullin, Jane C. Mullins, Elizabeth P. Turner, and the University of Georgia Women’s Swimming Team in memory of Ann Mullin Fowler GMOA 2010.329 James E. Routh (American, b. 1918) Abandoned Farm, 1940–41 Lithograph on paper Georgia Museum of Art, University of Georgia; Gift of the artist GMOA 2010.330 James E. Routh (American, b. 1918) Above Yazoo City, 1940–41 Lithograph on paper Georgia Museum of Art, University of Georgia; Gift of the artist GMOA 2010.331 James E. Routh (American, b. 1918) Blue Ridge Farm, 1940 Lithograph on paper Georgia Museum of Art, University of Georgia; Gift of the artist GMOA 2010.332 James E. Routh (American, b. 1918) Chimney, 1940 Etching with aquatint on paper Georgia Museum of Art, University of Georgia; Gift of the artist GMOA 2010.333 James E. Routh (American, b. 1918) Copper Hill, Tennessee, 1946 Lithograph on paper Georgia Museum of Art, University of Georgia; Gift of the artist GMOA 2010.334

James E. Routh (American, b. 1918) Cotton, 1940–41 Lithograph on paper Georgia Museum of Art, University of Georgia; Gift of the artist GMOA 2010.335 James E. Routh (American, b. 1918) Cotton Farm, 1946 Lithograph on paper Georgia Museum of Art, University of Georgia; Gift of the artist GMOA 2010.336 James E. Routh (American, b. 1918) Cotton Gin, 1940 Lithograph on paper Georgia Museum of Art, University of Georgia; Gift of the artist GMOA 2010.337 James E. Routh (American, b. 1918) Cotton Pickers (also known as Mississippi Delta), 1941 Lithograph on paper Georgia Museum of Art, University of Georgia; Gift of the artist GMOA 2010.338 James E. Routh (American, b. 1918) Delta Plantation, 1940–41 Lithograph on paper Georgia Museum of Art, University of Georgia; Gift of the artist GMOA 2010.339 James E. Routh (American, b. 1918) Dixie Steel, 1940 Lithograph on paper Georgia Museum of Art, University of Georgia; Gift of the artist GMOA 2010.340 James E. Routh (American, b. 1918) Dixie Steel, n.d.

Ink wash on paper Georgia Museum of Art, University of Georgia; Gift of the artist GMOA 2010.341 Georgia Museum of Art | Annual Report, 2010–2011

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80

James E. Routh (American, b. 1918) Dixie Steel, 1939 Ink wash on paper Georgia Museum of Art, University of Georgia; Gift of the artist GMOA 2010.342

James E. Routh (American, b. 1918) Three Houses, 1940 Lithograph onpaper Georgia Museum of Art, University of Georgia; Gift of the artist GMOA 2010.349

James E. Routh (American, b. 1918) Dixie Steel [So. Steel sign], n.d.

Ink wash on paper Georgia Museum of Art, University of Georgia; Gift of the artist GMOA 2010.343

James E. Routh (American, b. 1918) Three Houses, n.d.

Ink wash on paper Georgia Museum of Art, University of Georgia; Gift of the artist GMOA 2010.350

James E. Routh (American, b. 1918) Erosion, 1940–41 Lithograph on paper Georgia Museum of Art, University of Georgia; Gift of the artist GMOA 2010.344

James E. Routh (American, b. 1918) Turpentine Forest, 1940 Lithograph on paper Georgia Museum of Art, University of Georgia; Gift of the artist GMOA 2010.351

James E. Routh (American, b. 1918) Henry County, Georgia, n.d.

Ink wash on paper Georgia Museum of Art, University of Georgia; Gift of the artist GMOA 2010.345

James E. Routh (American, b. 1918) Williams St., Atlanta, 1938 Ink wash on paper Georgia Museum of Art, University of Georgia; Gift of the artist GMOA 2010.352

James E. Routh (American, b. 1918) Mail Boxes, n.d.

Graphite on paper Georgia Museum of Art, University of Georgia; Gift of the artist GMOA 2010.346

James E. Routh (American, b. 1918) Untitled [dead tree with vulture], ca. 1940 Etching on paper Georgia Museum of Art, University of Georgia; Gift of the artist GMOA 2010.353

James E. Routh (American, b. 1918) Mule Pasture, Old Peachtree Road, 1940 Lithograph on paper Georgia Museum of Art, University of Georgia; Gift of the artist GMOA 2010.347

James E. Routh (American, b. 1918) Untitled [woman with cigarette], ca. 1940 Etching on paper Georgia Museum of Art, University of Georgia; Gift of the artist GMOA 2010.354

James E. Routh (American, b. 1918) Rabbit Hunter, 1940 Lithograph on paper Georgia Museum of Art, University of Georgia; Gift of the artist GMOA 2010.348

James E. Routh (American, b.1918) Untitled [outside theater], ca. 1940 Etching on paper Georgia Museum of Art, University of Georgia; Gift of the artist GMOA 2010.355

Georgia Museum of Art | Annual Report, 2010–2011

James E. Routh (American, b. 1918) Untitled [bare-breasted woman], ca. 1940 Etching on paper Georgia Museum of Art, University of Georgia; Gift of the artist GMOA 2010.356

Clara Fairfield Perry (American, 1870–1941) Spring Garden, n.d.

Oil on canvas Georgia Museum of Art, University of Georgia; Gift of Frances Aronson-Healey GMOA 2010.363

James E. Routh (American, b. 1918) Untitled [seated woman—portrait], 1939 Aquatint on paper Georgia Museum of Art, University of Georgia; Gift of the artist GMOA 2010.357

Undetermined maker (English, possibly Davenport) Plate with botanical decoration and gold cipher of JMK for John McKinne of Augusta, GA, ca.

1805–40 Porcelain Georgia Museum of Art, University of Georgia; Gift of Linda and David Chesnut GMOA 2010.364

James E. Routh (American, b. 1918) Untitled [reclining nude], ca. 1940 Etching on paper Georgia Museum of Art, University of Georgia; Gift of the artist GMOA 2010.358 James E. Routh (American, b. 1918) Untitled [dead tree with vulture], ca. 1940 Aquatint on paper Georgia Museum of Art, University of Georgia; Gift of the artist GMOA 2010.359 James E. Routh (American, b. 1918) Untitled [erosion], n.d.

Ink wash on paper Georgia Museum of Art, University of Georgia; Gift of the artist GMOA 2010.360 James E. Routh (American, b.1918) Gertrude Kossoff, 1939 Ink on paper Georgia Museum of Art, University of Georgia; Gift of the artist GMOA 2010.361 Camille Magnus (French, 1850–?)

Boisière à l’orée du bois, n.d.

Oil on canvas Georgia Museum of Art, University of Georgia; Gift of Frances Aronson-Healey GMOA 2010.362

Undetermined maker (English, possibly Davenport) Plate with botanical decoration and gold cipher of JMK for John McKinne of Augusta, GA, ca.

1805–40 Porcelain Georgia Museum of Art, University of Georgia; Gift of Linda and David Chesnut GMOA 2010.365 Undetermined maker (English, possibly Davenport) Plate with botanical decoration and gold cipher of JMK for John McKinne of Augusta, GA, ca.

1805–40 Porcelain Georgia Museum of Art, University of Georgia; Gift of Linda and David Chesnut GMOA 2010.366 Lamar Dodd (American, 1909–1996) Untitled (birds), 1980 Oil over applied metal leaf on canvas Georgia Museum of Art, University of Georgia; The Mr. and Mrs. Fred D. Bentley Sr. Collection of American Art, gift of Mr. and Mrs. Fred D. Bentley Sr. GMOA 2010.367

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Lamar Dodd (American, 1909–1996) Monhegan Island Maine, n.d.

Pen and ink on paper Georgia Museum of Art, University of Georgia; The Mr. and Mrs. Fred D. Bentley Sr. Collection of American Art, gift of Mr. and Mrs. Fred D. Bentley Sr. GMOA 2010.368

Alvan Fisher (American, 1792–1863) Watching the Cattle, n.d.

Oil on canvas Georgia Museum of Art, University of Georgia; The Mr. and Mrs. Fred D. Bentley Sr. Collection of American Art, gift of Mr. and Mrs. Fred D. Bentley Sr. GMOA 2010.373

Edward Willis Redfield (American, 1869–1965) Ocean Tide, Maine Coast off Whitehead, 1925 Oil on panel Georgia Museum of Art, University of Georgia; The Mr. and Mrs. Fred D. Bentley Sr. Collection of American Art, gift of Mr. and Mrs. Fred D. Bentley Sr. GMOA 2010.369

Chester Harding (American, 1792–1866) Randolph Harris of Elk Hill, VA, ca. 1830–35 Oil on canvas Georgia Museum of Art, University of Georgia; The Mr. and Mrs. Fred D. Bentley Sr. Collection of American Art, gift of Mr. and Mrs. Fred D. Bentley Sr. GMOA 2010.374

Sears Gallagher (American, 1869–1955) Remember that Time is Money (Portrait of Benjamin Franklin), 1949 Watercolor on paper Georgia Museum of Art, University of Georgia; The Mr. and Mrs. Fred D. Bentley Sr. Collection of American Art, gift of Mr. and Mrs. Fred D. Bentley Sr., Fred Bentley Jr., and Randall Bentley GMOA 2010.370

Adriaen van Ostade (Dutch, 1610–1685) Saying Grace, 1653 Etching on laid paper Georgia Museum of Art, University of Georgia; The Mr. and Mrs. Fred D. Bentley Sr. Collection of American Art, gift of Mr. and Mrs. Fred D. Bentley Sr. GMOA 2010.375

Ernest Lawson (American, 1873–1939) The Red Roofs, n.d.

Oil on panel Georgia Museum of Art, University of Georgia; The Mr. and Mrs. Fred D. Bentley Sr. Collection of American Art, gift of Mr. and Mrs. Fred D. Bentley Sr. and Randall Bentley GMOA 2010.371 Robert Henry Logan (American, 1874–1942) The Barn, n.d.

Oil on canvas Georgia Museum of Art, University of Georgia; The Mr. and Mrs. Fred D. Bentley Sr. Collection of American Art, gift of Mr. and Mrs. Fred D. Bentley Sr. GMOA 2010.372

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Unidentified maker (American, mid–19th century) Water dipper, ca. 1850 Silver, coconut, and unidentified wood, possibly a close-grained exotic wood Georgia Museum of Art, University of Georgia; Gift of Mr. and Mrs. Levon C. Register GMOA 2010.376 [Corinne] Michael West (American, 1908–1991) Untitled (abstract), probably late 1960s Oil on canvas Georgia Museum of Art, University of Georgia; Gift of David Lewis GMOA 2010.377 Margaret Moffett Law (American, 1871–1956) Untitled (three figures), n.d.

Lithograph on paper Georgia Museum of Art, University of Georgia; Gift of David Henderson in honor of William Underwood Eiland GMOA 2010.378

Lamar Dodd (American, 1909–1996) Yellow Rose, n.d.

Oil on canvas Georgia Museum of Art, University of Georgia; Gift of the Estate of Elizabeth T. Sheerer GMOA 2011.1

Eulala Amos (American, 1907–2001) Vase, 1942 Ceramic with turquoise gloss glaze Georgia Museum of Art, University of Georgia; Gift of the Estate of Elizabeth T. Sheerer GMOA 2011.8

Lamar Dodd (American, 1909–1996) He, n.d.

Oil on prepared masonite Georgia Museum of Art, University of Georgia; Gift of the Estate of Elizabeth T. Sheerer GMOA 2011.2

Eulala Amos (American, 1907–2001) Vase, 1961 Ceramic with gray speckled glaze Georgia Museum of Art, University of Georgia; Gift of the Estate of Elizabeth T. Sheerer GMOA 2011.9

Lamar Dodd (American, 1909–1996) She, n.d.

Gold leaf and oil on laminated masonite Georgia Museum of Art, University of Georgia; Gift of the Estate of Elizabeth T. Sheerer GMOA 2011.3

Eulala Amos (American, 1907–2001) Creamer, 1955 Ceramic with blue glaze Georgia Museum of Art, University of Georgia; Gift of the Estate of Elizabeth T. Sheerer GMOA 2011.10

Unidentified artist Untitled [still life], after painting by Lamar Dodd, n.d.

Bronze casting mounted on wood Georgia Museum of Art, University of Georgia; Gift of the Estate of Elizabeth T. Sheerer GMOA 2011.4

Eulala Amos (American, 1907–2001) Sugar, 1955 Ceramic with blue glaze Georgia Museum of Art, University of Georgia; Gift of the Estate of Elizabeth T. Sheerer GMOA 2011.11

Ferdinand Warren (American, 1899–1981) Fulton Street, n.d.

Oil on Masonite Georgia Museum of Art, University of Georgia; Gift of the Estate of Elizabeth T. Sheerer GMOA 2011.5 Ferdinand Warren (American, 1899–1981) Morning, n.d.

Oil Georgia Museum of Art, University of Georgia; Gift of the Estate of Elizabeth T. Sheerer GMOA 2011.6 Ferdinand Warren (American, 1899–1981) Sun and Pine, n.d.

Lithograph on paper Georgia Museum of Art, University of Georgia; Gift of the Estate of Elizabeth T. Sheerer GMOA 2011.7

Eulala Amos (American, 1907–2001) Bowl, n.d.

Ceramic with white glaze and silver inlay Georgia Museum of Art, University of Georgia; Gift of the Estate of Elizabeth T. Sheerer GMOA 2011.12 Eulala Amos (American, 1907–2001) Pot with handles, 1945 Earthenware with green glaze Georgia Museum of Art, University of Georgia; Gift of the Estate of Elizabeth T. Sheerer GMOA 2011.13 Eulala Amos (American, 1907–2001) Sake cup (one of three), 1955 Ceramic Georgia Museum of Art, University of Georgia; Gift of the Estate of Elizabeth T. Sheerer GMOA 2011.14

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Eulala Amos (American, 1907–2001) Sake cup (two of three), 1955 Ceramic Georgia Museum of Art, University of Georgia; Gift of the Estate of Elizabeth T. Sheerer GMOA 2011.15

Anthony Goicolea (American, b. 1971) snowscape, 2002 Five c-prints mounted on Plexiglas and video Georgia Museum of Art, University of Georgia; Gift of the artist GMOA 2011.22

Eulala Amos (American, 1907–2001) Sake cup (three of three), 1955 Ceramic Georgia Museum of Art, University of Georgia; Gift of the Estate of Elizabeth T. Sheerer GMOA 2011.16

Elizabeth Bailey (American, b. 1952) Merry Christmas, 2010 Woodcut on laid paper Georgia Museum of Art, University of Georgia; Gift of Mr. Patrick Conway Mizelle GMOA 2011.23

Eulala Amos (American, 1907–2001) Bound thesis containing photographs, n.d.

Georgia Museum of Art, University of Georgia; Gift of the Estate of Elizabeth T. Sheerer GMOA 2011.17

Compiled by: Shumi-no-Momen-Kenkyukai Published by: Kyoto-Shoin, Kyoto & Meiji-Shobo, Tokyo (Japanese) Portfolio of hand-woven textiles, 1955 Mounted cotton textiles in portfolio Georgia Museum of Art, University of Georgia; Gift of Carol Rosen GMOA 2011.24.1-40

Unidentified maker (Asian) Wall shelf or sconce, n.d.

Hand-painted wood Georgia Museum of Art, University of Georgia; Gift of the Estate of Elizabeth T. Sheerer GMOA 2011.18 Eulala Amos (American, 1907–2001) Scrunch pot, n.d.

Glazed earthenware Georgia Museum of Art, University of Georgia; Gift of the Estate of Elizabeth T. Sheerer GMOA 2011.19 Unidentified maker Perforated dish, n.d.

Etched metal Georgia Museum of Art, University of Georgia; Gift of the Estate of Elizabeth T. Sheerer GMOA 2011.20 Eulala Amos (American, 1907–2001) Small dish, n.d.

Ceramic Georgia Museum of Art, University of Georgia; Gift of the Estate of Elizabeth T. Sheerer GMOA 2011.21

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Kathleen Walker (American, b. 1957) White Barns I, 2009 Photograph Georgia Museum of Art, University of Georgia; Museum purchase GMOA 2011.25 Jack Wolfe (American, 1924–2007) Untitled, 1962 Oil on canvas Georgia Museum of Art, University of Georgia; Gift of Dr. and Mrs. Randall S. Ott GMOA 2011.26 Mitchell Johnson (American, b. 1964) Tyrol, 2010 Oil on linen Georgia Museum of Art, University of Georgia; Gift of the Jack Blanton Collection GMOA 2011.27 Louise Heron Blair (American, 1905–1972) Still Life with Tea Pot, n.d.

Pastel on paper Georgia Museum of Art, University of Georgia; Gift of Martha Randolph Daura GMOA 2011.28

Louise Heron Blair (American, 1905–1972) Still Life with Bottle and Fruit Basket, n.d.

Pastel on paper Georgia Museum of Art, University of Georgia; Gift of Martha Randolph Daura GMOA 2011.29

Louise Heron Blair (American, 1905–1972) Altafulla, n.d.

Engraving on paper Georgia Museum of Art, University of Georgia; Gift of Martha Randolph Daura GMOA 2011.36

Louise Heron Blair (American, 1905–1972) Still Life with Wine Bottle, Glass, and Fruit Basket, n.d.

Pastel on paper Georgia Museum of Art, University of Georgia; Gift of Martha Randolph Daura GMOA 2011.30

Louise Heron Blair (American, 1905–1972) Self portrait, n.d.

Oil on panel Georgia Museum of Art, University of Georgia; Gift of Martha Randolph Daura GMOA 2011.37

Louise Heron Blair (American, 1905–1972) Portrait of Pierre, n.d.

Engraving on paper Georgia Museum of Art, University of Georgia; Gift of Martha Randolph Daura GMOA 2011.31 Louise Heron Blair (American, 1905–1972) Greek Church at Cargese, n.d.

Engraving on paper Georgia Museum of Art, University of Georgia; Gift of Martha Randolph Daura GMOA 2011.32 Louise Heron Blair (American, 1905–1972) Fatarella, n.d.

Engraving on paper Georgia Museum of Art, University of Georgia; Gift of Martha Randolph Daura GMOA 2011.33 Louise Heron Blair (American, 1905–1972) Asco Cemetery, n.d.

Engraving on paper Georgia Museum of Art, University of Georgia; Gift of Martha Randolph Daura GMOA 2011.34 Louise Heron Blair (American, 1905–1972) Cargese (chickens), n.d.

Engraving on paper Georgia Museum of Art, University of Georgia; Gift of Martha Randolph Daura GMOA 2011.35

Unidentified maker (American) Jug with slip decorated bird in blue, made in Whitesville, Georgia, 19th century Stoneware Georgia Museum of Art, University of Georgia; Gift of Charles G. Schoenknecht and Ward A. Paul GMOA 2011.38 Caroline Rohland (American, 1885–1965) Dark Rhythm, ca. 1935 Lithograph on paper Georgia Museum of Art, University of Georgia; Museum purchase with funds provided by the W. Newton Morris Charitable Foundation GMOA 2011.39 Seymour Tubis (American, 1919–1993) Portrait of Ed Jones, 1948 Drypoint on paper Georgia Museum of Art, University of Georgia; Museum purchase with funds provided by the W. Newton Morris Charitable Foundation GMOA 2011.40 Dorr Bothwell (American, 1902–2000) Untitled (abstraction), 1951 Ink on paper Georgia Museum of Art, University of Georgia; Museum purchase with funds provided by the W. Newton Morris Charitable Foundation GMOA 2011.41

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Unidentified maker (American) Souvenir spoon, n.d.

Silver Georgia Museum of Art, University of Georgia; Gift of Peggy and Denny Galis GMOA 2011.42

GOVERNING AND ADVISING BODIES 2010–2011

Kenneth Adams (American, 1897–1966) Nude (The Bather), 1957 Charcoal on paper Georgia Museum of Art, University of Georgia; Museum purchase with funds provided by the Collectors of the Georgia Museum of Art GMOA 2011.43

Kenneth R. Bernard Jr. Frederick E. Cooper Larry R. Ellis Rutledge A. Griffin Robert F. Hatcher, vice chair C. Thomas Hopkins Jr. W. Mansfield Jennings Jr. James R. Jolly Donald M. Leebern Jr. William NeSmith Jr. Doreen Stiles Poitevint Willis J. Potts Jr. Wanda Yancey Rodwell Kessel Stelling Jr. Benjamin J. Tarbutton III Richard L. Tucker, chair Larry Walker Philip A. Wilheit Sr.

William Spratling (American, 1900–1967) Server slice, ca. 1950 Silver Georgia Museum of Art, University of Georgia; Museum purchase with funds provided by the Collectors of the Georgia Museum of Art GMOA 2011.44 Summary: Works on paper: Decorative arts:

Paintings: Sculpture (sculpture, Asian or African objects, or folk art):

225 75 33

TOTAL

348

Board of Regents, University of Georgia

President, University of Georgia Michael F. Adams

15

Senior Vice President for Academic Affairs and Provost, University of Georgia Arnett C. Mace/Jere Morehead

Board of Advisors

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Mr. B. Heyward Allen Jr. Dr. Amalia K. Amaki Mrs. Frances Aronson-Healey Turner I. Ball, M.D. Mr. Fred Bentley Sr. Mr. Richard E. Berkowitz Mrs. Devereux C. Burch Mr. Robert E. Burton Mrs. Debbie C. Callaway Mr. Randolph W. Camp Mrs. Shannon I. Candler, past chair Mrs. Faye S. Chambers Georgia Museum of Art | Annual Report, 2010–2011

Mr. Harvey J. Coleman Ms. Martha T. Dinos Mrs. Annie Laurie Dodd Ms. Sally Dorsey Professor Marvin Eisenberg Ms. Carlyn F. Fisher Mr. James B. Fleece Mr. Edgar J. Forio Jr. Mr. Harry L. Gilham Jr. Mr. John M. Greene Mrs. Helen C. Griffith Mrs. M. Smith Griffith Mrs. Marion E. Jarrell Professor John D. Kehoe Mrs. George-Ann Knox Mrs. Shell H. Knox Mr. David W. Matheny Ms. Catherine A. May Mrs. Helen P. McConnell Mr. Mark G. McConnell Mrs. Marilyn McMullan Mrs. Marilyn D. McNeely Mrs. Berkeley S. Minor Mr. C. L. Morehead Jr. Ms. Jane C. Mullins Mr. Carl W. Mullis III, chair Mr. Donald G. Myers Mrs. Betty R. Myrtle John Nickerson, M.D. Mrs. Deborah L. O’Kain Mrs. Janet W. Patterson Ms. Kathy B. Prescott Dr. William F. Prokasy IV Mr. Roland A. Radford Jr. Ms. Margaret A. Rolando Mr. Alan F. Rothschild Jr. Mrs. Dorothy A. Roush Mrs. Sarah P. Sams Mr. D. Jack Sawyer Jr. Mrs. Helen H. Scheidt Mr. Henry C. Schwob Mrs. Ann C. Scoggins Mr. S. Stephen Selig III Ms. Cathy Selig-Kuranoff Mrs. Dudley R. Stevens Mrs. Carolyn W. Tanner Mrs. Judith M. Taylor Mrs. Barbara Auxier Turner Mr. C. Noel Wadsworth Ms. Kathleen E. Walker Mr. G. Vincent West

Ex-officio members Ms. Karen L. Benson Mrs. Linda C. Chesnut Dr. William U. Eiland Mr. Tom S. Landrum Professor Jere W. Morehead Dr. Libby V. Morris Ms. Georgia Strange

Decorative Arts Advisory Committee Linda Allen* Lucy Allen Suzanne Allen Linda Beard Beverly Bremer William Burdell III Linda Chesnut, chair Deanne Deavours Lee Epting Mary Erlanger* Dr. Glenn T. Eskew Phoebe Forio Peggy Galis Mary Ann Griffin Sally Hawkins Rosalie Haynes* John Knowlton Robert Leath Sue Mann Helen P. McConnell* Jane C. Mullins* Anne Perry Carey Pickard III Letitia Radford Bonnie Ramsey Sarah P. Sams John McKay Sheftall T. Marion Slaton, vice chair Claire M. Smith Jane C. Symmes Nancy R. Tarbutton William Dunn Wansley John C. Waters Ellen Wiley *sustaining member Georgia Museum of Art | Annual Report, 2010–2011

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Staff 2010â&#x20AC;&#x201C;2011 Current Staf f Paula Arscott, secretary to the director Lynn Edward Boland, Pierre Daura Curator of European Art Gail Bridges, building supervisor Craig Brown, security guard Hillary Brown, director of communications Tim Brown, director of membership Lauren Britton Cook, special event coordinator Dale Couch, associate curator of decorative arts Lawrence Cross, security coordinator Brent DeRevere, security supervisor Carissa DiCindio, curator of education William U. Eiland, director Larry Forte, Daura Center art handler Betty Alice Fowler, grant writer and assistant to

the director Teri Gunter, security guard Qiu Jing, security guard Steve Key, security guard Mary Koon, editor Caroline Maddox, director of development Paul Manoguerra, curator of American art Marguerite Massey, business manager Jana McGee, accounting assistant Amy Miller, museum shop manager Tricia Miller, head registrar Annelies Mondi, deputy director Lori Newson, part-time security guard Lanora Pierce, assistant preparator Melissa Rackley, curatorial assistant Todd Rivers, chief preparator Sarina Rousso, assistant registrar I Christy Sinksen, associate registrar and exhibition loan coordinator Ed Tant, security guard Brenda Wade, receptionist Cecelia Warner, curator of education Jenny Williams, public relations coordinator Unf illed Positions Curator of prints and drawings Assistant registrar Associate curator Associate accountant 88

Georgia Museum of Art | Annual Report, 2010â&#x20AC;&#x201C;2011

FY10 DONORS Alfred Heber Holbrook Society Anonymous Ms. Martha R. Daura and Mr. Thomas W. Mapp Dr. Patricia Deitz Ms. Martha Thompson Dinos Mrs. Frances Yates Green Mr. Louis Turner Griffith Jr. Mrs. M. Smith Griffith Boone and George-Ann Knox, The Knox Foundation Mr. C. L. Morehead, Jr. and Flowers, Inc. Wholesale Ms. Kathy B. Prescott and Mr. Grady Thrasher Dr. and Mrs. Hyman J. Roberts Dr. Gerald Shepps

Benefactor Ms. Beverly Hart Bremer Mr. and Mrs. Peter M. Candler Mrs. Helen C. Griffith Mr. and Mrs. Wyatt Thomas Johnson Jr. Mr. and Mrs. Dennis O'Kain Mr. and Mrs. Alexander W. Patterson Mr. Alan F. Rothschild, Jr. through The Fort Trustee Fund, CFCV Mrs. Dorothy A. Roush Mrs. Dudley Stevens Mr. and Mrs. Ian Walker

Patron Mr. and Mrs. B. Heyward Allen Jr. Heyward Allen Motor Company Ms. Karen Benson and Mr. Howard Scott Chris and Hillary Bilheimer Mr. and Mrs. E. Davison Burch Burman Printing/Walton Media Mr. and Mrs. W. Edward Chambers The Community Foundation for Greater Atlanta, Inc. Dr. and Mrs. Mark Ellis John and Martha Ezzard, Tiger Mountain Vineyards Mr. and Mrs. Gregory F. Holcomb

Holder Construction Foundation Mrs. Lidwina Kelly Mr. Matt Kendall, The Kendall Collection Dr. and Mrs. D. Hamilton Magill Mr. and Mrs. David Matheny John and Marilyn McMullan Mr. and Mrs. Carl W. Mullis III Mrs. Doris Ramsey Jack Sawyer and Bill Torres Stanley Beaman & Sears Mr. and Mrs. Robert Winthrop II Drs. Norman J. and Mary M. Wood

Director’s Circle Mr. Gregory Barnard Dr. and Mrs. Larry Holden Beard Mr. and Mrs. Richard E. Berkowitz Bernstein Funeral Home Mr. and Mrs. Brian S. Brown Jr. Mr. and Mrs. Robert E. Burton Dr. and Mrs. Harvey Cabaniss Ms. Lucinda Samford Cannon Dr. and Mrs. Samuel B. Carleton Chastain and Associates Dr. and Mrs. James W. Cooper Jr. Dr. and Mrs. John R. Curtis Mr. and Mrs. A. Blair Dorminey Mr. and Mrs. Bertis E.Downs IV Mr. and Mrs. Lee B. Durham Dr. and Mrs. Thomas G. Dyer Dr. Mary Arnold Erlanger Dr. and Mrs. Mark F. Ellison Mr. Todd Emily Mr. and Mrs. James B. Fleece Foothills Community Foundation Mr. and Mrs. Edgar J. Forio, Jr. Drs. William J. and Marya L. Free Col. and Mrs. Thomas N. Gibson III Mr. and Mrs. Robert E. Gibson Mr. and Mrs. Harry L. Gilham, Jr. Mr. and Mrs. John Monroe Greene Mr. and Mrs. S.M. Griffin Jr. Mr. and Mrs. Richard M. Hathaway Mr. and Mrs. Stanley H. Henderson Mrs. Clementi L-B Holder Mr. and Mrs. Eugene H. Howard Jr. Mr. and Mrs. Frank B. Jarrell Mrs. A. F. Jenkins, Jr.

Ms. Marylin Johnson Dr. and Mrs. Scott A. Kleiner Mr. Thomas Edward Kurtz Wimberly, Lawson, Steckel, Schneider & Stine, PC Dr. Lars G. Ljungdahl Mrs. Sue Weems Mann Mr. and Mrs. Mark McConnell The McCormack Foundation Mrs. Marilyn DeLong McNeely Mr. and Mrs. H. Daniels Minor Mr. and Mrs. Donald G. Myers Mr. and Mrs. Edgar B. Myrtle Dr. and Mrs. Randall Ott Drs. Gordhan L. & Virginia B. Patel Dr. and Mrs. William L. Power Dr. Karen W. Prasse Dr. and Mrs. William F. Prokasy IV Mr. and Mrs. Rowland A. Radford, Jr. R.E.M./Athens, LLC Mr. Paul W. Richelson Ms. Margaret A. Rolando Mr. and Mrs. Walter A. Sams Mr. and Mrs. Jason Schoen Mr. and Mrs. John D. Scoggins Selig Foundation Mr. Lee Smith and Ms. Rinne Allen Mr. and Mrs. Billy S. Smith Mrs. Margaret R. Spalding Honorable and Mrs. Homer M. Stark Mrs. Patricia Gebhardt Staub Mrs. Elizabeth B. Stephens Mr. and Mrs. Kurt Strater Ms. Peggy Hoard Suddreth Mr. and Mrs. W. Rhett Tanner Mr. and Mrs. Thomas H. Taylor Sr. UGA Alumni Association David and Cecelia Warner Mr. and Mrs. Gerry Whitworth Dr. W. Thomas Wilfong Mrs. Jane S. Willson ZoomWorks

Sustaining The Athens Chapter of the Links, Inc. Mr. T. Marion Slaton

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Donating Ms. Louise Terrell Adams Mr. and Mrs. F. Brooks Arnold Mrs. June McCoy Ball Mr. and Mrs. Charles B. Burch Sr. Drs. Robert D. & Claire B. Clements Mr. and Mrs. Stephen P. Covington Dr. and Mrs. W. Russell Edwards Jr. Mr. and Mrs. Howard F. Elkins Drs. Byron J. and Mary Freeman Dr. and Mrs. Joseph J. Gaines Jr. Drs. Carolyn Reaves and David J. Hally Mr. and Mrs. Tim Hughes Col and Mrs. William Kenneth Jordan, USA/Ret Dr. and Mrs. R. Bruce King Dr. and Mrs. William C. Koch Jr. Mr. and Mrs. John L. Macchi Mr. and Mrs. C. Randall Nuckolls Mr. and Mrs. Teddy J. Oliver Mr. and Mrs. Eric Orbock Ms. Nancy Carol Ramsey Mr. Lewis Lanier Scruggs Jr. Ms. Michelle Taylor Shutzer Dr. and Mrs. H. McCord Smith Jr. Mr. and Mrs. Robert L. Steed Mrs. Elinor T. Terrell Dr. and Mrs. James A. Verbrugge

Contributing Mr. and Mrs. W. Randall Abney Dr. and Mrs. Thomas T. Adams Ms. Margaret G. Agner Suzanne B. Allen & Company Design Ferry, Hayes & Allen Designers, Inc Ms. Beverly Jeanne Barksdale Dr. Anne Patterson-Barnett and Mr. Paul D. Barnett Mr. and Mrs. Clarence V. Beadles III Mr. and Mrs. Fred D. Bentley Sr. Drs. Jenny and Edward E. Best Jr. Mr. and Mrs. Robert D. Bishop Dr. and Mrs. Francis N. Boney Mr. and Mrs. Barney L. Brannen Jr. Mr. Robert Darnell Brawner Mr. and Mrs. James S. Browne Mr. Everett Clay Bryant Jr. Ms. Dorine L. Burkhard 90

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Dr. and Mrs. Robert G. Burton Mr. and Mrs. William P. Cassilly Dr. and Mrs. Louis A. Castenell Jr. Mr. and Mrs. Woody H. Chastain Dr. and Mrs. William L. Clark Jr. Mrs. Jean W. Clouspy Dr. and Mrs. William C. Conner Mr. and Mrs. Glenn W. Cook Ms. Janey Mae Cooley Dr. and Mrs. Thomas J. Cooney Mrs. Frances H. Covert Dr. and Mrs. Sean L. Coy Dr. Betty Jean Craige Mr. Jacob Forrest Crouch III Dr. and Mrs. John V. Cuff Mr. Peter Robert Dale Ms. Madeline Darnell Mrs. Ginger S. Duensing Dr. and Mrs. Delmer D. Dunn Dr. and Mrs. Donald R. Eastman III Mr. and Mrs. Samuel W. Elliott Ms. Christa Estes Ms. M. Laura Evans Ms. Theresa M. Flynn and Mr. Douglas Hellman Ms. C. Becton Ford Mrs. Charlotte A. Ford Mr. and Mr. Matt Friedlander Mr. and Mrs. Denny C. Galis Dr. and Mrs. Leon Galis Dr. and Mrs. Henry G. Garrard IV Ms. Joy L. Glass Drs. Elliot C. and Marilyn E. Gootman Mr. Henry D. Green Jr. Mrs. Gwen West Griffin Mrs. Sally W. Hawkins Mr. Biao He Drs. Lawrence R. and Mary A. Hepburn Dr. and Mrs. John Bunn Hill Mr. and Mrs. Joseph H. Hilsman III Mr. and Mrs. Morris E. Hollingsworth Jr. Dr. and Mrs. Cecil C. Hudson Drs. Leo S. and Sylvia Jensen Ms. Sarah A. McCallum and Mr. Michael B. Keene Dr. and Mrs. Stanley H. Kleven Mr. and Mrs. Joseph R. Knappenberger Drs. Claudia and William A. Kretzschmar Jr. Assoc. Dean and Mrs. Paul M. Kurtz Mrs. Barbara W. Laughlin

Mr. David S. Levenson Mrs. Jeanne H. Lindberg Dr. and Mrs. George O. Marshall Jr. Dr. Barbara A. McCaskill Mr. and Mrs. James H. McGown Dr. and Mrs. James S. Miller Mr. and Mrs. Sam H. Mitchell Mr. and Mrs. Gary A. Mitchell Mr. Patrick Mizelle and Mr. Edwin Fisher Dr. and Mrs. James B. Moncrief Jr. Mr. and Mrs. Anthony Montag Drs. Libby and Clell Morris Mr. and Mrs. C. V. Nalley III Drs. Richard Neupert & Catherine Jones Mr. and Mrs. James L. Newland Mr. and Mrs. Bob Noble Mr. and Mrs. Edman Norris Mr. and Mrs. James C. Norton Dr. and Mrs. Hugh O. Nourse Mr. and Mrs. James G. Osborn Mr. Richard C. Owens Mr. and Mrs. Ben Patterson Mrs. Christine L. Pavlak Mr. and Mrs. Edward W. Phares Ms. Norma Faulkner Pylant Mr. and Mrs. Henry E. Ramsey Dr. and Mrs. Robert P. Repass Ms. Elizabeth E. Respess Ms. Elizabeth A. Richardson and Dr. Susan T. Goldstein Ms. Reita Rivers Mr. and Mrs. Lance Rodewald Ms. Marianne Rogers Dr. and Mrs. Francis W. Rushing Mr. and Mrs. Robert Sanks Mr. and Mrs. Peter Francis Sayeski Drs. Richard and Barbara Schuster Mr. and Mrs. Thomas Wells Scott III Drs. Kenneth A. Shaw and D. Steven Sharp Ms. Anita M. Shippen Mr. and Mrs. George Boone Smith III Mr. and Mrs. Jimmy Straehla Mrs. Jane Campbell Symmes Dr. Helen W. Taylor Drs. Carmen and Abraham Tesser Mr. and Mrs. James F. Thornton Jr. Mr. and Mrs. J.R. Todd Mrs. Ruthann B. Walton Ms. Wanda White

Dr. Thomas Whitehead Mr. and Mrs. Smith Martin Wilson IV Mr. and Mrs. William T. Wingfield Drs. Raymond Woller and Doris Kadish Ms. Shelley E. Zuraw

Members at Large Ms. Shane Abbott Dr. and Mrs. Howard T. Abney Jr. Mr. Steven Michael Adams Mrs. Frida H. Agosin Mr. and Mrs. Irvin L. Alhadeff Ms. Margaret C. Allen Ms. Evalee Anderson Drs. Wyatt and Margaret Anderson Ms. Mary H. Andrews Dr. Beverly Schleppi Arnold Ms. Anne Askren Ms. Bobbie Jean Austin Dr. Valerie Babb Ms. Lori N. Babcock Ms. Fleeta S. Baggett Mrs. Beth Baile Ms. Gail Marlene Taylor Baldwin Mr. and Mrs. David F. Baldwin Mr. and Mrs. Sean Patrick Baldwin Dr. and Mrs. Winfield M. Baldwin Jr. Dr. and Mrs. Allan W. Barber Ms. Ellen F. Bargeron Ms. Rachel Anne Barnes Ms. Peggy Barnett Dr. Diane B. Barret and Mr. John E. Rives Mr. and Mrs. Lewis Clark Bartlett Jr. Ms. Mary Barton Mrs. Jill S. Bateman Ms. Conleigh J. Bauer Ms. Frances F. Bauerle Mr. and Mrs. Alvin Bauman Mr. and Mrs. William Spears Baxter Dr. Patricia Bell-Scott Mr. and Mrs. Robert H. Bell Mr. and Mrs. Eric O. Berg Ms. Jane Berger Mr. David G. Bergman Mr. Charles Bjorkland and Mr. Stedman Mays Ms. Sandra G. Blalock Dr. and Mrs. James W. Bland Jr. Mr. and Mrs. J. Daniel Blitch III Georgia Museum of Art | Annual Report, 2010â&#x20AC;&#x201C;2011

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Ms. Josephine P. Bloodgood Ms. Emily C. Blount Ms. Marissa A. Bohan Dr. and Mrs. Robert P. Bostrom Dr. and Mrs. Robert T. Bowen Jr. Ms. Katrina L. Bowers Ms. Sarah J. Boykin Mrs. Nan G. Brinning Mrs. Jenny Broadnax Ms. Celia A. Brooks Rev. Eugene A. Brown Ms. Jessie G. Brown Dr. and Mrs. Sidney E. Brown Ms. Victoria Brown Dr. Cassandra D. and Mr. David A. Bryant Mr. and Mrs. Ralph Bryant Mr. Hugh Burke Mr. and Mrs. Van A. Burns Ms. Justina Carlson Dr. K. Paige Carmichael and Mr. John Ahee Mrs. Bobbie Thompson Carter Mr. and Mrs. Charles Carter The Honorable and Mrs. Jimmy E. Carter Ms. Mary Lillie Chamberlin Mr. and Mrs. James R. Chambers Jr. Mrs. Frances H. Chapman Drs. Silas Chase Read and Laura Doster-Holbrook Chase Ms. Phyllis E. Childs Dr. and Mrs. William C. Childers Jr. Ms. Janet M. Clark Ms. Nancy J. Clark Mr. and Mrs. William R. Clayton Jr. Ms. Catherine Petris Clements Mr. Emory Lamar Clements Ms. Patricia S. Cloar and Mr. Jack C. Milsted Dr. and Mrs. Ronald S. Cole Mr. and Mrs. Michael J. Conroy Ms. Roberta Cooper Ms. Susan Daniel Cooper Mr. Stephen Corn and Ms. Dolores Holt Ms. Connie Cottingham Mr. and Mrs. Michael O. Crain Mr. Mike Crawford Dr. and Mrs. Robert W. Croft Mr. and Mrs. Robert A. Crosby CSW Real Estate Ms. Tess Cunningham Mr. and Mrs. John L. Curtis 92

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Mrs. Joanne S. Cutler Dr. and Mrs. Nicholas M. Dale Mr. and Mrs. Garnett Lee Daniel Jr. Mr. James Davee Mr. and Mrs. Jarrett L. Davis III Ms. Heidi Davison Ms. Natasha Day Ms. Deanne Deavours Mr. Paul DeGeorge III Mr. and Mrs. Larry B. Dendy Ms. Chapleigh Cathline Denman Dr. and Mrs. Daniel V. DerVartanian Ms. Deborah Dietzler and Mr. Peter J. Anderson Mr. and Mrs. David T. Dodge Mr. and Mrs. Richard R. Dolson Mr. and Mrs. David H. Donnan Ms. Betsy H. Dorminy Ms. Teresa Dove Kesler Mrs. Dorothea D. Dow Dr. and Mrs. David H. Downs Drs. Alice and David Dreesen Ms. Janie M. Dumbleton Ms. Cristina E. Duque Rev. and Mrs. Stanley R. Durden Ms. MaryLou Dyer Mr. and Mrs. William L. Easterlin Jr. Drs. Laura L. Bierema and Mark H. Ebell Dr. and Mrs. Wallace B. Eberhard Ms. Miriam Edwards Dr. Angela Elise Ellis Mr. and Mrs. David F. Ellison Mrs. Alice Emerson Mrs. Ruth Engle Dr. Helen H. Epps Mr. Ashley Cameron Epting Mr. Daniel Fargason Epting Ms. Mary Chadwick Erwin Dr. Glenn Thomas Eskew Dr. Grace Jones Eubank Mr. Ronald Thomas Evans Dr. Edmund B. Feldman Mrs. Edwina Ferguson Ms. Cara Fiore Mr. and Mrs. Nicholas H. Fortson Ms. Mary Rachael Freels Dr. and Mrs. Coburn Freer Ms. Maura S. Friedman Ms. Julie Gaines Ms. Mary Ann Gaines

Mr. Heard Galis Mr. and Mrs. Henry G. Garrard III Mr. Max Milford Gilstrap Dr. and Mrs. Carl D. Glickman Dr. and Mrs. Claiborne Van C. Glover III Dr. and Mrs. Theodore M. Goetz Mr. Bernard Goldstein Dr. and Mrs. Jose Gomez-Martinez Ms. Sarah E. Gordon Mr. Thomas M. Gorman Ms. Ann Marie Graham Dr. and Mrs. John B. Gratzek Ms. Olga R. Gray Mr. Curt Harvey and Ms. Nancy Grayson Mr. and Mrs. John Griffith Mr. and Mrs. Benjamin H. Gurley Ms. Donna Hayes and Mr.Claudius L. Guynn IV Mr. and Mrs. John N. Haley Mr. and Mrs. V. Nathaniel Hansford Mr. and Mrs. Uwe Happek Mr. and Mrs. Thomas C. Harden Mrs. Mary Talmadge Hardman Dr. Ruth M. Harman Dr. and Mrs. Carl R. Hartrampf Mr. and Mrs. Jonathan M. Harvey Mrs. Hannah P. Harvey Mr. and Mrs. Robert Heckathorn Ms. Linda K. Henneman and Mr. Mitchell J. Rothstein Dr. and Mrs. Norman Herz Dr. Deloris W. and Mr. Benjamin C. Hesse Mr. and Mrs. Jesse A. Hickey Dr. Ralph Edward Hitt Ms. Megan Holcomb Ms. Adeline G. Holt Mr. and Mrs. William H. Horton Ms. Jacqueline C. Hosey Mrs. Christie Hudson Mr. and Mrs. Lowry W. Hunt III Ms. Molly F. Hunt Ms. Barbara A. Hutson Mr. and Mrs. Jay C. Hutchins Dr. and Mrs. Paul Hutchinson Jr. Ms. Virginia Izydore Mr. and Mrs. Thomas L. Jackson Mrs. Elizabeth A. Jackson Mr. and Mrs. Bruce Jacobson Ms. Jennifer H. James Ms. Rebecca Jarvis

Mr. William H. Jenkins Mrs. Linda Smith Jerkins Mrs. Janet F. Johnson Mr. and Mrs. Austin L. Johnson Jr. Ms. Susan D. Johnson Ms. Liselott Johnsson and Mr. Jorge Armenteros Mr. and Mrs. Charles T. Johnston Drs. Joyce and Francis J. Johnston Mrs. Faye Butts Jones Ms. Katherine C. Jones Mr. and Mrs. Matthew A. Justus Mrs. Elaine L. Kalber Mr. Ian S. Karra Ms. Cindy Karp and Mr. John Morrison Mr. and Mrs. Joel B. Katz Mr. Charles Kauderer Ms. Cora Lynnette Keber Mrs. Glenn Ann Keith O’Neal Mr. and Mrs. Cole H. Kelly Mr. and Mrs. Lawrence P. Kelly Dr. and Mrs. Jeremy Kilpatrick Ms. Soon Bae Kim The Honorable and Mrs. Jack Kingston Mrs. Margaret Kline Ms. Julie R. Knowlton Dr. John C. Knowlton Jr. Mr. and Mrs. George S. Koch Jr. Mr. and Mrs. John Koenig Jr. Mr. and Mrs. Don Kole Mr. and Mrs. Richard B. Lane Mrs. Edna Lanier Ms. Karen P. Lawson Dr. Shary L. Karlin and Mr. James R. Lee Dr. Mary Laura Leuzinger Ms. Jan L. Levinson Mrs. Erika Cornehl Lewis Dr. A. Jefferson Lewis III Ms. Jeanelle D. Leybourne Ms. Joanne Lincoln Ms. Mallory Lind Ms. Nancy R. Lindbloom Mr. and Mrs. Ronald R. Linhart Ms. Becky Dean Long Miss Judy Jones Long Dr. and Mrs. Stanley V. Longman Ms. Lee J Loving Mr. and Mrs. Fred Mabry Mrs. Dorothy Gracy Macaulay

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Ms. Kornelia Probst-Mackowiak and Dr. Marc Mackowiak Ms. Caroline Maddox Mr. and Mrs. Richard Henry Maggiore Mr. Frederick Rossini and Ms. Ann Marie Mahoney Ms. Jonni M. Mahr Mr. and Mrs. Robert C. Mallet Mrs. Anna Dellenbac Marett Ms. Susan Marion Mr. William C. Marshall Dr. and Mrs. Charles L. Martin Ms. Mimi C. Martin Ms. Megan Clair Massey Ms. Margaret E. Massey Drs. Judy and O. Vincent Masters Ms. Emelie Forrest Matthews Ms. Lauren E. Mauldin Mr. and Mrs. Phillip McCarty Ms. Erica Lynn McCarthy Dr. David W. Harvey and Ms. Nancy McDuff Ms. Mary McElhannon Mr. Tom McGehee Mr. and Mrs. Joseph Lamar McGowan Jr. Mrs. Karyn Kelly McInerney Mr. and Mrs. John D. McLanahan Ms. Kipling L. McVay Drs. Sujata Iyengar and Richard Menke Dr. and Mrs. Scott A. Merkle Ms. Rebecca Miles Mr. William Gray Miller Jr. Ms. Phyllis P. Miller Ms. Brianne C. Minerva Mrs. Wilma L Minix Ms. Nicole F. Mitchell and Mr. Joseph Pierce Mrs. Christine Mitts Mr. Michael P. Montesani Ms. Charlotte A. Moore Mr. and Mrs. James L. Mueller Mr. David R. Mulkey Dr. Rebecca M. Mullis Ms. Legene Mullis Ms. Jana E. Murph Mr. and Mrs. Ronald G. Meyers Mr. Edward A. Nadeau and Mr. Ron Alexander Mr. and Mrs. Michael Naples Mr. and Mrs. James P. Nehf Mr. and Mrs. David Lee Nelson Ms. Susanna Rives Nicholson 94

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Mr. and Mrs. Richard Nickelson Ms. Barbara Nosanow Dr. and Mrs. Wade L. Nutter Ms. Norma G. Ogden Ms. Sarah Osbourne Mr. and Mrs. David B. Osterbrock Drs. Mary Pace-Nichols and William Nichols Drs. Fred and Mary Padgelek Mr. Thomas Paquette Mrs. Agnes Broadnax Parker Mr. and Mrs. B. A. Parris Jr. Mrs. Georgia Patterson Mr. and Mrs. Victor M. Paxton Dr. Cynthia Anne Payne Ms. Vonceil Payne Mr. and Mrs. Edmund Fay Pearce Jr. Mr. Jose Pecho-Chaves Ms. Lindsay V. Pennington Mrs. Sally Mullins Peters Mr. and Mrs. C. Douglas Peterson Mr. and Mrs. Valdis I. Petrovs Mrs. Gregg Yarbrough Phelps Ms. Eden M. Phillips Mr. Billy K. Poole Ms. Anna Elizabeth Powell Dr. Judith Preissle and Mr. Mark Toomey Dr. and Mrs. J. D. Puett Ms. Par Ramey Dr. Jed Rasula and Ms. Suzi Wong Mr. and Mrs. Jimmie B. Ratledge Dr. and Mrs. Albert A. Rayle Jr. Drs. Laura Chase and Silas Read Jr. Ms. Jill J. Read Mr. and Mrs. James K. Reap Mr. and Mrs. Morgan Redwine Dr. and Mrs. Omer L. Reed Jr. Dr. and Mrs. W. H. Reeves Ms. Aisling Metcalfe and Mr. Patrick M. Reidenbaugh Dr. and Mrs. Robert E. Reinert Ms. Rebecca Ann Reynolds Dr. and Mrs. John M. Reynolds Ms. Jordana Elizabeth Rich Dr. and Mrs. Mark Rich Dr. and Mrs. Bert O. Richmond Mr. and Mrs. Gary Rickert Ms. Brianna Nicole Riley Dr. and Mrs. Edward L. Roberson Mr. Michael Simon and Ms. Susan Roberts

Ms. Aline Yvonne Robolin Mrs. Evelyn Wike Riley Ms. Stephanie Romero Dr. Amy D. and Mr. Richard L. Rosemond Ms. Marsha E. Rosenthal Mr. Alan Rothschild III Mr. and Mrs. James Edward Routh Jr. Ms. Katherine C. Rowan Mr. and Mrs. Jack L.Rowland Mr. and Mrs. Jerry G. Royal Mrs. Raine B. Rude Mr. and Mrs. Albert Dobbs Sams Jr. Capt. and Mrs. Leonard J. Sapera Mr. and Mrs. Homer S. Saunders Jr. Ms. Kathleen Sawyer Mr. Donald D. Schmidt and Mr. Jerry Manning Mr. and Mrs. Carl R. Schmidt Dr. and Mrs. Lee C. Schramm Ms. Helene M. Schwartz Dr. and Mrs. Joseph W. Sharp Mrs. Virginia Lancaster Shields Ms. Elizabeth Rose Shinn Ms. Michelle T. Shutzer Dr. and Mrs. Robert D. Sinyard Jr. Ms. Betty Slaton Ms. Carolyn V. Webb and Mr. William R Slater Mr. and Mrs. Steve Smiley Ms. Janet Payne Smith Mr. and Mrs. Gerald E. Smith Mr. and Mrs. James L. Smith III Ms. Nancy J. Smith Ms. Lillian Smith Mr. and Mrs. James A. Sommerville Mr. and Mrs. John D. Songster Mr. Jerry Sorrell Mr. and Mrs. John Phinizy Spalding Dr. and Mrs. Edwin G. Speir Mr. and Mrs. David Dwight Spooner Mr. Michael A. Spronck Ms. Dolores Parkinson Stallings Ms. Irene M. Diamond and Dr. George M. A. Stanic Mr. Jay Steele Mrs. Carolyn S. Steuer Mr. and Mrs. David Knox Stone Ms. Emily S. Stubbs Dr. Claire Cochran Swann Mrs. Helen Swartz Dr. and Mrs. Rick L. Tarleton

Mr. and Mrs. Roy P. Taylor Mr. and Mrs. Cleophus Thomas Dr. and Mrs. Emory M. Thomas Ms. Melinda Fry Thomas Mrs. Rosemarie Thomas Ms. Carleigh M. Thomas Dr. Peter Thompson, Archipelago Antiques Mrs. Claire E. Thompson Ms. Amanda H. Thompson Mr. and Mrs. Michael B. Thurmond Mr. and Mrs. Thomas M. Tillman Jr. Mrs. Lynn C. Tinley Ms. Sandra L. Townsell Ms. Yenie Le Tran Ms. Jeannette Trejo Dr. and Mrs. Lothar Leo Tresp Mr. Larry E. Tucker Ms. Michele Turner and Mr. Douglas Harman Mrs. Elizabeth Peters Turner Dr. and Mrs. Ludwig Uhlig Dr. and Mrs. Ronald L. Van Sickle Mr. and Mrs. Lawrence Cohen Walker III Mrs. Dianne D. Wall Mr. and Mrs. Fred L. Wallace Ms. Mary Bondurant Warren Mr. and Mrs. John Alan Weber Ms. Angela Kaye Welch Ms. Natalie Wellman Mr. and Mrs. Richard N. Westmacott Mr. William B. White Mr. Robert W. White Ms. Margaret P. White Dr. and Mrs. John S. Whitehead Mr. Daniel Williams Mrs. Frances Mock Williams Mr. and Mrs. H. Grady Wilson Jr. Mrs. Liza Wilson Dr. and Mrs. Richard Dien Winfield Mr. and Mrs. Matthew M. Winston Jr. Mr. and Mrs. James Yosten Dr. and Mrs. Sanford Eugene Younts Ms. Joan Zitzelman

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