GHAA-13 Concerto for Percussion Octet II, III

Page 1

Dedicated to Ensemble Sai-Sai Concerto for Percussion Octet in D Minor: A Transcription from A. Vivaldi's Concerto, Op. 3 No. 11 (L'estro armonico) and Bach's Arrangement for Organ, BWV 596

打楽器のための協奏曲

ヴィヴァルディの調和の霊感、バッハのオルガン の残照に

A. Vivaldi / J. S. Bach / M. Aita
Ⅱ . Ⅲ .
リズムの魔に

作品について

1711 年、アムステルダムで出版された《調和の霊感》はヴィヴァルディの名声を確かな ものとした作品である。1708 年から 1717 年、ヴァイマル時代のバッハもこの譜面を入手 し、《オルガン協奏曲 BWV596》として編曲を手がけた。

打楽器を志す以前、ヴァイオリンを通してこの作品の第一楽章に出会ったときの衝撃は 大きかった。この時受けた照井勢子先生のレッスンはその後の僕の音楽の根幹をなすもの となった。

その数ヶ月後、僕は人生の決断を迫られていた。「打楽器を本格的に勉強してみないか?」 という誘い。それはヴァイオリンへの訣別を意味していた。ヴァイオリンに身の入らない ことをいち早く照井先生は察して、ある日強く叱責された。「このままでは演奏会に出演す ることは認められない。」その時に稽古していた曲が、今回編曲を手がけた第二楽章、第三 楽章である。シチリアーノ風の嘆きを歌う第二楽章はヴィブラフォンを中心とし、当時の 自分自身の不安定な心境を重ねた。第三楽章は「リズムの魔に」という副題をつけること にした。どんなにヴァイオリンを弾いていても、僕の耳の奥にはこんな風に「リズム」が 響き渡っていた。そうして僕はこの曲の演奏を終えて、リズムの魔に、取り憑かれていく。

初演は 2022 年 8 月 11 日京都文化博物館。アンサンブルさいさいに捧げる。 會田瑞樹

Program Note;

Published in Amsterdam in 1711, L'estro Armonico is a work that confirmed Vivaldi's fame. From 1708 to 1717, Bach in the Weimar era also obtained this score and arranged it as "Organ Concerto BWV596".

Before he aspired to be a percussion instrument, he was shocked when he encountered the first movement of this work through the violin. At that time, the lessons of Professor Terui Seiko that she took became the basis of my music after that.

A few months later, I was forced to make a life decision. An invitation to "Would you like to study percussion instruments in earnest?" It meant a farewell to the violin. Dr. Terui was quick to realize that he couldn't get into the violin, and one day he was strongly rebuked. "It is not allowed to appear in the concert as it is." The songs that were being practiced at that time were the second and third movements that were arranged this time. The second movement, which sings the Siciliana-style mourning, centered on the vibraphone, and repeated the unstable feelings of oneself at that time. I decided to give the subtitle "To the Devil of Rhythm" in the third movement. No matter how much I played the violin, the "rhythm" echoed in the back of my ears like this. Then I finished playing this song and became obsessed with the rhythmic devil.

The premiere is August 11, 2022 at the Museum of Kyoto. Dedicated to the ensemble SAI-SAI.

Mizuki Aita

初演 202 2 年 8 月 13 日 京都文化博物館 別館ホール 「 アンサンブルさいさい Vol.3 」

ヴィブラフォン独奏：谷口かんな

森本瑞生、松井駿、國領愛歩、鰐渕陽介、田畑洸貴、山本美緒、立入瑞希

⭐ 楽器編成(最大 8 名)

ヴィブラフォン 1 台

マリンバ (5 オクターヴ) ２台

打楽器(金属、皮質の中で自由に奏者が選択できる)

演奏最低必要人数 3 名

ヴィブラフォン 1 台

マリンバ (4 オクターヴ) 2 台

※マリンバはⅠ-a,Ⅱ-b を演奏。

フレキシブル編成の参考例

ヴィブラフォン 1 台

マリンバ (5 オクターヴ) 1 台

マリンバ (4 オクターヴ) 1 台

※マリンバは Ⅰ-a,Ⅱ-a, b を演奏。

適正打楽器を組みあわせるなど。

⭐ 打楽器について 音高のみを指定し、金属(シンバル、トライアングル、タムタム、鉄の板など)、皮質(バ スドラム、スネアドラム、トムトムなど)のなかで自由に組み合わせて良い。またバチや 弓奏、指で弾く等、それらもアンサンブルバランスで即興的に調整する。

- Dedicated to Ensemble SAI-SAI -

Concerto for Percussion Octet in d-Minor; A Transcription from A.Vivaldi's Concerto,Op.3-11(L'estro armonico) and J.S.Bach's Arrangement for Organ,BWV596

打楽器のための協奏曲

- ヴィヴァルディの調和の霊感、バッハのオルガンの残照に -

II.

Like Triangle (Metal instruments) Like Triangle (Metal instruments)

Antonio Vivaldi

Johann Sebastian Bach

Arr. Mizuki Aita

楽譜の一部または全部を、著作権者の許可なしに、複製、転載することを禁止します。

Reproducing or copying Score, in whole or in part, is prohibited without the express written consent of the copyright holder.

©2022 Mizuki Aita and Golden Hearts Publications (ONSA)

                             Solo Vibraphone Marimba 1-a Marimba 1-b Marimba 2-a Marimba 2-b Percussion 1 Percussion 2 Percussion 3                                                                                                   Largo e Spiccato
                                                                             Solo, molto espressivo, cantabile                                                                                                                                                  Solo Vib. Mrmb.1-a Mrmb.1-b Mrmb.2-a Mrmb.2-b Perc.1 Perc.2 Perc.3 5                                                            
                                                                                                                                                                                                  
             Solo Vib. Mrmb.1-a Mrmb.1-b Mrmb.2-a Mrmb.2-b Perc.1 Perc.2 Perc.3 9                                                                                                                                                                                             deeply sound...  deeply sound...  deeply sound...                                                                           Solo Vib. Mrmb.1-a Mrmb.1-b Mrmb.2-a Mrmb.2-b Perc.1 Perc.2 Perc.3 13                                                                                                                                                                                                                                                                              Solo Vib. Mrmb.1-a Mrmb.1-b Mrmb.2-a Mrmb.2-b Perc.1 Perc.2 Perc.3 17                                                                                                                                                                                                                                                                                      - 2 -
                             Solo Vibraphone Marimba 1-a Marimba 1-b Marimba 2-a Marimba 2-b Percussion 1 Percussion 2 Percussion 3         Allegro
                               Drum Drum                                 Drum                                                                                                                                                           Solo Vib. Mrmb.1-a Mrmb.1-b Mrmb.2-a Mrmb.2-b Perc.1 Perc.2 Perc.3 6                                                                                                                                                                                                          - 3 -
III. リズムの魔に
             Solo Vib. Mrmb.1-a Mrmb.1-b Mrmb.2-a Mrmb.2-b Perc.1 Perc.2 Perc.3 10                                                                                                                                                                                                                                                                                           Solo Vib. Mrmb.1-a Mrmb.1-b Mrmb.2-a Mrmb.2-b Perc.1 Perc.2 Perc.3 14                                                                                                                                                                                         Solo Vib. Mrmb.1-a Mrmb.1-b Mrmb.2-a Mrmb.2-b Perc.1 Perc.2 Perc.3 18                                                                                                                                          Buzz Roll  Buzz Roll   Buzz Roll                                                                                                                            - 4 -
             Solo Vib. Mrmb.1-a Mrmb.1-b Mrmb.2-a Mrmb.2-b Perc.1 Perc.2 Perc.3 23                                            Metal instrument  Metal instrument  Metal instrument                                                                                                                                                                                                                                              Solo Vib. Mrmb.1-a Mrmb.1-b Mrmb.2-a Mrmb.2-b Perc.1 Perc.2 Perc.3 28                                                                                                                                                                                                                                       Fancy sounds Fancy sounds                                                           Fancy sounds              Solo Vib. Mrmb.1-a Mrmb.1-b Mrmb.2-a Mrmb.2-b Perc.1 Perc.2 Perc.3 32                                                                                                                                                                                                                           Drum  Drum  like a Bass Drum sounds   - 5 -
             Solo Vib. Mrmb.1-a Mrmb.1-b Mrmb.2-a Mrmb.2-b Perc.1 Perc.2 Perc.3 36                                                                                                                                                                                                                                                                                                                                     Solo Vib. Mrmb.1-a Mrmb.1-b Mrmb.2-a Mrmb.2-b Perc.1 Perc.2 Perc.3 41                                                                                                                                                                                                                                  Drum                                                            Solo Vib. Mrmb.1-a Mrmb.1-b Mrmb.2-a Mrmb.2-b Perc.1 Perc.2 Perc.3 46                                                                                                                                                                                                               - 6 -
             Solo Vib. Mrmb.1-a Mrmb.1-b Mrmb.2-a Mrmb.2-b Perc.1 Perc.2 Perc.3 51                                                                                                                                                                                                                                                               Solo Vib. Mrmb.1-a Mrmb.1-b Mrmb.2-a Mrmb.2-b Perc.1 Perc.2 Perc.3 57                                                                                                                                                      Solo Vib. Mrmb.1-a Mrmb.1-b Mrmb.2-a Mrmb.2-b Perc.1 Perc.2 Perc.3 61                                                                                                                                                            - 7 -
             Solo Vib. Mrmb.1-a Mrmb.1-b Mrmb.2-a Mrmb.2-b Perc.1 Perc.2 Perc.3 65                         6666                                                                      6666                                                           Solo Vib. Mrmb.1-a Mrmb.1-b Mrmb.2-a Mrmb.2-b Perc.1 Perc.2 Perc.3 67                          6666                                                                                                                                                                                                                                 Solo Vib. Mrmb.1-a Mrmb.1-b Mrmb.2-a Mrmb.2-b Perc.1 Perc.2 Perc.3 70                                                                                                                                                                                                                                        molto rit. - -            Deeply sound, like a church bell. Deeply sound, like a church bell. Deeply sound, like a church bell.     - 8 -

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