GHOA-34 from “Antiche danze ed arie per liuto Suite No. 3”, “I. Italiana”, “III. Siciliana” for Flex by goldenheartspublications

第三組曲」より

「イタリアーナ」、「シチリアーナ」/フレキシブル・デュオ版

from “Antiche danze ed arie per liuto Suite No. 3”, “I. Italiana”, “III. Siciliana” for Flexible Instrument Duo

演奏について：

スコアは Part. I: Oboe, Part. II Bassoon の音域で記譜しています（一部のパート譜は読みやすさを考慮して、スコアより 1 オクターヴ高く、あるいは低く記譜しています）。楽器の組み合わせなど、必要に応じてパート譜からオクターヴ上げる、または下げて演奏してください。また、楽器によって音域的に演奏がきつい場合も、部分的にオクターヴの上げ下げをしても構いません（金管バンドでは Trombone,Euphonium,Tuba などにおいてト音記号の inBb 表記の楽譜が多いので、普段そういった楽譜を読み慣れている場合は Bb Instrument の楽譜を使うと良い）。

速度標語のメトロノーム記号はあくまで目安なので、実際の演奏速度は奏者の判断に委ねます。また、譜面に記載のない、自然発生的なアゴーギグの変化（rit.など）も歓迎されます。

カッコ書きの音符または休符: Breath point, カッコ書きの小玉: ossia （小國晃一郎）

Remarks on play:

Notation of sound range is on basis of; Part. I: Oboe, Part. II: Bassoon Accordingtoyourinstrument,youmayplay1octavehigherorlowerfromnotation.Partiallychanging octave is also acceptable (for example, in case some notes are too high/ low to play).

MMinTempoIndicationisjustforyourreference,andnaturalAgogik(suchas[rit.])is alsoacceptable

Notes and Rests with brackets: Breath point, Small Notes with brackets: ossia (Kouichirou Oguni)

楽器編成 / Instrumentation

Part. I: C Instruments, Bb Instruments, Eb Instruments, F Instruments, Bass Clef

Part. II: C Instruments, Bb Instruments, Eb Instruments, F Instruments, Bass Clef

「リュートの為の古風な舞曲とアリア

「イタリアーナ」、「シチリアーナ」

For Flexible Instrument Duo

Arr. Kouichirou Oguni

楽譜の一部または全部を、著作権者の許可なしに複製、転載することを禁止します。

               Part. I in C Part. II in C        Andantino  

Italiana

                                          1.                         Part. I Part. II 9 2.                                                                               Part. I Part. II 16                                                                                 Part. I Part. II 22                                                                                        Part. I Part. II 29                                                                 Part. I Part. II 35                                                         

イタリアーナ

Reproducing or copying Score, in whole or in part, is

express written consent of the copyright holder.

prohibited without the

第三組曲」より

from "Antiche danze ed arie per liuto Suite No. 3", Ottorino Respighi (1879~1936)

"I. Italiana", "III. Siciliana"

ª ª ª ª ª

III. Siciliana シチリアーナ

        Part. I Part. II 42            più  più                                                   Part. I Part. II 49                   dim. dim.                                                               Part. I in C Part. II in C     Andantino   dolce

          dolce                                            1.              Part. I Part. II  (Opt.) 10 2.                                                                                          Part. I Part. II 19     cresc. cresc.                                   1.                   2.                Part. I Part. II 28                                                     - 2©2022 Kouichirou Oguni and Golden Hearts Publications (ONSA) ª ª ª ª ª

        Part. I Part. II 37        cresc.  cresc.                                                 Part. I Part. II 45        cresc.  cresc.                                        cresc. cresc.                                 Part. I Part. II 53                                                   1.                       Part. I Part. II 61 2.      lunga                                               Part. I Part. II 67                                                     Part. I Part. II 73                                                             Part. I Part. II  (Opt.) 81                                          rall.          - 3©2022 Kouichirou Oguni and Golden Hearts Publications (ONSA) ª ª ª ª ª ª