GHOA-35 「リュートのための古風な舞曲とアリア 第三組曲」より 「イタリアーナ」「シチリアーナ」

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「リュートのための古風な舞曲とアリア

第三組曲」より

「イタリアーナ」、「シチリアーナ」/フレキシブル・トリオ版 from “Antiche danze ed arie per liuto Suite No. 3”, “I. Italiana”, “III. Siciliana” for Flexible Instrument Trio

演奏について:

スコアは Part. I: Oboe, Part. II Bb Clarinet, Part. III Bassoon の音域で記譜しています(一部のパート譜は読みやすさを考慮して、スコアより 1 オクター ヴ高く、あるいは低く記譜しています)。楽器の組み合わせなど、必要に応じてパート譜か らオクターヴ上げる、または下げて演奏してください。また、楽器によって音域的に演奏が きつい場合も、部分的にオクターヴの上げ下げをしても構いません( 金管バンドでは Trombone,Euphonium,Tuba などにおいてト音記号の inBb 表記の楽譜が多いので、普段そう いった楽譜を読み慣れている場合は Bb Instrument の楽譜を使うと良い)。

速度標語のメトロノーム記号はあくまで目安なので、実際の演奏速度は奏者の判断に委ね ます。また、譜面に記載のない、自然発生的なアゴーギグの変化(rit.など)も歓迎されます。

カッコ書きの音符または休符: Breath point, カッコ書きの小玉: ossia (小國 晃一郎)

Remarks on play:

Notation of sound range is on basis of; Part. I: Oboe, Part. II: Bassoon Accordingtoyourinstrument,youmayplay1octavehigherorlowerfromnotation.Partiallychanging octave is also acceptable (for example, in case some notes are too high/ low to play).

MMinTempoIndicationisjustforyourreference,andnaturalAgogik(suchas[rit.])is alsoacceptable.

Notes and Rests with brackets: Breath point, Small Notes with brackets: ossia (Kouichirou Oguni)

楽器編成 / Instrumentation

Part. I: C Instruments, Bb Instruments, Eb Instruments, F Instruments

Part. II: C Instruments, Bb Instruments, Eb Instruments, F Instruments, Bass Clef

Part. III: Bb Instruments, Eb Instruments, F Instruments, Bass Clef

from "Antiche danze ed arie per liuto Suite No. 3",

「リュートの為の古風な舞曲とアリア 第三組曲」より

「イタリアーナ」、「シチリアーナ」

For Flexible Instrument Trio

I. Italiana イタリアーナ

Ottorino Respighi (1879~1936)

楽譜の一部または全部を、著作権者の許可なしに複製、転載することを禁止します。

Reproducing or copying Score, in whole or in part, is prohibited without the express written consent of the copyright holder.

©2022 Kouichirou Oguni and Golden Hearts Publications (ONSA)

                        Part. I in C Part. II in C Part. III in C         
Andantino
                                                             1.                                    Part. I Part. II Part. III 9 2.                                                                                                                 Part. I Part. II Part. III 16                                                                                                           Part. I Part. II Part. III 22                                                                                                   

Arr. Kouichirou Oguni
"I. Italiana", "III. Siciliana"
ª ª ª

©2022 Kouichirou Oguni and Golden Hearts Publications (ONSA)

                  Part. I Part. II Part. III 28                                                                                                      Part. I Part. II Part. III 35                                                                                                     Part. I Part. II Part. III 43           più  più  più                                                                                          Part. I Part. II Part. III 50                 dim. dim. dim.                                                         - 2 -
ª ª ª

III. Siciliana シチリアーナ

                          Part. I in C Part. II in C Part. III in C       dolce
Andantino               dolce                                                         1.                     Part. I Part. II Part. III 10 2.                                                                                                        Part. I Part. II Part. III 19        cresc. cresc. cresc.                                                   1.                                     Part. I Part. II Part. III 27 2.                                                               - 3©2022 Kouichirou Oguni and Golden Hearts Publications (ONSA) ª ª ª
            Part. I Part. II Part. III 33                                                           cresc.  cresc. cresc.                             Part. I Part. II Part. III 39                                                   dim. dim. dim.                                    cresc.  cresc.  cresc.              Part. I Part. II Part. III  (Op.) 46                                                                   cresc. cresc. cresc.                                                 Part. I Part. II Part. III 53                                                                            1.                                 Part. I Part. II Part. III 61 2.           lunga                                                                - 4©2022 Kouichirou Oguni and Golden Hearts Publications (ONSA) ª ª ª ª
            Part. I Part. II Part. III 67                                                                                                 Part. I Part. II Part. III 73                                                                                                   Part. I Part. II Part. III 79                                                                                                Part. I Part. II Part. III 86                                                 rall.         - 5©2022 Kouichirou Oguni and Golden Hearts Publications (ONSA) ª ª ª

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