GHOA-29 Songs for Flexible Instrument Trio Vol.2 - Famous classical pieces for Beginners / arr. Koui by goldenheartspublications

Songs for Flexible Instrument Trio Vol.2 - Famous classical pieces for Beginnersフレキシブル・トリオのための曲集 Vol.2 - 初級者のための有名クラシック曲集 -

Arr. Kouichirou Oguni 小國晃一郎

1. “Promenade” from “Pictures at an Exhibition / 「展覧会の絵」より“プロムナード”

2. Divertimento Nr. 4, V. RONDO / ディヴェルティメント第四番、V. ロンド

3. Bagatelle on the theme by Niccolò Paganini in C minor / パガニーニの主題による小品ハ短調

楽器編成 (Instrumentation)

Part. I

C Instrument, Bb Instrument, Eb Instrument, F Instrument

Part. II

C Instrument, Bb Instrument, Eb Instrument, F Instrument, Bass Clef

Part. III

Bb Instrument, Eb Instrument, F Instrument, Bass Clef 演奏について：

小学校の金管バンドでの演奏を想定して書いています。記譜は

Part. I Bb Cornet, Part. II Eb Tenor Horn (EbAlto Horn), Part. III Trombone

の音域にしています。演奏する楽器や組み合わせなどによって、記譜からオクターヴ上げる、または下げて演奏してください。

（1 曲の中で、部分的にオクターヴ上げる、または下げても良い。また、金管バンドでは Trombone, Euphonium, Tuba などにおいてト音記号の in Bb 表記の楽譜が多いので、普段そういった楽譜を読み慣れている場合は Bb Instrument の楽譜を使うと良い。）

Remarks on Play:

Notation of sound range is on basis of;

Part. I Bb Cornet, Part. II Eb Tenor Horn (EbAlto Horn), Part. III Trombone (B.C.)

According to your instrument, you may play 1 octave higher or lower from notation.

Songs for Flexible Instrument Trio Vol.2 - Famous classical pieces for Beginnersフレキシブル・トリオのための曲集 Vol. 2 - 初級者のための有名クラシック曲集 -

"Promenade" from "Pictures at an Exhibition" 「展覧会の絵」より“プロムナード”

楽譜の一部または全部を、著作権者の許可なしに複製、転載することを禁止します。

                                       Part. I in C Part. II in C Part. III in C          Allegro giusto nel modo russo; senza allegrezza ma poco sostenuto  (3+2)          (3+3)

                   (3+2)                      (3+3) Modest Petrovich Mussorgsky (1839 ~ 1881) モデスト・ムソルグスキー                                  Part. I Part. II Part. III 5          (3+2)                      (3+3)          cresc. (3+2)                               (3+3)                      Part. I Part. II Part. III  (Opt.) 9                                                                       (3+2)                (3+3)          Part. I Part. II Part. III 13                                                                                                

Reproducing or copying Score, in whole or in part, is prohibited without the express written consent of the copyright holder.

Amadeus Mozart (1756 ~ 1791)

         Part. I Part. II Part. III  (Opt.) 17                                                                                                              Part. I Part. II Part. III 21                                                                                       molto rit.                                 Part. I in C Part. II in C Part. III in C      Allegretto                                                 

V. ロンド                                                            1.             ヴォルフガング・アマデウス・モーツァルト Wolfgang

                    Part. I Part. II Part. III 9 2.                                                                                                                    1.               2.         - 2©2022 Kouichirou Oguni and Golden Hearts Publications (ONSA)

Divertimento Nr. 4, V. RONDO ディヴェルティメント第四番、

                      Part. I Part. II Part. III 19                                                                     1.       2.                               Part. I Part. II Part. III 28          cresc. cresc.          cresc.                                                1.          2.                           Part. I Part. II Part. III 37                                                                                                                                                                   Part. I Part. II Part. III 47                                                                                                                                     Part. I Part. II Part. III 56                                       1.         2.                                                                   - 3©2022 Kouichirou Oguni and Golden Hearts Publications (ONSA)

                 Part. I Part. II Part. III 65                                          1.               2.                                                                          Part. I Part. II Part. III 74                                                                                                                       Part. I Part. II Part. III 82                                                                                                                                                       Part. I Part. II Part. III 90                                                                                                       cresc. cresc. cresc.                            Part. I Part. II Part. III 99                                                                          - 4©2022 Kouichirou Oguni and Golden Hearts Publications (ONSA)

Bagatelle on the theme by Niccolò Paganini in C minor

            Part. I Part. II Part. III 107                                                                                                       Part. I in C Part. II in C Part. III in C          Part. II                    

        Part. III

パガニーニの主題による小品ハ短調

                           Part. II          Niccolò Paganini (1782 ~ 1840) ニコロ・パガニーニ                  Part. I Part. II Part. III 11                                                                                             Part. I Part. II Part. III  (Opt.) 20                                                                                          - 5©2022 Kouichirou Oguni and Golden Hearts Publications (ONSA)

                      Part. I Part. II Part. III  (Opt.) 27                                                                                                   Part. I Part. II Part. III  (Opt.) 34                                                                                          Part. I Part. II Part. III  (Opt.) 40                                                                                                                         Part. I Part. II Part. III  (Opt.) 47                                                      Part. II                             Part. III                            Part. I Part. II Part. III 57                   Part. II                                                                      solo    - 6©2022 Kouichirou Oguni and Golden Hearts Publications (ONSA)