GHAA-11 Yo-Vivo-En Goes to New York

- To Thomas Piercy, Tokyo to New York Project -

Yo-Vivo-En Goes to New York For Clarinet and Vibraphone

(2020)

      Clarinet in B  Vibraphone                     Allegro vivo    motor on                                      sub.   sub.                     B  Cl. Vib. 5                                                                     (gliss) sim ....                                                          B  Cl. Vib. 10                                          3 3 3                       3 3 3                       3 3 3                                Flatter       B  Cl. Vib. 15                                                                                                                                                                        

Mizuki Aita

  B  Cl. Vib. 21                 3 3                   3 3                       3                       3                             (1)                                                   accel. et cresc. ....                          (4)                B  Cl. Vib. 27                          (1)                                                   molto rit. ....                          (4)                 (1)                 rit. ....                 cresc. ...                   ‼! ‼! (4)                B  Cl. Vib. 35              softly, cantabile                                                            B  Cl. Vib. 41                                               - 2 -

          B  Cl. Vib. 47                       rit. ....                                             (1)                                          B  Cl. Vib. 53                                                           (4)                                                                                                              B  Cl. Vib. 58                                                                                                                                       with stacc. with stacc. non Ped.                       B  Cl. Vib. 63                                                                                             (non rit.) Fine - 3 -

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