GIM September/October 2024

Jim Jones shares love of canvas and clay

Makers Brunswick offers global marketplace sculptor

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Table of Contents

52 CANVASES AND CLAY:

Glynn County native Jim Jones has pursued his art from the shores of Coastal Georgia to the streets of Paris, France, and many places in between. From his sweeping cloudscapes to his enigmatic sculptures, his work never fails to engage audiences.

60 COASTAL CONNECTION:

Kelly Richardson has an uncanny ability to bring her hand-crafted sculptures to life. Her pieces include many of the wildlife — turtles, eagles, even alligators — that call the Golden Isles home.

68

THE ART OF THE ABSTRACT:

A native of Germany, Ute Kleemann-Sportschuetz has lived all over the world, but has settled in on St. Simons Island. There, she paints colorful abstract

designs that have popped up in galleries and private collections alike.

76 CULTURE, CRAFTING, COMMUNITY:

Makers BWK opened last fall, and during the past year it’s become an artistic hub in downtown Brunswick for all creatives (or those who want to be). It is also features a marketplace that offers international handmade goods from places like Haiti, Africa, and India.

85 THE ARCHIPELAGO OF NEAR AND FAR:

Sorina Susnea is a Romanian artist who has lived in Brunswick for several years. Her abstract works, which often include intricate geometric patterns, seek to find a link between her newly-beloved coastal landscape and that of her homeland.

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Publisher Buff Leavy

Editor Lindsey Adkison

Proofer

Account Executives

Heather Murray

Jenn Agnew

David Colvin

Kasey Rowell

Contributing

Writers

Contributing Photographers

Taylor Cooper

Josh Dukes

Anna Ferguson Hall

Sam Ghioto

Murray Poole

Ronda Rich

Cynthia Robinson

Sorina Susnea

Current Co.

Michael Hall

Michelle Holton

Sam Ghioto

John Krivec

Kyle Morgan

Posh South Photography

Contributing Designers

Stacey Nichols

Donte Nunnally

Terry Wilson

Golden Isles Magazine is published six times per year by Brunswick News Publishing Company

To subscribe online to Golden Isles Magazine, go to goldenislesmagazine.com/subscribe

About the Cover: A collection of handmade African baskets are pictured at Makers BWK at 1214 Newcastle St., Brunswick. They are curated and imported by Tresena Bowe, owner of the Brown Butter Shoppe, who also maintained a space at Makers. It was photographed by Pairlon Dunagan of Posh South Photography.

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Submissions

Golden Isles Magazine is in need of talented contributors. Unsolicited queries and submissions of art and stories are welcome.

Please include an email address and telephone number. Submit by email to the editor, Lindsey Adkison: ladkison@goldenislesmagazine.com or by mail to 3011 Altama Ave, Brunswick. Only work accompanied by a self-addressed stamped envelope will be returned.

Advertising

Information regarding advertising and rates is available by contacting Jenn Agnew at 912-265-8320, ext. 356 or by email at jagnew@thebrunswicknews.com; Kasey Rowell at 912-2658320 ext. 334 or by email at krowell@ thebrunswicknews.com; or David Colvin at 912-265-8320 ext. 304 or by email at dcolvin@thebrunswicknews.com

Estimate | Honing + Polishing | Sealing

All content is copyright of Golden Isles Magazine, a publication of Brunswick News Publishing Company. All rights reserved. No part of this publication may be reproduced in any form without express written permission from the publisher. We have sought to ensure accuracy and completeness of the content herein, but neither Golden Isles Magazine nor the publisher assumes responsibility for any errors, inaccuracies, omissions, or other inconsistencies, including those related to quotations. We reserve the right to refuse advertising. All advertisements appearing herein are accepted and published on the representation that the advertiser is properly authorized to publish the entire contents and subject matter thereof. All ads are paid advertisements and/or gifts given as part of a contractual agreement regarding Brunswick News Publishing Company. Neither Golden Isles Magazine nor the publisher is responsible for any statements, claims, or representations made by contributing writers, columnists, or photographers. Golden Isles Magazine and the publisher are also not responsible for anyone’s reliance on the content included in the publication. All projects described in this publication are for private, noncommercial use only. No right for commercial use or exploitation is given or implied.

Your Perfect Staycation Awaits locals already get it:

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hand carved, cast,

The Near and the Far Editor’s Note

I don’t think it’s a secret that I love to travel. I absolutely adore jetting off to unfamiliar territory to absorb an entirely different culture. (I don’t particularly enjoy the actual “jetting.” In truth, I am terrified of flying, but whatcha gonna do?) I want to experience everything the world has to offer, and very often, that includes a long plane ride.

In our last issue, I mentioned one of my favorite trips ever — to Liverpool and London — with a quick hop over to the mainland to see my Belgian bestie and to meet her daughter for the very first time. It was pure magic.

Well, most of it was magic.

Isles, our unique designs include bracelets for all wrist sizes, earrings, pendants,

A die-hard Beatles fan, I spent my 40th birthday in the legendary Cavern Club, where I lost my cell phone. I like to think it’s still there today, tucked into a stack of T-shirts I was excitedly digging through, when I absent-mindedly set it down. To be honest, it was a blessing in disguise. The phone went MIA at the beginning of the trip, so I was able to spend most of my time untethered (though J had his, so I wasn’t completely cut off from civilization).

In London, we went to the National Portrait Gallery and took a Jack the Ripper tour through Whitechapel, something my morbid little heart has always wanted to do.

Keepsake Jewelry from the artist of the original St Simons Island Signature Bracelet and Jekyll Island Turtle Bracelet.

106 P ier Vill

toe rings are included in the array of unique pieces found only here. All pieces proudly handcrafted in the beautiful Golden Isles. Located At #106 Pier Village Market St. Simons Island, Georgia 912-638-3636 www.gibcobracelets.com original St Simons Island Signature Bracelet and Jekyll Island Turtle Bracelet. #106PierVillageMarket,St.SimonsIsland www.GIBCoBracelets.com

As proof, take a look at our fabulous features. We sat down with the incredible artist Ute Kleemann-Sportschuetz, a native of Germany, who shares her story and how she finds inspiration in all the countries she visits. We met with painter and sculptor extraordinaire Jim Jones, who talks about his training in New York and time working in Paris, as well as his recent exhibition at SoGlo Gallery in downtown Brunswick. Kelly Richards, who resides in South Carolina but exhibits her work on Jekyll Island, shares how she brings her impressive, handcrafted animals to life.

ar ke t, St. Simon sIs la nd (912) 6 3 8. 3636 www.GIBCoBra c elets.co m

Now, I know England is not a huge culture shock compared to the U.S., but there are plenty of differences. Whether it’s ordering “chips” instead of fries, packing the “boot” rather than the trunk, or pulling on a “jumper” instead of a sweater, these little twists are something to be celebrated. It’s these tiny tokens that make our lives so much richer. And that’s what this particular issue is all about. It’s about finding international connections right in our own backyard. Artistic connections at that.

I know I’ve said it before, but it’s worth repeating, the assortment of diversity and talent we have here is truly astounding. I’ve been here for 18 years now (also astounding) and I am still blown away by it.

And we talk with the beautiful Tresena Bowe, who connected with African artisans to curate a collection for her store, Brown Butter Shoppe, as well as Makers BWK, which features an international marketplace. Last, but not least, Sorina Susnea, a Romanian artist who creates a variety of stunning pieces, which also hold deep meaning.

We think it’s a pretty colorful lineup and we hope their stories will inspire you to keep an open mind and heart. We never know where or when inspiration will strike.

Artfully yours —  Lindsey

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L to R: Charles Woodroof, SVP Senior Lending O cer, PrimeSouth Bank and Blase Grady, President and CEO, Lang Building Supply.

Cover

Randy Siegel: Another beauty!

Kate Dobiecki Buchanan: Beautiful, congrats!!

Susan Fyfe Molnar: Wow! Beautiful.

Sherry DiSimone: Breathtaking.

Tim Duke: Very nice!

Seeking Splendor

@discoveringcoastalgeorgia: We look forward to (The Big Photo Show’s) opening.

@amylouiselee_art:

Word On The Street

Editor’s Note

@garenvillegirl: Congratulations! I love your magazine!

@discoveringcoastalgeorgia: Such a great accomplishment!

TIME TO GET SOCIAL

instagram.com/goldenislesmag facebook.com/goldenislesmag twitter.com/goldenislesmag

If you prefer to send us your comments by email, contact Editor Lindsey Adkison at ladkison@goldenislesmagazine.com. Anything posted to our social media accounts or emailed directly to the editor will be considered for publication. Comments may be edited for clarity or grammar.

Shake It Up

@erikawoodard: We love Christine!

@amylouiseleee_art: Looks delicious! Your reactions sent to us by emails, posts, & tweets

Dream Drive

@gary_licious_das_barber:

@ssi_apparel: Nice ride!

Hidden Horton

@andersonfineartgallery: Beautfiul work!

@waterwaycandleco2024: Awesome shots!

(above) Gina D' Amico Lever and the 1960's Sea Island beach cottage renovation. (photos by John Krivec)

AN INFORMATIVE LINEUP OF THINGS TO KNOW ABOUT THE GOLDEN ISLES

A Walk on the

Wild Side

WORDS BY TAYLOR COOPER | PHOTOS BY CURRENT CO. AND PROVIDED

Few pleasures match that of meandering under the oaks, the cool breeze keeping pace, on a fall evening on the Georgia Coast.

It’s a great time to have a party.

That’s what the organizers of Taste of the Wild, the annual benefit dinner for the McIntosh County Boys & Girls Club (BGC), were thinking, anyway. Judy Dodd and Lisa Johnson, two members of the board of advisers for the McIntosh branch of the Boys & Girls Club of Southeast Georgia, and BGC’s Director of Development Brooke Parmelee were getting hyped up just talking about it.

“We feel like October is the most perfect month on the coast, but it’s also the perfect month for seafood, because of the temperature of the waters,” says Dodd.

They were still hammering out some details when speaking with Golden Isles Magazine, but there’s plenty they could talk about in advance. Some things are signature to Taste of the Wild, such as food stations.

“It’s tasting of wild game, seafood, things like that. It’s so well done by Halyards,” Johnson says.

All of the event’s food is local to McIntosh County. Most of the game and the shrimp come from McIntosh County suppliers.

“Our shrimpers are so generous, and we use Anchored Shrimp, City Market, Smith & Sons, and they’re so generous by giving us their shrimp,” Johnson says.

E.L. McIntosh and Son will bring the mussels. The company farms oysters locally, but sometimes they have to stray a little further to find mussels, which are starting to catch on in the South, says Dodd.

“In New England, you eat them by

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the small, medium, or large bowls in brine,” Dodd laughs.

This year, you can watch star chefs from around the Golden Isles prepare everything on Sea Island Forge grills, another signature of the area.

Also returning is the silent auction, which will feature items created with a coastal flair. Think housewares and accessories incorporating things anyone on the coast is familiar with, like oysters, shells, and similar coastal Georgia imagery.

Take all that and add the backdrop of Emma’s Driftwood Farm in Darien, with a soundtrack provided by the legendary Southeast Georgia musical act Pine Box Dwellers. it adds up to one special night.

Possibly among the most picture-perfect distillations of the coastal region, Emma’s sits on land covered with historic live oaks, dripping with Spanish moss and untouched maritime forest, nestled against a saltwater tidal creek.

“It’s worth looking at their website because it’s a hidden gem in Darien,” says Johnson. “We’re going to be offering tours of the property and provide transportation from north Darien and St. Simons to the event.”

Parmelee summed the event perfectly with the evening’s official tagline: “A magical evening on the Georgia coast where you can taste the local food, shop for local items and enjoy the most incredible evening.”

Taste of the Wild is all set to go down at 5 p.m. on October 10. Tickets are $125, which entitles you to all-you-can-eat game and seafood, along with vegetarian and vegan options, and two drinks. Sponsorships range from $700 to $10,000. There are some add-ons one can buy, like a shuttle pass for transport from and back to St. Simons Island. For more information, visit bgcsega.com/events.

All the proceeds from the event go toward the Boys & Girls Club’s programs in McIntosh County, specifically.

McIntosh County’s branch of the Boys & Girls Club is more of a good thing. It offers kids something to do after school and during the summer. It’s still very new, though — just four years since the first location opened.

“Every kid gets a hot breakfast and lunch during the summer,” says Parmelee. “After school, they get snacks and a hot dinner before they go home. This year, we’re partnering with the school system and

players in the sports programs are also being fed by the club this summer.”

When starting anew, one typically has to start small. To that end, the club is pumping a lot of its time and energy into addressing a single cause: childhood literacy.

Statistics say, according to Dodd, that if kids aren’t on grade-level reading by the time they’re in third grade they’re never going to catch up.

“That’s our focus, to make sure these kids know how to read and are on grade level so they’re not a failing statistic,” says Dodd. “We have been very fortunate in

McIntosh to be part of the 21st Century Grant, which lets us provide extra certified teachers in the afterschool program to enforce literacy and math. We’ve seen a tremendous rise since we started this with test scores.”

McIntosh Middle School in Darien has provided the venue for all of this, for which the Boys & Girls Club is very thankful, says Parmelee. The partnership has already done a lot of good for the kids of McIntosh, and with the help of the schools and generous support at fundraisers like Taste of the Wild, she suspects things will only get better from there.

ISLES GROUP EXTENDS

HELPING HUGS TO HAITI

H

Haiti has never been a stranger to strife. According to economic reports, it is the poorest country in Latin America and the Caribbean region, with nearly 59 percent of inhabitants living below the poverty level.

In 2010, an earthquake decimated large swathes of the island, damaging infrastructure that has yet to be replaced. In the early months of 2024, gangs claimed territories of the country through violent coups. The dramatic turn of events has been difficult for those who call Haiti home. It is also heartbreaking for those who have forged bonds with the country.

That’s certainly true for the members of Helping Hugs for Haiti, a nonprofit group within St. William Catholic Church. In 2009, the church was linked with St. Joseph’s parish, a church in Côtes-de-Fer, Haiti, through the Parish Twinning Program of the Americas or PTPA.

The two have remained in close contact over the years, and while St. Joseph’s has escaped the recent gang violence, its parishoners still face plenty of challenges.

Father Islaire Faustin, the parish priest, is grateful for all the aid St. William has offered.

“The parish of St. Joseph des Côtes de Fer is doing well. Thank God the insecurity crisis that Haiti is going through does not affect it. People continue to go about their business in peace,” he says.

“People pray a lot for Haiti and their benefactors from St. William Parish because the deliverance of Haiti will come from the Lord.”

Faustin holds out hope, though he notes the country at large is in a dismal state.

“The situation in Haiti is not improving. Gangs are gaining ground every day. They sow terror. They are better equipped than the Haitian National Police. Fortunately, the Haitian people have a morale of steel,” he says.

“We are still resisting, and we hope for a better tomorrow. Especially since some people of good will living in other countries help us. This allows the most vulnerable families to continue living and hope for a better day.”

The Fête for Haiti will be from 6 to 10 p.m. October 26 in St. William Catholic Church’s Parish Hall, 2300 Frederica Road, St. Simons Island. Doors open at 6 p.m., and a seated dinner and auction will follow. The dress is island casual. For more information, visit helpinghugsinc.org.

Mary Lynch is also hoping for better days for Haiti. The secretary and spokesperson for Helping Hugs for Haiti, she’s visited the nation several times and helps spearhead the group’s charity work from its base on St. Simons Island.

“The parish of St. Joseph consists of the church in Côtes-de-Fer and ten chapels in the mountain communities surrounding Côtes-de-Fer. We provide resources to all eleven communities,” she explains.

“We are one of 300 parishes in the United States twinned with a parish in Haiti by the PTPA.”

The nonprofit strives to improve the quality of life of the people in the communities it serves through medical assistance, education, clean water, and aiding small business enterprises. It has also sponsored six medically-based efforts, teaming up with the Southeast Georgia Health System and the Brunswick chapter of The Links Inc.

In recent years, Lynch says, Helping Hugs has sharpened its focus to two categories: water and education, establishing wells, and funding schools.

Of course, all of this work takes a significant amount of money. To raise it, the group began hosting a fundrais -

ing event for the cause. The Fête for Haiti began in 2018 and has been held each October since, with the exception of two years lost to the coronavirus pandemic. It includes an auction and an evening of fellowship at the church. Sea Island will cater the dinner.

Lynch says it is an evening of community meant to create deeper bonds between the organization and the Golden Isles, as well as to inspire more mission work in the region.

“The Fête for Haiti is our primary fundraising event for the year. The money we raise is from sponsors, ticket sales, and auction sales,” she says.

This year, the event will be held from 6 to 10 p.m. October 26 at the church, 2300 Frederica Road, St. Simons Island.

Considering the stakes, they’re praying the event will be another rousing success.

“It’s the basis for our budget for the following year. Father Islaire Faustin gives us his priorities for the year in early January, and we determine our goals based on the funds raised at the fête,” she says.

Father Islaire Faustin

From The Grand to The Ritz:

of Entertainment

WORDS BY JOSH DUKES | PHOTOS BY MICHAEL HALL AND COURTESY OF COASTAL GEORGIA HISTORICAL SOCIETY

Ask any local what there is to do in downtown Brunswick, and among the list of restaurants, shops, and festivals, most of the time you will hear, “Catch a show at the Ritz.”

The City of Brunswick and the Golden Isles Arts and Humanities Association have been the caretakers of the historic theater for almost five decades, entertaining and educating the citizens of the Golden Isles and beyond.

This year, the building celebrates its 125th anniversary, which is a perfect opportunity to reflect on the history of this Brunswick cultural icon.

On September 29, 1896, the Cedar Keys Hurricane came roaring through the Golden Isles. The storm caused widespread damage and leveled L’Arioso Hall, a performance venue and skating rink, which stood at the corner of Monk and Reynolds streets. L’Arioso had hosted operas, bands, and stage performances since 1880, and Brunswick was badly in need of a replacement. Calls began immediately to replace the timber-framed wreckage with something worthy of a city on the rise.

Brunswick had changed substantially since the L’Arioso first opened its doors, and Newcastle Street was flush with shipping and naval stores’ wealth. Architect and builder J. George Conzelman saw an opportunity for something great. A spot near the popular Oglethorpe Hotel seemed like a smart bet, and Conzelman took it. The city speculated for weeks where the new facility would stand before the corner of Newcastle and F streets was announced publicly. Brunswick’s Grand Opera House was taking shape, and it was destined to influence the culture of the Golden Isles through 125 years of changing tastes and fortunes.

The official groundbreaking took place on May 30, 1899, and the doors of The Grand were opened to the public for the first time on September 18, 1899, with the Brunswick Rifleman entertaining a packed house. In a rare move for the time, the performance hosted an interracial

crowd, with Brunswick’s black citizens occupying the opera boxes and balcony. In August 1901, the Brunswick & Birmingham Railroad launched its local passenger service and began selling tickets at the entrance to the theater.

They located their general offices upstairs in The Grand. As the name suggested, the Grand Opera House was intended to host “legitimate stage” or high-brow entertainment. Even so, it wasn’t long before magicians and vaudeville acts took to the stage. The accommodating theater space occasionally hosted graduation exercises for Brunswick schools. A 1912 Brunswick News article noted that there was an unusually large graduating class of 17 pupils at the theater commencement.

The Grand showed its first “moving picture” in 1900, and by the roaring 20s, the venue was retrofitted to serve as both a silent movie house and vaudeville stage. The Grand officially rebranded as The Ritz in late 1926.

Still, the old theater was antiquated by the new standards of the day. To give the building a more modern art deco look, the first-story brickwork was covered with Carrara glass, an elaborate marquee, and cascading sign dazzled the public when they were lit above Newcastle Street. In October 1930, The Ritz officially hosted its grand opening as a modern movie palace.

The decades and changing tastes of movie-goers eventually dimmed the lights of the art deco gem, and in December 1976, The Ritz closed its doors for the final time as a movie theater. Several proposals for the building were entertained by the Georgia

Theater Company, including one that sought to turn the theater into a rehab facility.

In 1980, the City of Brunswick purchased the Ritz, and the theater was modernized and substantially altered once more. Though work had begun to address the water-damaged roof, a series of collapses occurred in March of 1982, which required the city to fully rebuild and replace the roof for the auditorium.

In the late 1980s, the City of Brunswick, in partnership with the Golden Isles Arts and Humanities (GIAH), began the work of returning the Ritz to its theatrical roots. Renovations revealed original brickwork, storefronts, transoms, and glass. In the decades since, live performances have again graced the stage.

Today, 125 years after this Brunswick icon first opened its doors to the city, the Golden Isles Arts & Humanities is making plans to celebrate the Ritz and the rich history of arts and culture it continues to bring to the Golden Isles.

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Heather Heath, Executive Director, and the GIAH Board of Directors are busy scheduling special performances, events, and opportunities for the public to learn more about the space.

“This amazing community makes us what we are, and their support allows us to provide such amazing variety and entertainment,” Heath says.

“And with the community’s continued support and patronage of this special theater and the arts, we know the Ritz has the opportunity to provide another 125 years of great shows for the Golden Isles.”

For more information about Golden Isles Arts & Humanities Association and to learn more about the special events planned for the 125th Anniversary Celebration, visit goldenislesarts.org. and sign up to receive updates.

• Josh Dukes is a local historian and the co-author of the forthcoming book, “Brunswick Past & Present: A Photo Retrospective of Brunswick’s Gilded Age,” available soon from Arcadia Publishing.

Glynn Visual Arts: Bringing Inaugural Wine Tasting to the Golden Isles

WORDS BY CYNTHIA ROBINSON

Glynn Visual Arts (GVA), the Golden Isles’ oldest nonprofit community arts center, celebrated its 70th anniversary last year with a special fundraising gala and auction. This year, the board was looking for a new annual fundraiser that they could launch as a long-term annual event.

Board member Emma Humphries had an idea.

“I love attending wine festivals,” she says. “A couple of years ago, while attending a wine festival down in Florida, I thought, ‘Why don’t we have this back home?’”

Humphries presented her idea to board members, who agreed that a wine festival would be a great sustainable, long-term fundraiser for GVA.

Thus, the festival was born.

“I feel quite honored to have this opportunity to bring this event to our community alongside our great partnerships,” said Humphries, who is serving as the chair for this inaugural event.

The festival is scheduled for Friday, October 18, and Saturday, October 19. Friday’s event is a VIP Wine Auction from 5:30 to 7 p.m. at the King & Prince Resort’s ballroom. Tickets for the auction are $150 per person. Saturday’s event is a Grand Tasting

from 2 to 5 p.m. at the McKinnon-St. Simons Island Airport.

Tickets for that main event are $100 per person. Both events will feature works by local artists, musical entertainment, and food, while the Saturday event will also include food demonstrations.

“The auction on Friday is primarily focused on wine. There will be some other items for auction, including some local artwork, but most offers will be wine or wine-related items,” Humphries said.

“Saturday’s tasting will be more of a festival-like event, sponsored by one of the festival’s early sponsors, Rich’s.”

Other early sponsors include the King & Prince, JP’s Wine and Spirits, and 360 Degree Marketing.

“Since this is our first year, we are keeping the first one simple, with our eyes on growing it in the future to expand it to more events, such as wine pairing dinners in partnership with some of our local restaurants,” Humphries says.

Proceeds from the festival will not only benefit GVA’s programs, classes and

scholarships, but the programs of their partner, the College of Coastal Georgia Department of Hospitality, Tourism and Culinary Arts.

“The food at the wine auction will be prepared and served by students in the college’s culinary program. We are so excited to partner with them in support of local arts programs and education,” Humphries says.

Vendors at this year’s inaugural festival will also have the opportunity to network with colleagues at a vendor-only social, as well as the festival, which is free for vendors, she added.

Tickets for both events will go on sale in late August.

“Space is limited. We fully expect to sell out,” Humphries says. “The best way to guarantee obtaining tickets is to become a festival sponsor. We’ve carefully crafted our sponsorship levels to maximize value and accessibility at multiple levels. I’m hopeful folks will find a level that serves their current giving capacity and brand exposure needs, as well as their desire for festival tickets.”

She added that GVA members will be given early access to ticket sales. Addi-

tionally, anyone who goes to the Festival website, ssiwinefestival.com, and signs up for their newsletter will also receive an early ticket sales notice.

“As the heart of our creative community, it feels natural for to bring this opportunity for great taste, great art, and great fun to the Golden Isles,” says Kari Morris, executive director of GVA. “Our membership is tremendously excited, as is everyone we tell about it.”

Humphries adds that the board has a long-term vision for the festival, which includes more wine, more art, more food, and importantly, more events.

“We’re keen to grow this into one of our community’s go-to annual events and draw in visitors from far and wide. And what all of that really means is more money raised for more causes — that’s the part that gets me most excited,” she says.

• Glynn Visual Arts, 106 Airport Road, St. Simons Island, is open from 10 a.m. to 5 p.m. Tuesdays to Saturday, as well as for special exhibits and events. For more information, including classes, workshops, and membership details, call 912-638-8770 or visit glynnvisualarts.org or their Facebook page at facebook.com/glynnvisual.

Around the Town

September

September 1

Qdisplay and sell a wide range of items. It is free. For more information, visit glynnvisualarts.org/festivals.

September 30

The Coastal Symphony of Georgia will hold its opening concert at 7:30 p.m. at Brunswick High School’s auditorium. The program will feature selections by Mikhail Glinka, Brian Raphael Nabors, Modest Mussorgsky and Maurice Ravel. Tickets are $50 per person. For details, visit coastalsymphonyofgeorgia.org.

october

Through October

The Live Oaks Garden Club is hosting its 25th annual Poinsettia Sale. The club is offering red, white, pink poinsettias, and jingle bells plants in 8-inch foil pots. The cost is $20. The sale runs through November 15th. The plants must be picked up from 10 a.m. to 4 p.m. December 6 at Community Church, 2700 Frederica Road, St. Simons Island. Orders may be placed on the website at liveoaksgardenclubinc.com.

The Jekyll Island Arts Association will host its September Gallery Show featuring the pottery of Paul Christian and painting of Jamie Scott. There will be an opening reception from 1 to 3 p.m. at Goodyear Cottage in the Jekyll Island Historic District. It will be on display throughout September. For details, visit jekyllartists.com.

September 6

The Brunswick Downtown Development Authority will host First Friday, a monthly block party in downtown Brunswick. It will be held from 5 to 8 p.m. along Newcastle and surrounding streets. Shops, galleries and restaurants will stay open later, host entertainment, or offer specials.

September 20

Golden Isles Live! will host a concert featuring Bachelors of Broadway at 7:30 p.m. at Wesley United Methodist Church, 6520 Frederica Road, St. Simons Island. Tickets are $40 for adults and $20 for students. For more information, visit goldenisleslive.org.

The American Cancer Society’s Victory Board will host its annual Gala, Betting on a Cure, from 7 to 10 p.m. at Retreat Clubhouse on St. Simons Island. The dress is cocktail attire. The band will be Who Rescued Who. Tickets are $200 per person. For details, visit seaisland.acsgala.org.

September 28 and 29

Glynn Visual Arts will host its Under the Oaks Art Festival from 10 a.m. to 5 p.m. at Postell Park, near the Pier Village on St. Simons Island. Regional artists and artisans will

October 1

The Jekyll Island Arts Assocaiton will host its September Gallery Show featuring sculptures by Brenda Joy Hughes and paintings by Joanna Hill and Terri Shay. There will be an opening reception from 1 to 3 p.m. at Goodyear Cottage in the Jekyll Island Historic District. It will be on display throughout October. For details, visit jekyllartists.com.

October 4

The Brunswick Downtown Development Authority will host its Grimms Fairy Tales and Folklore First Friday, a special themed edition of the monthly block party held downtown. It will be held from 5 to 9 p.m. along Newcastle and surrounding streets. A number of special activities will be organized to go along with the theme. For details, visit discoverbrunswick.com

October 10

The Boys and Girls Club of Southeast Georgia will host its fundraiser Taste of the Wild at 5:30 p.m. at Emma’s Driftwood Farm, 1184 Bob Wagner Lane Southeast, in Darien. Tickets are $125 per person. They are available at bgcsega.com.

October 18 and 19

Glynn Visual Arts will host its inaugural Wine Festival at the King and Prince Golf and Beach Resort and the St. Simons Island Airport. For more information, visit ssiwinefestival. com or glynnvisualarts.org.

October 19

The Jekyll and Hyde Pop & Horror Con will host its 10-year anniversary event from noon to 10 p.m. in the Brunswick

Michelle Holton

historic district. There will be street vending and multiple venues hosting guests, panels, performances, contests, and more. For details, visit jekyllandhyde.com.

October 25 and 26

The Jekyll Island Authority will hold its annual Shrimp and Grits Festival in the Jekyll Island Historic District. There will be food, craft vendors, and entertainment. It is free, but the island’s parking fee increases by $4 over the weekend. For more information, visit jekyllisland.com.

October 26

The Golden Isles Alzheimer’s Walk will begin at Neptune Park, 550 Beachview Dr., next to the Pier Village on St. Simons Island. The opening ceremony will kick off at 9:45 a.m. with the walk starting at 10:15 a.m. Attendees can register for a 1-mile or 2-mile walk. Registration is open from 9 to 9:30 a.m. To donate or to register, visit gaalz.org.

Hugs for Haiti will host its annual Fête for Haiti from 6 to 10 p.m. in the parish hall of St. William Parish Hall, 2300 Frederica Road, St. Simons Island. There will be a dinner, plus live and silent auctions. For details or tickets, visit helpinghugsinc.org.

October 31

The Downtown Development Authority and First Baptist Church of Brunswick will host Trunk or Treat from 5:30 to 7:30 p.m. in downtown Brunswick. Local churches, nonprofits, and businesses will offer treats for children. For details, visit discoverbrunswick.com.

DEBBIE BRITT LAW Estate planning for Georgia newcomers. Give me a call today.

Estate planning for Georgia newcomers. Give us a call today.

DEBBIE BRITT LAW

DEBBIE BRITT LAW

debbie@debbiebrittlaw.com debbiebrittlaw.com Estate planning for Georgia newcomers. Give us a call today.

302 Plantation Chase St. Simons Island, GA 31522

302 Plantation Chase St. Simons Island, GA 31522

302 Plantation Chase St. Simons Island, GA 31522

302 Plantation Chase St. Simons Island, GA 31522

912-268-2655 (office) 912-580-9186 (mobile)

debbie@debbiebrittlaw.com debbiebrittlaw.com Estate planning for Georgia newcomers. Give us a call today.

912-268-2655 (office) 912-223-3257 (mobile)

912-268-2655 (office) 912-223-3257 (mobile)

912-268-2655 (office) 912-223-3257 (mobile)

debbie@debbiebrittlaw.com debbiebrittlaw.com

debbie@debbiebrittlaw.com debbiebrittlaw.com

Michelle Holton

WORDS BY LINDSEY ADKISON AND MURRAY POOLE PROVIDED PHOTOS

GEORGIA-FLORIDA: The Largest Outdoor Cocktail Party

75

The greatest margin of victory in the history of the matchup. That came in 1942 with Georgia shutting out Florida, 75 to 0. The Dawgs were led by Charley Trippi and Frank Sinkwich.

To the football faithful, few games generate the buzz of the annual Georgia-Florida matchup. It’s one of the great sports rivalries, the kind that divides houses and sows the deepest of grudges. For this edition of Just the Facts, we drafted perhaps the area’s best-loved Bulldawg, Murray Poole, to help us assemble some fun historical facts surrounding this fierce showdown. Read on:

20

Both teams have scored more than 20 points in a game. Georgia has done it 4 times and Florida, twice.

1930

238

As a freshman, Herschel Walker rushed for 238 yards in the famous Belue-to-Scott 1980 game.

93

1926

The teams have met on the gridiron every season since 1926, except for a war-time interruption in 1943.

The most monumental victory by either team came in 1980. That was when Georgia won 26-21 on Buck Belue’s 93-yard touchdown pass to Lindsay Scott with under two minutes to play. It was a win that paved the way for the Bulldogs’ 1980 National Championship.

386

Eric Zeier holds the UGA record for most passing yards against Florida, 386 in the Bulldogs’ 3326 loss in 1993.

That’s the year of the lowest scoring game ever — 0-0, a tie in Savannah.

6,000

That’s the estimated number of students and fans who gather on St. Simons Island’s annual “Frat Beach.”

1904 or 1915

The programs first met in 1904 … or maybe it was 1915? (It’s still disputed).

1958

That’s when the famous moniker, “the Largest Outdoor Cocktail Party,” was coined by then Florida Times-Union sports editor Bill Kastelz. It came after he witnessed an inebriated fan cheerfully offer an alcoholic beverage to an on-duty police officer before the game.` `

SINCE 1974

ST. SIMONS ISLAND LADY DAWG HEADQUARTERS SPORTSWEAR 0-16, 0X-3X ACCESSORIES • SHOES • GIFTS 1616 Frederica Road | 912-638-3995 10:00 - 5:00 Mon.-Sat. maggiesssi.com

DUE SOUTH

The Art of Discovering the Golden Isles

OOne of my most important mentors and bone-deep friendships was with a courtly, Southern gentleman named Don Light.

He was unique and spectacular in an understated way. We met when I was 19 and, unexplainably, he saw something in me that encouraged him to share his wisdom. He was part of a powerhouse of talent and genius that built the Nashville music scene into a place that rivaled the music coming out of New York and Los Angeles.

This core group, which included Chet Atkins, Ray Stevens, Jerry Reed, Owen Bradley (he discovered Patsy Cline and Loretta Lynn), label executives Jerry Kennedy and Owen’s son, Jerry, always called themselves (proudly) “hillbillies”. They had mostly come out of the hills to find work in Nashville. They all found much more — fame and fortune beyond their biggest dreams.

It’s hard to imagine now that it took the Grand Ole Opry over 40 years to allow a set of drums on its stage. Finally, the Opry manager relented — along with Mr. Roy Acuff, who had a large say because he was a huge stockholder in National Life and Casualty, which owned the Opry and WSM Radio, so named for the insurance company’s slogan: We Shield Millions.

The first person to play drums on the hallowed stage of the Opry was Don Light. When he tired of doing that, and playing record sessions, he opened the

first gospel music booking agency and co-founded the Gospel Music Association, which presents the cherished Dove Awards.

By 1970, he was veering away from that to become a talent manager. He had heard tell of a Billboard Magazine writer who was playing down in Printer’s Alley. Don later recalled to me, the guy wasn’t really good looking or a great singer but he had charisma that lighted the night with fireworks. Don knew he had just seen a future star. He called him the next day and asked, “If I can get you a record deal, will you let me manage you?”

The man replied, “Yeah, get me a deal and I’m yours.”

For three years, the two made the rounds in Nashville, being turned down 70 or 80 times.

I can quote a lot of Don Light-isms but here is one of my favorites. It has seen me through much rejection. He said, “It took us about six months to make the rounds with labels. Then, we’d start back over. Those labels changed management so much that I knew we’d eventually find someone who would sign him because they couldn’t all be that dumb.”

Sure enough, ABC Dot opened an office in Nashville and the label executive, Don Gant, signed Light’s client. Things went swimmingly, at first — until Los Angeles (they’re always the spoilsports) — heard the first songs cut. Those non-geniuses advised Nashville to turn him loose because they couldn’t get air play. This musician was hard to define. Country? Pop? Folk? No one was sure but Don Light stood his ground. “We have a contract and you have to honor it.” They did.

WORDS BY RONDA RICH | PHOTO BY KYLE MORGAN

The artist, who was wooing audiences in listening rooms everywhere, had a gig at the famed Roxy on Sunset in L.A. where all the big folks like Linda Ronstadt, the Eagles, (Gregg Allman met Cher there), and such came to hear music. Don flew in earlier that day. His artist was already there. Don Light (I always called him by two names) checked into the hotel and was headed to his room when he encountered the artist and his guitar.

“Don, let’s go to your room. I wanna sing a song I just wrote.” There, he sat down on the bed and, fingering the guitar, began sweetly singing, “‘Nibblin’ on sponge cake; watching the sun bake.’”

“It was the most perfect song I’d ever heard,” Don Light told me. “There wasn’t a wrong word in it. Poetry.”

That night at the Roxy, when Jimmy Buffett was called back for an encore, he returned, sat down on a stool, and with only his guitar, sang “Margaritaville.” The jaded music folks went crazy. The two men shared ownership until Don’s death several years ago.

Don Light collected lighthouses. In all of his Music Row offices were shelves of lighthouses. One day, I pointed to one I particularly liked.

“I got that on St. Simons Island, off the coast of your Georgia.”

“That’s one of my favorite places!”

Don Light suffered many health ailments that he never allowed to slow him down. He had lost most of his colon, his asthma and other lung issues caused him to use up many calories, trying to breathe, plus he had a curved spine which caused a serious hunch.

At Don’s funeral — the best I’ve ever attended — Jimmy Buffett told the story of Don Gant saying to Don Light, “If you’re this old at 40, think how bad you’re going to be when you really get old.”

Unique Stylish Inclusive

DID YOU KNOW? Brunswick has a boutique specializing in Mid & Plus Size clothing? We offer clothing in s-3x but have a larger variety in size 10-24.

curated limited stock, high end boutique for the tall and curvy.

On the St. Simons venture, he told about climbing to the top of the Lighthouse. I can’t imagine how painful and hard that was for him. But you have to admit: for the man who refused to give up on Jimmy Buffett for three years and 80 rejections, nothing could have stopped him.

NATURE CONNECTION

Surfing Cumberland

SSeptember 2022. On the frontside of the Golden Isles between Jekyll and Cumberland Island, we skirted over the raw swell of Hurricane Larry that corduroyed the smooth horizon for miles as the eye could see.

Brian Strickland took us on his twin engine offshore fishing boat, and the boat roared as we covered some ground bouncing between sets. These were the biggest and cleanest local swells I’ve seen to date, and the energy among the crew, which included

Brian, Jason Latham, Brad Walker, Jeff Williams, and Reid Harris, was pure exhilaration. My goal was to document the adventure on video.

A blue silhouette of a salt-hazed Cumberland Island sat two miles away in the afternoon glare. The dream of surfing Cumberland has been on our minds for years, and today marked a solid opportunity as morning reported offshore winds for the entire day. Making up almost one-fifth of the Georgia Coast, Cumberland is a conglomeration of starving horses, invasive feral hogs, big flocks of turkey, sizable white tail deer, six lonely bob cats, fantastic dunescapes, which make up excellent habitat for sea turtles and shorebirds, and one long 17-mile beach, where the only counterpart might be a horse eating the sea oats or a half dead palm tree on the high tide line.

As Brian guided the boat into position north of Stafford Beach, a silent anxiety came over us. Each of us scanned the

horizon. A lone horse on the beach stood among the sea oats. The waves were pumping by us. Brian had to dodge a couple rogue ones coming our way, and in the midst of heading to the outside, the boat lifted at a sharp 45 degree angle as we skirted over a tall wave and dropped precipitously behind it.

The wind was no longer the ideal offshore kind. In the afternoon it turned southeast creating a much tougher experience, but we were here and stoked and were going to get in the water no matter what.

“Man, Jason, get in the water,” Brain said. Jason was waxing up his stand-up paddle surf board.

In a short time, he was the first one in the water, and immediately took off on a left, and everyone on the boat shouted in excitement. Reid was next in the water, belly flopping onto his board and paddling toward the beach.

Now, it was my turn. A bright orange Aquatech water housing was in my left hand and cool blue Dafini fins were in my right as I hopped into the water. Kicking fins are essential to swimming and photographing in the ocean. They take the pressure off your arms and you can surface much easier.

Easing toward the beach, the water seemingly became rougher and rougher. When shooting surf, the photographer places himself between the lineup where the surfers sit and with the beach in the break zone.

The irregular onslaught of pounding waves required complete attention. I took a deep inhale through my mouth, ducked under the surface with my arms tucked, kicked my fins rigorously and rose on the other side deeply inhaling, wiped the saltwater from my

WORDS AND PHOTOS BY SAM GHIOTO

burning eyes, and scanned the horizon for my next obstacle whilst attempting to get in position to film the guys.

The waves were difficult to surf, but Jason, as he always does, made the seemingly impossible look like a breeze. Occasionally a wall opened and Jason, using his deep ability to read waves would launch and race down the line, make a turn off the lip, and land acrobatically in heroic fashion into the whitewash.

After 30 minutes or so, everyone but Jason and I were on the boat. We decided to swim 50 yards in, and once we climbed the ladder to the deck, we received word about something lurking in the water from Jeff.

“This six-foot tiger shark was swimming around the boat, and we were trying to push it away from you guys,” Jeff said. He showed us a picture from his phone.

“Let’s go down the beach,” Brad says, looking south. “It might be breaking better there.” We could see the factory on Amelia Island miles away, pumping smoke into the hazy atmosphere.

Back in the water, the current was just as strong as before, pulling me north and sucking me into a rip current. This happened several times, and I relaxed into the experience of being dragged uncontrollably instead of fighting it, which is the correct way to navigate. After a few seconds, I’d be 15 yards out in the lineup with the guys.

The sun dipped downward behind us and produced an orange glow on the canvas in front of me. I tried to maintain an inward position to the beach, but once again the current wouldn’t allow me to stay still. Out I was dragged by the rip, and Jason found himself in the pocket on a left. He locked in, paddled hard, and

stood up making turn after turn after turn. Opportunistically, I pointed my camera at him the entire time. This made for a brilliant frame: backlit with an orange glow, Jason made his way down the wave toward the beach, and the water glowed full of shades of blue and orange and yellow and green.

After he completed the wave, I let out a long “yewwwww” in sheer stoke.

BY DESIGN

The Meaning Behind Rahab’s Rope

WORDS BY LINDSEY ADKISON | PHOTOS PROVIDED

JJennifer Lunsford was blessed to grow up in a stable, loving home. And today, the Gainesville, Georgia, native lives in Clarkesville, Georgia, with her husband, Alex, and two boys, Forrester and Fletcher.

While she’s grateful, she’s well aware that this is not everyone’s story. It was something she learned firsthand, years ago on a trip to India with her mother, Vicki Moore.

“We learned about the issue of human

trafficking and having children of her own, (Moore) could not understand how anyone could sell a person, much less a child,” Lunsford says.

“After returning home, my mom came across a video of a teenage girl, who didn’t know how to read or write, and wasn’t looking for a handout, yet an opportunity.”

That was the beginning of Rahab’s Rope. The name is rooted in the OId Testament book of Joshua. Rahab was a Canaanite sex worker in the city of Jericho. She met two spies from the Israelite army, sent by Joshua, who was planning to sack the city.

Understanding that they were men of God, Rahab helped the Israelites. In return, she was instructed to dangle a red rope from her window so the soldiers would know to spare her and her family.

In the story, the rope represents safety,

redemption, and freedom. It is symbolic of both spiritual and physical rescue. That’s what Moore wanted to offer victims of sex trafficking in India. Lunsford says her mother decided to create a business that would do just that.

“… the light bulb went off,” she says. “With my dad’s business background, they formed a company and knew they had to work on creating jobs through product sales rather than giving a handout. That is when Rahab’s Rope was formed.”

More than 20 years have passed since that initial trip. And the company has made that vision a reality. They created partnerships with artisans in Asian nations, and now Rahab’s Rope offers products to over 500 stores across the U.S. and Canada.

Lunsford works on the product design and development side, traveling to India and Bangladesh to connect with the artisans employed at their women’s center.

“Rahab’s Rope exists to empower women and children in the fight against human trafficking. Profits from product sales fund the mission,” Lunsford says.

“We have two brick and mortar locations, e-commerce, and wholesale distribution.”

One of those storefronts is in her hometown, Gainesville. The other is right here on St. Simons Island. The latter opened in 2020, in the midst of the pandemic. But Lunsford says its success has been inspiring.

“When I joined the company, we had one small shop and a small wholesale business. A few stores were buying products from us and we only had a few product options. We were generating business in our brick-and-mortar stores through word of mouth. We’ve had a

slow and steady growth, which has helped us learn and realize the impact product sales has for both artisans and our business,” she says.

“The more we sell, the more jobs we are securing and the more programs we are able to provide for women, children, and families. It really is a win-win.”

It’s a win for customers, too. The St. Simons store offers shoppers a chance to discover one-of-a-kind, handmade items. The retail space, located at 320 Mallery St., includes a wide-selection of home decor — like blankets and baskets — as well as shawls, scarves, pajamas, and robes.

“We have product in our stores representing over 30 coun tries, mainly home and gift. We have 100 percent cotton yarn throws that are hand-loomed, trivets that are handcarved from mango wood, and one of our best sellers for the home is our bread warmer,” Lunsford says.

“They’re great gifts for real estate closings, house warmings, shower gifts … really any occasion. It’s hand-crafted from terra-cotta, made out of river bank clay in Bangladesh and the terra-cotta stone sits inside a hand-woven kaisa grass basket.”

Baskets, she adds, are always a customer favorite, offering a stylish and meaningful organizational item.

“We have unique and colorful round baskets that customers on the island love to use for wall decor,” she says.

Regardless of what a shopper selects, it goes much deeper than a simple purchase. The dollars go directly to changing the lives of women, children, and families.

“The items in within our line are more than items. They are items made with love and care from artisans and families that sometimes would not otherwise have a job. Each purchase has a positive and direct impact on the women, children, and families Rahab’s Rope serves,” she says.

“Seventy percent of our program funding comes through product sales, so it’s important for us to sell products. Providing work gives them a sense of self-worth. Through our programs, we are able to provide medical needs, housing, education, and job security. We hope each person that shops with us will know the direct impact they have made in another person’s life.”

• Rahab’s Rope is located at 320 Mallery St., St. Simons Island. It is open from 10 a.m. to 6 p.m. Monday to Saturday. It is open from noon to 5 p.m. Sunday. The phone number is 912434-6059. To learn more their mission, visit rahabsrope.com.

Body: Wormy Chestnut Mahogany Back Model: T-style Frets: Dunlop 6100 Neck: Aged Maple with Rosewood Fretboard Bridge: High Mass with Brass Saddles Tuners: Hipshot Locking Neck Pickup: Seymour Duncan Bridge Pickup: Brandonwound Custom Esquire Pickguard: Custom Copper Flashing (from Jekyll Island)

• RECOVERY COACHING

treatment. Each one has their own story and individual condition. Most of them were plagued by debilitating pain and unable to fully participate in life. It could be degenerative arthritis, an injury, hormonal imbalances, or weight issues.

While their ailments differed, a constant thread ran through each of their experiences: Dr. Jen truly changed their lives. Within her practice, patients found a rarity — a medical professional who was willing to listen.

That’s what Billie-Jo Williams discovered. The Blackshear resident sought Dr. Jen out after other doctors insisted that she was suffering from Grave’s Disease.

WORDS BY LINDSEY ADKISON | PHOTO BY MICHELLE HOLTON

J Heller Healthcare Changes Lives for Patients

Journalists are skeptics by nature. It comes with the territory. On any given day, sources approach us with stories, often fantastical and more often than not moderately true.

When I started writing health profiles for The Brunswick News, I knew they were advertorial pieces designed to promote a business. That’s all well and good. They’re extremely effective and

an ideal way to share the company’s perspective.

I expected that when I first started meeting with Dr. Jen Heller. What I didn’t expect was the power of the stories I discovered. The Brunswick-based chiropractor offers traditional treatments — adjustments, massage, and stretch therapy. But there’s a twist. Heller also founded a sister practice, Golden Isles Functional Medicine, which provides regenerative medicine, an anti-arthritis program, degenerative joint care, holistic pain management, hormone optimization, and nutritional planning. Dr. Jen works with a team of providers, including two medical doctors and two nurse practitioners.

Since 2018, I have sat down with more than 70 patients who’ve received

“Doctors are great. They can help with so many things, but when you feel something else is going on and your doctor is not listening, reach out and let someone find the problem,” Williams says.

“I needed someone who would listen and find the real problems that were going on. Dr. Jen is a lifesaver.”

Billie-Jo gained 20 pounds, so much weight that she could not wear her beloved engagement ring or get on the floor to play with her grandchild.

Dr. Jen and Billie-Jo got to work, including extensive testing and a detox and supplement regimen. Before long, Billie-Jo’s life began to change. She dropped her weight and gained energy. And, once again, she was able to wear her ring.

“Not being able to wear it tore me up,” she says, smiling.

Like Billie-Jo, Rachel Moore’s life also changed in Dr. Jen’s treatment rooms.

She has experienced constant knee pain, which has impacted her daily activities.

“I had knee pain for my entire adult life. My right knee became very swollen, and I hobbled everywhere I went,” she recalls.

Rachel was referred to Dr. Jen by her brother, who was an established patient.

After an extensive examination and testing, Dr. Jen decided that Rachel was a perfect candidate for regenerative therapy.

“I was adamant that I wasn’t going to have surgery. I was going to try everything else first,” Rachel says.

So, she used regenerative therapy instead, and it wasn’t long before she saw positive results.

“One day, I was walking, and it just hit me

... I’m not in pain anymore. I’m walking normally,” Rachel says. “I’ll never have the knees of a 25-year-old, but I’ve started exercising, which was my goal. I love where I’m at.”

That was the same experience Audrey Leonard and her daughter, Diane, found. Audrey, a youthful 96, was very independent, but had struggled with arthritis. To correct it, Heller and Audrey started exploring the use of regenerative medicine to keep her as active as she loves to be, without the concern of falls.

“That was six years ago and I felt better almost immediately,” Audrey says. “It was great.”

It was such a positive experience that when Audrey’s daughter, Diane, started having issues; she encouraged the Alabama resident to talk to Heller when she was in town. And like mother, like daughter

— Diane proved a perfect candidate for the therapy.

“I saw what Dr. Jen did for Mom and she said, ‘Please talk to Dr. Jen.’ So I did,” Diane recalled. “I had it done and I saw results quickly, too. The only thing I wish is that I was here to do the follow up and treatment with Dr. Jen. I had to do it in Alabama.”

Now, she’s back to full range of motion (and lifting the babies at church). Both mother and daughter are grateful for their new leases on life.

“God gets all the glory,” Diane says. “Both Mom and I feel that way. It’s just miraculous. He led us to her.”

• Heller Healthcare is located at 208 Scranton Connector, Suite 120, Brunswick. To schedule free consultation, call 912-2642244 or visit HellerHealthcare.com

Managing Your Rental Property to Create a Positive Cash Flow

LLots of real estate being sold in the Golden Isles is being used for rental income. This is just going to be some thoughts on managing a property you already own to a positive cash flow. This is not intended to be a purchasing guide, nor is it intended for someone who is only looking for the capital gain of flipping a property. Briefly put, cash flow is, “income less your operating expenses.” It is the cash that hits your bank account, minus the cash that leaves.

“Income,” is comprised primarily of rent but could also be parking, laundry, and other fees. Examples of operating expenses are advertising, utilities, consumables, property management, and more.

There are a few ways to increase your revenue, which essentially means expanding your cash flow without adjusting your cost base. Marketing and advertising are good tools to utilize, but it is important to be strategic and professional.

of the first decisions to make is do you want: Short term vs. long term rentals. Your HOA may already dictate what you can do. There are pros and cons to both, but once you make that decision, marketing your property correctly is key to future success.

This should not limit your renter pool but give you a sense of how you can attract the most renters. Do you want to target snowbirds? FLETC? People looking for party venues? If you are looking for snowbirds, you would have to expand your advertising area and get creative with how to reach this population. This would be different from a platform you would use to attract families going on summer vacation.

Another strategy is knowing what to highlight when you advertise. Young families will be drawn to pools and game rooms, whereas an elevator or one level living will draw in more snowbirds. There are many people who want to market and manage their properties themselves through any of the numerous rental platforms available today. There are several professional realty companies available that will completely manage your property, from marketing to tenant screening to maintenance.

When determining your bottom line, this is an important decision. In my experience, homeowners are generally better

off using a professional realty firm — they have proven marketing strategies, help keep you from renting to someone that may damage your property, and take care of all the little things that will keep people coming back. In addition, they know the local rules on renting and will ensure you have your rental license.

If you chose to go it yourself, I suggest you use local, professional photographers to capture your rental home in its best light. Remember, the living room isn’t “small,” it’s “cozy.” It’s important to keep track of where your inquiries are coming from and make sure you index heavier there. The goal is to figure out how much revenue you earn from each advertising platform, how much it costs you, and ultimately, where you get the most bang for your buck.

Using dynamic rent pricing is a great way to capture tailwinds and navigate headwinds. By using and comparing historical records and market rates, you should be able to pick days, weeks, and months you should charge more. Also, using simple supply and demand logic will tell you there is more demand on July 4th and Georgia/Florida weekend and your pricing should change accordingly. Conversely, these same concepts will allow you to know when to lower your pricing. The key here is to understand your “breakeven point” meaning how much incremental cost is there to host a renter because you can’t charge less than that.

Always remember that, at the end of the day, revenue is tied to your customers, just like any other business. Keeping them happy keeps the money coming. Maintaining positive relations with renters is twofold. You want to keep your current renter base by having them come back and/or by having them stay longer or more often and you can use them to take advantage of free marketing by asking them to write reviews and letting their friends and family know about your property. It is important to make sure you have clear communication of expectations and policies and respond promptly to inquiries and maintenance requests; these things translate to positive memories and reviews. This is particularly important with snowbirds; they will keep coming back if you make their experience a good one.

One

WORDS BY TINA FALLON | PROVIDED PHOTO

Managing your addressable operating expenses is how you improve your bottom line, regardless of the number of renters you get. Repairs and maintenance can be big cost buckets, so always be sure to be diligent and work with professionals. Cutting corners is only going to lead to more issues and expenditures in the long run. Make sure you do your research before hiring someone and ensure all agreed to services are completed in full, which is best to be put in writing. There is nothing wrong with getting multiple quotes to make sure you’re getting the best price. Consumables (e.g., soap, paper towels, trash bags) are another cost bucket although not big, they can add up quickly. Buying in bulk and avoiding one-off trips will help contain this cost.

Lastly, mortgage and insurance are largely non-addressable, but there are tactics to drive these costs down. I’d encourage people to reach out to their local professionals to learn more. Most importantly, keep diligent track of all your costs. If you run to Home Depot for a lightbulb, record it. Using a tax accountant that has experience with rental properties is always a plus.

Owning a home in the Golden Isles and using it as an income property can be lucrative, however, it takes work to make it that way. The good thing is that, unlike many other vacation areas around the U.S., there are many professional realty companies here that can do all the work for you.

If you take managing your property on yourself, do a cost benefit analysis at some point to determine if it is actually saving you money while maximizing your rental income.

• Tina Fallon, Realtor, Georgia Coast Realty. Her office is located at 105 Main St., Plantation Village, St. Simons Island. She can be reached at Tina@gacoastrealty.com. Her cell is 540588-5456. Her office line is 912-638-1144.

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GAME CHANGERS

WORDS BY LINDSEY ADKISON | PHOTO BY DERRICK DAVIS

WWhen Boston Harrison goes to a competition, he doesn’t walk away empty-handed. The 19-year-old black belt has built a storied career in martial arts, training with the U.S. team and competing in the World Games.

But Harrison wasn’t always set on becoming a Fists of Fury phenom. In fact, his first foray into sports began with basketball and baseball.

“I played all of those sports,” he says with a nod.

Of course, that was when he was very young. At the age of 5, he added another activity that would change his life. His father, Joey Harrison, decided to switch careers, giving up his job as a golf pro to open a martial arts studio.

“He was the head pro at Sea Island and ran the caddy masters’ program. He decided to leave to spend more time with me and my sister (Kylie),” he says. “But he had to make money, so he had his black belt and decided to open Golden Isles Martial Arts Academy in Redfern Village.”

Originally, it was just going to be a part-time gig, but the school took off. Two of the most dedicated students proved to be Joey’s children. Both Kylie and Boston took to Tae Kwon Do like fish to water.

“There wasn’t really a day that I didn’t come in excited about it,” he recalls. “It was something new. Karate was, to me, involved more thinking, which is strange for a 5-year-old to want, but I loved it. It was like a chess match. I loved the katas (set forms) and the

sparring. I just loved all of it.”

His engagement paid off. At just 6, Boston began attending tournaments — and he started winning.

“Competing was the point that it really became a passion for me,” he says. “I’ve always been super competitive, so when I started winning it was really easy to keep that motivation going.”

Of course, it might also have had something to do with the instruction. Learning from his dad and alongside his sister was a fulfilling family experience. Other students flourished there, and in 2013, the family opened The Brick, a large, free-standing space off Demere Road on St. Simons Island. There, they offered traditional classes and eventually branched out to other areas of fitness and even childcare programs.

“We wanted it to be more united. We became The Brick. It’s based on a quote from Will Smith about building a wall with his grandfather, who owned a grocery store. He said, ‘I didn’t go out

Boston Harrison

there and build the best wall ever,’ he said, ‘I’ll go out there and lay every brick as perfectly as I can lay it. Eventually, I’ll have a perfect wall.’ So for us, you come in every day and we’ll help you lay your brick until you have a wall.”

While the programs became more diverse, martial arts remained the foundation. Over the years, both Boston and Kylie developed their skills. The competition circuit had a lot to do with that. Through that exposure, Boston caught the eye of the U.S. Team trainer, who invited him to try out for a spot.

“We met this guy named Drew Derrick-Bisbee. He competed on our circuit. He saw our team and talked to my dad and invited us to try out for the U.S. Team,” he says.

Derrick-Bisbee came to The Brick to oversee the tryouts. And, at just 8 years old, Boston made it.

“It was really difficult, but really awesome,” he says.

He continued competing with The Brick’s school but he also did training sessions once a month with the U.S. team. In 2014, Boston competed with them for the first time.

“My first major accomplishment was going to Canada. I was 8 years old and that was our first time competing in the World Games,” he says.

From there, it was off to the races. Boston garnered gold metals every time he stepped in the ring. That’s including at a World Games representing the U.S. against the United Kingdom in London. As if that wasn’t enough, the event had special meaning for another reason.

“We ended up winning. Me and my team went over to get metals. My dad said he wanted to get a picture of the brown belts together for a new mural at The Brick. We took the picture and then he pulled out black belts for all of us. I was the last one to receive my belt,” he says. “It was pretty emotional.”

After 14 years in martial arts, Boston has been ranked among the top 10 best in the world, which is clearly no small feat.

But even with these major accolades, he acknowledges that his priority has shifted a bit. Now, the lead instructor and program manager at The Brick, he’s less concerned with trophies and more focused on coaching.

“I’m still competing, but not as much. I’ve always wanted to run The Brick one day and as soon as my sister moved out of that spot, I took it,” he says with a laugh. “I love it.”

And through his role as an instructor, he hopes to be able to offer inspiration to his own students. Not only for collecting trophies and metals, but more for learning important life skills.

“Developmentally, it teaches you how to control and regulate your emotions. It teaches you how to control your body and your mind,” he says.

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St. Simons Seafood: A Family Tradition

WORDS BY TAYLOR COOPER | PHOTOS BY MICHAEL HALL

TThe old-school conception of the “family business” isn’t as common as it once was. BJ Egeland’s daughters Amber and Jennifer are part of the few inheriting their mother’s business, St. Simons Seafood on Demere Road, outright, planning to operate it themselves. It’s partly economic but also emotional, as their late father founded the business almost 30 years ago.

Jennifer and Amber worked at the seafood shop during their high school years, cutting their teeth for later careers in food service. Both of them have worked at several well-known establishments, from Southern Soul to Bubba Garcia’s and Sandcastle Cafe. Their father, Chuck, founded Altama Seafood.

No stranger to food service himself, Chuck had worked at Poor Steven’s — a longtime St. Simons Island staple near the intersection of Frederica and Demere Roads — for several years. He decided he wanted to be the one selling to the restaurants, rather than working for them.

In 1997, he opened St. Simons Seafood to better cater to St. Simons Island residents, as well as his Brunswick clientele.

Eventually, it became more economical to streamline the business at one location, says Jennifer, but she and Amber both worked at the Altama and Demere Road locations in years past.

BJ carried the torch for a long time after Chuck’s untimely death at 55 in 2011. She’s hoping to make a slow transition into retirement over the next few years or so.

“They’re eventually going to inherit the empire,” BJ says, laughing. “It’s a good feeling because I know they’ll run it right.”

Of course, back when the two were working there in high school, neither were too keen on doing so. In an age of easy

and fast travel, remote working, and ever-rising college graduation rates, it’s much more common for kids to strike it out on their own. They were more interested in spreading their wings and forging independent paths.

“I absolutely did not want that,” says Amber. “But I keep coming back here because it’s family.”

Now, both are very happy to be working in the family business. While it might not have always been the case, Jennifer joked that they spent all of the Independence Day holiday together

“… and we’re all still alive,” she quips.

Jennifer has her own children now and is working on finding somewhere to put them in daycare so she can spend more time in the store. No easy task, given the nationwide shortage of daycare and preschool space for all the parents who want them.

“It definitely takes a village,” she says. “My village is a little small, but they’re all so giving, but I don’t want to feel bad asking too much of them.”

Amber is there on a near-daily basis learning the ins and outs from BJ.

“She’s still my little sister, and she’s the boss. That’s OK,” says Jennifer.

While the two of them spent much of their childhood there, some things have changed about the way St. Simons Seafood does business. Just as much hasn’t. The shop still doesn’t take debit or credit cards, which is because BJ doesn’t want to be nickel-and-dimed by the credit card processing companies. Her very strong customer base is also very willing to continue paying by check or cash because a lot of them are old-school as well.

BJ isn’t shy about saying that she thinks she has the best customers around.

“Everyone’s talking about ‘Venmo me

this,’ and ‘Do you take Cash App?’ now, anyway,” Amber says.

Aside from the obvious offering — shrimp — St. Simons Seafood also serves Dry Diver scallops, seasonal fish, but almost always salmon, stone crab claw, and clams, although those must be ordered ahead of time. Almost all of it is local and changes regularly.

The Egelands also make their whole menu from scratch. It’s something of which BJ is very proud. She stands by her recipes because a lot of them are classic and time-tested island dishes.

The recipe for this installment of The Dish is also something of a living legacy. In this case, it’s an artifact of the legendary Emmeline & Hessie Restaurant of the 1970s and 80s. Having something like that on hand speaks to the Egeland family’s roots in the area if nothing else.

“Apparently, they had a great happy hour,” Amber laughs. She’d not yet been born when the place closed, she added, missing out on the happy hour by a couple of decades.

Directions and measurements were written on the front and back of an old recipe card, stained and, in one spot, burned from years and years of being passed around and referenced in the kitchen.

It’s also not the only one of St. Simons Seafood’s old-school island recipes. One of Egeland’s many loyal customers brought the recipe to her because he wanted to see this island native could do with it.

Shrimp and green noodles

4 oz. spinach noodles

2 lb. shrimp, peeled and deveined

1 can cream of mushroom soup

1 cup sour cream

1 cup mayonnaise

½ tsp. Dijon mustard

1 tablespoon chopped chives

½ cup sharp cheddar, grated

4 tablespoons dry sherry (optional)

Directions: Cook noodles as directed on the package. Rinse a casserole dish and make noodles into a nest. In a large frying pan, saute the shrimp in ½ cup clarified butter until pink and tender, about five minutes. Cover noodles with shrimp. Combine soup, sour cream, mayonnaise, and chives; add mustard and sherry. Pour sauce over shrimp and sprinkle cheddar cheese over all. Bake at 350 degrees for 30 minutes, until the cheese is melted and bubbly.

• St. Simons Seafood is located at 2463 Demere Road. It is open from 10 a.m. to 5 p.m. Tuesday to Saturday. For questions or to place an order, call 912-634-2646.

Bus: 912-265-1770

The Etheral Work of Jim Jones

CanvasesClay:&

WORDS BY LINDSEY ADKISON

PHOTOS BY JOHN KRIVEC

Walking along Newcastle Street on a soft summer evening, Brunswick seems to glow. The strings of lights that span the street glimmer and dance in the breeze. Passing by the windows of Art Downtown, there’s a different kind of shine.

A series of rounded spheres encased in sea shells hummed. The lamps, which all varied in size, easily lured in curious passersby. In the daylight hours, the mood was different but no less impressive.

Stepping inside SoGlo gallery, different colorful abstract pieces dotted the gallery’s walls. While drastically different than the lighted orbs, there was a link between the two — the artist, Jim Jones.

A longtime fixture on the local art scene, Jones’ work has morphed and changed through the years. It began, as it often does, in his childhood.

“I was an artistic kid, but isn’t everybody?” he says with a chuckle. “I used to take lessons at the old Casino. I’d take drawing classes there. At Frederica, Garland Hodges was my art teacher. She did watercolors and she introduced me. I haven’t done watercolors for a while, but I love them.”

His creativity continued to blossom throughout his youth. As he dabbled in a variety of mediums, sculpture always held a special interest for him. In college, he continued his studies while simultaneously pursuing a degree in history.

“I graduated from the University of Virginia and was going to go into business,” he says. “Then, I decided that

maybe art was more important. So, I moved to New York and went to the Art Students League. I figured I would be there for about one or two years. I ended up living in New York for 20 years.”

Jones’ artistic career bloomed in Manhattan. His mentor at the Art Students League was Javier Gonzales, who provided the inspiration to become the well-rounded artist he is today.

“I first joined his sculpture class because that was kind of what I wanted to do. Then, he had a mural painting class, so I joined that, too,” he says. “He did everything ... sculpture, watercolor, oils. I kind of fell into that. I like to do it all. It just depends on where the focus is at the time.”

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The desire to learn more always seemed to move him. Jones spent two winters in Paris, working in one of the classical art Meccas of the Old World.

“I had some friends who would spend half the year here and half the year in Paris. When they were (in the U.S.), I’d use their studio there. They had two art studios. I got a lot of work done,” he says.

“Then, I spent a summer in Perugia (Italy) at Accademia, which was really only a six-week course. But it was great. There were no Americans there at the time ... maybe one other American. There were people from all over Europe so you got to meet all these interesting people. That was really fun. I really enjoyed it.”

This particular show was a departure from what Jones has exhibited in recent years. Locally, many of his shows have focused on his paintings. He has an extensive series that features elements of the coast, namely sweeping cloudscapes and realistic ink drawings of oyster shells. In fact, he published a book titled, “Cumberland Island Oysters” in 2018.

But he’s also been drawn to abstraction, a characteristic seen in many of his sculptures throughout the years.

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“This is really just form as expression. It’s nothing new, of course. Artists of the early 20th century did a lot of more abstract pieces,” he says. “I’ve been working on these forms for a long time, but never as a show. Then, the shells, they’re really more craft, but I love them. I love stained glass and I was on the beach once and was looking at these shells in the sun. I was like, ‘wow, look at that light.’”

He never intended to put the two pieces — the shell lights with the papier mache forms — together. Somehow, though, it just worked.

“I said, ‘well, you know, let’s show them together,” he says with a shrug. “I haven’t finished with this yet. I still have some more I want to do.”

For gallery owner, Lynda Dalton Gallagher, putting the unlikely companions together proved to be a wonderful idea. It was another part of their longtime partnership.

“Jim is a prolific and versatile artist whose work reflects the extraordinary beauty of our coastal environs as well as their raw nature,” she says. “It is always a pleasure to host and exhibit work by such a talented individual who shares with us  the microcosm and macrocosm of our world.”

• To learn more about Jim Jones and his work, visit jimjonesart.com.

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COASTAL

Connection:

The Lifelike Sculptures of Kelly Richard

WORDS BY LINDSEY ADKISON

PHOTOS BY JOHN KRIVEC

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“When we moved to Hilton Head about nine years ago, I had a studio that looked out on the lagoon. I was so inspired by all of the Low Country birds and creatures … that’s one of the reason that I’m doing the things that I’m doing now.”

Springtime sunshine spilled through the windows of Goodyear Cottage on Jekyll Island. The historic home, once the respite of timber magnate Frank Henry Goodyear in the early 1900s, now houses the Jekyll Island Arts Association (JIAA).

On this particular morning, a corner of the gallery space resembled more of a zoo than an an art center.

An alligator perched on a pedestal. Nearby, a heron prepped for flight, a sea turtle stretched its head from its shell. As the gallery doors opened to the day’s first visitors, they were a bit taken aback by these sculptures’ lifelike qualities.

Their creator, artist Kelly Richard, beamed with pride as guests asked to grab quick photos on their phones. They’re familiar faces to the South Car -

olina-based artist, who has spent years carefully crafting her menagerie.

“When we moved to Hilton Head about nine years ago, I had a studio that looked out on the lagoon. I was so inspired by all of the Low Country birds and creatures … that’s one of the reason that I’m doing the things that I’m doing now,” she says, gesturing to her sculptures. “I’ve always worked with form and you can see that now I still do.”

While she always had a sense that she would become an artist, she formally began her journey by studying fine arts with a focus on sculpture at the College of William and Mary. Richard later went on to graduate school to study graphic design.

She worked as a freelance graphic artist for the American Chemical Society in Washington, D.C.,

where she designed and illustrated national publications. This gave her the experience to open her own graphic design firm, Creative Communications.

Later, Richard and her husband went on to own galleries, while she continued to exhibit. After moving South, she started to focus on wildlife sculptures, building each piece with a bit of vivaciousness and character.

“I start with a wire and aluminum armature. The legs are made out of steel because they have to be a strong enough base to support the body,” she explains. “Once I have the armature, I’m able to move and build the body with the aluminum foil. Then, I start positioning it. The one thing I don’t want is to have it stark and straight.”

An excellent example of this is her eye-catching alligator. From the edge of its snout to the tip of its tail, his bumpy back seems to sway.

“I want to give it some life. By moving a leg or tilting the head, it infuses life into the creature,” she says.

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Her sea turtle also has that same sense of movement, but her method was a bit different.

“It’s papier-mâché,” she says with a nod. “Well, really the loggerhead is still the same technique. It’s true of all these pieces. It’s the outer coating that makes the difference. The others (the birds) around it are made out of a two-part epoxy compound. The reason I work in that rather than the papier-mâché, which it is wonderful in terms of being nice and light, is that the epoxy is heavier, so it can go outside. That was the first thing people asked me … ‘can they go outside?’”

Richardson has to work fast, since the material dries so quickly.

“… in about an hour, so I have to work on little pieces at a time,” she says.

But she’s certainly mastered that approach. Richard’s pieces are highly-sought, appearing as they are this day, in regional galleries. The JIAA is about two hours from her home in Hilton Head, S.C. Still, she makes frequent

trips, most recently showcasing her work along with photographer Carol Ann Wages and painter Susan Yoder, in an exhibition titled, “Coastal Transcendence.”

That’s a theme that she keeps close to hear heart. The work she creates helps both collectors and viewers push past their daily lives and enter a space of compassion and connection. That, she feels, is es pecially important to help ensure these animals and their ecosystems survive.

“We take for granted that they’re always going to be there. But that’s certainly not the case,” she says.

• To learn more about Kelly Anderson and her work, visit akellyrichard-sculpture.com.

Art The

Abstract:

A German Artist Shares her Genius of the

Sunlight spilled into the studio, pooling on the canvas. Behind the table, Ute Kleemann-Sportschuetz is pondering her next move.

“I start with the colors. With this painting, I want to put a bird in here. But I have no idea where it goes. I’m waiting for it to tell me,” she says, studying the canvas, awash with yellows, blues, and pinks.

Waiting for a painting to give up its secrets can take time, but Ute is patient. And she keeps her mind open for inspiration, which can often strike without warning.

“I cannot paint every day because I need that click,” she says, snapping her fingers.

Recently, that jolt came from a trip to Japan. Ute, her husband, Martin, and some friends traveled through the country, where she soaked up all the colors and lines.

“It’s very organized, which I love, because I’m very organized,” she says with a laugh.

Ute collected pieces of Japanese writing, which she incorporated into a mixed-media painting upon her return. The script proved a perfect pairing with her shades of blue and green. But that’s not the only inspiration she found.

“At one restaurant, they brought out this platter with all these different kinds of food in these little boxes. I just stared at it because it was so beautiful … the colors and presentation was so beautiful. Food can be art, too,” she says.

Most things in Ute’s life are. She recently embarked on a major project, building a house, where she oversees all of the design elements.

“That’s the biggest thing I’m doing now,” she says.

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Her path to becoming an artist — be it abstract or architect — began in a different way. A native of Stuttgart, Germany, she spent her early years as a springboard diver. Ute excelled at it, qualifying for her nation’s Olympic team multiple times, though she never actually competed in the games.

“Since (the country) didn’t have much money to compete, they wanted to take divers who could do different lengths, and I was a 3-meter diver,” she says. “They (only) took the people who could do (both) 3 and 10 meters.”

After she stopped competing, Ute worked as a coach, where she met her husband, Martin. The two went on to have a daughter, Tina, who lives on St. Simons Island, and a son, Tim, who lives in Vancouver, Canada.

“Tina actually sponsored our Green Card when we came here in 2015. I got my citizenship in 2022. We just love it here,” she says.

Of course, she’s been a true citizen of the world. The couple lived in Dubai for a decade. She also lived in Bombay, India.

“I love to be open to other countries, new people, cultures, and experiences. It enriches my life by broadening my perspectives and fostering understanding.”

“I loved it there, too,” she says.

It may be her artistic heart that allows her to blend into cultures, much in the way she mingles colors in her studio. It seems to speak without words. Her first real engagement in the Golden Isles art scene came when she passed another local painter and sculptor, Kevin Pullen, on a St. Simons beach. At the time, the two didn’t know that they shared that particular artistic passion.

“He was walking with his wife and his children, and I stopped him and said, ‘Oh, you have the most beautiful children.’ Then, we started talking, and I invited them back to the house for a glass of wine,” she recalls.

The two went on to form a close friendship, hosting joint art exhibitions with their paintings and Kevin’s sculptures.

“He is just great,” she says, with a grin.

These days, Ute continues to paint alongside her home design work. She’s creating more pieces for upcoming shows to accompany the work she displays in local galleries, like Glynn Visual Arts and Goodyear Cottage, home of the Jekyll Island Arts Association.

“I also have some pieces in my friend Xelle Bartoux’s shop,” she says.

Whatever the work and wherever its displayed, her art seems to be celebrating the free flow of life. That’s true whether it’s creating an abstract painting, visiting a new country, or meeting a new friend on the beach.

“I love to be open to other countries, new people, cultures, and experiences. It enriches my life by broadening my perspectives and fostering understanding,” she says.

“It offers fresh inspiration by introducing me to diverse ways of thinking, living, and creating, ultimately enhancing my own growth and creativity.”

• To learn more about Ute and her work, visit utesart.com.

Relaxed, never rushed, and always at your convenience.

Woven colors swirled in Tresena Bowe’s arms as she braced the door with her back. Careful not to drop the baskets, she stepped into Makers BWK. The marketplace and artistic hub at the end of Newcastle Street in downtown Brunswick boasts space for dozens of local and international artists.

Kathy Brooks, the matriarch of Makers BWK, approached as Bowe placed the items on one of the long communal tables dotting the room.

“Hey T,” she says, reaching out to offer her a pat on the shoulder. “How are your arms?”

“They’re dead,” Bowe answers with a laugh and a nod.

It’s been a busy time for her. She is working to prepare her own spot in downtown Brunswick — Brown Butter Shoppe at 1304 Gloucester Street — which opened in early August.

“I’ve been painting, getting ready to open,” she says, arranging the baskets on the table.

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The new location will showcase many items she’s been curating for Brooks’ Makers storefront. There’s the line of oils — Jamaican organic castor, grape seed, jojoba, hemp along with other oils and gels. Bowe also has a line of hand-woven raffia baskets, Bolga baskets, headbands, fabrics, and aprons, which she imports directly from Africa.

The process started in 2020, when she needed a project during the dark days of the coronavirus pandemic.

“We had all that extra time, and I had time to think about our community. I love colors, and on the coast, we tend to have a lot of neutrals … blue, tans, whites, which are beautiful, but I wanted to offer something else,” she says.

“I started looking around for things that I could make a collection of and also support Black artisans in Africa. I looked around for fair trade options to get into partnerships to sell some things that are near and dear to my heart, but to sell them locally, in our historic district.”

Bowe connected with some wholesalers there but also found a group of weavers working out of a church in a town called Bolgatanga in Ghana.

“They host discipleship, and the ladies weave baskets. This economic opportunity allows them to send their children to school. It is through Life-way Chapel,” she explains. “It’s truly a fascinating and intricate process. It could take up to a week to make a full-size basket.”

Her vision is precisely the kind that speaks to Brooks’ heart. The two first connected in Haiti when Bowe was on a mission trip there in 2015. Brooks was living on the island while also working to support Hatian artists through her nonprofit Second Story Goods.

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“Kathy and I met when I was on a mission trip in Haiti. She hosted Community Church, and that’s where we met. Of course, now she’s back stateside, and it’s amazing to see her doing this here,” she says, gesturing to the room and its many artistic offerings.

“I ended up getting this station, and it did really well. People have been able to experience the culture and ask questions about these traditional products. That’s how I ended up with my own store. It’s been a great launching pad.”

That certainly was Brooks’ goal when she opened the doors of Makers BWK, at 1214 Newcastle Street in October of 2023. It functions as an artistic center, where patrons can enjoy classes like sewing or paint-and-sip events. They have hosted events ranging from writing workshops to line dancing. There’s also a cafe situated in the back.

But the storefront itself is the heartbeat of Makers. Brooks has brought in 20 artists from familiar local talent, like painter Mandy Thompson, to area poets, jewelry designers, and soap makers.

“Every one of them is so amazing. I could tell stories about each one of them and go on and on about how special they are,” Brooks gushes.

Image provided by Steve Kendall Photography

There is a station for her Second Story Goods items, made by her partners in Haiti, and there are several other global groups she’s enlisted to add options and depth. The common denominator is that the sale of these items goes to support those who made them, many of whom would be destitute without the income.

“Twenty years ago, we went to Haiti and had the experience of meeting people who had to put their children in orphanges because they couldn’t support them. No one wants to do that. What these women want is a job,” she says. “I knew I wanted to try to do something to help them.”

So, without any formal business training, she made it her mission to create those jobs. Brooks, her husband, and daughter, moved to Haiti in 2011. The family lived in Gonaïves and connected with a group of women living near the city’s dumping ground. Together, they scoured the trash to find pieces of glass and ceramics that they could transform into jewelry.

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Second: Butternut squash soup with sage buttered shrimp

Third: Rosemary garlic pork chops or Honey broiled salmon with parsnip puree

Closer: Pumpkin pound cake with homemade Evan Williams eggnog ice cream

WCK teams are on the ground throughout the world to get much-needed meals to food- challenged people living in humanitarian crises.

Call now or visit our website to schedule a no cost review of your options!

26 Coral Park Way Brunswick, GA 31520 (912) 265-6909 coastalbenefitsinc.com

“That same group of women is still making the Giving Angels that we have here today. I can’t keep them in stock … not just here but also in our warehouse,” she says.

“Primarily, Second Story Goods is a wholesaler but we have them here.”

After moving back to the states four years ago, Brooks wanted to set up a retail space where she could feature her Haitian-made products, but also draw in local and other international artists.

“Now, we work with a group of women in South Africa. The company is called, Not I But We. It’s an amazing group of women who are working to rebuild their lives after being sex trafficked,” she says, picking up one of their headbands.

“We have some bags coming, too. We have a collection from Wahawka, Mexico. The weaving just blows my mind. We also work with a group in India.”

For Brooks, the ability to showcase these artists is a true blessing. Not only are shoppers able to buy unique, hand-made items, but through those purchases they’re literally changing lives.

“I hate being dramatic, but it is this dramatic … it’s humans not starving. It’s children not going to orphanages. We all want to vote for that. But how do we actually do that? How do we put our caring into action? It’s by buying things from them,” she says, her voice quaking. “It’s a very big deal. The impact is so much bigger than you imagine.”

• To learn more about Makers BWK, visit makersbwk.com .

The Archipelago

of Near and Far

A Romanian artist shares her perspective

SORINA SUSNEA

WORDS BY

PHOTOS BY SORINA SUSNEA AND POSH SOUTH PHOTOGRAPHY

Living in the Golden Isles, crossing the Sidney Lanier Bridge feels like traversing the fossilized backbone of a prehistoric whale. Each time I ascend to its peak, I marvel at the way it frames the sky, like an ethereal gateway, and imagine crossing from one golden paradise to another.

This steel cable bridge, the longest in Georgia, casts a profound shadow over the Brunswick River, extending into the green-gold lushness of the salt marshes. The tide’s relentless ebb and flow rejuvenate the marshland, echoing humanity’s timeless migrations, moving with similar purpose and passion across millennia.

I hail from a city of poets — Iași, where Mihai Eminescu, Romania’s Walt Whitman, spun his verses among the linden trees. His poetry, rich with the scent of linden blossoms, the murmur of our ancient dense forests, and tales of empires marching through, is deeply tied to Romanian folklore, history, and national identity.

Here in Georgia, the marshes, with their reeds and waters

carry a similar poetry, though their song is different — the eclectic sound of cicadas, the whisper of tides, the call of unseen birds. I often wonder what Eminescu would make of this sun that blazes through the wide, aching oak trees, their Spanish moss, draped like shadowy weeping willows at dusk. Would he expand his verse to every blade of these wild grasses? Would he root his poetry deeply in the American experience and its diverse cultural landscape?

In these foreign surroundings, I strive daily to find meaning and inspiration for my art. The soft but steady rhythm of our marshland landscape mirrors the idea that a life without intense examination or striving can be just as rewarding and meaningful. Amidst the whispers of the marshes and the sighs of the sea, I promised myself to celebrate what shines in this light without dismissing it as charmingly lightweight and to account for what lies beneath the surface. I aim to see the landscape the way whirligig beetles do — simultaneously above and below the water. In my new ethos of observation, the landscape soon revealed its present beauty — the transitory sublime of flickering light in the foam of the

waves right before they break into a soft thunder and a lingering hush.

In my studio, I capture these impressions, creating the series “Archipelago.” This work explores the concept of interconnectedness, where islands symbolize the intricate web of human relationships. Each piece reflects on how individual lives, like islands, are bound together by unseen forces beneath the surface.

My journey to the Golden Isles wasn’t a straight line, but then again, whose is? Our revolution of 1989 brought a decade of chaos and uncertainty. When I expressed my choice to apply to art school and make it a career, I recall my mother’s tongue-in-cheek reply: “Well, at least that will explain why your fingernails are always dirty.”

Later, when I asked why she never tried to deter me from this path, she said, “When I saw you waking at 4 a.m. to paint and working till nightfall, I felt no human could stop you. Because of this, I didn’t worry. I did think you would at least master the fine art of not getting paint all over yourself, if nothing else.”

My formal introduction to art began at George Enescu University, where I trained as a classical painter, earning a bachelor’s degree. The transition from communism to democracy was slow and trying for our society, and I, like many of my contemporaries, found myself adrift. Unlike many of them, however, I threw caution to the wind, taking a chance and alighting at the University of South Florida in Tampa, where I earned my master’s of fine art. In the two decades since, fortune has gifted me an awesome husband and an exquisite daughter, moving us up and down the Eastern U.S. Coast, bringing us at last to the peaceful ease of Brunswick in 2018.

Among all I love about the Golden Isles, nothing beats the seemingly endless sandy beaches where I can lie back, close my eyes, and pretend all

my problems have washed out with the tide; the sight of salt marshes dotted with egrets and herons, making you feel like you’ve stepped into a watercolor painting; people-watching on the St. Simons Pier, where local fishermen swap stories that are half fish and half fiction. The longer I live here, the more I see parallels with my Romanian roots. It’s not just the slow pace or the melodic accent but a deeper resonance that speaks to the artist within me. Living as an artist is romanticized, but my reality blends joy and struggle, moments of clarity, and stretches of uncertainty. Artistry for me was an inevitability, as inescapable as the tide pulling out to sea. These beliefs are often built on what art is for: to guide us toward experiences that conserve our energies for what is more edifying and worthwhile in life.

The unknown beneath the surface is powerful and vast. It is comforting to know that, just like people, islands are not as isolated as they appear on the surface. In their longing for belonging, in the depths of the water, they connect with each other and with the mainland. In the end, art is not just about what we create, but about how it shapes us and connects us to the world.

• To learn more and view Susnea’s work, visit sorinasusnea.com.

JACKSON SCHROEDER

WORDS

BY LINDSEY ADKISON | PHOTOS BY MICHAEL HALL

IIt was a typical First Friday. The parks were packed. The bands were jamming. The drinks … flowing.

But normality came to a screeching halt as the last guitar pangs from Switch Hitters rang out and the first few notes of “Nessun Dorma” rose. Jekyll Square came to a standstill with Jackson Schroeder front and center, delivering the aria from Giacomo Puccini’s opera “Turandot.”

It was an unexpected turn of events, especially considering Jackson was playing with a rock band just moments before. But many things about this virtuoso may come as a surprise.

At just 24 years old, he earned a bachelor’s degree in music (voice performance, classical) from Boston Conservatory at Berklee in Massachusetts.

“I just finished my master’s of music in opera and performance from McGill in Montreal, Canada, in December. I finished in a year and a half,” he says.

His courses were rigorous, too. They included various language studies, which are handy considering opera is primarily in Italian, German, French, and Russian.

“You would also take repertoire classes, which would help you pro-

nounce it and speak it semi-fluently,” he says. “I was in Austria a couple of times. I was there last summer for a program … for about five weeks. I performed as this American guy singing in German for a fully Austro-German crowd.”

He received a standing ovation.

“It was like, ’Wow, you guys are standing.’ It was amazing,” he says, shaking his head in disbelief. While he’s a newly-minted master’s graduate, Jackson’s musical aspirations go back much further — to his childhood.

“My parents love punk rock, any kind

of music really … when we were in the car, and anything with a harmony came on, I would harmonize with it.

My dad thought there was an extra speaker in the car,” he says. “This was when I was about 3.”

Over the next few years, the family moved around quite a bit, following father Keith Schroeder’s career as a chef. The family of four lived in Georgia, New York, Vermont, and California. But all the while, it was becoming increasingly clear that Jackson’s musical talents were truly exceptional. He has what’s known as “perfect pitch,” an uncanny ability to distinguish notes.

“It’s the creepiest thing. It’s a blessing and a curse,” he says with a giggle, picking up a glass and thumping it. “That’s a C.”

He started choir classes while also practicing piano and guitar. And it became clear that he was destined for a career in music. Well, music and food.

The four members of the Schroeder family put down roots on the Georgia Coast. They opened Schroeder’s Market in downtown Brunswick right as the pandemic began to wane.

“(My parents) had left the ice cream business and wanted to get something started. They were so inspired by the community. It was post-COVID, and people wanted to have stuff back,” he said. “They wanted that culture of grabbing a burger or getting a drink … really just talking to people.

People wanted to see each other again. We just wanted to be a beacon for the community … a place to talk and enjoy one another.”

Since graduating and moving back to Brunswick, Jackson is co-owner and manages the family’s latest venture — SchroGlo Community Restaurant and Bar. He’s also starting to brainstorm his next musical move.

“I didn’t take a gap year or anything, so I decided to just come home for a while. Plus, I missed my family,” he says.

He’s performed a concert at Christ Church Frederica and is looking for-

ward to sharing opera more often. “Opera is one of those things that isn’t heard that much in a place like this, but when it’s heard, it’s mind blowing,” he says.

Whenever (and wherever) he takes the stage, he keeps a favorite quote in mind — “we don’t perform to impress; we perform to inspire.”

“I channeled that at First Friday. I had nothing to worry about. My voice was going to do the work, and whatever happened, happened. If I can make one person interested in opera in the crowd, then I can die happy,” he says.

ALPHA KAPPA ALPHA MARKS 70TH ANNIVERSARY

The sisters of Alpha Kappa Alpha celebrated the 70th anniversary of their charter. The historically Black sorority’s Zeta Iota Omega chapter was chartered in 1954 in Brunswick. The milestone was celebrated with a soirée at Old City Hall in Brunswick. There was music, food, and dancing.

Betty McKenzie, left, and Mary Givens

Charlie Atkinson, from left, Felicity Littles, Jacqueline Bryant, and Shirley Douglass

Shanetta Reid, from left, Tracy Green, and Shane Kirkland

Dr. Keenya Mosley, Ungenetta Green, Brandi Whitfield, Janel Holland, Felicity Littles, Jackie Bryant, Tracy Green and Shakela Martin

Tamika Blake, left, and Danielle Jefferson

Silvia Gasque, from left, Jordan Robinson, Tangela Robinson, and Tasha Gardner

Dr. Sabrina Nixon, from left, Dr. Keenya Mosely, Brandi Whitfield, Joycely Fuller, Michaela Walker, and Monyca Harper

Iris Waye, from left, Rosa Waye, Gloria Multinoo, and Carol Roundtree

Janel Holland, from left, Felicity Littles, and City Commissoner Kendra Rolle

JEKYLL ISLAND ARTS ASSOCIATION’S SHOW

The Jekyll Island Arts Association recently hosted an opening reception for photographer John Valadas at Goodyear Cottage in the historic district. He showcased a number of his wildlife photos as well as his book. For information on upcoming shows, visit jekyllartists.com.

Carol Hodges, left, and Denise Lutz

Jeanne Pescitelli, left, and Bob McCannmon

John Valadas, left, and Tamera Hiott

Lisa Kent, left, and Lainie Addessi

Steven and Donna Greenberg, from left, Bonnie Manning, and Ann Goulart

ST. SIMONS ISLAND FOURTH OF JULY CELEBRATION

St. Simons Island held its annual Independence Day celebration on July 4th. Known as the Sunshine Festival, it included a 5K r ace, a golf cart parade, and a fireworks display at dusk. Area resta urants and shops also stayed open to accommodate guests on the busiest day of the year for the tourist destination.

Diane Schward, left, and Jeff Cole

Sandra Wentworth, from left, Grace Wentworth, Anne Marie Wentworth, and Kitty Keadle

Bailey Johnson, from left, Avri Harbin, and Brandy Howard

Joyce Piper, from left, Kirk Piper, Cathy Powers, and Charlie, center

Taylor, Grady, Wells, and Morgan Barker, from left, Molly and Fisher Strickland, and Sarah, Evelen and Kip Evans

David Wentworth, from left, Tim Keadlle, and Jake Wentworth

Jan Wildsmith, from left, Melody Wood, and Vicki Nichols

Kathy and Glenn Lewis

Scott, Gizele, and Skyler Clifton, from left, and Dita and Elias Markhini

The Golden Isles Penguin Project recently staged its annual production at the Ritz Theatre in downtown Brunswick. This year, the show was “The Music Man Jr.” It was the eighth incarnation of the local program, which features actors with special needs aid ed by mentors. To learn more, visit goldenislesarts.org.

GOLDEN ISLES DENTAL ASSOCIATES

Ashley Franklin, from left, Beck Flowers, and Brantley Kate Jon es

Drew and Mandy Thompson Faith Willis, left, and Carol Harris

Kira Browning, from left, Will Ours, Jonahtan Wade, Daniel Jack son, and Brantley Kate Jones

Myelle Pierre, Chantal Pierre, and Amarii Pierre

Rosie Ozaki, left, and Robin Blackwell

ST. SIMONS AFRICAN AMERICAN HERITAGE COALITION HOSTS TASTE OF GULLAH

The St. Simons African American Heritage Coalition hosted its annual Taste of Gullah at the Harrington Schoolhouse. The fundraiser for the historic building included a number of tasting stations featuring samplings of traditional Gullah cuisine. There was also a performance by the Gullah Geechee Ring Shouters. For details, visit ssiheritagecoalition.org.

Avery Burns, left, and Celeste Kruger

Elwin and Barbara Smith, from left, Trudy Cuthbert, and Dwana Prince

Linda Gibson, seted from left, Rosetta Lewis, Andrea Williams, and Pam Tillman, standing

Ayanay Ferguson, left, and Andre Turner

Sherry Whitesidefrom left, and Clara and Francis Bedi, and Lee Whiteside

Nancy Kitchin, from left, Mary Cameron Kitchin, Eric Berge, and Dave Kitchin

Mary Wray, left, and Mary Helan Turner

Corey Cauldwell, standing, and Queen Cauldwell

Southeast Georgia Physician Associates is excited to bring our patients the convenience of online appointment scheduling. Whether you’re at home, work or even on vacation, you can schedule your appointment – anytime, anywhere! Available at our primary care practices. For more information, visit sghs.org/schedule.