13th Annual Golden Trailer Awards Program Book (2012) by Trailer Central

WELCOME

Best Action n o m i n e e s

GI Joe: Retaliation “Teaser”

Paramount Pictures AV Squad Editor: Brian Solomon Producer: Ashley Sewell Music Supervisor: Angel Mendoza Creative Director: Chad Miller Client: Erik Counter

The Hunger Games “Trailer 2”

LIONSGATE Mojo LLC Creative Director: Michael Kahane (Mojo LLC) Editor/Producer: Markus Wernig (Mojo LLC) Jr. Producer: Anne Elyse Kahane (Mojo LLC) Music Supervision: Holly Hung (Mojo LLC) Graphics: Carey Conley (Mojo LLC) Finishing: Doug Salkin (Mojo LLC)

Mission: Impossible – Ghost Protocol “Trailer 1”

Paramount Pictures AV Squad Editor: Kevin Childress Producer: Ashley Sewell Graphics: Ralf Leeb, Jeff Smith Creative Director: Chad Miller Client: Amy Mastriona

Sherlock Holmes: A Game of Shadows “Collide”

Warner Bros. mOcean SVP, Creative Advertising: Christian Davin (Warner Bros.) Producer: Scott Goldman (mOcean) Editor: Jay Bender (mOcean) Graphic Artist: Russ Honican (mOcean)

Snow White and the Huntsman “Forever”

Universal Pictures Wild Card Head of Creative Advertising: Maria Pekurovskaya (Universal Pictures) Manager of Creative Advertising: Jeanne LeSaffre (Universal Pictures) Creative Director: Nick Temple (Wild Card) Producer: Justin Slobig (Wild Card) Producer: Steve Hull (Wild Card) Editor: Evan Colfer (Wild Card) Copywriter: Maria Pekurovskaya (Universal Pictures) 2

The

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Best A nimation /Family n o m i n e e s

The Adventures of Tintin: The Secret of the Unicorn

Columbia/Paramount Ignition Creative Editor: Ben Snyder (Ignition Creative) Producer: Spencer Kaplan (Ignition Creative) Creative Director: Martin Kistler (Ignition Creative) Executive Vice President Int’l Creative: Ignacio Darnaude (Sony Pictures International) Executive Vice President, Creative Advertising: Amanda Edwards (Paramount Pictures)

Hugo “Imagine,”

Paramount Pictures The Ant Farm CMO: Josh Greenstein (Paramount Pictures) EVP, Creative Advertising: Erik Counter (Paramount Pictures) Executive Director, Creative Advertising: Susan L. Bennett (Paramount Pictures) Creative Director: Michelle Jackino (The Ant Farm) Editor: Brian Rainman (The Ant Farm) Graphics: Deva Studios

Madagascar 3: Europe’s Most Wanted “Trailer 1”

Paramount Pictures TRANSIT Chief Marketing Officer: Josh Greenstein (Paramount Pictures) VP of Creative Advertising: Scott Fleisher (Paramount Pictures) Creative Director: Michael Andolina (TRANSIT) Creative Director: Shawn Yashar (TRANSIT) Director of Music: Jordan Silverberg (TRANSIT) Editor: Kevin Flynn (TRANSIT) Copywriter: Seth Brown (TRANSIT)

Mirror Mirror “Beyond Imagination”

Relativity Media Trailer Park Client: Tracy Pollard (Relativity Media) Creative Director: Matt Brubaker (Trailer Park) Producer: Lonnie Snell (Trailer Park) Copywriter: Mark Trux, Michael Berlly (Trailer Park) Music Supervisor: Bobby Gumm (Trailer Park) Editor: Ellen Dimler (Trailer Park)

The Muppets “Their Movie”

Walt Disney Studios Motion Pictures Buddha Jones Animation Marketing Brand Lead/Creative Director: David Sameth (Walt Disney Studios Motion Pictures) Producers: Steven Robertson, Krystle Lafond (Buddha Jones) Editor: Steven Pinto (Buddha Jones) Copywriter: David Sameth (Walt Disney Studios Motion Pictures) Copywriter: Steven Robertson (Buddha Jones) Art Director: Beth Roy (Buddha Jones) Graphic Designers: Mariko Ishishara, Balinda Huang, Jason Liwag (Buddha Jones) 4

The

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Best Comedy n o m i n e e s

Bernie

Millennium Entertainment Cimarron Entertainment Producer: Danielle Pullman (Cimarron Entertainment) EVP Worldwide Marketing: Brooke Ford (Millennium Entertainment) VP Creative Advertising: Brian Tidmore (Millennium Entertainment) Editor: Eric Netzley (Cimarron Entertainment) Senior Vice President, Worldwide A/V: John Zaffarano (Cimarron Entertainment) Writer: Wayne Drake (Cimarron Entertainment)

Bridesmaids (Red Band Trailer)

Universal Pictures Workshop Creative Creative Director: Rob Myers (Workshop Creative) EVP, Head of Advertising: Maria Pekurovskaya (Universal Pictures) SVP, Creative Advertising: Jackson George (Universal Pictures) Editor: Becky Pagan

Rock of Ages

Warner Bros. Mojo LLC Creative Director/Producer/Writer: Jeff Lamont (Mojo LLC) Editor: Chris Nesheim (Mojo LLC) Producer: Barton Diffee (Mojo LLC) Finishing: Doug Salkin (Mojo LLC) Marketing Executive/Creative Director: Michael Jones (Warner Bros.)

Ted â&#x20AC;&#x153;Trailer 2â&#x20AC;? (Red Band)

Universal Pictures Vibe Creative, Inc. Senior Vice President, Creative Advertising: Jackson George (Universal Pictures) Senior Vice President, Creative Advertising: Patrick Starr (Universal Pictures) Manager, Creative Advertising: Jennie Wilkes (Universal Pictures) Executive Creative Director: Paul Holtzhausen (Vibe Creative, Inc.) Creative Director: Nicholas Weiss (Vibe Creative, Inc.) Executive Producer: Ann Mugglebee (Vibe Creative, Inc.) Producer: Craig Dobbs (Vibe Creative, Inc.) Producer: Jason Branta (Vibe Creative, Inc.) Associate Producer: Jackie Thomas (Vibe Creative, Inc.) Editor: Alex Flores (Vibe Creative, Inc.) Graphics: Helen Greene, Executive Creative Director (Greenhaus GFX)

Tucker & Dale Vs. Evil

Magnet AV Squad Editor: Tommy Malatesta (AV Squad) Producer: Scott Edwards (AV Squad) Writer: Jimmy Chiocchi (AV Squad) Writer: Eric Lichtenfeld (AV Squad) Graphics: Jeff Smith (AV Squad) Client: Matt Cowal (Magnet)

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Best Documentary n o m i n e e s

Bully

The Weinstein Company AV Squad Editor: Brendan Lambe (AV Squad) Producers: Scott Edwards, Dan Wetherbee (AV Squad) Writer: Jimmy Chiocchi (AV Squad) Graphics: Brett Pedigo (AV Squad) Client: Jeff Elefterion (The Weinstein Company)

Dreams of a Life

Soho Moon Picture Production Company Editor: Carrie Skinner (Picture Production Company) Creative Director: Dan Skinner (Picture Production Company)

George Harrison: Living in the Material World

Grove St. Prod. The Ant Farm Client: Grove Street Pictures Client: Spitfire Pictures Client: Sikelia Pictures Writer/Producer: Michelle Jackino (The Ant Farm) Editor: Brian Rainman (The Ant Farm)

Rebirth

Oscilloscope Zealot Productions Inc Editor: Justin Edwards Producer: Andrea Weeks Copywriter: Patrice Donnell Graphic Designer: Jake Zucker Creative Director: Mark Berridge Client: Dan Berger

Something From Nothing: The Art of Rap

Indomina Media Anthony James Productions Copywriter: Anthony James (Anthony James Productions) Editor: Jon Bertain (Anthony James Productions) Motion Graphics Designer: Lauren Fisher VP, Creative and Consumer Marketing: Amy Tu (Indomina) Creative Marketing Director : Lauren Fisher (Indomina)

The

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Best Drama n o m i n e e s

Extremely Loud and Incredibly Close

Paramount/Warner Bros. Mojo LLC Creative Director/Producer/Writer: Jeff Lamont (Mojo LLC) Creative Director/Producer/Editor: Dave Yocum (Mojo LLC) Editor: Chris St. Pierre (Mojo LLC) Music Supervisor: Holly Hung (Mojo LLC) Finishing: Doug Salkin (Mojo LLC) Marketing Executive/Creative Director: John Stanford (Warner Bros.)

The Girl With the Dragon Tattoo

Sony Pictures Mark Woollen & Associates Creative Director: Mark Woollen (Mark Woollen & Associates) Producer: Scott Mitsui (Mark Woollen & Associates) Editor: Chad Misner (Mark Woollen & Associates) Graphic Designer: Neil Kellerhouse (Kellerhouse, Inc.) Client: David Singh, EVP Creative Advertising (Sony Pictures)

The Ides of March

Sony Pictures Mojo LLC Client: Bill Loper (Sony Pictures) Producer: Barton Diffee (Mojo LLC) Editor: Chris Nesheim (Mojo LLC)

The Iron Lady

The Weinstein Company AV Squad Editor: Dan Wetherbee Producer: Scott Edwards Writers: Jimmy Chiocchi, Louis Spiegler Graphics: Brett Pedigo Client: Jeff Elefterion

Tinker, Tailor, Soldier, Spy,

Focus Features Mark Woollen & Associates Client: Myles Bender, SVP Creative Advertising (Focus Features) Creative Director: Mark Woollen (Mark Woollen & Associates) Creative Director: Myles Bender (Focus Features) Producer: Scott Mitsui (Mark Woollen & Associates) Editor: Matt Lian (Mark Woollen & Associates) Graphic Designer: Greg Brotherton (Mark Woollen & Associates)

The

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Best Horror n o m i n e e s

Chernobyl Diaries

Warner Bros. AV Squad Editor: Adrian Kays (AV Squad) Producer: Dan Wetherbee (AV Squad) Graphics: Loren McNames (AV Squad) Client: Christian Davin (Warner Bros.) Client: Richard Ingber (Alcon Entertainment)

The Devil Inside “Who”

Paramount Pictures Buddha Jones President, Creative Advertising: Josh Greenstein (Paramount Pictures) EVP, Creative Advertising: Amy Mastriona (Paramount Pictures) Executive Director, Creative Advertising: Abbie Wisdom (Paramount Pictures) Editor: Bill Neil (Buddha Jones) Producers: Bill Neil, Dan Asma (Buddha Jones) Copywriters: Steven Robertson, David Cassada (Buddha Jones)

The Pact – UK Trailer

Eone The Editpool

Paranormal Activity 3 “Where”

Paramount Pictures Buddha Jones President, Creative Advertising: Josh Greenstein (Paramount Pictures) EVP, Creative Advertising: Amy Mastriona (Paramount Pictures) Executive Director, Creative Advertising: Abbie Wisdom (Paramount Pictures) Producer: Bill Neil (Buddha Jones) Editor: Bill Neil (Buddha Jones) Copywriter: Steven Robertson (Buddha Jones) Art Director: Brad Berling (Buddha Jones) Graphic Designer: Jonathan Reyes (Buddha Jones)

The Woman in Black “Darkness”

CBS Films Buddha Jones VP, Creative Advertising: Eric Mickelson (CBS Films) Producer: Dan Asma (Buddha Jones) Editor: Bill Neil (Buddha Jones) Copywriter: John Foley (Buddha Jones) Art Director: Kim Tang (Buddha Jones) Graphic Designer: Joshua Hamilton (Buddha Jones)

The

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Best Independent n o m i n e e s

The Descendants

Fox Searchlight Larry Baldauf, Patrick Starr, Flavia Amon Acme Trailer Company Editor/Producer: Stephen Grzymala

Martha Marcy May Marlene Fox Searchlight Empire Design

Midnight in Paris

Sony Pictures Classics In Sync Advertising Co-President: Tom Bernard (Sony Pictures Classics) Co-President: Michael Barker (Sony Pictures Classics) VP, Post-Production & Technical Services: Allison Mackie (Sony Pictures Classics) Creative Director: Smitty (In Sync Advertising) Creative Director: Todd Philips (In Sync Advertising) Producer: Michael Earnhardt (In Sync Advertising) Editor: Jeff Farrow (In Sync Advertising) Motion Graphics Designer: Tommy Vuong (In Sync Advertising)

Copywriter: Michael Earnhardt (In Sync Advertising) Copywriter: Christopher Saint-Hilaire (In Sync Advertising)

Safety Not Guaranteed

Film District Jim Gallagher Copywriter: Jim Gallagher Acme Trailer Company Producer: Scott Walls Editor: Stephen Grzymala

Take Shelter

Sony Pictures Classics The Grossmyth Company Editor: Daniel Gross (Editor) Graphics: David Goldman (Graphics) Trailer Producer: Caddie Hastings, Daniel Gross (Trailer Producer) VP, Post-Production & Technical Services: Allison Mackie (Marketing Executive) Co-President: Michael Barker (Marketing Executive) Co-President: Tom Bernard (Marketing Executive)

The

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Best Music n o m i n e e s

Another Earth

Fox Searchlight Ignition Creative Creative Director: Goktug Sarioz (Ignition Creative) Producer: Carrie Wiltshire (Ignition Creative) Editor: David Herrera (Ignition Creative) Music Director: Natalie Baartz (Ignition Creative) Vice President, Creative Advertising: Patrick Starr (Fox Searchlight) Vice President, Creative Advertising: Flavia Amon (Fox Searchlight) Executive Vice President Creative Advertising: Larry Baldauf (Fox Searchlight)

The Intouchables

The Weinstein Company Wink Creative Editor & Creative Director: Matt Winch (Wink Creative) Producer: Jin Whang (Wink Creative) Client: Jeff Elefterion (The Weinstein Company)

The Muppets “The Pig With the Froggy Tattoo”

Walt Disney Studios Motion Pictures Buddha Jones Animation Marketing Brand Lead/Creative Director: David Sameth (Walt Disney Studios Motion Pictures) Composer: Miles Mosley Producers: Steven Robertson, Krystle Lafond (Buddha Jones) Editor: Michael Brodner (Buddha Jones) Copywriter: David Sameth (Walt Disney Studios Motion Pictures) Copywriter: Steven Robertson (Buddha Jones) Art Directors: Beth Roy/Kim Tang (Buddha Jones) Executive Music Producer: Mitchell Leib (Walt Disney Studios Motion Pictures) Executive Music Producer: Rhona Nici-Parry (Walt Disney Studios Motion Pictures)

Safe House “Domestic Trailer”

Universal Pictures Vibe Creative, Inc. Head of Creative Advertising: Maria Pekurovskaya (Universal Pictures) Manager, Creative Advertising: Jeanne LeSaffre (Universal Pictures) Executive Creative Director: Paul Holtzhausen (Vibe Creative, Inc.) Executive Producer: Ann Mugglebee (Vibe Creative, Inc.) Producer: Craig Dobbs (Vibe Creative, Inc.) Producer: Jason Branta (Vibe Creative, Inc.) Associate Producer: Jackie Thomas (Vibe Creative, Inc.) Editor: Dustin Fine (Vibe Creative, Inc.) Graphics: Helen Greene, Executive Creative Director (Greenhaus GFX)

The Watch “Teaser”

20th Century Fox Workshop Creative SVP, Creative Advertising: Jeff Schectman (20th Century Fox) Creative Director: Rob Myers (Workshop Creative) Editor: Ryan Chism Editor: Rodney Newman

The

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Best Romance n o m i n e e s

Like Crazy

Paramount Pictures Ignition Creative Editor: Charlotte Phillips (Ignition Creative) Producer: Spencer Kaplan (Ignition Creative) Creative Director: Martin Kistler (Ignition Creative) Vice President, Creative Advertising International: Jordan Park Peed (Paramount Pictures) Chief Marketing Officer: Josh Greenstein (Paramount Pictures)

The Lucky One “Find You”

Warner Bros. Open Road Entertainment Editor: Gordon Phillips (Open Road Entertainment) Producer: Richard Redfield (Open Road Entertainment) SVP Creative Advertising: Christian Davin (Warner Bros.) Graphic Designer: Sejal Pinkus (Open Road Entertainment)

One Day

Focus Features Empire Design

Ruby Sparks

Fox Searchlight Motive Creative Studio Creative: Larry Baldauf (Fox Searchlight) Studio Creative: Heather Artis (Fox Searchlight) Studio Creative: Flavia Amon (Fox Searchlight) Creative Director: Billy Mikelson (Motive Creative) Editor: Michele Manning Duane (Motive Creative) Graphics: The Ether

The Vow “Moments”

Screen Gems mOcean Producer :Josh Olson (mOcean) Editors: Thea Huang (mOcean)/Pablo Proenza (mOcean) Writer: Josh Olson (mOcean) Executive Director of Creative Advertising: Susie Shen (Screen Gems) EVP of Marketing: Loren Schwartz (Screen Gems) Graphic Artists: Vincent Trujillo/Lucas De La Torres (mOcean)

The

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Best Thriller n o m i n e e s

The Bourne Legacy Universal Pictures Empire Design

Colombiana

Sony Pictures Big Picture Entertainment Producer: Ryan Hegenberger (Big Picture Entertainment) Editor: Mike Mastrangelo (Big Picture Entertainment) Vice President, Creative Advertising: Trisha Hegeman (Sony Pictures) President, Worldwide Creative Advertising: Tommy Gargotta (Sony Pictures) Graphics: Dan Pierse (Framework Studio) Graphics: Jesse Hallas (Framework Studio)

The Grey “Teeth Redband”

Open Road Films Buddha Jones President of Marketing: Jason Cassidy (Open Road Films) SVP of Creative Advertising: Laura Carrillo (Open Road Films) Director of Creative Advertising: Jack Teed (Open Road Films) Producer: Brian Pianko (Buddha Jones) Editor: Chris Hawkins (Buddha Jones)

Safe House “Domestic Trailer”

Tinker Tailor Soldier Spy Studio Canal Empire Design

The

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Best Video Game Trailer n o m i n e e s

APB Reloaded “Be All You Can’t Be”

Gamers First and [a]list games Ayzenberg Group Owner/Creative Director: Eric Ayzenberg (Ayzenberg Group) Editor: Jon Menefee (Ayzenberg Group) Youtube Liasion: Seth Hendrix (Ayzenberg Group) Game Capture Artist: Justin Buell (Ayzenberg Group) General Manager: Steve Fowler ([a]list games) Public Relations: Meelad Sadat ([a]list games) Animation/Vfx: Steve Sikorski, Richard Castro (Ayzenberg Group) Account Executive: Tamara Johnston ([a]list games) Creative Director: Gary Goodman (Ayzenberg Group) Producer: Lauren Bentle (Ayzenberg Group) Copywriter: Clark Crozer (Ayzenberg Group) VP of Marketing: Rahul Sandil (GamersFirst)

I Am Alive “Launch Trailer”

Ubisoft Hammer Creative Creative Executives: Rob Alvarez, Christophe Malarmey (Ubisoft) Creative Director: Brett Hocker (Hammer Creative) Producer: Scott Hayman (Hammer Creative) Editor: Mike Berenson (Hammer Creative) Motion GFX Artist: Austin Anderson (Hammer Creative) Music Supervisor: Dane Short (Hammer Creative)

Resistance 3 “E3 Teaser”

Sony Computer Entertainment of America Create Advertising Group Editor: Phil Bucci (Create Advertising Group) Producer: Josh Weber (Create Advertising Group) Creative Director, Graphics: Jake Black (Create Advertising Group) Creative Director, Graphics: Jonathan Gitlin (Create Advertising Group) Graphics Producer: Dan Pfister (Create Advertising Group) Motion Graphics: Create Design LA (Create Advertising Group) Writer: Nora Jurasits (Create Advertising Group) Client: Michael Brynteson (Sony Computer Entertainment of America) Client: Anthony Calazzo (Sony Computer Entertainment of America)

Tomb Raider

Crystal Dynamics/Square Enix Ignition Creative Editors: Ben Snyder, Jason Pachomski (Ignition Creative) Creative Director: Goktug Sarioz (Ignition Creative) Global Brand Director: Karl Stewart (Crystal Dynamics) Chief Creative Officer: Ikumori Kazuyuki (Square Enix) Chief Creative Officer: Nozue Takeshi (Square Enix)

The Witcher 2: Assassins of Kings

Atari Platige Image Director: Tomasz Baginski(Platige Image) Script: Tomasz Baginski (Platige Image) Producer: Marcin Kobylecki (Platige Image) Producer: Piotr Sikora (Platige Image) Art and Animation Director: Maciej Jackiewicz (Platige Image)

The

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The Don L aFontaine Award for Best Voice O ver n o m i n e e s

To the Arctic “Journey”

Warner Bros. Aspect Ratio SVP, Creative Advertising: Amanda Edwards (Warner Bros.) Creative Director: Ben Andron (Aspect Ratio) Editor: Ron Rinker (Aspect Ratio) Voice Over: Meryl Streep

Arrietty “UK Trailer”

Studio Canal The Editpool

The Rum Diary “Strange”

Film District Buddha Jones Creative Director: Jeanne Berney (Film District) Creative Director: Steve Perani (Film District) Producers: John Long, Lee Harry (Buddha Jones) Editor: Jessica Dadon (Buddha Jones) Copywriters: David Cassada, Steven Robertson (Buddha Jones) Art Director: Beth Roy (Buddha Jones) Narrator: Johnny Depp

Trollhunter

Momentum Picture Production Company Editor: Jon Mesher (Picture Production Company) Writer: Alex Allston (Picture Production Company) Creative Director: Dan Skinner (Picture Production Company)

The

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Just like in film, we know all about big budget productions.

Congratulations to all the nominees and winners. Proud supporters of the Golden Trailer Awards.

Golden Fleece n o m i n e e s

Apollo 18 “Classified”

Dimension Films Aspect Ratio EVP Creative Advertising: Jeff Elefterion (Dimension Films) Creative Director: David Ligorner (Aspect Ratio) Editor: Kevin Conlon (Aspect Ratio)

John Carter

Walt Disney Studios Motion Pictures Ignition Creative Producer/Editor: Ben Snyder (Ignition Creative) Creative Director: Martin Kistler (Ignition Creative) Executive Vice President, Creative Advertising: Frank Chiocchi (Walt Disney Studios Motion Pictures)

Larry Crowne

Walt Disney Studios Motion Pictures Motive Creative Studio Creative: Frank Chiocchi (Walt Disney Studios Motion Pictures) Creative Director: Billy Mikelson (Motive Creative) Editor: Adrian Sainsbury-Carter (Motive Creative)

New Year’s Eve “One Night Domestic”

Warner Bros. Trailer Park Client: Christian Davin (Warner Bros.) Creative Director: Matt Brubaker (Trailer Park) Producer: Lonnie Snell (Trailer Park) Copywriter: Mark Trux (Trailer Park) Music Supervisor: Bobby Gumm (Trailer Park) Editor: Joan La Duca (Trailer Park)

W./E.

The Weinstein Company In Sync Advertising EVP, Creative Advertising: Jeff Elefterion (The Weinstein Company) Creative Director: Smitty (In Sync Advertising) Creative Director: Michael Earnhardt (In Sync Advertising) Editor: Jeff Farrow (In Sync Advertising) Copywriter: Christopher Saint-Hilaire (In Sync Advertising) Motion Graphics Designer: Tommy Vuong (In Sync Advertising)

The

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Most Original n o m i n e e s

The Bourne Legacy Universal Pictures Empire Design

Chronicle “Camera”

20th Century Fox Buddha Jones President & Chief Creative Officer, Domestic Theatrical Marketing: Tony Sella (20th Century Fox) Senior Vice President, Domestic Theatrical Marketing: Ely Orias (20th Century Fox) Producer: John Long (Buddha Jones) Editor: Bill Neil (Buddha Jones) Art Director: Jason Liwag (Buddha Jones)

Haywire “First Date”

Relativity Media Buddha Jones EVP, Creative Advertising: Tracy Pollard (Relativity Media) Producer: Brian Pianko (Buddha Jones) Editors: Dan Asma, Brian Pianko (Buddha Jones) Copywriter: Jason Chappelle (Buddha Jones) Art Director: Beth Roy (Buddha Jones) Graphic Designer: Balinda Huang (Buddha Jones)

The Muppets “The Pig with the Froggy Tattoo”

Walt Disney Studios Motion Pictures Buddha Jones Animation Marketing Brand Lead/Creative Director: David Sameth (Walt Disney Studios Motion Pictures) Producers: Steven Robertson, Krystle Lafond (Buddha Jones) Copywriter: David Sameth (Walt Disney Studios Motion Pictures) Copywriter: Steven Robertson (Buddha Jones) Editor: Michael Brodner (Buddha Jones) Art Directors: Beth Roy, Kim Tang (Buddha Jones)

The Pirates in an Adventure with Scientists (Band of Misfits) Sony Pictures Releasing Empire Design

The

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MEDIA NETWORKS

Congratulations to the winners of the 2012 Golden Trailer Awards.

See you at the movies!

Summer 2012 Blockbuster n o m i n e e s

The Avengers “Personal”

Walt Disney Studios Motion Pictures mOcean Editor: Jay Bender (mOcean) Creative Director: Adam Rosenblatt (mOcean) SVP/Creative Film Services: John Ibsen (Walt Disney Studios Motion Pictures) EVP/Creative Film Services: Frank Chiocchi (Walt Disney Studios Motion Pictures)

The Dark Knight Rises “Chant”

Warner Bros. Open Road Entertainment Producer: Richard Redfield (Open Road Entertainment) Editor: Jeff Davis (Open Road Entertainment) EVP Creative Advertising: Massey Rafani (Warner Bros.) Manager Creative Advertising: Brian Worsley (Warner Bros.) Graphic Designer: Blaise Hossain Graphic Designer: Sejal Pinkus (Open Road Entertainment)

GI Joe: Retaliation

Paramount Pictures AV Squad Editor: Brian Solomon (AV Squad) Producer: Ashley Sewell (AV Squad) Music Supervisor: Angel Mendoza (AV Squad) Creative Director: Chad Miller (AV Squad) Client: Erik Counter (Paramount Pictures)

Men in Black III

Columbia Pictures for Sony Pictures Entertainment The Ant Farm Editor: Brian Rainman (The Ant Farm) Vice President, Creative Advertising: Dianna Mannheim (Columbia Pictures for Sony Pictures Entertainment) Manager, Creative Advertising: Maddy Lasry Cohen (Columbia Pictures for Sony Pictures Entertainment) Creative Director: Andy Solomon (The Ant Farm) Main Title: Deva Studios Designer/Animator: Nahara Pacheco (The Ant Farm)

Prometheus “Not Alone”

20th Century Fox Wild Card President and Chief Creative Officer Domestic Theatrical Marketing: Tony Sella (20th Century Fox) Senior Vice President, Creative Advertising: Jeff Schectman (20th Century Fox) Creative Director: Nick Temple (Wild Card) Producer: Justin Slobig (Wild Card) Producer: Steve Hull (Wild Card) Editor: Nick Temple (Wild Card) Graphics: Andrew Purwo (Wild Card) The

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Trashiest Trailer n o m i n e e s

God Bless America

Magnet AV Squad Editor: Peter Geuther (AV Squad) Producer: Scott Edwards (AV Squad) Writer: Jimmy Chiocchi (AV Squad) Graphics: Ralf Leeb (AV Squad) Client: Matt Cowal (Magnet)

The Human Centipede 2

IFC Films Kinetic Creative Director/Editor Stephen Garrett (Kinetic) Marketing Director: Ryan Werner (IFC Films) Graphic Designer: Nate DeYoung Director: Tom Six

Knights of Badassdom

IndieVest Pictures AV Squad Editor: Adrian Kays Producer: Scott Edwards Writers: Jimmy Chiocchi, Alex Von David Graphics: Ralf Leeb, Jeff Smith Client: Mark Burton

Piranha 3DD

Dimension AV Squad Editor: Greg Krupka Producer: Scott Edwards Writer: Jimmy Chiocchi Graphics: Brett Pedigo Client: Jeff Elefterion

Tim and Eric’s Billion Dollar Movie “Redband”

Magnet/Magnolia Zealot Productions Inc. Editor: Justin Edwards Producer: Andrea Weeks Copywriter: Jason Byers Graphic Designer: Jake Zucker Creative Director: Mark Berridge Client: Matt Cowal

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Best Motion / Title Graphics n o m i n e e s

The Amazing Spider-Man “Domestic Trailer 2”

Columbia Pictures Greenhaus GFX/Create Advertising President, Worldwide Creative Advertising: Tommy Gargotta (Columbia Pictures) Executive Vice President, Creative Advertising: David Singh (Columbia Pictures) Main Title Design: Greenhaus GFX Interior Graphic Cards: Create Advertising Executive Creative Director: Helen Greene (Greenhaus GFX) Creative Director: Jason Doherty (Greenhaus GFX) Creative Director: Jake Black (Create Advertising) Lead Designers: Kevin Kolodinsky & Kyle Brosius (Greenhaus GFX) Lead Designer: Tres-e Tamondong (Create Advertising) Editorial: Executive Creative Director, Paul Holtzhausen (Vibe Creative, Inc.) Editorial: Executive Producer, Ann Mugglebee (Vibe Creative, Inc.)

Anonymous “Domestic Trailer 2”

Columbia Pictures Greenhaus GFX President, Worldwide Creative Advertising: Tommy Gargotta (Columbia Pictures) Vice President, Creative Advertising: Trisha Hegeman (Columbia Pictures) Executive Creative Director: Helen Greene (Greenhaus GFX) Creative Director: Jason Doherty (Greenhaus GFX) Lead Designers: Jess Marley & Kyle Brosius Executive Creative Director: Paul Holtzhausen (Vibe Creative, Inc.) Executive Producer: Ann Mugglebee (Vibe Creative, Inc.)

Haywire “First Date”

The Hunger Games “Trailer 1”

Lionsgate Mojo LLC Creative Director: Michael Kahane Editor/Producer: Markus Wernig Jr. Producer: Anne Elyse Kahane Music Supervisor: Holly Hung Graphics: Carey Conley Finishing: Doug Salkin

Snow White and the Huntsman “Domestic Trailer 2”

Universal Pictures Greenhaus GFX Head of Creative Advertising: Maria Pekurovskaya (Universal Pictures) Manager of Creative Advertising: Jeanne LeSaffre (Universal Pictures) Executive Creative Director: Helen Greene (Greenhaus GFX) Creative Director: Jason Doherty (Greenhaus GFX) Lead Designer: Kevin Kolodinsky (Greenhaus GFX) Editorial: Wild Card Creative Advertising 38

T he

1 3 th A nnual G olden T railer A wards

Best Sound Editing n o m i n e e s

Battleship

Universal Pictures Ignition Creative Producer/Editor: Ben Snyder (Ignition Creative) Creative Director: Martin Kistler (Ignition Creative) Sr. Vice President, Creative Advertising: Scott Abraham (Universal Pictures) Manager, Creative Advertising: Elizabeth Blalock (Universal Pictures)

George Harrison: Living in the Material World

Grove St. Prod. The Ant Farm Client: Grove Street Pictures Client: Spitfire Pictures Client: Sikelia Pictures Writer/Producer: Michelle Jackino (The Ant Farm) Editor: Brian Rainman (The Ant Farm)

Prometheus

20th Century Fox Skip Film

Silent House “Time”

Open Road Films Buddha Jones President of Marketing: Jason Cassidy (Open Road Films) SVP of Creative Advertising: Laura Carrillo (Open Road Films) Director of Creative Advertising: Jack Teed (Open Road Films) Producer: Bill Neil (Buddha Jones) Editor: Bill Neil (Buddha Jones) Copywriter: Steven Robertson (Buddha Jones)

The Woman in Black “Darkness”

The

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Babylon

The Solid State

Dancing in Jaffa,

Mighty Pictures for Tiara Blu and kNow Productions Producer: Charlie Sadoff (Mighty Pictures) Editors: Sasha Franklin, Nick Clark (Mighty Pictures)

One Direction: The Movie â&#x20AC;&#x153;Togetherâ&#x20AC;?

Create Advertising Group Producer: Ryan Lake (Create Advertising Group) Producer: Jillian Novak (Create Advertising Group) Creative Director: Carrie Gormley (Create Advertising Group) Editor: Jared Aucoin (Create Advertising Group) Editor: Gabe Goldstein (Create Advertising Group) Editor: April Gafni (Create Advertising Group) Producer, Graphics: Ryan Verseman (Create Advertising Group) Creative Director, Motion Graphics: Jonathan Gitlin (Create Advertising Group) Graphics Designers; Create Design LA (Create Advertising Group) Executive Director, Creative Advertising: Darryl Clift (Columbia Pictures) President, Worldwide Creative Advertising: Tommy Gargotta Columbia Pictures)

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Best Foreign Action n o m i n e e s

Detective Dee and the Mystery of the Phantom Flame

Indomina Media Anthony James Productions Copywriter: Anthony James (Anthony James Productions) Editor: Jon Bertain (Anthony James Productions) Motion Graphics Designer: Gary Breslin VP, Creative and Consumer Marketing: Amy Tu (Indomina) Creative Marketing Director : Lauren Fisher (Indomina)

Elite Squad: The Enemy Within Flatiron Red Circle, Inc.

Headhunters

Magnolia Pictures Kinetic Creative Director: Christy Wilson (Kinetic) Editor: David Klagsbrun (Kinetic) Marketing Director: Matt Cowal (Magnolia Pictures) Copywriter: Patrice Donnell Graphic Designer: Hiroshi Kumatani Director: Morten Tyldum

Point Blank

Magnet AV Squad Editor: Peter Geuther (AV Squad) Producer: Scott Edwards (AV Squad) Writer: Eric Lichtenfeld (AV Squad) Graphics: Ralf Leeb (AV Squad) Graphics: Brett Pedigo (AV Squad) Client: Matt Cowal (Magnet)

The Raid: Redemption

Sony Pictures Classics Kinetic Creative Director/Editor: Stephen Garrett (Kinetic) Marketing Director: Michael Barker (Sony Pictures Classics) Marketing Director: Tom Bernard (Sony Pictures Classics) Graphic Designer: Hiroshi Kumatani Director: Gareth Evans

The

13 th A n n u a l G o l d e n T r a i l e r Awa r d s

Best Foreign A nimation /Family n o m i n e e s

Arrietty “UK Trailer”

Studio Canal The Editpool

Brave “Japan Trailer”

Walt Disney Studios Motion Pictures mOcean VP, International Creative Marketing: Martha Morrison (Walt Disney Studios Motion Pictures) SVP, International Marketing: Ticole Richards (Walt Disney Studios Motion Pictures) Producers: Pam Postrel/Nicole Nicholas (mOcean) Editors: Chuck Weiss/Reeb Venners (mOcean)

Don Gato y Su Pandilla “Trailer 1”

Warner Bros. Mexico FIX COMUNICACION By the Fix Team

Don Gato y Su Pandilla “Trailer 2”

Warner Bros. Mexico FIX COMUNICACION By the Fix Team

The Secret World of Arrietty “Stand Tall”

Walt Disney Studios Motion Pictures Trailer Park Client: David Sameth (Walt Disney) Creative Director: David Sameth (Walt Disney) Producer: Destiny Esposito (Trailer Park) Copywriter: Devin Hawker Music Supervisor: Bobby Gumm (Trailer Park) Editor: Tim Peresie (Trailer Park)

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Best Foreign Comedy n o m i n e e s

The Decoy Bride

Cinema NX Create Advertising London Editor: Andy Lee (Create Advertising London) Producer: Hannah Rothman (Create Advertising London) Producer: Vijay Sodhi (Create Advertising London) Creative Director: Suneil Beri (Create Advertising London) Creative Director: Hannah Rothman (Create Advertising London) Head of Distribution: Gemma Spector (Cinema NX) Marketing Manager: Chris Dennis (Cinema NX)

A Few Best Men

Auburn Entertainment The Solid State

A Few Best Men

Icon Zealot Production Inc. Editor: Justin Edwards Producer: Andrea Weeks Copywriter: Jason Byers Graphic Designer: Jake Zucker Creative Director: Mark Berridge Client: Lisa Garner

The Intouchables

Senator TRAILERHAUS GmbH Editor: Rene Hoffmann (TRAILERHAUS GmbH) Editor: Jana Hennig (TRAILERHAUS GmbH) Copywriter: Wolf Hohl (TRAILERHAUS GmbH) Creative Director: Norbert Keil (TRAILERHAUS GmbH)

Two Little Boys

New Zealand Film Commission The Solid State

The

13 th A n n u a l G o l d e n T r a i l e r Awa r d s

Best Foreign Documentary n o m i n e e s

Anton Corbijn Inside Out

HanWay Films/LEV Pictures Zealot Productions Inc. Editor: Tim Clayton Producer: Shaun Farrington Copywriter: Judith Loeb Whitaker Graphic Designer: James Rowney Creative Director: Shaun Farrington Client: Gertjan Langeland

Jig

Bankside Films Zealot Productions Inc. Editor: Tim Clayton Producer: Shaun Farrington Copywriter: Isaac Leicht Graphic Designer: Anders Bundgaard Creative Director: Shaun Farrington Client: Stephen Kelliher

Pink Ribbons, Inc

ONF NFB Zealot Productions Inc. Editor: Rich Mele Producer: Andrea Weeks Copywriter: Patrice Donnell Graphic Designer: Jake Zucker Creative Director: Mark Berridge Client: Moira Keigher

Presunto Culpable Cinepolis Distribucion FIX COMUNICACION By The Fix Team

The Tall Man

BlackFella Films The Solid State

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Best Foreign Drama n o m i n e e s

The Cup

Village Roadshow/Myriad Zealot Productions Inc Editor: Lyle Goodale Producer: Andrea Weeks Copywriter: Aimee Pitta Graphic Designer: Jake Zucker Graphic Designer: Keri Moller Creative Director: Mark Berridge Client: Phil Oâ&#x20AC;&#x2122;Neile/Pam Rodi

In Darkness

The Lady

Cohen Media Group/Europa Zealot Productions Inc Editor: Justin Edwards Producer: Andrea Weeks Copywriter: David Bernstein Graphic Designer: Jake Zucker Creative Director: Mark Berridge Client: Matthew Cohen Client: Nathan Powell

Oranges and Sunshine

Cohen Media Group Zealot Productions Inc. Editor: Jonathan Sutak Producer: Andrea Weeks Graphic Designer: Jake Zucker Creative Director: Mark Berridge Client: Matthew Cohen Client: Nathan Powell

Sarahâ&#x20AC;&#x2122;s Key

The Weinstein Company AV Squad Editor: Dan Wetherbee (AV Squad) Producer: Scott Edwards (AV Squad) Writer: Jimmy Chiocchi (AV Squad) Writer: Eric Lichtenfeld (AV Squad) Graphics: Ralf Leeb (AV Squad) Client: Jeff Elefterion (The Weinstein Company)

The

13 th A n n u a l G o l d e n T r a i l e r Awa r d s

Best Foreign Graphics in a Trailer n o m i n e e s

Coriolanus

LIONSGATE Create Advertising London Graphics Designer: Nawaz Alamgir (Create Advertising London) Producer: Hannah Rothman (Create Advertising London) Producer: Vijay Sodhi (Create Advertising London) Creative Director: Suneil Beri (Create Advertising London) Creative Director: Hannah Rothman (Create Advertising London) Head of Marketing: Georgia Kaufman (Lionsgate Films)

Don Gato y su Pandilla

Warner Bros. Mexico FIX COMUNICACION By the Fix Team

The Flowers of War “Ultimate Trailer”

New Pictures Film Corp. Ltd Beijing Trailer Movie Culture Media Co.,Ltd Producer: Nan Wei

Three

Strand Releasing Big Science Film Inc. Client: Marcus Hu (Strand Releasing) Creative Director: Stuart Robertson (Big Science Film Inc) Editor: Fenway Bergamot (Big Science Film Inc) Motion Graphics: Matt Dunlop (Big Science Film Inc) Copy Writer: Marti Mattox (Big Science Film Inc)

Tonight You’re Mine

Roadside Attractions Big Science Film Inc. Client: Dennis O’Connor (Roadside Attractions) Creative Director: Stuart Robertson (Big Science Film Inc) Editor: Fenway Bergamot (Big Science Film Inc) Motion Graphic Artist: Milan Erceg (Brkly) Motion Graphics Producer: Liah Corral (Brkly) Copy Writer: Stuart Robertson (Big Science Film Inc) Copy Writer: Dennis O’Connor (Roadside Attractions)

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Best Foreign Horror / Thriller n o m i n e e s

La Cara Oculta

Fox International Zealot Productions Inc. Editor: Lyle Goodale Producer: Andrea Weeks Graphic Designer: Jake Zucker Creative Director: Mark Berridge Client: Rebecca Kearey Client: Roya Vakili

Cold Sweat

Wheelhouse Creative Editor: Garo Setian Producers: Rob Lyons & Jeremy Workman (Wheelhouse Creative) Copywriter: Jason Hoffman Motion Graphics: Perry Harovas

The Hunter

Magnolia Zealot Productions Inc. Editor: Justin Edwards Producer: Andrea Weeks Copywriter: Aimee Pitta Graphic Designer: Jake Zucker Creative Director: Mark Berridge Client: Matt Cowal

The Silence â&#x20AC;&#x153;Obsessionâ&#x20AC;?

Soda Pictures Wonderland Editor: Joe Pisano (Wonderland) Creative Director: Paul Noble (Wonderland) Writer: Matt McParland (Wonderland) Producer: Amy Fallows (Wonderland) Production Manager: Amy Fallows (Wonderland) Motion Graphics: Anders Bundgaard (Klor) Client: Faith Taylor (Soda Pictures)

The Woman in Black

Momentum Pictures Create Advertising London Editor: Frank Frumento (Create Advertising London) Producer: Hannah Rothman (Create Advertising London) Producer: Vijay Sodhi (Create Advertising London) Creative Director: Suneil Beri (Create Advertising London) Creative Director: Hannah Rothman (Create Advertising London) VP Theatrical Marketing: Jamie Schwartz (Momentum Pictures) Marketing Manager: Hannah Beecham (Momentum Pictures)

The

13 th A n n u a l G o l d e n T r a i l e r Awa r d s

Best Foreign Romance n o m i n e e s

El Cielo en tu Mirada

Videocine Distribucion/Sobrevivientes Films Art Kingdom Editor/Creative: Arturo Gonzalez Alonso (Art Kingdom) Creative/Sound Design: Hugo Avila Flak (Art Kingdom) Producer: Hector Orozco (Art Kingdom) – Producer Project Manager: Gloria Concepcion (Art Kingdom) Motion Graphics: David Rodriguez (Art Kingdom) Assistant: Leslie Y. Altamirano (Art Kingdom) Assistant: Miguel A. Perez (Art Kingdom) Assistant: Erik Avila (Art Kingdom) Assistant: J. O Luna (Art Kingdom)

Delicacy

StudioCanal/Cohen Media Group Wink Creative Editor & Creative Director: Matt Winch (Wink Creative) Producer: Jin Whang (Wink Creative) Copywriter: Jason Byers Creative Director: Nathan Powell (Matthew Cohen Creative)

Salmon Fishing in the Yemen “Hooked”

LIONSGATE Wonderland Editors: Eleanor Infante & Joe Pisano (Wonderland) Creative Director: Joe Pisano (Wonderland) Producer: Mark Cornell (Wonderland) Writer: Mark Cornell (Wonderland) Production Manager: Lou Frerichs (Wonderland) Motion Graphics: Toby Whitehouse (Wonderland) Client: Ross Cunningham (Lionsgate Films)

Tonight You’re Mine

Roadside Attractions Big Science Film Inc Client: Dennis O’Connor (Roadside Attractions) Creative Director: Stuart Robertson (Big Science Film Inc) Editor: Fenway Bergamot (Big Science Film Inc) Motion Graphic Artist: Milan Erceg (Brkly) Motion Graphics Producer: Liah Corral (Brkly) Copy Writer: Stuart Robertson (Big Science Film Inc) Copy Writer: Dennis O’Connor (Roadside Attractions)

Upside Down

Onyx Films Motive Creative Studio Creative: Dimitri Rassam (Onyx Films) Creative Director: Billy Mikelson (Motive Creative) Editor: Adrian Sainsbury-Carter (Motive Creative) Copywriter: Chris Connors (Motive Creative)

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Best A nime n o m i n e e s

The Secret World of Arrietty â&#x20AC;&#x153;Stand Tallâ&#x20AC;?

Most Original Foreign n o m i n e e s

Bullhead

Drafthouse Films Intermission Film Creative Director: Sam Cryer (Intermission Film) Editor: Joe French (Intermission Film) Client: Tim League (Drafthouse Films) Client: Evan Husney (Drafthouse Films)

Detective Dee and the Mystery of the Phantom Flame

Indomina Media Anthony James Productions Copywriter: Anthony James (Anthony James Productions) Editor: Jon Bertain (Anthony James Productions) Motion Graphics Designer: Gary Breslin (Anthony James Productions) VP, Creative and Consumer Marketing: Amy Tu (Indomina) Creative Marketing Director : Lauren Fisher (Indomina)

Hell â&#x20AC;&#x153;Trailer 2â&#x20AC;?

Paramount Pictures Germany Fleischmann Trailer Creative Director/Producer/Editor: Philipp Fleischmann (Fleischmann Trailer) Client: Sven Sturm/Florian Ritter/Maike Haas (Paramount Pictures Germany) Sound Design & Mix: Die Basis Berlin

The Sleeping Beauty

Trollhunter

Momentum Picture Production Company Editor: Jon Mesher (Picture Production Company) Creative Director: Dan Skinner (Picture Production Company)

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Best Action TV Spot n o m i n e e s

The Avengers “Become”

Walt Disney Studios Motion Pictures mOcean Editor: Brandon Delancey (mOcean) Creative Director: Adam Rosenblatt (mOcean) SVP/Creative Film Services: John Ibsen (Walt Disney Studios Motion Pictures) EVP/Creative Film Services: Frank Chiocchi (Walt Disney Studios Motion Pictures) Graphic Artist: Russ Honican (mOcean)

Harry Potter and the Deathly Hallows: Part 2 “Every Journey”

Warner Bros. Aspect Ratio SVP, Worldwide Creative Advertising: John Stanford (Warner Bros.) Creative Director: Ben Andron (Aspect Ratio) Editor: Bob Schulze (Aspect Ratio)

The Hunger Games “Family”

Lionsgate Mojo LLC Creative Director: Michael Kahane (Mojo LLC) Editor/Producer: Markus Wernig (Mojo LLC) Jr. Producer: Anne Elyse Kahane (Mojo LLC) Music Supervision: Holly Hung (Mojo LLC) Graphics: Carey Conley (Mojo LLC) Finishing: Doug Salkin (Mojo LLC)

Mission: Impossible – Ghost Protocol “Harder”

Paramount Pictures AV Squad Editor: Brian Diederich (AV Squad) Producer: Ashley Sewell (AV Squad) Graphics: Ralf Leeb (AV Squad) Graphics: Jeff Smith (AV Squad) Creative Director: Chad Miller (AV Squad) Client: Amy Mastriona (Paramount Pictures)

Sherlock Holmes: A Game of Shadows “Beat”

Warner Bros. AV Squad Producer: Kareem Hammad (AV Squad) Graphics: Brett Pedigo (AV Squad) Creative Director: Chad Miller (AV Squad) Client: Christian Davin (Warner Bros.) Editor: Brian Diederich (AV Squad)

The

13 th A n n u a l G o l d e n T r a i l e r Awa r d s

Best A nimation / Family T V Spot n o m i n e e s

Hugo

Paramount Pictures Ignition Creative Editor: Dave Herrera (Ignition Creative) Producer: Spencer Kaplan (Ignition Creative) Creative Director: Martin Kistler (Ignition Creative) Chief Marketing Officer: Josh Greenstein (Paramount Pictures) Executive Vice President, Creative Advertising: Erik Counter (Paramount Pictures) Executive Director, Creative Advertising: Susan L. Bennett (Paramount Pictures)

The Muppets “Prepare Physical”

Walt Disney Studios Motion Pictures mOcean Animation Marketing Brand Lead/Creative Director: David Sameth (Walt Disney Studios Motion Pictures) Producers: Pam Postrel/Nicole Nicholas (mOcean) Editor: David Antillon (mOcean) Writer: David Sameth (Walt Disney Studios Motion Pictures) Art Designer: Jon Converse Graphic Designers: Jaehi Jung/Tim Finley (mOcean)

The Pirates! Band of Misfits “Epic Love Story”

Sony Pictures Green Monster Advertising EVP of Creative Marketing: Bill Loper (Sony) President of Creative Marketing: Tommy Gargotta (Sony) Creative Director: Barry McDonough (Green Monster) Editor: Anthony Torres (Green Monster)

Puss in Boots “Curiosity”

Paramount Pictures Aspect Ratio Chief Marketing Officer: Josh Greenstein (Paramount Pictures) Vice President, Creative Advertising: Scott Fleisher (Paramount Pictures) Creative Director: Eric Alan (Aspect Ratio) Editor: Sean Dobson (Aspect Ratio)

Puss in Boots “Fiesta Kids”

Paramount Pictures TRANSIT Chief Marketing Officer: Josh Greenstein (Paramount Pictures) VP of Creative Advertising: Scott Fleisher (Paramount Pictures) Creative Director: Michael Andolina (TRANSIT) Director of Music: Jordan Silververg (TRANSIT) Editor: Art St. Germain (TRANSIT)

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Best Comedy TV Spot n o m i n e e s

21 Jump Street “Arrest”

Columbia Pictures Workshop Creative VP, Creative Advertising: Dianna Mannheim (Columbia Pictures) Creative Director: Steve Pollard (Workshop Creative) Creative Director: Shawn Ferjanec (Workshop Creative) Editor: Becky Pagan Writer: Brandon Martin

Bridesmaids

Universal Pictures In Sync Advertising EVP/Head, Creative Advertising: Maria Pekurovskaya (Universal Pictures) Creative Director: Smitty (In Sync Advertising) Creative Director: Todd Philips (In Sync Advertising) Editor: Jeff Farrow (In Sync Advertising) Motion Graphics Designer: Bruce Lim (In Sync Advertising)

The Hangover Part II

Warner Bros. Seismic Productions Producer: David Schneiderman (Seismic Productions) Creative Director: Erin Wyatt (Seismic Productions) Editor: Adam Mays (Seismic Productions) Music Supervisor: Jesse Goodwin (Seismic Productions) Senior Vice President, Creative Advertising: John Stanford (Warner Bros.) Director, Creative Advertising: Ari Chucholowski (Warner Bros.)

Horrible Bosses

Warner Bros. Seismic Productions Producer: Ryan Preston (Seismic Productions) Creative Director: Erin Wyatt (Seismic Productions) Creative Director: David Schneiderman (Seismic Productions) Editor: Matt Dorsey (Seismic Productions) Copywriter: Doug Smith (Seismic Productions) Music Supervisor: Jesse Goodwin (Seismic Productions) SVP, Creative Advertising: Michael Jones (Warner Bros.)

The Sitter “Lullaby Online”

20th Century Fox Buddha Jones Producers: John Long, Jason Chappelle (Buddha Jones) Editor: Troy Rinkenberger (Buddha Jones) Copywriter: David Cassada (Buddha Jones) Art Director: Balinda Huang (Buddha Jones)

The

13 th A n n u a l G o l d e n T r a i l e r Awa r d s

Best Drama TV Spot n o m i n e e s

The Descendants “Matters Most”

Fox Searchlight Pictures Editor: Gene Gamache EVP, Marketing: Larry Baldauf (Fox Searchlight Pictures) VP, Creative Advertising: Flavia Amon (Fox Searchlight Pictures) VP, Creative Advertising: Heather Artis (Fox Searchlight Pictures)

Extremely Loud and Incredibly Close “Messages”

Warner Bros. Wild Card Senior Vice President, Creative Advertising: John Stanford (Warner Bros.) Creative Director: Nick Temple (Wild Card) Producer: Todd Buford (Wild Card) Editor: Charlie Butterworth (Wild Card)

The Girl With the Dragon Tattoo “Investigation”

Columbia Pictures Workshop Creative SVP, Creative Advertising: David Singh (Columbia Pictures) Creative Director: Steve Pollard (Workshop Creative) Creative Director: Shawn Ferjanec (Workshop Creative) Editor: Gregg Jachens

The Hunger Games “Big Event Countdown”

Lionsgate Mojo LLC Creative Director: Michael Kahane Producer: Markus Wernig Jr. Producer: Anne Elyse Kahane Editor: Alex Lorge Music Supervision: Holly Hung

J. Edgar

Warner Bros. Seismic Productions Producer: David Schneiderman (Seismic Productions) Creative Director: Erin Wyatt (Seismic Productions) Editor: Huichun Lee (Seismic Productions) Music Supervisor: Jesse Goodwin (Seismic Productions) Senior Vice President, Creative Advertising: John Stanford (Warner Bros.) Director, Creative Advertising: Ari Chucholowski (Warner Bros.)

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Best Foreign TV Spot n o m i n e e s

Africa First

Focus Features Big Science Film Inc. Client: Myles Bender (Focus Features) Creative Director: Stuart Robertson (Big Science Film Inc) Editor: Fenway Bergamot (Big Science Film Inc) Motion Graphics: Matt Dunlop (Big Science Film Inc) Copy Writer: Marti Mattox (Big Science Film Inc)

Goon “Behind the Scenes”

Alliance Trailer Park Client: Frank Mendicino (Alliance Films) Creative Director: Craig Platt (Trailer Park) Copywriter: Nick Sheptak (Trailer Park) Music Supervisor: Bobby Gumm (Trailer Park) Editor: Jack Kofman (Trailer Park)

Goon “Met His Match”

Alliance Trailer Park Client: Frank Mendicino (Alliance Films) Creative Director: Craig Platt (Trailer Park) Copywriter: Craig Platt (Trailer Park) Music Supervisor: Bobby Gumm (Trailer Park) Editor: Jack Kofman, Jeff Gritton (Trailer Park)

The

13 th A n n u a l G o l d e n T r a i l e r Awa r d s

Best Graphics

in a

n o m i n e e s

TV Spot

50/50 “Inspired Review”

Summit Entertainment Motive Creative Studio Creative: Tim Sommerfeld (Summit Entertainment) Creative Director: Billy Mikelson (Motive Creative) Graphics: The Ether

Harry Potter and the Deathly Hallows: Part 2 “Triumphant Review”

Warner Bros. Mojo LLC Creative Director/Producer/Writer: Jeff Lamont (Mojo LLC) Creative Director/Producer/Editor: Dave Yocum (Mojo LLC) Editor: Chris St. Pierre (Mojo LLC) Music Supervisor: Holly Hung (Mojo LLC) Motion Graphics Designer: Carey Conley (Mojo LLC) Marketing Executive/Creative Director: John Stanford (Warner Bros.)

Limitless “More”

20th Century Fox Home Entertainment Buddha Jones Executive Director, Creative Marketing: Jeremy Gershman (20th Century FOX Home Entertainment) SVP, Creative Marketing: Julie Markell (20th Century FOX Home Entertainment) Producers: Steven Robertson, Krystle Lafond (Buddha Jones) Editor: Joel Landis (Buddha Jones) Copywriter: Jason Chappelle (Buddha Jones) Art Director: Greg Taylor (Buddha Jones) Graphic Designers: Balinda Huang, AC Cano, Jonathan Reyes (Buddha Jones)

Martha Marcy May Marlene “MReview”

Fox Searchlight Larry Baldauf, Heather Artis, Flavia Amon Acme Trailer Company Editor/Producer: Stephen Grzymala Graphics: Stephen Grzymala Graphics: Abe Smith

Mission: Impossible – Ghost Protocol “Masthead:15” Paramount Pictures AV Squad Editor: Weston Winsor (AV Squad) Producer: Ashley Sewell (AV Squad) Graphics: Ralf Leeb (AV Squad) Creative Director: Chad Miller (AV Squad) Client: Amy Mastriona (Paramount Pictures)

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Best Horror TV Spot n o m i n e e s

Cabin in the Woods “Secret”

LIONSGATE AV Squad Editor: Greg Krupka (AV Squad) Producer: Scott Edwards (AV Squad) Writer: Jimmy Chiocchi (AV Squad) Graphics: Jeff Smith (AV Squad) Graphics: Brett Pedigo (AV Squad) Client: John Fu (LIONSGATE) Client: Tim Palen (LIONSGATE)

The Devil Inside “Church”

Paramount Pictures Buddha Jones President, Creative Advertising: Josh Greenstein (Paramount Pictures) EVP, Creative Advertising: Amy Mastriona (Paramount Pictures) Executive Director, Creative Advertising: Abbie Wisdom (Paramount Pictures) Producer: Bill Neil (Buddha Jones) Editor: Bill Neil (Buddha Jones) Art Directors: Kim Tang, Brad Berling (Buddha Jones)

Final Destination 5 “Ticking End”

Warner Bros. AV Squad Editor: Weston Winsor (AV Squad) Producer: Kareem Hammad (AV Squad) Creative Director: Chad Miller (AV Squad) Client: Michael Jones (Warner Bros.)

Fright Night “Fear the Night Awards”

DreamWorks/Disney AV Squad Editor: Greg Krupka (AV Squad) Producer: Erika Anaya (AV Squad) Creative Director: Chad Miller (AV Squad) Client: Mark LaFontant (DreamWorks/Disney) Client: Christine Birch (DreamWorks/Disney)

The Raven “Severed”

Relativity Media Workshop Creative EVP, Creative Advertising: Arty Pearson (Relativity Media) Creative Director: Rob Myers (Workshop Creative) Editor: Ryan Kay Writer: Julie Anderson

The

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Best Independent TV Spot n o m i n e e s

The Artist “:60 Spotlight”

The Weinstein Company AV Squad Editor: Brendan Lambe (AV Squad) Producer: Scott Edwards (AV Squad) Writer: Jimmy Chiocchi (AV Squad) Graphics: Ralf Leeb (AV Squad) Client: Jeff Elefterion (The Weinstein Company)

Carnage

StudioCanal Picture Production Company Editor: Carrie Skinner (Picture Production Company) Creative Director: Dan Skinner (Picture Production Company)

The Descendants “Paradise”

Fox Searchlight Motive Creative Studio Creative: Larry Baldauf (Fox Searchlight) Studio Creative: Patrick Starr (Fox Searchlight) Studio Creative: Flavia Amon (Fox Searchlight) Studio Creative: Heather Artis (Fox Searchlight) Creative Director: Billy Mikelson (Motive Creative)

Friends With Kids “Dare”

Roadside Attractions Trailer Park Client: Dennis O’Connor (Roadside Attractions) Creative Director: Matt Brubaker (Trailer Park) Copywriters: Mark Trux, Michael Berlly (Trailer Park) Music Supervisor: Bobby Gumm (Trailer Park) Editor: Haley Thompson (Trailer Park)

Martha Marcy May Marlene “Leader”

Fox Searchlight Larry Baldauf, Heather Artis, Flavia Amon Acme Trailer Company Producer: Stephen Grzymala Editor: Ben Finch

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Best Music TV Spot n o m i n e e s

The Descendants “Paradise”

Extremely Loud and Incredibly Close “I Miss”

Warner Bros. Mojo LLC Creative Director/Producer: Jeff Lamont (Mojo LLC) Creative Director/Producer: Dave Yocum (Mojo LLC) Editor: Darrin McKie (Mojo LLC) Music Supervisor: Holly Hung (Mojo LLC) Marketing Executive/Creative Director: John Stanford (Warner Bros.)

The Hangover Part II

Moneyball “Academy Song”

Columbia Pictures Workshop Creative EVP, Creative Advertising: Mike Pavlic (Columbia Pictures) Creative Director: Steve Pollard (Workshop Creative) Editor: Gregg Jachens

Puss In Boots “Fiesta Kids”

Paramount Pictures TRANSIT Chief Marketing Officer: Josh Greenstein (Paramount Pictures) VP of Creative Advertising: Scott Fleisher (Paramount Pictures) Creative Director: Michael Andolina (TRANSIT) Director of Music: Jordan Silververg (TRANSIT) Editor: Art St. Germain (TRANSIT)

The

13 th A n n u a l G o l d e n T r a i l e r Awa r d s

Best Romance TV Spot n o m i n e e s

Crazy, Stupid, Love “In It”

Warner Bros. Trailer Park Client: John Stanford (Warner Bros.) Creative Director: Matt Brubaker (Trailer Park) Producer: Craig Platt (Trailer Park) Copywriter: Mark Trux, Nick Sheptak (Trailer Park) Music Supervisor: Bobby Gumm (Trailer Park) Editor: Sherri Solinger (Trailer Park)

The Lucky One “Reveal”

Warner Bros. Trailer Park Client: Christian Davin (Warner Bros.) Creative Director: Matt Brubaker (Trailer Park) Producer: Lonnie Snell (Trailer Park) Music Supervisor: Bobby Gumm (Trailer Park) Editor: Scott Rowden (Trailer Park)

My Week With Marilyn

The Weinstein Company In Sync Advertising EVP, Creative Advertising: Jeff Elefterion (The Weinstein Company) Creative Director: Matthew Cohen (Matthew Cohen Creative) Creative Director: Smitty (In Sync Advertising) Creative Director: Michael Earnhardt (In Sync Advertising) Editor: Brent Rockswold (In Sync Advertising) Motion Graphics Designer: Bruce Lim (In Sync Advertising) Narrator: Brian Lee

One Day

Focus Features Kinetic Creative Director/Editor: Christy Wilson (Kinetic) Marketing Director: Myles Bender (Focus Features) Director: Lone Scherfig

The Vow “Forever”

Screen Gems mOcean EVP of Marketing: Loren Schwartz (Screen Gems) Executive Director of Creative Advertising: Susie Shen (Screen Gems) Producer: Josh Olson (mOcean) Editors: Pablo Proenza/Thea Huang (mOcean) Graphic Artist: Pablo Proenza (mOcean) Writer: Bryan Dobrik (mOcean)

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Best Summer 2012 T V Spot n o m i n e e s

Battleship

Universal Pictures Industry Creative Client: Scott Abraham (Universal Pictures) Creative Director/Senior Editor: Doug Brandt (Industry Creative) Editor: Alex Manning (Industry Creative) Editor: Chad Russell (Industry Creative)

Men In Black III “The Mission”

Snow White and the Huntsman “Bound”

Universal Pictures Wild Card Head of Creative Advertising: Maria Pekurovskaya (Universal Pictures) Manager of Creative Advertising: Jeanne LeSaffre (Universal Pictures) Creative Director: Nick Temple (Wild Card) Producer: Justin Slobig (Wild Card) Editor: Charlie Butterworth (Wild Card) Graphics: Ward Bank (Wild Card)

Snow White and the Huntsman “Kingdom”

Universal Pictures Aspect Ratio Creative Director: David Ligorner (Aspect Ratio) Editor: Eric McCormick (Aspect Ratio) Head of Creative Advertising: Maria Pekurovskaya (Universal Pictures) Manager of Creative Advertising: Jeanne LeSaffre (Universal Pictures)

Snow White and the Huntsman “Ravenna”

Universal Pictures Vibe Creative, Inc. Head of Creative Advertising: Maria Pekurovskaya (Universal Pictures) Writer: Maria Pekurovskaya (Universal Pictures) Manager, Creative Advertising: Jeanne LeSaffre (Universal Pictures) Executive Creative Director: Paul Holtzhausen (Vibe Creative, Inc.) Creative Director: Nicholas Weiss (Vibe Creative, Inc.) Executive Producer: Ann Mugglebee (Vibe Creative, Inc.) Producer: Craig Dobbs (Vibe Creative, Inc.) Editor: Matthew Sherman (Vibe Creative, Inc.) The

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Best Thriller TV Spot n o m i n e e s

Contagion

Warner Bros. Seismic Productions Producer: Erin Wyatt (Seismic Productions) Creative Director: Massey Rafani (Warner Bros.) Editor: Kazadi Katambwa (Seismic Productions) Copywriter: Seth Brown Music Supervisor: Jesse Goodwin (Seismic Productions) EVP, Creative Advertising: Massey Rafani (Seismic Productions) Director, Creative Advertising: Brian Worsley (Warner Bros.)

The Girl with the Dragon Tattoo “Character”

The Hunger Games “Big Event Countdown”

Lionsgate Mojo LLC Creative Director: Michael Kahane Producer: Markus Wernig Jr. Producer: Anne Elyse Kahane Editor: Alex Lorge Music Supervision: Holly Hung

Martha Marcy May Marlene “Name”

Fox Searchlight Larry Baldauf, Heather Artis, Flavia Amon Acme Trailer Company Producer/Editor: Stephen Grzymala

Safe House “Home-Big Game”

Universal Pictures AV Squad Editor: Greg Krupka (AV Squad) Producer: Kareem Hammad (AV Squad) Creative Director: Chad Miller (AV Squad) Client: Patrick Starr (Universal Pictures)

T he

1 3 th A nnual G olden T railer A wards

Best Video Game TV Spot n o m i n e e s

Need for Speed: The Run

Electronic Arts Industry Creative Director: Michael Bay (The Institute) Composer: Steve Jablonsky (The Institute) Executive Content Producer: Brian Coate (Heat/San Francisco) Associate Creative Director/Art Director: Anna Rowland (Heat/San Francisco) Creative Director/Copywriter: Warren Cockrel (Heat/San Francisco) Agency: Heat/San Francisco Senior Editor: Doug Brandt (Industry Creative) Editor: Chad Russell (Industry Creative) Production Company: The Institute Executive Producer: Scott Gardenhour (The Institute) Sound Designer: Ethan Van der Ryn (e2 sound)

The

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Best Voice O ver TV Spot n o m i n e e s

Final Destination 5 “Die Again”

Warner Bros. TRANSIT SVP of Creative Advertising: Michael Jones (Warner Bros.) Creative Director: Justin King-Hall (TRANSIT) Director of Music: Jordan Silverberg (TRANSIT) Editor: Kevin Flynn (TRANSIT) Copywriter: Seth Brown (TRANSIT) Narrator: Corey Burton

The Muppets “How Many”

Walt Disney Studios Motion Pictures Buddha Jones Animation Marketing Brand Lead/Creative Director: David Sameth (Walt Disney Studios Motion Pictures) Producers: Lee Harry, Steven Robertson, Krystle Lafond (Buddha Jones) Editor: Lee Harry (Buddha Jones) Copywriter: Steven Robertson (Buddha Jones) Art Director: Beth Roy (Buddha Jones) Graphic Designer: Jason Liwag (Buddha Jones) Narrator: Ray Robertson

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1 3 th A nnual G olden T railer A wards

Most Original TV Spot n o m i n e e s

The Descendants “Paradise”

Final Destination 5 “Reverse”

Warner Bros. TRANSIT SVP of Creative Advertising: Michael Jones (Warner Bros.) Creative Director: Justin King-Hall (TRANSIT) Director of Music: Jordan Silverberg (TRANSIT) Editor: Chris Conroy (TRANSIT) Copywriter: Seth Brown (TRANSIT)

Martha Marcy May Marlene “Name”

Fox Searchlight Larry Baldauf, Heather Artis, Flavia Amon Acme Trailer Company Producer/Editor: Stephen Grzymala

Real Steel “Victory”

DreamWorks The Ant Farm President of Marketing: Christine Birch (DreamWorks) Creative Director: Barbara Glazer (Anthesis) Creative Director: Rodd Perry (The Ant Farm) Editor: Art Mondrala (The Ant Farm) Writer: Daniel Winkel (The Ant Farm)

The Three Stooges “Stoogesta”

20th Century Fox The Refinery AV

The

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Best Action Poster n o m i n e e s

Drive “One Sheet,” FilmDistrict The Refinery Executive Creative Director: Steve Perani (theweekend.biz) SVP, Marketing: Jeanne Berney (FilmDistrict) Creative Director: Brad Hochberg (The Refinery) Art Director: Adam Waldman (The Refinery) Account Executive: Jenny Jamin (The Refinery) Harry Potter and the Deathly Hallows: Part 2 “Companion One Sheets” Warner Bros. WORKS ADV Senior VP Creative Advertising: John Stanford (Warner Bros.) Executive VP Worldwide Marketing: Blair Rich (Warner Bros.) The Hunger Games “Teaser Poster” LIONSGATE Ignition Safe “Final Poster” LIONSGATE Ignition

The

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Best A nimation Family Poster n o m i n e e s

Dark Shadows “One Sheet” Warner Bros. Ignition Print Client: John Stanford (Warner Bros.) Account Executive: Jacky Shu (Ignition Print) Creative Director: David Ikeda (Ignition Print) Copywriter: Warner Bros. Finisher: Todd Reublin (Ignition Print) The Hunger Games “Final Poster” LIONSGATE Photographer: Tim Palen (LIONSGATE) Journey 2: The Mysterious Island “One Sheet” Warner Bros. Ignition Print Client: Michael Jones (Warner Bros.) Account Executive: Jacky Shu (Ignition Print) Creative Director: David Ikeda (Ignition Print) Copywriter: Warner Bros. Finisher: Todd Reublin (Ignition Print) The Pirates in an Adventure with Scientists (Band of Misfits) Sony Pictures Releasing Empire Design

The

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Best Comedy Poster n o m i n e e s

The Hangover Part II “One Sheet” Warner Bros. WORKS ADV Senior VP Creative Advertising: John Stanford (Warner Bros.) Executive VP Worldwide Marketing: Blair Rich (Warner Bros.) Killer Joe “One Sheet” LD Entertainment Ignition Print Client: David Dinerstein (LD Entertainment) Account Executive: Adam Fox (Ignition Print) Art Director: Yujin Ono (Ignition Print) Creative Director: Emmett James (Ignition Print) Copywriter: Patrick Musker (Ignition Print) Finisher: Ignition Print In-House (Ignition Print) The Rum Diary “Version 4” theweekend.biz/FilmDistrict The Refinery Executive Creative Director: Steve Perani (theweekend.biz) SVP Marketing: Jeanne Berney (FilmDistrict) Creative Director: Brad Hochberg (The Refinery) Creative Director: Adam Waldman (The Refinery) Art Director: Devon Gibbs (The Refinery) Account Executive: Jenny Jamin (The Refinery) The Trip IFC Films Mojo LLC Client: Shani Ankori (IFC Films) Client: Ryan Werner (IFC Films) Creative Director: Andrew Percival (Mojo LLC) Art Director: Reagan Marshall (Mojo LLC) Finisher: Paho Marsh (Deceptive Art)

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Best Documentary Poster n o m i n e e s

Bully The Weinstein Company PLANETFAB EVP, Creative Advertising: Jeff Elefterion (The Weinstein Company) Marketing Manager: Josh Kappraff (The Weinstein Company) Creative Director: Fabrice Frere (PLANETFAB) Art Director: Michelle Keller (PLANETFAB) Into the Abyss IFC Films Mojo LLC Client: Shani Ankori (IFC Films) Client: Ryan Werner (IFC Films) Creative Director: Andrew Percival (Mojo LLC) Art Director: Reagan Marshall (Mojo LLC) Something From Nothing: The Art of Rap Indomina Films VP, Creative and Consumer Marketing: Amy Tu (Indomina) Creative Marketing Director: Lauren Fisher (Indomina) Cold Open

The

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Best Drama Poster n o m i n e e s

The Ides of March “One Sheet” Sony Pictures Ignition Print Client: Bill Loper (Sony Pictures) Account Executives: Abbi Russal, Jacqueline Gonzalez (Ignition Print) Art Director: Jennifer MaHarry (Ignition Print) Creative Director: Jason Lindeman (Ignition Print) Copywriter: Jennifer MaHarry (Ignition Print) Finisher: Todd Reublin (Ignition Print) The Iron Lady “Domestic One Sheet” The Weinstein Company AV Squad Print/Blood & Chocolate Art Director: Tom Brothers (AV Squad Print/Blood & Chocolate) Account Executive: Seth Gaven (AV Squad Print/Blood & Chocolate) Creative Director: Mark Crawford (AV Squad Print/Blood & Chocolate) Client: Jeff Elefterion (The Weinstein Company) J. Edgar “One Sheet” Warner Bros. WORKS ADV Senior VP Creative Advertising: John Stanford (Warner Bros.) Executive VP Worldwide Marketing: Blair Rich (Warner Bros.) Tinker, Tailor, Soldier, Spy “One Sheet” Focus Features Ignition Print Client: Blair Green (Focus Features) Account Executive: Jacqueline Gonzalez (Ignition Print) Art Director: Margaret Berg (Ignition Print) Creative Director: Jason Lindeman (Ignition Print) Copywriter: Focus Finisher: Jonah Buensuceso (Ignition Print)

The

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Best Foreign Poster n o m i n e e s

Avgust Vosmogo Glavkino AV Squad Print/Blood & Chocolate Art Director: Mark Crawford (AV Squad Print/Blood & Chocolate) Account Executive: Scott Edwards (AV Squad Print/Blood & Chocolate) Creative Director: Mark Crawford (AV Squad Print/Blood & Chocolate) Client: Maria Kleymendova (Glavkino) The Conquest “Key Art” Music Box Films Greenlight Creative Partner/Creative Director: Tami Shelly (Greenlight Creative) Partner/Account Executive: Darryl Shelly (Greenlight Creative) Partner/Sr. Art Director: Melissa Irwin (Greenlight Creative) Director of Marketing and Publicity: Brian Andreotti (Music Box Films) Technical Director: Austin Vitt (Music Box Films) Monsieur Lazhar “Key Art” Music Box Films Greenlight Creative Partner/Creative Director: Tami Shelly (Greenlight Creative) Partner/Account Executive: Darryl Shelly (Greenlight Creative) Partner/Sr. Art Director: Melissa Irwin (Greenlight Creative) Director of Marketing and Publicity: Brian Andreotti (Music Box Films) Technical Director: Austin Vitt (Music Box Films) Young Goethe In Love “Key Art” Music Box Films Greenlight Creative Partner/Creative Director: Tami Shelly (Greenlight Creative) Partner/Account Executive: Darryl Shelly Greenlight Creative) Partner/Sr. Art Director: Melissa Irwin (Greenlight Creative) Director of Marketing and Publicity: Brian Andreotti (Music Box Films) Technical Director: Austin Vitt (Music Box Films)

The

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Best Horror Poster n o m i n e e s

Apartment 143 Magnolia Pictures Cold Open Dream House Universal Pictures Mojo LLC Client: Jackson George (Universal Pictures) Creative Director: Andrew Percival (Mojo LLC) Art Director: Akiko Stehrenberger Photographer: Piper Ferguson Intruders â&#x20AC;&#x153;One Sheetâ&#x20AC;? Millennium Entertainment Ignition Print Client: Brooke Ford (Millennium Entertainment) Client: Brian Tidmore (Millennium Entertainment) Account Executives: Courtney Mill Dore, Maddie Veal (Ignition Print) Art Director: Bruce Ventanilla (Ignition Print) Creative Director: Emmett James (Ignition Print) Copywriter: Patrick Musker (Ignition Print) Finisher: Jonah Buensuceso (Ignition Print) Scream 4 The Weinstein Company Tarhan Creative Inc. EVP Creative Advertising: Jeff Elefterion (The Weinstein Company) Creative Director: Tod Tarhan (TARHAN CREATIVE INC)

The

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Best Independent Poster n o m i n e e s

Another Earth “One Sheet” Fox Searchlight Ignition Print Clients: Debi Struzan, Larry Baldauf, Graham Retzik (Fox Searchlight) Account Executive: Jay Werner (Ignition Print) Art Director: Simon Kim (Ignition Print) Creative Director: Jason Lindeman (Ignition Print) Finisher: Jonah Buensuceso (Ignition Print) The Iron Lady The Weinstein Company PLANETFAB EVP, Creative Advertising: Jeff Elefterion (The Weinstein Company) Manager, Marketing: Josh Kappraff (The Weinstein Company) Creative Director: Fabrice Frere (PLANETFAB) Art Director: Michelle Keller (PLANETFAB) Tinker, Tailor, Soldier, Spy “One Sheet” Focus Features Ignition Print Client: Blair Green (Focus Features) Account Executive: Jacqueline Gonzalez (Ignition Print) Art Director: Margaret Berg (Ignition Print) Creative Director: Jason Lindeman (Ignition Print) Copywriter: Focus Finisher: Jonah Buensuceso (Ignition Print) The Trip IFC Films Mojo LLC Client: Shani Ankori (IFC Films) Client: Ryan Werner (IFC Films) Creative Director: Andrew Percival (Mojo LLC) Art Director: Reagan Marshall (Mojo LLC) Finisher: Paho Marsh (Deceptive Art)

The

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Best Internationall Poster n o m i n e e s

Apollo 18 “Intl One Sheet” The Weinstein Company Ignition Print Account Executive: Jay Werner (Ignition Print) Finisher: David Williams (Ignition Print) Clients: Paul Wilamoski, Josh Kappraff, Jeff Elefterion (The Weinstein Company)

The Dark Knight Rises “UK Quad” Warner Bros. Ignition Print Client: Massey Rafani, Executive Vice-President (Warner Bros.) Account Executive: Jay Werner (Ignition Print) Creative Director: Massey Rafani (Warner Bros.) Creative Director: Jason Lindeman (Ignition Print) Director Creative Advertising: Brian Worsley (Warner Bros.) Creative Director: David Ikeda (Ignition Print) Copywriter: Massey Rafani (Warner Bros.) Finisher: Todd Reublin (Ignition Print)

In Time “International One Sheet” 20th Century Fox International Ignition Print Account Executive: Jay Werner (Ignition Print) Creative Director: Jason Lindeman (Ignition Print) Clients: Christi Mykles, Mark D’Anna (20th Century Fox International) Art Director: Ken Choi (Ignition Print) Finisher: John Soltis (Ignition Print) The Rum Diary “Version 2” theweekend.biz/FilmDistrict The Refinery Executive Creative Director: Steve Perani (theweekend.biz) SVP Marketing: Jeanne Berney (FilmDistrict) Creative Director: Brad Hochberg (The Refinery) Creative Director: Adam Waldman (The Refinery) Art Director: Devon Gibbs (The Refinery) Account Executive: Jenny Jamin (The Refinery)

The

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Best Romance Poster n o m i n e e s

My Week With Marilyn “Teaser” The Weinstein Company PLANETFAB EVP, Creative Advertising: Jeff Elefterion (The Weinstein Company) Manager, Marketing: Josh Kappraff (The Weinstein Company) Creative Director: Fabrice Frere (PLANETFAB) Art Director: Michelle Keller (PLANETFAB)

The Lucky One “One Sheet” Warner Bros. WORKS ADV Senior VP Creative Advertising: Christian Davin (Warner Bros.) Executive VP Worldwide Marketing: Blair Rich (Warner Bros.)

My Week With Marilyn “Payoff” The Weinstein Company PLANETFAB EVP, Creative Advertising: Jeff Elefterion (The Weinstein Company) Manager, Marketing: Josh Kappraff (The Weinstein Company) Creative Director: Fabrice Frere (PLANETFAB) Art Director: Michelle Keller (PLANETFAB)

The

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Best Summer 2012 Blockbuster Poster n o m i n e e s

The Bourne Legacy Universal Pictures Cold Open The Dark Knight Rises “Teaser One Sheet – City” Warner Bros. Ignition Print Executive Vice-President: Massey Rafani (Warner Bros.) Account Executive: Jay Werner (Ignition Print) Art Director: Oleg Zatler (Ignition Print) Creative Director: Massey Rafani (Warner Bros.) Creative Director: Jason Lindeman (Ignition Print) Director Creative Advertising: Brian Worsley (Warner Bros.) Finisher: David Williams (Ignition Print) Dark Shadows “One Sheet” Warner Bros. Ignition Print Client: John Stanford (Warner Bros.) Account Executive: Jacky Shu (Ignition Print) Creative Director: David Ikeda (Ignition Print) Copywriter: Warner Bros. Finisher: Todd Reublin (Ignition Print) The Expendables 2 “Teaser Poster” LIONSGATE Ignition

The

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Best Teaser Poster n o m i n e e s

The Dark Knight Rises “Teaser One Sheet City” Warner Bros. Ignition Print Executive Vice-President: Massey Rafani (Warner Bros.) Account Executive: Jay Werner (Ignition Print) Art Director: Oleg Zatler (Ignition Print) Creative Director: Massey Rafani (Warner Bros.) Creative Director: Jason Lindeman (Ignition Print) Director Creative Advertising: Brian Worsley (Warner Bros.) Finisher: David Williams (Ignition Print) The Hunger Games “Teaser Poster” LIONSGATE Ignition Project X Warner Bros. WORKS ADV Senior VP Creative Advertising: Michael Jones (Warner Bros.) Executive VP Worldwide Marketing: Blair Rich (Warner Bros.) The Woman in Black CBS Films Cold Open

The

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Best Thriller Poster n o m i n e e s

Drive Icon Empire Design The Hunger Games “Final Poster” LIONSGATE Ignition Photographer: Tim Palen (LIONSGATE) The Hunter “Final Poster” Magnolia Pictures The Refinery SVP of Marketing and Publicity: Matt Cowal (Magnolia Pictures) Creative Director: Brad Hochberg (The Refinery) Creative Director: Adam Waldman (The Refinery) Art Director: Sean Dunkerley (The Refinery) Account Executive: Jenny Jamin (The Refinery) The Ides of March “One Sheet” Sony Pictures Ignition Print Client: Bill Loper (Sony Pictures) Account Executives: Abbi Russal, Jacqueline Gonzalez (Ignition Print) Art Director: Jennifer MaHarry (Ignition Print) Creative Director: Jason Lindeman (Ignition Print) Copywriter: Jennifer MaHarry (Ignition Print) Finisher: Todd Reublin (Ignition Print)

The

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Best Video Game Poster n o m i n e e s

Impostors “One Sheet” Warner Bros. Interactive Entertainment Ignition Print Client: Michael Elkind (Warner Bros. Interactive Entertainment) Account Executive: Shelley Kent (Ignition Print) Creative Director: Brian Christensen (Ignition Print) Finisher: Todd Reublin (Ignition Print) Hawken “One Sheet” Meteor Entertainment Ignition Print Account Executive: Shelley Kent (Ignition Print) Art Director: Oleg Zatler (Ignition Print) Creative Director: Brian Christensen (Ignition Print) Copywriter: Patrick Musker (Ignition Print) Finisher: Ignition Print In-House (Ignition Print)

Syndicate “One Sheet” Electronic Arts Ignition Print Account Executive: Shelley Kent (Ignition Print) Art Director: Miguel Castillo (Ignition Print) Creative Director: Brian Christensen (Ignition Print) Finisher: Ignition Print In-House (Ignition Print)

MOH2/Warfighter “One Sheet” Electronic Arts Ignition Print Account Executive: Shelley Kent (Ignition Print) Creative Director: Brian Christensen (Ignition Print) Finisher: Todd Reublin (Ignition Print)

The

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Best Wild Posts n o m i n e e s

Crazy, Stupid, Love. “Banners” Warner Bros. WORKS ADV Senior VP Creative Advertising: John Stanford (Warner Bros.) Executive VP Worldwide Marketing: Blair Rich (Warner Bros.)

Dark Shadows “Portrait Bus Shelters” Warner Bros. Ignition Print Client: John Stanford (Warner Bros.) Account Executive: Jacky Shu (Ignition Print) Creative Director: David Ikeda (Ignition Print) Finisher: David Williams (Ignition Print) Art Director: Ravi Rochanayon (Ignition Print) Finisher: Todd Reublin (Ignition Print)

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Drive “Vertical Campaign” theweekend.biz/FilmDistrict The Refinery Executive Creative Director: Steve Perani (theweekend.biz) SVP, Marketing: Jeanne Berney (FilmDistrict) Creative Director: Brad Hochberg (The Refinery) Creative Director: Adam Waldman (The Refinery) Art Director: Devon Gibbs (The Refinery) Account Executive: Jenny Jamin (The Refinery)

The Hunger Games “Character Posters” LIONSGATE Ignition Photographer: Tim Palen (LIONSGATE)

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Most Original Poster n o m i n e e s

The Ides of March “One Sheet” Sony Pictures Ignition Print Client: Bill Loper (Sony Pictures) Account Executives: Abbi Russal, Jacqueline Gonzalez (Ignition Print) Art Director: Jennifer MaHarry (Ignition Print) Creative Director: Jason Lindeman (Ignition Print) Copywriter: Jennifer MaHarry (Ignition Print) Finisher: Todd Reublin (Ignition Print) The Iron Lady “Domestic One Sheet” The Weinstein Company AV Squad Print/Blood & Chocolate Art Director: Tom Brothers (AV Squad Print/Blood &Chocolate) Account Executive: Seth Gaven (AV Squad) Creative Director: Mark Crawford (Blood & Chocolate) Client: Jeff Elefterion (The Weinstein Company) Killer Joe “One Sheet” LD Entertainment Ignition Print Client: David Dinerstein (LD Entertainment) Account Executive: Adam Fox (Ignition Print) Art Director: Yujin Ono (Ignition Print) Creative Director: Emmett James (Ignition Print) Copywriter: Patrick Musker (Ignition Print) Finisher: Ignition Print In-House (Ignition Print) Sound of My Voice “Teaser” Fox Searchlight Pictures Designer: Mark Carroll EVP, Marketing: Larry Baldauf (Fox Searchlight Pictures) VP, Creative Advertising: Graham Retzik (Fox Searchlight Pictures)

The

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Trashiest Poster n o m i n e e s

Piranha 3DD Dimension Films AV Squad Print/Blood & Chocolate Art Director: Mark Crawford (Blood & Chocolate) Account Executive: Seth Gaven (AV Squad Print) Client: Jeff Elefterion (Dimension Films)

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w w w.s t e i n e r s t u d i o s.c o m

Best Standee for a Feature Film n o m i n e e s

The Hunger Games “Standee” LIONSGATE Ignition/LA Graphico

Abduction “Standee”

LIONSGATE Ignition/Drissi Creative Studios

Conan the Barbarian “Standee”

LIONSGATE Ignition/Drissi Creative Studios Photographer: Tim Palen (LIONSGATE)

The

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The Cabin in the Woods “Standee” LIONSGATE Ignition/Drissi Creative Studios

Best Pre -show Theatrical A dvertising n o m i n e e s

21 Jump Street “In Theater NCM”

Sony Pictures Mob Scene Senior Vice President, Worldwide Creative Content: Nancy Tate (Sony Pictures) Creative Director: Tom Grane (Mob Scene) Producer: Jason A. Groff (Mob Scene) Editor: Christian Masini (Mob Scene)

The Adventures of Tintin: The Secret of the Unicorn

Columbia/Paramount Picture Production Company Editor: Carrie Skinner (Picture Production Company) Creative Director: Dan Skinner (Picture Production Company) Motion Graphics: Claire Pinegar (Picture Production Company) Motion Graphics: Paul Watkins (Picture Production Company)

Disney Universe “Kids”

Disney Ayzenberg Group Owner/Creative Director: Eric Ayzenberg (Ayzenberg Group) Creative Director: Gary Goodman (Ayzenberg Group) Global Brand Manager: Janice Balgemino (Disney) Copywriter: David Rielly (Ayzenberg Group) Account Executive: Mia Moor (Ayzenberg Group) Director: Cristina Anderlini (Girl Factory) Motion Graphics: Romulus Agiu (Ayzenberg Group) CG/VFX: Joey Jones (Shadedbox) Editor: Jon Menefee (Ayzenberg Group) Producer: Annie Maldonado (Ayzenberg Group) Global Brand Manager: Amy Kreutzen (Disney)

The

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Most Innovative Advertising for a Feature Film n o m i n e e s

The Hunger Games “Faux Motion Ad – Cutting Edge” LIONSGATE Ignition

The Hunger Games “Faux Motion Ad – Liquid Skyliner” LIONSGATE Ignition

The Muppets “Two Muppets”

Walt Disney Studios Motion Pictures Buddha Jones Animation Marketing Brand Lead/Creative Director: David Sameth (Walt Disney Studios Motion Pictures) Producers: Steven Robertson, Krystle Lafond (Buddha Jones) Copywriter: David Sameth (Walt Disney Studios Motion Pictures) Copywriter: Steven Robertson (Buddha Jones) Editors: Steven Pinto, Troy Rinkenberger (Buddha Jones) Art Director: Beth Roy (Buddha Jones) Graphic Designers: Loren McNames, Jonathan Reyes, Jason Liwag, Nate Ebbings (Buddha Jones)

Shame “Alternative Newspaper Ad”

Fox Searchlight Pictures Designer: Mark Carroll EVP, Marketing: Larry Baldauf (Fox Searchlight Pictures) VP, Creative Advertising: Graham Retzik (Fox Searchlight Pictures)

The

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Most Innovative A dvertizing for a

brand

n o m i n e e s

The Hunger Games “Faux Motion Ad – Smile Away” LIONSGATE Ignition

Haywire

LIONSGATE Flyer Entertainment Creative Director: Dave Yerxa (Flyer Entertainment) Producer: Dan Wolf (Flyer Entertainment) Editor: Fraser Wirth (Flyer Entertainment) Director A/V Services: Andrei Bulawka (LIONSGATE)

Rise of the Planet of the Apes “Academy :30”

20th Century FOX Home Entertainment Flyer Entertainment Creative Director: Tom Merchant (Flyer Entertainment) Producer: Bonnie Korling (Flyer Entertainment) Editor: Dave McLaughlin (Flyer Entertainment) Exec Director, Creative Marketing: Jeremy Gershman (20th Century FOX Home Entertainment) SVP, Creative Marketing: Julie Markell (20th Century FOX Home Entertainment)

Star Wars The Complete Saga “Every Moment :30”

20th Century FOX Home Entertainment Flyer Entertainment Creative Director: Tom Merchant (Flyer Entertainment) Producer: Bonnie Korling (Flyer Entertainment) Editor: Jared Aucoin (Flyer Entertainment) Exec Director, Creative Marketing: Jeremy Gershman (20th Century FOX Home Entertainment) SVP, Creative Marketing: Julie Markell (20th Century FOX Home Entertainment)

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Most Innovative Advertising for a Video Game n o m i n e e s

Prototype 2 â&#x20AC;&#x153;Timelineâ&#x20AC;?

Activision/Radical Entertainment Buddha Jones Producer: Steven Rosenbaum (Buddha Jones) Editor: Rob Schlegel (Buddha Jones) Copywriters: Steven Robertson, Jason Chappelle, Nati Braunstein, David Cassada (Buddha Jones) Art Director: Jason Liwag (Buddha Jones) Graphic Designers: Jonathan Reyes, Steven Gagne (Buddha Jones)

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Best Film Fest Trailer n o m i n e e s French Film Festival

The Solid State

Message Sticks

The Solid State

New Directors/New Films 2012

Film Society of Lincoln Center/Museum of Modern Art Kinetic Creative Director: Stephen Garrett (Kinetic) Editor/Graphic Designer: David Klagsbrun (Kinetic) Marketing Director: Courtney Ott (Film Society of Lincoln Center) Marketing Director: David Goldberg (Film Society of Lincoln Center)

New York Film Festival 2011

Film Society of Lincoln Center Kinetic Creative Director/Editor/Graphic Designer: Stephen Garrett (Kinetic) Marketing Director: Courtney Ott (Film Society of Lincoln Center) Marketing Director: David Goldberg (Film Society of Lincoln Center)

Tipsy Goes to the Movies

Sonoma International Film Festival Trailer 2012 Screaming Pixels Animator: Keith English (Screaming Pixels)

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Judges Alix Madigan-Yorkin Alix Madigan-Yorkin produced Winter’s Bone, directed by Debra Granik, winner of the Grand Jury Prize for best dramatic feature at the Sundance Film Festival in 2010, and nominated for four Academy Awards including Best Picture. She served in various producing capacities on the cult comedy Smiley Face, directed by Gregg Araki and starring Anna Faris, Married Life, directed by Ira Sachs and starring Rachel McAdams, Pierce Brosnan, Chris Cooper and Patricia Clarkson, Cleaner, directed by Renny Harlin, starring Samuel L. Jackson and Ed Harris, Neil LaBute’s Your Friends and Neighbors, starring Ben Stiller, Natassja Kinski, Amy Brenneman, and Jason Patric, and the upcoming CASE 39, directed by Christian Alvert, starring Renee Zellweger. She also produced SUNDAY, which won The Grand Jury Prize for best dramatic feature and the Waldo Salt Screenwriting Award in the 1997 Sundance Film Festival and was directed by Jonathan Nossiter. Her most recent film, IMOGENE, stars Kristen Wiig and is directed by Shari Berman and Bob Pulcini. Alix is the Head of Production for Anonymous Content, a multimedia company based in Los Angeles that produced Babel, Eternal Sunshine of the Spotless Mind, Fifty First Dates and the landmark BMW commercials. Before joining Anonymous Content, she worked at Propaganda Films, Skouras Pictures, and Avenue Entertainment.

The

Amy Baer Amy Baer is a film executive with nearly 25 years experience in Hollywood that has spanned talent agencies, major studios, and independent distribution companies. The films she has supervised have grossed more than $1.8 billion to date in worldwide box-office. Ms. Baer is currently serving as a consultant to CBS Films (a division of CBS Corporation), an independent movie studio that she launched in 2007. She is prepping her first feature as a producer, Last Vegas, written by Dan Fogelman (Crazy Stupid Love) and to be directed by Jon Turteltaub (National Treasure). From 2007-2011, Ms. Baer served as President & CEO of CBS Films, whose inaugural slate of films in 2010 included the Jennifer Lopez romantic comedy The Back Up Plan, The Mechanic starring Jason Statham, and Beastly, starring Vanessa Hudgens and Alex Pettyfer. She was integral in building the CBSF acquisitions program, which includes the recent hit The Woman in Black, starring Daniel Radcliffe, and the critically acclaimed Toronto Film Festival title Salmon Fishing in the Yemen, starring Ewan McGregor and Emily Blunt, directed by Oscar nominee Lasse Hallestrom, and written by Oscar winner Simon Beaufoy (Slumdog Millionaire). Prior to CBS Films, Ms. Baer spent 17 years at Sony Pictures

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Entertainment, where she rose from Vice President of production at Tri Star Pictures (1992-98) to Executive Vice President of Production for Columbia Pictures (1998-2007). While at Sony, Ms. Baer oversaw such hit films as 1997’s My Best Friend’s Wedding, 2001’s critically acclaimed Adaptation, and 2006’s The Pursuit of Happyness, and she developed the 2011 Sony hit and Oscar nominated Moneyball, starring Brad Pitt.

the Emmy-nominated Bernard and Doris, Casino Jack, Mini’s First Time, The Sasquatch Gang, and the documentaries Uncle Frank and Rebuilds: A Year at Ground Zero. Mr. Brunetti is currently producing Maersk: Alabama, starring Tom Hanks and directed by Paul Greengrass, and the new Netflix series House of Cards also directed by Fincher and starring Kevin Spacey.

Faye Ward

Dana Brunetti Dana Brunetti is the president of Trigger Street Productions, a production company founded by Kevin Spacey in 1997. An innovator in social networking, Mr. Brunetti launched Trigger Street Labs in 2002—an online platform dedicated to discovering and showcasing undiscovered screenwriting and filmmaking talent. In 2009, he produced the film The Social Network, directed by David Fincher, written by Aaron Sorkin and based on Ben Mezrich’s book about the creation of Facebook, The Accidental Billionaires. This was his second collaboration with Mezrich; in 2008 Brunetti produced the film 21, which was based on Mezrich’s Bringing Down The House. Earlier production credits include the films Fanboys, Shrink,

Faye Ward has worked at the U.K.-based independent production company Ruby Films since its inception, and has gone on to become a creative executive and producer on the company’s film and television projects. Ms. Ward recently co-produced Jane Eyre for Focus Features directed by Cary Fukunaga, starring Mia Wasikowska, Michael Fassbender & Judi Dench. For BBC she produced S.J. Clarkson’s Toast, starring Helena Bonham Carter and Freddie Highmore and adapted by Lee Hall from Nigel Slater’s memoir. For Channel 4, she produced Double Lesson starring Phil Davis and written and directed by George Kay. She was an associate producer on Stephen Frears’ Tamara Drewe, starring Gemma Arterton. Other credits include, Chatroom, starring Aaron Johnson for director Hideo Nakata and John Alexander’s

Judges telefilm Small Island, starring Naomie Harris, David Oyelowo, and Ruth Wilson, for Ruby Television and BBC TV. Ms. Ward is currently producing, My Life In Orange, adapted by Jack Thorne and to be directed by Lone Scherifg for Focus Features, and Stephen Poliakoff’s TV series Dancing on the Edge, starring John Goodman, Matthew Goode & Chiwetel Ejiofor for BBC.

George Furla After graduating from the University of Southern California with a degree in business administration, George Furla started his business career with Cantor Fitzgerald and Company. At Cantor Fitzgerald he served as an equity trader from 1982 to 1985. After Cantor Fitzgerald, Mr. Furla worked with Jones and Associates for 3 years in a similar capacity. In 1988, Mr. Furla left Jones and Associates to establish and run the hedge fund DEWEY CHEATHAM & HOWE, which he did for ten years before leaving to form a film production company with his partner, Randall Emmett. At Emmett/Furla Films, Mr. Furla utilizes his hedge fund experience to model film financing scenarios. Mr. Furla and Mr. Emmett share responsibility in both concept development and arrangement of the financing of the films. Emmett/Furla Films has produced a large number of films including End of Watch, Broken City, The Frozen Ground, Rambo, 16 Blocks, Wickerman, Righteous Kill, Conan the Barbarian and, the upcoming films The Tomb, 2 Guns, and Empire State.

Ivan Reitman Director/Producer Ivan Reitman is the creative force behind films beloved by audiences around the world for over four decades The career that has brought about so many laughs began in Canada, where his family emigrated from Czechoslovakia when he was four years old. Mr. Reitman studied music at McMaster University, but soon turned his talents to film and theater. Shortly after graduation, Mr. Reitman delved into film production with the extremely lowbudget horror comedy Cannibal Girls. He soon headed to New York City and produced the Broadway hit The Magic Show and continued producing for the stage, earning Tony nominations for directing and producing along the way. While in New York, Mr. Reitman joined forces with National Lampoon to create Animal House. Following the success of that film, Mr. Reitman returned home to Canada to direct Meatballs, the first of many classic collaborations with Bill Murray. The string of hits he directed continued with Stripes and the Ghostbusters” series, Dave, Legal Eagles, 6 Days/ 7 Nights, Evolution, and a series of films that revealed the untapped comic talent of action hero Arnold Schwarzenegger: Twins, Junior and Kindergarten Cop.

Reitman’s equally impressive list of producing credits includes the family feature Beethoven, the Emmy-nominated The Late Shift, Heavy Metal, Space Jam, and Old School. In 1984, the National Association of Theater Owners honored Reitman as Director of the Year and the next year received a Special Achievement Award at the Canadian Genie awards. In November of 1994, Reitman became the third director honored by Variety magazine in a special “Billion Dollar Director” issue. At the end of 2000, the American Film Institute honored Animal House and Ghostbusters as two of the century’s funniest movies. He currently heads The Montecito Picture Company, a film and television production company, with partner Tom Pollock. Reitman has been married to former Quebec film actress Genevieve Robert for over 30 years. Together, they have three children and live in Santa Barbara, California.

Ms. Hall is involved with over 50 projects in various stages of production and development, including Mockingbird, Plush, Dark Skies, Curve, The Bay, The Babymakers, Sinister, and Lords of Salem. After joining the DreamWorks story department in 2006, Ms. Hall served as Executive Assistant to Marc Haimes, a Senior Production Executive working on the development, production and distribution of such films as Hotel for Dogs, The Heartbreak Kid, Disturbia and Transformers I & II. In 2009, she joined Marc to form Elevation Pictures, where she was promoted to Creative Executive. The company’s first two projects, Elevator Men and Jitters, sold to Summit Entertainment and Paramount, respectively.

Jon Favreau

Jessica Hall Jessica Hall, Director of Development at Blumhouse Productions joined the company in 2010. Through a deal at Universal, the company is focused on making low-budget, wide-release genre movies.

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Multi-talented director, writer, and actor, Jon Favreau continues to challenge himself with a variety of projects. Most recently, Favreau directed the Dreamworks/Universal feature, Cowboys & Aliens, based on the 2006 graphic novel, and the blockbuster hits Iron Man and Iron Man 2, starring Robert Downey Jr. and Gwyneth Paltrow. He also directed the acclaimed holiday smash hit Elf, starring Will Ferrell for New Line Cinema, as well as Zathura, a children’s

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adventure film starring Tim Robbins, for Sony Entertainment. He made his feature film directorial debut with Artisan Entertainment’s Made, which he also wrote. Favreau established himself as a writer of considerable talent with the acclaimed comedy Swingers. In addition to his tremendous success on the big screen, Favreau has served as the creator, producer and host of the critically acclaimed and Emmy-nominated IFC series Dinner for Five. His acting credits include People Like Us, I Love You, Man, Something’s Gotta Give, Love & Sex, Deep Impact, and Rudy.

Critic’s Choice Award nomination for Best Family Film.. Mean Girls, written by Tina Fey, became one of the most talked-about films of the year and won three MTV Movie Awards, including one for Lindsay Lohan as Best Actress. Waters followed in 2005 with the fantasy comedy romance Just Like Heaven, starring Reese Witherspoon and Mark Ruffalo, and in 2008 he directed the acclaimed family adventure The Spiderwick Chronicles, adapted from the popular book series. Waters went on to direct 2009’s Ghosts of Girlfriends Past, starring Matthew McConaughey, Jennifer Garner and Michael Douglas, and 2011’s Mr. Popper’s Penguins, based on the classic children’s book, with Jim Carrey in the role of Popper.

Mark Waters Mark Waters, a graduate of the directing program at the American Film Institute, made his feature film directorial debut with the dark comedy indie hit The House of Yes. The film premiered at the 1997 Sundance Film Festival, where Parker Posey won a Special Jury Prize for her performance. Waters’s next projects were the romantic comedy Head Over Heels and the VH1 original movie Warning: Parental Advisory. He then scored with the back-toback hit comedies Freaky Friday and Mean Girls. Freaky Friday, starring Jamie Lee Curtis and Lindsay Lohan, earned a 2004

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Nancy Utley Nancy Utley was appointed President of Fox Searchlight Pictures in 2009 and charged with jointly managing all aspects of the company including production, acquisitions, marketing and distribution alongside fellow President Stephen Gilula. Since 1999 when she was named President of Marketing and promoted to Chief Operating Officer in 2006, Ms. Utley has overseen some of Fox Searchlight’s most successful films to date for a total of fifty-seven Golden

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Globe and sixty-seven Oscar nominations, including a Best Adapted Screenplay win at the 84th Annual Academy Awards. Upcoming Fox Searchlight releases include Sundance Grand Jury Prize winner The Beasts of the Southern Wild, Lola Versus, He Loves Me, Stoker, and The East. Past films include The Descendants, The Tree of Life, Black Swan, 127 Hours, Crazy Heart, 500 Days of Summer, Slumdog Millionaire, The Wrestler, Juno, Once, Little Miss Sunshine, The Last King of Scotland, Thank You for Smoking, Sideways, Garden State, Napoleon Dynamite, 28 Days Later and Bend It Like Beckham. Before joining Fox Searchlight, Ms. Utley worked for more than a decade in a variety of capacities for Twentieth Century Fox, including Executive Vice President of Marketing for Twentieth Century Fox Film. In that role, she oversaw all aspects of media, research, publicity and promotion for Twentieth Century Fox’s theatrical releases. She also held posts as Vice President of Media, Senior Vice President of Media and Research, and Executive Vice President of Marketing, Media and Research. During her tenure at Twentieth Century Fox, she worked on such films as: Big, Independence Day, There’s Something About Mary, The Star Wars Trilogy Special Edition, Speed, the Diehard series, Mrs. Doubtfire, and William Shakespeare’s Romeo & Juliet. Ms. Utley came to Twentieth Century Fox from BBDO where she was Senior Vice President of New Business. Utley holds a Master’s degree in Journalism from Northwestern University. Ms. Utley is currently on Film Independent’s Board of Directors and has volunteered as a mentor

for Film Independent’s Project: Involve and Northwestern University’s Externship Program. Ms. Utley was named one of Ad Age’s Top 50 Marketers in 2003, received the prestigious Step Up Women’s Network Inspiration Award in 2007, was one of Ad Age’s Top Entertainment Marketers in 2008 and was honored with the “Loop Award” by Lupus LA at the Orange Ball in 2009.

Patton Oswalt Patton continues to find success in all areas of entertainment, most recently releasing the DVD version of his Grammy-nominated comedy special Finest Hour, on April 24th, a few days after it premiered on Comedy Central. He was also recognized this year for his work on the big screen, nominated for a Critics’ Choice Award for his performance in Jason Reitman’s 2011 film, Young Adult, starring opposite Charlize Theron. In 2009 Mr. Oswalt received critical acclaim for his performance in Robert Siegel’s Big Fan, which was nominated for an Independent Spirit Award and earned him a Gotham Award nomination for his performance. He has appeared in more then 20 films, including Magnolia, Starsky and Hutch and Reno 911!: Miami and provided the voice for Remy,

Judges a rat, in Pixar’s Oscar winning Ratatouille. Mr. Oswalt has also voiced characters on Word Girl and Neighbors from Hell. In addition to being a series regular on Showtime’s United States of Tara, he has appeared as a guest star on Bored To Death and Flight of the Conchords on HBO and The Sarah Silverman Program on Comedy Central and had a recurring role on the SyFy series Caprica. Patton’s first published book Zombie Spaceship Wasteland was released in January 2011 and is a New York Times Best Seller. Mr. Oswalt has shot four television comedy specials and released four critically acclaimed albums, including his latest Finest Hour, which just received a Grammy nomination for Best Comedy Album. In 2009, Patton received his first Grammy nomination, for the album My Weakness Is Strong. He was one of the stars of The Comedians of Comedy, which was an independent feature film, a TV series, and a long running tour. He tours regularly and extensively, headlining both in the United States and UK, and is a regular at music festivals like Bumbershoot, Bonnaroo, and Coachella. Patton also has a regular, bi-monthly show at the new Largo at the Coronet Theater in Los Angeles.

Randall Emmett One of the entertainment industry’s most prolific film producers, Randall Emmett has produced over 50 feature films. Combining a sharp financial sensibility with an equally astute eye for great filmmaking, Emmett has been a partner and part-owner with George Furla of Emmett/Furla Films for the past decade. He also is Partner and Founder of Curtis “50 Cent” Jackson’s production company, Cheetah Vision Films. With a reputation for packaging movies and actually getting them made – no small feat in a town full of good intentions – Emmett’s films have made more than one quarter of a billion dollars at the US box office. They have been seen around the world, at festivals such as Sundance, Toronto, Berlin, Venice, Telluride, and many have been nominated for Independent Spirit Awards and Golden Globe Awards. Emmett is currently in pre production for two films, 2 Guns, written by Steven Grant/Blake Master and will be directed by Baltasar Kormákur, starring Mark Wahlberg and Denzel Washington. Empire State, written by Adam Mazer and directed by Dito Montiel, starring Liam Hemsworth, Dwayne Johnson, and Emma Roberts. Mr. Emmett is currently shooting The Tomb, written by Miles Chapman and directed by Mikael Håfström, starring Arnold Schwarzenegger

and Sylvester Stallone. His past films include Bad Lieutenant, Righteous Kill, Rambo, and 88 Minutes. Mr. Emmett was raised in Miami and graduated from the respected performing arts high school, New World School Of The Arts. From there he headed to New York to attend The School Of Visual Arts. Among his many public speaking engagements, he served as keynote speaker at his high school alma mater commencement ceremony in 2002 and as guest speaker at the Miami Film Festival and UCLA Extension.

Stuart Wurtzel Stuart Wurtzel received an Academy Award nomination for his work as a production designer on Woody Allen’s Hannah and Her Sisters. He also designed Allen’s Purple Rose of Cairo as well as three films by Peter Yates: Suspect, The House on Carroll Street and An Innocent Man. He has designed several projects for HBO, including Mike Nichols’ production of Wit, Angels In America, for which he won both an Emmy Award and an Art Directors’ Guild Award, and, most recently, Empire Falls, for which he was nominated for an Emmy Award and won an Art Directors’ Guild Award. Wurtzel’s numerous other feature credits include: Stepmom, Hair, Mermaids,

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Romeo is Bleeding, Brighton Beach Memoirs, Murder by Numbers, Charlotte’s Web, Enchanted and Marley and Me. Wurtzel’s first feature film design credit was Joan Micklin Silver’s Hester Street, on which he collaborated with his wife, Patrizia von Brandenstein. Raised in Hillside, New Jersey, Wurtzel studied scenic design at Carnegie Mellon University, earning an MFA degree. He began working as a theatrical stage designer with four seasons as resident designer at the American Conservatory Theatre in San Francisco and three seasons at Cincinnati’s Playhouse in the Park. After moving to New York, Wurtzel designed numerous Broadway productions including Summer Brave, Unexpected Guests, and Wally’s Café. OffBroadway credits include Gimme Shelter at BAM; Sorrows of Stephen (for which he won the Joseph Maharam Award for Stage Design) and Henry IV, Part I for the New York Shakespeare Festival. On television, Wurtzel’s design for Little Gloria…Happy At Last earned him an Emmy Award nomination for Art Direction.

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Credits Executive Director: Evelyn Brady-Watters Executive Producer: Monica Brady Senior Editor: John Pale Stage Manager: PRG Lighting Designer: PRG Production Manager: Todd Cooper, Toast Show Graphics: Steve Viola, Method Design Nominee Package Editor: John Pale Announcer/Voice-Over: Joe Ramos, Big Joe Sound Intro/Outro Music provided by: Show Music Edited by: Tyler Bacon Show Music Selections: Erik Bardin Show Equipment: PRG, Brian Edwards Clothing Designer: Dawn Dunning Key Makeup: Betty Kennedy design Program Book Design: Carolyn Casey ckcdesign@mac.com Program Book Cover Art: Steve Viola, Method Design Printer: Bryan Schulyer (Americas Printers) Picture Selection: Erik Bardin Invitation Design: Tom Delmundo, californium.com GTA Staff Executive Director: Evelyn Brady-Watters Executive Producers: Monica Brady, David Steiner Advisor: Vic Garvey CFO: Stephen Sacks Creative Director: Tom DelMundo Associate Producers: John Pale, Matthew Brady, Erik Bardin PR: Sharon Kahn, Kahn Media Strategies Advertising Director: Gerry Brahney Music Director: Erik Bardin Office Manager: Shevit Rein Administrative Help: Alix Lotty Travel: Mark Rogers, Jet Blue Airlines Website Design: Mike Skelly IT: Mike Skelly, Steiner Studios Award Design: Jim Bachor Pre-Show Slide Show: ERB Design, Globotech Strategies Talent Advisors: Diana Miller, Erik Bardin Legal Council: Wilder Knight II, Esq., Pryor, Cashman, Sherman & Flynn Online Voting: Mediagility, Dean Wheeler, Scott Lazarus Advisors: David Steiner, Vic Garvey, Wilder Knight II, Esq., Michael Jesselson, Tom DelMundo, Rick Kloiber, Ken Ryan, Declan Kelly, Robert Testa, Ellen McGirt, Kit Lokey, Tina Flaherty, David Sable, Jerry Shereshwsky, Mark Cuban, Stephen Sacks, Leo Redgate, and James J. Brady Venue: The Rhino House Floral Design: Erlinda DelMundo. Reny Cortez Insurance: Arts & Entertainment: Matt and Andrew McDonough

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