for voice with amplification
Vladimir Gorlinsky
BramputapseL #1 Eva's berceuse
< 2011 >
Performance notes The types of staves: 1
B
f
1 1 t
The 2-lines stave shows the mouth and breath articulation.
Snare Toms Kick
A
A
¿ Æ¿A
Æ¿J
B
3
¿
This is a 'Kit-drum' stave. It's just a variant of first, but in this situation the all notes refers to the drums.
B
œ ≈ œ ≈ ≈ œ œ
This stave indicates the soundpitches of any voice's techniques. Sometimes it shows approximate intonation (an example the buzzing's intonation in the 43-th bar). This stave also indicates of voice part (a just vocal or something with vocal), in this case it should be marked 'head sound', 'throat sound' etc.
The some rhythmic difficulties: e=210
I
e
∑ r er
3
r b
ΠI
∑
o
k
3
e=150
I
This is an example of 'broken triplet' ber structure: in this case the normal semiquaver get involved to usual triplet's figure.
æY ‰ I
œ
t™ B C
A
>
ftk™ Æ ™ B ™ Æf t k < ‰> C
B
f
>Æ B ™ t™ k
f
t™
k
≈7q
#œ
& B
Æ >
H-F gliss.
This is more free notation, it's fragment should to sound 7 beats (an approximate).
gliss.
The upper line indicates the equal changing of tempo. This is approximate tempo value, it sould to sound like the magnetic tape's acceleration.
The types of sound:
3
1) Like drums sounds: Perform it like 'Kick-drum' sound with the great accent. The first sound should be close to acoustic kick, the second — to electronic.
tuf A
A
This is another variant of kick-drum: this sound should be also with great accent, but more squeeze (without any release).
A
B
This is a Snare-drum sound (always with strings).
J
J Also you can find in the score the some another percussion sounds. For exemple: letter E — it's Udu-drum sound, the letter S — the sound of electronic cymbal (crash), the letter W — the sound of shaker etc.
2) The consonants and vowels: b
n m h
p
\ D W Say these consonants using the forward part of your mouth only. With real strong tongue articulation.
Say the separate consonants without any vowels. It should be the strong articulation, but not speaking.
This is a fast forward-backgraund tongue movements on letter X and Y (your tongue must to touch of palate for each forward 'X'). The frame indicate that it's not a separate notes, but one complex sound.
pY
X
Y
X
Y
X
R
3
DэrY
®
X
Y
ferY
®
X
t
J
merY
X
Say these consonants using the back side of your mouth.
Y
®
This is a combination of two articulation's processes in one time. Say 'ver', 'fer', 'mer' and continuously to move the tongue like in the last example. It will be something like 'verelэlэ', 'ferelэlэ', 'merelэlэ'.
l
m n
5
It should be swallow sound (with closed lips). Y
k
p
r
s
t
5
The small font indicate that all of this notes is not major. Don't pay attention to every sound, it's more important the feeling of whole sound stream.
j
1
On inhale: most high and loud noise sound (like the yell).
C
J
o
ko Open your mouth and during short time block the throat. Tham sharp relax it. It will sound like very back throat's 'ko'.
J
4
3) The Buzzings:
This is a voice modulation by the usual buzzing.
U H I
B
Uuzz
œ<
@
U The different kinds of buzzing: 1) Let go airstream through center of lips. 2) Let go airstream by the left (or right) cheek helping.
@ @@
@ @@
@ @@
@ @@
@ Lips buzzing
Set your tongue to the upper teeth and work them like a jackhammer (say a stentorious 'trrrrrrrrrrrrrr').
Loll out, make the dirty and loud buzzing sound (like a farting).
B
œ œ œ œ œ œ
U
Try make this soundpitches by usual lips buzzing.
4) Lip's and teeth techniks. This is a lip's vibration (fast as possible).
fÍÍÍÍÍÍÍÍÍÍÍ
The kiss high sound (by closed lips).
This is a quiet rhythmic chewing.
Close your mouth sharply and with force.
ô i ô i i ô i ô
f
I
æ
R
The sound changing (filters): H-F
B p
J
Use the mouth like a High-Frequency filter (only high pitches and noises).
f
...¡..
F t
k
º The open mouth (the smile).
Say through clenched teeth.
¶
B r
The close mouth.
k
s
t
f
k
t
s
r
Use the mouth like a Snare-drum filter (only sound will be like with drum's strings noise).
5
The some mind processes: In this case it's impossible do really together both of these processes. You need combine it and try to do something middle, but some part of this always will unrealized — keep it in your mind.
¿fi¿
A
>
ææ Y
b
f
in your mind...
Æ¿J
¿
B
A
>
æY
b
>
ÆpJ b æY
3
^
3
¿ >
æY
Head sound (clean)
A
3
b
>
b
Throat sound (complete distorted)
B
˙
BO
The sound's
modulation
3
The Bramputapsel can be performed by male and female voice. Any soundpitches lines can be transposed to any interval up or down, but it's important to keep an approximate relation of the ranges and registers. The piece used the range of high male voice: from G# to f2.
BramputapseL #1
6
Eva's berceuse
58
q=95
e=170
4> 4
rf
s t
B
f
1
1
t
f
58 P
>
r
k t k t
t
k t
78 PÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ44
k
ë ff
fp sempre
>
R
R
>
> ® t r R Ut k t k R
C
C
ss. gli
C
C
5r f PÍÍÍÍÍÍÍÍÍÍ 4 >
s t k
ë ffp
ffp 7
78
Wp
68 fÍÍÍÍÍÍÍÍÍ
>
lip's vibr.
f
R
X Y f X Y
7
≈ f ™ J
p
™ W WÍÍÍÍÍÍÍÍÍÍÍÍ 45 > R
CÆ
pr
>
>
®k t k S >
R
C
f®
sf
® W
X Y
>
H
≈
®
>
p
Y
X
X Y
Y
Y X Y
® >
X
Y
X
Y
X
>
U p
>
p
U > >
> p> Z Cb Z Cb Z Cb Z > C C 3
S
3
3
p
3
ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ 9 b™ X Y 16 pp ® ææ > spp ë
k™
lip's vibr.
>
ë ffp
lip's vibr.
U
Y
>
3
3
>
sff 9
. 1
.
38 B
A
f 5
1
Vladimir Gorlinsky
sf
f
I
≈
X
Y
>
X
U p
sf
X Y
X
® >
>
U H 4:3
X Y X Y X
pp
Z
78
ë
68 ™ CÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ lip's vibr.
>
I
®
U I
p
fij
44
7
3
11
44 p®
эr
Y
X
Y
fer
Y
etc. X
m er Y
Y
® >
>
sffp
X
Y
® >
Dэr
ææ Y >
more voice 3
3
R er
r
э rrrrrrr
ææ Y >
>
very precise embouchure articulation without real voice sound
l
k
(like russian "И")
p er
æY >
æY >
>
s
t
>
f
h
s
> > ® PÍÍÍÍÍÍÍÍÍÍ r k
\
C
J
sff
ë fp
pp
Æ
Æ
n
m
Æ
r
Æ Æ
op
s
98
≈9q
Dэr Y
®
X Y
fer Y
®
X Y
r mer Y
T
o∑
ÆJ
э
almost full silent
h
э
ts
э
ch
e
sh
э
sh
e
98
Œ
etc.
3
3
Dэr fer mer b эr p er ger
X Y
s
I
k
o
Ó
l
n
o
3
g er fer mey
ææ Y ææ Y ææ Y ææ Y ææ Y ææ Y R ææ Y ææ Y spp o
®
almost full silent the sharp throat's musculation without voice
f
o
fp
3
u
5
5
>
Æ
"ppp"
<q+x>
l m n o p r s t
≈ 13 q
Æ
Æ
i
fer
≈ Œ
17 16 17 16
15
I
17 r 16
3
b er
e
17 Π16 I
I
17
21 16 f
3
21 16 ŒI 19
27 16 27 16
I
3
3
∑ r
3
∑
∑
∑
r I
3
‰ Œ I
o
ææ Y
ææ Y
per
Dэr
‰ o ‰ o I I
o
k
I
k
>
3
3
ææ Y ææ Y ææ Y
b er Der k er
3
3
spp
Ó
I I3 ∑ r ∑ r > I df
I
3
r ger r dэr r g r ber per ger kermer b Dэr C Æ æY ææ Y ææ Y ææ Y ææ Y ææ Y ææ Y ææ Y 3 o sp ko Œ Œ Œ ko ‰ ko I I 3 ∑
∑
‰ Œ I
o
k
3
3
s
∑ U
p r s t f hS
C
I
t эr
Π3
∑
k
o
ææ Y
per
IU
I
k
o
I
44 k
3
ææ Y ææ Y er
ner
44 ΠI
∑
o
er
∑
s
t
f
k
o
h
C
‰™
spp
o ‰ I 3 ∑
3
ææ Y æ Y æ Y æ æ
∑
\er Dэr fer
p r s t u f hS
∑
8b
3
I
I I
I 3 ∑ r 9
98 ‰ I
∑
smp
3
ææ Y
3
kerrr
k
3
d эr k er Der
э rrr
t
ææ Y ææ ææ Y ææ Y ææ Y o
æ Y ææ Y ææ Y ææ Y
r
ææ Y 3 o sp ‰ ko ‰ Œ I I 3 ∑
ææ Y
ger
I
I
3
S d эr ber b эr mer f эr S
Ó
r
rI
I
k
3
> > > > b er f er ^ ^ ^ ^ per ææ Y ææ Y ææ Y o spp
k
ker
ææ Y ææ Y er
∑
o
k
I
3
‰ Œ I I
3
3
Z
I
Œ
21 16
I
o
spp
∑ I
3
o
k
∑
27 16
‰ I
27 16
I
C
Œ I 3 ∑
mэr
ææ Y
f hS\
ææ Y ææ Y ææ Y ææ Y ææ Y ææ Y æ Y ææ Y ææ Y ææ Y Ó
21 16
æY æY o
dэrDer sэr t er m er э r ker g er fer D эr
Œ
\ er Der
I
C
8
R
per
44
‰ I
44
æY
21
9
44 D 44
3
3
>
3
> 17 D 16
3
ææ Y ææ Y ææ Y ææ Y ææ Y ææ Y ææ Y ææ Y ææ Y æ Y æ Y æ Y эr
d er m эr R er d эr S er t эr v эr g er b er fэr
fer
>
>
3
ver
>
3
t эr Ter
s эr ser э r
ææ Y ææ Y ææ Y ææ Y ææ Y ææ Y ææ Y эr
r
3
r f er fer f er ææ Y ææ Y ææ Y
U
ææ Y
e
17 Ó™ 16
∑
>
3
Œ
almost full silent k
o
> º
43 43
эghe! 23
43 f
3
ææ Y
er
ææ Y
f er
3
ææ Y
f er
ææ Y
ææ Y
fer
fer
ææ Y
f er
>
ææ Y
D эr
3
ææ Y
v er
>
ææ Y
ææ Y
Dэr
15 16
q=83 x7 > > > > > 5bf ‰ bf ‰ bf ‰ bf ‰ bf ‰ í ™™ b f ‰ ™™îÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ4 ææY ææY ææY ææY ææY ææY silent
ææ Y
ver
Snare Toms Kick
Tongue movement only
>
¿fi¿
A
44
15 16 p sp
Æ p
3 Y X
b
X
>
ÆpJ b æY
ææ Y
ver
in your mind... 3
b b
æY
^
3
3
X
‰
A
> >
3
ææ Y
D эr
¿ ¿
3 b
>
3
Dэr
B ¿fij
A
>
Strong articulation
ææ Y
ver
q=90 > > 15 16 b f b ææ Y ææ Y
spp
>
ææ Y
Dэr
q=75 28
>
3
f
3
>
b la
æY
‰
v er
sf
3
Æ¿J
B 3
J >
ÆpJ b ææ Y
‰
‰™
‰
‰.
44
smf
‰
Æ p
3 Y X
>
b la
smf
‰.
45
30
e=170 I
45 p
3
æY
∑
f
k
t
b
g
k
t
p
f
...¡..
k
t
p
44
>
>
Æ
tk
t
>
B U
k
35
45
Æ >
t™
A
45 tuf
f kt b
C
B
>
fX fX fX fX
A
sfp
t
p
g
t
p
C
g
t
p
C 4:3
4:3
sf
>
>
t U
T U
g
Æf t k
™
H-F
4:3
B
ss. gli
C
>
R
™
Æ < ‰>
C
®
>1 RÔ
B C
™
Inhale f
>Æ B ™ t™ k
™
f
< ≈>
>
f
ësfp
>
k
3
f
>
t
t™
I
f
k
43
p
æY
æY
p
Æ
p t k
17 эghe 16
k
ss. gli
b
C
tuf
>
A
smf
j æY ‰ ≈.
Inhale f
C
> RÔ
t
45
ë mf
e=170 >1 f
44
h
sfpp e=210
ftk
sf
10
11 16
B
3
>Æ
U H
f
C
A
H-F
t
smf
3
t
R
t
C 4:3
A
3
Æ
e=150
g
C
>
k U
smp
33
p
C cresc.
B
A
t
4:3
sf 31
g
C
q=86
> >
p g t dim.
RÔ R
tuf
>
A
Kr æY ‰
f
k
t
>
эghe
ë sfp
R
‰ ®
Kr æY ≈ ‰
tuf
>
A
p
tuf
>
A
t
p
f
...¡..
t
æY ®
tuf
>
A
sf
k
45
21 16
11
& 37
21 16 f X f X f X
nœ
nœ
H-F
U pY
X Y
I
®Y X Y
I
®
Y X
pt g h t k
3 ∑ I with throat
эghe
T
I >
R
f t kpr s
ord.
sp
I
3
? 6 nœ
39
4
43
>
3
f t kpr s
17 16
f
p
R
ësf
4:3
sf
sf
sff
∑
I @ @ @@ @ @ @@ @ @@ @ @
U uzz
U
>
R
almost full silent
almost full silent
46
It's not separate movement of tongue. Say "rrrrr" and follow this intonation.
f t p r s
Inhale
I
U
rrr ? ≈ S p f t k p r s #œ
p C®
r s t
p C®
r s t
p C®
r
s t
‰
Cp
s
Cp
s
Cp
s
>
p
>
R rrr f
t k pr s
almost full silent
>ÍÍÍÍÍÍÍÍÍÍÍÍ B ™™ 13 r ≈ U H ≈. < 16 J
sf
sff
C™
R
almost full silent
40
3
k
s
t
almost full silent
f
k
t
s
r
17 16
sff
>¶
th
R
ësff
Inhale > > > > th < th ≈ < Inhale
k
s
t
r
almost full silent
s
sf
13 8
42
It's not separate movement of tongue. Say "trr" and follow this intonation.
13 ™™ ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ 8 Uuzz ææ
B 13 8
43
º F
F
bœ
bœ
gliss
.
s. glis
nœ ∑
3
10 4UIC
3
3
3
p s
p
C
ææ Y ææ Y ææ Y ææ Y
≈ . Œ
≈ ‰
‰ I
s ô i™ i™ ô i™ ô i™ ô i™ ô i™ ô
78 > A
œ
The rhythmic chewing
B
f™
‰
>
k t
Œ
k t™
‰
I
>
ææ Y
‰ 3
U
I U
k
> A
f™
k
>
F
®
U uzz >
@
r
k
t
@
@@
U
@
º F ºF œ œ bœ bœ
sff
¶
th
th
ææ Y
I k
t
3
A
@
ææ Y
3
º F œ bœ
gliss.
º bœ
10 4
6
I @ @ @ @Inhale @ @ @ W™ @@ nœ
s. glis
∑
A
th
ææ Y
I I
U
gliss.
œ
∑
I
ææ Y
10 4
12
th
th
эghe
‰ B œ ≈ œ ≈ œ ≈ œ
∑ f™
>
sp
∑
3
>1
3
almost full silent
I
∑
эghe
in your mind...
I
B 78
≈ . < < < <
≈ ‰
To sing through nose (approximate intonation)
10 4 Π44
º œ
I
º œ
gliss.
78
J
ë
‰™
f
46
≈
46
Inhale
>
A
f
t
k
I
A
A
œ
‰
œ
f
o
f Bœ
I
œ 3
∑
œ
#œ
≈ ™
œ
78
I
46
13
46 C
6 ≈ B4
H j
U
t
k
p
k
>
f
t
>
k
A
A
3
‰
®
™™
>
A
trrrrrrrrrrrr
µœ
≈ ™
Inhale Articulation only
™™
trrrrrrrrrrrr
µœ
f
>
R
A
<
µœ U
≈
˜œ
g
R
k
t
On inhale...
>
Vas
<
sppp
A
sppp
≈ ™
≈
®
˜œ
sff
≈ 11 q
Read text like a poetry.
¶Exhale
Inhale
´
chto za- bo- chet ≈ 4:3 poco rubato.
o- di≈
3
´
nо-
´
ka
pes- mys-
I 3 ∑
≈
3
ley
chto ta-
´C
it
Inhale
´
v no- chi-
p s YX X Y Y
≈
o
sff
≈ 2:3 sppp
≈ 11 q
¶ i-
zma- ro- kэ- vэ-
7
non rubato.
lэ-
mэ- po-
rэ-
I
э- schk! 7 ∑ ë
Exhale
nonÓ™
me-™
ri- ™
i- ™
chk!™
ë
¶
47
49
47 э
R
º F
F With throat's gnash.
>
™™
m
‰
<C> ™™™
m
R
ë sf
spp
º F > эghe >
spp
98
25 16
A
> @
> @
‰
>
>.
A
>.
A
k!
>
I
C
R
ë
>
A
B
œœ
œ
>
A
‰
>
A
≈
A
> @ @@ @@ @@ @@@@@@@@@@
>.
эghe ri- sch-
эghe \
spp
ësf
spp non cresc.
25 16
F
R ë
spp
sp
Uuzz > t @ @@ º t k @ t t @ @ 98 эghe k @ k @ f @@ @@ @ @ @ @ t t t @ @ @ @ @ @ @ @@
sch
> @
º ∑ >
r
51
> @
3
e=200
≈5q
53
R
R ë
(ch) ™™
46
C
º F > I
14
@@
gliss.
> @ @
œ
@@ œ
@@
@@
gliss.
@ @@
œ
B
bœ
> @@ œ
nœ œ
gliss.
@@
gliss.
@
œ
>@ @ œ
gliss.
@ @@
@@
gliss.
œ
@@ @ @
œ
25 16 25 16 25 32 25 32
56
9 16
> @ @
9 Bœ B 16 nœ
59
10 4
> A
@
@
œ
@
s. glis
œ
@
@
> @
œ
@
@
œ
@ > @@ ™ @ @ @ ‰ A
œ
gliss.
@
@
#œ
@
> @
œ
s. glis
>
tuf A
R
œ
gliss.
@
@
@
™ I
A
15 32
œ
µœ
> t
34 œ Bœ gliss. B œ œ
gliss.
> > > > > @ @@@@@@@@@@@@@ @
µœ 15 32 n œ
s. glis
œ
Œ
@
@
®
3
œ
œ
œ
œ
œ
19 32
œ œb œ
œ
gliss.
#œ
@ @@@
more noise...
>
A
@@
9 16
gliss.
@ @@
@@
>
B
@ @@
@@@
ë sff
sff
10 4
ë
e=200
∑ e=170 >
rrrrrrrrrrrrrr
œ
gli ss.
B 25 32
@@
> > > > @ @ @ @ @ @@@ @ @@ @@@@ @ @ @ @ @ 3 @ 9 @@ @@ @@@ @@ ® @ @ @ @ 4 16 @ @ @ @ @ @ @
gli ss.
25 32
> @ @@
gli ss.
54
> @
gli ss.
15
>
B
k t
A
f
I > A
>
f
R
A
™
. > f > f > f PÍÍÍÍÍÍ
f A
A
A
6
J ë
78
Uuzz 60
78
> @
A
B 78
@ @@@@
@@ @@ @
@@ @@@
@@@@@
œ &
falsetto
bœ
gliss.
sff 62
¶ @ @@@@
58
>
more noise...
A
@
@@ @@@@
@@
@ @@@@
@@@
@@
º
F
Throat sound (complete distorted)
ë
sff B 15 16
65
j
Ϫ >
œ
b œ µœ
B 15 16 ˙ ™™
sfff
œ
œ œ
gliss.
f sempre
œ
œ œ
œ
œ œ r bœ
The snore. 3
>
> ∑
B
68 nœ 68 n˙
C
16
>1
sf sempre
>
[э]! > C
>
t Shta?!
œ
œ
58
œ
11
19 16 œ
µœ œ œ œ œ œ œ œ œ œ ≈
15 16
19 16 w
j < > ≈
15 16
5:3
œ
3
. liss
modulation
œ
>
& œg
The sound's
48 O
PÍÍÍÍÍÍ
>
J
sfff
48 ˙
Bœ
4:3
PÍÍÍÍÍÍÍÍÍÍh
Head sound (clean)
B
Heart's sound.
œ
œ
œ
œ
œ
j ™
œ
œ
≈
44 #w
≈
44 nw
> >
sfff
f sempre
≈ 11 q 17 68
B B
œ nœBœ# œ µ œ B œ
gliss
gliss
.
µœ
gliss.
ss. gli
.
nœ
nœ
gliss.
?
nœBœ#œµœBœ
gliss
gliss
.
nœ
gliss.
µœ
glis
gliss
.
x6
nœ
s.
> nœ
nœgliss. Bœ
x2
R
gliss.
.
13 8
ff more noise... Direct loud unpleasant sound.
B 13 8 nœ
69
98
>™
F
tuf A
@
º @ >™ @ @@ tuf A
@ @@@
@ >™ tuf A
@ @@@
@ >™ tuf A
@ @@@
@ >™ tuf A
@ @@ @
@ >™ tuf A
@ @ @@
@
118
sfff Uuzz
º
F 71
118
@ >
118 tuf A
@@ @@ >
f
@
@@@ >
tuf A
@ @@
@@ >
f
@@@ >
tuf A
@ @@
@@ >
f
@@@ >
tuf A
@ @@
@@ >
f
@@@ >
tuf A
@ @@
@@ >
f
(e=245)
@ >
tuf A
@ @@ J
13 @ @ B 16 13 16
e=245
>œ nœgliss. œgliss. œ œ nœ gliss.œ nœ gliss.œ nœ œ nœ œ R
13 B 16
72
Voice
? 13
Lips buzzing
16
U
#>œ
Electronic kit
13 16
>œ
>œ
>œ
>œ
>œ
>œ
>
>
>
>
>
>
>
tuf A
tuf A
tuf A
tuf A
tuf A
tuf A
tuf A
18
68
œ s. œ > n œglis
œ > s. œ n œglis
68
#>œ
>
ss. gli
gli ss.
68
ss. gli
œ
>
tuf A
gliss.
> tuf
A
œ > s. œ n œglis
œ > s. œ n œglis
>
>
ss. gli
>
tuf A
tuf
A
tuf A
> tuf
A
7 16
ss. gli
tuf A
nœ
7 16
tuf
A
sffff ≈7q
7 B 16
74
.œ iss l . g n œgliss œ >
≈
œ œ
@ @@ @ @ > > tuf A
tuf
A
tuf A
B Cut short sound.
>
> f
r
Throat sound (only)
&
#œ
H-F
Head sound with throat's distorttion
tuf
A
58
"Agonizing" sound.
gli
U uzz
7 16
œ ss.
tuf A
J sffff
œ o
gliss.
gliss.
œ5 ff
8
58
(Head sound)
B 58
58
Electronic kit
gl iss
ss. gli
œ Y
X
Y
< x = x >
X
Y
X
Y
44
?6
79
4 46
21 16
X
tuf A
>œ
Œ
>
f
tuf A
œ > œgliss.œ
œ > œgliss.œ
œ > œgliss.œ
œ > œgliss.œ
44
>
>
>
>
>
>
>
44
tuf
A
f
R
tuf A
tuf
A
tuf A
tuf
A
tuf A
tuf
A
tuf A
tuf
A
tuf A
tuf
A
gli ss.
gli ss.
gli ss.
œ > œgliss.œ
tuf A
gliss.
>
B
t
≈
œ
tuf A
œ > œgliss.œ
œ gliss. f
C
B
œ C
J
ë f
t
>
R
bœ gliss. t
r
j
>
µœ n œgliss.œ >
tuf A
tuf
A
44
sfff
f
e≈367 B4 4
21 16
.
œ >.
sp
I 3 ∑
j
B
s.
#œ
gli ss.
(Throat only)
21 16
Voice
gli ss.
F
glis
5 &8
76
19
gli ss.
"Frivolous" sound.
>
k
f
tuf A
t
≈ f
4:3
t
>
R
B
œ C
J
ë f
t
>
R
gliss.
>
B
≈
œ
tuf A
œ gliss. t
?
œ
f
S
œ C
46 46
k
r
j
>
œ gliss. f
C
r
œ
tuf A
Œ
œ
j
>
>œ
B
ë
C
R ë
44 44
80
Some part of this process going in your mind...
44
20 Y X Y X Y X Y X Y X Y X Y X Y X
etc.
44 f k f k f kf k f k f k 3
B4 4 Bœ
3
3
œ
Ó
44 C
3
C
> smp
>
B4 4œ
44 C
µœ ‰ œj ≈ r ‰ Œ
C . C. > >
C
>
e=290 92 >
µœ
œ ‰ j Œ ‰™ œ ‰™ r Œ r C C > > C C > >
ŠϪ Ϫ
> >
C
µœ
Reed text like the bad Rap in a sweet russian pop song.
>
‰ ™ œ™ œ™
C™
C. C. > >
>
™™
44 shэ- bэ mars mo- lou- ch'
™™
44
sff
Ϫ
J
Intonation
J
>
µœ
‰™ œ Œ r
≈ r ‰ C
>
C
>
µœ
bœ
‰ ™ œr Œ
CCCC
>>>> C > >
Œ
œ ‰™ œ Œ r r C
C
>
>
>
>
‰ œ j
œ œ ‰ œ ‰™ j
C
C > >
Bb œ
C C
>
C
>
>
C
µœ
µœ
µœ C
> C > >
C
>
3 4 œ œœ
3 4 C CC >
> > >
‰ ™ œr Œ
C
™™ ‰ u- ho- dit no- ch' pro- ch' J
™™
µœ
78 78
™™
‰ Œ œj
44
C
>>
µœ
‰ œj Œ
™™shэ- bэ mars moJ
44
3
C
>
C
>
>
lo-
œ j
44 44
> ë
C
e≈410
ch' ™™ J
™™
e≈410 >
95
>
shэ- bэ
@ @@
A Voice.
B
glis
œ
@@
{> -
h
A
µœ
s.
œ
sfff 98
44
> A
B4 4
q=67 101
44
The phoneme of noise.
C
h } {>
@ @ @
gliss.
-
@
A
µœ
3 glis4 s.
œ
}
> 34 @@A C
µœ
@@
µœ
@ @@ Œ
54 > A 45
œ Œ
gliss.
@
@ @@ > A
µœ
ss. gli
nœ
œ
Lips buzzing
@ U @ ‰Bnœ @@ > ss. gli
bœ
44
U
>œ
b >œ B œ >œ B œ
44
≈ 11 q
@@@
>
B
@@@@@
Bœ
>
A
@
>
B
J œ
gliss.
‰
42
‰
42
> A
bœ
@@@@ ? U @ bw @ @ >
Lips buzzing
gliss
.
Bœ
o
œ
gliss.
Bœgliss.
gliss.
sffff
44 44
For upper stave: It's additional scale for the gain — Use it for detalisation of traditional dynamic notation system.
This scale for the noise parameter —
[ v-f ] gli ss.
B4 4gliss. œ
µœ
etc.
gliss
mp sempre
.
˙
gliss.
µw
gliss.
j
œ
‰
µ˙™
glis
s.
#˙
gliss.
‰
B˙ ™
gliss.
J
glis
s.
µœ gliss. ˙
Very plaintively
gliss.
nœ ‰ J
mf sempre
107
B µ˙ ™
gliss.
gliss
œ
.
gliss.
˙
B œ gliss.
ss. gli
B˙ ™
Bœ gliss. B ˙ ™
gliss.
j
‰
gliss.
j œgl™ iss. œ gliss. œ µœ µœ µœ œ ™ gliss. µœgliss. R 4:3
112
Bœ
f
nœ µœ 3
Bw
To chew this text like a low speed tape.
r
™
gliss.
sff
œ
µ œgliss.Bœ gli
≈
j ss. g bœ liss.
3
bœ
gliss.
f
gli ss.
gliss.
gli ss.
B
Bœ
[ s-sh ] etc.
[ ma-----------rs-----------mo-------------loch ]
B3œgliss. œ
gliss.
Ϫ
s. glis
œ gliss.
j œ
ff
117
µœ ™ bœ ™ ≈ µœ ™ b œ œBb œ
[ s-sh ]
3
B ˙ Bb ˙
˙
sfff
[ rrr ]
Ϫ
[ s-sh ]
˙
Ϫ
œ
Bœ
j B œ Bœ œ ≈ R
Just sing and shout!
sffff
µœ bœ
m Bb œ B œ #œ ™ µ œ Bbœ ™ µœ
> µœ ™
Bœ œ
In your mind...
F
ë
2:3