paramusic2-compressed by Voloko Gorlinksy

Vladimir Gorlinsky

Paramusic #2 Dedicated to Pieter Matthynssens and Nele D'Haese

Paramusic #2 has been composed for the inauguration of 'Fort Liefkenshoek' in Kallo (Belgium). This piece couldn't have been written without the support of Herman De Vleeschhouwer, Hans De Volder, Bart De Bruyne, Marieke Coessens, Veerle Deloof, Kris De Pagie, Reinoud D'Haese, Kris Matthynssens, Jonas Permentier, Simon Weetjens and Rita Pallemans.

This composition was first performed on the 5th of May 2012 by the orchestras of the music academies of Sint-Niklaas and Beveren, conducted by Pieter Matthynssens. The composer would like to thank the municipality of Beveren and the city of Sint-Niklaas.

Performance notes General notes:

Instrumentation: 3 Flutes (1st Alto Flute in G, 2nd doubling Soprano Recorder, 3rd doubling Piccolo) 3 Oboes (1st with child’s reed) 2 Clarinets in Bb 3 Bassoons (1st amateur instrument)

It's desirable that each performer has silent electronic metronome for self controlling of the tempo during performance. But there is no need to use metronome all the time, just keep right tempo in your mind. Each performing part is a solo. You should not match anyone else.

4 Horns in F - Bb 3 Trumpets in Bb 3 Trombones 2 Tuba

The freedom bars: free

œœ

4 Percussions: 1st (Gran Cassa with unstrung skin, High wood block) 2nd (Gran Cassa with tense skin, Djembe, High wood block) 3rd (Gran Cassa with normal skin tention, Darbuka) 4th (Gran Cassa with unstrung skin, High timbales with unstrung skin)

Play this sound at any time during this bar.

Orchestra location:

5 Walkers (5 Megaphones, 5 Double-sided slapsticks): 1st (9 Petards) 2nd (8 Petards) 3rd (7 Petards) 4th (2 Petards, Glass sheet with piece of wood with nails) 5th (2 Petards, Rocket, Metal sheet with piece of wood with nails)

Brass Winds

Harp Piano

i II

Vio li

celli

Viol in

on Viol

Pia

Violoncello solo (scordatura CB, G, d, aµ)

bassi Contra

lin Vio

Strings Needed objects:

20 Stopwatches 40 Slapsticks (Frusta) 40 Goddered hoses Silent electronic metronome for each performer

Cond.

ob.1/bn.1 = oboe 1/bassoon 1 hn = horn p = percussion M, G = metal and glass sheet position

Winds / Brasses: Play on the goddered hose. You are inhaling and exhaling an air, try to keep a solid sound without any interuption. If it’s forte, please play with full force.

Intonation

~ pp

‚

Horns: Ó™

‚ pp

Open horn.

Play with muting bell by hand.

Play with bell up. Air noise.

Frull. w ææ

Insert a bassoon’s or oboe’s reed in a mouthpiece of a horn, try to catch a multiphonic sound (written on the lower line), or a loud high sound with a great noise admixture (written on the top).

œœ

Play an air frullato sound, no soundpitch.

Oboe 1 (with a child's reed): F 1 2 3

œ &

The top stave consists of two lines that indicates a low sound (written on the lower line) or a loud high sound with a great noise admixture (written on the top).

The horn's fingering.

The bottom stave means oboe's fingering.

Bassoon 1 (amateur instrument): j œ™ œ

The top stave consists of two lines that indicates a low sound (written on the lower line) or a loud high sound with a great noise admixture (written on the top). The top line indicates gradual opening and closing of hole by your right hand, the lower line indicates the same action for your left hand. In this case, please open both holes gradually. The second position for 2 and 3 oboes.

Oboe 2, 3: æ œæ

Play without a reed, just use an air noise (send entire air stream to the oboe).

i II

Vio li

Pia

iI Violin

celli

Also use an air noise sound, your mouth should be open up slightly. And an air stream is passing by the oboe mouthpiece.

Bass

n Violo

. . . & nf nf #f

Double

lin Vio

œ æJ

& œ™ææ

Brass Winds

Air noise.. Frull. >

scene

Cond.

Frusta groups: During the performance 40 musicians from orchestra join frusta performers outside the scene.

Leave the scene

Frusta responses

Play&Walk

with goffered tube

Go to your position , wait for conductor autakt.

Stop Frusta Play&Walk

90-150 m

60-90 m 30-60 m < 30 m

Frusta responses As soon as you hear the explosions immediately play frusta part. As only you hear an explosion use a singe hit as a response. Speed response and volume depends upon the distance from the source of explosion. Beginning from the explosions’ fragment you should go to your position, where you will find the conductor of your group. Wait for the conductor auftakt.

Distance

Acoustic perception

Speed of response

Volume

Very close

Earsplitting compressed sound

Without delay, immediately

Loud sound, but not so compressed, as in the previous case

Up to a half-second delay (eighth of note in a 60 tempo)

You comfortably hear the sound but don’t see the source of it or you see it far away

Up to 2 seconds delay (two quarters in the 60 tempo)

You hear a soft clap but don't see the source of it

Up to 6 seconds delay (6 quarters in the 60 tempo)

(up to 30 meters from you)

Nearby (from 30 to 60 meters)

In the distance (from 60 to 90 meters)

Far away (from 90 to 150 meters)

Walkers: Almost all the time of the performance you should walk across the island. Go with a speed 105 tempo.

q=105

Walk faster. Walk slowly. Run.

Notes on the one line stave indicates the duration of a feedback sound. Feedback is formed when you close the megaphone mic. partially or fully with maximum amplification. You can make feedback effect by closing the mic. with your hand (in this case it will be more indicative sound attack), or bringing the microphone as close to your mouth as possible and forming a different space by amboushure (in this case the sound attack will be not so indicative, but you will have a lot more opportunities to change high pitch sound and its timbre).

j œ

The f ( or ff ) dynamic means full close of the mic. Dynamic mp means a partial close of the mic (on a distance 5-10 cm). Crescendo means a smooth emergence of sound. It’s the same for the sound ending, diminuendo means smooth removal from the megaphone mic. (when a device turns on).

Glass sheet position

j œ

ê¿¿

Metal sheet position

If the note has no crescendo, a sound attack should be as sharp as possible. This symbol indicates abrupt removal from mic. and mute sound.

M 1

Notes on the five line stave indicates the amplificated voice sound (keep a megaphone close to your mouth). Ligature Æ denotes a near-open front unrounded vowel like in the word ‘cat’, ‘black’, ‘international’ etc. The line indicates the intonation of a voice sound.

12:43

2 (q=105)

11:40

At 12:43 show auftakt to group of musicians and then they immediately walk again (walking tempo is 105).

ææ time (the explosion time will come ≈7” after). Light up the petard and immediately through it out This note indicates a light up ‹

∏∏∏∏∏∏∏∏∏ ∏∏∏∏∏∏∏∏∏ ∏∏∏∏∏∏∏∏∏

Right after the explosion you should play this material on a double frusta:

sff

Light up a wick of a rocket.

Percussion:

Harp: ° &

fi #¿ b¿ œ > >> mf

¢&

>Oo

Mute strings by your left hand and play by your right hand as usual (the sound shoud be almost without pitch).

nœ > “‘ sffff

œœÆ

Play a half-flageolet (with some basic tone addition) 20 cm from low nut.

--e #-R

& J

Pull back low string with force and then release it.

Play sound and mute it immediately.

A £

The heavy yarn vibraphone mallets.

A ^

The heavy bass drum / gong mallet.

Percussion 1

High wood block (or piece of wood) Gran Cassa with unstrung skin

Percussion 2

High wood block (or piece of wood) Djembe Gran Cassa with tense skin

Percussion 3

Darbuka Gran Cassa (norm. skin tention)

Percussion 4

High timbales with unstrung skin Gran Cassa with unstrung skin

Piano: 4 &4

Press down the damper pedal with force.

° > œgliss. œ R R

Play glissando along the white keys.

bœ & #œR R

Play glissando along the black keys.

? ‹ ? ‹

+ +

¿¿¿

> b 66

Strike piano surface with your fingers very light.

col pugno

+ +

gliss.

‹ & ‹ &

gliss.

J sfff

Play cluster with your fist or palm.

œ. J b œ. J

Play glissando along the white and black keys surface without pushing. The ending of glissando should be like usual.

Strings: Divisi: All divisi should be performed as follows: both versions in a part are written and each performer can select any variant (it's possible to select another variant on the next performance).

AST — “alto sul tasto”, as high as possible on the fingerboard, very near the fingers of the left hand. ST — “sul tasto”, on the fingerboard. ORD — “ordinario”, ordinary position. SP — “sul ponticello”. ASP — “alto sul ponticello”, high up on the bridge.

Stave’s types: & œfij b˙

Regular stave:

œ nœ Kœ

Double stave denotes separation of hands, upper line is the right hand, bottom line is the left hand position. The top stave consists of two lines that indicates the playing on the sounding-board (written under the lower line) or playing on the strings (written over the top). right hand

~~~~~~~~~~

¢&

left hand

c P ~~~~~~~~~~

„ "+~~~~~~~~~~

‰ b "+~~~~~~~~~~

c P ~~~~~~~~~

‰b"+~~~~~~~~~~

„ b"+~~~~~~~~

This is another type of the double stave (for a playing by the bow): the top line indicates right hand performance by four strings (the 1st string is above), the bottom line means positions of the left hand.

right hand

left hand

Arco

fiœœ ≈

‰

œœ

eo # eo # e eo e ee ® ‰ ¢& b ee e ee

Usual pizzicato on these strings:

right hand

>œ œ· ‚

Pizz.

° ¢

* Cello: press certain strings by right thumb, index finger plays pizzicato

right hand

>œ „ Òœ ‰

Pizz.

° ¢

Play using left fingers tapping technic. If passage goes up use a striking movement if goes down just pull fingers off. „ j

· + + ‚ + + + + bœ+ +e +e n+e b œ+ e e n e e e b e "+ & b~~~~~~~~~

left hand

The transcript of the left hand pizzicato passages (performed always without the right hand):

right hand

left hand

° {¢&

cP ‰ b "+

„

right hand

left hand

ÆcJ

‰ + + + + 6

‰

‰ bœ œ œ œ

ÆcJ

‰

+ + 6+ + „ œ œ œ œ ≈

≈ ‰

This is a long fast trill which is performed by the left hand only. The additional note for violins and violas always will be a major second, for cello will be a minor second.

Violin

Violoncello

= =

& b˙~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ +

&b˙~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ +

& b" " " " " " " " " " " " " " " " " " " " " " " " + + + + + + + + + + + + + + + + + + + + + + + + 6

& b" b" " b" " b" " b" " b" " b" " b" " b" " b" " b" " b" " b" + + + + + + + + + + + + + + + + + + + + + + + +

Separate single movement up or down by palm on the sound-board:

P c

Quick up and down move be palm or fingers along the sounding board.

<c >~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ P

P c P c P c P c P c P c P c P c P c P c P c P c

Put right palm on strings, make a sudden movement across all strings:

m m m Aª ª An ª Aª An ª Aª An 6

Press the finger on a indicated string. Make a small fast glissando (within a major second):

left hand

≈

« ù« ù« ù« ù« ù

≈

ù« ù« ù«

≈

ù«

Mute the strings by left palm without the extra pressure (at about 4th position): fi The highest note on the instrument:

* Double bass: Mute the strings by left palm without the extra pressure. Make a glissando up and down glissando in indicated rhythm. left hand

~~~ ~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~

* Cello solo, Scordatura:

Bœ ‰

œ „

œ ‚

µœ

The double stave denotes the separation of notation: right hand is the upper line and the left position is the bottom line. The top line indicates four strings (the first string is above), the bottom line means a left hand positions on a fingerboard — within 20 cm from the bridge (the bottom line) and 20 cm up to the bridge (the upper line).

° ¢

œ™ o 3

Paramusic #2

Vladimir Gorlinsky

Dedicated to Pieter Matthynssens and Nele D'Haese

q=38

Flute 1 Alto (G)

## 33

3 & 4 ##3e ™

#3 ™ #e

3 e

p sempre

nœ 4 #œ œ &4

nœ

-6 ≤

6™

3 eJ

50% sound, 50% air

q=70

Flute 2

# 33

2 4 3e

3 e

œfijœ

bœ

3 4 3e

#œ

3 e

>. r 3 33 e R

≈

#œ

nœ

mf sempre

q=60

° 4 &4 Oboe 1

3 #6 6 6 ™ 8 fi

100% air

3 & 16

Flute 3

r b6

6fij b>6 ™™

b6 R

3 e

≈

#3 #e

5 4 œfij ˙

j #œfiœ

j bœfinœ

j œ

ó ïñï ïïóï ï Bœ

bn OO

##33

3 &4 œ™æ

æ œæ

f sempre

>j #œfi

ñïïï óóó ïóïï WW ïïï

Without the reed, q=68 just air noie.

4Frull. & 4 œ™ææ

æ œæ

> œ æJ

f sempre

q=90

˙™

>j #œfi

Molto Vibr., Canto

ë ff

t-k

#E ™

˙™

ë ff

ñïïï óóó ïóïï WW ïïï

#œÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ

4 & 4

#E ™

t-k

#E ™

˙™

t-k marc.

> > ≈ #œ. œ. ‰

ë ff

>. œ

‰

>. œ J

‰

ë ff

‰

ë ff

#>˙ ™

˙™

ë ff

f sp

˙™

ë ff

f sp

3 3

33™™

3 3

##33

# 33

3 4

#E ™

ë ff

œ >

t-k

œ œ œ œ #œ ≈ Œ b >œ >œ >œ >œ >œ #>œ > > > > > ë ff

> #˙ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ #w

4 4

4 ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ 4

t-k

sff sempre

ë ff

50% sound, 50% air

œÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ Œ

t-k marc.

3 4Ó

> > ≈ #œ. œ. ‰

33™™

5O 4O

3 4Ó

œ œ œ #œ ≈ Ó™ >œ > > > >

b >œ >œ >œ >œ >œ #>œ

nœÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ

œ œ œ œ #œ ≈ b >œ >œ >œ >œ >œ #>œ > > > > > ë ff

˙™

3 4 #˙ ™

> œ æJ

ï ïñïï ï óïï ïóïï WW ïïï

> # 3fij

Frull.

Clarinet 1

> 4 6fij 6™™ 4

mf sempre

Without the reed, q=102 just air noie.

Oboe 3

≤

-6

q=76

4 ¢& 4

Oboe 2

6™

-6 ≤

j #3 #e

100% air

mf sempre

q=70

BœÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ Œ

Canto 4 œÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ Œ &4

Clarinet 2

Molto Vibr.,

mf sempre

q=76

° 4 j &4 œ

left hand

˙3

‰

j œ

ëf

4 ¢ 4 > Frull. w ææ

q=90

?44

Bassoon 3

100% air

‰

Just air noie.

Frull.

> w ææ

4 4

Trumpet 2 Trombone 2

Just air noie.

Frull.

> w æ

q=50

Put the whistle into the mouthpiece.

> w

w æ

Tuba 1-2

> w ææ

q=70

Trumpet 3 Trombone 3

> w ææ

q=90

Frull. w ææ

œ Ó™

05:22

q=86

Percussion 2

05:12

q=73

Percussion 3

A£ 42 A ^

A£ 41 A ^

‰

05:34

j œ

˙™

Just air noie.

> 4 w 4 æ æ

Trumpet 1 Trombone 1

w ææ

q=110 Frull.

3 4‰

Frull.

> bw æ

sfff

w ææ

sf Without the reed, just air noie.

3 4‰

Without the reed, just air noise.

q=110

? 44

Bassoon 2

‰

)

> ˙ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ w

mf sempre

Bassoon 1 right hand

œ™

50% sound, 50% air

bœÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ Œ

j 1 4œ

‰

q=64

05:00

Percussion 4

q=105

05:23

4 4

Walkers 1-5

˙™

3 4 ˙™

˙™

05:41

j A£ 41 ‰ œ A ^ mp

q=48

° 4‰ &4 Harp

Dob, Reb, Mib, Fa#, Sol, La#, Si#

q=48

‹ 4 ≈ ¢& 4

e e be

≈ p

#¿

e e

#e e e

#e #e e

#e e b e

right hand Violini 1&2

left hand

4 ¢& 4

espress.

#e #e

e e e

bœ

~~~~~~~~~~~~~~~~~

„ "+~~~~~~~~~~~~~~~~~

‰ b "+~~~~~~~~~~~~~~~~~

~~~~~~~~~~~~~~~~~

≈

¿ ¿ ¿

≈

œ gliss. œ R R

ss. b œ #œgli R R

right hand

° q=455 4 ~~~~~~~~~~~~ cP

„ b"+~~~~~~~~~~~~~~~~~ ™™2 Œ 4

c P ~~~~~~~~~~~~~

„ "+~~~~~~~~~~~~~

Violini 2

left hand

4 ¢& 4

c P ~~~~~~~~~~~~

‰ b "+~~~~~~~~~~~~~

c P ~~~~~~~~~~~~

c P ~~~~~~~~~~~~~~~~P > ësf

„ b"+~~~~~~~~~~~~~ ™™2 Œ 4

‰b"+~~~~~~~~~~~~~

espress.

™2 ™4

Violi

left hand

div. right hand

‰

≈

x2 ™

fiœœ œ

™

‰

4 4 ~~~~~~~~~~~~~~~~ cP

c P ~~~~~~~~~~~~~~~~

Violi

left hand

right hand

Violoncelli

left hand

B4 ¢ 4

espress.

B 44

espress.

c P ~~~~~~~~~~~~~~

Violoncello Solo

right hand

o 2 4œ

05:00 Pieter

? 44

espress.

œ™

™™ b" ‰ +~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

‚ "+~~~~~~~~~~~~~~~~ 2 ™™4 Œ

~ ~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~ ~~ ~~~~~~~~~~ ë

‚"~~~~~~~~~~~~~~ +

c P ~~~~~~~~~~~~~~~

~ ~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~ ~~ ~~~~~~~~~~

‰

≈

#œgliss. bœ

≈

≈ #œ gliss. #œ

gliss .

≈

gliss.

≈

gliss.

+ +

#>œ

‰

≈

#œ gliss. +

≈

nœ gliss.

gliss.

≈

‰ ‹?

≈

‰ ‹?

‹ &

gliss.

~~~~ ~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~ ~~~~ ~~~~~~~~~~~~

™ c ~~~~~~~~~~~~~~~~P > P ësf ™™ Œ

‰

™ ™5 x2 ‰ 16 ™ ™ c ~~~~~~~~~~~~ P > P ësf j ~~~~~~~~ ™ ~~~~~~~~~~~~~~~~~~~~~~~~~~ 5 ‰ ™™ ™™16 ™™™ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~

5 ‰ ™™ ™™16 b" ‰ +~~~~~~~~~~~~~~~~~~~~~~~~~~~

5 4œ

≈

> m Aª J

4‰ 4

j ™ „ 6O ∑ R 4 b"+~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 4 4

6 4

4 4

‰

6 4

4 4

‰

6 4

4 4

‰

6 4

4 4

> m Aª J

‰

6 4

4 4

‰

6 4

4 4

6 4

‰

4‰ 4

‰

≈

sff o o be # e e 6 e &4 e e e be

e e e e

6 4 œ

> r ™ m OŒ R A ª 4‰ ≈ ‰ 4 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ J cP P ësf sf O Ó™ R ™ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ c P ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ c P 6 4 ‰ ‰ 4 4 J J 3

6 4Ó

fiœ œ œ

Arco

‰

∑

‰

∑

‰

6 4

4 4

‰

6 4

4 4

‰

5 4 ˙™ >œ œ · ™4 c P ~~~~~~~~~~~~~~~~~~~~~~~~ c P ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ‚ ‰ 4 ~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~ ™ c c P P J 3 3 ësf 3 ~~ j ~~~~ ~~~~~ ~~~~ ~~~~~ j ~~~~ ~~~~~ ~~~~ ~~~~ ~~~~~ ~~~~~ ~~~~~ ~~~~ ~~~~ ~~~~~~~~~~ ~~~ ~~~~~ ~~~~ ~~~~~~~~~~ ~ ~~~~~~~~~~~~~~~~~~~~ ~~~~ ~~~~ ~~~~~~~~~~ ~~~~ ~~~~ ~~~~~~~~~~ ~~~~ ~~~~ ~~~~ ~~~ ~~~~~~~~~~ ~~~~ ~~~~ ~~~~ ~~~~~~~~~~ ~~~~ ~~~~~ ~~~~~ ~~~~~~~~~~ ~~~~ ~~~~~ ~~~~ ~~~~~ ~~~~ ~~~~ ~~~~~ ~~~ ™™ 44 Œ ~~~~~ ~~~~ ~~~~ ~~~~~ ~~~~ ~~~~~ ‰ ~~~~~ ~~~~ ~~~~~ ~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~ ~~~~~~~ ~~~~~~~~~~ ~~~~ ~~~~~~~~~~ ~~~~~~~~~~~~~~~~ ~~~~~

3 4 ˙˙ ™™

2 4Œ

3 ˙™ 4

2 4Œ

6 4

m 4 Aª 4

™ 6O ∑ R 4

~~~~~~ ~~~~~~~~~~~~~~~~~ 4 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 4 ~~~~

Pizz.

6 4

‰

Pizz.

™ + + fi ‚ œ+~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 6O ∑ R 4 œ™ ~~~~~~~~~~~~~~~~~~~~~~~~~~ ™™ 44 ˙™™ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 4 4 J J

gliss.

J œ.

Pizz.

™5 16 ™ ™ c ~~~~~~~~~~ P > P ësf

>œ œ‚ ~~~~~~~~~~~~~~~~~~~~~~~~~ ™4 cP c P ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ · 4 ~~~~~~~~~~~~~ ~~~~~~~~~ ™ c ~~~~~~~~~~~~~~~~ c P P J 3 3 ësf

‰

b œ.

° >

Pizz.

™ ™5 16 ™ ™ c ~~~~~~~~~~~~~P > P ësf

gliss.

> >œ m œ· ~~~~~~~~~~~~~~~~~~ ™4 A ª 6 4‰ c P ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ‚ ‰ 4 ~~~~~~~~~~~c P 4 4 ~~~~~~ ™ c ~~~~~~~~~~~~~ J cP P sf J 3 3 ësf 3 j ™ „ j 6O ∑ R 4 ™™ 44 ™™ 4 4 fi b+"~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ™ b"+~~~~~~~~~~~~~~~~~~~~~~~~~~ b˙+~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

x‰ 2™

≈

Pizz.

≈

™

‹ &

gliss.

‰

Fa# > Fa Mibb > Mi Rebb > Re

fi 3

“” o # œ.

gliss.

> >œ m œ‚ ™5 ~~~~~~~~~~~~~~~~~~~~~~~~~ x2 ™ 4 A ª 6 4‰ c P ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ · ‰ ‰ 16 4 ~~~~~~~~~~~~~~ c P 4 4 ~~~~~~~~~~ ™ c ~~~~~~~~~~~~~ P > ™ c ~~~~~~~~~~~~~~~~ J c P P P sf J ësf 3 3 ësf ™ + + fi ‚ œ+~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 5 ‰ 6O ∑ R 4 œ™ ~~~~~~~~~~~~~~~~~~~~~~~~~~ ™™ 44 ˙™™ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ™™16 4 4 J J

gliss.

r ™2 4 ™ c ~~~~~~~~~~~~~~~~~~~~~~~~~P > P ësf

~ ~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ™™2 Œ 4 ~~ ~~ ~~~~~~~~~~

ss.

gli

>œ „ ~~~~~~~~~~~~~~~~~~~~~~ ™5 x2 ™ 4 cP c P ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ÒœÒ ‰ ‰ 16 4 ~~~~~~~~~ ™ c ~~~~~~~~~~P > ™ c ~~~~~~~~~~~~~~~~~~~~ cP P P J ësf 3 3 ësf + ™™ +™ 5 ‰ œ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ™™16 ™™ 44 ˙~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ fi J

˙™

c P ~~~~~~~~~~~~~~~

„ + 5 ‰ œ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ™™ ™™16

j J

‰

r ™2 x7 ™ ≈ ‰ 4 ™ c ~~~~~~~~~~~~~~~~~~P ™ > P ësf ·"~~~~~~~~~~~~~~ ·+ + œ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~™™ ™™42 Œ œ

~ ~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~

≈

c P ~~~~~~~~~~~~~~

o sempre 3 ˙™ 4

c P ~~~~~~~~~~~~~~~

r ™2 4 ™ c ~~~~~~~~~~~~~~~~~~~~P > P ësf

c P ~~~~~~~~~~~~~~~~

"+~~~~~~~~~~~~~~~~ „

c P ~~~~~~~~~~~~~~

3Ó 4œ

o œ

° q=458 4 ~~~~~~~~~~~~~~~ cP

Contrabbassi

left hand

p sempre

n·"+~~~~~~~~~~~~~~

‚ b"+~~~~~~~~~~~~~~

q=38 ASP. sempre

° 2 4 ™ œ

#‚"+~~~~~~~~~~~~~~~~

"~~~~~~~~~~~~~~~~ „ +

° q= 4 57 4 ~~~~~~~~~~~~~~ cP

c P ~~~~~~~~~~~~~~~~

≈

œ sff eo # eo # egglisse.o e eglisse. e e lisse. be e

r ™2 x7 ™ ≈ ‰ 4 ~~~~~~~~~~~~~~~~~ ™ c ~~~~~~~~~~~~~~~~~~~~~P ™ cP c P ~~~~~~~~~~~~~~~~ c P ~~~~~~~~~~~~~~~~~~~ c P ~~~~~~~~~~~~~~~~~~ > P ësf ‚ ‚ "+~~~~~~~~~~~~~~~~~~~~~ 2 „ + #"+~~~~~~~~~~~~~~~~~ œ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ™™ ™™4 Œ B4 "+~~~~~~~~~~~~~~~~~ "~~~~~~~~~~~~~~~~~ ¢ 4 „ + „ espress.

q=56

‰

° 4 4

b œfi# œ

Pizz.

≈

q=56

right hand

‰

>œ œ‚ ~~~~~~~~~~~~~~~~~~~~~~~~~~ ™ ™5 x2 ™ 4 cP c P ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ · ‰ 16 4 ~~~~~~~~~~~ ™ ™ c ~~~~~~~~~~~~~~~~~P > ™ c ~~~~~~~~~~~~~~~ c P P P J ësf 3 3 ësf j 5 ‰ ™ ™™16 ™™ 44 ™ ™ ™™ b" b+"~~~~~~~~~~~~~~~~~~~~~~~~~~~ b+˙~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ fi ‰ +~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

r ™2 4 ™ c ~~~~~~~~~~~~~~~~~~~~~~~~~~~~P > P ësf

Arco

div.

Œ OÓ R

~~~~~~~~~~~~~~~~~

‰ b"+~~~~~~~~~~~~~~~~

¿ ¿ ¿

¿ ¿ ¿ 3

e e e

≈

¿ ¿ ¿ 3

V-n. 2

~~~~~~~~~~~~~~~~~~

q=54 q=55

° 4 4

gliss.

¿ ¿ ¿ ¿ ¿ ¿ O Ó™ R

° >

V-n. 1

#¿

4 &4 ‰

°‹4 ≈ &4 P-no

b¿

> Aª n

‰™

‰

™

œ œ R

Pression

3 4

œ R

3 4

‰

6 4

4 4

‰

6 4

4 4

# OO

3 &4

Flute 1 Alto (G)

q= =38

> ## 33 J

‰

>3 3 J

‰

sfz

33™™

>3 3

‰

sfz

‰

sfz

Smorzato

>3 3

33 J

5 4

‰

Flute 2

q= =70

‰

œ™

Flute 3

q= =60

‰™

œ J

100% air

##33

Oboe 1

q= =76

4O ¢&4

œ R

nœ

100% air

Ó™

‰

q= =68

≈

° 4 w 4 16

q= =76

4 ¢ 4

œ™

œ ‰

œ™

œ œ œ

œ œ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ œ

˙˙ ™™

Catch a multiphonick

œ ‰

OŒ

¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ ‰

‰

w w

J > R #œ

O∑ R

≈

‚ >. e

>œ

w w

tongue ram (ft) marc.

≈

‚ >.

b ‚. >

#‚. >

‚ >.

j œ

≈

≈ b‚ >.

‚ #‚ >. >.

‚ >.

≈

b‚. > œ™

œ™

> > > nf . nf . #f .

‰

t-k

≈

> > nf . #f .

‚ >.

n‚. >

‚ >.

≈

‚ >.

n‚. >

> nf .

≈

‚ >.

≈

‚ >.

n‚. >

‚ >.

t-k

etc.

33 J

‰

4 4

‰

µ6

≈

> #f .

>œ™

œ #œ

œ nœ bœ

sff

Ó™

sff

#f >

sff

#f >

sff

>œ™

sff

> #f . J

>œ™

sff

> # f.

> # f. J

‰

sfff sempre

q= =110

‚ >.

b ‚. >

Bassoon 2

‰

tongue ram (ft) marc.

Bassoon 1

Oboe 3

‰

33 J

Oboe 2

q= =102

µœ

° 4 œ 4

33 J

‰

3O 4O

≈

sf 3

3fi 33 3

Smorzato

)™

Smorzato 14

##33

p sempre dolce

sfz

50% sound, 50% air

# 33 ™™

bw >

Bassoon 3

q= =90

> ˙

06:10

4 w 4

Horn 1

q=60 16

Trumpet 1

q= =110

˙™ >

f non cresc.

Trumpet 2

q= =90

˙ >

˙ > f

Ó™

Trumpet 3

q= =70 21

Trombone 1

q= =110

Frull. ææ ˙

œ >

æ wæ

Trombone 2

q= =90

Frull. æ œæ

Ó™

æ wæ

˙ >

Frull. æ wæ

Trombone 3

q= =70

æ wæ

05:50

q=102

A 42 £ A^

Percussion 1

05:46

j œ >

3 4

q=86

‰

‰™

06:09

r œ

05:48

j 3 q=73 4 œ

‰

05:49

q=64 4

4≈ 4

q= =48

Ó™

3 4 Ó

‹ q= =48 ¢&

¿ 3

P-no

≈

gliss.

R #œ R

≈

. gliss

+ ss? .

gli

‹

4 4

> ~~~~~~~~~ cP 3

≈ ‰

c P ~~~~~~~~~~~~~~ P > ësf Vln.1 q= =54 r 4„ & 4b"+~~~~~~~~~~~~~~~~~~~ ≈ ‰ ¢

≈ Ó

c P ~~~~~~~~~~P > ë sf

‰

≈ Ó™

b"+~~~~~~~~~~~~~

>c P sf

~~~~~~~~~~

‰

Ó™

‰

Ó™

‰

b"+~~~~~~~~~~~~~~

Vln.2

q= =55

4 ™ ¢& 4 Œ

~~~~~~~~~~~~~~~~~ cP P> ësf

j „ b"+~~~~~~~~~~~~~~~~~~~~

° 4 Ó 4

≈

~~~~~~~~~~~~

≈

P> ësf ‚ œ+~~~~~~~~~~~~~~~~~~~ ≈ R

Vla.

4 ¢B 4 Ó ° 4 Ó™ 4

Vc.

q= =57

‰

Vc. Solo

q= =38

°15 4 4

‰

~~~~~~~~~~~~~~~~~~~~~ P> ë sf

·œ+~~~~~~~~~~~~~~~~~~~~~~~~ R

B 44 Ó™

œ™ o œ J

ss? .

gli

‹

‰

>c P sf

‰

~~~~~~~~~

≈

b"+~~~~~~~~~~~~~~~

‰

Œ™

‰

Œ™

~~~~~~~~~~~~~ cP P> ë sf œ+~~~~~~~~~~~~~~~~ J

≈

‰

≈

‰

j cP

~~~~~~~~~~~~~~~~~~~~~~~ P> ë sf

~~~~~~ ~~~~~~~~~ ~~~~~~~~~~~~ ~~~ ~~~ ~~~ ~~~ ~~~~~~~~~~~~ ~~~~~~~~~~~~ ~~~ ~~~ ~~~~~~~~~~~~ ~~~~~~~~~~~~ ~~~ ~~~~~~~~~~~~ J

‰™

≈

Œ™ Œ™

> ~~~~~~~~~~~~~~~~ cP R sf

~~~~~~~ cP ‰ J c P ~~~~~~~~~~ ëetc. j

c P ~~~~‰ c P ~~~~~

> m Aª Aª n ‰

~~~~~~~~ cP ‰ c P ~~~~~~~~~ J ëetc.

c P ~~~~~‰

Ó™ R fi OŒ ‰ b"j~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Œ + ‰

cP sf „r bœ~~~~~~~~~~~~~~~~~~

≈

Ó™

~~~~~~~~~~~~ P> ësf

≈

> ~~~~~~~~~~~ cP P

‰

~~~~~~~~~~~~P >c P sf ~~~~~~~~~~~~~~ cP

‰

≈

~~~~~~~~~~~~~~ P> ësf ~ ~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~ ≈ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~ R J cP

≈

‰

3 > ~~~~~~~~~~ cP

‰

3 > ~~~~~~~~~~~ cP

‰

≈

‰

œ œ

‰

≈

c P ~~~~~

‰

b œœ œ

‰

~~~~~~~ cP ‰ c P ~~~~~~~~~~~~~~J ë etc.

‰

œ O Ó

“” > nœ

‰

gliss.

Œ m Aª

> Aª n

c P ~~~~~‰ c P ~~~~~~

gliss .

‰

? ‹

‰

? ‹

> Aª n

‰

r Œ c P ~~~~~~~~~~~~~~~~~~~~~~~~ f r ≈ b"~~~~~~~~~~~~~~~~~~~~~~~~~~~ Œ +

3fi 4‰ >œ œ‚ ·

m Aª

> Aª n

>œ œ‚ ·

‰

c P ~~~~~~~~~~~~~~~ J sf

‰

fi Œ

b"+~~~~~~~~

m Aª

‰

b"+~~~~~~~~~ > Aª n

>œ · œ ÒÒ‚ J sf Pizz.

‰

2 4 œ™

poco cresc.

cP J

‰

~~~~~~~~ cP c P ~~~~~‰ ‰ c P ~~~~~~~~ J c P ~~~~~~ ë etc. 3 j ~~~~~~ ~~ ~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Œ ‰ ~~ ~~ ~~~~~~~~ J 3

œ™

c P ~~~~~‰ c P ~~~~~~

Œ 3

œ™

j ‰ ~~~~~~~~~~~~~~~~~

Pizz. >· ~~~~~~~~~~3 ÒœœÒ‚ 4 J sf

~~~~~~~~

~~~~~ ~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~Œ ~~~ J~

m Aª

> Aª n

‰

~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~ ‰ ~~~~~~ J

+ +

~~~~~~~ cP ™

3 4‰

≈

3 4‰

≈

c P ~~~~~~~~~~~~~~~~~~~ f bœ+~~~~~~~~~~~~~~~~~~~~~~ R

‰

m Aª j

‰

> Aª n

> Ã

~~~~~~~~ ~~~~~~~~~~~~~~~~~~fi ~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~

>œ œ ‚·

Pizz.

>œ · œ‚

‰

~~~~~~~~~~~~~~~~ ‰ J f

j cP

‰

≈

‰

≈

‰

œ.

‹ &R ‹ &

. gliss

b œ. R pp

m m m m m m Aª Aª A Aª A Aª A Aª A Aª A Aª n ª n ª n ª n ª n ª n ≈ ‰ 6

~~~~~~~~~ c P ™ 42

‰

c P ~~~~~~~~

cP ~~~~~~~~~~ cP ™

m m m m m Aª Aª A Aª A Aª A Aª A Aª n ª n ª n ª n ª n 44 6

™~~~~~~~~

‰

4 4

~~~~~~~~ cP ™

m m Aª Aª A Aª n ª n

4 4

+ + + + + 4 bœ ™ ~~~~~~ bœ ™ ~~~~~~~~~ œ™ ~~~~~~~~~~œ ™~~~~~~~~~ œ~~~~~~~~~~~~‰ 4 J

~~~~~~~ cP ™

≈

‰

≈

c P ~~~~~~~~~~~~~~~~~~~~~~~ f

~~~~~~~~~

~~~~~~~~~ cP ™

‰

œ™ ™

gliss.

3 4‰

≈

3 4‰

≈

~~~~~~~~~ ~~~~~~~~~~ 4 cP ™ cP ™ 4 ~~~~~~ cP ™

+ ~~~~~~~~~~ + + ~~~~~~~~~ + œ™ œ™ œ ™ ~~~~~~~~~ œ ™~~~~~~~~~~ 44

œ+~~~~~~~~~~~~~~~~~~~~~~~~~~ Œ R

‰

j œfi

œ >

‰

smfz cresc.

‰

~~~~~~~~~~~~~~~~~~~

‰

œ™ gliss.

Pizz.

≈

‰

ësff

. gliss

3 2 4 b"+ ™ ~~~~~~~~b" ™~~~~~~~~~"+ ™~~~~~~~~~~" ™~~~~~~~~~ 4 b"+~~~~~~~~~~~ ‰ + + 3

gliss.

~~~~~~~~~~~~~~~~~ f

™~~~~~~~~

cP ~~~~~~~~ cP ™

‰

œ™

gliss.

1'00"

3 4

3fi 4

. gliss

2 4

gliss.

c P ~~~~~~~~~~~~~~~~~~~~~~ f

≈ b"~~~~~~~~~~~~~~~~~~~~~~~~~~~ Œ +

~~~~~ cP ™

j ‰ b"+ ™ ~~~~~~~~~ b+" ™ ~~~~~~~~ "+ ™ ~~~~~~~~"+ ™ ~~~~~ b"+~~~~~~~~~~~ 3

2fi 4

~~~~~~ cP ™

Pizz. >œ œ‚ 2 · 4

~~~~~~~~~~~~~ ‰ J f

~~~~~~ cP ™

≈

‰

Pizz.

sf b"+~~~~~~~~

m Aª

c P ~~~~~~~~~~~~~~~~~~ f

c P ~~~~~~~~~~~~~~~~~ ‰ J f

‰

Pizz. >œ œ‚ 3 · ≈ 4 J

‰

Pizz.

b"+~~~~~~~~

‰

b"+~~~~~~~~~~

c P ~~~~~~~~~~~~~~~~‰ J f

>œ œ‚ ·

‰

“” n œ.

. gliss

c P ~~~~~‰ c P ~~~~~~

gliss .

œ J

Mi > Mib

‰

Pizz.

~~~~~~~~ cP c P ~~~~~‰ c P ~~~~~‰ Œ ‰ c P ~~~~~~~~~~~~~J c P ~~~~~~ c P ~~~~~~ ëetc. 3 3 ‚ R O Ó™ bœ+~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Œ J

~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~

# œ gliss. #œ

> m Aª Aª n

‰

J Œ

œ > “‘

b"+~~~~~~~~~~ ‰

> m Aª Aª n ‰

‰

≈

Ó™

Pizz.

j Ó R fi OÓ b"+~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ó j

>œ œ ‚·

> m Aª Aª n

‰

1'00"

~~~~~~~~~~~~~~~~~

‰™

‰

≈

‹ &

1'00"

gliss.

‰

‰™

œ+~~~~~~~~~~~~~~

‰

b"+~~~~~~~~~~~~

‹ &

~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~

Pieter

? 44

™

Cb.

q= =58

≈

~~~~~~~~~~~ cP P> ë sf

‰

q= =56

> ~~~~~~~~ cP 3

‰

1'00"

° 4 Œ™ 4

#>œ

1'00"

œ R #œ

‰

j 3 4œ

‰

nœ “‘ > sffff 6

°‹ &

06:23

j œ

‰

Harp

Ó™

fi #œbœ œ > >>

4≈ 4 06:03

° &

Ó™

06:04

‰

Walkers 1,3,5

œ™ J

≈

06:04

2 4œ -

‰

06:23

j œ

2 4Œ

r Œ c P ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ f ~~ ~~~~~~ ~~~~~~ ~~~~~~~ ~~~~~~ ~~~~~~ ~~~~~~ ~~~ ~~~~~~ r ~~~~~~~~~~~~ ~~~~~~ ~~~~~~ ~~ ~~~~~~ ~~~~~~~~~ ~~~~~~~~~~~~ ~~~~~~~~~~~~ Œ ~~~ ~~~~~~~~~~~~ ~~~~~~~~~ ~~~~~~ ~~~ ~~~ ~~~

> œ R

≈ > 2Ã 4 J

2fi 4

‰

33 J

O 4O &4

Flute 1 Alto (G)

q= =38

° Oboe1

& Œ

q= =68

f >

sff

33 J

w w

œœ

>f: ; f

f: ; >

# >f: ;

#f >

# f: ; > f

n˙

nœ

Ó™

‰

Ó™

ë ff

06:27

‰ Œ

4 ≈ 4 œ ‰

q=73

‰

sfff

06:25

œ > 3

œ-

‰

œ >

06:40

≈ œ™ >

sfff

œ J

06:29 q=64

œ J

06:47

3 4 ®

sfff

>œ >œ

‰

œ-

œ J

4Œ 4

4 4

Harp

q= =48

nœ.

œ.

æ œæ

ë ff

nœ.

œ.

n œ.

ææ b >˙

Frull.

#œ.

ë ff

06:54 > 3 4œœ≈

A£ £ A r œ Œ

œ J

‰

œ ‰ J

jœ œfi

Ó™

‰ Œ

œ œ œ œ œ > mf

œ™

‰™

jœ œfi

A£ £ A j

‰

A£ A ^ j 3 œ ‰ œ ‰ Ó œ J >

sff

œ mf

™ >œ œ

>œ

œœ

j œ Œ œ>

œ > sf

A£ j Aœ ^ œ Œ œ ≈ R

≈ œ ‰

œ ‰ Ó

‰™

Ric.

j œee ‰ Ó

j œ >

>œ J sf

‰

>˙

4Ó 4

ææ

A£ A£ j 3 œ œ ‰ J

‰

A^ j œ ‰

‰

A£ œ œ

≈

>œ sf

A £ ‰

A £ j ≈ œ™

‰ Œ

A ^ £ A

A^ r œ ‰

‰™

œ J

p sempre

j œ ‰ œ

Ó™

≈ œ œ ≈ Ó

p sempre

Ric.

œfij

‰

≈ œ œ ‰

p sempre

œ >

4Œ 4

>™ ≈ œ eeeŒ J

‰

œ Ó

smf

≈

œ >

>œ ‰ œ œ œ œ ™ ≈ œ

A^ r

œ Œ >

‰

fij ≈œ

A£ £ A -œ

‰

3 4‰

œ œ œ œ œ

07:08

≈ œ™ Œ J

‰ œ 43 œ œ œ œ œ œ > sf

sff

‰™

≈

œ ‰ ‰ œ œ œ J J > sf

˙™

A ^

A £

œ™

œ >

A^ j

‰

>œ

q=115

“” >œ

Ó™

‰

“” # œ.

gliss.

¢&

æ b œæ >

n œ.

Ó™

° &

œ.

06:54

06:38 Walkers 1-5

œ.

‰

3 4Œ

nœ.

œ ‰ Œ J

‰

#œ.

™

06:52

j -œ

œ.

06:51

3 4‰ œ

‰

3 4

fff

06:42

Ó™

œ.

‰

Frull.

œ.

≈

sff

r ™ 2 ™ 4‰ œ ‰ œ R

œ œJ

nœ.

#>f .

06:49

2 4Œ

œ J p

œ J

j œfi

œ.

≈

q=86 4

#>f . sff

06:49

4 Œ 4

4 4 #w

> œ

gliss.

# 3fij

3 4

‰

q=102

3 3 J

‰

#E ™

˙™

ë ff

Bassoon 1

q= =76

œ J

# 3fij O ™ #3 O™

‰

sff

smp non cresc.

f >

3fij O ™ 3 O™

‰

˙˙ ™™™™ b˙ ™™

b >f: ;

b f: ; >

33 J

Catch a multiphonick in low position

nœ J

sff

Oboe 3

##33 J

sff

Oboe 2

¢&

q= =102

q= =76

‰

gliss.

‰

J J

‰

gliss.

œ.

La## > Labb Sol > Solbb Fa > Fa##

2 2

smf

P-no

q= =48

‹ ¢&

Ó™

#œ

gliss.

#œ

gliss .

‰

#œ

‰

ss. ?

‹

gli

ss. ?

gli

‹

+ +

‹ &

ss.

gli

Ó™

œ.

œ. b œ.

‹ &Ù

ss.

gli

°‹ &

œ. b œ.

œ.

b œ.

œ.

b œ.

bœ.

œ.

bœ.

≈

? ‹

≈

? ‹

O ŒR

gliss.

O ŒR gliss.

‹ &

J b œ.

gliss.

smf

‰

2 2

Pizz.

° 4 4

m m m A Aª ª A Aª A ≈ n ª n ª

Ó™

>œ ‚ œ·

Pizz.

q= =54

4 ¢&4

m ° 4ª A Aª 4 n ≈ ‰

3 4

3 8

3 4

m m m m A Aª ª A Aª A Aª A Aª n ª n ª n ª n ≈ ‰

3Œ 8

m m m m m m A Aª ª ª A Aª A Aª A Aª A Aª A Aª 4 n ª n ª n ª n ª n ≈ ‰ 4 ~~~~~~~ n cP

° Vc .

+ 4 œ~~~~~~~ ‰ 4 J

Ó™

‰

4Œ 4

œfi

Vc. Solo

Cb.

? Œ ¢

~~~~~~~~

j œ > œ

4Œ 4

Pieter

b"+~~~~~~~~ 43 Ó

Ã> sfff

m m m A Aª ª A Aª A ≈ Œ n ª n ª

> Ã

>. ‰ ff · ff

‰

≈

bØ bØ b ~~~~~˙~~~~~~~~~~~~~~~~~~~~~ + + +Ø +

‰

sff

3 4

3‰ 8

Pizz. Behined the bridge

‰

Ó™ bØ --

m m m m m m A Aª ª A Aª A Aª A Aª A Aª A Aª n ª n ª n ª n ª n ª n ≈ ‰ 6

j ~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~ ‰ ~~~~~~~~~~

‰ 3

œœ >

‰

c P ~~~~~~~~~ P f bœ+~~~~~~~~~~~~~ 3

3 4

3‰ 8

sff

‰

> · fff ‰f

‰

≈

‰

sfz

≈

3 8

œ R

m m > A Aª ª A Ã 4ª 4 n J 3 sfff

4 4

>. >. m m m >. m >. A Aª A Aª A Aª A Aª ≈ ª n ª n ≈ ª n ª n 6

™œ œ ™ œœ >

Ó™

4 4

> · fff ‰f J

Ø b bØ bØ Ø b ~~~~~~ ˙~~~~~~~~~~~~~~~~~~~~~~~~~ + + + J +

‰

sff

™™

sffz

ssss R

≈

>. >. m >. m >. m m m m m m A ª An Aª ª An ≈ ª A Aª A Aª A Aª A Aª A Aª A ≈ ª n ª n ª n ª n ª n ª 6

Ó™

‰

™3 ™4 œœ sfff ™™43 ®

c P ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~P ë ff

>. m >. Aª ª An ‰ sff

≈

+ + + + + e e e bœ + + + + e e be bœ e + + e be 6

>œ · 4 œ‚ 4 Pizz.

Ó™

· fi Ø b ‚ „ ™ 4 bØ Ó 4 + + bØ+

™™ 42

3 4 · fff ‰f

™2 ™4Œ

Pizz. Behined the bridge

OÓ R

b 4fi Ø bØ + + bØ+

fi™

Ó™

3 4

™

+ + 6+ + + + + + 6+ + + e e e bœ e e be bœ e e be

ASP Arco j

5 8

the bridge Pizz. > > >. ‰ ff ‰ œ m >. · ff · œœœ A ª ª An ≈ 4 4

5 8

‰

5 8

‰

≈

Behined

3 4

‰

Ó™

bØ -- bØ 4fi bØ Œ 4 + + +

m> A 5‰ ª > ‰ 8 Ã

Pizz. Behined the bridge

‰

+ + 6+ + + + + + 6+ + + e e e bœ e e be bœ e e be

Pizz.

>. >. m >. m >. m m m m m m m m A ª ª An Aª ª An ≈ ª A Aª A Aª A Aª A Aª A Aª A ≈ ª A Aª A ≈ 3Œ n ª n ª n ª n ª n ª n ª 4

≈

the bridge Pizz. > > >. ‰ ff ‰ œ m >. · ff · œœœ A ª ª An ≈ 4 4

5 8

‰

Behined the bridge

> ‰ fff >. >. >. m >. ·f m A ª ª An ª A 4ª A 3‰ 8 4n

≈

bØ bØ b ~~~~ ˙ ~~~~~~~~~~~~~~~~~~~~~~~~~~~ + + +Ø +

4 4

‰

m> A 5‰ ª > ‰ 8 Ã

Pizz.

> ‰ fff ·f

fi bØ-bØ bØ Œ 4 4 + + +

5 8

‰

Behined

‰ b"~~~~~~~~~~~~~~~~ +

Ó™

Pizz.

> ‰ ffff >. >. >. m >. · m A ª ª An ª A 4ª A 3 8‰ 4n

3 4

c P ~~~~~~~~~~ P f

> ‰ Ã

Behined the bridge

m> A ª

Pizz.

‰

J sf

5‰ 8

bØ --

>. >. m >. m >. A ª ª An Aª ª An

Pizz. Behined the bridge

4Ó 4

Ó™

c P ~~~~~~~~~~~P f

>. An ª

‰ b"~~~~~~~~~~~~~~~~~~~ 44 +

j m m m m m m A Aª ª A Aª A Aª A ≈ ª A Aª A ≈ 4Œ n ª n ª n ª n ª 4

Ã> sfff

4 Ó™ 4

the bridge > > Pizz. ‰ fff >. ‰ œœ œœ m >. ·f A ª ª An ≈ 4· 4 Behined

> ‰ fff >. >. >. m ·f m A ª ª An ª A

q= =58

‰

3 4Ó

Pizz.

Behined the bridge

>. >. m >. m >. m m m m m m m m A ª An ª A Aª A Aª A Aª A Aª A Aª A Aª A ≈ ª A Aª A ≈ Œ ≈ ª n ≈ ª n ª n ª n ª n ª n ª n ª

4 4

° q= =38

m m A Aª A Aª ≈ ª n ª n ≈ ‰

q= =57

m m m A Aª ª A Aª A ≈ Œ 4ª n ª 4 n

5 8

‰

> ‰ ffff ·

5 8

‰

Vla.

q= =56

+ j ‰ ·œ fi œœ 44 œ. > ff

‰

fi Œ

>. >. m m m >œœ ‚ m m m m m >. m >. A Aª ª A Aª A ≈ ·≈ ª A Aª A Aª A Aª A Aª A Aª A Aª 4ª n ª n ª n ≈ ª n ª n ≈ ª n ª n Œ 4 n

left hand Pizz.

4 ¢& 4

Pizz.

Ã> sfff

Vln.2

Pizz.

Behined the bridge

>. m m m m m An ≈ ª ª A Aª A Aª A Aª A Aª A Aª n ª n ª n ª n ª n

Ó™

q= =55

m m m m A Aª A Aª A Aª A Aª ≈ ª n ª n ≈ ª n ª n ≈ Œ

Vln. 1

>. >. m >. m A ª An ª A ≈ ª

3 8‰

3 8

>. >. m >. m < >>™ An ª A 4 c P ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~P ≈ Aª ª 4 J o sf

4 4

‰

™ ™ ™™

m> 5 ‰ Aª > ‰ 8 Ã 3

5 8

sff

>. m >. Aª ª An ‰

>œ · 4 œ‚ ‰ 4 J Pizz.

4fi 4

Ó™

3 &4

q= =38

q= =70

# 33

##33

33™™

n 33 J

Ó™

# 33

4 33 4

##33

#œ

µœ

Con vibr.

33 J

> 100% air

Ord.

Flute 2

33 J

3fij 33

33 ™™

Flute 1 Alto (G)

##33 ™™

Take a soprano recorder. Ó

fi 3 # > 3. 4 33 3 #3 4 J

2 4

‰

>3. 3 J

‰

5 4

sfz

Wait for:

08:46

Flute 3

q= =60

> 100% air

Ord.

µ6

#œ

Con vibr.

Wait for:

Take a Piccolo flute

08:46

Oboe 1

q= =76

nœ ™

Oboe 3

q= =68

t-k

Ó™

>œ

Go to the second position (behind the scene).

Clarinet 1

q= =90

#œ >

Ó™

≈

ë ff

Ó™

‰

gliss.

œ™

>œ

mp sempre

sfff

‰

Catch a multiphonick in low position

>œ J

‰

Wait for:

08:18

Wait for:

q= =76

Vibr. #˙-ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ ™ µœ-ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ˙ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ Ó

Bassoon 1

09:08

o -˙ ™ ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ œÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ

q= =70 43

œ œ œ

mp Vibr.

Clarinet 2

œ >

>œ

œ >

>œ

#>œ

Wait for:

>œ

œ œ

<Ó > ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯

fff

b >œ

09:08

œ œ œ œ #œ ≈ b >œ >œ >œ >œ >œ #>œ > > > > > ë ff

q= =102

t-k

œ #œ œ ˙

Go to the second position (behind the scene). 73

Oboe 2

sff

¢&

gliss .

˙˙ ™™

<Œ

mp non cresc.

sff

Wait for:

08:37

07:28

˙™

5 &4 ˙

q=60 Horn 2

07:31

5 &4 œ

q=60 Horn 3

q= =110 Bassoon 3 56 Trumpet 2 Trombone 2

q= =90

ææ ˙ >

Frull.

Bassoon 2 69 Trumpet 1 Trombone 1

æ wæ

q= =70

sf Frull.

æ wæ

q= =50

07:20

œ™ 4 q=102 4 ≈ J

j œ Œ

ææ œ >

œ œ >

07:24

07:13

2 4 ‰

07:21

‰

œ >

≈

œ R

07:13

1 4 ‰

Walkers 1,5

A3 £

A ^

07:38

3 4≈

‰

°‹ &

‹ ¢&

œ >

≈

b 3o

œ >

≈

‰™

‰ ?

bœ

5 4

vibr.

& 4 œfij b˙

ûù-

molto canto, espress.

œ gliss. œ gliss. nœ gliss. Kœ

fiœ œ œ

ësff # eo eo e #e e e e e

≈

5 4

3 8

18 œ

gliss.

≈

‰

Arco

‰

?‰ ‹

molto canto, espress.

œ gliss. œ gliss. nœ gliss. Kœ

4 4œ

5 3 3 4 8 4 bw+~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

4Œ 4

smf

3 4Ó

® ‰ fiœ œ

œœ

. m Aª

≈

Vla.

3 3 4 4 ¢& bw ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ + ASP

¢ °

≈

‰

Ó™

Pieter

4 4

3 4

. m Aª

‰™

„ j

‰

. m. Aª ‰ 4 Aª 4n

® ‰

4Œ 4

‰

‚ + bœ+ +e e

+ e

+ be

b"+~~~~~~~~~~~~

· +e n+e b œ+

ûsff ù

û-- mp ù

gliss.

3‰ 8

œ gliss. nœ gliss. Kœ

œgliss. #œ f

‰™

. m A ª

4 4

‰

Ó™

‰

smfz

ssss

≈

R ‰

3 . m A ª

cP smf

~~~~~~~~~~~~~~

™

. An ª

. m A ª

3 4≈

· « ù« ù« ù« ù« ù

rit.

+e n+e

≈

ù« ù« ù«

ù«

≈

A tempo

4 4

„ j

b"+~~~~~~~~~~~

‚ + bœ+ +e e

+ e

+ be

· +e n+e b œ+ +e

+e n+e

· « ù« ù« ù« ù« ù rit.

≈

ù« ù« ù«

ù«

≈

A tempo

4 4 4Œ 4

5 4

. m A ª

4 fi œ 4œ œ J

. An ª

3 8

Ó™

5 4

Ó™

≈

. m A ª

4 4

Cb.

q= =58

vibr.

+ 5 4 B bw~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 8 4

. m Aª

4Œ 4

gliss.

molto canto, espress.

Arco

B 4 b˙

5 8

sff

. Aª n

3 4

ësff # eogli eo eglisss.eo # egliss. egglisss..e egliss. e liss.e e e

> ·! ™ 3 4

3 4

‰

Arco

+ j

‰

glis

Arco

‰ 3 & 4 bœ

eo e e e

ST vibr.

sffff

‰

Vln.2

q= =38

‰

nœ > “‘

5 4 4 4 ¢& bw~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ +

Vc. Solo

smp

sff

Vln.1

ææ

pppp

q=105

#œ

q= =54

>œ

ææ

‰

bœ

AST

Vc.

pppp

ææ

œ™

1 ≈ 4

q= =57

˙™

2 4‰

q= =56

œ. J

˙™

Walkers 1-5

¢&

j œ

‰

Harp

q= =55

j œ

‰

j œ™

≈

07:48

° &

P-no

07:38

07:22

q= =48

≈

Walker 3

q= =48

Aj ^ œ™ >

>œ J

1 4‰

‰

q=64

A £ £ A

3œ 4

‰

Ó™

1 œ 4≈ œ ‰

q=73

07:48 j r fi

r œ 2 4≈ œ ‰ ‰ J

œ Œ J 07:38

7 p

07:40

07:28

2 4 Œ

æ wæ

q=86

r œ Ó

‰™

Frull.

12 p

ææ ˙™ >

Tuba 1-2

æ wæ

Frull.

Trumpet 3 Trombone 3

æ wæ p

æ wæ

‰

„j

b"+~~~~~~~~~~

+ be

‚ +e b+œ b+e

+ e

· + + bœ+ +e e ne

+e n+e

· « ù« ù« ù« ù« ù rit.

≈

ù« ù« ù«

≈

ù«

A tempo Œ

‰ Œ

‰

„+ b~~~~~~~~~~~ œ J

b+e

‚ +e b+œ b+e

· +e n+e b œ+ +e

ASP.

+e n+e

·« « « ù« ù« ù ù ù rit.

≈

ù« ù« ù«

≈

ù«

A tempo Œ

‰

≈

rit.

P 6

Ó™ c · ù« ‰

ù«

G.P.

ù«

≈

ù«

≈

ù«

Wait the conductor's auftakt.

5 &4

Flute 1 Alto (G)

q= =38

>. 5 3 4 3J

7 4

‰

>3. 3 J

∑

‰

sfz

q=92

g™

° & 46

Flute 2

Play highest sound, the labium of ricorder is fully closed by finger).

Ó™

œœ

Oboe 1

q= =76

Catch a multiphonick, Don't play high sounds in a crescendo.

w w

sfff

¢&

> œ

bœ

œ ne

œ œ

œœ

sff sempre

3fij 3

3 4 ‰™

g™

g J ë ff

>3. 3 R

œœ ™™

3 6

œ œ œ #œ œ œ œ œ œ œ œ œ œ

ë fff sempre

¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ œ

f sempre

Intonation

A ~

2 q=102 4 Œ

2 4Œ œ >

œ >

sfffff 08:09

sffff

08:17

A ^

2 q=86 4 Œ

œ >

sfffff 2 q=73 4 Œ

2 q=64 4 Œ

08:21

2 4Œ

œ >

J #œ

2 4Œ

08:10 (q=105) 42

3 4

Walker 1

>>>>>> >

ÆÆÆÆÆÆ Æ f sempre

08:12

(q=105) 4 ™ Œ Walker 2 4

‰

j >

‰‰

j >

≈

r >

‰

‚

ÆÆ

Œ ‰

A£ £ A

>œ Ó Œ Ó œ J > sff cresc. 3

‰

‰ ≈

ÆÆ

Æ™

Œ ‰™

r >

>œ >œ 2:3

08:39

>r >œ œ ‰ Œ J

j œ ‰

>œ J

>œ

‰

Wait for conductor auftakt.

fff

08:55

>œ >œ >œ >œ 3 >œ 3œ r >œ >œ œ œ >œ ≈ ‰ ≈ ‰™ Œ ≈ ≈ ≈ ‰ ‰ >Ó œ J J >œ œ R R sf sff sf sff

3 >œ >œ >œ >œ >œ >œ >œ >œ 3>œ ≈ ≈‰ Œ ‰ Œ RR J 3

ff ‰ æ

>> >

ÆÆ Æ

ææ ‰

j >

sf 3

sfmf

Vc. Solo

U Ó

j 1 4 >œ

c P ~~~~~~

‰

3 4 ‰™

œ Œ > f

‰™

œ Œ > f

‰™

08:53

j r œ ≈ œ ‰™ > >

4 Ó 4

œ Œ > f

r j j r œ 3 ‰ œ ‰ œ ≈ œ ‰ > 4 > > >

Ó™

™

fi œ

SP.

‰

œ > R

j œ

≈

‰

ssss R

09:08

r j j ≈ œ ‰ œ ‰ œ ‰ > > >

˙˙

≈

‰

08:55

4 4

3 4

free

sff

Ó > ·‚œœ J

fi ‰

hand ·œ left pizz. ‰ Œ

U Ó

fi Ó

div.

Vc.

~~~~~ ‰

f hand · left pizz. " ‰ + ‰

3 3 3 + + + + ++ + + + + + #+e 3 + + + #+e #œ+ #+e#+e #+e # œ # e # e j ‰ #" #"+~~~~ #e #e œ #e #e # "+~~~~~~~~ +~~~~~~~~ "~~~~~~~#"+~~~~~ œ e # e #e œ e +

‰

Pizz.

·o O

G.P.

sff

free

> ·‚œœ

Pizz.

G.P.

sff

+ + + + #+e + + + + #œ+ #+e#+e ‹ e # œ # e # e #"+~~~~ #e œ#e#e #e # " # e ~~~~~~~~ # " # e ~~~~~~~~ œ # e + # "+~~~~~~~~ "+~~~~~~~ + œ e # e ++ + + + + + +

>œ Pizz. ·‚œ J

+ + ++++ +++ + + + + + + #+e # e # e + + #œ+~~~~~~~~# œ~~~~ + + + #+e œ+ # e # e # e # œ + #œ ™~~~~~~~~~~~~~~~~~~ #e #e œ e #e #e œ #e #e #œ~~~~~~~~~#œ~~~~~~~~ "+ ™ ~~~~~~~~~~~~~~~~~~~~ e œ

>œ ·‚œ Pizz. free

sff

U Ó

‰

G.P.

sff

Pizz.

Wait for the conductor's auftakt.

+ + + + #œ+~~~~~~~~# œ~~ + + #œ ™~~~~~~~~~~~~~~ bœ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ #œ~~~~~~~~~#œ~~~~~~~~ œ™ ~~~~~~~~~~~~~~~~~~~ free

free

‚·>œœ ÒÒ

Wait for the conductor's auftakt.

Pizz.

U Ó c P ~~~~~

>œ ·‚ œ

sff free

Pizz.

Cb.

sff

4 4

free

>œ ·‚œ

free

> ·‚œœ

∑

U Ó

~~~~~ ‰

· left hand pizz. ‰ "+

>œ ·‚œ

U Ó

free

Pizz.

U Ó Wait for the conductor's auftakt.

Vla.

‰

free

Pizz.

sff

Wait for the conductor's auftakt.

free

Vla.

3 4

> ‚œœ · J

G.P.

3 4

Pizz.

œ œ > f ê¿¿

Œ smf

5 4 ∑

q=115

ASP.

‰

poco dim.

sfz

ssss

œfi œ

U Ó

œ œ > f ê¿¿

Vln. 2

5 4w >

Pizz.

œœ > f ê¿¿

08:46

U Ó

5 4 ∑

f mp

Wait for the conductor's auftakt.

left hand

09:08

q=115

G.P.

·œ pizz. ‰

ffff

09:08

1 q==76

ffff

sff

j r r r j j j j r œ ≈ œ ‰™ œ 3 ‰ œ ‰ œ ≈ œ ‰ ≈ œ ‰ œ ‰ œ ‰ > > > 4 > > > > > > ¿ f ê¿

4 Ó 4

ë fff

ff sempre

˙™ 08:26

Vln. 1

≈

Walker 5

>œ >œ >œ >œ >œ >œ >œ

4w 4

(q=105)

c P ~~~~~~

≈

08:53

>œ >œ

≈

08:46

08:21

Ó™

≈

A ^ 4 ‰™ >œ œ œ œ œ œ œ œ œ œ œ œ œ >œ >œ >œ >œ >œ >œ >œ >œ œ œ œ œ œ œ œ œ œ œ œ œ œ >œ œ œ œ œ œ œ œ œ œ œ œ œ >œ >œ >œ >œ >œ >œ Ó 4

j 1 4 >œ ‰

(q=105) 4 Œ Walker 4

08:48

> 3 >œ >œ >œ >œ >fijœ œ 4 œ J æ ææ

q= =38

w w f

3 3 j j > j œ œfi 4 Œ 4 œ œ œ ‰ Œ œfij œ ‰ >> > J > ë fff sf

3 4 ˙™

(q=105) 4 Walker 3 4w

3 j 4 >œ ‰ >œ fi >œ >œ ‰ Œ >œ >œ 4 œ œ œ J

fff

08:16

08:46

j œ ˙

˙˙ ™™™™

Ó™

‚

œ >

sfff

nœ

Ó™

‚

08:53

A£ £ A 3 3 r œ œ œ ‰ œ œ œ œ ≈ œ ‰ fij>œ ‰ œ ‰ Œ 4 ‰™ > œ 4 œœ œ > >œ œ œ œ >J >œ > J R

sffff

œ bœ ™

Ó™

08:29

08:21

j 1 4 ‰ œ >

sfffff

4 Œ 4

œ >

sfff

08:18

œ >

08:40

2 4Œ

œ œ™

ë fff

>œ > 3> > 3> ‰ Œ ‰™ œ œ œ ‰ Œ ‰ œ Œ œ Ó J J J R

>3 >> > >3 ‰ œ ‰ œ‰ ‰ œ‰ œœ‰ Ó J J J sff cresc.

08:29

2 ™ 4‰ œŒ >

œ >

sffff

A ^

>œ

A£ £ A

3 4Œ œ Œ >

sfff

08:17

sfffff 08:09

œ >

sffff

A ^

2 ™ 4‰

08:38

2 4Œ œ >

sfff 08:21

2 4Œ

08:09

2 ™ 4 ‰ œŒ >

œ œ œ

sff

Ó™

‚

08:29

08:21 r

‚

Intonation

08:17

q= =50

A ^

˙˙

Intonation

08:09

œ œ

œ œ ™™ œ

œœ œ

˙ p

4 ‰ 4

‚

q= =70

Tuba 1-2

3 4

œÍÍÍÍÍÍÍÍÍœ

4 ‰ 4

q= =90

Clarinet 2 Trumpet 3 Trombone 3

œœ

3 4

Intonation

q= =110

Clarinet 1 Bassoon 3 Trumpet 2 Trombone 2

‰

ë ff

Molto vibr.

Catch a multiphonick, Don't play high sounds in a crescendo.

>œ R ˙

œ™™

Beginning from this moment you should leave the scene, keep playing and counting in a motion. You should constantly walk around the island. Do not get together with other performers, try to stay alone.

‰

q= =76

Bassoon 2 Trumpet 1 Trombone 1

gliss.

>3. 3 R

œ œ œ œ œ œ œ œ œ œ œ

< Œ> œ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯

sfff

Bassoon 1

>œ

˙-

08:37 °

# 3fij #3

‰™

¢&

3 6

g™

ëf

q=92

Flute 3

‰

Since this moment play your part like a duo, without any conductor assistance.

08:46

08:18

33 J

> ##OO

∑

sffz

> ·‚œœ ÒÒ

Pizz.

sff

>3. 3

Flute 1 Alto (G)

q= =38

‰

ï óïï ïóóï >3. 33 J

° &

ï óïï óï ïó w

Flute 3

¢&

##33 J

33 J

3fij 3 OO ™™

‰

3 3 J

# 3fij O ™ #3 O™

‰

33 J

3 4

‰

Ofi

3 e

O E

w w w

˙ ˙ ˙

° & 73

Oboe 2

ñï ïóï G#,Eb ï w

With reed as usual.

~o %

3ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ3

ñïï óïï

G#,Eb C#

ñïïï óïï

# œœ

ñïïï ïóï Bb ï

##œœœ œ

# œœ

fij

09:26

œ £ 42 ‰ Œ q=86 A œ A ^ >

# œœ

##œœœ œ

# œœ

09:10

sf 09:23

fij œ

£ 42 ‰ q=73 A A ^

j œ >

Mute sound immediately.

A£ 44 A ^

09:10

>Æ œ

‰

smf

œ > sf

09:26

fij

A£ 42 ‰ œ œj A ^ >

sfff

‰

≈

‰

09:43

A£ £ A r >œ œ œ œ œ œ œ 3 4 ‰ œ >œ ≈ œ ≈ œœ ‰

Ric.

r > 4 ≈ œ œ ≈ œeeÓ™ 4

smf

≈

œÆ

5 4 Œ

3 œÆ J

‰

Mute sound

smf

œÆ R

≈

r ‰™ œ Œ >

r 4 ≈ œ ‰ Ó™ 4 >

q=115 Walker 2

r ≈ œ ‰ Ó >

4 Ó 4

q=115 Walker 4

j œ >

‰

< Æ>

3 4 ‰

09:47

ê¿¿

j œ >

2 4Œ

q=125

ê¿¿

ê¿¿ 09:25

j œ >

b˙

™

gliss.

1 ≈ 4

‰

gliss.

“” # œ.

Labb > La Fa## > Fa Mib > Mi Dob > Do#

Harp

°‹ & 51

bœ

‰

bœ

? ‹

bœ

? ‹

‰ ë sff

O ŒR

gliss.

‹ &

O ŒR

gliss.

‹ &

™

° 3 4 48

fi œ

‰

œ >

4 ™ 4 œ

sfz

Vc. Solo

q= =38

4 4

>œ

≈

‰

J sf sempre #>œ ° O¯ ‰ Œ Vln. 1 & J

5 4

#>œ O¯ J

‰

Vln. 2

#>œ O¯ J

‰

. œ

œ.

‰

> ≈ œ ‰ R #>œ O¯

#>œ O¯

div.

‰

>Oo O¯ ‰ J

‹ &

4 Œ 4

w ™™ bw > ° sfff

‹ &

4 Œ 4

œ gliss.

# œ gliss.#œ

≈

glis

# œ gliss.

≈

#œ

≈

‰

<Œ

3 4

‰ ™>

3 ™ 4 ‰. >

<Œ

4 4

>Oo O ¯

#>œ O¯ J fiœ œ

Arco

‰

∑

œœ

≈

#>œ O¯ J

‰

ê¿¿

‰™

? ‹

+ R

‹ &

gli ? ss ‹ .

gli

ss.

gli ss.

2 4

gli

ss.

≥ œ™

>œ ™ ÍÍÍÍÍÍÍÍÍÍÍ .™ < ‰> Ÿ J

≥™ œ sp

œ≤ ™™

≥œ etc. R

sff

div.

4 4 bœ b œ. >

‰

> œ ™ÍÍÍÍÍÍÍÍÍÍÍÍÍ ™™ Ÿ < Œ.. > J

‰

5 4

‰

> œ ™ ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ ‰ Ÿ

5 4

> œÍÍÍÍÍÍÍÍÍ <Œ Ÿ

™ ‰.

sff

≥ œ™

5 4

4 4

œœ

Œ™

‰

™ > Œ.

‰

3 4

#>œ O¯ J

‰

#>œ O¯

‰

#>œ O¯ ‰ Œ J 3

‰

‚> œ œJ ‰

‰

#>œ O¯ ‰ Œ J

>Oo O¯ ‰ J

· >œœ ‚ÒÒ ‰ J

‰

·> œ œ J ‰

‰

· j ≈ œœ œ ≈ Ó „ ‚

‰ j œ ∑ > 3 Salt. ‰ 7j ∑ >œ

‰

>Oo O¯ ‰ Œ J

>» bœ J

‰

∑

>Oo ‰ O¯ Œ J

>» bœ J

‰

∑

free

Ó™

· >œ ‚ÒœÒ

Pizz.

sff

· >œœ ‚ ‰ ÒÒ ‰ Œ J 3

sff

> Ã

‰

‰ Œ

free

Ó™

> · œœ ‚

Pizz.

sff

fff

> Ã

‰ Œ

≥ œ J

4 4

> œÍÍÍÍÍÍÍÍÍ 4 4 Ÿ J

4 4

5 4

‰

>Oo ¯ O ‰ J

free

Cb.

Pizz.

‰

o . egli # eogglilissss.# egglissss.e.o egliss. eglisse. ® ‰ egliss. e lisse. be e

>œ · ‚ œ

‰

ppp

Col legno. The bow hair should touch a string, play one col legno strike.

‰™

‰

>œ œPizz. · ‚ ÒÒ J sff

‰

> œ ™ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ ‰ Ÿ J

‰

œœ

3 4

° >

sfff

bœ

free

Vc.

‰

sff

free

Vc.

> œœÆ

3 4

smp

poco cresc.

j B~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ‰

Pizz.

≈

> ww

4 4

sfff

≤œ ™

œ >

˙>˙

· >œœ ‚ ÒÒ

Ó™

2 b˙ b >˙ °

≈

1 4‰ f

div.

Vla.

‰

œ >

q=125

∑

>œ #>œ O¯

1≈ 4

09:52

<Ó>

3 4 ‰

‰

5 4

œ™

5 w 4

Ó™

Vla

> ™™ ww

Hold left hand 2cm from the bow.

≈

‰

pp poco cresc.

4 4

Vln. 2

> Mute the sound Æ œœ immediately.

5 ≤ 4 w

>j œfi

Ó™

Very fast trill playing by left hand with finger strikes.

In the equal balance with strings.

A£ £ A ‰

4 œ. 4

6 4

j 1 4 >œ

‹ &

SP. Molto flautando sempre

œ™

ësff

dim.

ssss R

3 4

Perc.1

j œ

6 4

™

SP.

œÆ ‰ Œ ≈ œÆ ‰ Œ R J

ss.

bœ

‰

q=125

gli

‹ ¢&

gliss.

‰

‰ œ ‰ >

09:51

œ >

q= =48

œ >

f sempre

j œ

‰

q=125

09:39

≈

09:48

Walker 5

j œ™

≈

Æ Œ ‰ œ‰ Œ J

2 q=125 4

° &

‰

A£ 43 Œ œ œ ‰ œ œ ‰ A ^

3 4

Ó™

œ >

09:50

ææ

sff

09:11

‰

j œ

09:20

Walker 3

A^ j

4 4

≈

A ^ r œ Œ >

3 ™ 4 ‰

1 ≈ œ 4‰ >

q=115

r œ ‰ fijœ Œ

‰

09:26

>œ

smf

œÆ ‰ J

Walker 1

09:46

œÆ ‰ Œ œÆ œ 4 Ó™ 4 J

smf

‰

09:39

09:11

≈

r œ œ œ œ

09:46

A£ £ A immediately. 3 3 > >> 3 ™ œÆ œÆ œÆ ® œ œ ‰ ‰ >œ ‰ Ó 4 ‰ ‰ œ J R

‰

œ '

sfff

P-no

##œœœ œ

A£ £ A >j >œ œ >œ œfi œ ≈ œ >œ ≈

3 4 Œ

sfff

q= =48

3 8

≈

f sempre

09:10

3 e

##œœœ œ

¢&

3 e

O E

Molto vibr.

f sempre

q=102

Oboe 3

Take a Grand flute

Since this moment play your part like a duo, without any conductor assistance.

q=102

Ofi

≈

f non dim.

09:08

3 e

molto cresc.

#˙ #˙ ˙

q= =92

‰

poco a poco cresc.

Flute 2

4 4

sfz

33 J

Con vibr.

‰

b>O ™ 3 4 bE ™

B3 ™ 3 & 8 Be ™

Flute 1 Alto (G)

q= =38

bE ™

fff ° &

ï ïóï ï óïï W ïó ïóóï W ïï ˙˙ E #EE ˙

q= =92 Flute 3

nO ™ nE ™

7 8 E™

>O 3 4 O

‰

B>O ™

>3 3

O™

ï ïóï ï ïïó óóó W ¥óóó ˙ ™™ ˙ ™™ ˙™™

œœ e œ #ee

E ™™™™ EE ™™

E™ E™

#w #w w

ï ïó ïïó ï 3o

bœ

sfz

ï ïñï ïïóïï # 33o

‰

ï ïñï ïïóï Cï B 33o

‰

J sfz

>3 3

O™ ™ >O

#>3 #3

#>O O

ï óïï óïïó w

ï ïóïï ï ïï ïó ¥ïóóó WW ¥óóó ˙™ ˙™

#>3

ffff

Flute 2

ï ïñïï ï óïï ïóïï WW ïïï nO ™

b>O ™

Molto vibr. Espress.

Smorzato

sfz

33o

O ≤R

>O O

3 4

˙™

10:44 °

Oboe 1

¢& ñïïï ïóï Bb C# ï # ˙˙ #˙˙

q= =76

° &

Oboe 2

q= =102 Oboe 3

¢&

ïï ñïïï ïóïBb WW ïïïóBb C# ï C# > # EE ##˙˙˙ #E ˙ E

##w w w w

#% # %% %

sff

#E ™ # EE ™™™ E

##˙˙˙ ™™™ ˙™

bœ. >

Bassoon 2 Trumpet 1 Trombone 1

Clarinet 1 Bassoon 3 Trumpet 2 Trombone 2

127

Tuba 1-2

q= =50

w w w w

q= =70

œ œ œ#œœ b˙ ™™ œ n˙ ™™ f

sff

q= =90

Clarinet 2 Trumpet 3 Trombone 3

155

q= =110

‰

>f ë

˙˙ ™™™™

œ J

10:45 q=102 42

10:12 q=86

10:21

A ^

2 4 Œ

3 4 ≈

œ >

4 ‰™ 4

œ >

˙™ >

4Œ 4

(q=90)

09:59

4 4

Walker 3

≈

10:22

œ '

10:45

2 4 Œ

‰

q=90

10:22

˙™ >

4 Œ 4

(q=90)

10:22

˙™ >

4Œ 4

(q=90)

Walker 4, 5

≈

>Æ œ J

‰

°‹ & 60

bm œ

‰

P-no

q= =48

¢&

J œœ J

‰

> b 66

œœ

J j

66 >66 #6 J

J sfff

>Oo

4 4

ppp

˙™ >˙ ™

ss.

ë smp

6 4

‰

œœ >. sf

gli

ppp

bb >œœ

œ #œ #œ œ

6 4

° >

>Æ œ

Ó™

-#-e R

>™ ww ™

> œœÆ

‰

≈

‰

>Æ œ œ

œœ

4 Œ™ 4

4 œœ 4 J

w ™™ w >

œœ

ppp

≈

œœ

ê¿¿

≈

œœ

œœ ™™ œœ

‰

j bœ bœ

‰

‰™

œœ

>Oo

‹ &

œ>œ œ>œ

‰ 3

‰

bb œœ

non cresc.

œ>œ

> œfij œœÆ

>j fi œœ

œ>œ

A ^ œ

Œ™

ê¿¿

Ó™

>Æ œ

‰

-#-e R

> œœÆ

Œ™

ê¿¿

>Æ œ

œœ

œœ & R

‰™

œœ

> œœÆ

‰™

‰

>Oo

Œ ™™

#œ

ppp

bœ bœ

be R

‹ &

Ó™

œœ & R mp

Play this flageolet on the same horizontal level that you played on previous string.

Play a half-flageolet (with some basic tone addition) 20 cm from low nut

4 ˙™ 4

nœ J

Œ ™™

66 6

¢&

Harp

q= =48

œœ

‰

A ^

Œ™

f sempre

° Ó &

Œ™

ê¿¿

f sempre

f mp

A ^

f sempre

(for counting)

j œ™ >

˙™ >

4 Œ (q=90) 4

(for run)

f mp

A£ j

2 4 Œ

f sempre

e=180

10:22

Walker 1-5

œ™ >

≈

A£ œÆ

2 4 ‰

10:13

4 Œ 4

Æ ≈ œ ‰ R

Ó 10:27

f mp

09:58

‰

10:45

j œ ‰ ' 3

œÆ ‰ R

sffff

Walker 2

œ '

2 4 Œ

A ^

2 4 Œ

w >

≈

10:23

œ >

09:57

4 4

sffff

10:12

Walker 1

A ^

2 q=73 4

q=64

‰

œ '

10:45

sffff 10:12

A ^ Œ

œ>œ

≈

œ>œ

≈

œ>œ

‰

>j fi œœ

œ>œ

R‹

fff

? ‹

œœ

ss.

gli

> +

ss.

gli

> sfff

œ.

‹ &J

b œ.

‹ &

‰

Ric., Col legno Move the bow along the string (from end of fingerboard to the bridge).

° 4 4

Vln. 1

° ¢

4 4

° &

Vln. 2

> œÍÍÍÍÍÍÍÍÍÍ <‰ Ÿ J

4 <Œ >

œ ësf

smf

Perc.1

Pression

Vc. Solo

q= =38

≤ œ

≥ œ

≤ œ

Ó fi>

5 4

≈ nœ ‰ R

#>œ ≈ nœ ‰ R

#>œ

Œ nœ ‰ J

‚„ ‰ œ #œ Œ

» r ≈ #œ ‰ Ó >

>œ

#>œ #œ J

» j #>œ

Vln. 2

Vla.

≈ nœ ‰

>Oo ≈ OJ ¯ ≈ Œ

div. Vla

‰ ∑

>Oo O¯

‰ ∑

>Oo O¯ J

m An ‰ ‰ Aª ª

c P ~~~~Ó J

> Ã J

free left hand Pizz.

m An ‰ ‰ Aª ª

~~ cP Ó J

#>œ. œ Œ bœœ ‰ J

sppp

fiœ œ

‰

eo e e e

® ‰

#œ

‰

#œ

œ+ J

left hand Pizz.

free left hand Pizz.

œ+ J

≈

sppp

fiœ œ

≈ ≈ Œ

‰ ∑

eogli # eo # egglissss.eo. e eg lisse. e eliss.e ® ≈ Œ be e . gliss. gliss . gliss. gliss

œ œfi

Arco

‰

fiœ ≈

œœ

b eo eo e e e ‰ be be e

sff

· Arco „ ASP ‚ fij œ

· ASP „ fij ‚ œ

gliss.

bœœ

cresc.

4 4

˙™

>œ3. #>œ. œ œ œ œ bœ ‰ ‰ œ ‰ Œ J J smf sff

#>œ. œ œ bœ ‰ Œ

4 4

#>œ. œ ‰ œ ‰ Œ bœ J sff

#>œ. œ œ bœ ‰ Œ

‚ ‰ „ bœœœ ‰ Œ >

Arco Salt.

>œ

‰ Œ

sff

>œ # œ. ‚‰ „ Ó bœœœ ‰ ‰ > J Pizz.

Arco

# œ.

ë ff

gliss.

bœœ

ë ff

> ‰bœœœ ‰ Œ J 3

>Oo ‰ O¯ Ó J sff

>Oo O¯ ‰ Œ J

>Oo ‰ O¯ Ó J sff

>Oo O¯ ‰ Œ J

>œ

>O3o ‰ O¯ ‰ Ó J

3 >Oo ‰ O¯ ‰ Ó J

· ASP ‚„ fij œ

Arco

gliss.

bœœ

7j bœ. œ >

Arco Salt.

7j bœ. œ >

Arco Salt.

œ œfi

≈

Ó™

·‚ >œœ ‰ ÒÒ J

Pizz.

≈

>œ

‰ Œ

Col legno tratto

‰

r 7 ≈ bœ. œ ‰ Œ >

‰

sff o b e gli eo eglissss..eo eg bee beglilissss..ee ® ‰ e e

Col legno tratto

Arco

Arco Salt.

r 7 ≈ bœ. œ ‰ Œ >

b eo gli eo eglissss..eo e eg e be beglilissss..e ® ‰ e e œ œfi

‚ ‰ „ bœœœ ‰ Œ >

‰

sff

eo e e ®Ó e

# œ.

ë ff

Arco

B Beginning from this moment five performers from each strings group join frusta performers outside the scene.

Pression

3 4

> ~~~~~~~~~~~~~~~~~~~~~~~~~~~ Ã cP ™ P ‰ Ó J

#>œ. œ œ bœ ‰ Œ

> bœnœœ ‰ Œ

Pizz.

sff

≈

> Œ bœœœ ‰ Ó J

#>œ. œ ‰ bœœ J sff

Pizz.

* Arco

smfz

Aj £ ‰ œ >

A£ >œ ‰ Œ J sf

˙™

‰ ∑

sppp

eo # eo # e egliss. e egliss. e be

≈

#>œ. œ ‰ bœœ J

3 4

¿ ¿ >

3 4

Pizz.

sff

A^ j

‰ œ >

Pizz.

œ+ J

≈

smf

free

Arco

div.

ææ ¿ >

Col legno Tratto

>œÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ 42 ˙ Ÿ

Vc.

smf

Ó™

Vc.

≤

2 4 œ

sff

‰ ∑

≥ œ

sffff

#œ J

≤ ˙

4 4

‰ ∑

div.

#œ

3 4

#>œ

sff

Pizz.

3 4

gliss.

≈ œ ‰ Ó >

#>œ

ëf

#>3 3

3 3 &4 3

Flute 1 Alto (G)

q= =38

#>3 #3

> 5 #~ 4 #~

dim.

3 3

2 4

° &

O 3 4 O

4 4 o

p sempre

3j 3

O O

‰

ï ïïó ïï ï µw ~o

¢&

4 3 4 E™

‰

With some whistle tones addiction.

Oboe 2

¢&

3 4

óïï óïï œœ œ œ J

Ó™

‰

bœ. >f > sff ë

‰

4 4 %

4 bw 4

ïïñïïóï Bb C# ï >œ 7 #>œ e e e #e ##>œœœ e e e e e e e e #œ e e ™™ e #e e e ‰ œ >

sff

ñïïï ïóï Bb ï ##>œœœ ‰ œ

œ 3 4 J ë ff

‰

œ 3 4 J ë ff

‰

#e e # e e #e œ œ #e >

fff

e #e #e œ #e œ #e e >

fff

>œ 7 #>œ e e e #e e e e e e e e e #œ e e e ™™ #e e e >

7 8

12:21

3 4

Wait for:

Con vibr.

3 4

w w w w

ï ïóï ïïï 4 #w 4 #w

sff

˙˙ ™™ ˙ ™™ ˙

#3 #3 #E ™

3 4

q= =102

Oboe 3

117

° &

ï ïïó ïï ï 4 4 #w

3 4

q= =92 Flute 3

3 3J

Non vibr.

O O

Flute 2

fi 3 3 #3 3 3 #3

™™ Wait for:

™™

11:27 q=102

2 4

œ >

sfff

11:27 q=86

2 4 Œ

œ >

sfff A ^

11:27 q=73

2 4

œ >

sfff

11:27

As soon as you hear the explosions immediately play frusta part. As only you hear an explosion use a singe hit as a response. Speed response and volume depends upon the distance from the source of explosion.

4 4

Walker 1

< Æ>

ff sempre

4 w 4

<Ó>

œ Æ

ffff

cresc.

ff sempre

10:46

Walker 3

< Ó™ >

˙™

10:56

Walker 4

ffff

cresc.

10:46

< Æ>

° &

Run to the 1st position...

Ó™

Ã ‰

‰

Run to the 2st position...

Run to the 3st position...

Go to the glass sheet position... r

1 4 ‰™

Go to the metal sheet position...

‰™

3 4

‰

bœ ™

4 ≈ 4

P-no

3 4

° sf ASP.

œ >

sfz

Vc. Solo

q= =38 A

. 4 œ 4

œ >

. œ

‰

Ó™

‰

molto esspr.

Pizz. · #>œ. ‚ ‰ œ „ bœœ J sff

#>œ. œ bœœ J

Pizz.

Vln.2

3 4 ‰

™

molto esspr.

· ‚ ‰ „

· >. ‚ œ „ œ ‰ ‰ œ œJ · >. ‚ œ „ œ ‰ ‰ œ œJ

div. >œ

molto esspr.

‰

sff

‰ Ó™

j œ œ

‰

ppp

≈

œœ

≈

bœ bœ

‰

bbœœ

+ j

‰ j ·œ œœ >œ 3

‰

‚·> ‰ #œœ

##˙˙

‰

3 4

4 4

3 ˙ 4

J sfff

Col legno tratto

‰

<‰ >

7 ee ee ‰ ee œ e > sfff

Arco Ric. Ord.

o o Oo Oo Oo Oo o o O Œ >O O O

sfff

!™

Col legno tratto

> WW J ë fff

‰

> WW !™

4 4

4 w 4 w

œÍÍÍÍÍÍÍÍÍÍÍÍÍ Ÿ

‰ >

‰ Ó

‰ sfff

4 4

3 4

4 4

3 4

cresc.

>œ

Arco Salt. ASP

Pizz.

‰ Ó

6 4

Pression

˙™

smf

· +Pizz. œ J

6 4

free

‰ Ó

free

Col legno Salt.

Pizz.

7 ee ‰ e e ee œe > sfff

Col legno tratto

¿7 ¿ ≈‰ > ¿¿ fi sff

‰

≥ ≤ ≥ ≤ ≥ ≤ ≥ ≤ ≥ ≤ ≥ ≤ ≥ ≤ fi

Col legno tratto

ë fff

J o

‰ Ó

¿7 ¿ ≈‰ > ¿¿ fi sff

J o

ë fff

‰ Ó

≥ ≤ ≥ ≤

Arco Salt. Ord.

Arco, Ord., Con Vibr.

oo o o Oo O O Oo o o O ‰ >O O O 7

bœ-gliss. œ Œ ë sff o

Col legno Salt.

> WW

ææ

¿™ >

œÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ ™ Ÿ <‰ Œ. J

ë ff

<‰ >

Col legno Tratto

≤

left hand

Col legno tratto

<‰ >

J o

fff

Col legno tratto

7 ee ‰ e e ee œe > sfff

≥ j

Col legno tratto

Ord.

Arco Salt. ASP

· >Oo ‚O

‰

>œ

Arco Salt. ASP

· ‚ œ>œ

·‚ > ‰ #œœ

‰

≤

4 4

œœ

‰

Pizz.

ssss

‰

Pizz.

‰

≈

·‚ > ‰ #œœ J

Arco Salt.

7 ee e e e e ‰ Ó œ e > sff

molto esspr.

œ 3 œ 4 J

≈

left hand Pizz.

· „ ‚> ‰ bœœœ J

Pizz.

‰

‰ Œ

‰

gliss .

ASP.

ssss

3 4 ‰

sff

Vln. 2

fi œ

SP.

‰ Œ

b œœ ™™

bœ

‰

ppp

° &

3 4 Ó

bbœœ

45 4

col pugno

sfff

4 ≈ 4

œœ

° 4 4 œ >

œœ >

‰

> n 66

q= =48

3 œ>œ

‰

œÆ mp

¢&

Vla.

‰

11:14

Ã™

≈

2 4 Œ

Ã™

≈

1 4 ‰

Ã Ó™

‰™

°‹ &

Vln. 1

11:14

11:06

Harp

q= =48

ê¿¿

>Æ œ

≈

3 4 Œ

1 4 ‰™

11:14

Ã™

≈

4 ‰™ 4

ê¿¿

ffff

cresc.

ff sempre

4 Œ 4 11:15

11:02

˙ Æ

4 w 4

11:16

‰

2 4 Œ

ff sempre

Walker 5

‰™

Ã Ó™

ê¿¿

10:46

Ã™

11:00

ffff

cresc.

4 w 4

≈

5 4 Œ

ff sempre

11:08

‰™

ê¿¿

sfff

Ó™

5 4Ã

ffff ê¿¿

cresc.

10:46 Walker 2

sff

10:56

10:46

œ >

ææ V ™™

≈

Double-side frusta (Walkers 1-5)

A ^

2 4 Œ

Beginning from the explosions’ fragment you should go to position 3, where you will find the conducter of your group. Wait for the conductor auftakt.

Frusta group

q=64

≤ ≥ ≤ ≥ ≤ ≥ ≤ ≥

Ó™

sfff

div.

Vla

‰ Ó™

molto esspr.

Arco Salt.

» „j œ >.

Arco Salt.

Pizz.

oo o o Oo O O Oo o o O ‰ Ó >O O O 7

‰

sff

molto esspr.

Vc.

„ >œ ‰ÒœÒ J fi sff

Pizz.

ASP oo o o Oo O O Oo o o O ‰ >O O O 7

sfff

‰ Œ™

‚ >» œ.

‰

>. m Aª J

‰

>. Aª n J

‰

>~~~~~~~~~~~~~~~~~ cP Œ

sfff

!™

Col legno tratto

> Ã

J sfff

div.

‰ Œ

W ë ff

<c >~~~~~~~~~~~~~~~~~~~~~~~~~~~~ > P P ‰ Œ J ë fff f

W ë fff

J o

‰ Ó

molto esspr.

Vc.

> „ ‰ÒœœÒ J fi sff

Pizz.

‰ Œ™

‚ >» œ.

‰

>. m Aª J

‰

>. Aª n J

Arco Ric. Ord.

o o o #Oo Oo O #Oo o o bO Œ >O bO O

sfff

‰™

o o o #Oo Oo O #Oo o o bO >O bO O

sfff

Ó™

sfff

Pizz. ·‚ >œœ ÒÒ ‰ ™ R

>œ „ ‰ ÒœÒ R

> Ã

free

J fff

free

Arco Ric. Ord.

oo o o Oo O O Oo o o O ‰ >O O O 7

bœ-gliss. œ Œ ë sff o

sff free

Arco Salt. Ord.

Arco, Ord., Con Vibr.

· Oo

Pizz.

‰™

Pizz. ·‚ >œœ ÒÒ ‰ ™ R

sff

>œ „ ‰ ÒœÒ R

> Ã J fff

free

12:21

#3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 7 #3 ‰ & 8 #E ™

3 3 3 3 3 3 3 3 3 3 3 3 3 3 3 E™ 7

Flute 1 Alto (G)

q= =38

‰

3 3 8 e

3 eR

≈

3 e

3 e R

1 3 4 e

≈

Fast Smorz.

#3 #3 #3 #3 5 16 #3 #e e R

2 4

œœ ™™

> œœ œ œ œ

óïïóó ïïóóïó

sff sempre

q= =76

‰

B 3fij Bœ

˙ ˙

b˙

#3 ™ #e ™

> œœ œ ˙ ˙

> œœ œ œ ™™ œ

Oboe 1

¢&

3 8

poco cresc.

11:52 °

3fij OÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ

ÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ ‰

5 8

3™ be ™

With whistle tones

b 3fij nO

etc. fij Æ3J OÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ #3 OÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍÍ

ësfff

œœ

œœœ

< Ó™> œ œ ¯¯¯¯¯¯¯¯¯¯

gliss .

ë sffff

< Ó™> ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ nœ

œ œ œ#œ œ œ œb œ

œœ ™™

œ™

œ gliss.

œœ ™™

sffff

œ™

j œ ˙

‰

™ œ‰

>œ

‰ œ ˙ J

r œ

‰™

11:52 °

> ˙

gliss.

sff

Bassoon 1

œ gliss

sff

> œ ˙

gliss.

ësffff

sfff

sff

q= =76

≈ Ó™

œœ

sfff

≈ Ó™

11:51

11:29

1 4 Ã

Walker 1

STOP!

‰

(1st position)

11:51

11:40

11:36

< ‰>

4w 4 +

(q=90) Walker 4

STOP!

‰

˙™ +

ff sempre

1 4 Ã

Walkers 2, 3

(2st & 3rd position)

< Œ ™>

< Ó>

" +

" " " " " + + + + +

< Ó>

˙ +

11:55

5 < ∑> 4

4 ‰™ 4

"+ "+ ‰

" ‰™ + > sff

11:29

Œ ™™

" + > sff

12:02

ë ff

< Ó>

3 4 ˙+ ™ >

ffff sempre

ffff

> ë

∏∏∏∏∏∏∏∏∏ ∏∏∏∏∏∏∏∏∏ ∏∏∏∏∏∏∏∏∏

11:55

1 4

Walker 5

> œ gliss

‰

Ã J

<Ó

3 4 ˙+ ™

‰

° &

Ó™

œœ J

‰>

"+ >

ëf

‰

Harp

q= =48

¢&

>Oo

‰

-#-Je

P-no

q= =48

q= =38

3 4 œ

<Œ

≈>

etc.

≈>

¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯

Col legno Tratto

smf

<Œ

3 4 fi

Col legno Tratto

ææj etc. œ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ ¿ ™™ ¿

ASP. Molto flautando

ss.

4 4

∑

gli

4 4

sff Vc. Solo

‰™

ppp

™6 ¢& ™ 4

#œ

œ™

gliss.

ææj 2 ™ 4 ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ ¿¿ p

™ < Œ>

Arco Ric. Ord.

106

Vln. 1

œ > sfff

œ œ > sfff

Arco Ric. Ord.

Vla.

o >O

Ó™

o >O 7

glis

o O

Wait for the conductor's auftakt.

‰

o O

Ó™

Arco Salt. ASP.

o >O 7

o O

Wait for the conductor's auftakt.

‰

o O

Ó™

Arco Salt. ASP.

sfff

o >O 7

G.P. o O

o O

Wait for the conductor's auftakt.

‰

Vc.

o > O

sfff

Pieter

o >~ ~ sf

sfff

G.P. Arco Ric. Ord.

o >~ ~ sf

sfff

o >~ ~ sf

G.P. Oo

o o O #O

o O

Ó™

Arco Salt. ASP.

#O >O bO 7 sfff

Wait for the conductor's auftakt.

‰

™™ 43

o >~ ~ sf

Arco Ric. SP.

û ù

œ ó > sfff Play any two natural high flageolets on different strings.

Arco Ric. SP.

œ ó >œ sfff

û ù

Play any two natural high flageolets on different strings.

Arco Ric. SP.

™ < ‰>

smf

o >O

Ó™

Arco Salt. ASP.

o >O 7

Ó™

≥

3 4 ‰

‰

¿¿ >

ë smfz

Col legno Tratto

Ric. Col legno

ësff

[open string]

œÍÍÍÍÍÍÍÍ ≈ Ÿ

3 4 ≈

3 4

G.P. Oo

o O

Wait for the conductor's auftakt.

‰

sfff

Ó™

Arco Salt. ASP.

o >O 7

Ó™

G.P. Oo

o O

Wait for the conductor's auftakt.

‰

sfff

G.P. o O

o O

Ó™

Arco Salt. ASP.

Ó™

sfff

o >O 7

o O

Wait for the conductor's auftakt.

‰

sfff

G.P.

Play any two natural high flageolets on different strings.

û ù

Col legno Tratto

2 ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ 4

Play any two natural high flageolets on different strings.

û ù

‰™>

æær 2 4 ¿¿ ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯

3 4

G.P. Oo

smf

sfff

Arco Ric. Ord. Vln. 2

Arco Salt. ASP.

2 4 ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯ œ

smf

™™ 43

< Ó™

3 4

ss.

soft

gli

°‹ ™6 œ & ™4

Arco Ric. SP.

o > O

sfff

o o O #O

o O

Ó™

Arco Salt. ASP.

Ó™

#O >O bO 7 sfff

Wait for the conductor's auftakt.

‰

q= =38

3™ e™

Flute 1 Alto (G)

3™ e™

#3 ™ e™

3 #3 ™ 8 #e™

1 4

#3 ™ 3 #e ™ 8

1 4

12:21 Flute 2

ï ïóï ïóó 109 ° 4 bw &4

b ~o 4 ¢ & 4 b%

Senza

Flute 3

ï ïïó ïïï b˙

ï óóó óóó bœ J

œ™

b 3o ™

o b3 e J

be ™

Oboe 1

q= =76

gliss.

œœ ™™

4œ ¢&4

œ™

bœ

12:22 Oboe 2

q= =102

Oboe 3

œœ

œ™

œœ

j #œ

3 ¢& 4

#>œ e e e#e

>œ e eee

e e#œ e e > e#e e e 7

>œ e eee

>œ e eee 7

> > #e e # e 3 # œ e e e#e e e œ e e e e e e#œ e e œe ee ‰ Œ e e#e œ 4 > e e e e >œ#e > e#e e e 7 7 7

ë ff

sff

n œœœ œ f

## eee e

##>œœœ œ f

œœ

J ë

sffff

œ.

> œ

sff

Œ™

ë sfff

# œ. #œJ

> œ

Œ™

œ™

œ 3

j œ

7 > > >œ e > > > 7 7 138 ##>œœœ e e e e e œe e e e e e ° 3 # œ e e e#e e e œ e e e e e e#œ e #e e # e 3 # œ e e e#e e e œ e e e e e e#œ e œe e e e ‰ e e#e e e e#e œ e e#e e e ‰ œ 4 & 4 # e e e œ > > > > 7 7 7 7 7 7 ë ff sff ff ë

œœ

ë sfff

sffff

œ J

> œ

sffff 3

> œ

œfiœ

3 Œ 8

>œ œ œ R

Molto vibr., Esspr.

> œ

3 e o

˙˙ ™™™™™™ ˙ ™™™

sfz

5 #~ 4 #%

o n>3

Senza

˙™

#3 ™ #e ™

# ˙˙ ˙

ë ffff e™

Con vibr.

O™

sffff

ï ïóó óóó ó œ J

œ™

#3 ™ e™

3™ e™

p sempre

12:25 ° 4 nœ 4

3™ 3 8 e™

1 4

q= =92

n3 ™ e™

fi œ œ œ#œ œ

>œ

sff

#œ

≈

sff

œfiœ œ

œ #œfiœ œn œ

≈

> œ

‰

˙˙ ™™

sffff

bœ

óïï óïï

mp non cresc.

nœ œ œ #œ œ ˙™ œ œ ˙™

‰

Ÿ~~~~~~~~~~~ Ÿ~~~~~~~~~~~~~~~~~~~~ 7 > # ee # >œ # ee #>œ e > Ÿ~~~~~~~~~ Ÿ~~~~~ 7 # >œ e e e#e # e >œ e e e e œ œ #˙ e e#e e e œ œ œ œ # œ œ e #œœ # e #e e # e # œ e e e#e e e œ e e e e e e Ó™ e e#œ e e e e œe e 4 œ#e e e ‰ œ e ‰ e#e œ 4 e #e e e œ#e e#e > > e e e e >œ#e J J > 7 7 7 7 ë ff 7 ë p p ë ff ë 7 > 7 œœ n# ee #>œ e e œ Ÿ~~~ Ÿ~~~~~~~~ ~~~~~~~~~~~~~~~ #Ÿœ ~~~~~~~~~ #>œ e e e#e œ™ e#e e e bœ œ # œ œ Ÿnœ œ œ e #e e # e œ e e e e e e œ #e e # e e e#œ e 4 ‰ œ e ‰ ee e e#e e e œ#e e#e œ e#e œ 4 J > > e e e e >œ#e > 7 7 7 ë ë p p ff ë

œ nn œœ œ

# >œœ ˙˙ ‰ #œœ ˙˙

‰

fff

12:31 °4 4w w

> 4 œ 4

w w

˙˙

w w

sff

mp non cresc. Bassoon 1

q= =76

4 ¢ 4

poco a poco

12:14

1 4

ësfff

˙˙

2 4 Œ

q=64

12:21

1 4 ≈

>œ

sff

œfij

‰

ë sfff

12:47

j œ > 3

1 4 ‰

œ >

12:35

œÆ R

œ > sf

12:35

sff

12:39

C q=60

Frusta group 1

1 4 Ã

(q=105)

Walker 1

≈

ff dim. poco a poco

Ã >

1 4 Ã

‰

Ã >

‰

12:40

12:29

‰

By conductor auftakt, please start playing the rest of your part (printed on a small index card). Beginning from the first sound you are leaving your position 1 and then go for a walk playing the rest of your part.

4 4 Ã>

‰™

œ >

1 4 œ > sf

œ > sf

12:36

Walker 2

12:47

A ^

2 4 Œ

>œ

‰

A ^

2 4 Œ

‰

1 4 ‰

œ >

sff

12:14

sff

Ó™

œ >

2 4 Œ

œ >

1 4 ‰

˙˙ ™™

œœ

12:36

12:14

œ ‰

12:36

sff

q=73

œœ

>œ

1 4 ‰

˙˙

mp non cresc.

sff

12:14

‰

q=86

4 4

q=102

gliss.

‰

(q=105)

By conductor auftakt, please start playing the rest of your part (printed on a small index card). Beginning from the first sound you are leaving your position 2 and then go for a walk playing the rest of your part.

q=60 44

Frusta group 2 ff

Ã>

Ã >

dim. poco a poco

12:43

(q=105)

Walker 3

By conductor auftakt, please start playing the rest of your part (printed on a small index card). Beginning from the first sound you are leaving your position 3 and then go for a walk playing the rest of your part.

4 q=60 4

12:11 Walker 4

12:10

4 ‰ 4

Walker 5

4 Œ 4

< Ó™

Ó ™>

<∑

˙+ ™ >

Ó™™ >

ff sempre

j 87 ° & # œœ

< ∑>

j "+ >

pp sempre

q= =48

3 4 ‰

Ó™

‰

P-no

q= =48

˙™

<∑

oj O

---->e

∑

< Ó™>

˙+ ™

Ó>

12:43

‰

< Œ ™>

˙+ ™™ mp

ææ ˙+

ffff sempre

Ó™

‰

j "+ > ë

ë ff

Ó™

3 4 Œ™

3 4 Œ

™

4 4

bbw w

4 4

¿ ¿ >

smf

≈

‰

Col legno Tratto

5 4

4 4

3 4 Y

5 4

4 4

3 [open strings] 4 Ó

sff

° & 113

Vln. 1

o ~~>

o ~~> Vln. 2

Vla.

o ~~> sf

Vc.

o ~~> sf

G.P. ó

G.P. Wait for the conductor's auftakt.

û ù

G.P. Wait for the conductor's auftakt.

û ù

bœ

SP.

bœ

+ j

gliss.

‰

ssss J

‰

o >~ ~ sf

o >~ ~

o >~ ~ sf

G.P.

Wait for the conductor's auftakt.

G.P.

Wait for the conductor's auftakt.

û ù

G.P. Wait for the conductor's auftakt.

û ù

G.P. Wait for the conductor's auftakt.

û ù

#œ nœ p

‰

û ù

œœ

o >~ ~

‰

G.P. Wait for the conductor's auftakt.

û ù

smfz

Wait for the conductor's auftakt.

û ù

bb ˙˙ ™™

œÍÍÍÍÍÍÍÍÍÍÍ Œ Ÿ R

Col legno Tratto

≥

3 4

≈

œ bœ

Ric. Col legno

3 4 ‰

Pieter

æ ˙+

sf mp

Vc. Solo

q= =38

>œ

# œœ

< Ó>

Œ Ã> Ã > ff dim. poco a poco

sf 3

“”> ˙ 3 ˙ ¢& 4 °

< Ó™>

ffff

sff

12:25

Ó™

j "+

4 ˙ ™™ 4 + >

--->e

12:25

˙+ ™™

‰

sf pp

‰

oj O

°‹3 &4

"+ sff

Harp

j ‰

Frusta group 3

13:09 80 > ° 4 œ 4

˙˙ ™™

gliss.

sfff

Oboe 1

q= =72

óïïóó ïï C ï 4 &4 nnw w

13:09 j

° 4 4w w 77

w w

˙˙

‰

œœ

3 4 œ

mf non cresc.

q= =72

4 ¢ 4

12:48

q=60

& 45

˙˙ ™™

œœ

˙˙

œœ

mp non cresc.

3 4 ˙˙ ™™

>œ

fff

3 4

poco a poco

Horn 4

œœ

ë fff

sff

Bassoon 1

13:21 3

o bœ

Catch a multiphonick, Don't play high sounds in a crescendo.

3 4

Ó™

Frusta group 1

≈

Ã >

q= =60

Ã >

‰

q= =60

‰

‰™

Frusta group 3 q= =60

12:53

Stop!

Ã >

‰

j Ã

Walker 2

‰ j

13:19

12:50 3

3 4 "+ '

Walker 4

"+ '

ææ "+

"+ '

13:09

< Ó™>

3 4 "+ ™

ffff

< Ó>

"+ ™

sff

13:09

j 3 4 "+ '

Walker 5

Œ™

‰

° &

œœ

˙+

ææ "+ ™

< Œ ™>

< Ó>

sffff

ffff

ææ 3 4 ˙+

13:20

< Ó>

sf sempre

"+ '

smp

‰

ææ

‰

Walker 3

As soon as you see the frusta group musicians getting stopped one after another – you will stop immediately. Do not move until the end of the piece.

‰

Ó™

Ã >

Ó™

Ã >

‰

‰™

Ó™

‰

j Œ

Frusta group 2

Ó™

‰

molto cresc.

"+ >

‰

"+ >

‰

Ó™

‰

Ó™

Harp

q= =48

œ J

°‹ &

>6 ™ 6™

‰

smf

P-no

q= =48

¢&

‰

slowly

≈

? ‹

‰

gliss.

‰

b>œ

ASP.

‰

Molto flaut. Ord.

b˙

≈

‰

ASP.

& œ >

Molto flaut. Ord.

æ ˙™™™

sfz pp

div. r

& œ >

œ ™™

>œ

sfz pp

ASP.

Molto flaut. Ord.

ASP.

Molto flaut. Ord.

æ ˙™™™

>œ

ASP.

sfz pp

117

‰

b>œ

ASP.

≈

Molto flaut. Ord.

œ æ

>œ

‰

OŒ R

‰

sfz pp

b>œ J

sfz

ææJ

ææ

‰

≈

bœ ™

ææJ

≈

‰

ææ

O ŒR

Ó f

sffz

≥≤ bœ

Œ 3

‰

≈

˙™

Molto flaut. Ord.

œ R

æJ

ST.

œ J

·>Batt. Y

Col legno

Ó™

≈

117

B Ó

‰

b>œ

ASP.

sfz

Molto flaut. Ord.

œ æ

˙ ææ

>œ R

sfz pp

Molto flaut. Ord.

ASP.

b>œ J

sfz

ASP.

117

Vc.

≈

ææ

Molto flaut. Ord.

œ™™

ææ

‚ Oo

‰

Molto flaut. Ord.

ASP.

Œ™

>œ R

sfz

≈

w W

div. 117

Vc.

Œ™

>œ R

sfz

12:47 Pieter

Molto flaut. Ord.

ASP.

≈

w W

Ó™

‰™

>œ

ASP.

æR

sfz pp

Molto flaut. Ord.

ST.

œ J

˙™ f

b-œ ™ J

˙™ f

ST. Con vibr.

-œ™ J

div.

Vla.

ST. Con vibr.

sfz

≈

Ó™

‚ Oo

“”˙

Molto flaut. Ord.

Col legno tratto

˙™

ææ

Ó WW

SP.

≈

Molto flaut. Ord.

o ‰ ~™

Ó™

Molto flaut. Ord.

ASP.

≈

œ ææ

SP.

˙™™

sfz

bœ ™

“” œ

Salt. ASP.

Molto flaut. Ord.

b >œ

ASP.

Molto flaut. Ord.

b>œ

ASP.

≈

ASP. (on the bridge).

sffz

˙ æ

˙ ææ

sfz

Molto flaut. Ord.

‰

sfz

B Ó

ææ

≈

Salt. ASP.

#w #w

[open strings]

ææ

œ ™™ œ

sfz

Vla.

‰

Œ™

œœ ™™

Col legno

8 117

Vln. 2

4 4

‹ &

Œ™

‰

117

gliss.&

œœ

q= =38

Vln. 2

slowly

4 ≈ 4

Vc. Solo

117

+ j

Vln. 1

& pp

œœ

ST. Con vibr.

bœ- ™

Œ™

13:25 > 81 ° 5 œ 4

gliss.

˙˙ ™™

> 3 œ™ 4

œœ

sfff

Oboe 1

5 &4

5 4 ¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯¯

b œ #e

b˙™

3 4 n˙ ™

5 œ 4

13:25 84 > ° 3 ˙ 4

cresc.

ffff

q= =72

cresc.

œ gliss

œ™

gliss.

4 ™ 4 œœ ™

˙˙ ™™

œ œ œ œ ˙

3 œ™ 4 >

œ™ œ >

sffff sfff

Bassoon 1

q= =72

sfff

13:25

4 4

q= =60

Change a breath in any time.

4 o 4 w w

œœ

ff non dim.

13:55

5 4 ‰ œ™ œ™ >

‰ Ó

> œ R

fff

3 4

5 4 ≈ ™™ ™™

˙˙

13:55

Change a breath in any time.

4 o 4 w w

ff non dim.

5 4 ‰ œ™ œ™ >

‰ Ó

œœ

r Ã Œ

‰™

q= =60

< Œ> > œ

> ™™ ˙ fff

≈ ‰ 44 ‰

˙™

3 4

5 4 Œ

œœ

˙™

5 4 Ó

< Œ> > œ

> ™™ ˙

R ë

fff

≈

œœ ™™

> œ

‰ ™ 44 ‰

< Œ> > œ

> ™™ ˙

R ë

fff

3 4

‰™

fff

> œ

œœ

ff non dim.

≈ ‰ 44 ‰

> œ

ff non dim.

13:25

Frusta group 2

˙™

5 4 ‰ œ™ œ™ >

‰ Ó

˙™

ff non dim.

13:25

q= =60

5 ™ 4 ‰ œ œ

3 4

13:55

œœ

ff non dim.

Horn 4

5 4 ‰ œ™ œ™ >

4 o 4 w w

q= =60

13:55

ff non dim.

Change a breath in any time.

Horn 3

≈

sffff

‰ Ó œœ

13:25 q= =60

sffff

Change a breath in any time.

ff non dim.

Horn 2

sffff

œ œ >

3 4

4 o 4 w w

Horn 1

œ™ œ >

sfff sempre

3 4

‰™

3 4

Bb 1 – –

‰™ Ó

F 1 2 –

3 j3 œ œ œ #œ œ œ œ ˙™ J 3

-œ

Bb 1 2 –

F – 2 3

Bb 1 – –

Bb – 2 3

3 œ 4 > #œ #œ #œ nœ bœ nœ bœ ‰ Œ

mf non dim.

fff

3 + r ‰ œ™ e e µe e e eBe e e ‰ ™ œ J 3 3 ë p mf

‰™ Ó

Bb – 2 3

4 4

F – Glissando in – natural scale. –

As soon as you see the frusta group musicians getting stopped one after another – you will stop immediately. Do not move until the end of the piece.

Stop!

≈

Frusta group 3

‰™

Ó™

‰

q= =60

As soon as you see the frusta group musicians getting stopped one after another – you will stop immediately. Do not move until the end of the piece.

Stop!

13:26

Walkers 1-3

13:25

4 4

Walkers 4

STOP! î

ææ

13:39 3

5 æ 4 w+ '

˙+ >

sffff

"+ '

smp

"+ '

"+ >

"+ '

"+ >

fff

ææ 2 4 ˙+ >

13:39

4 wææ 4 +

sffff

° &

102

Harp

q= =38

bœœ

sfffff

‰

J >Oo

¢&

sfffff

13:30 Walkers 5

ææ

2 4 ˙+ >

"+ >

Œ “‘

‰

-e -J

= 14:26

+ + + j j j Horn 1 4 œ ‰ œ ‰ Œ #-œ ‰ q= =60 & 4 #-

+ + j ≈ #œ ™ ‰ nœ -ë -

mf sempre

+ + j j 4 & 4 b-œ ‰ b-œ ‰ Œ

14:26 Horn 2

q= =60

+ j ‰ -œ

mf sempre

14:22

Bb – Glissando in 2 natural scale. –

+ *n œ 4‰ q= =60 & 4

µ e #e#e ne

Horn 3

Be ne#e 5

nen e

nœ

q= =60

+ *4 µ œ ™ #e˜e#e#e 5 #e µe#e Ó 4 #e# e 3 #œ mf

any stable high note * Or on this fingering.

+ ‰ bœ- ‰ mf

14:45

‰

+ + j 4 ‰™ 4 ™ ‰ ‰ #-œ -œ

f mf

14:37

fij o + 3 œ b>œ ‰ œ- Œ &4 J f

14:37

3 4

fij o œ bœ > f

‰ œ Œ™ mf

-+ ‰ bœ Œ J mf

14:45

4 ‰ 4

‰

?œ

‰ Ó œœ

˙™

™ œo

sfff

14:38

‰

o ™ œ

+ + o œ œ≈Œ 4 3 4 Œ 4 ˙™ ˙™

Bb – 2 Glissando in 3 natural scale.

Horn 4

‰

f mf

+ + j ≈ nœ ™ ‰ œ -ë -

+ + + j j 4 ‰™ ‰ œ #œ 4 # -œ ™ > -

14:38

-+ ‰ œ Œ™ mf

+ o j Œ ‰ œ b˙ ™ -

˙™

j ‰ Œ œœ

˙™

+ + o j j

+ > bœ Œ ‰ bœ œ œ ‰ œœ mf mf f ë fff f

4 4

˙™

?˙

˙™

œœ >

o 3 4 ˙™ >

o >œ™

4 w 4

ff non dim.

o 3 4 ˙

b˙ ™ >

3 4 ˙™ >

Bb – 2 3

+ * µ œ ™ #e ˜e #e #e #e µe #e #e #e

2 4 bœ > fff

Œ™

15:28

+ 3 4 ˙™ ˙™

Bb – 2 Glissando in – natural scale.

+ *œ œ ‰& ‰ mf

µ e #e#e e 5 Be e#e ee

3 4

mf sempre

15:16 + + j j 3 4œ ‰ ≈œ ≈Œ mf sempre

15:30 + *B œ

Œ™

™™

œœ ™™

15:16 + + j j 3 4 œ ‰ ≈bœ ≈ Œ -

+ j &nœ ‰

#œ p

˙™

Glissando in natural scale.

œ œ >

fff

ff non dim.

?‰

˙™

F – – Glissando in – natural scale.

+ 3 *œ µe e e eBe ?e œ ‰ 4 ‰ e e e

˙˙ ™™ p

ff non dim.

˙™

5 4 Ó

ff non dim.

sfff

+ >œ

o w

15:14

‰

+ j

+ j 4 ™ b-œ Œ ≈ -œ™ 4 Œ mf f ë

+ + j j ‰ bœ Œ ≈bœ ™ 44 Ó mf f

+ j j ‰ œ nœ œ

Bb – – Glissando in – natural scale.

ee eBe

eee ≈ eœ p

15:36

4 ‰ 4

mf non dim.

nœ mf

ëf

j œ ‰

+ j r

#œ œ mf ë

‰™

œ œ

‰

mf non dim.

+ j r + j 4 ‰ œ œ ‰™ 4 œ œ ‰ -

15:36

mf non dim.