臺灣作家美國加拿大巡迴座談會 2009.10-11
Taiwanese Writers' Seminar Tour in USA and Canada
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Taiwanese Writers' Seminar Tour in USA and Canada 臺灣作家美國加拿大巡迴座談會 活動簡介
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感謝名單： University of British Columbia Harvard University Wellesley College Yale University Washington University University of Texas at Austin University of California, Los Angeles
目錄 Contents 緣起 Introduction
參與作家 Participating writers
05 09
朱天文 Chu Tien-wen (1956-)
10
柯裕棻 Ko Yu-fen (1968-)
34
劉克襄 Liu Ka-shiang (1957-)
附件 Appendix
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行政院文化建設委員會中書外譯出版計畫補助作業要點 Guidelines on Grants to Projects for the Translation and Publication of Chinese Books by Council for Cultural Affairs, the Executive Yuan,
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Introduction 緣起
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臺灣作家美國加拿大巡迴座談會∣Taiwanese Writers' Seminar Tour in USA and Canada∣6
文
建會於1990年開始推動「中書外譯計畫」，希
譯本的閱讀人口，促增台灣文化的能見度。此次邀
望將文學作品中所描繪的台灣政治、經濟、文
請講者包括：小 家朱天文、生態作家劉克襄及學者
化、社會等面向，經由外在生動的翻譯，轉化為吸引
兼作家柯裕棻等3位，合作之學術機構則包含：加拿
閱讀的文字，使國際人士能經由文學，深入探觸台灣
大溫哥華英屬哥倫比亞大學；美國哈佛大學、衛斯理
文化。截至目前，已在國外出版有關台灣文學作品、
學院、耶魯大學、華盛頓大學（聖路易）、德州大學
文學評論、文學史綱等書籍約221冊，其中英文版約
（奧斯汀分校）、加州大學（洛杉磯校區）等校。
144冊。
希望透過傳實的翻譯，使國際人士能夠深入探觸
就歷年翻譯出版語版觀之，以英文冊數為最多。
台灣文化及其發展軌跡，並進一步展現台灣島嶼文學
爰此，文建會希望以此成果為基礎，與美國、加拿大
的特殊性，以文化為大使，厚植台灣的國際能見度，
的學術機構合作，舉辦「台灣作家巡迴座談會」，透
並將富多元性和開放性的海洋型台灣文化之美，動態
過台灣作家與當地藝文界人士的互動，加強台灣文化
地予以傳播出去。
S
ince 1990 the Council for Cultural Affairs (CCA) has been promoting the translation of Taiwanese literary works from Chinese into other languages, in the hope that the political, economic, cultural and social aspects of Taiwan depicted in literary works can be vividly presented to non-Chinese readers in a language familiar to them. Up to date, about 221 volumes of creations, critiques and histories of Taiwanese literature, of which 144 of them are in English, have been published outside of Taiwan. In light of the fact that the majority of translated works so far published are in English, CCA aspires to build on this foundation and work closely with academic institutions in USA and Canada. Accordingly, the Taiwanese Writers’ Seminar Tour in USA and Canada is organized to expand the readership of translated works about Taiwanese culture and to improve the visibility of Taiwanese culture through interactions between visiting Taiwanese writers and local literary and art circles in host countries. Three Taiwanese writers, novelist Chu Tien-wen, ecological writer Liu Ka-shiang and scholar-writer Ko Yu-fen, are on this seminar tour, organized by CCA in cooperation with University of British Columbia, Harvard University, Wellesley College, Yale University, Washington University, University of Texas at Austin and UCLA. It is our hope that through the faithful translations of literary works from Taiwan, the international community will have a deeper understanding of Taiwanese culture and the course of its development, and that such literary works will showcase Taiwan’s unique oceanic features and its diverse culture.
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Participating writers 參與作家
◆朱天文 Chu Tien-wen (1956-)
◆劉克襄 Liu Ka-Shiang (1957-) ◆柯裕棻 Ke Yu-fen (1968-)
09
朱天文 Chu Tien-wen
天文，一九五六年生於高雄鳳山，山
東臨朐人。淡江大學英文系畢業。曾
主編《三三集刊》、《三三雜誌》，並任 三三書坊發行人，現專事寫作。一九八二年 開始，朱天文投入台灣「新電影」的編劇工
的人》、《童年往事》、《戀戀風塵》、 《悲情城市》、《戲夢人生》、《好男好 女》、《海上花》、《咖啡時光》、《最好 的時光》等，皆為其重要的電影作品。曾獲 聯合報第一屆小說獎第三名、中國時報第五 屆時報文學獎甄選短篇小說優等獎，時報 文學百萬小說獎。著有小說集《喬太守新 記》、《傳說》、《最想念的季節》、《炎 夏之都》、《世紀末的華麗》、《荒人手 記》、《朱天文電影小說選》、《花憶前 身》、《巫言》，散文集《淡江記》、《三 姐妹》、《下午茶話題》、《有所思，乃在 大海南》、《黃金盟誓之書》等。
Introduction
作，並與導演侯孝賢長期合作，如《風櫃來
F
rom a family of illustrious writers, Ms. Chu began her literary career at a very young age. During her college years, she was the chief editor for Sansan Paper Collections and the Sansan Journal, and was a recipient of China Times Literary Award and United Daily News Literary Award. She is the author of The Notes of a Desolate Man (1994), an acclaimed novel about homosexuality, AIDS, and the city of Taipei. Her latest novel Witch Words, which acutely observes the multifacetedness of urban living, has positively won critics’ attention since its publication in 2008. The publication of her novel Growing Up in 1983 brought her to close collaboration with Taiwanese director Hou Hsiao-Hsien, who won the coveted Golden Lion Award in 1989 with his A City of Sadness. The novel was adapted into a screenplay, marking the incipient of her yet another distinguished career in the film industry. Together with director Hou Hsiao-Hsien, Ms. Chu has written numerous screenplays that led to the making of awardwinning films: The Boys from Fengkuei (1983); A Summer at Grandpa’s (1983); Time to Live and Time to Die (1985); Dust in the Wind (1986); Daughter of Nile (1987); A City of Sadness (1988); The Puppetmaster (1989); and Good Men, Good Women (1993). These films have gathered much international attention at various festivals, including Festival de Trois Continent, Hawai‘i International Film Festival, Asia-Pacific Film Festival, International Film Festival— Rotterdam, Nostra Internazionale D’Arte Cinematografica di Venezia, Cannes Festival, and International Film Festival of Flanders-Ghent.
作家簡介
朱
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臺灣作家美國加拿大巡迴座談會∣Taiwanese Writers' Seminar Tour in USA and Canada∣12
from the writer
如
爭、八國聯軍、義和團拳亂……
Sinophone Literature。
來對啟動現代化的定調。
今已有人把台灣書寫，放在一個新興概念
裡來考察。此概念叫做，華語語系文學，
作家的話
太溫馴，是比較之東亞鄰國日本，自明治維新以
這個詞的對應面是其它諸多語系，英語語系
不太長，乃對比著已進行現代化一百多年的日
（Anglophone）、法語語系（Francophone）、西語
本。不太短，則對照於中國大陸曾經中斷半世紀、直
語系（Hispanophone）、葡語語系（Lusophone）
至一九七九年開放政策才又重新啟動的現代化。
文學等等。新語詞取代一向慣用的舊語詞，Modern Chinese Literature，現代中國（中文）文學。新語詞
而做為與現代化共處半世紀的台灣，恰恰是，不 疾不緩。
改變了一種觀看視角，文學版圖及其景像因而不同。
不論受害或受益於現代化，不論無可奈何或有意
此不同的文學圖像，迎面碰上舖天蓋地來的全球化時
識或無意識的與之面對；不論有人迴避遁走，有人對
候，台灣書寫，其特色和意義，再一次的，立即顯現
抗，有人熱烈擁抱，有人在不同時間採取不同態度；
了出來。這個，我把它描述為，一場不疾不緩、不太
現代化在台灣，都發展了它的縱深和廣度，它的精密
長也不太短、不太過溫馴也並不致災難的，一場與
和精緻，以及它的多樣性。呈現於書寫風貌上，其突
「現代化」的遭遇戰。
圍與衝決，甚至帶有指標性的意義。不是嗎？所謂台
災難性，意指相較於一個世紀多前，中國的以災 難形式的被迫走向現代化，看看吧鴉片戰爭、甲午戰
灣書寫。
T
oday, some are already considering Taiwanese writing in a new conceptual framework. This concept is Sinophone literature. This term has its western counterparts：Anglophone, Francophone, Hispanophone, Lusophone, etc. This neologism replaces an old term with which we have long been familiar：Modern Chinese Literature. The new term shifts our angle of vision as well as the boundaries and image of literature. When these various literary forms encounter the irresistible force of globalization, the special character of Taiwanese writing manifests itself. I would describe this as an encounter with “modernization”, an encounter that is neither quick nor slow, neither too long nor too short, neither excessively mild nor an utter disaster. “Disastrous” would be a term one uses to refer to how China was catastrophically forced into modernization more than a century ago. Take for example: The Opium Wars, the First Sino-Japanese War, the invasion of the EightNation Alliance, the Boxer Rebellion. “Too mild” is one thinks of in a discussion of Japan, its speed of advancement during and since the Meiji Restoration .The history of Taiwanese writings is “Not too long” in comparison to that of Japan, who began their project of modernization over a hundred years ago. In comparison to Chinese Mainland, the modernization progress in Taiwan is “not too short” especially when one takes into account China did not actually resume its modernization until the new policy of “reform and openness” until 1979. The pace of Taiwan, which has undergone modernization for more half a century now, is just right－not too fast, not too slow. One may be harmed by modernization or benefit from it. One may be utterly unable to face it or deal with it consciously or unconsciously. Some may sail against the current of modernization；some may resist it；some may enthusiastically embrace it. Others will adopt different attitudes in different times. Regardless, modernization in Taiwan has developed in terms of its depth and breadth, its refinement, and its diversity. Bodied forth in literature, we must consider the meanings of various conflicts and breakthroughs. Don’t we? This is how I approach writing Taiwan. 13
臺灣作家美國加拿大巡迴座談會∣Taiwanese Writers' Seminar Tour in USA and Canada∣14
Introduction to selected works
作品介紹
《荒人手記》 出版社：中國時報出版社 中國時報第一屆百萬小說獎得獎作品。這部後現代的、描寫臺灣當代以男同性 戀為第一人稱敘述的故事，他的生活、愛情、和知識影響，是台灣近年最重要 的小說之一。令人印象深刻的是廣度與細節，書中角色們邊緣化的性別主題， 點明了位於中國邊緣的台灣，其活力又脆弱的存在。
Notes of a Desolate Man Publisher：Columbia University Press New York Winner of the coveted China Times Novel Prize, this postmodern, first-person tale
of a contemporary Taiwanese gay man reflecting on his life, loves, and intellectual
influence is among the most important recent novels in Taiwan. Impressive in scope
and detail, Notes of a Desolate Man employs the motif of its characters’ marginalized
sexuality of highlight Taiwan’s vivid and fragile existence on the periphery of mainland China.
《巫言》 出版社：印刻出版社 朱天文最長的一部小說，2000年開始寫作，花了八年完成二十萬字。 巫言，巫的文字語言，巫師這門行當最重要的工具或技藝，用於喚醒萬事萬物的靈魂， 並改變現實的面貌。小說中，朱轉化成的小說家自稱為巫，藉由「巫們」的意象，她平 行描繪出頹廢的現實和小說的奇異世界。這部小說以五章組成，〈巫看〉、〈巫時〉、 〈巫事〉、〈巫途〉、〈巫界〉。
Witch Words Publisher：INK Publishing Co. This is Chu Tien-Wen's longest novel. She began the work in the year of millennium；it took her 8 years to complete this monumental piece of 200,000 words.
Witch Words refer to the language of the witches, an indispensible tool or skill for witches and
wizards. It is used to awaken the soul of all things in the world and to change the face of reality.
In the novel, Chu transforms herself into a novelist who claims to be a “witch.” With the imagery of “witches”, she portrays a reality of decadence that is parallel to the bizarre world
of the novel. The novel has five chapters: “Witch's Sight”, “Witch's Affairs”, “Witch's
Time”, “Witch's Journey” and “Witch's World”.
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臺灣作家美國加拿大巡迴座談會∣Taiwanese Writers' Seminar Tour in USA and Canada∣16
《最好的時光》 出版社：印刻出版社 朱二十幾歲開始寫電影劇本，多年與世界知名導演侯孝賢合作。1989年《悲情城 市》獲威尼斯影展金獅獎，自此已成一部國際經典。此書是朱電影工作的首次完 整編輯。「上卷：電影本事、分場劇本」，有十部片子，包括了《悲情城市》、 《咖啡時光》和《最好的時光》；「中卷：一部電影的開始到完成」，以《戀戀 風塵》做例，示範說明一部影片的每個創作步驟；「下卷：關於電影」，是多年 來朱的電影評論和散文的結集，提供給讀者一個透視，編劇和導演之間的有趣互 動。
Three Times Publisher：INK Publishing Co. Chu began writing film scripts in her twenties and worked for many years with the world renowned director Hou Hsiao-Hsien. In 1989 their work A City of Sadness won the
Golden Lion award at the Venice Film Festival and has since become an international classic. This book is the first complete compilation of Chu’s works for films. Volumn
1：Film Scripts and Storyboards contains the scripts of 10 films, including A City of
Sadness, Café Lumiere and Three Times；In Volume 2：A Film form Start of Finish, Dust in the Wind is used as an example to demonstrate the creative process during
each step of film-making ；In Volume 3：About Film is a collection of Chu’s movie
reviews and essays over the years. It provides readers with an insight into the exciting interactions between the scriptwriter and the film director.
Works in chronological order／作品年表 文學作品 Literary Works 作品 Title
外文名稱 Title in English
1977
《喬太守新記》
A New Biography of Governor Ciao
1981
《傳說》
Legend
1984
《最想念的季節》
My Favorite Season
1987
〈炎夏之都〉
The Long Hot Summer
1990
〈世紀末的華麗〉
年份Year
外譯作品名稱 Title of translated work
小說Novel
Fin de Siècle Splendor
．La cité de l’été brûlant（French） ．The Long Hot Summer（English） ．Fin de Siècle Splendor（English）
1991
《朱天文電影小說集》
A Collection of short stories into Films by Chu Tien-wen
1994
《荒人手記》
Notes of a Desolate Man
1996
《花憶前身》
A Flower’s Remembrance of Previous Lives
2008
《巫言》
Witch Words
2003 2004
〈肉身菩薩〉
Bodhisattva Incarnate
．Bodhisattva Incarnate（English, 2003） ．Le Bouddha incarné （French, 2004）
．Notes of a Desolate Man（1999 Columbia University Press New York）
2004
〈柴師父〉
Master Chai
Maître Chai（法文）
2004
〈伊甸不再〉
No More Paradise
Plus de Paradis（法文）
2005
〈小畢的故事〉
Little Pi’s Story
．L’histoire de petit Pi （法文）
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臺灣作家美國加拿大巡迴座談會∣Taiwanese Writers' Seminar Tour in USA and Canada∣18
散文 Prose Tamkang Chronicle
1979
《淡江記》
1985
《三姐妹》
The Three Sisters
1992
《下午茶話題》
Topics for Afternoon Tea
2008
《有所思，乃在大海 南》
South to the Sea Is the One I Miss
2008
《黃金盟誓之書》
The Book of Golden Oath
2008
圖文集《劇照會說話》
Every Movie Still Tells – A Collection of Film Pictures and Articles
2008
電影劇本及電影相關雜 文《最好的時光》
Three Times: Screenplay and Other Articles on Film
其他 Others
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Works in chronological order／作品年表
編劇作品 年份
作品
外文名稱
1982
《小畢的故事》
Growing Up
1983
《風櫃來的人》
The Boys From Fengkuei
1984
《小爸爸的天空》
Out of The Blue
1984
《冬冬的假期》
A Summer at Grandpa's
1985
《青梅竹馬》
Taipei Story
1985
《童年往事》
Time to Live and Time to Die
1985
《最想念的季節》
My Favorite Season
1986
《戀戀風塵》
Dust in The Wind
1987
《尼羅河的女兒》
Daughter of The Nile
1988
《外婆家的暑假》
A Summer at Grandma's
1989
《悲情城市》
A City of Sadness
1993
《戲夢人生》
The Puppetmaster
1995
《好男好女》
Good Men, Good Women
1996
《南國再見，南國》
Goodbye South, Goodbye
1998
《海上花》
Flowers of Shanghai
2001
《千禧曼波》
Millennium Mambo
2003
《咖啡時光》
Café Lumière
2005
《最好的時光》
Three Times
2007
《紅氣球》
Flight of the Red Balloon
19
臺灣作家美國加拿大巡迴座談會∣Taiwanese Writers' Seminar Tour in USA and Canada∣20
得獎紀錄 Honors and Awards 年份 Year
事蹟 Honors and Awards
1976
〈喬太守新記〉獲聯合報第一屆小說獎第三名。 Third Prize, the United Daily News Literary Contest for A New Biography of Governor Ciao
1982
．〈伊甸不再〉獲時報第五屆文學獎小說優等。 Outstanding Award, China Times Literary Contest for No More Paradise ．〈小畢的故事〉獲聯合報「愛的故事」徵文佳作。 Honorary mention, the United Daily News Stories of Love Literary Contest for Little Pi’s Story
1983
以《小畢的故事》和侯孝賢、丁亞民、許淑貞獲得第二十屆金馬獎最佳改編劇本獎。 Best Adopted Screenplay, the Golden Horse Film Awards for Little Pi’s Story
1985
以《童年往事》和侯孝賢一同獲得第廿二屆金馬獎最佳原著劇本獎。 Best Original Screenplay, the Golden Horse Awards for Time to Live and Time to Die
1989
以《悲情城市》與吳念真同列年度風雲書籍和年度風雲人物。Books of the Year and People of the Year for A City of Sadness
Works in chronological order／作品年表
得獎紀錄 Honors and Awards 1994
《荒人手記》獲時報第一屆百萬小說獎。 Winner of the China Times Million (Taiwan) Dollar Literary Prize for Notes of a Desolate Man
1995
以《好男好女》獲得第三十二屆金馬獎最佳改編劇本獎。 Best Adopted Screenplay, the Golden Horse Film Awards for Good Men, Good Women
1999
以《世紀末的華麗》入選亞洲週刊「二十世紀中文小說一百強」。 Listed in Asia Week Top 100 Chinese Novels in the 20th Century for Fin de Siècle Splendor
2008
《巫言》獲第二屆「紅樓夢獎：世界華文長篇小說獎」決審團獎，以及亞洲週刊年度十大小說。 Jury Prize, Dream of the Red Chamber Awards for World’s Chinese Novels and Asia Week Best 10 Novels of the Year for Witch Words
21
劉克襄 Liu, Ka-shiang
克襄，1957年生於台中縣烏日鄉九張 犁。初名劉資愧。三歲時改為今名。文
化大學新聞系畢業，曾任職數家報紙副刊主編 等職務，現專注於自然鄉野踏查及寫作。曾獲
獎、吳魯芹散文獎等獎項。作者年輕時即以鳥 類生態為關注題材，開啟台灣自然觀察寫作的 風氣，被稱為「鳥人」。晚近題材擴及生態旅 遊、自然教育、古道探查、野菜蔬果、小鎮地 誌風土等。每階段創作都不斷嘗試各類自然面 向的挑戰。出版有詩、小說、散文、自然誌論 述、生態旅遊指南和兒童文學繪本等三十餘部 作品，展現作者不拘泥於一格的書寫樂趣。代 表作有《漂鳥的故鄉》、《旅次札記》、《劉 克襄精選集》、《風鳥皮諾查》、《台灣舊路 踏查記》、《野狗之丘》。最新詩集《巡山》 描繪台灣山岳之萬千風姿。最新動物小說《永 遠的信天翁》，獲第二屆「2009台北國際書展 大獎」。
iu Ka-shiang was born in 1957 as Liu Tzi-kuey in Jiou-zhang-li, Wu-ri Hsiang of Taichung County and changed into his current name at age of 3. He graduated from Department of Journalism at the Chinese Culture University, worked as editor-in-chief for several newspaper supplements, and now is dedicated to investigating and writing about the nature and wilderness. As a winner of Taiwan Poem Awards, Wu San-lien Journalism Literature Awards, Taiwan Nature Conservation Awards and Wu Lucian Prose Awards, Liu has developed since young a special passion for bird ecology and has been a pioneer of nature observation and writing in Taiwan, hence his nickname, “Birdman.” The more recent years have seen his topics expended to cover ecotourism, nature education, ancient-trek investigation, wild fruits and vegetables and folklore of small towns and villages. Each stage in his writing career was marked by a constant challenge of exploring into varying aspects of the nature. Liu has published over 30 works that showcase his joy and spirit of freestyle writing through poems, fictions, essays, discourses on nature history, eco-tourism guidebooks and illustrated books of children’s literature. His notable works include Homeland of Wandervoge, Travelogue, A Collection of Liu Ka-Shiang’s Best Writings, A Story of A Wind Bird, A Journal of Investigating Ancient Treks in Taiwan, Hill of Wild Dogs, and his latest work, an animal novel Albatross Forever, won Grand Prize in the 2009 Taipei International Book Exhibition.
Introduction
台灣詩獎、吳三連報導文學獎、台灣自然保育
L
作家簡介
劉
23
臺灣作家美國加拿大巡迴座談會∣Taiwanese Writers' Seminar Tour in USA and Canada∣24
from the writer
作家的話
綜
觀二十年來的詩、散文，雖以自然生態為題
過程，以及各個時代的變遷，藉諸某些具有代表性動
材，卻不斷摸索新的內涵，舉凡動物生態、自
物的行徑和習性，娓娓道出，台灣做為一個大島，在
然歷史、鄉土教育、山野攀登和有機家園等等，都是
地球上具有其獨特的魅力。台灣的自然寫作，經由動
不同階段的創作目標。在創作過程裡，還堅持站在自
物小說的鋪陳，亦有可能，耕耘出一個值得期待的文
然保育的第一線，努力地和社會密切互動。
學天地。
在散文書寫過程裡，針對自己在台灣山林和鄉鎮
自然寫作部分，期待擴及更大面向的探索，涵蓋
的旅行，不斷辯證，反覆論述自然觀察的本質。或
現代都會生活裡的自然元素。個人的系列動物小說，
者，探索當代自然寫作和早年自然人文觀的差異，以
仍持續在進行創作，目前還有一、二部作品仍在構思
及追尋新的生活價值。
當中。
在動物小說部分，從《風鳥皮諾查》起，以迄最 近的《永遠的信天翁》，透過一本本動物小說的敘 述，把晚近三十年，台灣的生態環境特色，自然保育
期待未來的的生態書寫，還能跨出一個大島的視 野。
M
y poems and novels in the past 20 years have in general centered on nature and ecology, be it about animal, ecology, nature history, folk education, mountain climbing or organic home. They represent a continuous process of exploring new contents and striving for new goals at different stages. Besides my creative writing, I’ve persistently posted myself on the frontier of nature conservation to interact closely with the society. In the process of prose writing, I constantly debate with myself so as to better describe my experiences of travelling across forests and mountains, towns and villages in rural Taiwan. I have also explored the differences between contemporary nature writing and humanistic views of nature in the early times and searched for new values in life. Regarding animal stories, from A Story of A Wind Bird till the most recent Albatross Forever, I have been trying to depict the habits and behaviors of certain representative animals in terms of the ecological features, of processes in nature conservation, and of changes in different times in Taiwan - an island with its unique charm - over the past three decades. Perhaps through the narrative of animal stories, nature writing in Taiwan can be developed into a literary landscape with much to be explored. About nature writing, I aspire to explore broader aspects and cover those natural elements in modern urban life. I have worked on a series of animal stories and am currently collecting ideas for my next two books. I look forward to the day when my ecological writing will have gone beyond an islander perspective.
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臺灣作家美國加拿大巡迴座談會∣Taiwanese Writers' Seminar Tour in USA and Canada∣26
Introduction to selected works
作品介紹
《風鳥皮諾查》 描述一隻水鳥從北方遷徙到台灣，在海岸棲息，為了尋找另一隻傳奇水鳥，遽 然改變生活習性，最後內化為一隻本地鳥種的過程。
A Story of A Wind Bird
a story about how a waterfowl migrated from the north to Taiwan and rested by the
sea, experienced drastic changes in its habits while searching for another legendary
waterfowl, and how eventually it became an endemic species.
《野狗之丘》 以自己在住家附近觀察野狗二年的日記，鋪陳出一部寫實的城市動物觀察小說，反思動 物在城市生活的權利。
Hill of Wild Dogs
A journal of the author’s observation of wild dogs in his neighborhood by way of a realistic
animal novel that reflects on animal rights in an urban setting.
27
臺灣作家美國加拿大巡迴座談會∣Taiwanese Writers' Seminar Tour in USA and Canada∣28
《永遠的信天翁》 作者化身為一位賞鳥專家，前往太平洋的小島，觀察信天翁繁殖，日後學習 滑翔翼飛行，追蹤一隻叫大腳的信天翁下落，進而描繪了信天翁在太平洋生 活的美麗藍圖。
Albatross Forever
In this novel, the author transforms himself into a bird-watching expert who went
to observe breeding of the Albatrosses on a small Pacific island; later on, he learns
to hang-glide so as to follow the whereabouts of an Albatross named Bigfoot, thereby depicting a beautiful picture of the Albatross’s life in the Pacific.
《失落的蔬果》 到處走訪市場和鄉野，以手繪插圖和小品，描述一百種台灣各地許久未見的，或者可能 滅絕的常民蔬果。文中不斷強調，食物多樣性、善待土地對未來生態環境的重要性。
Lost Fruits and Vegetables
Visiting local markets and the countryside, the author describes, with hand-drawn illustrations
and short articles, one hundred kinds of local fruits and vegetables that are rarely seen or have
altogether disappeared. Constantly reiterated in these articles is the importance of food diversity
and land ethics for future ecological systems.
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臺灣作家美國加拿大巡迴座談會∣Taiwanese Writers' Seminar Tour in USA and Canada∣30
《11元的鐵道旅行》 嘗試把火車旅行當作緩慢生活的工具，顛覆一般人對火車的定義，進而書寫 自己獨特的旅行內涵，接觸台灣鄉鎮的方法。
Travelling by Train with 11 NT Dollars
The author challenges the common notion of trains by viewing train ride as a way
to slow life. He writes about the significance of his travelling as well as his ways of reaching out to towns and villages in rural Taiwan.
Works in chronological order／作品年表 年份Year
作品 Title
外文名稱 Title in English
部份英譯作品 Title of translated work
詩Poem 1978
河下游
Downstream
1984
漂鳥的故鄉
Homeland of the Wandervoge
1988
小鼯鼠的看法
The View of A little Flying Squirrel
2001
最美麗的時候
The Most Beautiful Times
2008
巡山
Bush Walking
．Burial of flowers 葬花 ．Tropical rain forest 熱帶雨林 ．Natural Science Teacher 自然老師 ．One Sunny Winter Morning 某一冬日清晨 ．Central Ranges of Bear Cub Laheyuan 小熊皮諾查的中央山脈 ．Black Flight 黑鳶 ．Guandu Life 關渡生命 ．Black-faced Spoonbill 黑面琵鷺 ．The Island’s Song 島嶼之歌 （Translated by Nick Kaldis）
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臺灣作家美國加拿大巡迴座談會∣Taiwanese Writers' Seminar Tour in USA and Canada∣32
散文 Prose 1982
旅次札記
Travelogue
1985
隨鳥走天涯
Following the Bird to the World
1993
自然旅情
Sentiments of Nature Travelling
1995
小綠山之歌
The Green Hill’s Song
2001
安靜的遊蕩
Quiet Wandering
2002
迷路一天，在小鎮
Lost for One Day, in a Small Town
2003
劉克襄精選集
A Collection of Liu Ka-shiang’s Best Writings
2004
大山下，遠離台三線
At Mountain Foot, Far Away from Taiwan Provincial Route No. 3
2009
11元的鐵道旅行
Travelling by Train with 11 NT Dollars
1991
風鳥皮諾查
A Story of A Wind Bird
1993
座頭鯨赫連麼麼
A Story of A Whale Humpback
1997
扁豆森林
Kidney Bean Forest
2006
野狗之丘
Hill of Wild Dogs
2008
永遠的信天翁
Albatross Forever
小說 Novel
32
．The Last Black-faced Dancer（Translated by Nick Kaldis） 最後的黑面琵鷺 ．A Nature Writer in Taiwan（Translated by Nick Kaldis）一位自然作家在台灣(Liu Ka-shiang)
Works in chronological order／作品年表
得獎紀錄 Honors and Awards 年份 Year
事蹟 Honors and Awards
1984
獲時報新詩推薦獎、台灣詩獎、笠詩社二十年新人獎。 China Times New Poem Recommendation Awards, Taiwan Poem Awards, and Best New Writer, the Li Poetry Society’s 20th Anniversary Awards
1990
小說《風鳥皮諾查》(遠流)，獲當年開卷十大最佳好書。 Yuanliu Publishing Co. Best 10 Books of the Year for A Story of A Wind Bird
1992
獲吳三連報導文學獎。 Wu San-lien Journalism Literature Awards
1995
出版《小綠山之歌三部曲》書，獲聯合報十大最佳書獎。獲台灣自然保育獎。 United Daily News Best 10 Books Awards and Taiwan Nature Conservation Awards for The Green Hill’s Song – A Trilogy.
1997
出版常見野鳥童書《望遠鏡裡的精靈》，獲新聞局第三屆小太陽獎，以及獲聯合報十大最佳童書獎。 Government Information Office Little Sun Awards and United Daily News Best 10 Children’s Books Awards for Genies in the Telescope, a children’s book of common wild birds
2000
《北台灣自然旅遊指南》獲明日報十大好書。 Tomorrow Times Best 10 Books Awards for A Guide to Nature Tours in North Taiwan
2002
出版《迷路一天，在小鎮》，該書獲博客來年度編輯十大推薦好書。 books.com.tw Editor’s Choice of Best 10 Books of the Year for Lost for One Day, in A Small Town
2003
出版青少年著作《少年綠皮書》，獲開卷少年十大好書 China Times Best 10 Teenagers’ Books of the Year for Teenagers’ Green Book
2004
獲吳魯芹散文獎 Wu Lucian Prose Awards
2006
出版《失落的蔬果》(二魚文化) ，獲第31屆金鼎獎最佳圖書出版獎。 Best Published Book, the Golden Tripod Awards for Lost Fruits and Vegetables
2008
小說《永遠的信天翁》獲2009第二屆台北國際書展大獎。 Grand Prize, the Taipei International Book Exhibition for the novel Albatross Forever
33
柯裕棻 Ko Yu-fen
者兼作家柯裕棻，1968年生，現任教於政治大
學新聞系。美國威斯康辛大學麥迪遜校區傳播
藝術博士，主修大眾文化研究、電視研究。目前的研 究主題為冷戰時期的電視文化消費。另從事散文寫
（聯合文學）。曾獲華航旅行文學獎、中國時報文學 獎小說類評審獎、台北文學獎小說類入選。散文寫作 以時事觀察與生活體驗為題材，以抒情的文字結合文 化理論，演繹都會的漫遊或日常生活消費瑣事。
o Yu-fen was born in Taitung, Taiwan. She is a writer and scholar, who received her PhD from the Department of Communication Arts, University of Wisconsin-Madison USA. Currently, she is an associate professor at the Department of Journalism, National Chengchi University, Taiwan. Her major research interests include: popular cultural studies, television drama studies, and (post)colonial studies. Dr. Ko has taught courses in media sociology, popular culture, introduction to communication, news experiment for newspaper reporting, practicum on news gathering and editing, and introduction to media writing. She is an award-winning essayist who has won Times Literary Award and China Airline Literary Award amongst others. Major literary works by Dr. Ko include: Youth Cannot be Classified (2003), The Lento of Absentmindedness (2004), The Refrigerator (2005), The Connection of Criticism (2006), and Sweet Instant (2007).
Introduction
作，著有文集《青春無法歸類》、《恍惚的慢板》 與《甜美的剎那》(大塊文化)，以及小說集《冰箱》
K
作家簡介
學
35
臺灣作家美國加拿大巡迴座談會∣Taiwanese Writers' Seminar Tour in USA and Canada∣36
from the writer
十
作家的話
年前，從寫博士論文的苦悶中開始嘗試以文學
細節著眼，寫台北的城鄉流動、歷史與空間文化經
寫作做為另一個窗口之後，我就不斷在學術和
驗。
創作之間尋找可能的共通語彙。我的主修是大眾文化
台灣的歷史文化經驗和發展脈絡與東亞近代歷史
研究，這是一門在方法上強調必須與社會狀況和文化
關係極深，近年在全球化和區域化的交錯影響下，島
情境密切接合的學科，同時也必須熟習西方的批評理
內的社會結構和文化光譜起了相當大的變革，這些結
論，因此，在面對台灣社會自1980年代以降的種種社
構因素也影響了日常生活的諸多層面，如何在散文寫
會改變時，學術訓練的基礎提供了相當好的理論資源
作中呈現這些（後）現代的文化片段，並賦予它們恰
可供社會觀察和文化評論之用。第一本散文集《青春
當的詩意和史感，是繼續努力的寫作目標。
無法歸類》以詼諧的筆法將在台灣的後福特主義的生
目前的散文計畫是以生活小物為主題的觀察，希
產消費模式做了描繪，並以真實或虛構的人物作為各
望繼續將文化理論的能量帶入散文寫作裡。正在進行
篇散文的主角，處理女性消費的議題。《恍惚的慢
的小說是一篇長篇的台北城的茶葉貿易歷史小說，這
板》與《甜美的剎那》則是城市書寫，從日常生活的
是台北文學獎資助的小說寫作計畫。
M
y literary writing began ten years ago as a way out for my depression from working on a doctoral dissertation, and since then I have been continuously trying to find a common language between academic writings and literary works. Pop-culture studies as my major is a discipline that emphasizes the intimate relationship between social condition and cultural context, and demands a mastery of western critical theories. Consequently, this academic training has offered me a solid basis of sound theoretical resources for social observation and cultural criticism when dealing with various social changes in Taiwan society from the 1980s onwards. My first prose collection, Youth Cannot be Classified (2003), depicts a comical picture of the post-Fordist modes of production and consumption in Taiwan and handles the issue of female consumption with real or fictitious leading characters in each article. The Lento of Absent-mindedness (2004) and Sweet Instant (2007) are urban writings that zoom in on details of the ordinary life to describe the urban-rural interflows and cultural experiences of history and space in Taipei City. The historical and cultural experiences of Taiwan along with its developmental context are profoundly related to contemporary histories in East Asia. Under the interplay of globalization and regionalization in recent years, Taiwan as an Island has witnessed sea changes in its social structure and cultural spectrum. These structural factors have had multi-faceted implications for the daily life. One objective of my prose writing remains to search for ways of expressing these (post) modern cultural fragments with an adequate sense of poetics and history. My current prose project focuses on the observation of little things in life and I will continue injecting the energy of culture theories into my prose writing. I’m also working on a long novel about the history of tea trade in Taipei City. It isa project sponsored by the Taipei Literature Awards that I receive. 37
臺灣作家美國加拿大巡迴座談會∣Taiwanese Writers' Seminar Tour in USA and Canada∣38
Introduction to selected works
作品介紹
《恍惚的慢板》 以短篇散文寫台北的生活與空間漫遊經驗，特別著重大眾庶民生活面向的瑣碎 事物及其文化意涵。
The Lento of Absent-mindedness
a collection of short essays about life in Taipei and experiences of wandering through spaces in this city, with a special focus on trivia in the lives of ordinary people and
their cultural implications.
Works in chronological order／作品年表 年份Year
作品 Works
外文名稱 Name in English
散文Prose 2003
《青春無法歸類》
Youth Cannot be Classified
2004
《恍惚的慢板》
The Lento of Absent-mindedness
2007
《甜美的剎那》
Sweet Instant
《冰箱》 (短篇小說集)
The Refrigerator (a collection of short stories)
《批判的連結》(學術座談主編)
The Connection of Criticism (Editor of academic seminar monologues)
小說Novel 2005 其他Others 2006
得獎紀錄 Honors and Awards 年份Year
事蹟 Honors and Awards
1996
華航旅行文學獎 China Airlines Travel Literature Awards
1996
中國時報文學獎小說類評審獎 Jury Prize for Novels, China Times Literary Contest
2006
台北文學獎小說類入選 Honorary mention, Taipei Literature Awards
39
附件、 行政院文化建設委員會 中書外譯出版計畫補助作業要點 Guidelines on Grants to Projects for the Translation and Publication of Chinese Books by Council for Cultural Affairs, the Executive Yuan,
臺灣作家美國加拿大巡迴座談會∣Taiwanese Writers' Seminar Tour in USA and Canada∣42
行政院文化建設委員會中書外譯出版計畫補助作業要點 中華民國98年5月22日文貳字第0982115160-1號令訂定自中華民國98年8月1日生效
一、 行政院文化建設委員會（以下簡稱本會）為藉由臺灣現代文學作品的外譯出版，推動國際文學交流，並強 化我國之國際形象與能見度，特訂定「行政院文化建設委員會中書外譯出版計畫補助作業要點」（以下簡 稱本要點）。 二、補助對象： 國內外合法登記或立案之出版單位、學術研究機構或文學相關團體。 三、補助原則、項目及金額： （一）補助原則： 以翻譯出版臺灣現代文學作品或文學研究論著為主，且能以國外為主要發行地區。 （二）補助項目： 以補助著作權授權、翻譯、審訂、印製等經費項目為限，不包含獲補助單位之人事與行政管理費。 （三）補助金額： 每部譯作以新臺幣六十萬元(含稅)為上限。每件申請案之實際補助金額，視申請計畫所需經費及本會年度預 算，由評審小組審議，並經本會首長核定之。 四、申請程序及應備文件： （一）申請期間：每年十一月一日至十一月三十日受理未來兩年內完成之執行計畫。 （二）申請文件（如附件一）： 1. 申請表。 2. 計畫書，內容應含以下資料：
Guidelines on Grants to Projects for the Translation and Publication of Chinese Books by Council for Cultural Affairs, the Executive Yuan, Decree No. Zhi Wen Erh 0982115160-1, dated on 22 May 2009 and effective on 1 August 2009 1. T hese Guidelines on Grants to Projects for the Translation and Publication of Chinese Books (henceforth “the Guidelines”) are formulated by Council for Cultural Affairs, the Executive Yuan (henceforth “the Council”) to promote international literary exchanges and to improve the international image and visibility of Taiwan through translating and publishing modern literary works in Taiwan. 2. Target recipients Publishing agencies, academic and research institutes and other literary groups that are lawfully registered within and outside of Taiwan. 3. Principles, category and amounts of the grant A. Principles Grants are approved mainly for the translation and publication of works and researches of modern literature in Taiwan, which are to be published mainly in markets outside of Taiwan. B. Category Grants are approved to cover only expenses under the headings of copyright loyalties, translation, review and revision and printing, excluding any personnel or administrative expenditures incurred on the grant recipient. C. Amounts Grants are approved at an amount of up to 600,000 NT Dollars (tax included) for each translated work. The actual amount of grant to any application is to be reviewed and ruled by the review committee in light of the expenditure budget of the application and the annual budget of the Council and then reported to the head of the Council for approval. 4. Application procedure and required documents A. Application period: 1 November to 31 November of the year for projects to be completed within 43
臺灣作家美國加拿大巡迴座談會∣Taiwanese Writers' Seminar Tour in USA and Canada∣44
（1） 翻譯出版理由或重要性。 （2） 擬譯書目（若為選集，應包含完整目錄）。 （3） 作者、譯者或編者履歷（若有編輯委員會，應提供其成員名單及簡歷）。 （4） 國外出版單位簡介。 （5） 工作進度表。 （6） 出版經費預算表。 （7） 行銷推廣之規劃構想。 （8） 著作權人授權翻譯出版之相關文件。 （9） 國外出版單位同意出版之契約書或證明文件。 （10） 原著十分之一之試譯章節及對應之中文原文。 （三）申請方式： 1. 申請單位應於申請截止期限內，檢附所有申請文件，以掛號郵寄本會第二處（臺北市中正區北平東路 三十之一號六樓，電話：八八六-二-二三四三四一○五），並註明「中書外譯出版計畫申請補助文件」。以郵戳 為憑，逾期不予受理。 2. 申請文件應備十份以供審查。 3. 申請單位送件時應備齊相關文件，其所檢附之文件、資料不全者，視同資格不符，恕不接受補正。 4. 所有申請文件，不論通過與否，恕不退件。 五、評審作業： （一）本會得遴聘相關專家學者若干人組成評審小組，審查申請文件及建議補助金額。
the next two years. B. Required documents (see Appendix A) (1) Application form (2) Project proposal, which should contain: a. Rationale or significance of the translation and publication concerned b. Proposed list of books to be translated (in the case of a compilation work, a complete list of contents is required) c. Resumes of the authors, translators or editors d. A brief introduction to the publisher(s) outside of Taiwan e. Schedule of the project f. Expenditure budget of the publishing project g. Ideas and plans for marketing and promotion h. Documents that prove the authorization of translation and publication of the works concerned by their copyright owners i. Contract and documents that prove the consent of publisher(s) outside of Taiwan on publishing the works concerned j. Trial translation for one-tenth of the original works and the corresponding source text in Chinese C. Application procedure (1) A pplications should be submitted along with required documents by registered mail before the designated deadline to the Second Department of the Council (Address: 6th-Floor 30-1 Beiping East Road, Taipei, Phone: +886-2-23434105), with the cover bearing the wordings of “Application for Grants to Projects for the Translation and Publication of Chinese Books.� The official date of application submission is the date of the postal seal, and no late submissions shall be accepted. (2) Application related documents shall be prepared in 10 copies for review. (3) A pplications shall be submitted with a complete set of requirement documents. Applications with incomplete documents or information are considered disqualified and no supplements or 45
臺灣作家美國加拿大巡迴座談會∣Taiwanese Writers' Seminar Tour in USA and Canada∣46
（二）評審委員得就申請計畫內容之適切性與效益性、經費編列之合理性等綜合考量。 （三）審查結果經本會核定後以書面通知各申請單位。 六、撥款及核銷： 有關撥款與核銷細節，依「中央政府各機關對民間團體及個人補（捐）助預算執行應注意事項」(如附件二) 及契約相關約定辦理。 七、注意事項： （一）申請單位應註明是否同時獲得或申請其他公、私單位財務補助；已獲本會附屬機關或財團法人國家文化 藝術基金會補(獎)助者，本會不再重複補助；若於核定後查知該計畫內容有重複補助之情事，本會將廢止 補助並限期追回補助款。 （二）獲補助單位應與本會簽訂契約，依約履行。 （三）獲補助單位應於譯作出版後，無償提供本會每部五十冊；並同意無償授權本會及所授權之人於譯作之著 作財產權存續期間內，為不限時間、地域、次數、方式之任何利用。 （四）獲補助單位應於譯作明顯處載明「中華民國行政院文化建設委員會贊助出版」等中、外文字樣；再版 時，亦應載明。 （五）補助經費應專款專用，不得挪為他用且不得任意變更用途。 （六）獲補助之計畫尚未結案前，不得提出其他申請案，亦不得以其他名義提出申請。 （七）獲補助單位執行計畫如有抄襲、剽竊或侵害他人權益等情事，應自負侵權責任，本會得廢止補助，並追 回已撥給之補助經費，且獲補助單位與其負責人於三年內不得申請本會之相關補助。
corrections shall be accepted. (4) N o application documents thus submitted will be returned regardless the status of the application concerned. 5. Review procedure A. T he Council may invite a certain number of experts and scholars in related fields to form a review committee to review applications and related documents and advise on specific amounts to be granted. B. Members of the review committee may evaluate a proposal by considering factors like the adequacy and effectiveness of the proposal and rationality of its budget. C. Results of the review shall be approved by the Council and then notified in writing to individual applicants 6. Remittance of grants and verification of outlays Remittance and verification of grants shall be processed in accordance with the “Points of Attention for the Implementation of Grants (donations) to Civil Groups and Individuals by Central Government Agencies,� (see Appendix B) and the contract concerned. 7. Points of attention A. A pplicants shall specify if they have also received or applied for financial support from other public or private agencies. No grants will be issued by the Council to applicants who have already received grants (prize moneys) or subsidies from an affiliate of the Council or the National Culture and Art Foundation, and the Council shall terminate the grant concerned and demand the return of all remittances within a prescribed period if an approved application has been found to be concurrently receiving other such grants. B. Grant recipients shall enter into a contract with the Council and perform accordingly. 47
臺灣作家美國加拿大巡迴座談會∣Taiwanese Writers' Seminar Tour in USA and Canada∣48
C. G rant recipients shall provide to the Council fifty copies of each volume of the translated works that have been published, and shall agree to authorize the Council and persons authorized by the Council the free-of-charge use of the translated works regardless time, locality, number or means, for the duration of their copyright ownership. D. G rant recipients shall note in a visible location of the translated works and their subsequent print editions the wordings of “Published under the sponsorship of the Council for Cultural Affairs, the Executive Yuan, the ROC.” E. G rants shall be used solely for the approved project and may not be appropriated for other purposes or arbitrarily allocated for other uses. F. Before the closure of a sponsored project, its original applicant may not submit other applications or apply under a different name. G. I n the event of any acts of pirating, plagiarism or infringement on others’ interests in the implementation of an approved project, the grant recipient shall be held solely liable for such infringements. The Council may terminate the grant and demand the return of all previous remittances, and the grant receiving agency and its person-in-charge shall be prohibited from applying for any related grants with the Council within the next three years.
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主辦Organizer 行政院文化建設委員會 Council for Cultural Affairs , Taiwan 合辦Co-organizers 英屬哥倫比亞大學 University of British Columbia 哈佛大學 Harvard University 衛斯理學院 Wellesley College 耶魯大學 Yale University 華盛頓大學（聖路易） Washington University 德州大學（奧斯汀分校） University of Texas at Austin 加州大學 （洛杉磯校區） University of California, Los Angeles 承辦Operator 駐紐約台北經濟文化辦事處台北文化中心 Taipei Cultural Center of the Taipei Economic and Cultural Office in New York