album by goworker lee

Creation/Pu Hua-chih/2

卜華志

養照片與孵雕塑的相會 | 卜華志 | 04

The Shared Creativity of Photography and Sculpture I Pu Hua-chih

我種我自己 | 林煥彰 | 08

I Nurture Myself I Lin Fuan-chan

/ 造 . 化/ 3

Creation/Pu Hua-chih/4

養照片與孵雕塑的相會卜華志

攝

影是種精準的複製，是種記錄真實的工具。除了私人的回憶檔案，更可以快速喚起時代共同的記憶。這個證明「那

一刻」存在的一張特殊紙片，在按下快門剎那，也同時宣告了「那一刻」消失的必然。

元的生命樣貌。當我們用心以微觀的角度去觀察任何一個 10 公分正方形內的生態，你也只能臣服並讚嘆地球竟是如此美好多樣。地球是個迷人又奇幻的巨大墳場，充滿了各種生物的殘骸遺體並轉化成生機

每個人都有好幾本厚厚的相本，記錄了生命的痕跡，在信手翻

能量，老的走了、新生命誕生，再從自然界中汲取能量成長。這

閱間，彼時那一刻極度興奮或沮喪的心境頓時又在心境重現。現

些萬物和平共存，又因地制宜不斷演化改變，在春夏秋冬不同的

在的我和彼時的我同時現身，隔空冷眼旁觀、自言自語，彼時的

季節裡，展現各種姿態樣貌。這種生命的多樣性與歧異度，使人

消失又在當下復甦，好像顯靈一般。

類短暫如火花的生命意義更廣更深。

十年前因為工作關係記錄老舊眷村拆除過程，在空無一人的廢

生物的基因，包括人類本就是個大雜燴，從六億年前海洋中誕

墟中遊走，發現一本棄置的相簿。好奇地翻看時，感覺這些場景

生的第一個植物生命體藍綠藻開始，在時間推移中繁衍出了現今

和自己小時候的村子真像，看著這些發霉模糊的照片，剎時，我

繁花般的生態，草木鳥獸原是密不可分。我們在享受這有限的地

竟回到童年和玩伴在這裡追跑打鬧捉迷藏，偷藏在磚牆縫裡的秘

球資源時，更該深思，平衡一旦破壞，連鎖效應下就是再次的大

密也再被召喚出來，頓時時空並置、百感交集！

滅絕！

回家後像中了蠱發了狂――洗了大量風景、友人和家族照片，

身為現代人――我利用著雪隧的便捷，但九彎十八拐的鬼卻都

開始養育他們，佔滿了整間浴室，也許冥冥中希望藉由這個

在打瞌睡，一如我飛馳在隧道裡的感覺，我的孩子也少了很多暗

5×7 的「窗口」進入另一種不可測知的空間吧！他們慢慢的成

夜的故事。有時挺懷念早年暗房裡，守在紅光的祭壇中，懷著莊

長，影像越來越模糊，空間向度越來越大，彼時的狀態情感現在

嚴謹慎的內心又帶著興奮與害怕，等待著顯影。其實是等待著一

又活了起來，有時眨眼、有時流淚，紅、黃、藍、綠誇張的色彩

種成長，慢的成長、思考想像的成長、過程中的成長，更是處理

一層又一層覆蓋著我的思緒，當然最後他們面目全非，步入現在

自己面對內在的成長。

你所看到的態樣。

現在是靠高度密集的消費，來製造高度成長的假象，這種模式

三年前搬到頭城，開始進行我的雕塑創作計畫，我在頂樓的小

已造成平衡的失序，電腦裡虛擬的世界有如消費的迷幻藥，滋生

工作室夜以繼日堆捏著土，藉由指尖的溫度和觸摸，讓他們自由

出鋪天蓋地的冷漠與疏離。為什麼我們不讓感官回到起初原始的

發展成長形體，我孵育著他們、塑造著另一種生命。和當年養育

狀態，享受大自然不可預測的驚豔。我從創作中想體現的，就是

那些照片時候的波長又連在一起了。不同生命的型態會相互影

一種有溫度的喜悅與尊重。

響，更可以促膝對談。這些交錯成有機體的行為，呈現出豐富多

卜華志

/ 造 . 化/ 5

The Shared Creativity of Photography and Sculpture Pu Hua-chih Photography is a means of exact reproduction; a tool for recording reality. Not only does it document personal memory, it readily summons to mind shared recollections of a particular era. At the snap of the shutter a moment is captured for posterity on special paper, while at the same instant that very act signals that this moment has irretrievably vanished. Every person owns several thick photo albums where the bits and pieces of their lives are recorded. Leafing through the pages, one re-lives the extremes of elation or despondence felt at the moment of picture taking. The “me” of today and the “me” of that distant moment are both present; muttering; as each regards the other with detachment across the void that separates them. The vanished moment is restored to life, much in the manner of a returning ghost. Ten years ago, in connection with my work, I documented the razing of an old housing project originally built for military dependents. As I wandered about the deserted rubble I came upon an abandoned photo album. Out of curiosity, I opened it to find that the picture backgrounds looked very much alike the project where I had grown up. As I gazed at these moldy and blurred photos, I was instantly transported back to my childhood, noisily chasing about with my friends and playing hide-andseek. Even the secret crack in the wall where I used to hide things came back to me. In an instant, time and space coalesced and a profusion of emotions filled my heart! Upon returning home, just as if a spell had been cast over me, I madly developed a large number of photos of scenery, friends, and family. I

“husbanded” these photos, which by now completely covered my bathroom. Perhaps I unconsciously hoped that by availing myself of this 5×7 “window”, I would be able to access some sort of terra incognita! As these pictures slowly took shape, the images became less and less precise and the region gradually expanded. At that moment I relived the sensations experienced at the instant of picture taking. Sometimes I blinked back my tears, while at other times they flowed freely. My thoughts were buried beneath layer after layer of outrageous red, yellow, blue and green colors. Of course, ultimately everything was altered beyond recognition to become what you behold today. I moved to Toucheng three years ago and embarked on my creative sculpture project. Up in my tiny studio on the top floor I work around the clock molding and shaping the clay. The touch and warmth of my fingertips enabled these sculptures to develop in accord with instinct. My role is to provide nurture and in so doing endow them with life. This work was on the same mental wavelength as that inspiring me when I had “husbanded” those photos some years back. Different life forms interact with each other and a dialogue thus becomes possible. The organism created by their interaction displays all the rich and multiple aspects of life. When carefully observing a microcosmic ecosystem that is confined within a 10 cm square, one can only marvel at the beauty and diversity of the Earth. The Earth is a vast graveyard that is both fascinating and fantastic. Saturated with the debris and remains of myriad life forms, it transforms them into organic energy. As the old perishes, new life

Creation/Pu Hua-chih/6

is born, which in turn draws from Nature the sustenance to grow. Although this multiplicity of creatures coexists in harmony, they also evolve and change according to various conditions. Each season finds them appearing in a different guise. Life in this sense, with its profusion of forms and ever-changing aspects, makes human life, as fleeting as a spark, assume even greater significance. The gene pool of living creatures, including those of Man, is a mixture of different ingredients. From the time when the Cyanobacteria plant organism first evolved in the ocean 600 million years ago, the ecosystems we know today have grown and flourished over the intervening centuries. Plants, trees, birds, and animals were at one time interdependent. As we enjoy the limited resources on Earth, we must be mindful that should the balance one day be tipped, the resulting chain reaction will be another annihilation! As a man of our time, I use the convenience of the Snow Mountain Tunnel. However, as I drive swiftly though the tunnel, I experience drowsiness akin to that of the spirits lingering along the old highway, with its many twists and turns. My children are thus deprived of many stories perfect for telling on a dark night. Sometimes I miss the time I spent in the darkroom in the old days. Standing before the shrine bathed in red light, I awaited the images to appear with a feeling of solemnity and caution, mixed with excitement and anticipation. In fact, I was awaiting the arrival of maturity, a slow, reflective, imaginative, and progressive maturity. One could even say it was a way of dealing with my own inner growth.

Today, the aggressive sale of consumer products has created a false impression of economic growth. This condition has caused an imbalance. The virtual reality created by the computer is like a hallucinogen for consumers, giving rise to the indifference and isolation that are found everywhere in the world. Why donâ&#x20AC;&#x2122;t we restore our sensory perception to its original condition, and enjoy the unpredictable surprises that Nature has in store for us? What Iâ&#x20AC;&#x2122;d like to convey in my work is a warm sense of joy and respect.

卜華志

/ 造 . 化/ 7

「我相信，一根草葉的意義，並不比星體的運行渺小。」 “I believe a leaf of grass is no less than the journey-work of the stars.” 華特 ‧ 惠特曼 Wahlt Whitman 1819~1892

Creation/Pu Hua-chih/8

我種我自己林煥彰

I Nurture Myself Lin Fuan-chan

我給自己機會；

I gave myself an opportunity;

我是一粒種籽，

I am a seed.

我也不僅是一粒――

Not only that,

我是一棵樹；

I am a tree;

我種我自己。

I nurture myself.

我種我自己，

I nurtured myself.

我萌芽，我扎根，我長大；

I sprouted, took root, and grew.

我茁壯，我開花，我結果；

I became strong, bloomed, and bore fruit.

我給自己機會。

I gave myself an opportunity.

我給自己機會；

I gave myself an opportunity;

我有機會深入泥土，

I had the chance to sink roots deep into earth,

我也有機會展向蒼穹

And I had the chance of reaching toward the sky.

我種我自己。

I nurture myself.

我種我自己；

I nurtured myself;

我不怕風，不怕雨，也不怕太陽；我不怕生，不怕死，也不怕變成灰；

I feared not wind, rain, or sun, I feared not birth, death, or turning into ash;

我給自己機會。

I gave myself an opportunity.

我給自己機會；

I gave myself an opportunity;

我種我自己，

I nurture myself,

我頂天立地。

I do not depend on anyone.

卜華志

大爆炸 Big Bang, 藝術微噴 C-print, 40 × 60 cm, 版數 Ed.10

/ 造 . 化/ 9

1999~2008

Creation/Pu Hua-chih/10

卜華志

大混沌 Complete Chaos, 藝術微噴 C-print, 40 × 60 cm, 版數 Ed.10

1999~2008

/ 造 . 化 / 11

Creation/Pu Hua-chih/12

生命初始 The Beginning of Life,

1999~2008

藝術微噴 C-print, 40 × 60 cm, 版數 Ed.10

卜華志

複製分裂 Clone and Division, 1999~2008

藝術微噴 C-print, 40 × 60 cm, 版數 Ed.10

/ 造 . 化 / 13

Creation/Pu Hua-chih/14

爭鳴 Competition,

1999~2008

藝術微噴 C-print, 40 × 60 cm, 版數 Ed.10

卜華志

/ 造 . 化 / 15

Creation/Pu Hua-chih/16

爭豔 Beauty Pageant, 藝術微噴 C-print, 40 × 60 cm, 版數 Ed.10

1999~2008

卜華志

物競天擇，適者生存。因死而生，各綻其豔。 Natural Selection; Survival of the Fittest. Death leads to Life; Each Reveals Its Splendor.

/ 造 . 化 / 17

Creation/Pu Hua-chih/18

每種生物都以自己獨特的生命形態活著…… Every creature has its own unique life form…

卜華志

When you have everything, You'll discover that what has been lost once belonged to you Life does not turn back, But history always repeats itself In different forms, spaces, and locales Those things that

/ 造 . 化 / 19

當你擁有一切發現失去的也曾經擁有生命不會回頭歷史卻一再重演以不同的面貌、空間和場域那些――

Crawl, walk, fly, or cannot move,

用爬的、能走的、會飛的、動不了的

Poisonous, glowing, emitting painful shocks, or merely existing,

有毒的、發光的、放電的、只存在的

When exchanging roles You become I, I become it, and it becomes you.

角色互換後你是我、我是它、它是你

It is both this life and past life.

既是今生也是前世

The future life is the mark of genes,

來生是基因的印記

And wisdom is the key to reconstitution.

智慧是重組的鑰匙

Death brings life and what is lost is ours again. Lingering, I laughed as I looked back on life. Pu Hua-chih, 2009

因死而生、因失去而有欲去還留、笑看回首卜華志 2009

Creation/Pu Hua-chih/20

卜華志

造化―卵莢獸 Creation – Pod Creature 1/3,

1/3 樹脂玻璃纖維＋油畫顏料

174 × 63 × 68 cm, resin fiber glass and oil paint, 2007

/ 造 . 化 / 21

Creation/Pu Hua-chih/22

造化―星籽膽 Creation – Sea Urchin 1/4 2/4, ‧

1/4‧2/4 樹脂玻璃纖維＋油畫顏料

70 × 80 × 68 cm resin fiber glass and oil paint, 2007

卜華志

/ 造 . 化 / 23

Creation/Pu Hua-chih/24

造化―蛹蛋 Creation – Chrysalis, 1/4,

1/4 樹脂玻璃纖維＋油畫顏料

64 × 44 × 44 cm, resin fiber glass and oil paint, 2007

卜華志

造化―乳菓 Creation – Nipple Fruit 2/8,

/ 造 . 化 / 25

2/8 樹脂玻璃纖維＋油畫顏料

34 × 34 × 34 cm, resin fiber glass and oil paint, 2008

Creation/Pu Hua-chih/26

造化―變形蟲 Creation – Amoeba 1/3,

1/3 樹脂玻璃纖維＋油畫顏料

102 × 63 × 97 cm, resin fiber glass and oil paint, 2008

卜華志

造化―共生腔 Creation – Symbiotic Cavity 1/4,

1/4 樹脂玻璃纖維＋油畫顏料

23 × 14 × 96 cm, resin fiber glass and oil paint, 2008

/ 造 . 化 / 27

Creation/Pu Hua-chih/28

造化―翅人

1/5

樹脂玻璃纖維＋油畫顏料

Creation – Winged Man, 165 × 143 × 25 cm,

resin fiber glass and oil paint, 2000

卜華志

造化―翅人

4/5

樹脂玻璃纖維＋油畫顏料

Creation – Winged Man, 143 × 143 × 25 cm,

resin fiber glass and oil paint, 2000

/ 造 . 化 / 29

Creation/Pu Hua-chih/30

造化―翅人

5/5

樹脂玻璃纖維＋油畫顏料

Creation – Winged Man, 143 × 143 × 25 cm,

resin fiber glass and oil paint, 2000

卜華志

/ 造 . 化 / 31

Creation/Pu Hua-chih/32

造化―翅人

3/5

樹脂玻璃纖維＋油畫顏料

Creation – Winged Man,

152× 143 × 25 cm, resin fiber glass and oil paint, 2000

卜華志

造化―翅人

2/5

樹脂玻璃纖維＋油畫顏料

Creation – Winged Man, 165× 143 × 25 cm,

resin fiber glass and oil paint, 2000

/ 造 . 化 / 33

Creation/Pu Hua-chih/34

卜華志

人＝智慧 Human ＝ Wisdom 人＝掌控 Human ＝ Rule 人＝偉大 Human ＝ Greatness 人＝自私 Human ＝ Self-seeking 人＝萬能 Human ＝ Omnipotence 智慧≠人 Wisdom ≠ Human 掌控≠人 Rule ≠ Human 偉大≠人 Greatness ≠ Human 自私≠人 Self-seeking ≠ Human 萬能≠人 Omnipotence ≠ Human

/ 造 . 化 / 35

Creation/Pu Hua-chih/36

Somebody 藝術微噴 C-print, 40 × 60 cm, 版數 Ed.10

1999~2008

卜華志

Nobody

1999~2008

藝術微噴 C-print, 40 × 60 cm, 版數 Ed.10

/ 造 . 化 / 37

Creation/Pu Hua-chih/38

Who

1999~2008

藝術微噴 C-print, 40 × 60 cm, 版數 Ed.10

卜華志

Who and Who 藝術微噴 C-print, 40 × 60 cm, 版數 Ed.10

1999~2008

/ 造 . 化 / 39

Creation/Pu Hua-chih/40

造化―沉默的花 Creation – Silent Flower 1/8,

1/8 樹脂玻璃纖維＋油畫顏料

40 × 12 × 48 cm, resin fiber glass and oil paint, 2000

卜華志

/ 造 . 化 / 41

Creation/Pu Hua-chih/42

卜華志

造化―孕慾 Creation – Desire of Pregnancy,

銅＋油畫顏料

37 × 40 × 66 cm, bronze and oil paint, 2004

/ 造 . 化 / 43

Creation/Pu Hua-chih/44

大滅絕 The Great Annihilation, 藝術微噴 C-print, 40 × 60 cm, 版數 Ed.10

1999~2008

卜華志

/ 造 . 化 / 45

Creation/Pu Hua-chih/46

卜華志

/ 造 . 化 / 47

卜華志 Pu Hua-chih 1989

吳三連文藝基金會台灣年度最佳新聞攝影獎人物特寫類佳作

"Notable Work" in Portrait Photography, Outstanding Taiwan News Photos of the Year – Wu Sanlien Foundation.

1997

台北市第 24 屆美展台北獎入選

Finalist, Taipei Art Award – The Taipei City 24th Annual Art Exhibition

2000

國家文化藝術基金會贊助

台北宇珍國際藝術公司、台中金禧美術畫廊「慾花園」個展

"Garden of Desire" Solo Exhibition, Yu-Jen International Art and Antique Co. Ltd, Arthis Fine Art (Taichung), sponsored by National Culture and Arts Foundation.

2005

第 29 屆金鼎獎最佳攝影獎

"Best Photo Award" , The 29th Annual Golden Tripod Award.

2009

台北國際當代藝術博覽會聯展

"Young Art Taipei", Group Exhibition

台中金禧畫廊個展

Solo Exhibition, Arthis Fine Art (Taichung)

「台北 101 藝圖不軌︰ 2009 亞太國際藝術特展」邀請

Invited to exhibit at "Top of the World: Asia Art Link Exhibition "

礁溪 ‧ 桂竹林國際藝術創作營邀請

Invited to exhibit at "Bamboo Village International Arts Workshop in Yilan, Taiwan"

台北攝影與數位影像藝術博覽會聯展

"Photo Taipei 2009", Group Exhibition

東家畫廊「造 . 化」個展

"Creation" Solo Exhibition, BOSS art gallery, Taipei

經歷 Career Highlights 秋雨印刷攝影棚攝影師 Photographer, Qiuyu Printing & Photography Studio. 台視文化攝影記者 Photographer, Taiwan Television Evergreen Monthly. 新聞局光華雜誌攝影組長 Director of Photography, Taiwan Panorama (former Sinorama), published by GIO (Government Information Office). 五大出版社藝術指導 Art Director, Wuda Publishing House. 商業周刊資深攝影記者 Senior Photographer, Business Weekly. 理財周刊視覺總監 Visual Director, Money Weekly.

作者：卜華志

Artist: Pu Hua-chih

發行所：東家畫廊

Published and distributed by BOSS art gallery

發行人：張國權

Publisher: Chang Kuo-chuen

設計：李建國

Designer: Ago Lee

主編：余佩玲

Editor: Yu Pei-ling

英譯：黃啟哲 ‧ 呂亨英

Translator: Ronald Brown‧Diane Lu

地址：10649 台北市大安區潮州街 180 號

Address: No.180, Chaozhou St., Taipei City 106, Taiwan

電話：886-2-2391-7123

Tel: 886-2-2391-7123

傳真：886-2-2391-7142

Fax: 886-2-2391-7142

網址：www.800arts.com/boss

Website: www.800arts.com/boss

ISBN：978-986-85741-0-6 ( 平裝 )

Printed in Taiwan 2009.11

2009 年 11 月出版