MILK
Milk Magazine is a celebration of emerging talent within the interchangeable worlds of photography and design. Exclusively featuring work from students and recent graduates, it is our aim to create a platform upon which young artists can promote themselves at this uncertain and transitional stage in their careers.
Josiah Jones
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Grace Flynn
GRACE FLYNN PHOTOGRAPHER/DESIGNER T: 07969436911 E: GRACELARAFLYNN@YAHOO.COM
Grace Flynn is a second year student at the University of Westminster, where she studies Photographic Arts. ‘My work explores the way in which the inanimate world comments on those who inhabit it. I believe that the traces which people leave behind can speak more truthfully about them then they can themselves. By photographing the objects we use and the spaces we inhabit, I think it is possible to portray the human race in the absence of people. There is no other place so loaded with human presence as the home. It is the canvas onto which we project our very being, where personal experience reaches its epitome; constructed out of an intricate layering of memories and the walls into which those memories embed themselves, it is the centre of both our mental and physical universe. The objective of this project, entitled ‘THE POETICS OF SPACE’, is to explore this unique relationship between the material and the imaginary, focusing exclusively upon the domestic space in an attempt to demonstrate just how significantly it can speak about those who live in it. Through a varied approach towards composition, framing, scale and presentation, it aims to reflect the sporadic way in which the home is experienced spatially, whilst capturing the deep sense of intimacy that resides within it.’
Lachlan Mackay
lach lan macka y photography/design E : lachlanmackay93@gmail.com T : 077507554423
Lachlan Mackay is a second year student at the University of Westminster, where she studies Photographic Arts. ‘My work aims to find beauty and interest in the everyday. Influenced particularly by Alec Soth, I try not to think too much about what I am photographing or how. By only ever setting myself projects with very open-ended themes, usually based upon a place or an object, I allow meaning to creep into my images autonomously. This work, entitled ‘STRATHGLASS’, is designed to explore humankind’s relationship with nature; examining the identity we have not only placed upon it but the way we have, and still are, altering it. Specifically capturing Glen Affric and the ancient forest that dwells within it, the work aims to document the mostly unseen beauty of a faded British landscape; ironically clashing with the banal, exhausted human environment that sits beside it.’
P O R T F O L I O
Alex Eusden
ALEX EUSDEN Graphic Designer
alexeusdendesign.co.uk Tel:07841461900 alex.eusden@gmail.com
Alex Eusden is a first year student at London College of Communication, where he studies Graphic and Media Design. ‘I am intrigued by how our surroundings are dominated by ever-changing graphic design; it ingrains itself into our culture which both informs and reacts to what is undoubtedly the most prominent form of contemporary visual language. It is this accepted intrusion that draws me towards designers with a social conscience, such as Ken Garland, Tibor Kalman and Stefan Sagmeister. All three use the accessibility of design to communicate positive messages or highlight certain issues. It’s not all serious though; I like to use humor and wit within my work. Graphic design is all about conveying a message and I feel that if you can engage a viewer and makve them laugh or feel intrigued, the message is absorbed much more easily and remains in the viewers mind for longer. It’s like anything in life; the more involved you are, the more information you retain and the more you learn. I hope my work conveys a sense of the D-I-Y but not in the obvious punk/anarchic way. I’ve always been drawn towards music or art that I felt was accessible and not elitist. I’m excited by something if I feel I can be involved in it myself. I aim to straddle somewhere between the low-fi and a more minimal design sensibility so that my work does not fall into the serious or rebellious category; ‘Sensible Fun’ would be a good description.‘