Falmouth Wunderkammer 2023

INTRO

We are really excited that, finally, after a three-year break due to the influence of Covid, our printed version of ‘Wunderkammer’ returns with a bang! It goes without saying that the past three years have been challenging in so many ways but as we see the effects of the pandemic recede the opportunity to revisit our own ‘Cabinet of Curiosities’ becomes compelling.

The 6th print edition of ‘Wunderkammer’ once again showcases the wealth of talent that comes from the BA(Hons) Illustration Course at Falmouth University. The course’s mission is to help support each student in their search for a unique personal voice in their work. This is complemented with a deep knowledge of professional practice, which leads to graduates who can not only generate great illustrations but also supply the wider creative industries with designers, art directors and visual problem solvers.

We hope that you enjoy the images and encourage you to visit each student’s associated websites, where you will find more amazing work.

Nigel Owen Course Leader

Each year, 3rd-year Illustration students have the opportunity to engage in a range of live projects and industry-facing initiatives, enabling them to gain experience of working with Art Directors or Industry professionals.

One of the live briefs this year was with Kevin Wilson, the Art Director at the FT. The brief was to produce an image for a new comment strand in the newspaper – by new writers on technology and society. Kevin says:

“The roughs showcased an array of approaches, and all demonstrated imagination and confidence. The development from rough to final artwork is a critical part of the commission; it was encouraging that the students were all able to discuss their work and take on constructive feedback. This is a key skill in professional practice: the ability to tighten and finesse the work while maintaining focus and ownership of the concept.

The collection of final artworks exceeded my expectation of the brief. Within the variety of genres and concepts there was a common thread of clear and confident work, and a thoughtful progression from rough to final.”

“I will not be like a bird bred in a cage, I thought, too dull to fly even when the doors stand open. I stepped into those woods and my life began.” ‘Circe’, Madeline Miller

According to Carl Jung, every person is governed by two spirits: the spirit of the times and the spirit of the depths. Our lives are an intricate dance between the two, and our wellbeing depends on their balance.

The power of escapism and connection with fictional characters in picture books provides a safe space for the child to explore new challenges and learn more about the world around them.

How many book references can you spot?

A glimpse into the aquatic world of the 1700s. In a secret sea palace, a majestic underwater tea party is underway.

What if the family cat kept growing? A narrative illustration imagining the mischief a cat would get itself into if it grew to be as large as a building.

What’s that high up in the sky? A speckled face all shining bright, who sees the stars and shines on me. I must get close to look and see. Sometimes a piece of it is missing – even nibbled it still glistens. The moon, is it really cheese? A reflection on childhood curiosity.

‘Why is everyone stealing Parrots?’

A common but odd crime, bird theft has become an ever-increasing and curious phenomenon led by the rise in value and demand of tropical birds, following the pandemic.

If you got into your car right now and started driving, where would you go? Who would you meet? And, most importantly, what would you eat?

Encouraging children to encounter the majestic creatures within a Great Barrier Reef exhibit and inspire a lifelong passion for animals and their welfare.

A travelling curiosity: exploring concepts of “the ocean deep”, home, mutation and displacement. This illustration stems from research into ocean pollution, specifically observing the existence of “dead zones”, where marine life is impossible. This is a reimagining of marine life evolved and mutated as a result of pollution, becoming a hybrid of mammal and ecosystem – a wandering home.

Underwater kelp forests host a greater diversity of animals and plants than almost any other ocean community. The fast-growing seaweed provides shelter, food and hunting ground for thousands of species of British marine life.

Sword in hand, she set off on a journey of imagination, curious about what adventure would come her way.

Curious facts about the lives of sea otters told through a playful narrative.

In Kerala, South India, ‘home-gardens’ are a tradition where communities come together to tend to various wild plants and crops around the homestead. Allowing crops to grow alongside wild plants encourages a vast range of biodiversity in a garden’s ecosystem.

It is only when we wake, that we realise we have been asleep.

A lone house isolated by the woods… Is the land truly cursed, or is someone behind the ghastly hauntings? What will our mystery solving duo find?

GRACE CUMMINS

Aoife is out wandering, lost in her thoughts until she stumbles upon her North Star, who provides light and guidance on her onwards travels.

Tomorrow when the sun rays shake Etched Ice into today

The figures we drew with shaky toes

Were printed in mind and snowball sodden hats

Erased by the warmth they carried. Tyjana Howard

In every moment we experience our lives in thoughts. If we could find a way to enjoy being with them, how beautiful would the simple act of washing-up become?

Forget for a moment that we are bound by gravity, logic and convention and let the magic happen.

JACKIE WONG

Looking at the curiosities and hidden elements in nature, we discover the contrast between the natural environment and the man-made fragments of our surroundings.

Fruits that are rich in organic pigments are abundant in the tropics; these colours impact the feathers of the birds that eat them. That’s why tropical birds are more colourful than the birds we see in our environment.

A Chinese dragon bows and whispers to the mangrove’s fish. Urbanisation risks the loss of plant and animal species. Soon, many will be as mythical and curious as the dragon.

The tree that flummoxed scientists for over 50 years; with fruit like orange lanterns and a height of over 20 feet, it was named ‘Mystery of Manu’ after the park in Peru, where it was found.

There once was a girl who was made of junk. She looked really dirty and she smelled like a skunk.

She was always unhappy, or in one of her slumps— perhaps ‘cause she spent so much time down in the dumps.

Tim Burton

There is a long-forgotten story from Greece which says that each person had their own ’Μοίρα’ (Fate). They inhabited trees and were responsible for humans’ lives. If you take care of your Fate and her tree, she in turn will take care of you.

The phrase ‘Couch Potato’ was first used in the 1970s by an artist who drew lazy characters he called couch potatoes. From there, it became an extremely popular way to talk about someone who seems more like a vegetable than a human.

In Lithuania, it is believed that the fern flower is magical. According to tradition, during the Summer Solstice, people go into the woods to find the fern flower, which is supposed to make the finder rich and happy.

On the end of a particular street, there is a peculiar house. It will feel familiar to you, but you have never seen this house before. Once discovered, it will reveal a mysterious and untouched world.

Nature is full of curiosities, some that we aren’t able to see. Hidden in another spectrum of light are patterns and colours that usually only the pollinators can admire.

RASA STANIULYTE

“Dreams throw random information to our brain to prevent them from becoming too familiar with the ‘training set’ of our everyday lives.” E.Hoel

The insignificance of our existence is never more apparent than when attempting to assimilate the vast expanse of the larger universe.

Gods long forgotten in a city of lost promise.

The curiosity of one person can be destructive to those around them. This is highlighted in the setting of a model village where a child playing is ruining the lives of those that live there.

When Ummi got back to her room, a curious-looking carousel had appeared on her night table. When she wound up the key and the music started, it almost seemed as if the people were moving and about to escape.

Based on tales of Selkie-women, this piece is a darker twist to their endings, fuelled by the misogynistic entitlement that the fishermen embody. This fisherman adds to his hoard of seal skins, an archive of the Selkie-women he’s stolen.

Before its tragic destruction, the ancient Library of Alexandria was one of the world’s greatest wonders, encompassing scholars who explored science, history and all other areas of knowledge. The exact number of such precious scrolls within the library at any given time is unknown, but the estimate is around 400,000.

The great outdoors is a curious place where you’ll find many surprises along the way; from bears to birds, hitchhikers and campers. Although the journey might be difficult, who knows what you’ll find!

The hog thinks she smells truffles. Maybe she could find them if she stopped getting distracted by muddy puddles.

Said the apple to the orange, “oh I wanted you to come close to me and kiss me to the core. Then you might know me like no other orange has ever done before”.

An authentic insight into the life of a hawker stall seller at ‘Taman Connaught Night Market’ in Kuala Lumpur, Malaysia. Inspired by location drawings and interactions with locals.

Influenced by personal objects in my room that I became very familiar with during a difficult period of my life, as well as the Baz Luhrmann biopic ‘Elvis’. My dad’s love for the king of rock’n’roll made me curious to know what he was really like.

‘Beyond this place of wrath and tears, looms but the horror of the shade’ –a segment from the poem ‘Invictus’; speaking of the unknown that awaits us after death.

Have you ever wondered what your neighbours are up to? They say curiosity killed the cat, but forget that the cat has nine lives. And perhaps satisfaction is worth dying for.

When people let us into their lives we are only privy to what we can see right in front of us. When our relationships deepen we may see more of what’s behind the curtain, but we can never expect to know everything.

Not your stereotypical backpack.

The earth may be burning, but at least my outfit is cool.

The locals speak of the heretics who gather once every month between the mountains to partake in a curious ritual.

‘The Streets of Devilish Endeavours’ depicts a scenic night out. Inspired by Hieronymus Bosch’s ‘Garden of Earthly Delights’

Much of human knowledge comes from analysing and exploring the past to make new discoveries. This piece is inspired by the Victorians’ fascination with the natural world, from their collections and curiosity cabinets to the changes brought about by Darwinism.

A shrew’s heart beats over 1,000 times per minute, they can only go without food for two hours and they’re constantly on the lookout for predators. Please look after your local shrews, they’re very stressed!

A Fisherman lives in a teapot, His world may look small, just a dot; He lives life with ease,

And sails the great seas, Catching fish, he would say, quite a lot.

The Wild Swim.

Leaving life on the shoreline, wild swimming is a ritual of insanity to the outsider, yet a spiritual moment of existential singularity falls upon those who are brave enough to take the cold-water plunge.

Being curious about our emotions can improve our wellbeing and help us to become more present and empathetic.

The explorer goes to the greatest lengths and lowest depths to discover a new world… Is there any cake left?

I was inspired by the unusual word ‘monachopsis’, meaning ‘the subtle but persistent fear of being out of place’.

Plants have always been part of our lives but in recent years a spike in houseplants has occurred in a subconscious attempt to rewild the areas we live in. However, sometimes it can get out of hand.

Markets can be an opportunity to discover new foods. They also create a community of people who are passionate about the same thing.

A self-authored story about a cat obsessed with gold, who becomes completely mad. Can he be helped? Who can help him?

‘“No,” said Lizzie, “no, no, no; their offers should not charm us, their evil gifts would harm us.” Curious Laura chose to linger. Wondering at each merchant man.’

Based on the poem ‘Goblin Market’ by Christina Rossetti

Capybaras are very calm, laid-back animals. Social interactions are important for their happiness –they can get lonely if they don’t interact with other animals frequently. It is their need to socialise that prompts capybaras into allowing other animals to hitch a ride!

The ‘lobster tail’ bustle from the 1880s (with an extra crustacean twist) is modelled in a kelp forest.

Marie Antoinette was a certified teen idol. A crowd of 50,000 people once came to Paris to see her, but things didn’t end well for her. My design of a perfume bottle, with a detachable head, is reflective of this.

Humans have vanished. Only the light of the moon and explosive fires light up the darkness. Animals are left to their own devices. Nature begins to take over the man-made world, restoring itself as though we never existed.

Have you ever wondered what causes crop circles? Well now you don’t have to!

The curious thing about crocodiles is that they cannot stick out their tongues. This makes it very difficult for them to eat ice cream. On the contrary, chameleons can stick their tongues out to twice the size of their bodies!

When children stop believing in monsters, they stop believing in them.

Curiosity drove the cat mad; sometimes peering into strange portals at the bottom of crypts is a bad idea… or a good one, depending on how mad you are.

The wonders of Mother Nature – our Earth Mother and her curiosities.

A strange girl with a mystifying power over water has come to save this city from a flaming demise. However, nobody knows where she’s travelled from, or why she bothers to save the foreign city when she’s never set foot there before.

If imps are getting into your cupboards and eating all of your potion supplies, remove them humanely with a Nectar Projector! Enticed by the nectar of the gods, they are guaranteed to leave even your tastiest possessions alone. Trap sold separately.

All of the creatures gather around, curious to see what their creator comes up with next.

‘“You should be… orange,” she says to the small, metal bird, referring to the open book on her desk. Its white pages display a colourful picture of a toucan’.

From a self-authored narrative, set in a future without nature.

In desperation, humanity willingly let themselves be a host to the parasites. We didn’t know how much we would change in the end.

Technology has progressed rapidly in recent years. What was once futuristic is now a reality. When is someone considered chronically online and how do we bring back a curiosity for the world outside of the internet?

Based on H.P. Lovecraft’s short story ‘The Moon Bog’, this image depicts the workers of the story being hypnotized by Ancient Greek spirits and forced to walk into the murky bog to their deaths.

Hello...hello...hello...hello? Anyone in there? In there...in there...there? Only through the caverns, old and mysterious, may you find unique treasures weirder and more wonderful than you can imagine.

The Barry are bridge spirits who eat rubbish that falls into the river. Children fear them. Ducks worship them. But The Barry have no thoughts other than rubbish.

A children’s narrative inspired by my childhood.

The Victorians had a fascination with taxidermy and memento mori and integrated them into their fashion and lifestyle, decorating the figure with the deceased.

After a calamitous event stripped us of our ability to respire by conventional means, we merged with trees and other plants to survive. In this future, humanity has found a new connection with nature, at the cost of modern conveniences.

Depicting the story of Iphis and Ianthe from Ovid’s Metamorphoses – a tale of transformation, queer love and hope from 8AD.

“The issue becomes not the initial act of deception. But the fact that you’ve lied so long – years and years and years. You may even start to believe the lie yourself”.

Rosa Lyster

It is curious to me how Medusa wasn’t recognised as a female icon earlier. My generation have recognised the villainisation of Medusa. They have used this myth to spread awareness of sexual assault and bring survivors together.

THEA FIGENSCHOU

In the Greek legends of Hercules and the twelve challenges, he fights the Cretan Bull sent from the sea by Poseidon. The Bull, a recognised symbol of chastity, fertility and patience, holds qualities which Hercules overcomes.

“The Wunderkammer project was a real turning point for my self-belief in persevering with my developing visual language. This project presents the first opportunity to promote your wider online presence to the industry and that’s a good kind of pressure. The submission of the rough to a deadline and the refining of the illustration with art direction is a most valuable experience. It is in fact this experience of the art director/Illustrator working relationship that primed my confidence to take on magazine and newspaper commissions before I had officially graduated.”

Matthew Holland – Falmouth Illustration Alumnus

INDEX OF ARTISTS

Jade Alway 11 jadeillustrates@yahoo.com

+44 (0) 7840 652 380 jadeillustrates.com @_jadeillustrates

Alfie Armstrong 50 alfiearmstrongart@outlook.com

+44 (0) 7926 999 503 alfiearmstrongart.co.uk @alfarmstr

Lydia Athanasoula Dovelou 31 Lydiathdov13@gmail.com

+44 (0) 7724 662 457 @soulsgarden_lydia

Kate Birkbeck 16 Katebirkbeck.illustration@gmail.com

+44 (0) 7841 021 533 Katebirkbeckillustration.com @katebirkbeck_illustration

Cameron Boulding 21 Cdb.draws@gmail.com

+44 (0) 7498 100 067 Cdb-draws.com @cdb_draws_

Francisco Branco 54 franciscobranco075@gmail.com

+351 925 345 230 franciscobrancoportfolio.cargo.site/ @franciscodsbranco

Arwen Buckle 20 Imagine.wen@aol.com

+44 (0) 7783 546 316 behance.net/imaginewen @imagine.wen

Sophie Burbidge 77 sophie@sophieb.uk

+44 (0) 7704 757 525 sophieb.uk @sophieb.art

Emily Cameron 26 contact.emilycamerondesign@gmail.com

+44 (0) 7368 603 471 emilycamerondesign.co.uk @emilycamerondesign

Willow Carter-Law 75 willowcarterr3@gmail.com

+44 (0) 7394 016 494 @splatz_n_doodlez

Holly Cavanagh 78 hcavanagh38@gmail.com

+44 (0) 7514 549 639 crazycreature.co.uk @crazycreature2002

Misha Chernov 43 mcversipellis@gmail.com mcversipellis.com @mchernovart

Sebastian Clark 52 Sebclark14@gmail.com

+44 (0) 7985 184 903 @YoungGiacometti

Charlotte Cree 8 hello@charlottecree.co.uk charlottecree.co.uk @Ccree_art

Grace Cummins 22 grace.c.illustration@gmail.com

+44 (0) 7746 133 764 gracecillustration.com @gracecummins.illustration

Alice Daulby 81 daulbyalice@gmail.com +44 (0) 7918 608 064 @ a._.daulby

Phoebe Dee 65

phoebe.downey@gmail.com

+44 (0) 7563 462 855

phoebedeeillustration.com

@phoebe.illustration

Celia Dipple 19 illustration@celiadipple.co.uk

+44 (0) 7581 514 703 celiadipple.co.uk

@pacificbluerose

Aleah Dodson 69 aleahdodson@gmail.com

+44 (0) 7951 936 528

aleahdodson.co.uk

@aleah.a.dodson

Imogen Dommett 67 imsicle@outlook.com

+44 (0) 7840 427 798

imsicle.co.uk

@imsicle

Arianna Doyle 83

Ariannaashadoyle@outlook.com

+44 (0) 7532 605 617

hysteriaaria.artstation.com

@hysteria.aria

Betty Everett 46 Bettseverett17@gmail.com

+44 (0) 7538 877 157

bettysillustrations.co.uk

@bettys.illustrations

Poppy Field 88

poppyfieldillustration@outlook.com

+44 (0) 7590 389 777

poppyfieldillustration.co.uk

@poppyfieldillustration

Thea Figenschou 90

thea@theartistillustrations.com

+47 (0) 976 11 522

theartistillustrations.com

@the_a_the_artist

Min Foister 87 min.foister@gmail.com

+44 (0) 7530 376 337 cinnamin.co.uk

@cinnamin_art

Bodie Graham 53 Bodieillustration@gmail.com

+44 (0) 7395 989 668 Bodie-Graham.co.uk @_b0die

Lily Graves 34 greetingslily@gmail.com

+44 (0) 7496 558 094 greetingslily.com

@greetingslily

Jamie Greenaway 74 berriesandclouds@outlook.com

+44 (0) 7415 400 657 berriesandcloud.com @berriesandclouds_

Liam Hammett 55 hammetthamr@gmail.com

+44 (0) 7578 947 479 liamhammett.co.uk @liamhammettart

Louise Harrington 76 Aquiarethusa@outlook.com

+44 (0) 7543 618 912 aquiarethusa.co.uk

@Aqui_arethusa

Annie Hathaway 29 Annie.hathaway35@gmail.com

+44 (0) 7906 802 542 anniehathaway.co.uk @Anniehathaway._

Sinéad Hayward 13 sineadhay08@gmail.com sineadhayward.com @_Hey.naid

Katy Haywood Smith 30 Katyhaywoodsmith@gmail.com

+44 (0) 7535 932 896

katyhs_illustrations.co.uk

@katyhs_illustrations

River Healey 80 riverjohealey@gmail.com

+44 (0) 7472 446 588 riverhealey.com

@river_healey

Jord Heron-Davis 89 Jherondavisart@gmail.com

+44 (0) 7944 192 364 jherondavisillustration.com @Jherondavisillustration

Milly Hewins 28 emilyhewins434@gmail.com

+44 (0) 7923 835 969 hewinsdesign.co.uk @hewinsillustration

Annabel Hoare 17 annabelhoareart@gmail.com

+44 (0) 7864 836 149 annabelhoare.com @annabel.hoare

Emily Howard 79 emily.cooperhoward@gmail.com

+44 (0) 7449 625 308 emilyhowardillustration.com

@emilyhowardillustration

Lauryn Howard 23 info@laurynhowardillustrations.co.uk

+44 (0) 7579 026 836 laurynhowardillustrations.co.uk @laurynhowardillustrations

Bethan Jamieson 12 bethan.jamiesonillustrations@gmail.com

+44 (0) 7776 175 173 bethanjamieson.com

@beth_illustrations

Ugne Kairyte 32

ugne.kairyte@gmail.com

+44 (0) 7984 051 981

@teka.upe.illustration

Rhiannon Ora Kia 45 Rhiannonokia@gmail.com

+44 (0) 7761 084 240 rhikiaprints.co.uk

@nakdrhi

Vilte Kirsaite 33 viltekir@gmail.com

+44 (0) 7713 435 660 viltekir.com

@viltek.art

Lucile Lith 41 hello@lucilelith.com

+44 (0) 7597 629 085

lucilelith.com

@lucilelith

Holly Lowe 39 hollyleafprints@gmail.com

+44 (0) 7542 054 960

@hollyleafprints

Eva Maguire 72 evadoesillustration@gmail.com

+44 (0) 7483 280 440 evadoesillustration.com

@evadoesillustration

Andy Martin 49 Inspectornuggs@gmail.com

+44 (0) 7950 032 250 nuggs.uk @Insp.nuggs

Aislinn Maslen 63 Aislinn.fay23@gmail.com

+44 (0) 7519 082 176 aislinnfay.co.uk

@smaislinn_arts

Alice Mawdsley 47 alicecm.mawdsley@gmail.com

+44 (0) 7784 122 672 alicemawdsley.com

@alicemawdsleyillustrates

Hermione May 66 hermionemay.illustration@yahoo.com

+44 (0) 7517 268 463 hermionemayillustration.com @hermione.illustration

Rachel McEvoy 71 rachmcevo@gmail.com

+44 (0) 7599 444 089 inkevoart.co.uk

@inkevoart

Fox Miller 86 fdmiller22@gmail.com

+44 (0) 7506 505 794 foxdmillerillustration.com

@foxdmillerillustration

Ellen Morrow 59 ellenmorrow278@gmail.com

+44 (0) 7546 934 513 ellestration.com

@ellestration_

Bencharat Moxham 61 benchmoxham1@gmail.com

+44 (0) 7495 628 969 Bmillustrates.com

@Bmillustrates

Caitlin Noble 15 caitlin.noble2001@gmail.com

+44 (0) 7495 684 132 caitlinniamhillustrations.com

@caitlinniamhillustrations

Ysabelle Norris 44 Yzzynorris@gmail.com

+44 (0) 7429 898 376 Ysabellenorris.com

@plantafig

Hannah Oakman 68 hannah.oakman@outlook.com

+44 (0) 7932 671 910

hannahiroakman.co.uk

@hannah_oakman_art

Emma Parrock 14 emmaparrockart@gmail.com

+44 (0) 7500 829 130 linktr.ee/emmaparrock @emmaparrock.art

Lauren Perriam 62 lorriperri.art@gmail.com

+44 (0) 794 469 0367 lorriperri.co.uk

@lorriperri

Bryony Pickering 42 bryony.pickering@gmail.com

+44 (0) 775 780 2403

@finchpickering

Holly Portno 58

hello@hollyportno.com

+44 (0) 7885 379 648 hollyportno.com @hollyportnoart

Sophie Poyser 35 poysersophie@gmail.com

+44 (0) 7487 315 158 Poyserstudio.co.uk

@poyser.sophie

Sean Rathborne 73 seanrathborne@gmail.com

+44 (0) 7484 856 405 seanrathborne.com @seanrathborne_art

Callum Richardson 57 callum.r.illustrates@gmail.com

+44 (0) 7462 718 680 callumrichardson.co.uk

@callum.illustrates

Lily Roberts 82

lilyrsmail@gmail.com

+44 (0) 7877 756 233

lilyrobertsillustration.com

@lilyanne_art1

Maddy Sawbridge 64 maddysawbs@icloud.com

+44 (0) 7500 490 435 maddysawbridge.co.uk @maddysawbs

Rose Skelton 9 roseskelton.illustration@gmail.com

+44 (0) 7701 363 224 roseskelton.uk

@roseskelton_

Hannah Skews 56 hannahskews45@gmail.com

+44 (0) 7930 661 845

hannahskews.com

@hannah.skews

Georgia Smith 40 beaniegrog@gmail.com

+44 (0) 7899 317 082

beaniegrog-illustrations.squarespace.com @beaniegrog_illustration

Hekatie Squires 84 contact@hekatieillustration.co.uk hekatieillustration.co.uk

@hekatie.illustratie

Rasa Staniulyte 36 rouz.stan@gmail.com

+44 (0) 7394 186 003

rasastan.com

@rasa.st_art

Ruby Stead 6

rubyyymoon@outlook.com

+44 (0) 7535 391 846

rubymoon.uk

@rubyyymoon

Tallulah Street 7 tallulah.street@gmail.com

+44 (0) 7547 066 872 tallulahstreet.co.uk @tallulahsprout

Tim Street 37 streettim75@gmail.com

+44 (0) 7593 189 059 timstreetillustrations.com @timstreetillustrations

Chloe Thompson 70 chloeharmonythompson01@yahoo.com

+44 (0) 7907 066 256 cloharmony.com @Cloharmonyart

Jenna Thoresson 24 jennathoresson@gmail.com

+44 (0) 7938 994 136 jennathoresson.co.uk @whatsupwithjenna

Sophie Tomkinson 85 sophuu.art@gmail.com

+44 (0) 7380 133 305 @sophuu.art

Cole Tomsett 48 Coletomo@outlook.com

+44 (0) 7872 425 477 @_colejohnpaul

Kate Trust 10 katetrustillustration@gmail.com

+44 (0) 7399 463 834 katetrustillustration.com @katetrustillustration

Max Vegas Warry 51 warrymax@gmail.com

+44 (0) 7547 919 801 cathoneymoon.co.uk @cat_honeymoon

Alice Wilmott 60

alicerosewilmott@gmail.com

+44 (0) 7956 982 129 alicerosewilmott.co.uk @alicerose.wilmott

Jackie Wong 25 hello@jqwong.com

+44 (0) 7427 453 880 jqwong.com @hootoohowl

Rosie Wood 18 rosiewoodillustration@gmail.com

+44 (0) 7860 850 568 rosiewoodillustration.com @rosiewoodillustration

Tamsin Wood 27 hello@tamsin-wood.com

+44 (0) 7923 111 878 tamsin-wood.com @tamsin.designs

James Woolger 38 jameswoolger@gmail.com

+34 (0) 60 8379869 @jawodraws

With thanks to all our 2023 BA(Hons) Illustration Graduates for their beautiful work, inspiration and continued success. We wish them well.

WUNDERKAMMER 2023

TYPOGRAPHIC LETTERFORMS FOR THE FRONT COVER DESIGNED BY:

W Lucile Lith

U Jade Alway

N Ellen Morrow

D Rose Skelton

E Celia Dipple

R Callum Richardson

K Vilte Kirsaite

A Annie Hathaway

M Maddy Sawbridge

M Emma Parrock

E Tamsin Wood

R Rosie Wood

2 Emily Howard

0 Louise Harrington

2 Holly Cavanagh

3 Milly Hewins

THE ILLUSTRATION TEAM

Nigel Owen: Course Leader

Natalie Hayes: Senior Lecturer & Head of Year Three

Julie Monks: Lecturer & Head of Year Two

Nick Mott: Senior Lecturer & Joint Head of Year One

Georgie Bennett: Lecturer & Joint Head of Year One

Tilly McKerrow: Senior Lecturer & Joint Head of Year One

Sue Clarke: Senior Lecturer

Rachel Dunn: Senior Lecturer

Laurence North: Senior Lecturer

Linda Scott: Senior Lecturer

Dr Caroline Pullee: Senior Lecturer

Dr Carolyn Shapiro: Associate Professor

Hugh Frost: Senior Lecturer & Course Leader

MA Illustration: Authorial Practice

Matthew Booker: Lecturer

Rose Forshall: Lecturer

Tom Hubmann: Lecturer

Graham Black: Associate Lecturer

Emma Lewis: Associate Lecturer

Chris Odgers: Associate Lecturer

Cally Gibson: Senior Technician

Art Direction and Production

Graham Black, Associate Lecturer

Art Direction and Editing:

Natalie Hayes, Senior Lecturer

Sue Clarke, Senior Lecturer

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