INQUIRIES
STEPHEN GRANT PARKER | SELECTED WORKS
INQUIRIES
STEPHEN GRANT PARKER | SELECTED WORKS
Design must not be driven by the obvious problem, but by defining the real questions.
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01 THE REEF ADAPTABLE INFRASTRUCTURE
02 DANCE HOUSE MOTOR FOR MOVEMENT
03 THE ORCHARD COMPREHENSIVE BREAST CARE CENTER
04 ART GALLERY ESSENCE OF ELEMENTS
05 CULTURAL COHESION LANGFORD ARCHITECTURE CENTER
06 SKYSCRAPER SHAPING LIGHT WITH FORM
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01 THE REEF ADAPTABLE INFRASTRUCTURE
Studio 3CN_BCN | Professor Miquel Rodriguez and Marta Garcia-Orte Collaboration with Logan Whitley Barcelona Architecture Center | Spring 2017
How can a building be responsive to a city’s needs and ever growing population?
Barcelona is an ever growing community with little space to occupy. With mountains to the northwest, Barcelona looks to the sea to expand.The site is located on the coastline near a Catalonian neighborhood, Barcelonetta, and has the potential for new growth.The Reef is an adaptable infrastructure with a modular design that allows the people of Barcelona to plug in and out, just as fish come and go in a coral reef. The building has the ability to harness energy from its environment to establish a nearly autonomous system. The energy is then dispersed amongst the two infrastructures of the building: vertical and horizontal. The vertical consists of affordable housing with interchangable floor plans to cater to the owner. The horizontal allows for larger programs such as markets, restaurants or retail. The circulation is defined by a park that gives space for outdoor activities and refuge from the sun. With these infrastructural elements, The Reef becomes a building that shares the ability of a living organism to keep growing, adapting and sustaining in response to the changes in the Barcelona Coast for many years to come.
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HOUSING
NOW
20 YEARS
INDUSTRY
TOURIST ATTRACTION
PARK
BOATS
COMMERCIAL
RESTUARANT
HOUSING
MARKET
EXTENDED LAND
50 YEARS
“[Barcelona’s] traditional industries have been declining... The rapid development of Technical Parks for high-tech industry is a modern feature associated with the growth of what is becoming known as the European ‘sun-rise’ belt, along the Mediterranean coast.” “Of the 32 million people who visited Barcelona last year, only 8 million stayed in hotels. Twentythree million were day-trippers.” “The Barcelona City Council has recently launched ‘Barcelona’s Green Infrastructure and Biodiversity Strategy (Barcelona City Council, 2013) as a strategic policy to enhance the citizens’ well-being through the implementation and improvement of green spaces.” “A new marina will be built in the Barceloneta area, next to the hotel Vela... The project includes the creation of a public square, an extension of the current de la Rosa dels Vents, and two foot paths of 400 meters long. In total there will be 23,000 square feet of civic space.” “Retailer demand across the wider city continues to strengthen, fuelled by rising retail sales and improving economic conditions, pushing up prime rent levels in the main retail areas. However demand for high quality retail space is particularly strong, as supply remains limited and international brands continue to show interest in the city.” “Barcelona can’t meet the current housing demand because the city has no more available land for new developments... since the 1980s the city has only increased its housing stock by about 3,000 to 4,000 units in total, when a city of 1.6 million needs about 20,000 units per year to meet the demand.”
01 THE REEF
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horizontal
coupling diagram
grouping of infrastructral elements
vertical
desalination system
human
pool
evaporative cooling facade
transport
waste collection
human storage
bicycle storafe
natural environment
scooter parking
car parking
trees
small plants
grass
solar panels
algae panels
kinetic tiles
waste to energy system
energy water
01 5 m x 5m grid
02 plug-in modules
02 topographical extrusions
03 add circulation core
03 habital space creation
vertical progression
horizontal progression
01 THE REEF
01 power grid / energy wall
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electricity
heat
electricity electricity
waste
fresh water salt
fresh water
salt water
heat
salt water
energy system linking of infrastructral elements
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cooling
salt water
01 THE REEF cooling
02 identify circulation paths
03 topographical extrusions with access
04 courtyard placement and ramp development
01 THE REEF
01 power grid and water system
5600 m3
6125 m3
05 inhabital volume on ground floor
06 vertical infrastructure placement
site progression
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01 THE REEF 0m
14
5m
10 m
20 m
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01 THE REEF
01 THE REEF 0m
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5m
10 m
20 m
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01 THE REEF
01 THE REEF art studio
studio / living space
floor plans interchangeable layout at each level
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standard living
01 module arrives by trailer
02 assembled by two people
02 on-site assembly
03 metal connections attached
03 lifted by crane into position
04 seamless finish
04 drawer-like structure
01 THE REEF
01 panels arrive in seperate parts
construction process
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1 2
01 THE REEF -heat absorbtion-
north semi gloss finish
south rough- porous finish
ceramic facade system
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north semi gloss finish
01 THE REEF
porous ceramic
1 increase surface area
evaporative cooling ceramic facade
2 light filter over windows
module - module connection
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1
2
01 THE REEF
3
4
structure axonometric
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2 integrated systems and glulam structure
3
column - column - beam connection
01 THE REEF
1
4 module - beam system
precast concrete connection
construction details
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01 THE REEF
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section
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01 THE REEF
02 DANCE HOUSE MOTOR FOR MOVEMENT
Studio 2 | Professor Alireza Borhani Haghighi Texas A&M University | Spring 2015
How can architecture be a driver of creativity through movement and human expression?
The Dance House resides within a shell that was once the Queen Theater in Bryan, Texas, and is a community for those who wish to express themselves through all types of movement. To achieve this, the project design is derived from the natural form of sound waves. The waves are translated into curves on the floor plates which create the central void of the space. Linear elements are arrayed along the interior of the void from floor plate to floor plate creating an undulating surface which influences flow throughout the building. The angular structure allows for a free floor plan for the studios and provides contrast to the rhythmic geometry. All of these features create a steady rhythm and provide an essential space for people to explore and enjoy the human expression that is dance.
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02 DANCE HOUSE
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02 DANCE HOUSE
03 THE ORCHARD COMPREHENSIVE BREAST CARE CENTER
Integrated Studio | Professor George Mann Collaboration with Ashley Just and Oswald Carrion Texas A&M University | Fall 2017
How can a hospital not only be a place of personalized care, but a house of recovery?
The Orchard caters to the individual patient by providing spaces which enhance the human experience and support the push toward personalized medicine. This idea is what fuels the architectural design process and influences every decision made throughout the project. The Orchard starts out as a series of trees that are landscaped along a grid extending across the entire site. This immediately brings nature into the heart of our project which produces a biophilic healing process geared towards the human experience. Two axis lines are then derived from the two public transportation drop-off stations and join into one main axis line creating a “Boulevard” among the trees. From there, the buildings are rooted in the midst of the orchard which serve as an Imaging Clinic, a Treatment Facility, and a Recovery Center. These buildings are aligned along the boulevard creating a villagelike environment which allows the patients to feel comfortable and less intimidated. After separating the functions into their separate buildings, they are reconnected through the site and natural daylighting with a series of light-wells made of channel glass that penetrate the building’s’ surfaces. The light wells combined with channel glass bring indirect lighting into the waiting rooms and exam rooms to emphasis natural light as a healing element.
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Exam Rooms Mammography Ultra Sounds MBI MRI Stereo Biopsy Bone Density
Unaware
Nurse Specialist Patient Navigator Senior Medical Assistant Radiologist Procedure Room
Clinic
Suspect
Prep Room Lab Room
Informed
Conference Room Support Rooms Treatment Areas Family Treatment Rooms
Radiation
Dirty Utility Clean Utility Waste Diposal Linear Accelerator Room Control Room
Treatment
Chemotherapy
CT Simulator Patient Bay Holding
Surgery
Chief Radiographer Laboratory Patient Care Waiting Room
Healing Center
Adminstration
03 THE ORCHARD
Offices Restrooms Physical Therapy Gym Women’s Boutique
Recovery
Physical Therapy
Large Meeting Space
Appearance Center
Library Consultation Rooms American Cancer Sociaty Pyschologist Life Coach Social Worker Kitchen Living Room
One method of treatment may have different effects on patients with the same disease. Personalized medicine is the act of tailored treatment to an individual based on their needs and symptoms to a disease. The Orchard adapts this concept and reflects it into Personalized Care. The program is grouped into its three main funtions then segmented into different stages of breast cancer to better relate to the multitude of patients arriving at the campus.
program diagram relating personalized medicine with personalized care
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02 interpretation of wellness park
03 lines of access
04 align along axis
05 explode into personalized components
06 reconnect buildings via light wells and bridge
03 THE ORCHARD
01 given master plan
site progression
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10 Legend
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03 THE ORCHARD
1 Lobby 2 Check-in Lounge Legend 3 Adminstration 4 Exam Room Lobby 51 Office Check-in Lounge 62 Consultation Adminstration 73 Radiation Exam Room 84 Surgery Office 95 Chemotherapy 6 Healing Consultation 10 Center 7 Appearance Radiation Center 11 8 Wellness Surgery Center 12 9 Chemotherapy 10 Healing Center 11 Appearance Center 12 Wellness Center
first floor
first floor
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Legend 1 2 3 4 5 6 7 8 9 10 11 12
Lobby Check-in Lounge Adminstration Exam Room Office Consultation Radiation Surgery Chemotherapy Healing Center Appearance Center Wellness Center
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second floor
floor plans
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Legend 1 2 3 4 5 6 7 8 9 10 11 12
Lobby Check-in Lounge Adminstration Exam Room Office Consultation Radiation Surgery Chemotherapy Healing Center Appearance Center Wellness Center
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second floor
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1 2 3 4 5 6 7 8 9 10 11 12
Lobby Check-in Lounge Adminstration Exam Room Office Consultation Radiation Surgery Chemotherapy Healing Center Appearance Center Wellness Center
third floor
03 THE ORCHARD
Legend
site plan
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1
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Ca
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I 12 ‘ - 6” 12 ‘ - 6”
J K
12 ‘ - 6”
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foundation 1
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G1
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G8
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14 25 ‘ - 0”
G1
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G8
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14 ‘ - 0”
G1
B 25 ‘ - 0”
G1 G4
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B3
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E
G1
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12 ‘ - 6” 12 ‘ - 6” 25 ‘ - 0”
G1 G1
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B2
F G7 G1 G7
G7
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B1
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I G7
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G1 25 ‘ - 0”
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second floor 1
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G1
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B2 B5
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G1
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25 ‘ - 0” 15 ‘ - 0”
B3
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G1 B3
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B1
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12 ‘ - 6” 25 ‘ - 0”
G1
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F G1
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G10 G1
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G5
G1
G10
G1
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I G1
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B1
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25 ‘ - 0”
G1
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G1 G7
G1 G10
I
G1 G7
G7
25 ‘ - 0”
G1 G7
G7
H
G1
G1
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G1
G7
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G1
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B3
B3
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B1
G1
G1
G1
G1
G1
G1 B3
B1
G1
B1 G1
G1
G1 B1
B1
G5 G1
G1 G1
G1
G9
G1
G1
B1
B3
B1
G5
G1
B1
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G5
G9
G5
G1
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13 25 ‘ - 0”
G1
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B1
G1 G1
G1 B3
B1
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B1
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G1 G1
E
G6
G1
B1
G1
B1
D
G1
B1
G1 B1
C 25 ‘ - 0”
9 25 ‘ - 0”
B5
G1 G1
second floor
B2 B5
G1
11 ‘ - 0”
5 ‘ - 0”
25 ‘ - 0”
A Aa
25 ‘ - 0”
03 THE ORCHARD
G1
G6
G1
G1
G7 G1
G1
G1
G5
G6
G1 G7
G1
G1
G1
G1
G10
12 ‘ - 6”
G
G10
G1
G7
I
G1 G1
G1
B3
B3
B1
G1 G1
G1
G1
B1
25 ‘ - 0”
G1
G1 G1
G1
G1 G7
G1 G10
B1
G1
G1
G1
G1 G7
G1 G7
G7
G1
B3
G1
G1
G1
G1
G1
B1
G5
G1
G1 B3
B1
G1 G7
G7
G1
G1
G1
12 ‘ - 6”
G7
G1
G1 B3
B1
12 ‘ - 6”
G7
H
G5 G2
G1
G1 B3
B1
G7
F G
G1
G1 B3
B3
B4
G5
G1
G1
G1
B3
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G1
G9
G1
G1
B1
B1 B1
B1
D
G8
G1
G1
B1
G1
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B1
G1 G6
G3
G1
B1
B1
B1
C Ca
15 25 ‘ - 0”
TR
TR
TR
G8
11 ‘ - 0”
G1
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25 ‘ - 0”
TR
A Aa
foundation
K
12 ‘ - 6”
2.5
3
4
5
11
12
13
third floor 1
2
3
25 ‘ - 0”
5 ‘ - 0”
G8
B
G8
4
B6 B7
G8
G8
25 ‘ - 0”
B6 B7
G8
G8
G8
25 ‘ - 0”
G8
G8
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G3
G1
G1
25 ‘ - 0”
G1 G1
10 ‘ - 0”
E
B3
G1 B1
B3
G1 B1
B3
G5 G1
B1
B3
G5 G1
G1
G1
G1
corridors / lab room
B1 B1
G1 G1
Elevator, Rapiar Room, Mechanical Room
100 PSF
100
Lobbies, Fire Escapes, Cafe, Outdoor, Breakroom, Courtyard, Movable Seats, Storage
G1 B1
B3
80
80 PSF
Corridors, Lab Rooms, Retail
G1
G1
operating room
B3
B1
60
60 PSF
Operating Rooms, Living Spaces, Library
offices
50
patient room
40
roof
20
roof
50 PSF
Offices
40 PSF
Patient Rooms
20 PSF
Roof Loads
live load type
structure framing plans and live load analysis
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300 PSF
300
G1
B1
G1
G1 G1
G12
B1
G1
B1
D
lobbies / fire escapes
G8
B1
B1
G8 B1
G6
B7
G8
G12 G11
C
elevator / mechanical
B6 B7
G8
G8
G8
6 25 ‘ - 0”
B6 B7
G8
G8
G8
5
25 ‘ - 0”
25 ‘ - 0”
B6 B7
25 ‘ - 0”
A
third floor
psf
1 1 2 3 2 3
4
legend
legend
1 2 3 4
1 2 3 4
rectangular hss 7x2x1/4 steel channel and plate connector aluminum edge enclosure aluminum honeycomb panel w/ anodized finish
03 THE ORCHARD
4
channel glass vinyl insert channel glass bracket steel w section
1
2
4
3
legend 1 2 3 4
aluminum fin steel angle aluminum cover steel channel
construction details
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1
55’ - 0”
2
3 4
5
8
36’ - 8”
7
6
9 10
03 THE ORCHARD 18’ - 4” 11
12
13
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legend 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18
xps insulation water barrier metal decking steel w section fin system metal stud gravel metal coping 6”x4” angle sheathing w/ water barrier aluminum cover bat insulation 3/4” gyp board ceiling glass w/ low e coating and argon fill masonite carton forms grade beam pier
15 16 17
18
wall section construction details and load tracing
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03 THE ORCHARD
perspectives exam room and boulevard view
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04 ART GALLERY ESSENCE OF ELEMENTS
Studio 1 | Professor Alireza Borhani Haghighi Texas A&M University | Fall 2014
Can natural light be harnessed to create art?
The gallery consists of an upper and lower level. The upper level is a continuous loop of circulation that evolved from a cube surounding a reflection pool. The reflection pool is only seen once inside the loop and also acts as a skylight for the lower level. The water rests on top of clear polycarbonate plastic allowing light and the effects of the water to be painted on the gallery floor. Also, two hollow glass walls border two edges of the pool. The walls collect the pool’s overflow which allows the water to carry light deeper and further illuminate the space. This effect occurs because when traveling between two media, light may be both reflected and refracted. The light refracted then continues to be housed within the water allowing transmitted light to brighten the space.
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04 ART GALLERY
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04 ART GALLERY
exploded axonometric
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04 ART GALLERY
section perspective
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04 ART GALLERY
perspective hand drawing
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05 CULTURAL COHESION LANGFORD ARCHITECTURE CENTER
Studio 5 | Professor Sarah Deyong Collaboration with Ashley Just Texas A&M University | Fall 2016
How can form create diverse cultural interaction and a collective exchange of ideas?
The project consists of a library, auditorium, review space, woodshop, and cafe on the Texas A&M University campus amidst the Langford Architecture Center . In addition to the architecture students, the project provides a space for the surrounding majors to dwell in communal learning. Architecture today has a tendency to conform to merely vertical and horizontal planes which limit a flow between spaces. To induce simple diversity, architecture must achieve the absence of these confining planes. The project begins with a progression of cuts and folds that respond to an inate function within the program manifolding an evolution of public learning and collaborative space. This evolution forms an ensamble of opportunities creating a built environment where its inhabitants are the focal point.
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05 CULTURAL COHESION
01 access
02 cut
03 bend
05 arch
06 cut
07 bend
08 wrap
09 place
form progression
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05 CULTURAL COHESION
exploded diagram confetti effect of human interaction
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ground floor
05 CULTURAL COHESION second floor
third floor
floor plans
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perspectives
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05 CULTURAL COHESION
06 SKYSCRAPER SHAPING LIGHT WITH FORM
Studio 2 | Professor Alireza Borhani Haghighi Texas A&M University | Spring 2015
Instead of just casting shadows, can a skyscraper shape light with its form?
This concrete model is a study of a potential form for a skyscraper and expresses a contrast between light and shadow. The form’s purpose is to soften and bend the light around its surface creating a subtle gradient effect. Rockite was chosen to make the model because of ease to fabricate and cast a mold. The mold consisted of four triangular prisms made of styrofoam and cut by a CNC router. The mold was then clear coated and sealed to limit leaks. Once fully cast, the model is removed from the mold and sanded to desired texture.
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06 SKYSCRAPER
casting process
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06 SKYSCRAPER
Design must not be driven by the obvious problem, but by defining the real questions.