Grease Inc. May 2016 by Grease Inc. Magazine

GREASEINC.COM • VOLUME 7 • ISSUE 5 • MAY 2016 • FREE PUBLICATION

MOTORCYCLES

PIN-UPS

HOT RODS

MUSIC

TATTOOS

KUSTOM KULTURE

le ycss c r e torenth o a n M Aw Mo

G R E A S E

M A G A Z I N E

M A Y

2 0 1 6

M A G A Z I N E

678-765-7819 GREASEINC.COM PUBLISHER

BRIAN WHITCOMB, CCC, FMP

SENIOR EDITOR

REV. ANDY HAWLEY

ASSOCIATE EDITOR

KRISTEN O’BRIEN

WRITERS

REVEREND ANDY HAWLEY ANDY PARKER NICK SKARZENSKI MIKE THIES ERIN “RADIOFOX” WATSON BRIAN WHITCOMB NED WILLIAMS JESSY TALLANT KEVIN DAVIS

DIRECTOR OF PHOTOGRAPHY

6 PUBLISHER’S NOTE 8 THE ROCKABILLY ON THE ROUTE

40 FEATURE RIDE:

SURVIVAL GUIDE

BLVD. TATTOO’S 54’ BEL AIR

12 GET YOUR KICKS ON ROUTE 66

50 DINE AND DASH

22 PEOPLE & PLACES

52 CALENDAR

26 MAY RAG DOLL

56 COMIC BOOK PREVIEW

PINEAPPLE UPSIDE DOWN CAKE

MRS. SARAH VERSURE

32 MUSIC: CHRIS ISAAK

THE HAWK OF NEW YORK

58 WHAT’S COMING NEXT MONTH

SCOTT ADAMS

PHOTOGRAPHERS

DANIELLE THIERY BROOKLYN BRAT HOLLYWOOD BREEZE

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#IAMRICH #IAMKUSTOMKULTURE WWW.GARAGE71.COM Grease Inc. Magazine is published monthly by Hot Pan Productions, Inc. All rights reserved. Grease Inc. Magazine is a trademark of Hot Pan Productions, Inc. Reproduction in whole or part without permission is prohibited. Photographs submitted for publication are submitted at owner's risk. Grease Inc. Magazine is not liable for the statements of contributors or advertisers. Grease Inc. Magazine reserves the right to reject any advertising or contribution that it deems unsuitable.

greaseinc.com | MAY 2016

M A G A Z I N E

Publisher ’s Letter

he month of May is significant to our kulture in so many ways. First, it’s a celebration of mom. A mother is unique in nature. She is strong. She provides guidance and is a teacher. She is nurturing, both emotionally and physically. Over time mother becomes one of your best friends, knowing all your flaws but focusing on all your strengths. We want to wish all the mothers in our lifestyle a very special and happy Mother’s Day! May also marks “Motorcycle Awareness Month!” This is the month where we all need to ride more to work. This is a month where we all need to get a little more involved. We need a strong voice of reason and representation for the motorcycle scene, and we urge you to join ABATE of Georgia. Look them up, www.abatega.org and help support our voice for protwo-wheel laws and issues. If we don’t bond together as a collective voice, then our rights will continue to be challenged or stripped away. This month the crew is on the road quite a lot. We will be at the Nashville Boogie mid-month and ramping up for a long road trip to New Mexico again with Rockabilly on the Route. We are working on some BIG changes to Grease Inc. Trust us when we say you will notice the change immediately, but for now we will just share the hint that something BIG is coming. Thanks to all of you who have continued to support us over the past 7 years... Remember to tag your posts #iamrich and #iamkustomkulture throughout our “Pursuit of the High Life.” Follow us on instagram @greaseinc and look us up on Facebook. See you on the streets... “It’s time to roll”.

greaseinc.com | MAY 2016

l a v i v r u S ide Gu

by Ungelbah Davila

greaseinc.com | MAY 2016

uca-what? Tuca-who? Tucumcari is the last city in New Mexico heading east, and the last real stop on Route 66 before you reach Texas. Old timers will tell you that as late as the ‘70s, before Interstate 40 was completed and bypassed the city in 1981, the glow of the neon along the route that passes through town was akin to a small Vegas strip in the high New Mexico plains. Today the city retains both the charm of a rural, agricultural-based America, and the pizzaz of a city caught between its mid-century glamour and the quirks and candor of a small town on the brink of a recaptured past. Albeit the glow of neon has dimmed in the decades following the opening of the “Big I”, but the history is very much alive in the many buildings along the route that retain the majesty of their Route 66 legacy. Some stand like forgotten, ghostly reminders of yesteryear, waiting for a second chance at life, and others flourish and flaunt in glowing beauty, welcoming the weary, the hungry, and the nostalgic into their booths and beds just as they always have — survivors of the progress and gentrification that laid to ruin so much of this route’s icon past. Today Tucumcari, which local legends says was named for the lovestruck Comanche couple Tucum and Cari, is home to a little over 5,000 people and sits at an elevation of 4,091’. What does this mean for the Rockabilly on the Route initiate? It means that early June in the high plains of New Mexico is as precarious and unexpected as every other season in our fickle state, so adventurers must be ready for anything Mother Nature takes a fancy to at any given hour. But fear not, it all ads to the experience. Day time brings hot but not insufferable temperatures with low humidity. Nothing a little rest in the shade with a cold water in one hand and a cold beer in the other wont cure. But do be sure to stock up on water and electrolytes to keep you powered through the all-night shenanigans that unfold Thursday-Sunday. I advise a visit to your doctor a week in advance for a little B12 shot, just to keep your rockets in tip-top shape. But I advise that regardless. B12 is a fantastic hangover preventive, as well.

GREASE INC. MAGAZINE

Beer and libations will be plentiful, especially Pabst Blue Ribbon, that sweet, sweet nectar of the Gods. But being a small town, there does come an hour when provisions may run low and lines may become Disneyland-esque. So, bring

a reserved to have on hand in case of emergency. The party must go on. Stash a few cans of Vienna sausages and other non-perishables aside, as well, for those latenight drunk munchies that always strike at the most inopportune time. You’ll thank me later. Just try and remember the can opener. Sunscreen. Need I say more? Also, bug spray. The mosquitos can get feisty when provoked. June is the precursor to the epic monsoon season that strikes around mid-July and the elements can have moments of sudden

and ferocious confusion around dusk. Bring a cover for your classic car/bike in the event that an unpredicted, momentary deluge should occur. If the clouds suddenly darken, error on the side of safety. And for this reason, also bring an umbrella or other rain-protection gear. Nobody wants to see a soaked pinup girl dripping into the bar. Fellas need not worry as much what with their water proof hair. These short rainstorms can be a drag if you’re not prepared, but take care not to complain about them around the locals, in farm country there’s never a bad time for rain. When out cruising in the classic, make sure and tune into the local radio station 92.7 KQAY for all the live updates. And don’t be a stranger. Come up to the info booth and say hi, ask questions, or bring us coffee and libations and we will love you forever. It’s our greatest pleasure to create for you the best weekend of the summer!

Rock on!

greaseinc.com | MAY 2016

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o Y t e G

6 6 E T U O R

by Ungelbah Davila

“66

is the path of a people in flight, refugees from dust and shrinking land, from the thunder of tractors and shrinking ownership, from the desert’s slow northward invasion, from the twisting winds that howl up out of Texas, from the floods that bring no richness to the land and steal what little richness is there. From all of these the people are in flight, and they come into 66 from the tributary side roads, from the wagon tracks and the rutted country roads. 66 is the mother road, the road of flight.” – John Steinbeck, “Grapes of Wrath”, 1939

greaseinc.com | MAY 2016

On the eve of the Great Depression, in the summer of 1926, the numeral 66 was designated to what would soon become the countryâ&#x20AC;&#x2122;s most influential transcontinental highway. Twelve years later, on the eve of another crucial moment in American history, World War II, the last bit of pavement was laid along Route 66, becoming a national symbol for hope, and new beginnings. Unlike its forerunner, the railroad, Route 66 became the peopleâ&#x20AC;&#x2122;s road, a means of transportation and relocation for the elite and the common man alike. It was the first of its kind to connect the main streets of both rural and urban communities, providing unheard of possibilities for job growth and economic

greaseinc.com | MAY 2016

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THE MUSIC THAT WAS CREATED DURING THE 1940S-1960S NOT ONLY CHANGED THE WAY AMERICANS THOUGHT AND FELT ABOUT THE WORLD AROUND THEM, IT INFLUENCED THE WAY THE ENTIRE WORLD WOULD CREATE ART, PHILOSOPHY, AND POLITICAL BELIEFS.

development. And during the Depression years, 66 became a means of survival for the 210,000 migrants escaping the Dust Bowl, many of whom laid new ground and built new lives in New Mexico. Three-quarters of a century after its completion, New Mexico is home to 487 miles of this bedrock in the development of our countryâ&#x20AC;&#x2122;s prosperous identity. Of this rich history, 6.6 miles can be found running through the historic Route 66 city of Tucumcari, NM, where its potential for economic development and a continuing symbol of our national character is every much as real today as it was 75 years ago, and just as important. This iconic road has not only served

greaseinc.com | MAY 2016

Sunday, June 19th • 10am-6pm • Laser Show • Music • Family Fun • Food Trucks • Vintage Collections Vintage Cars will feature Camaros, Mustangs, Chevy’s from the 50’s and MORE! FREE TO ALL GUESTS WITH PAID PARK ADMISSION! Dad enjoys Stone Mountain Park attractions FREE when accompanied with a paid Adventure Pass admission (online offer only). stonemountainpark.com/carshow

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FROM MARTIN LUTHER KING JR. TO WOODSTOCK, SINCE THE BIRTH OF ROCK ‘N’ ROLL IT HAS BEEN THE SOUNDTRACK OF EVERY GREAT MOMENT IN OUR COUNTRY. 18

to connect our country for generations, but serves to help our citizens remember where we have been so that we may have greater clarity in seeing, quite literally, our road ahead. During the four days of Rockabilly on the Route, held June 2-5 in Tucumcari, we pay tribute to the legacy of Route 66 and the musical visionaries it transported down it’s blacktop. The music that was created during the 1940s-1960s not only changed the way Americans thought and felt about the world around them, it influenced the way the entire world would create art, philosophy, and political beliefs. These transformative

greaseinc.com | MAY 2016

years in America laid the groundwork for profound social change. From Martin Luther King Jr. to Woodstock, since the birth of rock â&#x20AC;&#x2DC;nâ&#x20AC;&#x2122; roll it has been the soundtrack of every great moment in our country. During Rockabilly on the Route it is our honor and privilege to bring together over 23 bands and performers from around the world, along with four days of classic cars and bikes, burlesque, pinup, tattoos, and general Americana goodness to the streets of Tucumcari to pay homage to the music, culture, and idealism that revolutionized the world.

greaseinc.com | MAY 2016

Photography by:

GREASE INC. MAGAZINE

’m a full-time service manager at my parents’ automotive repair shop, Eurocar, in East Cobb. My husband Jonathan also works there as a mechanic. We take our 11-month-old son Camden to work with us every day, so that makes life interesting. But we love it! On the weekends I enjoy doing motorcycle/car events with Jonathan, or I’m out riding horses. I have always loved western riding, but recently I have started getting my feet wet in eventing, or jumping. I also have a Can-Am Spyder that I hope to be riding more of this summer. In my spare time I like to decorate our house... I’m always out shopping for antiques whenever I get a couple hours to myself. I have a 1967 GTO hood hanging on my kitchen wall. When I’m not out and about I love spending time at home with my family. I feel like I’m living a dream life, and wonder how I got so lucky. Jonathan and Cam are my world and I couldn’t imagine life without them!

greaseinc.com | MAY 2016

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greaseinc.com | MAY 2016

An Interview with

by Jammin’ James Riley

hris Isaak has long championed a vintage style and hasn’t strayed far from his influences. I caught up with him in midFebruary as he was preparing for more time out on the road to promote his latest project on Vanguard Records, First Comes The Night. Everything you’ve heard about Chris’ personality is immediately evident. He’s charming, witty and loves a good story. If we had more hours to chat, it would likely have included even more about his favorite records and the opportunity to play with those that have influenced him.

greaseinc.com | MAY 2016

How you doing, Chris? C: I’m doing great, James. I’m in Los Angeles for a minute. I came back from London. I’m working with my band a little bit then we’re going to Australia and then come back and go right back to songwriting.

king. When you play guitar, you come up to the front of the stage.” He did and man he just tore the roof off that place.

Oh, he’s great! Hey, I just got back from the 2016 Ameripolitan Music Awards and I thought, “Man, it sure would have That’s the life of an artist. been cool if I could have borrowed C: It’s funny to me when I talk to people Chris Isaak’s mirrored suit!” and they always think, “What are you doC: (laughs) Any time you want. When we ing…are you going to a party?” No, I’m go out to play, I always hated it when still trying to learn to play guitar (laughs). bands come out and they’re like levi’s and a white t-shirt and looked like they slept in I had Dick Dale on last year and he never it. I get it when you’re starting if you don’t stops trying and never stops learning. have any money. To get a band suit was a C: I love Dick Dale. I played with Dick Dale big deal for my band. We’ve been together one time at a state fair or something. No, it about 30 years and when we started out the first thing we did I said, “we should get some suits so I’m always looking for a good song and we all look sharp.” We went down to the second hand a good singer. It’s a rare thing now but keep an open mind…you still might store, Salvation Army, and at the time you could buy these find a great song once in a while. blue gabardine suits from the 50’s. You could just get them. was Australia the last time I think. And we So, everybody got blue gabardine suits were playing a show and I looked across and wore them. We did that for about 3 or the street and Dick Dale was playing. I think 4 years and finally we had a suit made. it was sold out. We were playing and after he got done, I said “well, somebody send Do you ever find people adjusting over and tell him he’s invited to come over.” their tie or look at their hair while He came over and played and I said, “you you’re talking to them wearing can do anything you want on stage. You’re that (mirror suit)? Dick Dale, the King Of The Surf Guitar, Sir!” C: Yes, they do. If you haven’t seen it, But I said, “the only thing I want is one of the suit weighs about 35 pounds and it’s your feet has got to be hanging over the covered in little squares of mirror. Each edge of the front of that stage.” You know, square has got to be drilled and sewed sometimes people are polite and they go, on by hand. The suit cost a fortune and “well, you’re the artist and I’ll stand back.” I it weighs a ton but it’s worth it. When said, “no, when you’re on stage, you’re the you walk out on stage, it does flash right

greaseinc.com | MAY 2016

in their eyes. The cool thing is about every other show there’s some gorgeous woman who’s dressed in mirrors to just kind of like taunt me. So I love it, I look out and there’ll be some beautiful girl and she’ll have a mirrored skirt on or a mirrored outfit and I go, “my wife!” (laughs) There she is! (laughs) I want to talk about this great new project, First Comes The Night. It debuted #2 in Australia, top 5 US iTunes Rock chart, top 10 Americana radio chart. Doggone it, Chris…people like you! C: You know, they like the band I think. I got the right guys and I had great producers. I don’t know if you know Dave Cobb? Sure! C: He just won a couple of awards and he reminds me of a young Sam Phillips. He’s got the beard and he looks like he may have come off a motorcycle but he’s really intelligent and really intense and smart about the music. I love talking to him because I love rockabilly, I love blues, I love pop music if it’s good. I’m always looking for a good song and a good singer. It’s a rare thing now but keep an open mind…you still might find a great song once in a while. Dave Cobb, he’s that guy. I don’t think he cares so much if it’s going to be a big hit or something. He’s just trying to make good work and in the end I think that’s the best way to do it. Oh absolutely! A friend of yours, Stevie Nicks, suggested you record here in Nashville. How was that experience like for you?

C: Oh man, working in Nashville was fantastic! Although, I’ll be honest, it scared me at first. I came down to work with Paul Worley. I talked to him first on the phone and he’s a really down to earth guy. He goes back all the way to Burl Ives. You can’t name somebody that he hasn’t…you go “Johnny Cash” and he goes “Oh yeah”. He’s worked with everybody. He’s great. But when I came to town I was just scared. I thought, “am I going to be Nashville enough for Nashville and am I the right fit for this town”. The first guy I ran into at breakfast on the first day…they have a free breakfast at the hotel so I got up at 10:00 or well 8:00 to get the free breakfast. They always make it for business men. I hate that. I’m a musician, I want it at noon! (laughs) I got up and I go down there for the free breakfast and there’s Robert Plant sitting there. I met him before but I didn’t really know if he’d remember me. He goes, “hey Chris, come on over”. I sat down and talked a while with him. He said, “let’s have dinner” and of course I was like a puppy following him and I went to dinner. He’s really smart. He really knows a lot of old music. I know a lot of old rockabilly and rhythm & blues and that’s my thing. So we would sit and talk but he would go deep into Lead Belly and deep into stuff that most people don’t know. He really knows his stuff. I’m walking home after we had dinner and stayed out late talking and I got home, got in the elevator of the hotel and I thought…you know Robert Plant may be better looking than I am, a better singer and a bigger legend and everything but we’re both recording in Nashville. It made me feel real good!

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Tell me about the first single, “Please Don’t Call”. C: I worked on that song with Natalie Hemby. She’s a fantastic writer. I came in to work on a song and I had a little piece of a song about when a guy and a girl break up. Sometimes you break up with a girl and about a week later you go, “why did I break up?” You can really miss them and nothing’s changed but both of you want to go back together. If you do, you’ll have a wonderful weekend and then maybe it starts in again and you remember why you broke up. She looks really good in a bikini and she likes you too but after three days you both start to look at each other and go, “what was wrong”? So I had that first part: Please don’t call, we’d only start again We won’t change, so why should we pretend

And we took off from there and got it down to James Dean, and Marilyn and then we had Elvis. I said, “how are we going to write about how Elvis died?” And we had “Elvis died” and we just got stopped. We were going, “Elvis died… Elvis died”. And finally he chimed in “or did he”? (laughs) I like that. It’s got the background and the band going (sings background part) kind of like the Jordanaires stuff. I’m a fan of that. If you listen to the record, my influences are never far. You’ll hear I like the Jordanaires, I like those early Elvis movies soundtrack stuff. “Don’t Break My Heart” (another track from First Comes The Night) reminds me of an Elvis soundtrack.

That was a fun kind of a dark song about the relationship.

Tell us about another great track from this project, “Running Down The Road”. C: If you don’t think I listen to Jerry Lee, listen to “Running Down The Road”. It’s my piano player paying homage or in English we say “ripping off” of Jerry Lee (laughs).

Another song on there that I love is “Down In Flames”. That one had to be a fun one to write and record. C: It was a lot of fun. There was a guy named Gordie (Sampson) that came up with a line that I just loved. We were working on that song and I had the beginning of it. For about two years, I had this first line of the song and I thought nobody is going to think this is a song to put on a record. I had (sings): Kennedy got it in a Lincoln, Ceasar got it in the back Somebody told me Hank Williams died in his Cadillac

I’m friends with Linda Gail Lewis and she reminded me of when you did a duet with Jerry Lee Lewis on the Last Man Standing DVD. Was that intimidating? C: Oh completely. Yes, he’s a legend. They were filming us and they said, “Jerry’s got a lot to do today and we’re not going to rehearse. We’re going to record live in front of an audience, film it and record it for a record and you better get it right”. And so I did. But I have to say, all kidding aside, if somebody said to me, “you can have any musician in the world to just sit and listen to them play for an hour, anything they want to

greaseinc.com | MAY 2016

I remember the first time I played The Ryman and I was all excited and I called my older brother and said, “ I’m playing the Ryman, come on out and sing a duet with me ” . play by themselves”, it would be Jerry Lee. To him, my hat goes off. Anything Jerry Lee Lewis plays on the piano and sings, he just really has my number. He gets me. He sings with such a unique style of his own. His piano playing…I’m a guitar player and there’s things I play on guitar that are totally ripped off from Jerry Lee Lewis. He’s got a rhythm feel that nobody else does that rhythm feel. I love that. This song, “Running Down The Road” is a Jerry Lee Lewis kind of a feel, a riff. He’s a legend to me. I’m excited to see you in Nashville at the Grand Ole Opry as part of Nashville Boogie. There’s a lot of buzz about that. C: We’ve played Nashville for a while. I remember the first time I played The Ryman and I was all excited and I called my older brother and said, “I’m playing the Ryman, come on out and sing a duet with me”. We just wanted a treat of being on that stage. We went out and we sang an old Stonewall Jackson tune (sings): Don’t be angry with me darling, If I fail to understand All your little whims and wishes all the time It’s a beautiful song and he kills it. So my brother came out and we did it

in harmony and we were just having fun. We were singing and playing for us and having a ball and the audience just happened to be there. The next day, I’m walking around Nashville and I feel this hand on my shoulder. It felt like a pro wrestler…a huge hand. And I turn around and it’s Stonewall Jackson. He said, “hey, I hear you did a real nice job on my song”. (laughs) It’s a small town you know what I mean? Absolutely! Hey, do you have a rockabilly request for the show? C: Yeah, you know there’s a song by Jerry Lee (sings): Can you play your guitar Billy Boy Can you play a guitar Charming Billy I can play my guitar, on a stage or in my car But I’m a young boy, and I can’t leave my mother I never hear anybody play it so I’d ask for that really obscure one if you can find it. Ok I’m going to do some digging (laughs). I appreciate the time and we’ll see you here at Nashville Boogie! C: Thanks man! I can’t wait to be there!

greaseinc.com | MAY 2016

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Model: Buttercream Bettie Photographer: Brooklyn Brat Images Dress: Lolipopshop Jewelry: Luxulite

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Pineapple Upsside Down Cake: Makes one 9Ă&#x2014;13 cake

Ingredients 8 slices of pineapple (drained) 8 Maraschino Cherries + 8 more for garnish 1 cup brown sugar 1/3 cup butter Cake: 1 3/4 cups flour 1 Tablespoon baking powder 1 tsp. salt 1/2 cup milk

1/4 cup cornstarch 1 1/4 cups sugar 3 eggs 1 teaspoon vanilla

Heat oven to 350Â°F. In 9 x 13 pan, melt butter in oven. Sprinkle brown sugar evenly over melted butter. Arrange pineapple slices over brown sugar. Place cherry in center of each pineapple slice. Sift together flour, cornstarch, baking powder and salt in a bowl, set aside. Beat eggs and sugar in another bowl, add vanilla extract; alternately add flour and milk in three additions, ending with flour, scraping bowl occasionally. Mix well and pour batter over pineapple and cherries. Bake 50 to 55 minutes or until toothpick inserted in center comes out clean. Immediately place heatproof serving plate upside down over pan and then turn plate and pan over. Leave pan over cake a few minutes so brown sugar mixture can drizzle over cake; remove pan. Serve warm. Store cake loosely covered.

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