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575 MADISON AVENUE, NY, NY 10022. 212.891.7000 | © 2015 DOUGLAS ELLIMAN REAL ESTATE. ALL MATERIAL PRESENTED HEREIN IS INTENDED FOR INFORMATION PURPOSES ONLY. WHILE, THIS INFORMATION IS BELIEVED TO BE CORRECT, IT IS REPRESENTED SUBJECT TO ERRORS, OMISSIONS, CHANGES OR WITHDRAWAL WITHOUT NOTICE. ALL PROPERTY INFORMATION, INCLUDING, BUT NOT LIMITED TO SQUARE FOOTAGE, ROOM COUNT, NUMBER OF BEDROOMS AND THE SCHOOL DISTRICT IN PROPERTY LISTINGS ARE DEEMED RELIABLE, BUT SHOULD BE VERIFIED BY YOUR OWN ATTORNEY, ARCHITECT OR ZONING EXPERT. EQUAL HOUSING OPPORTUNITY. | THE ARTIST REPRESENTATIONS AND INTERIOR DECORATION, FINISHES, APPLIANCES AND FURNISHINGS ARE PROVIDED FOR ILLUSTRATIVE PURPOSES ONLY. SPONSOR MAKES NO REPRESENTATION OR WARRANTIES EXCEPT AS MAY BE SET FORTH IN THE OFFERING PLAN. THE COMPLETE OFFERING TERMS ARE IN AN OFFERING PLAN AVAILABLE FROM SPONSOR. FILE NO. CD-13-0164 THE 27 WOOSTER STREET CONDOMINIUM. 27 WOOSTER, LLC 565 FIFTH AVENUE, NEW YORK, NY 10017.
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SAMANTHA YANKS Editor-in-Chief Executive Editor/Senior Managing Editor JILL SIERACKI Senior Managing Editor DANINE ALATI Art Director ANASTASIA TSIOUTAS CASALIGGI Associate Art Director ALLISON FLEMING Photo Director LISA ROSENTHAL BADER Photo Editor MARIE BARBIER Associate Editor ERIN RILEY Fashion FAYE POWER, CASEY TRUDEAU, CONNOR CHILDERS, LISA FERRANDINO Copy Editor WENDIE PECHARSKY Contributing Researcher SHELLEY JEFFERSON
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Managing Partner JANE GALE Chairman and Director of Photography JEFF GALE Chief Operating Officer MARIA BLONDEAUX Senior Vice President and Chief Financial Officer JOHN P. KUSHNIR Chief Executive Officer KATHERINE NICHOLLS Copyright 2015 by Niche Media Holdings, LLC. All rights reserved. Hamptons magazine is published 13 times per year. Reproduction without permission of the publisher is prohibited. The publisher and editors are not responsible for unsolicited material, and it will be treated as unconditionally assigned for publication subject to Hamptons magazine’s right to edit. Return postage must accompany all manuscripts, photographs, and drawings. To order a subscription, please call 866-891-3144. For customer service, please inquire at hamptons@pubservice.com. To distribute Hamptons at your business, please e-mail magazinerequest@nichemedia.net. Hamptons magazine is published by Niche Media Holdings, LLC., a division of Greengale Publishing, LLC. ham p tons: 67 Hampton Road, Suite 5, Southampton, NY 11968 T: 631.283.5200 F: 631.283.7854 niche m edia holdings: 711 Third Avenue, Suite 501, New York, NY 10017 T: 646-.835.5200 F: 212.780.0003
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Hirschl & Adler Modern New York | Hubert Gallery New York | Industry Gallery Los Angeles | Jackson Fine Art Atlanta | JanKossen Contemporary Basel | Jean Albano Gallery Chicago | Jerald Melberg Gallery Charlotte | Keszler Gallery Southampton | Kim Jae Sun Gallery South Korea | K+Y Gallery Paris | Lawrence Cantor Fine Art Venice Beach | Lawrence Fine Art East Hampton | Leonard Tourné Gallery New York | Long-Sharp Gallery Indianapolis | M Contemporary Annapolis | Mark Borghi Fine Art Palm Beach | MARK HACHEM Paris | Masterworks Fine Art Gallery Oakland | McNeill Art Group Southampton | Nikola Rukaj Gallery Ontario | Peter Blake Gallery Laguna Beach | Peter Marcelle Project Southampton | Praxis New York | Priveekollektie Contemporary Art | Design Heusden aan de Maas | Pushkin Gallery Santa Fe | RJD Gallery Sag Harbor | Rosenbaum Contemporary Miami | Samuel Lynne Galleries Dallas | SCAA-Sergott Contemporary Art Alliance Santa Fe | SCHÜTZ FINE ART Vienna | Shine Artists London | Sponder Gallery Miami | Taglialatella Galleries New York | The McLoughlin Gallery San Francisco | The Public House of Art Amsterdam | Thomas Monahan Fine Art Chicago | Tulla Booth Gallery Sag Harbor | UNIX Gallery New York | Villa del Arte Barcelona | Vogelsang Gallery Brussels | Wynwood Art Group Miami | 55Bellechasse Paris
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PARTICIPATING GALLERIES: AiBo GALLERY Greenwich | Anna Zorina Gallery New York | Arcature Fine Art Palm Beach | ARCHEUS/POST-MODERN London | ARDT Gallery Southampton | Arteria Quebec | Ascaso Gallery Miami | Aureus Contemporary Wakefield, RI | Axiom Contemporary Santa Monica | Beetles + Huxley London | Berry Campbell Gallery New York | Birnam Wood Galleries East Hampton | Bridgette Mayer Gallery Philadelphia | Casterline|Goodman Gallery Aspen | Catinca Tabacaru Gallery New York | Contessa Gallery Cleveland | CROSS MACKENZIE GALLERY Washington DC | Cynthia Corbett Gallery London | David Findlay Jr Gallery New York | Dean Project Miami Beach | Dillon Gallery New York | Dranoff Fine Art New York | Elizabeth Clement Fine Art New York | Emmanuel Fremin Gallery New York | FLOWERS New York | FP Contemporary Culver City | Frederic Got Gallery Paris | Galeria Casa Cuadrada Bogota | Galerie d’Orsay Boston | Galerie Terminus Munich | Galerie von Braunbehrens Stuttgart | GALLERIA CA’ D’ORO New York | Gallery Mark Seoul | Gallery Now Seoul | Gallery Tableau Seoul | Gallery Valentine East Hampton | GAMO Gallery Seoul | Gladwell & Patterson London | Habatat Galleries Royal Oak, MI | HackelBury Fine Art London | Hazelton Galleries Toronto | Heller Gallery New York | Hexton | modern and contemporary Northbrook | Hollis Taggart Galleries New York |
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southampton village The only land available for sale in the Olde Towne Association. This 2.03+/- acre bucolic parcel, overlooking a 5+/- acre private meadow, can accommodate a 12,000+/- sq. ft. residence, garage, pool, pool house and tennis. Kean Development Company has begun construction of an estate on Lots 6, 7 and 9. The Olde Towne Association is now fully under development, and Lot 1 represents the only vacant land available for sale within the Association. This enclave of only 10 homes is one of the most private and highly coveted addresses in the Village of Southampton.
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Almond Zigmund
Based in East Hampton and Brooklyn, Almond Zigmund is an artist whose work has been exhibited in Zurich, Berlin, New York, and Los Angeles. The Parrish Art Museum gave her a solo exhibit, “Remembering the Future,” in 2007. Her crisply geometric work brings to mind the finality of barricades and enclosures. What inspired your chair? I used some of the patterns already in the chair and extended them onto the painted portion of the chair and then incorporated some shapes that I have been working with in my studio to create a figure-ground relationship. Do chairs have any special meaning to you? I love to go to vintage stores and look at old chairs. I love the elegance of chairs, the expressive personality of design. One of my favorites is the classic Eames molded fiberglass chair. Any great beach moments in your life? My husband and I were secretly married [at the Jewish Center of the Hamptons] in East Hampton by the cantor, with the janitor as a witness. Then we joined a crowd of friends and family that we had invited to the beach to celebrate [my now husband’s] 40th birthday and announced that we had just gotten married! His family was not thrilled; mine was relieved. What’s your favorite beach on the East End? Louse Point and Barcelona Neck Bay. almondzigmund.com
Margaret Garrett
The movement and power in Margaret Garrett’s work may derive from the fact that the abstract artist spent her childhood training to be a dancer. Dorothy Seiberling, the former art editor of Life magazine, wrote of her art, “Ms. Garrett has been working miracles in her studio, making visible on canvas and paper what might be called the dance of the universe….” Garrett’s work is included in the collections of the Parrish Art Museum and Guild Hall. How did you approach this chair project? I have been working on a new series of paintings and collages called Choros, from the Greek word meaning “movement,” which takes some of the movement in my earlier work as a kind of starting point but focuses more on moving shapes and color. What’s your favorite beach memory? When I was a kid, my family would drive every summer to Caswell Beach in North Carolina for several weeks. We would rent a little beach shack across the street from the beach and enter an alternate universe—creating sand castles, taking walks, and building bonfires. I think that is one of the reasons I ended up living at the beach as an adult. Garrett’s work is on display at Birnam Wood Galleries, 48 Park Pl., East Hampton, 324-6010; birnamwoodart.com. Her art will also be shown during Art Southampton, July 9–13, at Nova’s Ark, 60 Millstone Road, Water Mill; art-southampton.com.
Louise Eastman
Louise Eastman, who has shown at the Silas Marder Gallery in Bridgehampton and the Southampton Cultural Center, is known for her large, artful weavings that channel the campy pot holders of the 1950s. She weaves, she paints, and in 2014, she cast an exquisite, artful, kiln-fired brick nearly every day. For her chair, she glued a richly dyed cloth with a soft square-infused motif that harks back to the chair’s original pattern, but in a more random, artful manner. Did the idea of chair art appeal to your familiar objectinvestigating sensibilities? I prefer to find art in unexpected places, so it was natural to be enthusiastic about making art on a chair. Originally, I wanted to do a weaving, but it felt like I was imposing on the design of the chair. When is your favorite time to be at the beach? The end of the day, which feels the same as it did in childhood, when you are salty and sandy, and you can feel the sun radiate on your skin. Where are your preferred beach walks? Wainscott—I cannot imagine more beautiful ones. Beaches everywhere seem to be getting smaller, but the beaches in Wainscott stay they same—they’re still large and wide. I like taking beach walks in Napeague, walking the dunes, or going to Georgica Pond when the cut is open and the pond is emptying out into the ocean. I’ve been going there since I was a kid. What resonates with you about the charitable element of this art project? Artists of all backgrounds working together to make the world a better place. Art is a powerful vehicle. louiseeastman.com
Jason Middlebrook
Jason Middlebrook’s works—acrylic on sculptural slices of trees—reimagines their original grain in bright colors and angular patterns. His giant, creaturelike sculptures, which are crafted of steel, fiberglass, glass tiles, and mortar and are like tree stumps walking on their roots, have been shown at Silas Marder Gallery in Bridgehampton. What was the motivation behind your chair design? It’s still evolving, but I keep going back to the idea that it’s stuck in the sand. You have placed this chair on the beach, and you’re contemplating time, space, and the beauty of the sea. The chair will be about contemplation. The site is always a big part of my art, and I have a good feeling that the chair will end up by the water. What is your relationship to the sea? I grew up in California, and the Atlantic is so different from the Pacific. For one thing, you can actually swim in it without a wet suit. The beach is the gateway to the ocean, and the ocean is scary and inspiring on many primal levels. What do you love about the sea? The sounds, the smells. I love what it does to people. It calms them, makes them venerable. jasonmiddlebrook.com H
Congratulations to the 2015 Grant Recipients For all you do for us, we proudly support each of you. All For The East End (AFTEE) and the Long Island Community Foundation are pleased to announce the nonprofit organizations awarded $2,500 grants through the Building Stronger Neighborhoods Program: East Hampton Animal Rescue Fund of the Hamptons Eleanor Whitmore Early Childhood Center Food Pantry Farm Inspirational Triathlon Racing International The Retreat Riverhead East End Arts & Humanities Council East End Disability Association Hallockville Museum Farm Open Arms Care Center Peconic Community Council
Shelter Island Shelter Island Historical Society Sylvester Manor Educational Farm Southampton Children’s Museum of the East End East End Hospice Lucia’s Angels Sag Harbor Community Food Pantry Shinnecock Nation Cultural Center & Museum Southold Community Action Southold Town, Inc. Group for the East End Family Service League
The projects funded by AFTEE’s Building Stronger Neighborhoods Program were selected because they are inspiring, actionable, relevant to the local community . . . and improve the lives of those who call the East End home. To find out more about the program, visit AFTEE.org. Proud Sponsor
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Susan M. Breitenbach | Licensed Associate Real Estate Broker | m: 631.875.6000 | smb@corcoran.com Real estate agents affliated with The Corcoran Group are independent contractor sales associates and are not employees of The Corcoran Group. Equal Housing Opportunity. The Corcoran Group is a licensed real estate broker. All information furnished regarding property for sale or rent or regarding fnancing is from sources deemed reliable, but Corcoran makes no warranty or representation as to the accuracy thereof. All property information is presented subject to errors, omissions, price changes, changed property conditions, and withdrawal of the property from the market, without notice. All dimensions provided are approximate. To obtain exact dimensions, Corcoran advises you to hire a qualifed architect or engineer. 1936 Montauk Highway, Bridgehampton NY 11932 | 631.537.3900