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Digitized by the Internet Archive in
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and Sloan Foundation
http://www.archive.org/details/gyre197052long
G;i?RE
LONGWOOD
COLLEGE
FARMVILLE, VIRGINIA
VOLUME
5,
SPRING 1970
NUMBER
2
STAFF
General Editors
Catherine Leary, Louise Dougherty
Art Editor
Vicki Eyier
Exchange and Circulation
Penny Ederly
.
Business
Manager
Bonnie Irby
General
Staff
Salli
Doris Andreason,
Akers,
C.
Phyllis Dester,
Lucas, Elaine Lisa
L.
Edrle
Bays,
Mary
Alice
Carmody, Royce
Claytor,
Dunnavant, Childrey Farber, Marcia Harris, Jeannie Kay, Pat
Newman, Cindy
Sasser, Tricia Shaw,
Donna Wadsworth, Eunice Ward,
Worthington, Jenny Young, Maureen Shannon
Advisors:
Art
Miss Leitch
Business
Mrs. Taliaferro
Literary
Dr.
Special Editorial Assistants:
.
.
Theroux
Mary
Alice
Carmody,
Elaine
Newman, Donna Wadsworth, Heidrun Ottmann.
TABLE OF CONTENTS Witch, pen and
Donna Wadsworth Joan Barnes
ink
The Sancfuary, short story
poem Wrong Number," poem
4 5
Departure,
Ethel Reiter
6
"Sorry,
Cathy Vanderberry
6
Adjusting to College
Or How
Never Had To,
I
short story
Untitled, charcoal
Catherine Leary
7
Denise DiVito
8
Untitled,
combination print
Alefa Sandkam
9
Untitled,
combination print
Aleta Sandkam
10
Strangers,
Cathy Vanderberry
11
Touching,
Cathy Vanderberry
11
Cathy Vanderberry
12
poem poem Janus, poem Untitled, poem Snow, poem combination print
Untitled,
The Box, short
story
poem poem Untitled, wood cut A Nice Lady, wood
Cathy Vanderberry
12
Cathy Vanderberry
12
Janet Hirshman
13
Catherine Leary
14
Untitled,
Salll
Recollections,
B. J.
A
cut
"Longwood Lady"
The Cage,
To
R. M.,
in
the Civil
War?,
short story
poem
satiressay
Akers
15
Rogers
15
Donna Wadsworth Donna Wadsworth
16
Elaine
Newman
17 18
Louise Dougherty
19
Pat Lucas
20
"County Fog," poem
Jenny Young
21
The Last Days, poem
Jenny Young
21
Untitled,
pencil
Debbie Comper
Untitled,
combination print
Eunice
They
Jane McCaffery
Lie, short story
"Three Blind Mice," satiressay
Hoffman
to
"To
My
Judge, combination
poem
Untitled,
Shattered
Illusion,
poem
Tree, linoleum cut
Bus Trip, linoleum cut Untitled,
short story
poem
22 23
24
Louise Dougherty
25
Janet Hirshman
26
Tullta
Favorite Daisy,"
Ward
Salll
Owen Akers
27 27
Brenda Murray
28
Donna Wadsworth Mary Alice Carmody Maggie Parker
28 29
30
â&#x20AC;&#x201D; "Since You Asked" by Judy
From the Song
on album
As my
life
Changing Filling
â&#x20AC;&#x201D;Wildflowers
spells into
yours
with the hours
up the world with time
Turning time to flowers I
can show you
That
I
all
the songs
never sang to one
Nothing more.
mom
before
Collins
THE SANCTUARY The dimly
pew, which now
lit
—
always
as
—
creaks
one
After four decades of
her simple meditation.
lost in
the scene continues to
familiarity,
maybe
or
a
maybe
It
children,
husband who teases about those horrible grey
ago
But only a short time
strands.
amazement.
instill
must be age that makes the difference, or
called such) this sanctuary
(If
years
thirty
may be
was one big mysterious wonder
and purple stained glass and gold-sparkled
of crimson
milk glass lamps.
Later,
eyes transformed
it
a
into
site,
not of mystery, but of serenity, with cool green walls,
and
and rows
stately,
passed;
of polished
memory combined
all
it
tall
mahogony pews. Years
into a fascinating picture
of mysterious stained glass enclosed within serene
green
not so unusual; the sun of
is
noon has chosen the stained
this late
gown
hurts the eye;
This
Scarlet rays from
tinge the soft green hues of the carpet; the re-
flection of gold from her brass
yellow
winter after-
frame of Mary on her
glass
knees, wiping the feet of her Master.
her
air,
Mary
and
cup sparkles so
brightly
it
as she stoops wiping his feet with her
the splendidness of
all
it
humbles the onlooker.
Yes, the place
is
the same.
age) that behold the view, are
amazing.
must be the
It
become
Inside a
name
Stained glass colors
still
just like
How
yesterday's.
memory behind
those eyes that
so altered through the years.
hymnal
secretly
morning. At
is
Inscribed
this
same
beautiful
Mary
still
in
by the same hand one
hloly
decade
of
Sundays and stared
the stained glass. Years drifted
went often
She did leave.
on
leaning
like
her
father's
by and
like
an idol
in
her
to
shoulder.
After two years at the University, Marie
She took a small position
tired of the work, the people. in
when she knew how
She met a man one who taught her how to and the love Marie had known for the little things
the city.
love,
relevance to her. She shared her life with him; one day, Marie even shared her secret of the green sanctuary and the virtuous Mary in the scarlet stained glass. lost their
He
Marie, too, began to laugh and after
laughed.
many
days of secret anguish, she had forgotten the childish whim altogether. a mother, a
Her life changed woman.
ence
Marie went back
father called.
the green chapel to
be with him
of death In his
of her
as she found herself a wife,
it
belonged
to another
hardly knew when sitting with him .
The
sil-
marble repose chilled the remnants
memory. The shoulder Marie leaned upon was
her father's;
pews
to the serenity of
for the last time.
man, In
the
a
not
man whom she dark mahogony
.
Marie shakes
herself
from meditation; the sanctuary
sunlight.
mysterious stained glass and the cool green walls the only
—
it
gives
peace she understands. Marie gazes solemnly
the scarlet
gown
of the beautiful
flaw catches her eye
—
is
She finds repose with the
Mary and suddenly
at
a
ragged hole broken there by some subordinate element. Marie bends her head and a
at
to the sanctuary; the vision of the
scarlet-gowned Mary remained fixed
mind.
things
place Marie had leaned lovingly on her
burning lamps around the green walls and at the
Marie
little
cries.
name Marie,
the
scrawled the
father's shoulder for a
the
love
darkened now without
of virtuous simplicity enobles the setting.
seem mysterious; soft green walls still reflect tranquility; and even the eyes, (though maybe more shadowed with
has
leave the quiet days of childhood
Her
borders.
Today
Years traveled more rapidly, and Marie was ready to
ifs
weary
dissenf of a fidgety occupant, offers repose for the
Joan Barnes
â&#x20AC;&#x201D; measure
Time Several times
have journeyed from place fo place, from
1
fiere to tfiere
Tfirough towns,
Is
and
fields;
holidays; the excitement of tinsel and toasting deserts of through ghost towns of loneliness and
it,
Does
,
it
Wmutes,
,
.
,,
your mm<X< creep slo^vly doxvn the paths of hours, seconds,
They mean
Passing
Except maybe that
watch the dark Face pressed against a filmy window of silent streets, sullen clouds bury the ash gray world darkness. Pale rain falling into the endless ocean of Winter wind whistles through the naked woods.
it
little
really fly?
it
does
Moved by
emptiness.
weigh
there enough, or too
Or
cities,
WRONG NUMBER"
'SORRY,
DEPARTURE
nothing.
we never
take time to see each
other.
I
I
depression travel through the ethereal fog of
Aware
of the soothing
joyous slumber
in
cool, sunklssed
Sometimes in the morning lying on your hack,
And
of
meadows of lilacs and sky blue haze Embraced by love and life, my essence in
the trains, buses, and cars of
in
my
lite
I
How we
love,
we
separate,
your body. of the world in
their plastic personalities,
and
remember Pills, trips,
spoils the
minis, maxis.
Beer drinking, chain smoking, keys
we wander.
it
beauty of the moment.
your existence.
painfully
warmth
men.
With
In
see the
look at you sleeping,
window But looking through the ice-covered cold steel shells and xvorld Neon-lighted the see I
grass
But
I
I
rattling.
Always searching. Times \vasting, times passing. This is a recording, Sorry urong number. past, present, Stop! Look for the image of tiynes
and
f^iture.
your ivatch. by the heat of your heart, not that of win. realize now' that Time mil never
Go Ethel Reiter
I
This
is
a recording.
Sorry, urrong
number.
Cathy Vanderberry
ADJUSTING TO COLLEGEâ&#x20AC;&#x201D;
OR
The day dawned
as
the fulfillment of I'd
The
What
expectations of the place.
ever read about
although I
my
â&#x20AC;&#x201D;sunny
days of departure should
had been
It
hadn't talked to too
I
many people
tests,
skit
and
back
In
personally.
figured these were excellent signs.
Dad had loaded from looking schedule, rackets
the car with everything that
at the
and
figured
catalogue and pre-mailed orientation regularly.
Tennis
guitars are always such a packing problem.
we were about Mother came running from But just as
dress which
tant white
we
to
had
I
pull
away from
the house with the left
From what white dress were
and
I
certainly would've
I
been
at
a loss without one.
On
arrival
my
Identifiable to fellow flock
members by
uniforms of their particular group. settled Into tions, that
I
my
put away, girl
first
I
What
On
a
little
however,
I
could
never seem to remember
had represented which
had gone with which
flock,
and which dress
the second,
â&#x20AC;&#x201D;
just like
being
this
and
that the first
pattern never changed.
Thanksgiving
home,
to get all
to
effort.
When
the fun
I
so
finally arrived
my
to see
Oh
didn't
sure,
and the song
at college.
I
contests; but
and peace. been
I
In
of too
in
In
common
parties,
the
guess there's not but
those things.
And
besides,
the war, the moratorium,
never did
I
wasn't up on, and
things hadn't
was kind of
It
seem to have much them about the
much you can say about seemed more Interested
pollution
them about
tell
told
1
they
things
But
greetings and the usual exchange
Initial
we
could hardly wait
1
old friends, and to
was having
strange, after the
skits,
After the week was over and the dresses
was
It
sure,
little
attemping to get
strange.
spend your college years! Oh, there were and an occasional required speaker, but they were usually pretty dull and could be avoided with
way
a
classes,
anymore.
found, through frequent interrup-
all
had ever been worried And the best part was
1
life!
week became
month, and on Into the next
girls
had my own personal representative from each
Individual flock.
which
room,
the attractive
did not feel at
1
preparations, and parties.
of pleasantries,
eyes were flooded with flocks of
fun.
about adjusting to college
impor-
behind.
could gather, ceremonies requiring a pretty regular occasions
the curb all
week was
high school. To think
that as the
could expect to be using
I
first
with every minute filled with meetings, song con-
Everything
of a sunny nature,
HAD TO
NEVER
I
to supply the best possible light for
all
and bright and ready
HOW
like
the
to talk
last
much about
few months these
much concern
to
me and my
school friends.
That holiday was kind of a disappointment
girl. I
really,
but
guess things are supposed to change when you go off to
school.
At any
rate,
I
was relieved
campus, and what with
upcoming to think
festival
about
1
really
all
the
to get
back to
preparations for a
my big
never had too much more time
it.
Catherine Leary
"Would
that
The Prophef.
you could
live
on the fragrance of the earth, and
like
an air plant be sustained by sunlight." Kahlil Gilbran,
'Hunger
is
insolent
and
will
be fed." Honner, Odyssey
10
Bk. vli,
1.
300.
STRANGERS
I
1
come lie
to
you whenever you
beside you;
we
call,
talk.
You tell me you love me And when ask you to explain I
You are Funny,
at a loss for
Isn't It?
Making love
Words
LINES
why,
words.
Is
aren't
so easy, so mechanical-
wasted
If
love
Is
missing.
Please talk to me.
Or
is
love missing
In this
room too?
BY
TOUCHING
I
wish
And
I
I
down
the beach.
you so that we could
I'd trip I
could take your hand
lead you
roil
together
in
the sand.
love to touch you feel
so rich then.
Or maybe you would walk with me In the meadow, And you could tell me stories while pick flowers. I
To take your hand, or I
do these
can't
look Into your eyes
things
People have tagged these emotions "love", I
can't
tell
I'm not I'd
be
And
them
that
ashamed
lying
if
this love,
I
It's
only friendship
to say "I like you",
said "I love you".
what
Is
It?
JANUS
love your hair, or
I
Your eyes look
Is It
yours today?
beautiful; but weren't they blue yesterday?
Those lashes are so long
Oh
Remove You
—they almost
look false,
baby, who are you? that translucent
me
told
powder.
you loved me.
Did your love wear make-up too?
Oh, baby.
SNOW
Lies hurt.
Sitting at
Cold,
We
CATHY
used to
like to
swim
—
floating on
I
see the snow
untouched
—
falling.
purity.
never think of that anymore.
Lazy, soft, uninhibited.
Funny how the snow remains white
Maybe
I
my window
sterile,
my back was
It's
trying to
tell
until
It
hits
us something.
especially
nice.
But
now
floating, looking
up
VANDERBERRY
to the sky.
My eyes become clouded with smog. My face Is getting scarred by crashing My body slowly deteriorating—
planes,
Is
Atomic materials
Someday,
And we Maybe
to the earth.
fall
meet the earth, be crushed by our own mistakes. swim face down.
the sky
will
will I'll
Help, I'm drowning
in
sorrow!
12
the earth,
THE BOX Mary and
Frankie broke past Aunt
A
where the men stood smoking. The boy was
even
small,
he was small
for twelve
— and
his Its
dark.
The new black
mockery
suit
hung around
He
of his limbs.
He was for
"This
wooden
kneeling at the polished
those
pressing against
who wished
pray
to
and the starchy white
—
railing
hard
Is
Joe's boy.
down through pro-
and
finish trying
its
steel
Though
and powdered remains
it
and
—
their shallow
minds screaming
.
as
air,
his
coarse
around him
—
smiling
and smoking.
Frankie broke away, walking
the
ladles,
—walking
through the pseudo-Victorian
was
raining,
and the raindrops were clean and cold
his
ment, of
his
His best shoes soaking up the water from the pave-
face.
collar wilting,
his
November
freshness; he
and
head
his
had escaped
inhaling
the cold
—escaped from
the
women, escaped from the insensitive men, from the sickening air and the gaudy Victorian atmosphere, but most of all from the stiff, cold stranger who lay affectedly stifling
whispers from their crimson lovely"
be a great man someday."
against the heat which had brought a scarlet tinge to
him through the
at
felt
parlor and out onto the street.
knew the box It
ladies
He'll
He
his uncle's side.
and flab and middle-aged men threatened
swifty through
was empty.
"Go ahead and cry, Frankie." He looked up into the cosmetic-counter face of Aunt Mary. He stared beyond her into the garden
coat sleeve.
already stagnant
all
to suffocate him.
contained the preserved
of his father, Frankie
the
The men were
hard to project an image of dignity
eternal fortitude.
his
and out against
The smell of whiskey, cologne, smoke, and flowers; the sight of teeth
veneer
on
to rest
voice echoed against the walls of Frankie's head.
mahogany
collar against the soft flesh of his
Before him was the long, empty box,
neck.
in
room
Uncle Jack stood above him, the odor of liquor drihing
knees, hot tears against his eyelids,
his
came
body, making a
his
did not quite meet Macy's ex-
pectations for the average twelve-year-old frame.
vided
shoulders and
strength jostle him
info the side
sweaty palm encircled
.
.
"Just
like
lips
he was
in
.
.
.
life"
"Aren't the flowers .
.
.
"As though he
were sleeping".
in
the white satin lining of the box.
Frankie was relieved.
again.
polished steel box, nor standing flesh,
It
was good
For what remained of
in
and
the rain.
in his
In his
among
his
to
be with
father
his father
was not
in
the
the mourners; but here,
own clutched hands and burning
heart.
Catherine Leary
14
exists a summer have yet not seen Waiting down some street in Washington. It could he Atlanta, New York,
There 1
.
or
â&#x20AC;&#x201D;
Sydney
Constitution
An orderly And 1 wait 1
sun-colored dream.
Avenue
cars speed, rumble, hee-p
my
chaos sameivhat like here on
my
mind.
shelf for the questions
create
answer
to
tJiat
.
.
.
like a patejit-pending,
or
some petunia
in Shirley's garden.
Sorriewhere there are dreams hut in the nightmare of self lose them. Child with glouHng eyes, laugh \vhile you are yet free 1
to forget the names of towns and and questions idthoiit answers.
streets,
Salli
Akers
RECOLLECTIONS
It's
funny
How Is
.
the sad
often
in life
drawn so
near,
And how it's held so tight And kept to draw a tear.
to breast,
how
In
the times
when memory haunts
The empty hours at hand. The mind draws from its reservoir The past's small grain of sand.
B. J.
Rogers
'Time's horses gallop
down
the lessening
16
hill."
Richard Le Gallienne, Time.
A "LONGWOOD LADY"
1865 when the Union
In
from Richmond by the
Army was
brilliant
where was Longwood or
that school which
become Longwood? Were academy told to go home in war?
led to
the
students
of
until
the
at
soldiers
those
to
to
who brought
school
been
lost
somewhere
The question
is,
same
the
the ancient
files
of
Day.
that
Longwood.
win the competitions did win Lincoln won.
Longwood were
he married?"
It
girls
.
.
.
"Is
false
beginning to
this
is
is
to see the
Longwood
Farmville.
doors.
After
Christmas vacation,
the North
do not have
hasn't seceded, to
other yet,
Early
in
became busy around Richmond. The
army march pass. Unfortunately, most of so amazed to see men that all they like cattle.
to
march past
The students were ready. They acquired packed
with the soldiers.
used to
this
The
soldiers
were not allowed
to
grow
food gradually as the students had done, so
week or more. Lee was able to capArmy as they rolled and moaned on the ground. This was how the "Longwood Lady" became known as the George Washington of the Confederate
busy
preparing for Christmas. Everyone has started to decorate
States secede, Virginia
all.
and then 1864.
lunches from their food service so they could have picnics
a
generally
is
1863,
students are
of scouting parties for the
The next day, the Northern army started
ture the entire
their
become depressed. The
could do was count the soldiers
because not even the decadent
seceded and
share to pro-
became
were taken
has
its
the South from the bar-
if
North would elect a hippie as President of the United Carolina
in
from that area were worried about their families and
the students
he good looking?" and
but
the armies
States.
South
children
because
male companionship.
men's college had contributed
women and
skirt
largest difference
And where would any "Longwood Lady" go to Richmond were destroyed? Well, Lee left Richmond to draw the Union army out into the open where the cowards would have to fight. In the very first part of April, Lee's army started to pass Farmville, slowly drawing Grant into his trap. The "Longwood Ladies" began to line shop
expected to
has been rumored that Lincoln
rest of the
friends.
and so it went with the The usual remarks about
hippie because he wears a beard,
considered to be
is
1865,
up
No one who
lack of
The
armies. Those barbarians are "cute" after
is becoming more and Young Democrats are trying
over.
is
to get.
cheered by occasional glimpses
competition.
national election.
becoming harder September was the
1862 passed, as did
the
for
and the
of the states that will.
barian hordes from the North. The atmosphere at Long-
wood
what would a modern "Longwood Lady"
The "fun" weekend
preparing
is
is
local
tect the
to outdo each other in the appearance of their booths. The red and whites are confident about winning the skit
"Is
May
in
before the election. The campaign
at
Longwood
The
there
Here we are in 1860. The presidential election is proving to be very important to the local men's college. The important issue at Longwood is who will win the skit and booth competition during the "fun" weekend about a week
this
all
situation?
more emotional. Chi and
fired upon,
required to buy a green blouse and a white
wartime supplies of food? This has in
is
least
material
wounded
brave
Sumter
For the September of 1861, the new freshmen are not
Did the students feed the
infirmary?
their
the
Were
WAR?
Southern states secede. At
female
days when the armies came
last
soldiers with their small
in
later
this
CIVIL
April, Fort
In
Lee,
1861 for the duration of the
marching upon the small defenseless school?
do
was
E.
Did the school stay open and active during the
campaign girls
Appomattox
strategy of Robert
THE
IN
sick for a
Union
States of America.
Southern
so tours to
be stopped.
Elaine
rs
Newman
"You caged
THE CAGE
pushed
flat
its
now our time
us,
trying to free herself from
its
come."
has
face against the glass.
An ape
She pulled away,
malicious gaze.
All
around
deep hatred burning into her. "Caged. We were caged. You are caged. We are free. You were free. You are caged. You are caged." She turned her head her she
this
felt
way and
now caught by
that,
a pair of angry lion's
eyes then snared by the vicious sneer on the face of a
chimpanzee. All around the glass cage pressed sneering, screeching
animals,
.
"Help me! Help me!" she shouted, and the echoes She pounded with ineffective fists on the heavy glass. "Somebody help me! Please help me!" She fell weeping against the thick translucent
swish enfolded her
threw back her screams.
"A zoo
walls.
.
... an animal
.
.
.
.
."
"Mother. pulled
.
Wake
"Marion.
Her
up, Marion.
British
nanny
You've been having shook
opened her eyes and looked up Nanny.
It
was dreadful.
I
was
her
like
an animal
in
"Oh,
not.
it's
to the zoo."
horrible.
All
Marion
tried to smile. "Let's
those poor,
poor animals." The
nurse rose with her smile
you go back
still
in
place. "Yes, dear.
"It's
her.
."
Her mother silk perfumed shoulder and right, darling. Just a bad all
all
these
.
.
Her
to her
until
it
roared,
echoing through
"Mummy!" bellowed. "She calls for her Mummy. Give her Mummy." A heavy bandaged figure flopped her.
I
go again
hair.
somewhere behind her
a cage."
The nanny smiled and patted her small charge's shoulder. You are much too sensitive, Marion. suppose we shan't
We
fear slowly faded as her mother and sang her back Into sleep. She was alone again. The animals were gone but the invisible cage remained. "Mummy?" She called, sleepily, fear edging around her voice. A chuckle began from
Marion
at the kindly nurse.
her
hummed
a night-
gently.
"Caged!
and comfortable warmth enveloped
awful. There's
It's
dream. Hush now."
.
shuddering, more hopeless.
mare."
screaming,
.
her head against a
stroked
caught in a zoo caged like Her sobbing grew louder and more .
leering,
were caged. You are caged! You are caged! You are ." She screamed. caged! You are "Stop! Stop!" "Marlon! Marion, wake up!" She opened her eyes. A whaff of perfume crossed her nostrils. "Mother?" A silken
it
beside
her
moved
without her
as
the
laughter will
to
chorused on. Her hands unwrap the bindings. She un-
covered the face and stared
Now,
torted face of her mother.
to sleep."
Mummy.
19
." .
in
horror at the wrinkled, dis-
"Mummy! Mummy! Mummy!
She
hand shake her shoulder. "Marion! Marion!" fearfully and peered up into the
a
felt
She opened her eyes
face of her father. "Oh, Daddy,
stern
was a
this.
.
Her
."
"Can
impatiently
"Marion,"
it
let
awful! There
was
it
TO
just
he was
He
left
He
not."
gentler,
"it's
looked at the clock. three
o'clock.
her and she was alone
in
Try
to
the dark.
With a shudder, she pulled the blanket up over her head and drifted away. "Marion. Marion. Marion." It became a chant. She
down
pulled the blanket
Tomorrow, Yesterday's today: And there are Strangers
one eye was uncovered. with quiet chant and heavy,
until
The animals were circling dignified step. "Marion. Marion. Marion. We've come.
We've come
if,
no
common bond
for you.
Marion.
of love
Marion. Marion. We'll take you away.
Marion.
Marion.
exists.
cage.
Marion.
Marion.
Solitary
Marion. Marion. Marion.
Marion.
We'll
put
you
in
Marion. We'll take you with We'll keep you with
one
of us.
us.
a us.
Marion. Marion. Marion. You are one of
us.
mouth
to
Marion."
She opened
Marion.
scream.
But no sound escaped.
Sharp,
bird
ways of life can be lonely
Marion. Marion. Marion.
Marion. Marion. Marion. You are
Marion.
seized her.
R.M.
it
"Of course
sleep, dear."
it's
"Marion,
become real." She looked up widebecome real, Daddy?" He shook his head
dream. Don't
eyed.
father scowled.
her
or alone
but very fullâ&#x20AC;&#x201D; your thoughts
Furry and clawed hands
Quick monkey fingers pulled away her gown. claws
clothed
her
with
fur.
Small
inspire
black
a legacy
hooves forced her to her knees, pushed her hands to the floor. "Marion. Marion. Marion. You are one of us. Marion. Marion. Marion. You will come with us. Marion.
even though
Marion. Marion." Prodded and pushed, she crawled to
you're lonely.
window and out into the night. The scream of the nanny brought the mummy and daddy. The bed was empty. Her nightgown lay torn and crumpled on the floor. And from the bed to the window was a small set of claw prints that ran away into
May God
of inspiration,
the
bless
lonely
people.
the forest. Pat Lucas
Louise Dougherty
20:
THE LAST DAYS
"COUNTY FOG"
have seen death today.
I
always wondered what
I
And now
The
fog envelofes the county like a shroud. Seeping ii-p from dank corners beside the road
Until
it
joins,
Ohscuriyig
all
If
an ominous yet gentle ghost frotn xnew. The evening
I
Of
eyes gleaming
mind. You cannot see
bitter rain beats in
me
those
of
loved.
I
my
face.
any thoughts
From
all
sides.
Lamentation, a melancholy wail
To greet the newly dead.
The grass
Nostrils
in the
do not care anynnore.
Purging regrets.
Inexorably
follow the road, dully, without resistance.
The
the knowledge of what lurks without. Sometimes I yield and disappear into the murk.
And
the wind.
In
With
expanded with love of life. The fog is spiced \iHth danger, danger
their
Blackened timbers, and the doors bang
Once-bright lights noxv swimming, blurred. From deep within me wells the wild urges —
my work,
sky,
The hollow houses creak
I
continue with
like,
Lined with naked trees.
Into dragon-haunted fens. The pilgrims crawl their asphalt paths.
The call to set forth, explore, to kill Or be killed. Sometimes 1 sigh, leave my
was
a silver-ribbon road
Beneath a leaden
Blues the mist; the suhdivisions disappear
And
is
it
know.
I
And real
is
brown beneath
Ever ahead looms the
—
the charred
fallen trees. final mist,
Blocking every turn.
There
But neither can They see you.
If
I
is
no going back, even
had the will. have seen death, I
And
I
face
it
now, unafraid.
In the morning the white blanket remains. Hanging weightless as a spider on a string
And
keeping with
Fog
— bewildering,
And
it
the aura of mystery. suggestion of life
chill,
death.
Jenny Young
Jenny Young
21
"Quoth the Raven, Nevermore." Edgar Allen Pee, The Raven.
THEY
my
my
sat brushing
1
had
murder
Washington
the
in
tiring,
I
later
me.
crossed the room, into the big
now
in
I
lay
still
and began
was then
It
realized that
My
My
until the
could
away
I
I
it
as
normal;
for the
keep
the big old house.
my body
someone neared
could lock the door.
I
I
father.
couldn't find where
The person had reached the top the hallway.
was paralyzed. couldn't.
"Oh
I
I
opened my mouth Lord,"
I
of the stairs
tried to
was
I
could
I
in
heard someone scream;
all
moment
me
that
me
all
I
have suffered a kind of
a hospital for the mentally that
was
I
all
hell,
and
early;
right.
But they
They
lie!
lie!
man was a murderer, those women in Washington. you
see
is
hysteria,
The doctors
man was my father; that my and that my father was just
the
that
Can't
this
ill.
now?
I'm just
He
dead. lying to
part of hell; they never
tell
one
the
I
that
isn't
was
me.
you the
my the
I'm
in
truth.
to scream, but found
My
body lay motionless upon the bed. My whole being screamed for release of tension that had contracted my muscles so that they would not obey me. Still my mind was alert to the ever-approaching footsteps. If seemed an eternity ago that they started.
Jane McCaffery
24
I
on. There
move, but my body
prayed, "please help me!"
a
the horrifying details of his
nothing from that
recall
strangler's next victim. They're
and was
me.
Suddenly he spoke
I.
come home
see,
strangled
my room? Maybe
As he spoke,
it
tell
in
telling
You
heard
had put the key!
down
am
I
parents had
the top of the stair-
to
But the key!
Again
face!
words have since been erased
his
mind, which recalls
making sure
begin to tense.
my
a reason.
that
I
but
mind.
Here they
At
stairs.
instantly
weekend and wouldn't be
The key! Where was the key
walking
I
in
but
next morning.
feel
the stairs squeak as case.
is
heard someone climbing the
breath on
approach, can
to listen to the sounds of the
was supposedly alone
I
parents were
back I
first
I
my mind accepted
my
from
turn.
to
through the doorway and crossed to
dark, looming figure bent over
warm
did not realize
restlessness seized
night, the quiet of the house.
first,
A
in
hoarse whisper,
complete
double bed. Sometime
under the rumpled sheets;
my doorway! The doorknob began
at
bed.
feel his
continued to toss and turn. Trying to go back to
I
sleep,
I
and crawled
lay
I
my
Post.
reached across the dressing table and
turned off the lamp. darkness,
Now
Someone walked
could remember the vivid description of the
I
My arm
Thoughts of the strangler who
hair.
few nights before wandered through
struck again a
mind.
LIE
"THREE BLIND MICE"
The
contained
social significance
"Three Blind Mice"
As
obtuse.
at
Is
have stated
I
In
my
in
The reasons
the children's song
once evident even essay
to the
are not clear.
tor persecution
"The Mulberry
Or perhaps
Bush," children's song's and rhymes contain a wealth of
Jewish race of the animal world.
material for the discerning reader.
as that popular scapegoat, the bitterly
The mice, symbols see
In
how
how
they run, see
fate,
harassed on
all
sides.
"They
all
blinded
The tune, a gay
In
your
affair,
lilting
life
their harried defence,
Why they
have
as three blind
hounded
until
they turn
at
In
blood-thirsty
degeneracy
reflection
adult?
for
for a
bay and attack
moment
mice are
their
"Mulberry
As we have
because
life.
Helplessness, of
common
and bleak
suffering unallevlated
by the
a
carving knife."
as three blind In
they
child's
a
mice?"
song
devour canine
seen,
a
world
Is
this
mirrored of
the
ample argument for this theory. tails, even though the pain may be mice are not
creatures Indeed.
Bush",
Cruel,
Is
Intense, talless
pitiful
it must be, because that Is the way of The mice, blinded by some haphazard Fate or malicious Chance, are helpless against their massive foes.
Is
may appear,
totally helpless.
Ah, exclaims the perceptive reader, but three
are
of the song.
This
canine
But mice without their
abbreviated
Why
the
of
life
Certainly, there
attackers only to be viciously punished for their audacity?
human
your
such a sight
mice?"
huge carving implement.
are the three blind mice so persecuted?
they figure
oppressed Ameri-
connection with "Did you ever see
In
Did you
poor victims who,
their tails brutally
these tiny victims
off their tails with
bloody, degenerate
provides a grim contrast to
the fate of the three pitiful mice,
with that
"She cut
by
ran after the Farmer's
wife; she cut off their tails with a carving knife.
ever see such a sight
in
group.
they run." The poor mice, foes,
as
It
are most assuredly the figuring of a persecuted minority
the work. "Three blind mice, Three blind mice,
pursued by Inconceivably horrendous
However
can Negro.
are easily the most outstanding
of course,
Is
"Hap", by Thomas Hardy? Or is it a perverted, animalistic anti-semitIsm? The blind mice may function as the
most
In
both
children's
And
there
"Three songs
Is
Blind
neatly
blind, talless
the tragedy
Mice" and parallel
the
drudgery, the shame, the cruelty, the pain of the adult world.
light
Is
It
right to
expose young Innocents to such a
world a world at such a tender age? That, dear reader,
sunshine or spiritual hope.
I
leave up to you.
Louise Dougherty
25
'Thou art weighed
in
the balance
.
.
."
Old Testament:
Daniel, v. 27.
It is early.
Outside, there calls a meadowlark
He
—
feels the pulse of spring, of life.
The
trees blossom, huds swelled near bursting. Grass mid other vegetation strain to break through the Earth. If one listens, one can almost hear the
Growth of green coming All a sharing of Nature.
The sun Sharing
tip,
and
roots going
down
—
MY
"TO
upward in its climb; it, too, warmth and radiance -uHth all matter on
inches its
FAVORITE DAISY"
earth.
Within man comes the need to share, to he a part of Another being. And why not? Shoidd man alone be Different from the rest of Nature's creations?
Ah! Her prime creatioit! No. Man needs, also, to share. How? One seeks and finds a sharer — Another seeks and finds nothing — He, with all the teeming activity of life about, Cannot face the emptiness, and obliterated himself, Or he withdraws to himself and the solitude, and stays. One must not look too hard: disappointment and
Twilight
early
At the center
And we
have
The a
is
day:
sicy is
an opal,
faintly
glowing;
muted rainbow, changing
as evening into night. Pink
much
of the circle that
to drink in the purple-greying air.
—
Outside, there calls a meadowlark
a sigh,
Daisies folding face up
Rejection both prove hard lessons. But then. It is
is
a pause to whisper
—
chimes
And
to learn.
roll
as contented
Tulita
Owen
off into pearly clouds,
a smile spreads
day
its
warmth,
kisses night, at twilight.
Salli
27
Akers
SHAHERED
ILLUSION
Six shining stars in a closed circle,
An
intangible
bond
intertwining each.
Six shining stars in a deceitful space,
A
dormant mist
violently
Six shining stars in a
A
shattered
infinite sky
The
circle
of
awareness,
illusion silently falls.
Four shining stars
An
emerges.
moment
.
.
in a .
closed circle.
two wandering
stars.
was too small???
The bond was too weak!!!
Brenda Murray
Maybe belonged
I
was wrong
to
trying
In
to
cage the
Through my
he
sky;
Faithfully,
the stage
my problems and
hear
was
there,
still
.
"The stage
right, the light
remained,
ness
making
ness,
while
listening
sobbed. The eternity
of the
come. "I know why," he
me that no one He smiled.
or
me
"How ing
strands
of
could say
"I
it
will
soon
hair all
be
ing
if
He come
wasn't surprised that
moon
color shades better,
but
wouldn't
the tears
came again
at
wonder-
was forever pain and solitude. reached out and wiped a tear from
it
worked
looked up as a
"Who're you I
life
my
he knew.
right to try to
own
that way, but.
There were noises back stage
blue.
it
wish
"I
choos-
of
had no
it?"
"It
he asked gently.
was
just
a
bad
the sky."
I
me?"
me, the
I
swung open.
And
car went by on the dark street outside.
"Here you own the whole world." "Only a corner of it." turned and sighed. He shook his head in disagreement, but said nothing. But the real "I tried to make it the whole world once. world dragged me back out." "If the world claims all of you, why can't you ask for a small portion, like the sky, in repayment?"
I
help now."
"You're right."
A
And
floor.
blue eyes, that might have
to
things about
tell
scene.
sat in front of
black
his
could
It
ever knew."
moon-
lonely."
He
when
listens
"It
into the pool of
long have you been watching
"For a while."
told him.
"Would you like to talk about "His name is Steve, isn't it?"
asked.
I
"You looked so
I
would
cried with mine.
"Do you?"
friend,"
tears
on the stage
in crystal
universe of suffering
my
stood and walked around the open puddle to the edge
I
of the stage.
face that held the compassion for a
his
never
empti-
and no more
moved
had never I've
my
I
spread out before
light
looked up into
story,
is
theatre could speak
this
"If
said.
wasn't startled as he
I
my
related
audience engulfed
insignificant,
it
I
I
know."
"I
my mood my touch
board switches responded to and the whole auditorium smiled. In other moods, dark-
was
carefully.
many people
no one else cares."
.
waiting silently to
absorb. Sometimes when
watched him
I
seen before.
was "So long," and walked out of my life without looking back. That was all there was to it, except the bad taste, the emptiness, the need to cry forever and ever. said
.
tears
seen him before, yet there are
All he'd
no one but the wind and freedom.
cheek. "You
light
." .
.
â&#x20AC;&#x201D;people
came on and
in
the shop.
Mike'e head appeared around the corner. talking'
glanced down
to?"
at the
empty pool
of moonlight.
"My-
self."
here often," he stated quietly. "I've always wanted
to speak to you."
Maggie
30
I
the large shop door
Parker