Gregorio Jimenez Architectural Portfolio

Gregorio Jimenez PORTFOLIO

Toronto Parklet pg. 25

Contents PROFESSIONAL PRACTICE YWCA HAMILTON

1

OSSTF HEADQUARTERS

3

BANK OF MONTREAL

5

DESIGN BUILD MT. TOLMIE TINY HOUSE

9

OJO NORTE (STRAW BALE HOUSE)

13

SCARBOROUGH HOME RENOVATION

19

EXTRACURRICULAR TORONTO PARKLET

25

HALE COFFEE ROASTERS

31

PORTLAND CULTURAL HUB

37

SNOWDON NET-ZERO HOUSE

43

MODERN SHOE RACK

49

CUSTOM ENTERTAINMENT UNIT

51

BUILT IN ARMOIRE

52

BLOOM (SCULPTURE)

53

RIZE VAPOURIZER

54

PUERTAS DE SAN MIGUEL DE ALLENDE

55

PEOPLE | PLACES | ARCHITECTURE

57

ACADEMIC

PERSONAL

GREGORIO

JIMENEZ

3315 Randolph Ave., Windsor, N9E 3E8 -- 109 South Woodrow Blvd, Toronto, M1N 3L8 647-454-9723 gregoriocarpentry@gmail.com TECHNICAL PROFICIENCY

• Revit 2019 (advanced) • Autocad (intermediate) • Rhino 5.0 3D (intermediate) • Sketchup (basic)

• ArcGIS (basic) • Bluebeam (intermediate)

• Photoshop (intermediate) • Therm (intermediate)

• Illustrator (intermediate) • PHPP (advanced)

• Indesign (intermediate) • WUFI Passive (intermediate)

• Carpentry (master level)

• CNC (intermediate)

• Laser cutting (intermediate)

RELATED EXPERIENCE

Architectural Designer

Kearns Mancini Architects

• Permit drawing sets for various projects: Toronto District School Board, Bank of Montreal, Knox Presbyterian Church, • Laser scanning for various projects.

• Concept & feasibility research, documentation and design of various projects.

• Contract administration & Project management: Toronto District School Board (various), Bank of Montreal (various).

Architectural Designer

Sustainable.to

• Primary Revit technician for design development of OSSTF. • Assist in permit drawings for multiple residential projects.

Co-Founder

May 2016 - 2017

Honour Carpentry

April 2008 - 2017

Bayden Homes

December 2012 - April 2013

BCA Construction Ltd

August 2012 - December 2012

Angelo Carpentry

May 2011 - May 2012

D.J. McRae Contracting

June 2008 - November 2008

• Design and build home renovations and furniture.

Carpenter/Carpentry Foreman

• Residential and commercial renovation projects

Carpentry Foreman

• Logistics, quality control, site organization, concrete form-work (columns, piers, footings.

Carpenter

• Trim carpenter; doors, windows, mouldings etc.

Carpenter

August 2017 - March 2018

Island Life Tiny Homes

• www.islandlifetinyhomes.com • Design, build, and marketing of custom Tiny homes.

Owner/Carpenter/Contractor

April 2018 - Present

• Heritage building restoration (ex. Ontario Parliament Building) • Interior and exterior trim carpentry.

EDUCATION

Ryerson University

2013-2017

PHIUS

2017

Mechanical Engineering

Ryerson University

2002-2003

Marketing Administration

George Brown College

1999-2000

Straw bale SIP House

Future Living Lab (FLL)

2017

Toronto Parklet

Ryerson University

2017

ARVIBE SLC Installation

Ryerson University

2017

www.Islandlifetinyhomes.com

2017

Cafe & Coffee Roaster Facility

Ryerson University

2016

Rize Vape

Ryerson University

2016

Come Up to My Room

Gladstone Hotel

2016

Water Carry Me Go

Harbourfront Centre

2016

Telescopic All-Terrain Forklift

Carpenters Local 27

2011

Basic Welding

Carpenters Local 27

2010

Bachelor of Architectural Science • Building Science Major

Passive House Consultant Certificate

EXTRA-CURRICULAR

• Collaborating with fellow members of FLL to design a straw bale residence and produce permit drawings with Blackwell engineers for a client • Design and construction of Toronto’s first parklet in partnership with City of Toronto.

• Published on ArchDaily • Design and build of a permanent display and way-finding piece for Ryerson University’s Student Learning Centre

Mt. Tolmie Tiny House

• Design and build of a tiny house for a client based in Mt. Tolmie, BC with fellow members of Island Life Tiny Homes • Design and build collaboration of Hale Coffee’s new coffee house and roasting facility • 1st Prize Winner - Canveda Design Competition: Design and fabrication of a vaporiser • “Style & Profile” installation, collaboration with fashion designer Chinedu Ukabam • Design, concept, and build props for exhibit, collaborating with fashion designer Chinedu Ukabam CERTIFICATIONS

As Principal Architect at SUSTAINABLE.TO, I am pleased to provide a letter of recommendation on behalf of Gregorio Jimenez. Gregorio worked at SUSTAINABLE.TO From August 2017 to March 2018. SUSTAINABLE.TO is an internationally recognized collaborative architecture firm specializing in healthy, affordable, and energy-efficient design and demonstrates that sustainability is simple.

During Gregorio's time with us he participated on a variety of projects ranging from single-family residential, multi-unit residential, and large-scale institutional, with BIM modelling (Revit).

Additionally, Gregorio participated on design charrettes, assisted on energy modelling research, and created presentation as a member of the team.

Gregorio was well liked by all of his co-workers. He worked independently and was also

team-oriented and worked collaboratively. He remained positive, even during times of stress and was a pleasure to have around.

Gregorio demonstrated a great attitude and was a pleasure to work with.

Please feel free to contact me if you need any additional information

Sincerely,

Paul Dowsett Principal Architect OAA, MRAIC, LEED AP CanPHI Passive House Planner Congress for The New Urbanism Advocate

416 619 0848 info@sustainable.to

200 - 943 Queen St. E. Toronto, ON

www.sustainable.to

M4M 1J6

PROFESSIONAL PRACTICE

YWCA HAMILTON Location: Hamilton, Ontario Project Type: Passive House Architecture Firm: Kearns Mancini Architects Completion: Under Construction Role: Detailing & Construction Documents

Render outsourced

The YWCA project is a modern, innovative and energy efficient Passive House design, making it highly sustainable and optimized for the next 100 years. The 6 storey building will include 50 one, two, and three bedroom units. 15 of which will be dedicated to women with developmental disabilities.

I was brought onto the project because of my familiarity with Passive House design and my background in construction.

My primary role was to draw the interior and exterior construction details which included: stairs, washrooms, partitions, penetrations, foundation, windows & doors etc. My focus was on the detailing of Passive House junctures. Passive House details are important junctures in a Passive House project because they must be detailed carefully to eliminate any potential thermal bridges. A project with thermal bridges is likely to fail passive house certification because of the heat loss associated with thermal bridges. This project proposed a unique solution to optimize the elimination of thermal bridges. By utilizing precast insulated wall panels, the job constructing and detailing important junctures is made easier and the construction process made faster.

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EXTERIOR

INTERIOR VESTIBULE 01−01

LINE OF PRECAST WALL BEHIND CURTAIN WALL SYSTEM 19mm WOOD SILL EXTENSION FLUSH WITH PRECAST WALL BEHIND WOOD BLOCKING 50

232

GYPSUM BOARD FLUSH MAIN WALL GYPSUM BOARD

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SELF ADHERED AIR BARRIER MEMBRANE SEALANT AND BACKER ROD

RECESSED FLOOR MAT

ALUMINUM FLASHING

ARMATHERM STRUCTURAL INSULATION LIMITED TO 250mm MAX UNDER STRUCTURE BLINDSIDE WATER PROOFING

VESTIBULE DETAIL

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SELF ADHERED AIR BARRIER MEMBRANE TAPED TO CORESLAB TAPE

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SEE STRUCTURAL DWGS FOR CONNECTION DETAILS

Research and coordination was required with various manufactures and suppliers of construction components (windows, insulation, fabricators etc), Coordination with structural and passive house consultants was also necessary throughout the detailing processes.

PROFESSIONAL PRACTICE

OSSTF HEADQUARTERS Location: Toronto, Ontario Project Type: Architecture & Master Planning Firm: Sustainable.to Completion: In progress Role: Feasibility studies, master planning research, concept design, design development

Site Perspective

The Ontario Secondary Students Teachers Federation (OSSTF) headquarters is situated on an 11 acre institutional campus located in an emerging urban node in north Toronto. The project scope is a 20 year multi-phase master planing that incorporates urban design practices and advanced sustainable building metric (Living building challenge) for the redevelopment of the existing institutional campus into a mixed use community.

Phase 1 explored the feasibility of the redevelopment and the coordination of multiple stakeholders.

Phase 2 required an addition and retrofit of the existing headquarters utilizing sustainable design strategies.

My primary role for the project was as the Revit modeler responsible for all architectural documentation, as well as assisting in feasibility research and documentation, master planning and concept design through charettes and collaborative design -all under the guidance of architects Paul Dowsett and Steve Socha.

04

Storage Roof Patio

Level 4

Balcony Roof Patio Meeting Rooms Level 3 Conference Centre

OSSTF Headquarters Level 2

Level 3 Conference

Ravine Outlook

Solar Array Cafe

Level 1

Atrium

Lower gym

Level 2 Meeting room Leasable Space Fitness Centre

Lower Level

Loading

Fitness Centre FLOOR PLAN AXONOMETRIC

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An internal needs-assessment of the clients organizational structure was conducted to inform the organization of the architectural space planning and design.

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PROFESSIONAL PRACTICE

BANK OF MONTREAL

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Location: Ontario, Canada Project Type: Commercial Firm: Kearns Mancini Architects Completion: Various, On-going Role: Construction Documents

Farro Laser Scanner Hardware: FARO 330X

Hilcrest BMO -laser scan

My experience at KMA has given me the opportunity to work on many Bank of Montreal (BMO) projects throughout Ontario, Canada. This experience has given me a practical understanding of the type of work required at all phases of a construction project. From feasibility and pre-design to tender, construction documents and contract administration.

At KMA I was trained to operate laser scanning technology in order to accurately and precisely capture the existing conditions of a project. I then take the laser scan information and create a base Revit model where the team comes up with a concept design.

My primary role on BMO projects is Laser scanning and construction documents for permit, tender, and construction on Revit. Within this role there is a great deal of coordinating with consultants (Mechanical, Electrical, Structural, etc) and with the client. Under the supervision of the project managers at KMA, I have continuously advanced skill and responsibility on all projects.

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















 









 













   

 

 

 

 



 



 





 

      





 

 

















 



 

 

 

  























 

 

 













   

 

Plan View- Peterborough BMO















 

 

 





 

   

 

 

  

 

    

        



   

 

 

 











































  







        





        



 







 









  











Render outsourced



 



  

      



 

 

    

     

 

     

   

 

08



DESIGN + BUILD

MT. TOLMIE TINY HOUSE Location: Victoria, British Columbia Members: Gregorio Jimenez, Daniel Sobieraj, Michael Hankus, Douglas Peterson-Hui Budget: $75,000 Completion: September 2018 Role: Designer / Carpenter Media: http://www.islandlifetinyhomes.com/

Exterior photo

Located at the Base of Mt. Tolmie in Victoria, British Columbia, the Mt. Tolmie Tiny House is the flagship Tiny House model for Island Life Tiny Homes. The project is a response to the recent rise in real estate prices rendering housing unaffordable across major cities in Canada. The home is a modern update to the vernacular barn, a timeless archetype of a shelter bringing both a feeling of warmth, a sense of home, and an aesthetic appeal. Its design challenges the stereotype of a mobile home that is affiliated with a low quality of life, poverty, and temporary inhabitation. As many jurisdictions have minimum square footage requirements it is hard to build homes so small. However, since the dwelling sits on wheels it is not classified as a house allowing it to be built under the minimum square footage. Green aspects of the design include size efficiency, the use of reclaimed materials, cross ventilation and operable windows, as well as a hook-up for solar panels.

10

2x6 rafters

2X4 wall framing tension rods hurricane straps

15 mm plywood sheathing

lag bolts attaching framing into trailer 2x6 wood joists

Aluminum flashing 14,000 lb GVW reinforced trailer

STRUCTURAL EXPLODED AXONOMETRIC

Framing

Sheathing

Envelope

Louvre

Exterior front

Window detail

Interior photo

Exterior photo

12

DESIGN + BUILD

OJO NORTE (STRAW BALE HOUSE) Location: North Bay, Ontario Members: Future Living Lab team Budget: $175,000 Completion: January 2018 Role: Co-designer / Permit Drawing Set Draftsperson / Thermal analysis Media: https://www.futurelivinglab.ca/

Truth Window

Ojo Norte is the inaugural project coming from the Future Living Lab (FLL). FLL is a student-run innovation lab where creative ideas come to life. Sustainable design strategies were established early on as the guiding principles for the design of this 1200 square foot house located in North Bay, Ontario. As a result, an innovative approach on traditional Straw Bale construction was conceived. We conceptualized and designed Structural Insulated Panels (SIPs) made from Straw Bale with consultation from Blackwell Engineering. The Straw Bale SIPs address 3 major issues presented by the client; an economically feasible way for rapid deployment and construction, high insulation values (R-33) for a Northern climates and maintaining a low embodied energy for the building materials used to build the house. Ojo Norte is an example of how students from different disciplines can come together to collaborate in an effort to create a sustainable future.

14

A

South facade

South facade

Living room

Porch

B

7’ − 10 1/2"

C

2’ − 11"

10’ − 7 1/2"

D

2’ − 6"

F

10’ − 6 1/2"

2’ − 11"

1 S105

6’ − 11"

W01

59

SHOWER

W03

1

W1

5’ − 9"

W1

W03

SHOWER

W01

MECH

7

6

0’ − 4 7/8"

W04

0’ − 4 7/8"

2’ − 11 7/8"

1’ − 3 1/4"

2’ − 6"

2’ − 8"

W03

1’ − 4 1/4"

8’ − 2 5/8"

2’ − 6"

7’ − 0 1/2"

3 S104

11’ − 1 7/8"

D1

50

3

W03

BED 2

BED 3

2 9’ − 11 1/4"

W03

11’ − 1 3/4"

3

LIVING ROOM W03

4

W1

10’ − 11"

18’ − 8 1/8"

W1

W1

W1

W1

2’ − 11"

3’ − 9"

2’ − 11"

2’ − 11" 0’ − 5"

2 A104

2’ − 11"

1 A104

4

W02 20’ − 3"

PLAN VIEW

2

58

3’ − 8 5/8"

0’ − 4 7/8"

49

6’ − 5 7/8"

W1

2’ − 11"

7’ − 3 3/4"

60

2’ − 9 3/8"

W03

5

13’ − 1 1/8"

4’ − 11 1/2"

26’ − 10 3/8"

62

KITCHEN

8’ − 4 1/8"

10’ − 4 1/8"

13’ − 9 3/8"

4’ − 10 5/8"

2’ − 11"

BATH 2

8

4’ − 1 3/4"

3’ − 7 3/8"

BATH 1

0’ − 4 7/8"

10’ − 7 1/4"

3’ − 0"

1

W01

9’ − 11 5/8"

W03

63

3’ − 4 7/8"

MASTER BEDROOM

7’ − 9 1/2"

0’ − 5"

1 S108

RO1



 2X10 BLOCKING PLASTER FINISH COAT 2X4" HEADER PLASTER FINISH COAT

SELF ADHERED WEATHER BARRIER MEMBRANE FLASHING

1' - 0"

STRAWBALE

1' - 4 1/2"

4' - 6 1/8"

BED ROOM 2

WO1

Ojo Norte SIGA FENTRIM 20 TAPE AROUND ALL EXT. WOOD/PLASTER JUNCTIONS SILL J-BOLTS









1' - 4 1/2"

12’ SIP WALL SECTION

16 Roof Top

13’ − 7 1/4"

RO1

SELF ADHERING MEMBRANE

2X10 BLOCKING

12’ − 0"

3.66m S−SIP

2X4 HEEL 90 BEVEL

2−2X4 LAMINATED SIP TOP PLATE

1/2"ply SIP−SIP CONNECTING TOP PLATE 0’ − 1"

0’ − 0 1/4"

STRAWBALE

0’ − 9"

0’ − 3 3/4"

W02

0’ − 2 1/2"

1/4" INTERIOR PLASTER FINISH COAT

1/4" EXTERIOR PLASTER FINISH COAT

SIGA FENTRIM 20 TAPE AROUND ALL EXT. WOOD/PLASTER JUNCTIONS, FLASHING AND BLUE SKIN

SIGA FENTRIM 2 TAPE AROUND ALL INT. WOOD/PLASTER JUNCTIONS

BLUE SKIN ALUMINUM FLASHING

1’ − 0"

2−2X4 + 1/2" PLY WINDOW LINTEL

0’ − 1 3/8"

W2

WOOD TRIM

SIP TO ROOF DETAIL

PROPERTY LINE

PROPERTY LINE

NBMCA SETBACK

50’ − 8"

BOULDER CREEK

A102

1

EP ZONE

WELL

14’ − 0"

GARAGE

BREEZWAY

PROPOSED DWELLING

8’ − 1 3/8"

21’ − 11 3/4"

76’ −

97’ − 5 1/2"

3 1/4"

30’ − 10 1/2"

48’ − 3 1/2"

BUILDING ENVELOPE 9588SF [891m2]

SEPTIC

SITE PLAN

DRIVEWAY

45’ − 11 1/8"

112’ − 3 1/4"

OXBOW LAKE

HIGHWAY SETBACK

PROPERTY LINE

82’ − 1"

38’ − 0"

36’ − 1 7/8"

24’ − 0 3/4"

157’ − 6"

49’ − 3 1/4"

219’ − 8 5/8"

SECONDARY HIGHWAY 654

CENTRE OF HIGHWAY

EXPLODED SIP AXO

Structural Insulated Panels (SIP) - construction process (below)

(1) Materials: Clay, Straw silt

(4) Plaster

(3) Straw bale fill

(2) Frame construction

18

In order to comply with the Ontario Building Code energy standard SB-12, it was required to conduct a thermal analysis of the structural straw bale panel (SIP).

Using building science software I was able to determine that the SIP panels reached an R-value of 33, exceeding the requirements by 15% and thus meeting code requirements.

STRAW BALE SIP THERMAL ANALYSIS

DESIGN + BUILD

SCARBOROUGH HOME RENOVATION Location: 109 South Woodrow Blvd.

Project Type: Design + Build Budget: $180,000 Completion: September 2014 Role: Designer / Carpenter / Contractor

Finished Deck

Finished Kitchen

This was a complete renovation of the interior and exterior of a 3 storey home. All design, fabrication, construction, and carpentry was completed by Gregorio Jimenez.

This 3 floor renovation introduced natural materials, textures and opened up the space. Load bearing walls were removed to introduce more natural light, increase circulation, and give the impression of a larger space within the original footprint. This open concept kitchen is built on top of the whimsical and resilient Ipe hardwood flooring. It features custom cabinetry made of hardwood Cherry with custom acid-stained concrete counter tops. The back splash is made of vibrant yellow Mexican Talavera tiles with decorative accents. New millwork and electrical round off the transformation and gives off a contemporary yet rustic charm.

The deck is a split level structure that creates a visual continuity between indoor and outdoor spaces, retaining line of sight into the garden area and beyond.

20

2 4

3

1

5

Alterations EXISTING CONDITIONS

1 Door way height and width increased and shifted to create larger vestibule and room for entertainment centre 2 Load bearing walls removed to open up the kitchen

COMPLETED RENOVATION

3 Opening created and sliding glass door installed 4 Two-tier deck structure raised for accessibility from main floor 5 Basement partition removed and custom storage built

Water proof storage under deck Pergola with hammock anchors Built-in planters New stone path

Vegetable garden

PROPERTY LINE

1

22

Interior-exterior connection: the addition of the multitiered exterior living space was designed to add spatial layers to the architectural organization of the home, and allow the client to create flexible social spaces that extend beyond the interior living space.

The mass of the exterior living space was broken up vertically, creating a secondary exterior living space which was demarcated with the addition of a pergola.

PROPERTY LINE

2

LONGITUDINAL SECTION

2ND FLOOR 11' - 9"

EXISTING WALL: • BRICK • 1" AIR GAP • MASONRY BLOCK • 2X1 WOOD FURRING • 1/2" DRYWALL

Kitchen Island

BLUE SKIN OVERLAP FLASHING

SPRAY FOAM

DOUBLE STEEL LINTEL. REFER TO STRUCTURAL.

TRIM CASING ALUMINUM FLASHING

CAULKING NEW SLIDING DOOR

Hardwood Cherry drawers

PVC EXTERIOR MOULDING

SLIDING DOOR DETAIL

Concrete counter top (acid stain)

Concrete counter top pre-finished

EAST ELEVATION

Existing Kitchen

MAIN FLOOR PLAN

Existing Deck

1 1/4" = 1'-0"

3’ − 0"

3’ − 3 3/4"

1

A5

mainfloor

DN

6’ − 6 5/8"

3’ − 11 1/2"

6’ − 10"

1’ − 7 3/8"

4’ − 0 5/8"

2’ − 10 5/8" 1 7/8"

3’ − 0"

8"

UP

Under construction

3’ − 3"

0' 2'

7’ − 11 7/8"

ADJACENT BUILDING

4'

28’ − 0 3/8" 5 1/2"

2’ − 6"

1’ − 0"

2’ − 7"

7"

2’ − 2 1/2"

6"

7’ − 11 3/4"

8'

Pergola Detail 10’ − 5 3/8"

16'

2’ − 0"

6’ − 5"

1

3’ − 6 1/2"

A7

REF.

8’ − 11 7/8"

3’ − 9"

6’ − 0"

1’ − 7 5/8"

Hammock 12’ − 0 5/8"

DN

3’ − 2"

Deck Detail 9’ − 11 3/4"

DN

9’ − 2 1/4"

2’ − 8 7/8"

3’ − 2"

2’ − 2 1/4"

24

EXTRACURRICULAR

TORONTO PARKLET Location: Elm Street, Toronto, Ontario Project Type: Design + Fabrication Members: Jason Glionna, Joana Benin, John Benner, Gregorio Jimenez, Tess MacPherson, Diana Sobaszek Project Advisor: Vincent Hui Completion: June 2017 Role: Designer / Carpenter / Fabricator Media: https://www.archdaily.com/ undulating-walkway-using-a-modular-wooden-bench

Parklet

Toronto Parklet 2017 represents one of the first times design and function have successfully come together on the streets of Toronto.

The design features Accoya wood that undulates in a graceful manner from end to end. Accoya was chosen due to its ability to repel water, along with its strength and elegant grain. In order to achieve this natural undulation, each piece of wood was rounded in a concave and convex manner and then attached side-by-side to form layers. The Parklet has been designed in 50cm modules allowing for it to be easily stored, reused, and reconfigured. The result is an inviting space for pedestrians to sit, relax, and enjoy their meal or the weather. Toronto Parklet fits in perfectly on vibrant Elm Street with its glowing LEDs and light wood material matching the softly lit trees that line the sidewalks. Moving forward, Toronto Parklet aims to be the building block and inspiration for future Parklets to come.

32

Front Elevation

11000

2-WAY ROAD

ELM ST.

Exterior render A

B

C

D LENGTH

15610 200

2550

2740

2550

4450 5050

2740

1 PARKING SPOT

550

500

460 1950 920

1040 min CURB

COBBLESTONE

780

200

910 min 200

1200 1530 1840

SIDEWALK

OFFSET BEFORE ROAD

380

WIDTH

LEGEND

570 MANHOLE

810 ENCROACH ALLOWABLE 1080 ENCROACHMENT

TICKET METER 390x300mm

LANEWAY

FIRE HYDRANT

1630

LAMP POST

1650 2100

1790

CLEARANCE REQ.

CATCH BASIN TREE PLANTER 60.7 X 17 CM

1:75 NO. 17A

Plan View

NO.17

NO.15

1 Parking spot

E

2 Parking spots E

D2 D1

A

F

11.2m

F2

A 5.6m

2m F1

E D2 D1 C

3 Parking spots

16.8m

F2

B A

F1

0.5m Bumper 2.3m

2.8m 2.8m

2.8m

2.8m

2.3m

2m Deck

Components A = Start / Left Cap B = Small Curve C = Flexile D = Large Curve E = End / Right Cap F = Pod

0.5m Bumper Modularity Diagram

Modularity played a key role in the design of the Parklet to allow multiple uses throughout its lifespan.` The structure is divided into multiple components, making it easier for it to be stored away during the wintertime. These components can also be added or subtracted from the Parklet in order to customize its size based on parking spots.

34

East Planter Section

1:10

West Planter Section

Parklet setup

Summer evening

1-1

1-2

1-3

2-1

2-2

2-3

3-1

3-2

3-3

3-4

3-5

3-6

4-1

4-2

4-3

4-4

4-5

4-6

5-1

5-2

5-3

5-4

5-5

5-6

6-1

6-2

6-3

7-1

7-2

7-3

MODULAR SEQUENCE DIAGRAM

The form was subdivided into a sequence of modules for ease of construction and transportation. Each of the modules are 500mm in length, and are screwed to each other and the supporting platform. There were over 5000 unique pieces that had to be tracked and accounted for, by using Rhino grasshopper and other digital tools to keep everything organized.

36

Design team

Planter detail

Inauguration

Each piece of Accoya wood is cut on a concave and convex radius to accommodate for horizontal and vertical movement. They are attached in layers with an extreme attention to detail.

Assembly

Exploded Axonometric Seating Detail 1:10

EXPLODED AXONOMETRIC

Each piece of Accoya wood is cut on a concave and convex radius to accommodate for horizontal and vertical movement. They are attached in layers with an extreme attention to detail.

Construction

EXTRACURRICULAR

HALE COFFEE ROASTERS Location: 1485 Dupont Street, Toronto, Ontario Project Type: Interior Design + Build Members: John Zhang, Mathew Lau, Gregorio Jimenez, Liam Hall, Adrian Chiu, Stephen Jones Project Advisor: Vincent Hui Completion: March 2016 Role: Designer / Carpenter / Fabricator

Hale Coffee Opening day

The Hale Coffee Shop is located in the Junction neighborhood of Toronto. We were asked by the Toronto-based roasters to design the interior of their new cafe and coffee roasting facility. Wood became the prevalent material, from the Cherry counter tops to the undulating wood feature wall counter fronts. We took advantage of the high ceiling space, creating a dynamic 2x2 modular ceiling installation around the existing mechanical system.

The initial visit to the coffee shop presented an empty canvas filled with opportunities. Originally, the schematic design aimed to create a bright and lively atmosphere, complimented by a light colour palette. The design processes involved multiple meetings with the clients where ideas were shared and a framework for collaboration was established. A darker colour scheme proved preferable, creating a warm and cozy environment.

The entire cafe was built from scratch, from the ceiling fixtures right down to the furniture. This amazing feat could not have been possible without the enthusiastic efforts of both the roasters and the numerous volunteers.

26

1.

2.

3.

4.

7.

6.

5.

8.

1. Ceiling 2. Pipes 3. Modular Installation 4. Lighting Units 5. Customer Seating EXPLODED AXONOMETRIC

6. Barista 7. Coffee Roasting and Production 8. Multipurpose Space

Site visit

LONGITUDINAL SECTION

28

COMPLETED PROJECT PHOTOS

Hale Feature wall

Hale Feature wall

Hale + Design team

Antigua beans

Customer space

Roasting sta-

Ceiling Detail

LattĂŠ to go

Multi-purpose space

CEILING FIXTURE AXONOMETRIC

1 1/2” Box assembly

1 1/2” profiles are cut into dimensional vertical members ranging from 16” to 32”. All modules are constructed to maintain an overall massing of 16” x 16” x 16” that undulate according to the parameters of the above pipes. The ceiling fixture forms an extension of the feature wall that grows and expands along the ceiling, brining continuity to the overall site.

Acrylic Light Box

30

a

b

c

a concept rendering b concept rendering c fabrication

c

c

ACADEMIC

PORTLAND CULTURAL HUB Location: Wellington & Portland, Toronto, Ontario Project Type: Integration Studio II Members: Gregorio Jimenez, Mashroor Ishraque Professors: Arthur Wrigglesworth + John Ingrao Completion: April 2016 Role: Designer

The Wellington West area is a rapidly growing community with booming condominium developments, offices and restaurants. With a growing number of people living in the area, including young families and professionals, a community cultural hub will act as a gathering and social space to strengthen community spirit. The Wellington Place Community Cultural Centre will focus on adaptable and flexible space to encourage chance encounters and spontaneous interactions. It will be a hub where habitants of the area can come and form as a community. All theatre, meeting and classroom spaces are rental by the community for workshops, classes, small concerts or special events such as weddings or corporate events. The proposed site is on the east side of Portland Street, just south of Wellington Street West at the current parking lot. The building shall be approximately 3,800 to 4,000 SM and will include an outdoor amenity space.

38

EXTERIOR PERSPECTIVE B

C

4000

2205

VESTIBULE SECTION

2605 4245

40

STRUCTURAL SECTION PERSPECTIVE

64749

5th Floor

3500

81500

4th Floor

733

5500

78000

3rd Floor

10500

2nd Floor

5500

67500

4000

17000

5000

72500

Ground Floor

3500

62000

Basement 58500

LONGITUDINAL SECTION 0

STRUCTURAL AXONOMETRIC 1

Structure_3D_

3rd Floor view

5

10 m

B

1. L

E

A LW VE

T LEA

B

C LL

1 A157

2233 2119

2119

O TT A E CL TEN NEL S A PA 2. F

1

4000

2233

A157

2205

4000

TS C STI CLEA U CO TH E A L WI R E U EC PAN S .

3

2205

1

1

NORTH WALL SECTION 1 : 50

NORTH WALL SECTION 1 : 50

E UR ELS C E D S PAN AN LAR P U U INE MOD L .

4

ACOUSTIC PANEL ASSEMBLY DIAGRAM

Rear entrance

42 A

B

C

D

E

F

G

H

SB E.

7

6

5

21738

OTA

OTA

4

1 A161

3

2 1 A158

1

S. PL 2 A131

N. PL

SB N.

MAIN FLOOR PLAN

2 A134

0

5

10 m

View from vestibule

ACADEMIC

SNOWDON NET ZERO HOUSE Location: Georgian Bay, Ontario Members: BSC 820 Studio Project Advisor: Ramani Ramakrishanan Completion: April 2017 Role: Designer / Building Scientist

¸Rendering

Designed and evaluated by the students of BSC 820 Building Science Studio in collaboration with ATA Architects, a net-zero house proposal and permit drawing package was produced. The net-zero capabilities of the design were analyzed using energy modeling software such as HOT2000, RETScreen, THERM, and Sefaira.

The analysis that was conducted was presented to both the clients and ATA architects and the results were implemented into the final design.

44

Site Plan

Site Plan

VERTICAL WINDOWS

RIDGE DETAIL

HORIZONTAL WINDOWS

SEFAIRA ANALYSIS | Daylight Factor

V

H

Percentage of Floor Area where Daylight Factor (DF) is measured at 0.85 meters above the floor plate

VE RT ICAL

HORIZ ON TAL

DAY LIGHTING

DAY LIGHTIN G

EXPLODED AXONOMETRIC

21%

Difference

DAYLIGHTING ANALYSIS

48 2 A6.1 A

B TOP OF ROOF

28' - 9 1/2"

1 0031

12 12 R1

12

2.00째

14' - 8"

1 0010

R1

9' - 2"

W06

16' - 7 1/2"

12

0010

28' - 9 1/2"

2 1

W1

0050

F1

1

1' - 2 1/2"

0030

12' - 2"

01- MAIN FLOOR

1' - 0"

GRADE

0' - 0"

00 - FOUNDATION

-4' - 0"

11' - 2"

W1

02 - SECOND FLOOR

9' - 11 1/2"

W05

W1

4' - 0"

1' - 0"

F2

W4

TRANSVERSE SECTION

1

2

3

4

5

76' - 10"

12' - 0 1/2"

2' - 8"

7"

25' - 1"

2' - 0 1/2"

W02

13' - 0 1/2"

W1

W02

7"

11' - 0"

7' - 0"

9' - 11"

W1

W05

29' - 2 1/2"

7' - 1 1/2"

2' - 0 1/2"

11"

23' - 1"

W01

F2

14' - 4 1/2"

5"

2' - 9 1/2"

W2

D1 36" x

30' - 1 1/2"

5' - 11"

5"

MEZZANINE ABOVE

261

14' - 4"

18' - 8 1/2"

W1

UP

METAL COLUMN

WORKSHOP

W3

11' - 5 1/2"

14' - 4 1/2"

6" 6"

D2 70" x 80"

W2 W3

MASTER BEDROOM

3' - 0"

W1 12 36" x 84"

25' - 7 1/2"

6"

11"

16' - 8"

D2 70" x 82"

3' - 11 1/2"

5' - 11"

D4 30" x 80"

6' - 0"

8' - 0 1/2" 8' - 2 1/2"

17' - 7"

19' - 4"

8' - 0"

LIVING ROOM

0째 .2 98

째 .43 89

5"

7' - 0" 28' - 4"

3' - 0"

W2

11' - 3 1/2"

W3

5"

D2 70" x 80"

2 A6.1

D2 70" x 80"

11' - 4"

5" 5"

2' - 0"

3' - 8"

W1

11' - 9 1/2"

W3

9' - 6" W2

6"

2' - 0 1/2"

3' - 4"

3' - 0"

W2

4' - 3 1/2"

2' - 0 1/2"

W2

W1 D3 30" x 84"

5"

7

MECHANICAL ROOM

W2 D3 30" x 84"

KITCHEN 36" x 84"

W02

D2 70" x 80"

W2

7"

2' - 0 1/2"

D3 30" x 80"

4' - 6 1/2"

D3 30" x 80"

6' - 0"

W3

6' - 7 1/2"

7' - 6"

6' - 6"

9' - 4 1/2"

W1

A

REF.

W2

W3

8' - 8"

4' - 11 1/2"

5"

6' - 11 1/2"

W2

3' - 0"

5"

3' - 0"

11"

D4 30" x 80"

A

B

7"

2' - 6"

30' - 1 1/2"

11"

1' - 4 1/2" 2' - 0 1/2"

W1

7째 .3 82

W07

5' - 2 1/2"

2' - 6"

3

D4 30" x 80"

2' - 2 1/2"

4' - 0 1/2"

W04

0010

3' - 8 1/2" W1

2' - 0 1/2"

3' - 9"

2' - 5 1/2"

W02

2' - 9"

11' - 0"

13' - 3 1/2"

W05

5 1/2"

1 A6.1

27' - 4"

6"

27' - 1"

1

MAIN FLOOR PLAN

63' - 5"

2

3

4

5

B

VERTICAL WIN

1

Ground Floor Plan 1:100

2 3

4

5

HORIZONTAL WINDOWS A

KITCHEN

LAP MEMBRANE OVER PRE−FIN SEFAIRA ANALYSIS | Daylight Factor METAL FLASHING 0’ − 10 3/4"

MECHANIC AL

A

ROO M

MEZZANIN E ABOVE MASTER BEDROOM

WORKSHO LIVING ROO

B

P

M

TYPICAL EXTERIOR WALL:

V

− − − − − − −

H

B

1

1" METAL CLADDING 1" AIR SPACE 2" CLOSED CELL SPRAY FOAM 1/2" PLYWOOD 2"x6" STUD WALL W/ CLOSED CELL SPRAYFOAM INSULATION 1/2" DRYWALL

2 3

4

5

1 2 3

Second Floor Plan 1:100 4

WALL TO TOP OF WINDOW DETAIL 1”= 6”

5

Percentage of Floor Area where Daylight Factor (DF) is measured at 0.85 meters above the floor plate A

VE RT ICAL

HORIZ ON TAL PRE−FIN. METAL FLASHING

A

STUDIO

GUEST WC

DAY LIGHTING

DAY

LIGHTIN G DOUBLE PANE GLAZING, LOW E COATING

OPEN TO

BELOW

DN

B

GUEST BEDR

OOM

B

21% Difference

1 2 3

4

5

Results from Sefaira simulations show that the 21% increase in Daylight Factor makes the Horizontal Window option closer to comfortable levels.

WALL TO BOTTOM OF WINDOW DETAIL 1”= 6”

VERTICAL VE RT ICAL

HORIZONTAL HORIZ ON TAL

THERMAL BRIDGE ANALYSIS DOUBLE PANE GLAZING

THERM ANALYSIS | Thermal LOWPerformance E COATING

SPRAY APPLIED BARRIER

110

TYPICAL EXTERIOR WALL: − − − − − − −

ALL TO TOP OF WINDOW DETAIL 1”= 6”

1" METAL CLADDING 1" AIR SPACE 2" CLOSED CELL SPRAY FOAM 1/2" PLYWOOD 2"x6" STUD WALL W/ CLOSED CELL SPRAYFOAM INSULATION 1/2" DRYWALL

1% Difference Fans Equipment

Lighting

HE ATIN G DOMINA TED

Coolin g

2

WINDOW DETAIL WINDOW DETAIL

ALL TO BOTTOM OF WINDOW DETAIL 1”= 6”

0010

1 1/2" = 1'-0"

VE RT ICAL

Thermal calculations show that approx 1% greater heat loss occurs with the Horizontal Window Option

Pumps

HORIZ ON TAL ENERGY ANALYSIS

Heatin g

BSC820: BUILDING SCIEN AMELIA PHAGOO MATTHEW WONG GREGORIO JIMENEZ

50

BT i Ba k e r Tu rn e r i n c

La nd s c a p e Arc hi te c tu re

S i te D e s i g n

Ed w i n S . B a k e r B L A . O A L A . F C S L A Tim othy Tur ne r B L A . O A L A . C S L A D e a nne C h ris tie B L A . O A L A . C S L A

Suite 300 8501 Mississauga Road Brampton ON L6Y 5G8

Tel: (905) 453.9398 E: tba@bakerturner.com www.bakerturner.com

April 6, 2017

The Faculty of Engineering and Architectural Science Ryerson University Attention: Dr. Thomas Duever, P.Eng., FCIC tom.duever@ryerson.ca Dear Dr. Duever, My husband Michael and I recently made the decision to build our own home. Our goal was to be as energy efficient as possible, utilize our local resources and keep it simple enough to maintain into our golden years. We have friends who built their sustainable home completely off grid, using a wide range of current technology. It was challenging for them, as they found few professionals with experience or understanding of what they were trying to achieve, resulting in a lot of trial and error as they designed their own systems. Ongoing, it requires a great deal of management. We did not want the same experience.

We shared our plans with a colleague and architect, Mark Driedger of ATA (Architects), who told us about a Ryerson program in Building Sciences that may be able to provide input on our proposed design. Through Mark, we connected with Dr. Ramani Ramakrishanan and the 15 students in Spring 2017 BSC820 class at Ryerson University. Michael, myself and our project manager met with the class 3 times over the duration of the project. The first time was to present our vision, the second was a progress review (where the students proved our original ideas were not the best option) and the third, a final presentation.

We cannot express how rewarding this experience has been. We trust the design to ATA (Architects), but it was the opportunity to gain an understanding of building science that made the difference. We had done our own research but it was through the student’s research, modelling and recommendations that we were able to make informed decisions on how this house should be built. Form followed function. From the original design, the experience of this process reoriented the house and greatly improved the efficiency and R value of the wall and roof assemblies. Michael was previously convinced the wall should be a ‘remote system’, but based on the student’s energy consumption comparison, we are now going with a closed cell spray foam assembly. The introduction of a roof shade requirement has created one of our favourite features of the house. The class ultimately achieved a Net Zero number of 80 without the solar panels and the net zero number increase to more than 90 with solar panels.

Understanding why you do what you do is key. Because of BSC820, we are confidant moving forward with this build. It will be new technology for a number of the local trades we will be working with for this build, but they are intrigued and excited. We hope to break ground this summer and move in for Christmas 2017.

Deanne Christie, OALA CSLA and Michael Burke Senior Associate l BAKER TURNER INC. deannec@bakerturner.com

PERSONAL

SHOE RACK Location: Toronto, Ontario Project Type: Design + Fabrication Completion: January 2013 Role: Designer / Carpenter

This project was a response to the enormous amount of waste that is generated in the construction industry. Made of Acacia wood, from the leftovers of a flooring project. The design intent was: easy assembly, compact & discreet, yet stylish and distinguishable.

52

Concept Sketches

PERSONAL

ENTERTAINMENT UNIT Location: Riverdale, Toronto Project Type: Design + Build Budget: $11,000 Completion: December 2015 Role: Designer / Carpenter

Hand crafted from local hard Maple, the design took its cue from the clients desire for a comprehensive furniture piece that imbued the essence of “classic modern�. Each element of the unit, whether hidden or aesthetic was designed with a purpose: form follows function.

Site Plan

PERSONAL

BUILT-IN ARMOIRE Location: North York, Toronto Project Type: Design + Build Budget: $4,500 Completion: July 2012 Role: Designer / Carpenter

Hand crafted from white Mahogany, using one of the oldest and strongest Joinery methods; Mortise & Tenon. This shaker style built-in Armoire carries the warmth & strength of tradition and quality

54

PERSONAL

BLOOM (SCULPTURE) Location: Toronto, Ontario Project Type: Sculpture; wood & metal Completion: February 2013 Role: Designer / Fabricator

Nature represented by the wood base. Human nature; in transforming its organic form into its leaner projection. Metal (human industry) penetrating the wood, is organic from our perspective.

56

PERSONAL

RIZE VAPOURIZER Location: Toronto, Ontario Members: Gregorio Jimenez, Daniel Sobieraj, Douglas Peterson-Hui, Lucas Chong Completion: 1st Prize Winner 2016 Canveda Design Competition Role: Designer / Fabricator Media: https://www.youtube.com/watch?v=z2XPsck9nso

RIze ze

In response to the preconceived noIn response to the preconceivedtions no- of using medicinal marijuana, Rize tions of using medicinal marijuana, Rize to vapourize the stigma through strives strives to vapourize the stigma through design. Simplicity and elegance were design. Simplicity and elegance were the primary drivers for Rize’s materialithe primary drivers for Rize’s materiality and ty and form. Appealing to a mature de- form. Appealing to a mature demographic, the product was modelled mographic, the product was modelled to resemble sculpture and fashion to as resemble sculpture and fashion as a timeless accessory founded upon a timeless accessory founded upon precedents.

precedents.

The design of Rize was derived from an extruded volume, twisted to addThe tactiledesign of Rize was derived from an intrigue to the common cylindrical vaextruded volume, twisted to add tactile pourizer and address the human condiintrigue to the common cylindrical vation through ergonomics.

pourizer and address the human condition through ergonomics.

In response to the preconceived notions of using medicinal marijuana, Rize strives to vaporize the stigma through design. Simplicity and elegance were the primary drivers for Rize’s materiality and form. Appealing to a mature demographic, the product was modelled to resemble sculpture and fashion as a timeless accessory founded upon precedents.

The design of Rize was derived from an extruded volume, twisted to add tactile intrigue to the common cylindrical vaporiser and address the human condition through ergonomics.

PERSONAL

PUERTAS DE SAN MIGUEL DE ALLENDE Location: San Miguel de Allende, Mexico Project Type: Photography Completion: August 2009 Role: Photographer

58

This enchanting Mexican town is home to a diverse contingent of delightful doors, indicative of the town’s talented artisans, craftsmen, artists and warm, friendly people.

PERSONAL

PEOPLE | PLACES | ARCHITECTURE Location: Canada Project Type: Photography Completion: 2012 - 2016 Role: Photographer

Life is beautiful, everywhere.

60

THANK YOU